#kate marsh is amazing and perfect

[hernameislover]

Kate Marsh ❤️‍🩹

just a little sketchy sketch 😜

[angelsunflowers-fanfics]

Nathan Prescott x Female!reader (The Sketchbook incident)

Request: I had this idea for a Nathan Prescott and female reader imagine where he’s secretly her muse and she drawing him every day in her sketchbook but one day he sees and destroys her sketchbook and she gets so upset she stops drawing and he feels bad and realizes how special it was to her and buys her a new one Sorry if that long, it’s my first time Also love your writing <3

Fandom: Life is strange

Genre: Mix of Angst and fluff (Happy ending)

Linktree

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Rough sketches, pencil marks, pen and an assortment of colors rubbed onto her fingers and arms as she shaded in a certain area of the model, of her picture of Nathan. As an artist, (y/n) needed a muse and without his knowledge, she had chosen Nathan Prescott to be it. She didn’t know how he’d react if he even found out. Would he be embarrassed? Angry?

Who knew?

(y/n) grunted in an effort as she finally finished shading the base of Nathan’s neck in her beloved sketchbook. The book itself had been used and filled up to the brim with photographs and sketches of the school, her friends but most importantly, of Nathan.

The two didn’t talk very often, but she saw how soft he could actually be; in the little moments, he let his facade vanish. She wanted to be closer to him, but… How do you approach a person like that? Not to mention, that he had a reputation for going too far.

(y/n) pulled herself away from the sketch, glancing around at the yard to admire everyone enjoying life peacefully.

Max was talking to a few people as always, being a bit nosy, but nice. Evan was taking pictures, Warren was probably watching another weird movie of his in his dorm. Everything was pretty normal except for Nathan Prescott storming up to (y/n) with rage-filled eyes and clenched fists. He was angry, anybody within 50 feet of his could see that. He was too obvious with his anger, didn’t even try to hide it.

(Y/n) gave a polite smile to the obviously Pissed off Prescott, nervous about what he might say or do. He could be a bit unpredictable. He stopped in front of her, glaring at the large sketchbook in her hands.

“Good morning Nathan. Lovely day, isn’t it?” (y/n) asked. 

Nathan only continued to glare harshly, the students in the surrounding area began to stare In curiosity.

No one dared to say a word, they didn’t want the wrath of Nathan directed toward them.

He dug a hand into his pocket to fish out his phone, he found the photo that could be the cause of his anger of the day and shoved it into (y/n’s) face. It took her a moment to realize that the photograph was of one of her drawings of Nathan.

And she knew exactly how it got onto the web. Victoria Chase.

“What the fuck is this?” He asked, anger seethed into his words.

(y/n) nervously laughed but soon stared up at his eyes. Those gorgeous blue eyes and that pretty dirty blonde hair wasn’t helping. It was the perfect combination. There didn’t need to be a reason as to why she liked to draw him so much, the pretty face and different expressions he used in day-to-day life were amazing. So was he. (y/n) wanted to find a way to tell him that she actually liked him but knowing Nathan, she wasn’t sure if he would recuperate her feelings.

“Um, a drawing of you that I made… Nathan, I’m sorry. I showed it to Victoria, I didn’t know that she took a picture and posted it online,” She confessed. 

The taller boy slowly pocketed his phone before he grabbed the sketchbook out of (y/n)’s nimble fingers. 

“Wait, what are you doing?” (y/n) asked, panic seeped into her chest.

Nathan tossed the sketchbook into the trash can before lighting a match, (y/n) stood up quickly knowing what he was going to do. (y/n) rushed to him, trying to grab the match out of his hand but failing in the end as he dropped it into the trash can watching the sketchbook go up in flames.

The students surrounding (y/n), stared at her with empathy but didn’t say a word. Nathan slowly turned to (y/n), crossing his arms over his chest. He still looked angry, even after destroying the one thing that (y/n) held precious.

“I’m not your subject to use,” Nathan growled.

Nathan glanced into (y/n)’s eyes just in time to see her tears building up and drip from the pools in her eyes. Nathan felt a strike go through his heart, guilt. An ugly emotion that he felt all too often, but now toward (y/n)? Someone who was actually nice to him no matter what other people told her?

He clenched his jaw in anger, this time toward himself. He watched as (y/n) slowly turned around and walked into the dormitory building, needing to be alone for a while. He made her cry. Nathan Prescott made (y/n) cry. He messed up, big time. Was there even a way to fix what he broke?

The group surrounding Nathan slowly disbanded, not wanting his anger to blow up again in such a short period of time. 

Nathan was left alone with his thoughts, he ran a hand over his face and picked up his phone as it rang. Victoria. Fuck, what was he supposed to say?

“Hey,” Nathan whispered, his voice hoarse. 

Nathan slowly trudged back to his own dorm, he had thinking to do indeed. How was he going to make this up?

“Nathan, what the hell happened? Did you burn her sketchbook? I told you to go talk to her. There are videos all over social media… The comments are brutal,” Victoria said. 

Nathan barreled into his room and sat on his bed, running a hand through his hair to tangle it lightly. He didn’t know what he was thinking. If he was thinking at all during that moment. The sketchbook that he burned… sketchbook, maybe he could try to make it up by buying her another one? It was a start…

Nathan and Victoria conversed over his previous actions and how he could fix them while (y/n) on the other side of the dormitory building, stared out the window, wanting to fly away to get away from these gross feelings. Even after what happened, she still liked him. Anybody that found out about her feelings would call her insane. She had no will to draw anymore, what was the point if her own muse didn’t want to be drawn? Right?

She fumbled with her fingers lightly before glancing at her watch, great. She had physics in 10 minutes, at least she wouldn’t have to worry about art for a while now. She slowly grabbed the bag she threw onto the ground and slowly left the dormitory building, hesitantly. If it were her choice, she’d stay in her dorm all day, but she didn’t.

She slowly trudged into the academic building and into her class, wait. No. Nathan was in this class as well, how did she not realize that sooner? (y/n) ignored Nathan’s pleading stare and sat next to Victoria, hoping for some peace and quiet before class started.

“He feels awful you know. I know what he did was terrible but–” (y/n) shrugged her shoulders, cutting off Victoria’s plea.

“It doesn’t matter anymore. I’m done,” (y/n) whispered. 

Victoria glanced to Nathan, giving him a pity look before turning her attention to the front of the class as it finally began. Maybe she and Nathan could try again later.

The class was boring and dull. All Nathan could think about was how to make it up to (y/n). For over a year now he had been trying to get closer to her but each time he talked, everything just blew up in his face. 

The bell for the end of class finally rung, Nathan quickly shoved all of his things into his bag before trying to talk to (y/n). She was almost out the door now. So close. Nathan maneuvered to be right in front of her, using his arms to block her from leaving before talking to her.

“Wait, just stop for a second. Look, I feel real–” Nathan spoke, regret spilled from his lips. 

(y/n) glanced around the room for a moment before ducking under one of his arms and leaving, using his height to her advantage. Nathan blinked for a few moments before leaving the classroom and trying to find a sight of her but (y/n) had quickly disappeared into the crowd of rowdy teenagers. 

“Fuck,” Nathan whispered to himself. 

The crowd slowly began to disperse as teenagers found their next class or left the building but there was still no sign of (y/n) anywhere. Nathan groaned and slowly walked back to his dorm to try to figure a way to talk to (y/n).

(y/n) on the other hand, was holding her breath as she watched Nathan walk past her hiding spot and to the dormitory building. She stood out of the spot and started to walk to her own dorm when she bumped into Kate Marsh, she was an absolute sweetheart.

“Hey, (y/n). I heard about what happened. Are you alright?” Kate asked.

(y/n) brushed her hair back stressfully, she didn’t even know where to begin in what was wrong at the moment. So many things. Too little time.

“Yeah, I just… I didn’t expect him to do that. I’m kind of thinking of giving up drawing,” (y/n) mentioned. 

Kate’s eyes widened slightly but that didn’t stop her from pulling a brand new sketchbook from behind her back. (y/n) was slow to grab the item, she had been thinking about not going to Blackwell anymore because of what happened.

“Well, in case you want to pick it up again. You can use that. Okay? Maybe things will turn out alright?” Kate offered.

(y/n) gave Kate a genuine smile before gesturing to the dorms, “I’m gonna head to my room for the night. I’ll see you later.” 

Kate stepped out of the way and watched as (Y/n) carried the sketchbook naturally and quickly walked to her dormitory. But what she didn’t know was that all of the girls in the dormitory building had a little surprise in store for her.

(y/n) rubbed her eyes tiredly and walked through the main door of the dormitory to see all of the girls crowding the hallway bearing gifts of the art variety; sketchbooks, pencils, markers, etc. She jumped back lightly at the picture in front of her.

“Um, hey?” (y/n) asked akwardly.

Max was the first to walk out and grab one of (y/n)’s hands, guiding her to the center of the hallway to talk to everyone. (y/n) wasn’t normally very social but with the girls that live in the same building as her? Quite close.

“The video of Nathan burning your sketchbook is everywhere… we just wanted to do something nice for you,” Max said. 

(y/n) smiled gratefully and took more sketchbooks from her neighbors. She knew that they were only trying to help but how could someone draw if their muse didn’t want to be a muse? It was difficult to find someone else.

Max grabbed half of the gifts from all of the girls and followed (y/n) into her dorm to put all of the gifts on her desk. She didn’t know if she’d even fill these out at all considering that her will to draw was drained because of what Nathan did…

“Oh, I get it… Nathan was your muse…” Max set everything down, taking a seat on (y/n)’s bed before continuing with her thought, “That’s why you’re not drawing… he gave you the will to draw…” Max gave her friend one last smile before approaching the exit of the dorm. “Oh, before I forget, Warren had something to talk to you about. He’s In his dorm.”

(Y/n) stared at all of the art supplies given to her a few short minutes ago. It was stacked high on the desk, about to topple over. She was happy that her friends cared so much.

Without much thought, (y/n) walked to the boys’ dormitory building to visit a friend. Hopefully, she wouldn’t run into Nathan. She just needed to be careful.

(y/n) walked through the main door to the dormitory building and made a beeline for Warren’s room, she didn’t even bother with knocking on the sophomore’s door and just let herself in. She didn’t want to be caught by Nathan again. She was not ready to face him.

“Warren? Max, said you wanted to see me?” (y/n) called out.

The younger student quickly popped out of his desk chair and strolled up to (y/n), arms spread out for a bear hug. He was the most touchy of the group of friends she had, which was perfectly fine. (y/n) gave him a soft smile before slowly closing the gap and letting him hold her fragile form.

“Everyone said you were having a hard time and then Nathan… I’m sorry. Maybe everything will be better soon?” Warren apologized sympathetically.

