#keep calm and love them
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tapakah0 · 7 months ago
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Animation based on this gorgeous animatic that I kept rewatching for 2 months (and finally gave up) made by @wolfythewitch
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cubbihue · 4 months ago
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Hi! this is kinda an art request if u dont mind. And it's angst related, can you draw like where wanda and cosmo obvs have seen for a while how (human) timmy has been treated by his real parents. I just want to see like the "last straw" which lead Cosmo and Wanda wanting them to make Timmy as their own. (IM HAPPY THAT TIMMY HAS A FAMILY THAT LOVES AND CARES FOR HIM)
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The "Last Straw"?
Cosmo and Wanda have seen humans at their best. They've seen humans at their worst. They've seen anything and everything that they've gone numb and used to what humans get up to.
But nothing's shaken them quite like Timmy's case did. Nothing has ever made a Fairy feel such strong human emotions than what Timmy made them feel, on that one particular night.
The thing that broke Cosmo and Wanda was Timmy himself.
Bitties Series: [Start] > [Previous] > [Next]
#asks#itty bitties fop au#germangirl321#tw abuse#tw emotional abuse#tw emotional distress#tw implied death#tw implied sui#tw sui implied#<- ask to tag#(especially ask to tag bcs these are the offered tumblr tags)#godkids wish for stupid things all the time. sometimes they wish for good things and bad things. or things that helps themselves or others#they wish for things that teaches them life lessons or for things that damages them in the future.#but at their core every child has a pure wish that they want more than anything.#for hazel. her core wish is for change to stop. for dev. his core wish is for his father's love#timmy's wish. at the center of everything. is to run away from himself and all that he is. to be something- anything- but Him.#its this core wish that fairies desire most. its their ambrosia. and its almost always impossible to grasp in its purity.#they cant stop change or forge a father's love after all.#Most fairies would be ecstatic to claim a child's core wish. It's the peak of their career- highly coveted highly praised.#but Cosmo and Wanda took no pleasure when they finally consumed their one- and only one for they'd never do it again- core wish.#as said before. cosmo and wanda really. really love timmy turner. and timmy really really loves his fairies. love!!! is a powerful thing!!#anyways this is a heavy topic and a heavy ask so im keeping it out of the main tags#also if you're curious as to whose responding back to timmy#its cosmo#lots of people tend to portray wanda as the more emotional sensitive type. yknow the “motherly” role.#but i think thats wrong.#was considering cutting out their responses for this ask#but then i figured that CosWan would be responding back in earnest to calm him down as best they could
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ryllen · 1 day ago
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when everything is confusing, and then u see a familiar face
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aprilblossomgirl · 29 days ago
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Hey? I thought you were with Jun. I cleared things up with him already, but I’ve got a new problem now. What is it? I don’t have your number. Huh?
ThamePo Heart That Skips a Beat | Ep.03
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drawing your favorite guys being silly is very effective at keeping The Horrors at bay
bonus doc from a different canvas:
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#back to the future#bttf#bttf fanart#marty mcfly#doc brown#emmett brown#kit does an art#yeah i have ten million other things i should probably be drawing instead (rip askbox left to dry...) but#sometimes you just need to draw your favorite guys giving each other physical affection. actual health benefits from this. would recommend#was feeling The Horror beforehand and then i drew them hugging and suddenly The Horror was gone! scientifically proven [citation needed]#the one where doc picks him up and spins him around makes me unreasonably happy i love being an artist!!!!#some of the other little doodles were just bc i still had the doodle bug but didn't want to commit to another big drawing haha#when in doubt give them the dotdotdot expression#the first drawing is based off of this gifset i saw of mjf jumping into other people's arms#good gifset. will need to look for it again. that man can jump#it's also a redraw! i drew the same thing when i first fell into this fandom hole#but that was before i knew how to draw them 100% so i never posted it haha#i love their stupid antennae. especially docs. he can go ! and ? and sometimes <3 it's so funny to me i love that thing#the one where he's sending radio waves to marty is soo stupid i keep laughing when i look at it#'marty. do not listen to that guy call you a chicken. stay calm' 'shit the signal's weak he didn't get my message'#tag as ship and a plague of locusts will be upon ye.#and yes. they are invasive and WILL wreak havoc on your local native wildlife
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kindaasrikal · 6 months ago
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Do you think Cole used to help Nya with feeling comfortable in her own skin again and feeling flesh and bones, as well as acting alive again, whilst also helping her keep her form and be more conscious and sure of it after merging with the sea, simply because he gets it?
