#kate kondell

[disneytva]

Moon Girl And Devil Dinosaur Pro-Trans Episode Reportely Banned Due Election Results However Disney Says It's Being "Held".

Over the past days there have been reports that an unreleased episode of Moon Girl and Devil Dinosaur won’t air on Disney Channel over its politically sensitive LGBTQ themes, people who worked on the show say.

Artists who worked on the show took to social media this week to lament that the episode had been “shelved because of which party that won the recent election,” likely referring to Donald Trump winning the presidency and Republicans garnering a majority in the U.S. House and Senate. Conservative politicians have campaigned to ban trans and non-binary student athletes competing in girl’s and women’s athletics in recent years.

The reaction from the industry and LGTBQ+ people was met with blackash mostly as the episode made itself availible trought illegal ways like Youtube and The Web Archive with fans of the show arguing that it was for the best since the show got canceled anyways, several members from the industry such as The Owl House creator Dana Terrace championed the piracy of the episode trought her social media like Blue Sky expressing dissapointment and anger on Disney being "cowardly" arguing that "trans kids need episodes and media like this more than ever."

However today a Disney Branded Television representative came with an statement via Polygon that the episode was not banned, the episode was being held till a future airdate likely till 2025 when the second half of the final season airs.

"The decision to hold the episode of Moon Girl and Devil Dinosaur was made more than a year ago and was not based the result of recent U.S. elections, in this case, this decision was based on this specific episode, not because of the character being trans, The episode is NOT specifically “banned” from airing, but being “held., Disney is “really proud” of Moon Girl and Devil Dinosaur, noting that its target age range is kids age 6-12 and that the company is “respectful of the role that parents play in the discussions they have with their children.” --- Disney Branded Television Spokeperson

[vintagewarhol]

[adamwatchesmovies]

Legally Blonde 2: Red, White & Blonde (2003)

While I didn't enjoy this film, that doesn't mean you won't. No matter what I say, the people involved in this project did it: they actually made a movie. That's something to be applauded. With that established...

Legally Blonde 2: Red, White & Blonde is the Anti-Matter Universe version of Legally Blonde. The story follows the same broad strokes with the same characters - it's practically the same movie, down to that one bad cringey comedic scene in the middle - except this time, none of it works. At all.

Elle Woods (Reese Witherspoon) is now engaged to Emmett (Luke Wilson). To have the perfect wedding, she wants her chihuahua’s mother to attend. Unfortunately, the dog’s mother is owned by a cosmetic company that uses her to test products. Having found a new calling, Elle leaves Boston and goes to Washington, D.C. to work on a bill that will outlaw animal testing in the United States.

Two things made Legally Blonde an unexpected treat: Reese Witherspoon’s portrayal of Elle and the way the character was written. As before, Witherspoon is terrific in the role. She fully commits and is so bubbly you instantly fall for her. You side with Elle right away, even if the incident that’s prompting her crusade for animal rights is pretty stupid. Witherspoon's charms count for a lot but not enough, not when the screenplay by Kate Kondell is this awful.

Now that Elle Woods has graduated college and moved onto the big leagues, her brain has shriveled. It’s that scene where she walks into class with nothing but a pink, heart-shaped notebook and a fuzzy pen all over again. You’d think the years of studying and school would’ve trained her for the real world, but no. Over and over, she proves herself who everyone thinks she is: clueless, totally out of place and unfit to perform the task at hand. I feel so sorry for any young girls (or boys, I suppose) who saw "Legally Blonde", admired Elle's ability to be both a capable lawyer and a woman who dressed fashionably, became inspired and then went to see this follow-up. Why such a drastic change? Because of Amanda Brown, or rather, the lack of. The first movie was based on her experience studying at Arizona State University. It was both funny and although exaggerated, had just enough basis in truth to be relatable. Red, White & Blonde is science fiction.

Even if you’ve never been interested in politics, you can tell all of this is plastic. The Congressmen who pose an obstacle to “Bruiser’s Bill” are just a single conversation from doing a complete personality 180. The villains are either never adequately addressed or taken down with such ease you’ll roll your eyes.

