#keep in mind these bullet points are about things I see multiple fanworks do and not just one

[tribow]

2008 is a pretty eventful year for touhou at least in terms of canon. It marks the release of both Scarlet Weather Rhapsody and Subterranean Aminism. I think Cage in Lunatic Runagate started releasing chapters around this time as well.

Mountain of Faith released late 2007 so the fanworks for those characters were fleshed out in 08 as well. So what happened in the fanon? Well, a lot did and a lot didn't.

Aya is now a big character from here on out.

Wriggle stays somewhat relevant somehow??? She's doing her best!

Hina is either the nicest character ever who deals with depressing topics/stories or the most evil character imaginable (usually in comedy-focused stories).

Medicine starts to show up more due to Hina existing. I always thought this character was ignored by the community, but she really wasn't.

This is the LEAST stupid year I've seen for Cirno. It's like everyone decided to let her doing something smart this year.

Momiji is commonly depicted as working for Aya (which is super incorrect). Outside of that she doesn't get much focus surprisingly.

Kaguya's antagonistic depiction is slowly getting overshadowed by her being a NEET.

Ran and Sakuya are having a very hard time keeping it together.

I knew Nitori would be into tech, but I didn't expect her to obsess over taking tech apart to see how it works. Aya's camera was in constant danger.

Reisen's PTSD is starting to set in.

Rinnousuke is ripped as hell and nobody cares. (Shoutouts to Rinnousuke being comedy gold when he isn't depicted as a disgusting pervert).

The Aki sisters bicker with each other quite a lot, but always make up with each other by the end.

Minoriko throwing grapes and potatoes at whoever she's angry at is top tier content.

Since the Aki sisters made the seasons relevant again, LETTY IS BACK LETS GOOOOO.

"Yukkuri shiteitte ne!" was 2008???? I thought it was way older!

The family dynamic of the Moriya Shrine heavily reminds me of Minami-ke (there's even a doujin that makes that comparison).

Kanako gets added to the list of "old hags". (Suwako avoids this despite being just as old)

Reimu is somewhat nerfed now. She's clearly still powerful, but the absolute dominance of power she has in fanworks isn't as prominent.

Suwako trying to be the mother she never got to be in past and be the mother Sanae never had hits me right in the feels bro.

Marisa's harem only gets bigger. (Is it because of the faith she gathered?)

Sanae gets sexually harassed a lot. Ya hate to see it.

Sanae is usually portrayed as a very nice, responsible, and innocent young girl which is funny...considering how long that lasts.

Suwako's height varies drastically, but starts being consistently short by the end of the year.

Mountain of Faith as a whole doesn't get much content even in 2008. Maybe it got overshadowed by the other releases, but it was one of the weaker touhou games in general.

Tenshi's masochist joke happens immediately. Also she is supposed to be short canonically, but Twilight Frontier didn't show it well so in fanworks she's a little taller than average for a long time (American sized).

Iku cannot read the room, a joke almost as good as "is that so?".

I'm disappointed that no one made a joke about Patchouli using bean danmaku to beat Suika in SWR. (maybe someone did and I didnt see it)

Iku almost becomes a sadist, but Yuuka existed so her motivation in bullying Tenshi just becomes a yuri thing

Several characters try to eat Tenshi's or Minoriko's hats.

Aki Eda said Parsee and Yuugi were gay for each other and everyone was like, "Yeah I'll add that to my religion" (idk if Aki Eda was actually the first person to ship them, but their doujin released pretty close to SA)

Satori frequently uses super weak spellcards (like Easy Perfect Freeze) exposing that the heroines got hit by them at least once.

Rin will absolutely throw your body in her wheelbarrow even if you're just unconscious.

Koishi's 3rd eye is usually shown to be shut normally...like without stitches. I'm used to seeing stitches.