Ghost Cole you will not be forgotten.
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wired-heartbeats · 1 year ago
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For the record I think Vox is being effected and possibly swayed by Val’s poison just like Angel is, the pink signifying it on Angel shows up on Voxs screen during and after interacting and being influenced by Val directly, when Vox is operating independently it isn’t an actual normal feature of his
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This paired with an earlier moment from episode 2 when Val first mentioned something had happened with Angel Dust, Vox seemed happy about the idea of Angel quitting
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“He quit? :D”
It’s interesting for sure, makes me wonder what Vox actually thinks about Angel, and more importantly, actually thinks about Valentino. He’s a business man, and clearly the Vees all teamed up (at least initially) because it helps elevate their status and power spread, they may be friendly with each other but we as an audience don’t actually know if there’s more to it as of now. But still, interesting
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respectthepetty · 12 days ago
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The Heart Killers' Colors Parallels? - Ep. 7
Before I watch the next episode of The Heart Killers in a few hours, I need to sit in my truth — as far as episode seven I am concerned, Style and Kant are a Red Rascal and a Green Guy, but they've been turning blue as they fall in love with Fadel and Bison, so they can help them calm down. Therefore, everyone is being tamed.
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Kant and Style are best buddies who are worried about each other.
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And they should be worried about each other since they are living the same life!
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Several people have pointed out that Style and Bison get along because they are both brazen while Kant and Fadel are taking care of their younger brothers and willing to do anything for them. The characters are the same text, but different font.
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Style and Kant's (hit)men are in love with them (and they aren't faking it as much as they would like to believe).
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Which can be seen by Fadel and Bison being surrounded by their men's true colors.
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But that's the thing that keeps throwing me off about Kant and Style because I don't think they've actually hidden their true colors. Kant is a tattoo artist with a record, a younger brother, and a fear of the water. Style is a flirty mechanic whose mom died from cancer. The only thing they've really hidden from Fadel and Bison is that they know exactly who their guys are - hitmen.
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Bison, who carries his poison in his ring, gets a necklace from Kant.
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Fadel, who carries his poison in his necklace, is presented a ring from Style.
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Style and Kant not only know their guys well enough to find their balance jewelry, but Style and Kant are Bison and Fadel.
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Or at least them-adjacent.
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Bison and Style truly believe in the power of love while Kant and Fadel . . . not so much.
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But Fadel and Bison don't really think they know Kant and Style because they believe everything that has happened was part of a con, which is why I think Fadel and Bison are making Kant and Style into (dis)loyal Blue Boys.
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People have pointed out that Black Brooder Fadel questioned Red Rascal Bison wearing red outfits in the beginning of the series only to end up wearing a red shirt, but I want to take it further because I find it more interesting that Kant and Style ended up in a pool and a lake wearing blue with guns pointed at them by Bison and Fadel who were wearing blue and red.
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It's fascinating that when confronted by these two fiery brothers
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That these two turned blue in places that hold water.
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Because I think that's the true taming!
We started with the heat.
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But maybe we need to douse that fire (you see where they are, right?! bathtub, pool, eh?).
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And a chill Green Guy and a wild Red Rascal only made the fire in Fadel and Bison worse.
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But if we had two calming Blue Boys . . .
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Fadel and Bison would be a hell of a lot cooler.
Therefore, everyone is being tamed.
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luxaofhesperides · 1 year ago
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For ghostlights: baby Ellie + tired Danny + Duke the baby whisperer?
He has no idea how his parents did it. 
Babies are exhausting. Toddlers more so. Any infants in the strange stage in-between? Doubly so. 
Ellie is wonderful and sweet and cute and such a terror that Danny genuinely has no idea how his parents managed to raise not one, but two kids. For all their eccentricities and absent-mindedness, he and Jazz turned out pretty well. Ignoring the whole halfa thing because that’s more his fault than theirs even if Jazz says they shouldn’t have created the dangerous environment in the first place.
