#katlyn addison

[swanlake1998]

katlyn addison and adrian fry photographed performing as tatiana and onegin in john cranko’s onegin by beau pearson

[mbti-sorted]

Katlyn Addison

Anonymous asked:

Katlyn Addison, ballet dancer - isfp?

[productiondesign]

(The [end) of history illusion] • 2017 • Celia Rowlson-Hall

A short film commissioned by Miu Miu for Women’s Tales.

[beaverhallgallery]

SPECTRUM Art Exhibition + Shop Beaver Hall Gallery September 3rd: Noon - 9pm September 4 - 9: 10am - 6pm Opening Reception: Tuesday September 3rd, 6 - 9pm https://genzah.com/

Featuring a diverse collection of work by International and Toronto based artists made with Genzäh Handmade Watercolour Paints.

Colour is a property of light as seen by people; come see it for yourself.

Genzäh’s newest exhibition covers a wide variety of painting styles and techniques while having an emphasis on colour and light. Featuring work by International and Toronto-based artists all made with Genzäh Handmade Watercolour Paints.

This is a great opportunity for you to try their products, and have exclusive access to new unreleased colours.

Contributing artists: Cori Rabjohn Dolores Phelps Emme Rose Brettle Jessica Hiemstra Katlyn Addison Lynda Parker Matthew Tribe Nicole Chioconi Orsolya Szabó Rebecca Proppe

[gussolomonsjrtest]

MERCE CUNNINGHAM CENTENNIAL CELEBRATION

The Merce Cunningham centennial celebration reached a peak during this week of his birthday, April 16th, with two of the major events of the celebration – “Night of 100 Solos,” happening live at London’s Barbican Theatre, New York’s BAM Opera House, and UCLA’s Royce Hall; In addition, a program of Cunningham dances done by three different companies at the Joyce Theater, April 17-21 – a feast of Cunningham dancing, done entirely by dancers who never danced in his company.

NIGHT OF 100 SOLOS. (l-r): Reid Bartelme, David Norsworthy, Sara Mearns 

On Tuesday night the Howard Gilman Opera House at BAM came alive with a 90-minute “event” comprising solos extracted from Cunningham’s six-decade-long dance repertory. Twenty-five dancers ranging in age from a college student to nearly seventy-years old, present and former members of companies like Martha Graham, Mark Morris, Trisha Brown, Bill T Jones/Arnie Zane Dance Companies, Kyle Abraham’s A.I.M., New York City Ballet, and Charlotte Ballet, among others, took part. Each dancer was taught a number of solos – four it seems – by nearly two-dozen former Cunningham dancers, many of whom are now official stagers of his work.

NIGHT OF 100 SOLOS. Kyle Abraham 

What emerged from this panoply of movement was recognition of the astonishing inventiveness of Cunningham’s movement and the clarity of performance it mandates. The dancers, one and all, evinced their respect and admiration for the work and its creator with near flawless embrace of his uniquely exposed style, technical execution, and kinetic spirit. Here in New York, the passages were arranged in space and time by Trish Lent, director of licensing for the Cunningham Trust, and assistant stager Jean Freebury, with simultaneous and overlapping soloists, weaving their individual pathways around each other on the large BAM stage. Sometimes spatial proximity suggested contact between them – a hand on a shoulder, a mutual focus, a conjunction of leaps or turns or balances that became accidental duets, trios, and quartets.  

NIGHT OF 100 SOLOS. (l-r): Lindsey Jones, Christian Allen

Another refreshing aspect of the presentation was the diversity of bodies, training backgrounds, and, especially, races of the dancers onstage, many of whom are audience favorites in their home companies. It has been a concern that Cunningham had only four African-American men and no women in the six-decade history of his company. In my opinion (as the first of those four men) it was because Merce loved jumping for himself and his men, and his vision of the ideal female dancer was Carolyn Brown, whose perfect lines and articulation were ballet-worthy. Certainly, had he lived further into his nineties African-American women would have been invited into the troupe.