Another layer of artificiality hangs over the entire movie: the plot itself. Not the wedding; Elle’s quest to abolish animal testing. In the real world, that stuff still happens so what does it matter if she succeeds on the screen? It’s a pointless victory. Even if you ignore the dated and embarrassing gay stereotypes (let’s be fair to the movie, as it was released 12 years before same-sex marriages were allowed in the U.S.), you won’t be able to dismiss a cheerleading scene so misguided it makes you want to die or the fact that the stakes are just too high for Elle to lose. I mean, is anyone wondering whether the film will end with Bruiser's mother still getting cruelly used in a lab with all the pink and the gags surrounding that colour?

Though Luke Wilson only makes a brief appearance, most of the other characters you liked before (such as Jennifer Coolidge’s Paulette) return. Notably absent is Selma Blair’s Vivian, who has been rebooted as Grace (Regina King). More attention is given to the legal case and less to the romance, which makes it a poor man’s version of the original movie or a gender-swapped even poorer version of Mr. Smith Goes to Washington.

Legally Blonde 2 is a profoundly disappointing follow-up. We're talking Bridget Jones' Diary 2 kind of letdown. The conclusion hints at a sequel which you’re unlikely to have any kind of appetite for but I’m sure if it ever happens it’ll be better than the next actual chapter in the series, Legally Blondes. (June 26, 2020)

[tinyreviews]

Even though this follows the same “blonde uses genuineness to move others into doing the right thing” beats as the original, the original was much better than this one.

Legally Blonde 2: Red, White & Blonde (also referred to simply as Legally Blonde 2) is a 2003 American comedy film directed by Charles Herman-Wurmfeld and written by Kate Kondell. It is a sequel to the 2001 film Legally Blonde. It stars Reese Witherspoon (who also served as the film's executive producer) with Sally Field, Regina King, Jennifer Coolidge, Bruce McGill, Dana Ivey, Mary Lynn Rajskub, Bob Newhart, Luke Wilson, and Bruce Thomas.

[historyhermann]

Moon Girl and Devil Dinosaur Spoiler-Filled Review

Moon Girl and Devil Dinosaur, also called Marvel's Moon Girl and Devil Dinosaur or Moon Girl, is an animated superhero adventure series created by Laurence Fishburne and Helen Sugland. It is based on the 2010s Marvel Comics series, Moon Girl, by Brandon Montclare, Amy Reeder, and Natacha Bustos.

Reprinted from Pop Culture Maniacs and Wayback Machine. This was the twenty-? article I wrote for Pop Culture Maniacs. This post was originally published on April 24, 2023.

The plot of Moon Girl centers on a young girl named Lunella Lafeyette (voiced by Diamond White). She is secretly a superhero named Moon Girl, named after her favorite scientist, and a student by day. She uses a dimensional portal to bring a T-Rex named Devil Dinosaur (voiced by Fred Tatasciore), to the streets of New York City. Her best friend, Casey (voiced by Libe Barer) helps her, while she fights against villains like The Beyonder, a mischievous and curious trickster voiced by Fishburne.

Lunella's family have an important role in this series. Her grandmother Mimi, mother Andria, father James Jr., and grandfather "Pops" are protagonists. They are voiced by acclaimed actors such as Alfre Woodward, Sasheer Zamata, Jermaine Fowler, and Gary Anthony Williams. I personally remembered Williams for voicing characters in Star Wars Rebels, Star Wars Resistance, Velma, The Cuphead Show!, and The Owl House, or when Zamata voiced Jade in the subpar film, The Mitchells vs. the Machines.

From the get-go, I knew that Moon Girl would have a superb animation quality because the show's production companies include the animation arm of Disney (Disney Television Animation), a Marvel Studios subsidiary (Marvel Animation), and two animation studios: Titmouse and Flying Bark Productions. The latter two are known for Star Trek: Lower Decks, Fairfax, The Legend of Vox Machina, Glitch Techs, What If...? and Pantheon.

Fishburne's own production company, Cinema Gypsy Productions, is helping produce Moon Girl. This could be part of the reason the series got a favorable reception from executives, resulting in renewal of a second season before the first season had premiered. The animation style is said to be inspired by Spider-Verse, pop art such as Jean-Michel Basquiat, Andy Warhol, and Keith Haring, along with comic book and graffiti style, and other influences.