(y/n) could only shrug lightly before slowly pulling away, letting herself become comfortable in the small room. But the thought of being in the boy’s dormitory, where Nathan lived, was peaking from the back of her mind. Warren stepped out of her space for a moment before grabbing a pack of oil paints from his desk and slowly handing them to (y/n); cautious to not scare her. 

“I got you something, you said that you’ve been wanting to try oil paint for a while now, right?” Warren said.

Though, she wasn’t sure when or if she’d be able to draw again, she appreciates the kind gesture. (y/n) slowly slipped the paints into her bag for safekeeping as she slowly gave Warren a small smile.

“Thanks, Warren… I think I’m gonna head back to my dorm… Sleep everything off. I’ll see you tomorrow.” 

The younger classmate only nodded lightly and watched as (y/n) slowly walked out of the room to hide away for the rest of the evening. The events of the day were hectic and cruel, all she wanted to do was sleep it off and hope that the morning would be better.

(y/n) peaked around the hallway for a few moments before deciding that it was safe and leaving Warren’s room before heading toward the main entrance of the Dorm building, wanting to find her own dorm before Nathan caught onto the fact that she was even in the same building as him. 

She breathed a small sigh of relief as she slowly started to pass the last dorm room and reached a hand out for the door when a pair of hands reached out from the last dorm and grabbed (y/n) to pull her inside.

(y/n) started thrashing in the arms of her unknown attacker as they placed a hand over her mouth so she couldn’t scream out for help. (y/n) stiffened as an exhale slowly reached her ear, causing her to shiver and listen closely.

“Stop squirming, It’s just me.” 

(y/n) roughly shoved Nathan away and faced him, her back pressed against the door. She stared up at him with a confused stare, why did he basically kidnap her? What for? He was fidgeting with his fingers nervously, he was scared to what will come next.

Her eyes were red and puffy from crying all day. The last thing she wanted to do was face the cause of her sorrow. Nathan Prescott, prestigious figure of Blackwell Academy… he was flustered by her mere appearance. He felt guilty about what happened this morning, he felt lower than low. To make it up to (y/n), Nathan wanted to get something for her… all she needed to do was open it.

“What do you want, Nathan? I should get back to my dorm, it’s late,” (y/n) said resentfully.  

It was not late, but everyone knew that (y/n) usually liked to return to her dorm after school and relax instead of partying like all of the other kids on campus.

Nathan took a step back to grab a wrapped box before presenting it to (y/n), a red hue was covering his features. He had never really apologized to someone, this was a first for him. Luckily, it was in the comfort of his own room and not the courtyard for everyone to see… again.

“Open it, please. This is my way of saying sorry… I… wasn’t thinking… I can be reckless and irritable…” He apologized.

(y/n) stared up at Nathan with an unknown look, she was not sure if she should take the gift. It could be anything, right? But Nathan didn’t go around giving just anybody random gifts… Maybe he really just wanted to try to redeem himself?

(y/n) ran a quick hand through her hair before making the mistake of glancing into Nathan’s eyes for a split second. His gaze was soft and pleading as he held the gift in his hands, his breath shaking only in the slightest from the nervousness of being near (y/n) once again; so soon.

“Fine… But if this is a joke–” (y/n) started to threaten but Nathan cut her off by carefully handing the recklessly wrapped gift into (y/n)’s paint-covered hands, their fingers brushed together lightly. The action quickly sent jolts of electricity through her and Nathan’s veins but neither person said a word about what they felt, too scared.

“It’s not. Promise. Open it,” Nathan said. 

(y/n) sighed lightly but gave him a half-smile before slowly opening the present before her hands run over the cover of a brand new sketchbook. Did he buy her a new sketchbook? She slowly let the wrapping paper fall to the floor so she could look at the sketchbook as whole, quickly glancing through the paper and the little accessories attached to it. (y/n) didn’t say a word as she discovered the feeling of the new gift. 

“I was angry and scared… Not about you or anything you did or said… I didn’t mean to take it out on you. I would never dream of doing that,” Nathan apologized.

(y/n)’s smile brightened as she realized that this was the sketchbook that she had been eyeballing for months now. She wasn’t able to buy it because it was far out of her price range for a sketchbook, but this one was special. It even came with pockets and sketching pencils. She glanced up and slowly placed the sketchbook onto his desk to grab both of his hands in her gentle grip.

“Nathan… I-” He was quick to cut her off, paranoid that she was going to yell at him like just about everyone in his life did. He was too used to it by now.

“I know that this will never replace what I did to your last sketchbook and I didn’t realize that I was your… Your muse. But I’m hoping that this will be a star–” 

(y/n) reached her hands up to grab Nathan’s face to slam her lips onto his, surprising him surely. Nathan flailed his arms for a few moments before deciding to rest his hands; one on the door next to (y/n)’s head and the other tangled in her hair. Nathan slowly relaxed into the motions, pressing his body closer to (y/n)’s.

Nathan tugged on (y/n)’s hair as he deepened the kiss, eliciting a soft moan from (y/n)’s lips. Before Nathan could ponder on the small action further, she bit down on his bottom lip. She wanted him to know how long she had been wanting this kiss to happen.

Nathan felt the same way, but before things could escalate, (y/n) softly slid her hands from Nathan’s face down to his chest to lightly push him away. She didn’t want things to go too far tonight.

“I forgive you… I was never angry at you for what you did, just sad. It hurt to see my muse destroy my work but maybe you can help me?” (y/n) asked.

Nathan didn’t say a word as he launched himself to his bed, propping his head up with one of his hands as he brought one of his knees up; turning to the side to face (Y/n). a small smirk ignited his face as he says the simple line that made (y/n) burst out laughing.

“Draw me like one of your french girls.”

(y/n) ignored her phone as it lit up with a few texts from Warren and Max, both worried. But she couldn’t be bothered with the sweet scene in front of her.

Maybe everything would be okay?

(y/n) glanced up from her sketchbook to get a quick glance, the growing confidence in him caused Nathan to send a small smile her way.

Yep, everything was going to turn out okay. Her muse was still hers, this time with his knowledge.

Nathan liked the idea of being a muse, it felt foreign but fitting.

[ghost-in-the-hella]

I hope it's cool for me to drop another one, you just write them so well. Z: “Zip me up?” PriceMarsh

Absolutely! Prepare for a near-lethal dose of pricemarsh fluff.

CW for referenced homophobia and implied internalized homophobia. Also references to Rachel’s death because I can’t not at least mention that.

---

There’s no reason for Chloe to feel so nervous. It’s only prom. She’s never been one of those girls who considers their high school prom to be a pinnacle of her life to be surpassed only by her eventual and inevitable wedding day. Before she and Kate started dating, Chloe would’ve laughed at the idea of even going to prom. She was way too cool for all that mainstream, cliche high school shit even before she dropped out.

But here she is, sitting in the cab of her truck in the parking lot for the girls’ dorms, sweating through her tuxedo shirt as she tries to work up the nerve to go meet her prom date. Nervous. She and Kate have been official for a few good months now, but they’ve never done anything this, well, official. Chloe bought a corsage and everything. She’s wearing her dad’s old powder blue tuxedo from his prom, taken off mothballs for the occasion (lucky for her he was a total beanpole when he was in high school; Joyce barely had to take it in at all). It’s fucking go time.

She flicks her lighter a few times to steady her nerves. God, she wants a cigarette. But she knows Kate hates the smell even though she tries not to complain, and she wants tonight to be perfect. Not for herself, of course - she’s still too much of a hardass punk to care about going to prom, much less about having it be some kind of magical experience - but for Kate. Because Kate cares about going to prom, and Kate deserves a perfect night. She deserves, at the very least, a prom date who doesn’t smell (and taste) like an ashtray. If Kate’s going to risk outing herself to her family with prom photos of her with an obvious lesbian on her arm, well, Chloe’s going to be the best goddamn arm candy she can be.

She tosses her lighter into the glove box and switches off her stereo, silencing the pump up mix she’d been playing to get psyched. She takes a deep breath to ground herself. Okay. Okay. Now it’s go time.

She grabs her tuxedo jacket off the passenger side of the bench seat and slings it on as she opens the door and hops out into the parking lot. She pulls out her phone and texts Kate. 

Me: im here

Me: u ready to wreck shit up w ur hella hot prom date?

Kate: Almost :)

Kate: I need your help with something. Can you come up?

Chloe suppresses the instinct to shout NO EMOJI and restricts herself to a polite: sure

She checks herself out one last time in her side mirror. Her hair’s freshly dyed and combed to a silky sheen, every strand perfectly in place. She’s got a tasteful amount of eyeliner on, like any good pirate, and it makes the blue of her eyes pop. The tux looks surprisingly good for something that’s been packed up in the attic for longer than she’s been alive, and it accents her hair and her eyes both. 

“Your father would be so happy for you. I wish he could’ve seen you.”

Chloe swallows down the sudden lump in her throat. She already sobbed her eyes out enough when Joyce was helping her get ready; she’s not picking up her prom date with raccoon eyes if she cries her eyeliner into a mess (again). She adjusts her lapels (what was it with the late seventies and ridiculous lapels?!) and her blue butterfly boutonniere and strides toward the dorms. 

There are several people standing outside, copping a last smoke before prom. Victoria Chase is one of them, flanked by two girls Chloe only vaguely recognizes. She’s pretty sure the bottle blonde smoked her out once at a Vortex party after she’d lost track of Rachel, but she’s not sure they ever exchanged names. Victoria flicks some ash off her cigarette as Chloe nears, but she pointedly avoids Chloe’s gaze rather than engaging her. So, still kind of an ice queen but maybe she’s learned a modicum of civility in the wake of the absolute clusterfuck that was last semester, between her best friend getting arrested along with her favorite teacher for a gross assortment of sex crimes. And murder.

Chloe’s stomach twists violently at the memory. Fuck, last fall was a shitshow. She’s pretty sure she wouldn’t have survived learning about Rachel’s murder (officially “death by misadventure” because the Prescotts have lawyers out their ass, but Chloe’s nobody’s fool) without Kate’s shoulder to cry on. Chloe still doesn’t believe in god, but if she did she’d say that Kate’s been an absolute godsend.

Chloe spares the girls by the door a quiet nod in greeting as she passes, and two out of three return it (fuck you very much, too, Unnamed Brunette Sidekick). She climbs the stairs to the second floor and hustles to Kate’s door. Her whiteboard is blank today, so Chloe takes a moment to draw a cartoon heart on it before she knocks.

“Chloe?”

“The one and only,” she replies.

“It’s open; can you let yourself in? Alice is being a handful.”