That environment is exactly why Danny refuses to let Ellie go to his house in Amity Park. His parents say they’ve disabled all the weapons and ecto-sensors since he’s had to reveal himself as Phantom, but he knows that things slip their minds and if they can’t guarantee that the house is safe, then Ellie isn’t going in there. Simple as that. 
This means that they live somewhere else now. Danny had thought about it, during the hours Ellie was asleep and he was awake, exhausted and worn down to his bones, and took Jazz’s advice to accept Vlad’s offer of buying a house for him. Except he argued Vlad down to an apartment in a city of his choosing where he wouldn’t stand out too much and he would be safe, or as safe as he can be, from anyone trying to hunt down ghosts. 
So here they are. Standing in the empty living room of their new apartment in Gotham. 
Gotham may not be very safe as a city, but it’s good for two ghosts trying to pass as normal. 
Danny sighs yet again, and looks at the space he’ll need to fill. At least Vlad is footing the bill. It’s the least he can do for creating Ellie. Frostbite was the one who was able to stabilize her, though it was almost too late and resulted in her reforming as a baby, just one and a half years old. Jazz is the one who’s choosing most of the furniture, thankfully, so it’s something that Danny doesn’t need to worry about it.
It’s a new start to their lives and it feels so empty. So overwhelming. How did his parents do it? How do any parents do it?
Ellie smacks a small palm against his cheek and babbles lightly.
“I know, Ellie,” Danny says, giving her a tired smile. “Don’t worry, we’ll have this place looking good in no time.”
He adjusts her in his arms, then heads towards the bedroom. It’s the only room that has any furniture, and all that’s there is a bed, a crib, and a bookcase. There are a few boxes on the floor, labeled ‘bedroom’ and ‘clothing’ and ‘books’. Most of it came from his bedroom in Amity Park, but he’s pretty sure he caught Jazz sneaking a few things in before they closed the boxes and loaded them up into the car. 
“Can you be good for five minutes?” he asks Ellie. 
She babbles again and smacks his shoulder.
“I’m taking that as an agreement. Just let me open these boxes and start unpacking before you start causing trouble, okay?”
Ellie makes another sound, but it seems agreeable so Danny carefully lays her down in the crib and gets to peeling off the tape on the boxes. The opens the one labeled ‘bedroom’ first, finding blankets and sheets folded and stacked in vacuum sealed bags. One of them is his old childhood blanket, the one he carried around everywhere that was faded with age, barely blue, with white bunnies decorating it. 
He was so small when he had this. It makes him oddly emotional to unpack it and pass it on to Ellie, draping it over her so her pudgy little hands can grab at it. 
This is no time to cry, though! He forces himself to focus and makes his own bed, shaking out the sheets and fluffing up the pillows. He’ll worry about washing everything later; Vlad made sure to get an apartment with an in-unit washer and dryer, which means he was actually sensible while apartment hunting for Danny. 
He doesn’t mean to flop onto the bed once it’s made, but he ends up there anyways. He’s barely gotten a full six hours of uninterrupted sleep since Frostbite deemed Ellie healthy enough to leave his care. The drive up to Gotham was long and wore him down to his bones.
He doesn’t mean to fall asleep, but he does, drifting off as he wonders, distantly, when Jazz will be back from getting them dinner.
Ellie wakes him up at dawn with a loud cry. Danny jolts awake, heart pounding in his chest as he panics because Ellie isn’t here, she’s supposed to be in his arms, where is she? And then he sees the crib, where Ellie is staring at him through the bars, and he nearly collapses with relief. 
“Morning, El,” he says, voice rough from sleep, as he picks her up. She just stares up at him, then leans forward and rests her head against his shoulder.
It’s quiet moments like these that make his heart melt. Ellie’s had a hard life already; he wants to give her a better one, this time around. 
A quick check of the time on his nearly dead phone shows that it’s barely past six in the morning, and Jazz texted him a few times. All about furniture, saying that she didn’t want to wake them and that food is in the fridge. 