Aaand that's really it for SA. SA released late in 2008 so anything else I say would be technically about 2009 fanworks. There was honestly way more stuff about older characters than the new ones for this year. The overall fanon for the older characters didn't change much despite SWR giving a lot of material for older characters. (I barely even saw Komachi in 2008!)

Ah well, I know 2009 goes wild. It's about when I started to really pay attention to doujinshi works and not just the games/music. Undefined Fantastic Object comes out and a lot of new stuff in general happens (honestly considering making two posts for it).

[wonderfulworldofmichaelford]

Psycho Analysis: The Moonchild

(WARNING! This analysis contains SPOILERS!)

I feel like this one was inevitable. As soon as I decided to bust open the doors on literary mediums like books and comics, this guy was always going to loom over me. Well, let’s just bite the bullet and talk about him. 

In the final portion of The League of Extraordinary Gentlemen: Centuries, we are introduced to Oliver Haddo’s ultimate creation… a creation he is incredibly disappointed in. You see, the Antichrist or Moonchild is a whiny, miserable young adult strung out on prescription drugs because he went mad after realizing what he was being manipulated into. He is the subject of derision by all who know him, and is treated like a punching bag by most of the narrative, up to and including God literally telling him he’s a bitch. Our villain here is just a miserable, whiny, kind of misogynistic brat who doesn’t even want to be a villain, and in general is just unpleasant and ineffective save for a school massacre he pulls off.

Oh yeah, and his real name is Harry Potter. Kind of an important detail, that.

Motivation/Goals: So as the antichrist, you’d think Mr. Potter might, you know, maybe want to bring about the end of days and all that. But no! He actually pops pills and isolates himself in Grimmauld Place so that he doesn’t do that! He doesn’t want to be the Antichrist and, really, who would? Most of his screentime is thus spent whining, until he ultimately decides to embrace being the Antichrist because he feels  he has no other choice. We’ll get into all of that in a bit, but honestly, his motivation is extremely weak despite the incredibly graphic setup we’re given to his downward spiral: when he first discovered he was being manipulated by Satanists, he went on a magical school shooting, shown to us in a first-person perspective to emulate the games that were often blamed for real school shootings. We get to see Harry slaughter Ron, Hermione, Snape, Dumbledore, and so on, we get to see what he did to Hogsmeade and the Hogwarts Express, and absolutely none of it is pleasant. 

With setup like that you’d expect maybe a little more intrigue and indecision, maybe some sort of conflict between fate and choice or something beyond Harry sitting around half-naked, high off of antidepressants, being a whiny little bitch, but you might be giving the dude who wrote a porno where the kids from Peter Pan engage in underage incest a bit too much credit. 

Final Fate: So Harry has gone absolutely bonkers and it seems that nothing can possibly stop him; our heroes seem to be written into a corner. So what does Moore do? He has God - who in this universe is Mary Poppins - descend from the heavens and have her say how she protects the imaginations of children and how she just straight up hates Harry. Never mind that Harry is quite literally an abused child who was twisted by the cruel machinations of a body surfing wizard, apparently he’s a child not worth protecting or caring about and is unworthy of sympathy. Anyway, Mary Poppins just turns him into a chalk drawing and that’s the end of that. 

Great writing, Alan Moore, critically acclaimed creator of Watchmen!

Best Scene: Saying Harry here had a ‘best scene’ is seriously pushing it, because literally every moment he’s on the page the comic just beats you over the head with Moore’s biases. I wish I could put the school shooting sequence, because the idea behind it is legitimately intriguing, but the whole sequence is just interwoven with Moore whacking off his hateboner for the series. But on the subject of boners… well, I think there’s only one panel that can truly and adequately sum up this entire character and how much of a miserable failure he is. Those who have followed me for a long time knew this was coming, but for the rest of you, behold - Harry Potter Dick Lightning:

Final Thoughts & Score: Quite frankly, this is the worst thing Alan Moore has ever done.