“Ooh, bunny shenanigans!” Chloe opens the door and slips into the room, closing the door swiftly behind her in case Alice is in danger of escaping. Alice’s cage is, indeed, empty, and the bunny is nowhere in sight. What Chloe can see, however, is about half of Kate poking out from beneath her bed. She shouldn’t laugh. She really shouldn’t. She does anyway. Kate’s legs just look so formal as they stick out from beneath her bed at awkward angles, politely wrapped in dark tights and the jumble of what is clearly a very pretty dress that deserves better than to be mangled and coated in dust before it can even get its moment in the spotlight.

Kate giggles, so at least she’s aware of the ridiculousness of the situation and probably isn’t mad at Chloe. “She just will not go back in her cage! Can you help?” Kate flails out a hand in Chloe’s general direction.

Chloe crouches next to the bed and takes Kate’s hand, helping to slide her out from under it. “Hey, bun-bun,” she calls softly to the bunny beneath Kate’s bed. “Your favorite person is here! Come say hello!”

Kate gasps in mock offense and swats Chloe’s arm. “Her second favorite person, thank you!”

Alice hops tentatively out from under the bed and wiggles her perfect little nose at Chloe. “Ah-ha!” Chloe reaches down and gently picks her up. “Got you, you little rascal. Were you making life difficult for your momma?” She gives Alice a nuzzle.

“She’s been such a naughty bunny tonight,” Kate sighs. “I can’t tell you how many times she tried to nibble my dress. And poor Alyssa! Alice got half her corsage before either of us figured out what was happening.”

“Aww, I missed Alyssa?”

“Sorry; she had to finish her own makeup. She did mine, too. Is it too much? I haven’t gotten a chance to check.”

Chloe looks over at Kate and nearly topples over onto her ass, bunny and all. Kate looks beautiful, but that’s nothing unusual; she always looks beautiful. The subtle makeup that Alyssa’s used on her sets off her natural beauty perfectly, understated but lovely as always. Her hair’s in a braid with loose tendrils framing her face, which is a style Chloe’s never seen on her before and definitely could get used to seeing. And her dress is… Well. It’s a lovely dress; Chloe’s no great authority on dresses - she hasn’t worn one willingly since she was about four - but she can tell that much. It’s definitely picked up some dust here and there from Kate’s adventure under her bed, but it’s still obviously a nice dress. Tasteful, of course, or at least it would be if it were zipped in the back.

Which it definitely isn’t. 

On anyone else, it would still be a modest look. But on Kate… This is by far the most of her that Chloe’s seen in months of dating. Kate’s very much a “take it slow” kind of person, and even though historically Chloe’s tended to be more of a “take it as soon and as often as I can get it” kind of person she respects Kate’s boundaries and is happy to let her girlfriend set the pace. So getting an eyeful of Kate’s naked collarbones, the round curve of an exposed shoulder, the suggestion of a bared back is basically the Kate Marsh equivalent of a nip slip.

“Um.”

“Oh, no, is it too much? I asked her not to do anything too excessive…”

“No, no, makeup’s fine. Great, even. You look… amazing.” Chloe wobbles onto her feet and holds out a hand to help Kate up. She presses a kiss into Alice’s soft fur and walks her over to her open cage. “Okay, cage time for bunnies. No more mischief tonight.” She tucks Alice inside and locks the cage door behind her.

“You’re so good with her,” Kate says, wrapping her arms around Chloe’s waist from behind. Normally she’d burrow her face into Chloe’s back, but she restrains herself and Chloe appreciates the effort to preserve the integrity of her suit even as she misses the contact. “This is the best behaved she’s been all night.”

“What can I say? You’re her mom; of course she’s going to rebel. Me, I’m more like the cool aunt.”

“Hmm. Cool step-mom, maybe.”

Chloe’s face warms with blush. She reaches down to place her hands over Kate’s and gives them an affectionate squeeze. “You, uh, you almost ready to go, babe?”

“Almost.” Kate pulls back and Chloe turns around to face her. It’s a struggle, but she keeps her eyes fixed on Kate’s face even as they long to trace the delicate, graceful line of her clavicles. Then Kate turns her back to Chloe, glancing back at her over her shoulder with a soft smile. “Zip me up?”

Chloe blinks stupidly for several seconds before she answers with a silent nod. Her mouth is too dry to speak human words. She has to close her eyes and collect herself for a moment when Kate turns her head away again, waiting patiently for her assistance. Her hands are actually shaking as she reaches for Kate, which is stupid. She’s literally stripped women before. She’s just helping one put more clothes on. Her hands shouldn’t be shaking over that.

She tenderly sweeps Kate’s braid aside with one hand, draping it forward over her shoulder to keep it clear of the zipper. Her fingertip barely skirts against the bared skin of Kate’s back, but she can feel her warmth like a brand. Chloe takes a deep breath in and blows it out slowly to steady herself as she reaches for Kate’s zipper pull. It’s only when she sees Kate squirm slightly that she realizes she’s released her breath directly against Kate’s exposed back. She freezes.

“It’s okay,” Kate says when she feels Chloe tense up. 

Chloe tries to force herself to relax. She attempts to ease the zipper up and it catches within the first inch. Tentatively, she reaches to brace one hand against Kate’s hip for leverage. The zipper slides free and Chloe delicately zips up the back of Kate’s dress. It traces the elegant line of her spine up toward the perfect points of her shoulder blades (Chloe notes two small birthmarks on Kate’s left just above her bra and suppresses the urge to lean down and kiss each in turn). 

Chloe reaches around to gently guide Kate’s braid back to its rightful place when she’s done. She leans in boldly to press a kiss to Kate’s (still bare) shoulder, pausing millimeters away to give Kate time to signal her yes or no. Kate gives a small but unambiguous nod and Chloe kisses her shoulder firmly. Kate reaches her other arm across to tangle fingers in Chloe’s hair, holding her there gently for a moment.

Kate gives a contented sigh when Chloe pulls back, slipping her fingers free from Chloe’s blue locks. “Sorry if I messed up your hair.”

“Worth it,” Chloe tells her with a grin. She steals a quick moment to check her hair in Kate’s mirror, prompting a knowing giggle from her girlfriend. The damage is minimal; definitely worth it. She tidies it with a few quick sweeps of her hands. 

Kate steps into the frame and slips an arm around Chloe’s waist. Chloe reciprocates with an arm around Kate’s shoulders. “What do you think?” Kate asks. “Prom Queens?”

Chloe wrinkles her nose. “I’ll be happy as long as they don’t dump pig’s blood on us. Anyway, I think someone would have to stuff the ballot box pretty hard for me to get elected anything at Blackwell after I dropped out.”

“A year after you left to pursue other options,” Kate corrects her. “Now that you’ve got your GED, I don’t think you technically count as a dropout.”

“Aww, but it’s my whole identity,” Chloe teases. She dips her head to drop a light kiss to the top of Kate’s head as Kate scowls playfully.

“Guess you’ll have to develop a new one, then.” She squeezes Chloe’s hip hard enough to shut her up. “You look really good in that tuxedo. I can’t wait to show you off.”

Chloe raises her eyebrows. “Yeah? Not still worried about what people are gonna say when they see our prom pictures?”

“I’m still concerned,” Kate says thoughtfully. “But I’m more excited. I never thought I’d get to have this.” She turns to look at Chloe, and there’s so much warmth in her eyes that Chloe feels a sudden threatening prickle of tears in her own. “My mother and aunt fed me so many… bitter thoughts about what being gay might mean. All the things I’d never get to do or have because I didn’t think that gay people were allowed them. I never thought I’d get to love someone so much. I never thought I’d get to be loved in return. I never thought I’d get to just be a normal, happy girl on prom night, getting ready with her prom date to go and dance with her friends and have fun like anybody else. But look at me. Look at us!” She turns back to the mirror, leaning into Chloe’s arm. “We’re doing this. I’m going to the prom with my girlfriend, and we look amazing together, and we’re going to pose for stupid pictures and dance until our feet hurt and celebrate with our friends, and at the end of the night you’re going to walk me back to my room and kiss me goodnight because I won’t have to worry about my lipstick anymore and it’s all going to be perfect. And even if it isn’t perfect, it’s going to be ours.”

Chloe feels like she’s going to shake apart she’s so close to crying, eyeliner be damned. “H-hey, Katie?”

“Mm?” Kate turns to look at her sweetly, and god how did Chloe get so lucky to end up with this incredible girl.

“How much do you really care about the lipstick thing? Because I really want to kiss you right now.”

A dimpled smile breaks out across Kate’s face and Kate goes up on tiptoes, touching Chloe’s face lightly as she tilts up her face to kiss her. Chloe does her best to kiss her back like a normal person and not like a drowning woman. “Not as much as I care about you,” Kate answers when they pull apart again. She wipes a stray tear from Chloe’s cheek. “Are you okay?”

“I’m so fucking okay. I might be the most okay I’ve ever been in my whole stupid life.” Chloe plants another kiss on Kate’s forehead. She’s about to start leading Kate to the door when she realizes she’s forgotten something important. She fumbles the corsage out of the inner pocket of her dad’s jacket and presents it to Kate. “Come on, let’s finish getting you suited up so we can light up the fucking dance floor and give all the haters the middle finger. The metaphorical middle finger,” she amends when Kate starts to open her mouth. “Not gonna get myself thrown out of your prom; don’t worry.”

Kate holds out her wrist and Chloe has to bend to slide the corsage into place. There’s a surreal moment when she’s holding Kate’s perfect hand in hers and gently guiding the corsage into place, practically down on one knee to get the proper angle, where she wonders if this is what it might feel like to propose. She can see it so clearly in her mind’s eye: getting down on one knee, probably wearing this same tuxedo because that way it’s like her dad would get to be there, still holding Kate’s hand, still looking up into her beautiful and shining eyes as she gazes down at her with more love than any human heart could hold, Gramma Price’s ring resized to fit Kate’s finger…

Chloe wobbles, suddenly lightheaded, and Kate reaches out to steady her the way she always does. “Are you sure you’re okay?” Kate asks again, brow furrowing slightly with concern.

Chloe presses a reverent kiss to Kate’s knuckles and rises back to her feet. “I’m good,” she says, trying not to sound as dazed as she feels. “I’m great. I’m fucking amazing. You’re amazing. We’re amazing. Let’s go show all of Blackwell how fucking amazing we are.” 

Kate nods, grinning. “Yes, please.” She holds out her hand and Chloe takes it. Before they can make it all the way to the door, Chloe’s phone buzzes in her pocket. With an exaggerated sigh, she pauses to check it.

Mom: Chloe Elizabeth Price, don’t you dare forget to send me pictures!

Kate reads over her shoulder. “Maybe we should show your mom how amazing we are first?”

Chloe grumbles and rolls her eyes but obligingly opens up the photo ap on her phone. As annoying as Joyce can be (seriously, wtf with the Mom ESP?!), Chloe knows that Kate relishes this kind of maternal approval and that she’s never going to get it from her own mother. Joyce has her faults - fucking hell does she have her faults - but even Chloe has to admit that she’s been pretty awesome with Kate. She’s all but adopted her, honestly.