Moon Girl has an impressive cast including well-recognized names like Indya Moore, Craig Robinson, Pamela Adlon, Jennifer Hudson, Anna Akana, and Asia Kate Dillon. It includes actors of Indian, Iranian, Puerto Rican, Vietnamese, and Palestinian descent.

This is reinforced by executive producer Steve Loter, composer Raphael Saadiq, and producers Pilar Flynn and Rafael Chaidez. Loter is an executive producer of The Ghost and Molly McGee and has been recognized as a former Kim Possible producer. Saddiq previously did the discography for Lovecraft Country Season 1. Flynn was co-producer of Elena of Avalor.

Show director Trey Buongiorno previously been a storyboarder on Glitch Techs and She-Ra and the Princesses of Power. Samantha Suyi Lee storyboarded on Cleopatra in Space, Christine Liu on Steven Universe, Rodney Clouden on Futurama, and Ben Juwono on Big Hero 6. Show writers Jeffrey M. Howard, Kate Kondell, Halima Lucas, Liz Hara, Taylor Vaughn Lasley, Maggie Rose, and Lisa Muse Bryant have written for Elena of Avalor, Rugrats, Sesame Street, Broad City, and Kenan.

The cast and crew of Moon Girl support the series' aim to be something for "everyone" and have tones of "heart...comedy, incredible action and great music" as Loter put it. What he is saying has validity since the series is clearly smart, punchy, dynamic, dazzling, and enchanting, with a unique personality.

Representation in Moon Girl is central to the show's storyline. In an interview with the show's producers in February 2023, Loter noted that the show started with Laurence Fishburne loving the Marvel’s Moon Girl and Devil Dinosaur comic series because he had read the original late 1970s Devil Dinosaur comic. Supervising producer Rodney Clouden said that it "means a lot" for the series to have the first Black female protagonist in a superhero series by Marvel.

Later in the interview, Clouden added that Lunella is more than young Black girl into science and math, but is about helping her community and family. This is because her brains are her superpowers, not any other special abilities. She is a 13-year-old who has teen problems that are relatable, and universal. This is done with the intention of making the series inspirational and creating "sophisticated and elevated children’s program", to summarize Clouden's words.

There is more beyond the interview with Loter and Clouden. Like The Proud Family: Louder and Prouder, Craig of the Creek, or My Dad the Bounty Hunter, the series has a Black-majority main cast. Moon Girl is different than those two series, in that it is centered on superheroes. There are very few other Black superhero animated series, apart from three prominent series, either Vixen in the 2010s, Static Shock in the 2000s, or Todd McFarlane's Spawn in the 1990s. Various additional Black cartoons aired since the 1970s, but few are in the superhero genre.

Moon Girl has outward LGBTQ representation. This includes Lunella's classmate, Tai, and living/A.I. supercomputer named LOS-307, which are both non-binary, and Brooklyn, an openly trans character. Furthermore, Casey has two dads: Isaac and Antonio.

The voice actors for Tai and LOS-307, Ian Alexander and Asia Kate Dillon, are non-binary in real life, while Indya Moore, the voice of Brooklyn, is trans and non-binary. In addition, Wilson Cruz and Andy Cohen, who voice Casey's dads, are both gay actors. It remains to be seen if any of the main cast will be shown as LGBTQ or not. Some fans have seen hints of romantic attraction between Casey and Lunella, shipping them either as "Lucasey" or "Mediamoon", but ship this has not been confirmed presently. Furthermore, it is possible that since Michael Cimino, who voices Lunella's loud friend, Eduardo, has seemed to say his sexual identity is fluid, this may be reflected in his character.

In watching Moon Girl, I was reminded by the fact that Moore previously voiced a trans character in animation (Shep in Steven Universe Future). Recently, Dillon provided the voice for the genderfluid and pansexual Val/entina Romanyszyn in the ever-controversial and problematic gen:LOCK. This series appears to be the first voice role for Cohen, but not for Alexander or Cruz.

This is not unique to Moore and Dillion. Diamond White has provided her voice for characters in Phineas and Ferb and Sofia the First. Tatasciore has voiced characters in animated series since the 1990s. Fowler prominently did voices for Tuca & Bertie and BoJack Horseman. Others have voiced characters in wide-ranging series including We Bare Bears, Star Wars: The Clone Wars, Mira, Royal Detective, The Simpsons, and Hamster & Gretel.