It’s only the mention of food that makes him realize how ravenous he’s feeling. Danny makes a beeline for the kitchen, ignoring everything else, and pulls out the boxes of take-out Jazz left stacked in the fridge. He devours it like he’s been starving for weeks, then gives Ellie her Ecto-Jello, the only food she’s allowed to eat until Frostbite gives the okay for solid, human food. 
Once he’s got her burped and cleaned up, Danny looks out of the kitchen and realizes that Jazz was very productive while he was asleep. The living room isn’t empty anymore; a dark green couch is against the wall, a low, rectangular coffee table made of dark wood in front of it. Two armchairs are on both sides of the couch, and a television has been installed, fixed into the wall. 
Jazz is asleep on the couch. Her legs hang off an armrest and she’s drooling slightly. 
Her phone is charging on the floor, so Danny takes it and snaps a picture of her for later teasing, then sends it to himself and writes a note to her that he’s going out with Ellie to explore the neighborhood.
He’s finally feeling more settled, energized from sleep and food.
In the warm dawn light spilling in through the windows, Danny looks down at Ellie and thinks that they’ll be just fine after all. 
. . .
Four months ago, Danny had hope. He was optimistic. 
Gotham was a fresh start, a new lease of life for Ellie. It is Danny’s attempt to be a single parent, sacrificing college for Ellie, and he’s planning to go out and beat the gangs black and blue if they start anymore shootouts in the next year.
He had just gotten Ellie to sleep. She was actually peacefully taking a nap.
And then a drive by shooter raced down the street, gunshots echoing down the road, and Ellie work up crying. She still hasn’t stopped, despite how Danny rocked her, soothing her as best he could.
They had been outside when Ellie fell asleep, her head on his shoulder. He had been catching up with Sam and Tucker when the car drove by, people ducking and crying out to avoid the bullets. Danny instinctively covered Ellie and made them both intangible, saving them from any stray bullets, but they ruined her nap and he needs to make them pay for that. 
“Shh,” he soothes, “You’re okay. We’re both fine. It’s okay, El, it’s okay.” 
Her little hands clutch at his back, twisting the fabric of his shirt, and she lets out a heartbreaking wail. He pats her back, hurrying down the street to get back to his apartment building, ignoring the looks people were giving them as they passed by. 
“I know it was scary, but you’re alright. You’re always safe with me, El.”
Ellie’s cries down down a little, but they don’t stop. She whimpers, burying her face against his shoulder as he finally reaches their apartment building.
The door’s locked, which wouldn’t be a problem except Danny can’t get his keys from his pocket. He knows he has them! But his pocket refuses to relinquish them and he has to stop every few seconds to pat Ellie’s back, trying in vain to calm her down. 
“We’ll be inside in a second,” he tells her, trying to keep the frustration out of his voice, “as soon as I can get these freaking keys!”
“Hey, you alright?”
Danny startles, whirling around so fast it makes Ellie go quiet, clinging to him so she doesn’t get flung into the air. There’s a guy standing before him in a gray hoodie, looking at him with clear concern. It speaks to Danny’s level of constant exhaustion that he hadn’t clocked someone sneaking up behind him. 
The guy offers an awkward smile. “Sorry, didn’t mean to scare you or anything. Um, do you need me to open to door? I live here too.”
Danny wonders for a moment if this someone dangerous, someone hoping to hurt Ellie, but she starts to cry again and he steps to the side. “Please. I can’t get my keys.”
“I’m Duke, by the way. I don’t think I’ve seen you around here before.”
“Danny,” he replies, watching as Duke pulls out a large key ring, jangling with the amount of keychains on it, and easily opens the door. “I’ve been here a few months, but I’m usually inside. Or walking around in the mornings with this little monster.”
“That would explain it,” Duke says as he holds the door open, letting Danny in first. “I’m usually in classes at GCU, but I decided to take a mental health day after my lab, so here I am.”
Danny walks in and waits for Duke to follow, making sure the door closes properly behind them. “Thanks. How is GCU? What do you study? I was thinking of going there myself once she gets a little older and can go to school.”
“Oh, I’m majoring in English and Human Services.” He goes to say more, but Ellie wails again and Danny winces.
“I’m so sorry. That drive by woke her up and it’s really rattled her.”
“Hey, no need to apologize. I get it, Gotham is rough to kids.”