I’m not even mad as a fan of Harry Potter; Moore was honestly ahead of his time in hating the franchise to this level. The issue I have is that he doesn’t really deconstruct or criticize in any meaningful way, he just is doing edgy “take that” stuff that you’d expect from a chump like Garth Ennis. Like, the concept here is incredibly solid and intriguing - this version of Harry has been groomed from birth by Satanists to become the Antichrist, with all of his adventures fabricated and all of his relationships manufactured to keep him under the illusion he is a hero to mankind. Upon discovering the truth, he snaps, massacres everyone at his school for their role in his manipulations, and went into exile to stave off the apocalypse, although he ultimately and bitterly accepts his role because he feels he was never given a choice… and he wasn’t! He’s an incredibly depressing and miserable deconstruction of the concept of “The Chosen One,” and yet the whole thing falls apart on multiple levels.

The first is that the Harry Potter franchise already deconstructs the concept of “The Chosen One;” the text goes out of its way to point out that Voldemort’s own actions are what is creating a self-fulfilling prophecy by targeting someone with the will and drive to fight back against him. Harry’s not so much chosen by fate so much as forcibly chosen by an evil manipulator… and that’s basically what we have here, but with less substance. Moore doesn’t really comment on anything, instead leading into the second big issue - Harry’s whole role is to be a strawman punching bag villain so that Moore can complain about modern fantasy franchises. Moore seems to view Harry as the epitome of the lazy regurgitation of the same story over and over that modern blockbuster culture so often falls into… except that Harry Potter was an original product developed by one person and had no artificial longevity slapped onto the franchise in the form of unneeded sequels or spinoffs to extend the lifespan of the franchise at the time Moore wrote this. Throw in the fact Moore just in general seems extremely contemptuous of any post-70s pop culture in Centuries and how Harry is ultimately taken down by crusty old characters from older literature really just leads to Moore coming across as a grumpy old man who hates anything new, not helped by his tired criticisms of millennials and their perceived lack of culture. Maybe Moore would have had more of a point if he created this storyline today, but he didn’t. Thus, he has no point and he just looks like a miserable old fart.

Sure, you can argue that maybe Moore’s basic parody of the character by exaggerating his tendencies to their logical extreme and attacking elements of the plot that had been criticized to death by fans to begin with has its place, and perhaps you could even say that the take in the comic is just an extreme take on how Harry acted in the fifth book, what with the lashing out at his friends and his general feeling of a lack of control, and there is some merit to that, or there would be if Moore’s own unrepentant bias didn’t undermine everything. Look, you can hate Harry Potter, but then why slap it into your work? It’s supremely cringey when people insert characters they hate into fanfiction and just completely derail their characters so that they can treat them like garbage with the narrative, and is that not what Moore did here? Is League not just public domain fanfiction? There’s a reason why I coined “Harry Potter Dick Lightning” as a phrase used to showcase a moment where a fanwork’s contempt for a character becomes so extreme that it not only jumps the shark, it rockets over it into the upper atmosphere. Any criticisms or messages Moore is trying to convey is tarnished by his blatant, seething contempt for the character, and that gets in the way of good writing and good storytelling. Having two characters express pity at having to murder an abused child who was warped by Satanists into being a tool of the apocalypse does not make up for how the narrative constantly mocks, belittles, and treats him like garbage to the point he really can’t function as an effective villain that can be taken seriously.

All of this adds up to what I’d argue is the absolute worst villain in all of fiction, bar none. There is just not a single redeeming quality about the Antichrist as a character. None. Nothing. I cannot think of another villain that so completely fails on every single level as this one does. He doesn’t work as an antagonist because most of the bad things he does are offscreen and he doesn’t come into conflict with the heroes until the very end, and most of his screentime features him doing nothing of note. He doesn’t work as a critique, because he is acting as a criticism for things his character never really represented in the first place. He only really functions as the sort of garbage you’d see in My Immortal, where the characters you know and love are turned into evil jerks because the writer hates them - but he even fails at being that, because at least My Immortal is funny about it! 