NIGHT OF 100 SOLOS. (l-r): Jaquelin Harris, Claude “CJ” Johnson.

Tuesday night, Shayla-Vie Jenkins, Tamisha Guy, Jaquelin Harris, sterling dancers and women of color proved their mastery of the style, and Kyle Abraham, Claude “CJ” Johnson, Christian Allen, and Chalvar Monteiro, evinced all the balance, articulation, and power of any of Cunningham’s alumni. Vicky Shick, one of Trisha Brown’s original company, and Keith Sabado, long-time Mark Morris dancer – both in their sixties – extended the age range we’ve come to associate with Merce’s dancers, except for himself.

NIGHT OF 100 SOLOS. The company in John Cage’s 4′33″

There was a full-company teaser ending, in which the dancers filled the stage for Cage’s “4’33”,” a silent work for piano in three movements. Light changes indicated the ends of sections, when the dancers shifted poses. There was humor –  Jason Collins jumping with tin cans strapped to his loins and Sabado’s circling the stage on a bicycle, which Merce did in “Variations V.” For Cunningham aficionados it was fun to try to recall the sources of the excerpts and remember the dancers who had done them originally and succeeded them in various generations.

NIGHT OF 100 SOLOS. (l-r): Cecily Campbell, Jason Collins

The décor was a digital art work created by Pat Steir, which kept the cyclorama morphing slowly in white and gray images that looked like ghostly stone columns or precipitation – rain, snow, sleet – or cascading waterfalls. Lighting designer Christine Shallenberg provided an appropriately celebratory atmosphere. Reid Bartelme, who also performed, and his costume design partner dressed the dancers in wonderful pastels and richly-hued leotards, unitards, bike-tards, and jumpsuits with various necklines and sleeve lengths. Bartelme and Sarah Mearns, both in pale lavender, shared the stage at one point, doing solos at the same time.

NIGHT OF 100 SOLOS. Keith Sabado

A thunderous standing ovation greeted the dancers at the end, from an audience who felt reassured that Cunningham’s works are in good hands. Although the technical skill and precision Cunningham’s work required were ahead of their time in the last century, they are by now within the grasp of most present-day elite dancers, hence the Cunningham legacy of dance excellence seems assured for generations to come.

photos by Stephanie Berger

                                        ***************************

The following evening, April 17, the centennial celebration continues with a program at the Joyce of three Cunningham dances done by three companies – Centre National de Danse Contemporaine in Angers, directed by Cunningham’s associate director Robert Swinston; Ballet West from Salt Lake City, directed by Joffrey Ballet alumnus Adam Sklute; and Washington Ballet from D.C., directed by long-time ABT principal Julie Kent – doing, respectively “Suite for Five” (1956), “Summerspace” (1958), and “Duets” (1980).

CENTRE DE DANSE CONTEMPORAINE ANGERS.(l-r): Claire Seigle-Goujon, Anna Chirescu, and Carlo Schiavo in SUITE FOR FIVE. photo by Arnaud Hie

“Suite for Five” doles itself out sparingly to a minimal piano score by John Cage, “Music for Piano,” played live by Adam Tendler. It starts with a solo, danced by Carlo Schiavo in blue tights and matching polo-neck shirt has unmistakable Cunningham signature moves like backwards walks in parallel, big jumps with open, bent legs, and low-slung crouches. Next, Catarina Pernão in bright yellow epitomizes Cunningham’s ideal female, linear and erect with balletic articulation of legs and feet, and calm balances on a foot while the other leg sweeps in long extensions that arc slowly around the body.