Danny tries rocking her back and forth, but it doesn’t help. He resigns himself to another hour of her crying before she exhausts herself, and makes for the stairs, going up to the fourth floor. Duke holds open the door again, then follows after them. It makes Danny wonder if Duke is planning to do something to them, then decides he can beat Duke in a fight, so it’s fine.
Duke doesn’t try to hurt them or steal Ellie away. He opens the door to their floor and stops before they do. “I’m in here,” he says, “If you ever need me to open more doors.”
“Thanks. Um, actually, I might need help opening mine?”
Duke just smiles and makes his way back to them, following them farther into the hall until Danny stops in front of his apartment. 
“If I could just get my keys,” he starts.
“Here, let me hold her for a second so you can get them,” Duke offers. Danny wants to insist that it’s fine, but Ellie cries directly into his ear and Danny, at the end of his rope, passes her over. 
Like magic, Ellie settles as soon as she’s in Duke’s arms. She sniffles and hides her face away, clutching to Duke’s hoodie, but she stops crying. They both go still, surprised, and stare down at her. 
“Seriously?” Danny says as he finally pulls out his keys, “Are you trying to say that I’m the problem?”
Ellie babbles lightly, and Duke turns his head to futilely hide his grin.
He grumbles as he unlocks the door and pushes it open. Ellie is acting as if she’s never been upset before a day in her life, making herself at home in Duke’s arms. 
“I can’t believe this. Betrayed by my own blood.”
Duke laughs as he follows Danny into his apartment, lightly patting Ellie’s back. “It’s always the smallest, cutest ones that do this.”
“Yeah? Do you work with a lot of kids or something? Used to being betrayed by the little ones?”
“I don’t work with kids per se,” Duke says, “But my foster family is a hot mess and the youngest of them likes to keep us all on our toes.”
“Family,” Danny says in a tired, fond tone.
“Family,” Duke agrees.
With his door open and Ellie calm, Danny’s ready to just lay face down on the floor for the rest of the day and not deal with anything else. He moves to take Ellie back, holding his arms out, and Duke tries to pass her over.
The key word being tries. 
Ellie tightens her grip and kicks at Danny. She refuses to be taken away from Duke, making him awkwardly try to pry her off his hoodie. Danny really hopes Duke doesn’t notice how she goes slightly intangible to make his hands fall through her arms and legs. It shouldn’t be noticeable, but it’s hard to focus on anything but a kid that clings to you, so Danny holds out for Duke’s goodwill and silence.
“As nice as it is to meet you, you need to go back to your… parent?” Danny nods when Duke looks at him in askance. “You need to go back to your parent. Okay? Come on, kid, he’s waiting for you.”
Ellie shakes her head, makes a frustrated noise, and then turns and reaches out a grabby hand towards Danny. 
She still refuses to be taken from Duke when Danny tries to pick her up again, so he settles with just letting her hold two of his fingers. 
“I’m so sorry about this,” he says to Duke, face burning. This is why he hasn’t been going out and being social since he moved in; Ellie is a handful even on the best days, and Danny doesn’t want someone to judge him as unfit to parent her and have her taken away.
Duke shakes his head, stepping closer. “It’s all good, man. I don’t mind. It’s not like I had any plans today. I’m already skipping my classes, might as well spend it with you two than sleep all day.”
“Are you sure? I’d be happy to invite you in, but I know Ellie can be a lot and not everyone wants to spend their day off with a baby.”
“I’m sure. Besides, I’d just be down the hall anyways. It’s no skin off my back, man.”
“Well,” Danny says, stepping to the side to give Duke full access to his open doorway, “Come on in, then.”
Ellie keeps them connected, one hand in Duke’s hoodie and the other holding Danny’s fingers, and though her cheeks are still red from how hard she had been crying, she’s calm now with her eyes shining with mischief. 
As the door closes behind them, Danny realizes that this is the first time someone he’s not related to has been inside his apartment. Not even Vlad has come in, always choosing to invite Danny and Ellie out for lunch instead. 
It should make him nervous, but Duke is calm and easy going and kind. 
He’s making silly faces at Ellie to make her laugh, completely at ease with her in his arms, as if he’s done this a thousand times before. 