Chloe holds up her phone and lets Kate nestle under her arm. A perfect fit as always.

“Say ‘prom night!’” Kate says, grinning giddily.

“Prom night!” Chloe says without taking her eyes off of Kate, and she takes the picture.

[katehuntington]

Title: Ride With Me (part twelve) Fandom: Supernatural AU Characters series: Reader, Dean Winchester, Bobby Singer, Ellen Singer-Harvelle, Jo Singer (Harvelle), Benny Lafitte, Garth Fitzgerald IV, Ash Miller, Castiel Novek, and many more. Timeline: 2008 Pairing: Dean x Reader Word count: ±5600 words Summary series: Y/N is a talented horse rider who is on her way to become a professional. In order to convince her father that she deserves the loan needed to start her own farm, she goes to Arizona for six months, to intern at a ranch owned by Bobby and Ellen Singer. Her future is set out, but then she meets a handsome horseman, who goes by the name of Dean Winchester. A heartwarming series about a cowboy who falls for the girl, letting go of the past and the importance of family.  Summary part twelve: After finally opening up to each other, Dean is having a hard time keeping his hands to himself. But the flirting is soon interrupted when one of the horses gets caught in a dangerous situation. Warnings series: NSFW, 18+ only! Fluff, angst, eventually smut. Swearing, smoking, alcohol intoxication, alcohol abuse. Mutual pining, heartbreak. Crying, nightmares, childhood trauma. Description of animal abuse, domestic violence, mentions of addiction. Financial problems, stress, mental breakdown. Description of blood and injury, hospital scenes, character death, grief. Music: ‘How Far This Road Goes’ - Gareth Dunlop, ‘Seven Riders’ - James Horner & Simon Franklin (second scene). Check out ‘Kate Huntington’s Ride With Me playlist’ on Spotify! Author’s note: Thank you @kittenofdoomage and @girl-with-a-fandom-fettish for helping me. You girls are awesome betas. Thank you for your endless patience!

Ride With Me Masterlist

     With a grin wider than the horizon, Dean puts the rolled-up mattress on Ted’s back, attaching it behind the saddle by tying the leather strings around it. He barely slept last night, but he doesn’t feel tired, not in the slightest. Nothing will get him off this high cloud, because last night, he kissed Y/N.        The head wrangler hums a Led Zeppelin tune as he tightens Ted’s cinch a little, patting his four legged friend on the shoulder when he’s done. Joplin is waiting next to him, rather impatiently, tied up to the strung rope between a boulder and a tree, like the other seven horses. Her female rider moves in between the dark mare and Ted, causing Dean to fight back an amused scoff. Y/N could have tacked up Joplin from the left side, which is the usual protocol when handling a horse. But instead, the cowgirl chose the small space between the two large animals, the space Dean already occupied, making it a tight fit.     “Morning, Yankee,” he teases, still with his back towards hers as he secures his lasso.     “G’morning,” she greets back. “Were you humming ‘Whole Lotta Love’ just now?”      Dean chuckles now, “I’ve got a reason to be cheery.”

     Y/N presses her lips together, very much aware why her supervisor is in such a good mood. She is also very much aware that he’s only inches away, the two almost touching. The chemistry is evident and she needs to remind herself that the others are also readying their horses; they are not alone like they were last night. Giving her hands something to do, she checks the saddle bags again, even though she has done so already.       “Did you sleep well last night?” Dean wonders casually, but she caught the lower tone in his voice. That tone that makes her heart beat faster and has her closing her eyes and taking a moment to compose herself.      “I did actually. A little short, though,” Y/N returns. “What about you?”      “Oh, I couldn’t sleep.”

     She can hear Dean’s boots crunch the gravel underneath them as he turns around. He comes closer and Y/N forgets what she’s doing, one hand holding the stirrup, might she need the support. She feels his hand on her hip, the touch so featherlight that she could be imagining it. Holding still while he moves in, she fights a shocked whimper when his breath fans past the junction between her neck and her shoulder. How contradicting; the warm breeze leaves goosebumps over her entire body.      “How come?” she manages to utter, her voice close to failing.      Y/N feels his lips against her hair, but he doesn’t kiss her there, even though she silently begs him to do exactly that. She moves into his touch only slightly.      “I couldn’t stop thinking about you,” he whispers in her ear.

     Before the others notice, he moves away and his hand slips from her hip, leaving a burning sensation where his fingertips gently pressed into her skin through the fabric of her jeans. The cowboy who has clearly found his way into her heart and her mind, shoots her a wink over his shoulder when she follows him with her gaze. Chuckling, she shakes her head in response. It’s a good thing she held onto the saddle, because her knees feel weak. God, the things he’s doing to her.      “Y’all ready to mount your ponies?” Benny checks, before he gets on his horse himself.      When all the wranglers have untied their horses, Dean rolls up the rope that functioned as a makeshift fence and adds it to the load carried by one of the pack-horses. He then puts his left foot in the stirrup and swiftly moves his leg over the saddle, the fringes of his chaps whipping when the breeze catches them. The others follow his example.

     “Alright. We’ve got a long day ahead of us. We ride to the next spring, but it will be roughly six miles from here. That’s more ground to cover than yesterday. It will be rocky terrain, so stay sharp and keep up.” Dean turns his horse with the reins in one hand. “Don’t forget to keep an eye out for the herd. They were last seen in Marsh Valley by hikers, but that was four days ago, so they could be long gone by now. If we don’t find them by the time we reach White Rock Spring, we’ll set up camp there and continue the search tomorrow. Y’all good with that?”

     The rest of the company agrees, both wranglers and horses excited to get moving. Joplin especially; the waiting has made her impatient. She rears, lifting her front hooves a couple of inches from the ground, repeating the action several times. Y/N rides it out, her hand reaching to pat the hot blooded mare on the neck in order to calm her down. In perfect balance she gives her horse enough freedom of reign, but controls the movements with her seat.       “Joplin certainly is,” she laughs, amused with the mare’s enthusiasm.      “Alright then,” Dean returns grinning, admiring her riding skills for a moment longer. “Let’s ride.”

     It’s past midday and there is no sign of the herd so far. The group of riders passed Weavers Needle hours ago, a thousand foot column of rock that forms a distinctive peak, visible from many miles away. Y/N felt so tiny when she rode through the landmark’s shadow, like an ant on the forest ground. She quite possibly strained a muscle in her neck from looking up, but the young woman from the North couldn’t help herself. The landscape, created by volcanoes ages ago and molded by wind and time, leaves her in complete awe. The further they travel into the Superstitions, the more surreal the scenery becomes. 

     Benny told stories last night about the mountains. About the legend of the Lost Dutch Gold Mine, and the hundreds of other abandoned tunnels, hidden in the volcanic stone. About the Indians, how some of them believe that the hole that leads down into ‘the lower world’ is located somewhere in these valleys, and that winds blowing from it create the severe dust storms in the metropolitan area. It’s a magical environment that, despite having a desert climate, seems alive. The way the wind plays with her horse’s mane and whispers as it breathes through the canyon. The way the mesquite bushes rustle and the Saguaro cacti reach their arms for the blue heavens above. This land has a personality of its own; unpredictable, layered and rich with wisdom.

     “Enjoying the view?”      Dean held up his horse as Y/N was staring up at the renmands. She didn’t even notice she fell behind.      “Sorry…” she mutters apologetic. “It’s just… everything here is so beautiful.”      “Sure is.”      The cowboy smirks at her, not just complimenting the landscape. Joplin’s rider is unable to hide her flattered smile.      “You can stop trying to win me over,” she returns jokingly, resting her hand behind her on the cantle of the saddle.      Dean side eyes Y/N, triumph in the way he holds himself, “Because I already did, right?”      “Don’t get ahead of yourself,” she warns. “Last night was amazing, but it was just a kiss.”      “Oh, I didn’t plan to stop,” he makes clear, copying her action without noticing, gripping the back of the saddle with his free hand as well. “Next chance I get, I’m gonna kiss you again.”      “Is that so?” she teases.      “Unless you’d rather not have me.” Dean observes her, eager to pick up on her reaction.

     His lower leg brushes against hers, the metal of the stirrups jingling when they collide. He stares into her eyes longer than he should, breaking through the resistance with more ease than Y/N wants him to. Honestly, she has never been an easy catch. She pictured she would at least let him work for it, prove to her that this isn’t just a fling. But her defense crumbles with every connection, no matter how small. The intern can’t help but crave for her supervisor to touch her, to kiss her right here and right now. Both of them being on horses complicates things, however, especially since one of those horses is Joplin, who is getting anxious now that she is a few hundred yards away from the group.       “I wouldn’t mind it,” Y/N admits, on a more serious note.      Dean smiles, delighted at that, looking down at his horse for a brief second.       “You oughta catch up then.”

     The wrangler moves his hand forward and pushes his heels to his horses flanks simultaneously, the aid triggering Ted to shoot forward like an arrow from a bow. Without giving Y/N  a chance to respond, Joplin’s instincts kick in; she needs to stay with the herd. In a blink of an eye she bolts, surprising her rider, who can only just prevent a squeal from escaping her throat. The experienced rider is quick to recover, though. She moves her weight forward, allowing her horse to move under her freely, giving her all the reins she needs. Within five strides, Joplin is at full speed. Y/N can’t recall that she ever galopped this fast. The wind pushes the tears from the corner of her eyes, dust blocking her view. Her hat falls back, but she’s quick enough to catch it and push it tighter on her head. She doesn’t care, though, because she feels like she’s flying.

     Before they reach the others, Dean sits back in the saddle and pulls the reins, telling Ted with a ‘ho!’ to slow down. Joplin is next to him within a second, her rider laughing out loud. The cowboy watches her, laughter erupting from his throat as well.       “You’re crazy!” Y/N accused, a wide grin on her lips nonetheless. “What if I had fallen off?”      “You’re too good of a rider,” he returns, never worried she couldn’t handle herself. “And it’s about time you let go.”      “I usually don’t like losing control,” she returns, trying to be stern.       He cocks his eyebrow. “You didn’t mind last night.”       “Underlining ‘usually’,” she repeats with a tone, shaking her head at the up-to-no-good grin on his face.

     “Well, you—” He points his finger at her accusingly before he pushes his hat up a bit. “— should loosen up a bit. Picture it like riding.”      Y/N frowns at the wrangler next to her. “I thought we were talking about riding.”       “It doesn’t matter. What does, is if you hold onto the reins too tight, your horse will tense up. You will tense up. But if you relax at the right moment…” He moves his hand forward, giving Ted enough space to drop his head and the gelding blows out a satisfied sigh. “So will your horse. You allow things to be. And those are the best rides, ain’t they? The ones where the balance is perfect, and everything just clicks.”