CENTRE DE DANSE CONTEMPORAINE ANGERS.(l-r): Gianni Joseph, Carlo Schiavo, Claire Siegle-Goujin, Catarina Pernão, and Anna Chirescu in SUITE FOR FIVE. photo Arnaud Hie

Then follows a trio by the other two women, Anna Chirescu, and Claire Seigle-Goujon, in orange and purple and Gianni Joseph in lime green. Brief blackouts separate the sections, so each is a kinetic haiku. The dance contains Cunningham signatures – long, slow balances, bursts of leaping that switch direction midair, deep lunges, male-female duets, straight from the ballet lexicon but designed with unusual shapes and leverages. This was the company’s premiere performance of the dance, and because Cunningham movement is so exposed with nowhere to hide, the dancers’ nervousness showed.

CENTRE DE DANSE CONTEMPORAINE ANGERS. (l-r): Gianni Joseph, Claire Seigle-Goujon, and Anna Chirescu in SUITE FOR FIVE.  photo by Arnaud Hie

BALLET WEST. Joshua Whitehead in SUMMERSPACE. photo by Beau Pearson

“Summerspace” (1958) lends itself to performance by ballet dancers. In it, Cunningham was exploring ways of conquering various kinds of turning modern dancers weren’t used to. In 1966, it may have been the first of his dances set on the New York City Ballet. Salt Lake City’s Ballet West definitely has the technical skill to pull it off, and it’s nice to see dancers of color in some of the roles. Katlyn Addison does fine with the brutally difficult crossing, originally done by Viola Farber, in which she slides one foot forward while bending the other until she is balanced sitting on the heel of the supporting leg with the leading leg stretched ahead of her, while unfolding her arms to the sides.

BALLET WEST. Gabrielle Salvatto in SUMMERSPACE. photo by Beau Pearson

Kyle Davis another African-American dancer hangs suspended in midair in his high-flying leaps. And Joshua Shutkind has piercing focus and dynamic sharpness in the role Cunningham created for himself. The stager, Banu Ogan, managed to communicate the evanescence of the piece, which is accompanied by Morton Feldman’s sparse “IXION” and dressed in white unitards, stippled with pastel dots by Robert Rauschenberg, that match  his beautiful, pastel pointillist backdrop that camouflages the dancers, when they pose motionless in front it.

Artists of BALLET WEST in SUMMERSPACE. photo by Beau Pearson

WASHINGTON BALLET in DUETS. (l-r): Tamako Miyazaki and Alexandros Pappajohn. photo by Dean Alexander

The Washington Ballet takes on “Duets” (1980), staged sensitively by Melissa Toogood, another of the Cunningham’s dances that is well suited for the skills of a classical company. Made for six couples in Mark Lancaster’s costumes and lighting, the clothes are an amazing mixture of colors – pastel and bright – and shapes – tights, leotards, skirts, and dresses – that seem random but blend wonderfully.

The piece has moments of dry humor, when a man keeps switching the hand that holds up his partner’s raised arm in a balance, while she holds a tilted passé. And another woman alternates hands on her partner’s outstretched support arm. The dancers can also exit the stage by suddenly disappearing behind a curtain upstage that cuts off the right third of the upstage.

WASHINGTON BALLET in DUETS. (l-r): Javier Morera, Nicole Graniero, Alexandros Pappajohn, and Tamako Miyazaki. photo by Dean Alexander

The dancers overlap each other’s duets, entering or crossing the stage, as if they are continuing their duet offstage. Cunningham is showing us the portion of action that appears in the space we can see, and encourages us to imagine the parts that might be happening out of our view. Here, Cunningham’s movement does not depart radically from ballet vocabulary; it just expands it, working in parallel as well as turned out and adding some un-balletic torso action that the dancers have seemingly embraced under Toogood’s expert coaching,

(Note: some photos of companies at The Joyce may be of alternate cast members)

Gus Solomons jr, © 2019

[chenardery]