I am going out on a limb and saying that there cannot possibly be a villain that so utterly fails at everything it sets out to be as hard as Harry does. I don’t even want to try and believe it. And so, without hesitation, I am giving Moore’s shallow Potter parody a 0/10. And I pray to Mary Poppins that this is the only one of those I ever dish out, because I really don’t want to imagine what could possibly be worse than Harry Potter Dick Lightning.

[ohhicas]

I've only been into comics for a few years, but I've read enough of the old Flash stuff where I adore the classic incarnations of the Rogues. Honestly curious here: what's it like to be a fan of James Jesse back when he was retgonned around 10 years ago and see him brought back but now all mwahaha crazy evil? I'm way more used to Axel (and all that off-panel character development in Nu52, thanks DC) but even I find this kinda weird. Was James ever crazy evil in any arc?

^- me 90% of the time someone says James is coming back to recent media & it’s not a direct continuation of the comics prior to 2004

[ Warning: this is gonna get long and be full of a lot of assumptions. I can never form solid statements and things will get jumbled, because I suck at presenting things ]

[ this is my can of worms hill and you opened it so I’m dYING HERE ]

I mean, back in the earliest ages, no Rogue had a real personality to speak of? They were just “1960s Bad Guy in a different outfit” at the very start, with quirks! Like James having a thing for toys and nuclear powered flying tricycles. It wasn’t until that era ended that they started getting real distinct and into what a lot of ‘classic’ James fans loved and appreciated? 

(I think at least, I’m just One Person here pretending like I even understand HALF of what the ‘classic’ fandom enjoyed. I’m wildly speculating just going off what fanworks I’ve seen produced.)

(I don’t have all my scans anymore but I’ll toss in scans when I have them)

But that’s when we started getting things like James actually having specified friendships with certain people

or clear distaste towards others, and when you could tell he was more of a wild card than the others. Or when he decided to fuck off and hang out in Hollywood with Blue Devil for a bit, even siding with Kid Devil to deck out Captain Boomerang. 

Or when he decided to fuck off to Gotham, to mess with Catwoman by pretending he didn’t know who she was, but absolutely knew who she was because of how she walked and carried herself, but James being James was like “mmmmm long con, nope”

hey lil Cold, gimme all ur guns and don’t question why I’m in drag xoxo

Even then, he wasn’t shown to be vicious yet! He’d hopped around various places, was still considered A Rogue, A Criminal, and as far as any comic reader could tell by trying to count up how many civilians may have been crossfired at, he had no On Purpose deaths racked? Like, the only thing you could really argue was he may have made someone drive their car off a cliff once, but I’m like 98% sure they’re fine. He’s not a murderer, he’s just here for a laugh and a long-con for funsies because he know he can get away with it!

AND THEN WE GET A LITTLE OLDER, LITTLE DARKER

[ I’M PUTTING A CUT HERE CAUSE AFTER I THREW IT INTO DRAFTS, I REALIZED I GOT REALLY LONG, I’M SORRY IF MY LAYOUT SUCKS ASS FOR THIS. ]

little more 90s Hair. Little more 90s stereotypical “But what if EVERYONE WENT TO HELL” demon plots against Satanic Hockey Hair Neron. And James? still wasn’t evil? He was a little dismissive when everyone ELSE died sure but he still in the end turned around like “nghgng I’m THE ONLY ONE”, purposely got his ass down there, regretted it, and then beat Neron at his own game to save the entire fucking world. Because! He could! And he did it so well. STILL NOT EVIL, even when he had a chance right then and there to take over everything alongside Neron should he so desire. Like, two words, maybe some under the table BJs depending on how you feel about that pairing (I don’t), and bam. He would’ve bested nearly any other villain in the DCU save like, Satan himself. Or i guess one of those world destroyers. But we’ll get back around to those BOY HOWDY WE WILL GET AROUND TO THOSE. 