     Y/N agrees to that without words, smiling at the comparison. Dean lets the true meaning of his message sink in as well. It’s good advice he’s giving. Maybe he should take it himself. In silence they take each other in. She has rolled up the sleeves of her dusty shirt for the warm breeze to caress her bare skin. Not so long ago, Y/N came walking into the Saloon, ironed button up, polished shoes, hair band and clips not allowing a single stubborn strand to spring free. Look at her now, like she couldn’t care less about appearance. Look how beautiful she is.       “By the way,” the woman next to him recalls, her voice softer so that the tourists can’t hear them.       “Hm-hm?”      “You were right. That was a lot more than just a kiss.”      With those words she canters away, and he’s only able to breath out again when she passes the other riders to lead the group. Don’t be fooled, he’s confident about how things are going, but that doesn’t mean that ‘allowing things to be’ is easy. Even he, the guy who doesn’t plan ahead and takes it day by day, is daunted by the possible commitment that this adventure with Y/N will bring. But one look at her, seeing the change she’s going through, the difference in her demeanor and her lifted confidence; she’s all the inspiration he needs.             “You better wipe that smile off your face, Chief, or the coyotes might start wonderin’ why you’re all giddy.”      A little startled Dean looks aside as Benny holds back his horse until he’s next to Ted. Caught in the act the head wrangler glares at his friend from under his Stetson, but the smirk doesn’t die down. No need to respond in words, because both know why Dean is on top of the world. And so the two companions ride next to one another for awhile in silence. Dean’s eyes never leave her, though, watching how she handles the bubbly mare, who’s excitement got peaked by the little race. Joplin isn’t for everyone, but she’s taking his advice and gives the dark horse free rein, trusting her, and eventually the mare transitions to a walk.

     “Well, now you’re just embarrassingly gaping,” Benny notices, clearly amused by the sight of his lovestruck friend.      Dean snaps out of it and eyes him again. It’s not so much the fact that Benny is mocking him, more the fact that he himself can’t get a grip.      “Shut up,” Dean mutters, shaking his head chuckling. “You were the one gaping when you interrupted us last night.”      “It was 3 AM and I wasn’t even close to awake, and what do I find?” Benny lazily points his finger at the intern, then at the man next to him. “You two, giving each other one hell of a Yankee dime. I mean, don’t get me wrong, brother. I’m proud of ya, but excuse me that I was a little taken aback.”      The Southerner pauses, his piercing blue eyes brassy and up to no good. Clearly he enjoys taunting his pal.             “Took ya quite a while to notice me too,” he comments, adding fuel to the fire.      “I was kinda in the middle of something!” Dean exclaims.      “Hell yeah, you were.” Benny sniggers. “Good think I stopped ya right there. At least now you saved some for later.”      “I wasn’t gonna go all the way with her,” his friend declares.      It doesn’t convince the rider next to him, though, because he laughs out loud.      “Don’t piss on my leg and tell me it’s rainin’.”      “Dude, I’m serious!” Dean states. “I ain’t gonna rush this.”      “Ah-uh.”      “I said: shut up.”

     The farrier’s laughter is contagious, hiccuping as he takes in air, and his friend can’t help but chuckle as well. The head wrangler adjusts the ranch rope hanging over his horse’s shoulder, the broad smile never wavering. It’s not just the smile, though, that tells Benny that Y/N is the girl for him. It’s his eyes. He has never seen them shine so bright. He has never seen Dean so contented.      “You two go together like peas and carrots,” Benny vouches, looking from the cowboy to the cowgirl. “I’m happy for ya, brother.”      “You’re talking like we’re about to settle down and get a dog,” Dean scoffs skeptical, even though deep down he wouldn’t mind an outcome as such.      “Give it time,” the Southerner recommends confident. “After all, two months ago, you would have thought I was crazy as a soup sandwich, if I’d predicted you to be on cloud nine by now.”       He wiggles his eyebrows and Dean sighs in response. He’s not even going to fight his friend on this, Benny is enjoying this way too much to ever let go.

     “Dean!”      The call comes from the front of the group and it seems urgent. Dean snaps his head to the sound of Y/N’s voice and the clatter of hooves. The intern has turned Joplin around and ridden back to the tourists. One of the pack horses, Cash, who Macy was guiding along side, tries to flee away as he kicks violently to the ground. He spins in circles around the rider and her gelding Jimmi, who is starting to panic as well.       “Pull the knot, Macy!” Dean commands, pushing Ted towards the commotion.      Fighting to control her own horse, she reaches for the rope that ties Cash to her saddle, trying to yank the safety knot. By this time, however, the distressed animal has pulled on the cord with all its weight, and there is no way it will loosen.       “I can’t!” she yells back, fright evident in her voice.

     Trying to not get caught up in the line, she steers Jimmi to stay head to head with the anxious pack horse. Dean is with her in a split second, maneuvering Ted close to her and staying free from the web.       “Listen to me, Mace. When you’re on the other end, I’m gonna take over.” He takes the end of Cash’s rope, wraps it around the horn of his saddle four times and locks it in his fist, hooking it behind his hip for leverage. “I need you to get yourself to safety the second that rope unties, alright?”       He makes eye contact and she nods frightened, all while trying to calm Jimmi, who is getting more claustrophobic by the second. The experienced wrangler then backs up Ted, using his horse’s body weight to pull the safety knot. The second Cash feels the freedom, he bolts. Macy is clear, but the head wrangler and his four hooved partner are about to be catapulted by the horse on a rampage. 

     Thinking fast, Dean moves his reins towards Ted’s ears, triggering him to rocket forward. Three strides later Dean can feel Cash jerk at the saddle, Ted bracing himself, the well-trained cattle horse maintaining his balance. The rope slips from Dean’s fingers, but he is able to keep his ground, even though the rough material burns in his hand. With tension on the line, the wrangler tries to keep Cash away from a boulder that came rolling down Bluff Spring Mountain, but can’t prevent the panicked horse from slamming the water tank he is carrying into the large rock. Even though drinking water pours from the hole, it’s not Dean’s first concern. Cash is holding his hind leg up, still kicking the ground as the black horse halts, breathing out nervously. Dean spots a trace of blood, just below the fetlock joint.      “Shit…” He gets off, dropping Ted’s left rein on the ground, a signal for the horse to stay in place and wait. Shit, shit, shit.      Cash, who is shaking and breathing fast after all the commotion, turns his head into the wrangler, seeming to seek comfort from him. Dean gently rubs the gelding’s withers and slips his hand down the hindleg to take a better look. Two distinctive small holes are visible on the white sock, crimson drops rolling down. It seems like barely anything, but he has lived in this area all his life; he knows a snake bite when he sees one.      “He got bit,” Dean informs the five wranglers, who are waiting on the path in anticipation.      Benny curses under his breath, getting down from his horse as well.       “By what? A spider?” Y/N wonders, sticking with the tourists on a safe distance.      “Nope.” 

     The Southerner picks up a stick, poking at something in the bushes. Then he lifts the piece of wood, a snake hanging from the end of it. Macy squeals and Y/N inhales sharply, too. She has never seen a snake up close like that, at least not without thick glass between her and the reptile. God, that thing is huge!      “Is it dead?” Dean checks, still standing by the wounded horse.      “Dead as steak on the grill,” the Southerner confirms, taking a closer look.       “Is it a rattler?” 

      The head wrangler watches Benny examine the animal as he prays to God that it isn’t. Rattlesnakes in this area are highly dangerous. The amount of venom they possess might not be enough to floor a horse, but it will cause extensive swelling for sure, most likely followed by a bad infection that will cut off the blood supply. A bite inflicted by a venomous snake could be life threatening, even when treated by a veterinarian immediately. Miles from civilization with no access to medical resources, it becomes lethal.      “I think it is, Chief.”

     Y/N looks over at the head wrangler, who drops his head and swears. It slowly begins to sink in that the consequences of what seems like a small injury might have serious consequences. Dean looks up, making eye contact with the intern and motioning her to come over. She rides Joplin off the path and dismounts the mare, leading her to Cash, who she comfortingly pets on the nose.      “Listen to me carefully,” he starts, his voice toned down so that the others can’t hear him, as he instructs the intern calmly. “If that is a rattlesnake, I need you to take the tourists a half a mile up the trail. At the junction, you wait until me and Benny catch up.”       “Wait, what are you gonna…” she stammers, hesitant where Dean is going with this.

     He bites his bottom lip for a moment and looks deep into her eyes, the urgency apparent in his intense greens.      “You’ll be responsible for the guests, so be cautious. Don’t take any risks and keep them safe. I know you’re not familiar with the area and that this is a lot, but can you do that?”      “Benny could go with them, he knows these trails,” she suggests, but Dean dismisses it instantly.      “No. I don’t want you to see this.”      “See wh -” she pauses, his penetrating gaze and tensing jaw stopping her from forming words. Shocked she rakes her fingers through Cash’s forelock, only now realizing the difficult task that Dean is facing. “Oh my God, you’re gonna put him down.”

     He doesn’t answer, but swallows apprehensively. If Cash has venom coursing through his bloodstream, his chances of survival can be considered zero. A slow and agonizing death awaits him; a bullet to the head would be the most moral way to go. The head wrangler takes a deep breath, composes himself, and shifts his gaze to Benny. Seems like he’s going to have to use the Colt after all.      “I’m gonna check out the snake, make sure it’s a rattler. If it is, you know what to do?”       Y/N nods uneasy, but determined enough to assure Dean that she can do her part. He thanks her without saying anything, his eyes softening. Then he moves past her, heading back to the trail. Left stunned, she lets her hand glide down Cash’s nose, trying to ease the horse, who in his turn gently presses his large head against her chest. Even though Y/N barely knows the horse, tears prick in her eyes. Poor, poor thing. She looks over her shoulder, watching in apprehension, how the head wrangler crouches down next to Benny, who has the snake at the end of a stick. 

     Dean pokes the reptile to make sure it’s dead, taking a good look at the animal. The light brown color with dark blotches on its back and smaller dark spots on its side, are indications that Benny is right. He can’t tell much when examining the head, since Cash killed the snake with a fierce kick and smashed its skull. Dean picks up the animal by the tale. It looks different from the rest of its body, but there is no rattle at the tip of it, like he has seen before with the Western Diamondback that is common in the area. He sighs relieved.      “It’s a Gopher snake,” he states. “A Sonoran, by the looks of it. Smart fellas; they mimic rattlesnakes to ward off predators.”      “Could’ve fooled me,” Benny concedes.      “Not venomous?” Y/N checks.      Dean smiles her way. “Not venomous.”      A weight falls off her shoulders, and the female wrangler rustles Cash’s mane thankfully. She exchanges a look with Dean, silent conversation easing the both of them. Then the group leader turns to the tourists.       “Alright y’all, let’s take a break here,” he decides, beckoning at the shade near the big boulders.       “Is Cash gonna be okay?” Macy asks worried.      “He’s gonna be fine. We’ll rest up for half an hour, meanwhile fix that water tank. Benny? Let’s repack so that we can take the load off Cash.” Dean turns to look at the farrier, who nods in agreement.