The show's first episode began with a bang and pulled me in almost immediately. I've been lamenting the reality that few present series have roller-skating protagonists. This could be because wearing such shoes seem almost retro these days. It is part of Lunella's shtick, as she skates around fighting villains with the help of her dinosaur (Devil), using her gadgets for good.

Having a protagonist move around in roller skates puts in her good company alongside protagonists such as Sakura Kinomoto in Cardcaptor Sakura and Candace Flynn in Phineas and Ferb. Occasionally Kim Possible of Kim Possible and Milo Murphy in Milo Murphy's Law wear them. The same is the case for characters in the Steven Future Universe episode "Bismuth", possibly Jenny /XJ-9 in My Life as a Teenage Robot, and more directly, Neon Katt as shown in some RWBY volumes.

What further endeared me to Moon Girl was the setting, in New York's Lower East Side, and character's relatability. In the 44-minute first episode, Lunella almost abandons being a superhero, after Devil is seriously injured by Aftershock. She is reassured on her path by her wise grandmother, Mimi (voiced by Alfre Woodard). The latter makes even more sense after the revelation in the season one finale that Mimi knew that Lunella was Moon Girl the entire time!

I can see how Moon Girl is like the musical coming-of-age comedy, Karma's World, created by rapper Ludacris. Both series emphasize the importance of community, family, and history. The latter is manifested within Moon Girl with blending of the old with the new. Moon Girl uses a cassette player as a device. The show's fight scenes featured music which fits perfectly with the story and action, while in-keeping with the series style. As a person who enjoys interacting with "analog" technology, or possibly soon-to-be analog (CDs and DVDs), I liked this part of the story.

The series has similarities with Karma's World and The Proud Family: Louder and Prouder when it comes to episodes about the dangers of fighting online trolls, and themes of cooperation (rather than competition), friendship, self-acceptance, patience, and Black girl's hair. One episode even echoes the "Sugar Rush" episode of Elena of Avalor. Lunella speeds up tasks because they are taking "too long", reminding me of Elena using her powers to speed up the making of chocolate desserts. Another episode slightly mirrors Steven Universe finale "Change Your Mind" where Steven fuses with himself (Pink Steven), when Lunella comes back together with her hair, Mane (voiced by Jennifer Hudson), promising to take care of it.

Moon Girl has recurring villain-of-sorts, as noted earlier. He is one of the most playful I've seen in animation and is named the Beyonder. He is not conniving like Cece Dupree in Karma's World or downright evil such as Salem in RWBY. He can be playful and fun, but can do a lot from the snap of a finger. In fact, he even threatens to destroy all of humanity in the show's seventh episode, unless Lu "proves" to him that humanity is worth saving.

In another, he kidnaps Lunella's mother and Casey, threatening to send them to another dimension, where she will never see them again. He never considers how his actions will cause trauma, only claiming that what he is doing is "helping" her, which is questionable. Hopefully, Lunella doesn't have a meltdown like Ruby Rose in Volume 9 of RWBY, who takes her own life, or Steven Universe in Steven Universe Future who becomes a monster.

The ninth episode of Moon Girl mirrored some plot points in the classic Futurama episode "Time Keeps Slippin'" and the more-recent Cleopatra in Space episode "Do-Over". In all three cases, skipping forward in time goes horribly wrong, but with completely different results. In the case of Moon Girl, the episode points to the dangers of A.I., as shown by the Skipster App, and hints at possible future scenes in the show's second season.

The value of a work-life balance is emphasized through Lunella faking a sickness to get out of a photoshoot. This reminds me of the Cleopatra in Space episode "Cleopatra Needs Space". The difference is that Lunella lies to her friend Casey, claiming she cannot get of bed so she can have a break, while Cleo wants to get away from her two friends who are flirting with one another. However, Moon Girl doesn't as directly counter the issues with overwork, making it different, in that regard, from the isekai anime, I've Been Killing Slimes for 300 Years and Maxed Out My Level, which emphasizes this theme repeatedly.