So James! Saves! The world! Sorta! Later they fight Neron again and his kid he somehow had somewhere down the road (it sounds like I’m complaining, i’m not, I love Billy and Mindy both I just wish they showed up like… ever again?) and he sTILL SAVES EVERYONE. 

Piper helps by their 90s ponytails combined. 

Somewhere around here, because dates and timing aren’t my strong suit, he also goes and messes with Bart for a bit. It’s pretty much a Spy Vs Spy episode, but with less bloodshed. 

ANYWAY IT’S AFTER THIS POINT THAT THINGS GET… where I think the majority of “James is a Low Rate Joker” comes from? 

For some unknown goddamn reason, in between issues (James wasn’t a Super Frequent Rogue? He’d show up, sure, but in the huge run of the series he’d just kind of vanish for 20 issues at a time and you’d go “welp, guess he’s still alive”) James went super-cop? like, the FBI? For some reason? Hired James “I am a probably still wanted felon, a man who has escaped jail numerous times, probably never served a full sentence, known Trickster and liar” Jesse. to the FBI. And for so many issues it’s like he legit just. Did this. He threatens to shoot Piper who he was up until this very moment, considerably very close friends with (as far as comics would show Rogue/Rogue friendships), unwilling to help his friend clearly framed for murder of his parents and losing his mind by the day. Despite James talking Hart down a little on the whole ‘THE MAYOR IS ROSCOE ADN NOBODY BELIEVES MEEEEEEEE” thing. 

Also he steals Digger’s dead ass corpse? 

FBI James is a fucking enigma. Here he is standing up for Gay Rights even though Piper is like “mm maybe I should forgive my abuser??”

BUT. AFTER THIS? WE GET COUNTDOWN WHICH IS JUST. Countdown is. IT’s a problem. James’s personality is IMMEDIATELY HORRIBLY u-turned into “well we need SOMEONE to be the Bad Guy to Piper’s Good!” DESPITE. ALL THESE YEARS OF COMICS.This is the shit you’ll see people who don’t know better or just want a reason to hate the Trickster (despite being 100% okay for them to just say he’s annoying/they don’t like his tights/acrobats are stupid) reference. James is, suddenly, very abruptly, a homophobe. Like an “ew don’t touch me” level homophobe because I’m pretty sure DC snorts cocaine and threw a dart at a board for “how could they make these two fight” and landed on GAY RIGHTS IS TRENDING. 

BUTSTILL IN THE FUCKING END OF ALL OF THIS?After so many issues of James being a complete fuckass prick? 

springboards himself from his current job of being railroad face putty to catching bullets to make sure Piper wasn’t gonna die. Without knowing the proceedings of this entire plotline, James out of nowhere after so much gaybashing, still finds it in him to leap into the path of multiple bullets and save Piper. Because, yknow, he’s evil!

Later it’s shown he’s been working to take everyone down (y’know, like when he was in the FBI) and left Piper specific helpful notes to do it himself. Because Evil Bad Guy! Helping his gone-good friend! Take down bad guys! 

DC I STILL HAVE SO MANY GODDMAN QUESTOINgsd

But yeah that’s. That’s where we last saw James. in 2007, dead, after saving Piper when he could have easily pulled a Joker and ripped HIM down to take hte bullets and etcetc, y’know. Something a Very Bad Person would’ve done, like the characterization we’ve seen now. 