     They leave the snake for the vultures and move away from the trail. While Benny and Brad tack down Cash and focus on repairing the tank with duct tape, saving the water that remains in the tank by catching it with their water bottles, Dean focuses on the black gelding’s injury. Y/N strolls past him between the horses, who have taken cover in the shade. She watches how the cowboy flushes the puncture wounds with water, despite the fact that Cash keeps lifting his hind leg.      “Do you need an assistant?”      He looks over his shoulder and nods. “Could you hold him for a sec?”      She takes Cash by the rope that he fought so hard minutes ago, rubbing the bay’s shoulder in order to distract him. It works, because the gelding puts his foot down, allowing Dean to press a gauze soaked with betadine on the small holes.      “There,” he says satisfied, when he’s done cleaning the punctures. 

     Y/N lets go of Cash’s halter, picking up the bottle of betadine from the first aid kit, together with a clean gauze pad.      “Your turn.” She nods at his hand.“Show me that.”      Dean brushes it off. “It’s nothin’.”      His intern isn’t having it, though, and after shooting him a glare she takes his right hand and turns it over. Despite that his palm is calloused from years of ranch work, the rope has burned off parts of his skin, leaving fiery blisters.       “I wouldn’t file that under ‘nothin’,” she returns stern, mocking his slang.      Dean can’t help but grin at that, surrendering to her care. The smirk turns into a grimace when she dabs the damaged tissue with iodine.       “Sorry,” she apologizes when she notices him tensing up.      “It’s okay,” he assures, looking at her fondly, despite the sting.            Y/N blushes at his expression, breaking away from his warm eyes and focusing on his hand again. She applies a clean gauze and dresses his hand, taping the end of the bandage so that it won’t come off.      He checks his hand from both sides, impressed with her work. “How do you know how to do that?”      The cowgirl shrugs. “I have three brothers who never failed to miss an opportunity to fall from their treehouse or trip while chasing each other through the woods. You do the math.”      Dean chuckles, testing the movement of his fingers as he turns towards the other men, who are still working on the tank. On his way over, he glances at the young woman again.      “Thank you.”      “You’re welcome,” she returns happily, walking past Joplin to pick her water bottle from the saddle bag.

     Joining Macy and Jon, she makes the most of what remains of the half hour break, while the other wranglers try to repair the tank. Having lost most of the water, they don’t waste too much time resting up here and decide to move on to White Rock Spring. The other horses take over Cash’s tack, who only has to carry the empty tank. The gelding already puts full weight on his injured leg, the wounds so superficial that he doesn’t seem to be bothered by it. Twenty minutes later Y/N puts her left foot in the stirrup and hoists herself in the saddle. Her limbs are tired, her back is beginning to hurt. Day two of this trail is taking more out of her than she expected, not only physically, but also mentally, after the close call with Cash. Even though it’s early afternoon, she hopes that Dean and Benny will decide to call it a day, once the group reaches the spring. 

     It doesn’t take long before they pass the rock formation of Black Top Mesa and reach the T-junction Dean described earlier, left leading into Marsh Valley, right to Charlebois Canyon. The two Gold Canyon Ranchers leading the company have stopped just off the trail on the top of a hill. She catches a glimpse of Benny’s face, and he does not look pleased. Not sure if it’s her place to join them, since she’s the intern, she hesitates to ride up to the wranglers, but takes her chances a few seconds later. Dean did involve her when Cash suffered that possibly dangerous injury, afterall. Joplin halts next to Ted as her gaze jumps between the two riders.      “Something wrong?” she wonders.      “What’s missin’ here, Yankee?” Benny counters, without answering her question.

     Y/N looks ahead, down Charlebois Canyon. The land is dry and dusty, rocks and volcanic remnants more evident in the landscape. Now that she’s made aware that something is unusual about this picture, she remembers that the canyons east of Weavers Needle were much greener. More plants and bushes, more life.      “Water,” the female wrangler realizes. “There’s no water.”      “Yep,” Benny confirms. “That spring is supposed to be over yonder.”      “But how can there be no spring? It rained cats and dogs a week ago,” she wonders confused.      “Welcome to Arizona, where it can be raining like a cow’s pissin’ on a flat rock on one side of the road while the sun shines on the other,” the Southerner states.

     Dean is quiet, the gears in his head turning as he blankly stares ahead. He’s holding his reins with his unharmed hand, the leather feeling a little foreign, since he hardly ever rides left-handed. There are a few more springs close by, but since the whole canyon looks dry and dead, except for a few Saguaro cacti, he’s guessing that those ran dry too. Biting his bottom lip he glances over his shoulder in the direction where they came from, then north.      “What do we do now?” Y/N inquires, her eyes shifting from Benny to Dean.      “Chief?” the farrier checks with his friend, when he doesn’t respond.       “How far do you think it is to Eagle’s Nest?” he questions. “About six miles?”      “Give or take,” the Southerner affirms.      Dean ponders, but then turns Ted around to face the three approaching tourists.      “We’ve run into a bit of an issue,” he starts, updating the guests on the newly occurred problem. “White Rock Spring has dried up, and looking at the vegetation, I don’t think it’s wise to continue east. We’re not gonna find water there, which also means that the herd is most likely elsewhere. The way I see it, we’ve got two options: we either turn around and ride four and a half miles back to Willow Spring, or we move north to Salt River.”      “How far is that?” Brad asks as the dark haired student rests his wrists on the horn of his saddle.      “Six miles,” Dean declares. “If we leave now, we’ll hopefully make it by sunset. We need an inventory on water and food supplies. And I need y’all - and this is really important - to be one hundred percent certain that you’re up for another six hours in the saddle. If anyone ain’t, we will turn around to the Willow and cut our losses for today. No shame in it.”

     The leader of the company now turns to Macy, who has Cash waiting next to her. The black horse looks alert and calm, his weight on all four hooves.      “How’s he doing?” Dean wonders.      “He seems fine. He’s sound, even in a jog just now,” she returns, having kept an eye on the gelding next to her.      Dean nods, but not completely satisfied. He’s torn. Torn between pushing through and marching on to Salt River, or taking the safe route back to where they came from. Going back feels like giving up. It will be another day without a trace of the herd, another day of wasting time and energy. They have enough food with them for five days. Heading back might be a crucial setback, one that could lead to returning home without the group of young horses. He promised Ellen and Bobby to bring them in, but he also promised to keep everyone safe. 

     “How much water do we have left?” he checks.      After a quick count, they come to the conclusion that they have about 10 liters between the six of them, the horses not even included. The animals are used to these circumstances, though, and they can go without water for three to four days. Dean is confident they should be okay. It’s the riders he’s worried about: both the tourists and Y/N. Dean sighs, looking up the trail from Marsh Valley that leads into the mountains.       “Is there anyone who wants to go back to Willow Spring?”      No one steps forward or raises their hand. Dean looks the crew in the eye, one by one, trying to unravel them and detect even the slightest hint of doubt. His gaze lingers on Y/N, who doesn’t give him an inch and seems determined. He nods, his mind made up.      “Alright, then,” he decides. “We ride north.”

Thank you for reading. I appreciate every single one of you, but if you do want to give me some extra love, you are free to reblog my work or buy me coffee (Link in bio at the top of the page).

Read part thirteen here

[wallpaperpainter]

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[tpaigeme]