List of girls that may break your heart

Aaliyah Abbey Abbie Abbigail Abby Abigail Addison Adrian Adriana Adrianna Adrienne Aileen Aimee Aisha Aja Alaina Alanah Alana Alanna Alayna Aleah Alecia Alejandra Alena Alesha Alessandra Alex Alexa Alexandra Alexandrea Alexandria Alexia Alexis Alexus Ali Alice Alicia Alina Alisa Alisha Alison Alissa Aliyah Allie Allison Allyson Allyssa Alma Alondra Alycia Alysa Alysha Alysia Alyson Alyssa Amanda Amani Amber Amelia Amy Ana Anabel Anais Anastasia Andrea Angel Angela Angelica Angelina Angelique Angie Anika Anissa Anita Anjelica Anne Annamarie Anne Annette Annie Annika Annmarie Antoinette Antonia April Araceli Ariana Arianna Ariel Arielle Arlene Asha Ashanti Ashely Ashlee Ashleigh Ashley Ashli Ashlie Ashly Ashlyn Ashlynn Ashton Asia Aspen Astrid Athena Aubree Aubrey Audra Audrey Aurora Autumn Ava Avery Ayana Ayanna Ayla Bailee Bailey Barbara Baylee Beatrice Beatriz Belinda Berenice Bernadette Beth Bethany Betsy Betty Beverly Bianca Billie Blair Blanca Bobbi Bobbie Bonnie Brandi Brandie Brandy Brea Breana Breann Breanna Breanne Brenda Brenna Breonna Bria Briana Brianna Brianne Bridget Bridgette Brielle Britany Britney Britni Brittani Brittanie Brittany Brittney Brittni Brook Brooke Brooklyn Bryana Bryanna Caitlin Caitlyn Callie Cameron Camille Candace Candice Cara Carina Carissa Carla Carlee Carley Carli Carlie Carly Carmen Carol Carolina Caroline Carolyn Carrie Carson Casandra Casey Cassandra Cassidy Cassie Catalina Catherine Cayla Celeste Celia Celina Celine Chandler Chanel Chantal Chantel Charity Charlene Charlotte Chasity Chaya Chelsea Chelsey Chelsi Chelsie Cheryl Cheyanne Cheyenne China Chloe Christa Christen Christian Christiana Christie Christin Christina Christine Christy Ciara Ciera Cierra Cindy Claire Clara Clare Clarissa Claudia Colleen Connie Constance Cora Corey Cori Corina Corinne Cortney Courtney Cristal Cristina Crystal Cynthia Daisy Dakota Dalia Dallas Damaris Dana Danica Daniela Daniella Danielle Daphne Dara Darby Darcy Darian Darlene Dawn Dayna Deana Deanna Debbie Deborah Debra Deja Delaney Demi Desiree Destinee Destiney Destini Destiny Devan Devin Devon Devyn Diamond Diana Diane Dianna Dina Dominique Dominque Domonique Donna Doris Dorothy Drew Dulce Eboni Ebony Eden Edith Eileen Elaina Elaine Eleanor Elena Eliana Elisa Elisabeth Elise Elisha Elissa Eliza Elizabeth Ella Ellen Ellie Elsa Elyse Elyssa Emerald Emilee Emilia Emilie Emily Emely Emma Erica Ericka Erika Erin Esmeralda Essence Estefania Esther Eunice Eva Evelyn Fabiola Faith Fatima Felicia Fiona Frances Francesca Franchesca Francheska Gabriela Gabriella Gabrielle Genesis Genevieve Georgia Georgina Gianna Gillian Gina Giovanna Giselle Gladys Gloria Grace Graciela Gretchen Griselda Guadalupe Gwendolyn Hailee Hailey Haleigh Haley Hali Halie Halle Hallie Hanna Hannah Harley Haylee Hayley Haylie Hazel Heather Heaven Heidi Helen Helena Hilary Hillary Hollie Holly Hope Hunter Iesha Iliana Imani India Ingrid Irene Iris Irma Isabel Isabella Isabelle Isamar Itzel Ivette Ivy jashi Jackie Jacklyn Jaclyn Jacqueline Jacquelyn Jada Jade Jaime Jaimie Jalisa Jami Jamie Jamila Jana Janae Janay Jane Janelle Janessa Janet Janette Janice Janie Janine Jaqueline Jasmin Jasmine Jayla Jayme Jazmin Jazmine Jazmyn Jean Jeanette Jena Jenifer Jenna Jennie Jennifer Jenny Jerrica Jesse Jessenia Jessi Jessica Jessie Jessika Jill Jillian Joan Joana Joann Joanna Joanne Jocelyn Jodi Jodie Joelle Johanna Jolene Jordan Joselyn Josephine Josie Joy