Omg look at how beautiful Diane Keaton is.
22 notes
·
View notes
if kay adams has a million fans, then i'm one of them
if kay adams has one fan, then i'm that one
if kay adams has no fans, i'm dead
13 notes
·
View notes
Francis Ford Coppola's personal notes on his vision for the opening wedding scene in The Godfather. Using Kay as a stand-in for the audience in this instance was one of the best creative choices he could've made, because like her, we're immediately drawn into this dangerous and unfamiliar world by Michael, the reluctant insider. (From The Godfather Notebook, 2016)
33 notes
·
View notes
POOR BABY CRYING OVER HER STEAK AND WINE IN THE SUPER-SEVENTIES.
PIC INFO: Spotlight on American film actress Diane Keaton as Kay Adams Corleone (fashionably enjoying a glass of red wine with her dinner) in "The Godfather" (1972), directed by Francis Ford Coppola.
Also, speaking of wine, there's this really great jam by the BEASTIE BOYS plainly titled "Drinkin' Wine" (1994), and it's an instrumental outtake from their "Ill Communication" sessions. Check it out if ya haven't already. Have some wine, too!
Source: https://nycpast.org/2021/08/23/would-you-welcome-miss-diane-keaton.
3 notes
·
View notes
🎬 The Godfather (1972), dir. Francis Ford Coppola
315 notes
·
View notes
*a female character (from a piece of media made by men centered on men) that happens to have a personality and thoughts of her own, which makes her antagonize the main character at times, leading men and male centered people to view them as the villains* *and they happen to be blonde*
me: most beloved ❤️❤️❤️❤️❤️❤️ my wife my princess ❤️❤️❤️❤️❤️ kill your husband ❤️❤️❤️❤️
89 notes
·
View notes
Costumes worn in The Godfather Parts I & II at the Academy Museum. I especially took note of the descriptions of Michael and Kay’s outfits on the right.
Michael: Michael Corleone wears this leisure suit during his trips to Miami and Havana, and it’s styled differently between the locations. In Cuba, Michael’s vacation look (displayed here) underscores his work with luxury casinos—something increasingly at odds with his growing concerns of the impending revolution.
Kay: Costume colors emphasize the character arc of Kay Adams. Donning this bright orange dress in the opening wedding scene, the elite New Englander is set apart from the Italian American women who wear muted pinks and pastels. As Kay sheds her outsider status and independence, her palette becomes more subdued.
44 notes
·
View notes