Being West Virginia What People Are Saying About The Art of T. Paige “Some people are born to translate life's struggles and beauty into art with every ounce of their being.  T. Paige Dalporto is one such person.  He brings the heart and soul of West Virginia to life through his music, poetry, acting, and impressionistic photography. He is West Virginia."  Annie Lindstrom, Talkupy on Blogtalkradio.com “I loved-loved-loved your song (“Hawks Nest: Tunnel of Death”) for The Hawks' Nest Tunnel film. There is no way that song will NOT be in the film. It is incredible and so are you. Just want you to know how I appreciate you. You rock!” Mari-Lynn Evans Producer of The Appalachians on PBS (6 million viewers) “Just reading the lyrics in your song makes me cry. Dear God, this song is great and you are a genius.” Judy Bonds, Coal River Mountain Watch, winner of the Goldman Prize, “The Nobel Prizefor Environmentalists” “This song says what I have tried so hard to put into words. I love it. You have outdone yourself again.” Maria Gunnoe, Coal River Mountain Watch, winner of the Goldman Prize, “The Nobel for Environmentalists” “One of the top 3 songwriters in WV”....John Blissard, Founder of Allegheny Echoes Old Time Music Festival and Camp "T. Paige, ‘The Soundtrack of our Movement’ (to save Appalachia’s mountains). One of the most eloquent songwriters around. There’s a real soul to what he sings.” Paul Corbit Brown, President, Keeper of The Mountains Foundation "This is a great song." Denise Giardina, environmentalist, West Virginia gubenatorial candidate, author, “Storming Heaven”, “Saints and Villains” “You’re a poet. And not a bad one.” Don Marsh, the late Senior Editor-in-Chief, The Charleston Gazette "This song makes me proud to know you"....Sandy Wells, Columnist, Innerviews, The Charleston Gazette. "I love your music."...Kate Long, veteran Singer/songwriter, Writer for The Charleston Gazette, WV Public Radio Producer “Keep doing what you’re doing”...Kathy Matea, Nashville Recording Artist “You rock hard for one cat." Todd Burge, singer/songwriter “I listened to your CD till 2 am last night. The first time I heard you play, I couldn’t wait to hear more. You were different, and I was struck by your uniqueness, passion, and the edginess in your playing and songs you weren’t like the rest. I really believe in your talent and I’ve listened to a lot of music and you rank up near the top.” Marcia Flannnery Griffith, Nashville Recording Artist, Singer Songwriter “T. Paige is a folk hero around here. He represents a LOT of music.” Louis Argento, Music Impresario, Charleston W.Va. “The most talented artist in WV.” Bob Henry Baber, Mountain Party candidate for U.S. Senate, Governor “Your music is cool, real...”Dylan meets the Luminaires” Wayne Killius, Nashville record producer, Session Drummer appearing on many hits “A Voice who speaks up for the common folk”...Rebecca Park, Actress, Educator “Dalporto's CD is a real gem...That sound is what makes him stand out among the ranks of West Virginia musicians. Dalporto is well on his way to making a big name for himself in the West Virginia music scene. Gripping lyrics, a classic."Matt Burdette, Editor, Graffiti Magazine “A piece that is at once both a song of defiance and tribute, T. Paige has found his voice. He reminds us that we cannot allow the continuation of the destruction of our beautiful pearl (WV) by out-of-state conglomerates. I think Pete Seeger would be very proud of the ‘passion to the people’ spirit of ‘The Pearl’”. Ross Ballard II, author, audio CD and compilation music CD. “Here is the song that captures so much emotion, so much pain, and so much of the tragic story of what happened on that terrible day when 12 loving, hardworking miners were treated as “items” in a WV coal mine. That day the world got a glimpse of West Virginia’s epic fight against corporate greed.” For Church Bells at Sago...Ross Ballard “Mr. Dalporto is a many-talented artist, writing original songs for the just released audio book of ‘When Miners March’, along with publishing a very nice book that collects some of his poems and photographs. He loaned me a copy of his excellent paperback book, “It’s Still a Wonder Just Being Here” that includes poems written between 1981 to 1999. He took most of the photographs around his home in the upper Kanawha Valley between 1989 to 1999. All of the photos are beautiful, simple, and sincere. I particularly enjoyed the two color photographs of Smithers and Alloy. His poems are likewise beautiful. Dalporto has traveled around the United States, living in Alaska, Nashville and other locations before returning home to Charlton Heights. He is active in the anti-MTR movement. He just received word that two of his works, “The Pearl” and “Railroad” have been accepted for publication in Blair Mountain Press' new book, due out this October---‘Coal: A Poetry Anthology.’” Steve Fesenmaier, former head of the West Virginia Library Commission Film Services “T. Paige is one of southern WV’s most creative artists. He is a great musician, recently writing and playing several songs for the soundtrack of the audio movie of When Miners March. Dalporto has traveled around the United States, living in Alaska, Nashville and other locations before returning home to Charlton Heights. He is active in the anti-MTR movement.” Steve Fesenmaier, former head of the West Virginia Library Commission Film Services FOR: The Ballad of Shirley Jones “This song is about my Uncle Shirley. He died at the age of 18 from working in Hawks Nest." Rita Jones Hanshaw "Horrible tragedy, this song is amazing and totally captures how most of the people who worked in that tunnel must of felt." Tessa Colyer 8 months ago “My grandmother is the daughter of Cecil Jones. She never knew her father as he died along with his brothers before she was born. Until yesterday, her daughters and grandchildren were not really aware of this massive tragedy. Thank you to the people making the songs and films so we have more information about our past. This story MUST be told.” Patricia Daniels "Wow, that's a great job on the song. I have been around the tunnel and I know of 4 locations where victims were buried, so I know what you are singing about. When does the film come out? This should be the theme song for the film." rickietube1 Shiny Shine 2 years ago "My grandfather was Charles Jones. I am so proud that this tragedy is finally coming to light". Cary Curlee "Awesome song! I have my students read Hawk's Nest (a novel about the tunnel) in Intro to Appalachian Studies. I believe this story story needs to be told!" FOR “When You Go” “This song makes me proud to know you"....Sandy Wells, The Charleston Gazette. "I try and not cry at work. Beautiful!" Linda Petry Hospice of WV "I love that song." Mike @ music@fourdogsmusic.co.uk “I love this song. It is powerful. Anyone that truly cares about people will be affected by this song. You have stayed true to yourself a long long time Paige. It's time your work is recognized. Hopefully this song will be the beginning of something really good for you. You are a wonderful beautiful person Paige. I am so proud to know you and call you my friend...." Bo Webb CRMW "Heartbreaking".. “Oh my, Paige, this will touch everyone who hears it. What a beautiful tribute!” Mary Caputi, MD “Very moving and tender tribute to the fallen Massey miners.” Tony Oppegard, Attorney for Miners’ Rights Very, very, great song!!! Couldn’t take my eyes off if it! You got a winner there. Thank you for sharing. Loved it.”....Joe Youtube musician, viewer “My friends Carrie & MIchael Kline sent me the link to your YouTube video "Buffalo Creek" yesterday. I'm an attorney in Kentucky who has long represented coal miners and their families in safety-related matters. I am also a collector of coal mining songs. I have quite an extensive collection, so I already had your songs "Church Bells at Sago", "The Pearl", "The Ballad of Ma Blizzard" and "Kiss the Hills Goodbye". No offense, but "Buffalo Creek" blows them all away...! What a great song! I love the lyrics, as well as the passion in your voice and picking! Then, I checked out your other videos and found the clever "Massey's Farm" (I've always loved Dylan) and the great "Who Did This?" I love the raw power and emotion of all three of those songs!! You are certainly one of the most talented performers that I have seen on YouTube, and I appreciate you sharing.” Tony Oppegard, Attorney for Miners’ Rights "Standing on my chair applauding. This is perfect. Had to subscribe after watching a bunch of your videos. Cheers." MisterNoHead For: It’s Still a Wonder Just Being Here: Photographs and Poems “Thank you for your lovely book. Both the poems and photographs are haunting and beautiful. I was very touched by your story.” Sylvia Nasar, author of, A Beautiful Mind, Columbia University, New York “This is one for the Mountain State to be proud of...beautifully printed.” Ken Sullivan, Ph.D., Executive Director, W.Va. Humanities Council, Charleston, W.Va. “The delicate way the images inform the writing and vice versa...and the relationship between the two is both personal and striking.” Meredith Coeyman, Aperture Foundation, New York “From big black coal cars that travel to heaven and ride among the stars, to his vivid descriptions of trees and West Virginia landscapes, this is one true example of turning coal dust into a real diamond of a book. The pictures are priceless, as well. Wait till you see where the Raven is sitting. I loved it. A real slice of Appalachia.” Patricia Syner, Educator, Fayette County, W.Va. “Every page is a gem.”..Gail Twigger, Twigger Shaw Design Source, Charleston, W.Va. “This book makes me proud to be a West Virginian. The author demonstrates a true understanding of Appalachian life through his photography and a desire to live life to its fullest through his poetry. An Appalachian Prize”...Amazon.com customer, from Montgomery, W.Va. For the film, Moving Mountains, by Penny Loeb The film, by Pulitzer finalist Penny Loeb, premiered August 21, 2014, to an excited and appreciative audience of 250 in Charleston WV, at the old Capital Theater. “T. Paige was brilliant. An extremely talented actor and artist. I really enjoyed working with him.” Michael Alban actor, Moving Mountains “T. Paige! This is unheard of!  A first time actor holding his own alongside an accomplished  star like Theresa Russell!” Michelle Farrell, Chief Cinematographer, Moving Mountains Awards WV Press Association---Photojournalism WV Writers---Poetry Billboard Magazine---Songwriting Soundtracks Moving Mountains When Miners March with Hazel Dickens Rise Up West Virginia Blood On The Mountain contributor Albums Pearl  2006 T. Paige: Collection due out in late 2019

[marypicken]

It’s almost noon in Stirling and the Golden Lion is buzzing with crime writers waiting for the unveiling of this year’s programme.

This intrepid blogger is waiting to hear all the details while simultaneously and surreptitiously refreshing the Bloody Scotland website to try and book tickets before the smallest and arguably therefore, the most popular event, Crime at the Coo, sells out.

I’m here at the launch to get the news hot off the press, so excited am I to attend this festival which features the very best of Scottish and international crime writing as well as giving a great profile for new writers in the genre.

So, what can lovers of crime fiction look forward to from 21 – 23 September?

At the launch with Alexander McCall Smith, Bloody Scotland revealed that the festival will close on 23 September with Irvine Welsh.

Alexander McCall Smith

Irvine Welsh

 This year’s gala opening will take place on Friday 21 September where the McIlvanney Prize for Scottish Crime Book of the Year will be presented. Denise Mina and Val McDermid will then lead a torchlight procession – which the public are very much encouraged to participate in – to their event followed by a performance from the Fun Lovin’ Crime Writers.

Fun Lovin’ Crime Writers

 Other leading authors on the programme include international superstar Louise Penny, Ann Cleeves, Chris Brookmyre, Mark Billingham,  PeterJames, Stuart Macbride, Quintin Jardine, Denzil Meyrick, Martyn Waites and Bloody Scotland board members old (Lin Anderson, Craig Robertson, Gordon Brown) and new (Abir Mukherjee)

 There are also experts in their field including BBC security correspondent Frank Gardner, forensic scientists Dr Richard Shepherd and Professor Sue Black, Kate Bendelow, author of The Real CSI and consultant anaesthetist, Dr Marisa Haetzman who forms the other half of Ambrose Parry along with husband Chris Brookmyre.

Ambrose Parry

 Two book to TV events follow last year’s sell out event with Ann Cleeves and Douglas Henshall. MC Beaton will be appearing with cast and crew of her Agatha Raisin series and Helen Fitzgerald with an actor from the new TV adaptation of The Cry.

 On the international front Bloody Scotland has a very special relationship with the Word Festival in Christchurch and will be welcoming Fiona Sussman and Paul Cleave, two winners of the Ngaio Marsh Prize, thanks to funding from Creative New Zealand. Also among those from 14 countries attending are Ragnar Jonasson, Simone Bucholz and Lilja Sigurdardottir and the (fan girl moment) amazing Sandrone Daziero.

Simone Bucholz

Lilja Sigurðardóttir

Sandrone Daziero

Bloody Scotland likes to nurture new talent ranging from  ‘support acts’ in the Spotlight sessions who read from their newly published books before the headliners in the Albert Halls to the aspiring authors who get the chance to pitch their ideas to a panel of publishers and agents. Alison Belsham who won Pitch Perfect two years ago will be back this year with her debut The Tattoo Thief which has just been published by Trapeze. 

The Golden Lion will remain the social hub of the Festival with a Waterstones bookshop, well stocked bar, the ballroom for events and green room / press office. The Albert Halls will remain the largest venue with capacity for 700 and Allan Park South Church will also be used with bookshops at each.

Perennial favourites the quiz, the play and the Scotland v England crime writers football match (this year captained by Chris Brookmyre and Mark Billingham) will all be back along with last year’s surprise (to some)  hit, a live podcast of Two Crime Writers and a Microphone hosted by Steve Cavanagh & Luca Veste which generated as many laughs as the Crime at the Coo cabaret. Bloody Scotland will also be presenting their  first ever musical, an original piece from the pen of Sophie Hannah.

Bob McDevitt, Bloody Scotland Director

It’s a brilliant event – Scotland’s best and you will not want to miss it! So get clicking now, before the tickets disappear like snow off a dyke, as we say in Scotland.

The Bloody Scotland website is here.

Follow Bloody Scotland on Twitter @BloodyScotland and on Facebook.