Joyce Juana Juanita Judith Judy Julia Juliana Julianna Julianne Julie Juliet Julissa Justice Justina Justine Kacey Kaci Kim Kacie Kaela Kaila Kailee Kailey Kailyn Kaitlin Kaitlyn Kaitlynn Kala Kaleigh Kaley Kali Kalie Kallie Kalyn Kara Karen Kari Karina Karissa Karla Karlee Karley Karli Karlie Karly Kasandra Kasey Kassandra Kassidy Kassie Katarina Kate Katelin Katelyn Katelynn Katerina Katharine Katherine Katheryn Kathleen Kathrine Kathryn Kathy Katie Katlin Katlyn Katlynn Katrina Katy Kaycee Kayla Kaylee Kayleigh Kayley Kayli Kaylie Kaylin Kaylyn Kaylynn Keely Keila Keisha Keishla Kelcie Kelley Kelli Kellie Kelly Kelsea Kelsey Kelsi Kelsie Kendal Kendall Kendra Kenia Kennedy Kenya Keri Kerri Kerry Khadijah Kia Kiana Kianna Kiara Kiera Kierra Kiersten Kiley Kimberlee Kira Kirsten Kirstie Kirstin Kori Kortney Kourtney Krista Kristal Kristen Kristi Kristian Kristie Kristin Kristina Kristine Kristy Kristyn Krysta Krystal Kyla Kylee Kylie Kyra Lacey Lacie Lacy Lakeisha Lana Lara Latasha Latisha Latoya Laura Laurel Lauren Laurie Lauryn Layla Lea Leah Leandra Leann Leanna Leanne Leeann Leigh Leila Lena Lesley Leslie Lesly Leticia Lexi Lexie Lexus Liana Lidia Liliana Lillian Lily Linda Lindsay Lindsey Lisa Liza Lizbeth Lizeth Lizette Logan Loren Lorena Lori Lorraine Lourdes Lucero Lucia Lucy Luz Lydia Lyndsey Lynette Lynn Macey Macie Mackenzie Macy Madalyn Maddison Madeleine Madeline Madelyn Madison Maegan Magdalena Maggie Maire Makayla Makenna Makenzie Malia Mallory Mandy Mara Maranda Marcella Margaret Margarita Mariam Mariana Maribel Maricela Marie Mariel Mariela Marilyn Marina Marisa Marisela Marisol Marissa Maritza Marlee Marlena Marlene Martha Martina Mary Maura Maureen Maya Mayra Mckayla Mckenna Mckenzie Meagan Meaghan Megan Meghan Melanie Melina Melinda Melisa Melissa Melody Meranda Mercedes Meredith Mia Micaela Micah Michaela Michele Michelle Mikaela Mikala Mikayla Mindy Miracle Miranda Mireya Miriam Misty Mollie Molly Monica Monika Monique Montana Morgan Moriah Mya Myra Myranda Nadia Nadine Nancy Nautica Naomi Natalia Natalie Nataly Natasha Nathalie Nayeli Nia Nichole Nicole Nicolette Nikita Nikki Nikole Nina Noel Noelle Noemi Nora Norma Octavia Olga Olivia Paige Paloma Pamela Paola Paris Patrice Patricia Paula Paulina Pauline Payton Perla Peyton Phoebe Precious Princess Priscilla Rachael Racheal Rachel Rachelle Randi Raquel Raven Reagan Rebeca Rebecca Rebekah Regan Regina Reina Renee Reyna Rhiannon Rhonda Rikki Riley Rita Robin Robyn Rochelle Rocio Rosa Rose Rosemary Roxana Roxanne Ruby Ruth Ryan Rylee Sabrina Sade Sadie Sage Salina Sally Samantha Sandra Sandy Sara Sarah Sarai Sarina Sasha Savanah Savanna Savannah Scarlett Selena Selina Serena Shaina Shakira Shana Shania Shanice Shaniqua Shanna Shannon Shantel Sharon Shauna Shawna Shayla Shayna Shea Sheena Sheila Shelbi Shelbie Shelby Shelly Sherry Shirley Shyanne Sidney Sierra Silvia Simone Skye Skylar Skyler Sofia Sonia Sonya Sophia Sophie Stacey Staci Stacie Stacy Stefanie Stephanie Stephany Stevie Stormy Summer Susan Susana Susanna Suzanne Sydnee Sydney Sydnie Sylvia Tabatha Tabitha Talia Tamara Tammy Tania Tanisha Tanya Tara Taryn Tasha Tatiana Tatum Tatyana Tayler Taylor Teresa Terra Terri Tess Tessa Thalia Theresa Tia Tiana Tianna Tiara Tiera Tierra Tiffani Tiffanie Tiffany Tina Toni Tonya Tori Tracey Traci Tracy Tricia Trinity Trisha Trista Tyesha Tyler Tyra Valeria Valerie Vanesa Vanessa Veronica Victoria Virginia Vivian Viviana Wendy Whitley Whitney Xiomara Zoe

