#kathrin honesta

[pixalry]

Avatar: The Way of Water - Created by Kathrin Honesta

You can follow the artist on Twitter and Instagram.

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Kathrin Honesta

[divine555]

Sorry for the long time apart I am going to be curating new affirmations to help the masses break out of the matrix ❤️

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avatar

Check out this Avatar: The Way of Water inspired fan art by Kathrin Honesta.

Experience Avatar: The Way of Water now playing only in theaters. Get tickets: Link in Bio.

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The Way of Water fan art by Kathrin Honesta.

[xionisgr]

ΕΚΔΟΣΕΙΣ ΜΕΤΑΙΧΜΙΟ Συγγραφέας: Matilda Woods Μετάφραση: Ειρήνη Παϊδούση Εικονογράφηση: Kathrin Honesta ISBN: 978-618-03-2606-2 Σελίδες: 280 Ημερομηνία Έκδοσης: 10/06/2021 Διαστάσεις: 14 Χ 20,5 Εξώφυλλο: Μαλακό

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ΕΚΔΟΣΕΙΣ ΜΕΤΑΙΧΜΙΟ Συγγραφέας: Matilda Woods Μετάφραση: Ειρήνη Παϊδούση Εικονογράφηση: Kathrin Honesta ISBN: 978-618-03-2606-2 Σελίδες: 280 Ημερομηνία Έκδοσης: 10/06/2021 Διαστάσεις: 14 Χ 20,5 Εξώφυλλο: Μαλακό

[bibliolectors]

Ninguna noche sin leer. Imprescindible (ilustración de Kathrin Honesta)

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Kathrin Honesta

kathrinhonesta.tumblr.com

[al-yasmine]

The light in your hands light up the world.

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Kathrin Honesta

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Kathrin Honesta

[bldgwlf]

Illustration by Kathrin Honesta.

See more: https://bldgwlf.com/kathrin-honesta/

[accixlotr]

Kathrin Honesta drawings are so good I’m speechless

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[ahb-writes]

Book Review: ‘The Girl Who Speaks Bear’

The Girl Who Speaks Bear by Sophie Anderson My rating: 5 of 5 stars And thus, she was part bear, part human. THE GIRL WHO SPEAKS BEAR is a fascinating story of overlapping forest-kin allegories and too-fantastical-to-be-forgotten moonlit tales. A girl on the farthest edges of her youth and the nearest edge of her teenage and womanhood years feels awkward and out of place. Yanka is too tall. Yanka is too strong. Yanka is too shy. Yanka is adopted. Yanka keeps to the forest and the trees and the animals there. Yanka is many things, but so few of them, her peers remind her, are similar to that of a regular little girl. A long and winding journey awaits Yanka, for her curiosity over her family, her past, and her mysterious connection to The Snow Forest to the north will bring a great mixture of adventure and sorrow. Readers encounter the girl as she prepares for a seasonal festival meant to usher in the spring. But an evening of revelry turns transformational when Yanka bumps her noodle and awakens with a fever and bear legs. Bear legs! Little makes sense for Yanka. Like most girls her age (12), few things in her village seem to fit the way she imagines they should. Her friends are fun and her home life with her mamochka ("momma") is good. (But could she have more friends? And why does her mother fear the forest so much, despite earning a living as an herbalist who relies on it?) Yanka enjoys playing with her neighbor, a spindly and excitable boy named Sasha. (But as Yanka hears the call of the forest, and suddenly awakens with the legs of a bear, will her best friend reject her now that she's no longer wholly human?) So many questions come from so many different directions. Scared and confused, the girl flees into The Snow Forest. She possesses some knowledge of the natural wonder before her (a family friend, Anatoly, has regaled her with fantastical stories since she was little). And yet, her search for the historic and perhaps ancient creatures of the wild, to elucidate the source of her cursed legs, is grudgingly necessary (surely, she will be cast out of her village if it learns she's part-bear). This is where the story of THE GIRL WHO SPEAKS BEAR really begins: Yanka is changing, she yearns for answers, and she feels so very, very alone in her search for the truth. But not all change is bad. Sometimes, encountering something new and unknown can force one to learn and adapt. And not all answers will be helpful. Everyone has an idea of which words, actions, or ideas will be helpful. But for one to make progress, a solution must not merely work, it must inspire growth. And the truth varies from person to person; a dangerous but understandably complex layering of what it means to be a living creature in a vast ecosystem of plants and animals and mystical arrowheads and dragons. Yanka's journey is not as lonesome as she imagines it. Mousetrap, a weasel who frequents the floorboards of her cabin home, is exquisitely didactic and conversational; he boasts and brags and always comes through in a pinch. Ivan, an aging gray wolf, skulks the shadows of The Snow Forest. He's lost his pack and searches for a way to prove his strength so that he might one day return as the alpha. Yanka also benefits from the entertaining and humorous antics of other animals and fantastical beings, all of them variations of the skittish, adventuresome, self-righteous, anxious, and meekly courageous sense of self that Yanka learns she must see in herself if she is to come to terms with who she is. Does the girl have the confidence to survive an attack from a band of wolves? Her tiny weasel friend is fearless. Does Yanka possess the courage to climb a fiery volcano in search of a magical tree that might cure her bear-curse? Elena, the daughter of the Baba Yaga, views the horizon with sparkling eyes and a heart full of anticipation. And what about her friends and family back home? In the village? Her mother, her friend Sasha, and the others? Will they fear the girl-turned-bear? Would they mourn her? Structurally, THE GIRL WHO SPEAKS BEAR is a tapestry all its own. Chapters of intuitive first-person narration trot side by side with shorter stories, fairy tales, narrated by the book's burgeoning cast. These fairy tales seem unrelated at first. An ancient princess? A mystical lime tree? But the deeper readers go, and the longer Yanka seeks her truth, the tighter the fabric becomes. Ivan is tough, but when he tells the story of an otherworldly strong bear cub that tore out one of his claws, he seems more friendly. The Baba Yaga and her giant house are scary, but when Yanka hears the tale of how the Yaga-woman saved the life of a wandering fisherman, the woman's suddenly not so bad. The book's use of intervening fantasy with the urgent, present-day adventure overlaps to form a beautiful pattern of sometimes-handsome and sometimes-hurtful dynamics that exhibit the complexity of finding one's own family (or the consequences of abandoning it). THE GIRL WHO SPEAKS BEAR is highly allegorical, and readers are sure to pull from its web of stories-within-stories any number of perspectives on the value of keeping family close, of growing up, of kindness, of uncertainty, and of learning to endure the mess others make. Yanka is a strong, delightful, mistake-filled girl. She's also one of the most wonderful characters one will ever encounter.

Book Reviews || ahb writes on Good Reads