Gotham is a second chance at life for Ellie. It’s a sacrifice for Danny, to be alone and without friends or family around. He’d been ready to give up everything for Ellie, to focus solely on raising her, but with Duke filling his apartment with laughter, he thinks that he can make a life here too.
All he needs to do is take that first step, reach his hand out, ask Duke to stick around.
He can do this.
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psychomusic · 2 days ago
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induced to me by my contemporary art exam AND a rewatch of rebels after years that. got me into sabezra unexpectedly AND i updated krita and there were many new brushes i wanted to try
refs (IF U CAN PLS HELP ME FIND THE ORIGINAL COSPLAYERS i can't find anything EDIT: found them!! they're starwars_irl and lionesscosplay on insta. thank you guys <3) and ✨colored version✨ under the cut
i can't find themmmmm I've been looking for 2 days but all i found were uncredited reposts
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anyway they look amazing
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i really wanted to try greyscaling but I'm not sure it looks good. idk. + while i was making it i was listening to i love you by fontaines d.c. (GREAT SONG FROM A GREAT UNDERRATED BAND) and. the grey fit into that mood much better
also two versions without the sketch lines. where ezra looks happier even if they're uglier
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#i didn't expect to like them as a ship ngl. but there are some moments that recall kanera (AND I LOVE THEM) especially if you've read#a new dawn. and IDK COOL!! probably i didn't ship them from the start because. in s1-s2 they're just kids and everytime i reach s3 i keep#brainrotting on thrawn <3 and kallus <3 and zeb <3 idk i kinda forgot about them and all the scenes they were in LMAO#ALSO. i love you is truly a wonderful song wtf?? it's not something I'd associate to sabezra BUT probably after having listened to it for a#month. and having drawn this in the meantime. i found some connections. the fact that the songs alternated between that melodic part#that talks about love to the other verses about (very generally) society. just felt like how their relationship would go. rapidly switching#between the fast paced fights for the rebellion to the calm of the preparation they require that can allow them for some tenderness. ALSO#ezra is so much “if there was sunshine it was never on me / so close the rain; so pronounced is the pain”#and sabine is pretty much “you only open the window; never open up the door” sometimes. especially before her darksaber arc#btw i know this song is about ireland and their relationship with theid country BUT it just prompted me to their grey figures#and colorful background. also. there's something about klimt making some of the most tender representations of love ever imo BUT keep#choosing to represent rather dark iconographies whenever he's asked to do something (I'm thinking about the medicine panels for the uni)#like. there is a similar contrast in there as well. also i like that. ursa had a portrait of herself in her home that referenced klimt#like. it's ursa in her prime; in a literal golden age. i can imagine sabine associating a good moment - one of her bests - to such an#expressive decoration. and maybe stripping colors away when that moment is gone and all that remains is the memory and feeling#OKAY WHY DID I TALK SO MUCH i must've put more thought on this that i previously thought. crazy#it started as a fun experiment to try krita's oil brushes. *in david byrne's voice* how did i get here?#star wars#sw#star wars rebels#star wars fanart#star wars rebels fanart#ezra bridger#sabine wren#ezrabine#sabezra#sabine wren fanart#ezra bridger fanart#sw fanart#g posting
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cowboylikeyouu · 20 days ago
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istg the fact that the second i made *ONE* post about wincest the antis came flooding my inbox will turn me into a menace of a wincest shipper, like screw destiel, i'll ship the hell out of those hot ass brothers just bc y'all told me not to 🫵🏻
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crispywizardtale · 3 months ago
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willczek-art · 1 year ago
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Decided to give Dragon Age another try and the first character I meet COMPLETELY wins me over in a matter of seconds-
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cobaltfluff · 1 day ago
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goro picks up a clingy nyakiren
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pain-in-the-butler · 1 year ago
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A compilation of art for my Dadbastian fanfic Coattails that I commissioned from the incredibly talented @karafina! They went above and beyond with the details... Each picture feels as cozy and warm as a storybook, right? I'm so delighted with how they turned out!! Thank you for making each one so beautiful! 🥹🥹🥹
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einaudis · 10 months ago
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ALL OF US STRANGERS (2023) dir. ANDREW HAIGH
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