Bloody Scotland is supported by the National Lottery through Creative Scotland’s Open Project Funding, Stirling Council,the Open University and Stirling University. Stirling Gin have remained a sponsor for a second year running and are kindly providing Bloody Scotland cocktails at both programme launches. Waterstone’s will once again be our festival bookseller and other sponsors include The Faculty of Advocates, The Sunday Times Crime Club, Headline Publishing and The Crime Vault We have also secured a number of new sponsors including H W Fisher who are specifically sponsoring the London launch and the green room during the Festival.

BLOODY SCOTLAND INTERNATIONAL CRIME WRITING FESTIVAL REVEALS 2018 PROGRAMME INCLUDING TORCHLIGHT PROCESSION & A STELLAR CAST OF NAMES STIRLING 21-23 SEPTEMBER 2018 @ brownlee_donald @bloodyscotland #crimefestival It’s almost noon in Stirling and the Golden Lion is buzzing with crime writers waiting for the unveiling of this year’s programme.

[tpaigeme]

Press Release

Being West Virginia What People Are Saying About The Art of T. Paige "Some people are born to translate life's struggles and beauty into art with every ounce of their being.  T. Paige Dalporto is one such person.  He brings the heart and soul of West Virginia to life through his music, poetry, acting, and impressionistic photography. He is West Virginia."  Annie Lindstrom, Talkupy on Blogtalkradio.com “I loved-loved-loved your song (“Hawks Nest: Tunnel of Death”) for The Hawks' Nest Tunnel film. There is no way that song will NOT be in the film. It is incredible and so are you. Just want you to know how I appreciate you. You rock!” Mari-Lynn Evans Producer of The Appalachians on PBS (6 million viewers) “Just reading the lyrics in your song makes me cry. Dear God, this song is great and you are a genius.” Judy Bonds, Coal River Mountain Watch, winner of the Goldman Prize, “The Nobel for Environmentalists” “This song says what I have tried so hard to put into words. I love it. You have outdone yourself again.” Maria Gunnoe, Coal River Mountain Watch, winner of the Goldman Prize, “The Nobel for Environmentalists” "T. Paige, ‘The Soundtrack of our Movement’ (to save Appalachia’s mountains). One of the most eloquent songwriters around. There’s a real soul to what he sings.” Paul Corbit Brown, President, Keeper of The Mountains Foundation "This is a great song." Denise Giardina, environmentalist, West Virginia gubenatorial candidate, author, “Storming Heaven”, “Saints and Villains” “You’re a poet. And not a bad one.” Don Marsh, the late Senior Editor-in-Chief, The Charleston Gazette "This song makes me proud to know you"....Sandy Wells, Columnist, Innerviews, The Charleston Gazette. "I love your music."...Kate Long, veteran Singer/songwriter, Writer for The Charleston Gazette, WV Public Radio Producer “Keep doing what you’re doing”...Kathy Matea, Nashville Recording Artist "You rock hard for one cat." Todd Burge, singer/songwriter “I listened to your CD till 2 am last night. The first time I heard you play, I couldn’t wait to hear more. I knew I had to wait but eventually would get together with you to hear more. I knew, because of what you were doing...you were different, and I was struck by your uniqueness, passion, and the edginess in your playing and songs you weren’t like the rest. I really believe in your talent and I’ve listened to a lot of music and you rank up near the top.” Marcia Flannnery Griffith, Nashville Recording Artist, Singer Songwriter T. Paige is a folk hero around here. He represents a LOT of music.” Louis Argento, Music Impresario, Charleston W.Va. “The most talented artist in WV.” Bob Henry Baber, Mountain Party candidate for U.S. Senate, Governor “Your music is cool, real...”Dylan meets the Luminaires”...you should put out an album.” Wayne Killius, Nashville record producer, Session Drummer appearing on many hits “A Voice who speaks up for the common folk”...Rebecca Park, Actress, Educator “Dalporto's CD is a real gem...That sound is what makes him stand out among the ranks of West Virginia musicians. Dalporto is well on his way to making a big name for himself in the West Virginia music scene. Gripping lyrics, a classic."Matt Burdette, Editor, Graffiti Magazine “A piece that is at once both a song of defiance and tribute, T. Paige has found his voice. He reminds us that we cannot allow the continuation of the destruction of our beautiful pearl (WV) by out-of-state conglomerates. I think Pete Seeger would be very proud of the ‘passion to the people’ spirit of ‘The Pearl’”. Ross Ballard II, author, audio CD and compilation music CD. “Here is the song that captures so much emotion, so much pain, and so much of the tragic story of what happened on that terrible day when 12 loving, hardworking miners were treated as “items” in a WV coal mine. That day the world got a glimpse of West Virginia’s epic fight against corporate greed.” For Church Bells at Sago...Ross Ballard “Mr. Dalporto is a many-talented artist, writing original songs for the just released audio book of ‘When Miners March’, along with publishing a very nice book that collects some of his poems and photographs. He loaned me a copy of his excellent paperback book, “It’s Still a Wonder Just Being Here” that includes poems written between 1981 to 1999. He took most of the photographs around his home in the upper Kanawha Valley between 1989 to 1999. All of the photos are beautiful, simple, and sincere. I particularly enjoyed the two color photographs of Smithers and Alloy. His poems are likewise beautiful, simple and sincere. Dalporto has traveled around the United States, living in Alaska, Nashville and other locations before returning home to Charlton Heights. He is active in the anti-MTR movement. He just received word that two of his works, “The Pearl” and “Railroad” have been accepted for publication in Blair Mountain Press' new book, due out this October---‘Coal: A Poetry Anthology.’” Steve Fesenmaier, former head of the West Virginia Library Commission Film Services “T. Paige is one of southern WV’s most creative artists. He is a great musician, recently writing and playing several songs for the soundtrack of the audio movie of When Miners March. Dalporto has traveled around the United States, living in Alaska, Nashville and other locations before returning home to Charlton Heights. He is active in the anti-MTR movement.” Steve Fesenmaier, former head of the West Virginia Library Commission Film Services ________________________________________________ For, “The Ballad of Shirley Jones” "This song is about my Uncle Shirley. He died at the age of 18 from working in Hawks Nest." Rita Jones Hanshaw "Horrible tragedy, this song is amazing and totally captures how most of the people who worked in that tunnel must of felt." Tessa Colyer 8 months ago “My grandmother is the daughter of Cecil Jones. She never knew her father as he died along with his brothers before she was born. Until yesterday, her daughters and grandchildren were not really aware of this massive tragedy. Thank you to the people making the songs and films so we have more information about our past. This story MUST be told.” Patricia Daniels rickietube1 "Wow, that's a great job on the song. I have been around the tunnel and I know of 4 locations where victims were buried, so I know what you are singing about. When does the film come out? This should be the theme song for the film." Shiny Shine 2 years ago "My grandfather was Charles Jones. I am so proud that this tragedy is finally coming to light". Cary Curlee 1 day ago "Awesome song! I have my students read Hawk's Nest (a novel about the tunnel) in Intro to Appalachian Studies. I believe this story story needs to be told!" For, “When You Go” "This song makes me proud to know you"....Sandy Wells, The Charleston Gazette. "I try and not cry at work. Beautiful!" Linda Petry Hospice of WV "I love that song." Mike @ music@fourdogsmusic.co.uk "I love this song. It is powerful. Anyone that truly cares about people will be affected by this song. You have stayed true to yourself a long long time Paige. It's time your work is recognized. Hopefully this song will be the beginning of something really good for you. You are a wonderful beautiful person Paige. I am so proud to know you and call you my friend...." Bo Webb CRMW "Heartbreaking"...Vivian Stockman OVEC “Oh my, Paige, this will touch everyone who hears it. What a beautiful tribute!” Mary Caputi, MD “Very moving and tender tribute to the fallen Massey miners.” Tony Oppegard, Attorney for Miners’ Rights “Very, very, great song!!! Couldn’t take my eyes off if it! You got a winner there. Thank you for sharing. Loved it.”....Joe Youtube musician, viewer My friends Carrie & MIchael Kline sent me the link to your YouTube video "Buffalo Creek" yesterday. I'm an attorney in Kentucky who has long represented coal miners and their families in safety-related matters. I am also a collector of coal mining songs. I have quite an extensive collection, so I already had your songs "Church Bells at Sago", "The Pearl", "The Ballad of Ma Blizzard" and "Kiss the Hills Goodbye". No offense, but "Buffalo Creek" blows them all away...! What a great song! I love the lyrics, as well as the passion in your voice and picking! Then, I checked out your other videos and found the clever "Massey's Farm" (I've always loved Dylan) and the great "Who Did This?" I love the raw power and emotion of all three of those songs!! You are certainly one of the most talented performers that I have seen on YouTube, and I appreciate you sharing "Standing on my chair applauding. This is perfect. Had to subscribe after watching a bunch of your videos. Cheers." MisterNoHead One of the top 3 songwriters in WV....John Blissard, Founder of Allegheny Echoes Old Time Music Festival and Camp __________________________________________ For: It’s Still a Wonder Just Being Here: Photographs and Poems “Thank you for your lovely book. Both the poems and photographs are haunting and beautiful. I was very touched by your story.” Sylvia Nasar, author of, A Beautiful Mind, Columbia University, New York “This is one for the Mountain State to be proud of...beautifully printed.” Ken Sullivan, Ph.D., Executive Director, W.Va. Humanities Council, Charleston, W.Va. “The delicate way the images inform the writing and vice versa...and the relationship between the two is both personal and striking.” Meredith Coeyman, Aperture Foundation, New York “From big black coal cars that travel to heaven and ride among the stars, to his vivid descriptions of trees and West Virginia landscapes, this is one true example of turning coal dust into a real diamond of a book. The pictures are priceless, as well. Wait till you see where the Raven is sitting. I loved it. A real slice of Appalachia.” Patricia Syner, Educator, Fayette County, W.Va. “Every page is a gem.”..Gail Twigger, Twigger Shaw Design Source, Charleston, W.Va. “This book makes me proud to be a West Virginian. The author demonstrates a true understanding of Appalachian life through his photography and a desire to live life to its fullest through his poetry. An Appalachian Prize”...Amazon.com customer, from Montgomery, W.Va. For the film, Moving Mountains, by Penny Loeb The film, by Pulitzer finalist Penny Loeb, premiered August 21, 2014, to an excited and appreciative audience of 250 in Charleston WV, at the old Capital Theater. “T. Paige was brilliant. An extremely talented actor and artist. I really enjoyed working with him.” Michael Alban actor, Moving Mountains T. Paige! This is unheard of!  A first time actor holding his own alongside an accomplished  star like Theresa Russell!” Michelle Farrell, Chief Cinematographer, Moving Mountains Awards WV Press Association---Photojournalism WV Writers---Poetry Billboard Magazine---Songwriting Soundtracks Moving Mountains When Miners March with Hazel Dickens Rise Up West Virginia Blood On The Mountain contributor Albums Pearl  2006 T. Paige Collection  available late 2019