I further enjoyed the episode in which Lu rallies her community against the Muzzlers, two White home inventors, who are trying to gentrify the Lower East Side. The episode examines gentrification as much the Season 2 finale or three-part Season 4 finale of Karma's World, both of which approach the topic in their own ways. Moon Girl is more poignant on this topic than the construction by the golf-addicted Mafia in Birdie Wing, in which the protagonist's family are evicted, or that shown in City of Ghosts.

The last few Moon Girl episodes, which focus on value of chosen family, facing your fears, and being perfect the way you are, strongly end the first season. These episodes also center plotlines about Jewish traditions (since Casey is part Jewish) and the issues with clout-chasing. The latter is somewhat reflected in certain episodes of The Proud Family: Louder and Prouder.

The two-part season one finale of Moon Girl is unique. The villain, Maris Morlak (voiced by Wesley Snipes), wants to construct a dimensional portal so he can gain recognition for his contributions from White leaders, which are those with authority.

Maris reveals that his work, and that of Lu's grandmother, Mimi, were ignored by their White bosses, with White scientists taking all the credit when speaking to the U.S. military generals. This story of casual and institutional racism is more relevant than ever, with  White supremacy currently running rampant across society. I liked how even though Mimi disagrees with his method (opening the portal), she agrees with his concerns, but says he doesn't need others to validate him.

The actions of Maris go beyond the actions taken by other series villains, such as the Rat King, Abyss, and Gravitas, and Odessa Drake. He has an army of followers to support him, called the Enclave, and is willing to do anything to achieve his goals. In fact, he is probably the most ruthless villain of the series, destroying Lunella's underground lab, even when Devil is trapped inside, causing Lunella to drop to her knees and think Devil died. Although this is not the case, it undoubtedly deepens Lunella's growing trauma, which may be addressed more in season 2.

The first season of Moon Girl ends on a cliffhanger, with Mimi and Lu turning off the dimensional portal from each side. It could possible provide fuel for crossover fan fictions to be written by dedicated fans. The second season of Moon Girl may feature more of S.H.I.E.L.D. and its Agent, Maria Hill (voiced by Cobie Smulders), tying the series more into the Marvel Universe.

The growing friendship between Lunella and Casey will likely be an important part of the next season. By the end of the season, Casey becomes almost becoming the equivalent of Tomoyo Daidouji in Cardcaptor Sakura, who made all of Sakura Kinomoto's Cardcaptor outfits. This is because Casey made the outfits that Lunella used as a superhero. In addition, it is possible that the Beyonder will have a bigger role in the next season, and there be more fourth-wall breaks. The series might even have a storyline akin to the OK K.O. episode "Your World Is an Illusion", in which K.O. realizes that his whole world is an illusion.

Moon Girl fills the void left by the season 2 finales of The Proud Family: Louder and Prouder on February 1 and Star Wars: The Bad Batch on March 29, and the series finales of The Owl House (on April 8) and Amphibia in May 2022. Unfortunately, with the last episode of Moon Girl airing on the Disney Channel on May 6, it may be some time before any other series with as strong plot, characters, animation, and writing airs on Disney+ or other Disney-related platforms.

Although Kiff and Hamster & Gretel have their merits, as do any of the other animated series on Disney+ or Disney Channel, none of them measures up to Moon Girl, or the quality of The Bad Batch, Amphibia, and The Owl House. The same may be the case for upcoming series such as Hailey's On It!, Primos, Iwaju, Cookies & Milk, Tiana, or Moana: The Series, something which can only be proven or disproven after said series begin airing.

Although the episode-dumps on Disney+, the equivalent of Stevenbombs, undoubtedly reduced the possible audience, Moon Girl remains a shining example of a recent animated series. It can be enjoyed by all, even though it is primarily aimed at children. It is for that, and reasons I have previously stated, I recommend this series and look forward to the second season.

Moon Girl and Devil Dinosaur is currently airing on Disney+.

[ptbf2002]

I'd Rather Watch MARVEL's Moon Girl and Devil Dinosaur Than Teen Titans GO! Anyday!