[celeboftea]

New Post has been published on Getmybuzzup - http://getmybuzzup.com/katlyn-addison-becomes-third/ - Katlyn Addison Becomes Third Black Ballerina in American History to Dance as Sugar Plum Fairy - http://getmybuzzup.com/?p=572669 - #BlackBallerina, #KatlynAddison Please Share

[getmybuzzup]

New Post Getmybuzzup - Katlyn Addison Becomes Third Black Ballerina in American History to Dance as Sugar Plum Fairy - http://getmybuzzup.com/?p=572669 - #BlackBallerina, #KatlynAddisonPlease Share

[divalocity]

Ballet West’s Dancer/Demi-Soloist Katlyn Addison Takes On The Role Of The Sugar Plum Fairy. Dancing the part of the Sugar Plum Fairy is always a special role in Ballet West's classic annual production of "The Nutcracker" by Willam Christensen.

That is especially so for the Ontario, Canada born Addison, who will be taking on the role for Ballet West as "The Nutcracker" returns for its 60th holiday season in Salt Lake City, playing Thursday through Dec. 27.

Addison's role on "The Nutcracker" center stage is part of a banner season for diversity in the ballet world, including headlines earlier this year as American Ballet Theatre dancer Misty Copeland became the first African-American to attain the rank of principal at one of the nation's top-tier ballet companies. 

The promotion celebrated Copeland's talent as it cast a spotlight on the lack of black dancers in leading classical roles in major U.S. ballet companies. Ballet Dancers Lauren Anderson and Misty Copeland have also danced as the Sugar Plum Fairy in their respective dance companies.

Photos: Luke Isley

[swanlake1998]

katlyn addison photographed performing as tatiana in john cranko’s onegin by beau pearson

[swanlake1998]

katlyn addison and adrian fry photographed performing as tatiana and onegin in john cranko’s onegin by beau pearson

[swanlake1998]

katlyn addison and adrian fry photographed performing as tatiana and onegin in john cranko’s onegin by beau pearson

[swanlake1998]

katlyn addison photographed performing as juliet in michael smuin’s romeo and juliet by beau pearson

[swanlake1998]

katlyn addison photographed performing as juliet in michael smuin’s romeo and juliet by beau pearson

[swanlake1998]

hadriel diniz and katlyn addison photographed rehearsing as the title roles for michael smuin’s romeo and juliet by beau pearson ✧ 1 2 ✧