His ghost (easily argued as Piper’s own mental construction of James sassing him) sasses Hartley to even, in his mental state, saw off James’s hand so Piper doesn’t have to lug his weight around and has a fighting chance at living. And in the end, when Piper’s fighting the thing that can destroy the fucking world, it’s shown only Piper was the one who could save them? Because his flute, and his musical ability, and [enter DC comic science here]. You could argue this was James, once again, somehow knowing the long-con at play here, getting screwed over at EVERY turn, and sacrificing himself so they ‘good’ team had a fighting chance.You could also argue this is me losing my mind trying to make sense of the things they made James do. (my running argument is he was purposely a prick to push Piper away, so he could keep him safe) 

Also Piper plays James a Swan Song of Queen as the final boss explodes and he’s fully prepared to die. So like. There’s that. 

AND THATS BASICALLY THE COMICS? The main, ‘canon timeline’ comics. I’m missing a LOT of little things here and there, but I’m not missing anything like body counts, or murder attempts, beyond the old Silver Age “Bad guy of the week” things like trying to make Flash’s head explode, or you know. Other “nobody really has a personality, we just have quirks”. 

MY NUMBER ONE GUESS TO WHERE THIS NEW PERSONALITY TREND COMES FROM?

Mark Hamil|’s OG run as him in the old live action show. That characterization was fun, for the time, and I even enjoyed it cause it was just that off the wall and you could tell it was what they used to decide he should be the Joker for the BATS Joker. Consider it a prototype (combined with all the previous comic jokers but that’s not for this long ass post) 

And if it’d stayed there, that’d be it! That’s it! But then JLU came along, and they referenced the old show for their version of James with a sprinkling of early-era comics, and a lot of people loved and watched that show. That was their version of the Trickster, because it was their first meeting with him! And I can’t fault that! But that guy was clearly off his rocker and I’m sure if the JLU allowed a higher rating, it would’ve been even closer to the old TV show. 

And both of THOSE were heavily, heavily referenced for the CW version, which as I’m at this point now means I need to slap my usual anti-CW tag onto things. I hate the CW James. There is so little comic in him it’s almost disgusting, and they ramped up so much of the Joker side of JLU & OGTV he might as well just be the Joker. It’s not a good representation of him at all. I have, also, only seen his first appearance episode, so maybe I’m wrong? But when you fuck up hard on the first run, why would I return for round 2? 

So with ALL THIS– 

REBOOT TIME. Whatever the newnew remake is calling itself. 

At first! With how James was! In the first panel flash of him clearly behind the scenes tugging so many wires and lines, watching everything with a bucket of popcorn while pulling others to his side, sitting pretty in an old museum? warehouse? highlighted in purples and vintage toys, I was like “holy shit this it. This is My Boy, back from the goddamn limbo-dead. It’s him.” But then“taking over the city entirely” to do? What? Turn it into the world’s biggest Trickster themepark? Make everyone wear striped leggings and combat boots? Martial Law of murder if you don’t carry rubber chickens? This is already veering from anything major James has ever done. As it stands I can’t see the gag here. Its’ weirdly dark and edgy, and way too close to something we saw the 90s TV show Trickster do, in the episode where he basically took over the place. The previews show him being what I’m assuming a Judge, Jury, & Executioner joke– and unless this spins into a Clopin song and dance number and his little hand puppet crops up to slam the button on the guillotine, I’m not having it, DC. 

They’re trying to tie him back into the CW, despite the writer saying he really enjoyed the Neron-era things with James (if I’m remembering the interview correctly). And it’s also why you may see me constantly saying “Well I sure as fuck hope Neron shows up” at anything new that’s released, to explain away all of… this.

This isn’t him. If they wanted a murderous Trickster, they should’ve just used Axel. The kid, canonly, tied explosives to stray dogs and homeless people. AXEL is the not-good Trickster, the murderous Trickster, the one you aren’t suppose to feel sorry for beyond being in way over his head due to his young age. 

i think I somehow didn’t answer your question

TL;DR

it sucks? it’s also great because there’s a .5% chance that maybe they’ll do it right and won’t reference the fucking 90s noncomic media. But then they do. And all I can do is laugh and shrug like ‘welp I expected nothing’. But when they get it RIGHT it’s like christmas came early.