Original Template: https://www.deviantart.com/mastuhoscg8845iscool/art/I-d-rather-watch-826100781

Moon Girl and Devil Dinosaur Belongs To Brandon Montclare, Amy Reeder, Natacha Bustos, Jack Kirby, Steve Loter, Jeffrey M. Howard, Kate Kondell, Flying Bark Productions Pty. Ltd. Studio 100 N.V. Cinema Gypsy Productions, MARVEL Animation, Inc. MARVEL Television, MARVEL Studios, LLC, MARVEL Entertainment, LLC, Disney Television Animation, Disney Channel, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Teen Titans GO! Belongs To Aaron Horvath, Michael Jelenic, Bardel Entertainment, Inc. Copernicus Studios Inc. DC Comics, Inc. DC Entertainment, Warner Bros. Animation Inc. Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

[geekcavepodcast]

“Marvel’s Moon Girl and Devil Dinosaur” Announced

An animated series based on Marvel’s Moon Girl and Devil Dinosaur has been ordered for Disney Channel. Marvel’s Moon Girl and Devil Dinosaur follows 13-year-old Lunella Lafayette and Devil Dinosaur, her T-Rex that she accidentally brings to New York via a time vortex.

Marvel’s Moon Girl and Devil Dinosaur is executive produced by Laurence Fishburne and Helen Sugland’s Cinema Gypsy Productions, Marvel Animation & Family Entertainment, and Steve Loter. Jeff Howard and Kate Kondell will serve as co-producers and story editors.

(Image via Marvel Comics)

[animesuperhero0]

DISNEY CHANNEL GREENLIGHTS MARVEL’S MOON GIRL AND DEVIL DINOSAUR, AN ORIGINAL ANIMATED SERIES BASED ON MARVEL’S HIT COMIC BOOKS, FROM DISNEY TELEVISION ANIMATION Laurence Fishburne and Helen Sugland’s Cinema Gypsy Productions, Marvel Animation & Family Entertainment, and Steve Loter to Executive-Produce Disney Channel has ordered Marvel’s Moon Girl and Devil Dinosaur, an original animated series…

Marvel’s Moon Girl and Devil Dinosaur to Become an Animated Series was originally published on Anime Superhero News

[disneytva]

Moon Girl And Devil Dinosaur is cancelled after 2 seasons.

The second half of Season 2 will debut 2025 on Disney Channel likely as part of Black History Month. The cancelation comes from several crew members that have QRT the Owlphibia statement who has connections with a DTVA insider announcing the cancelation

The reason of the cancelation is that Disney now employs an unusual strategies when determining which shows will continue. If a series does not perform well in its initial Disney+ release, they tend to lose interest and decide to end the show a recent example have been the cancelations of The Ghost And Molly McGee and Hailey's On It! currently the only shows who have survived this have been Big City Greens, Kiff and Primos.

[disneytva]

Lunella Lafayette development drawings by Ben Balistreri ("Rapunzel's Tangled Adventure") when the show was finding it's overall artstyle. (Circa 2018)

[disneytva]

It's gonna get a little weird, gonna get a little wild at MOON GIRL AND DEVIL DINOSAUR. 🌈⭐️🦋🦖🌕✨

"Dancing with Myself" premieres Saturday March 9 at 10:30AM EST only on Disney Channel, streaming NOW on Disney+.

[disneytva]

Happy Holidays from Moon Girl And Devil Dinosaur

[disneytva]

Juice It UP!

MOON GIRL AND DEVIL DINOSAUR has been nominated for a Peabody Award for Outstanding Children/Youth. 🌕🌙🦖✨🛼🏆

[disneytva]

Team Spidey joins forces with Moon Girl and Devil Dinosaur to stop Green Goblin's dino-mech. Diamond White and Fred Tatasciore reprise their roles as Lunella and Devil Lafayette from the Disney TVA series.

"Moon Girl And The Dino Dilemma" premieres TOMORROW on Disney Jr. and Disney+.

 “That’s the Marvel universe that that fans have loved for generations. I knew a lot about the Moon Girl project from being the exec for Marvel on it, and I just thought, hey, we’re doing a season about Dinosaurs, How great would it be? How do we not include Moon Girl and Devil Dinosaur and introduce that character to a slightly younger audience?” ---- Harrison Wilcox EP and Showrunner of Spidey And His Amazing Friends

[disneytva]

Moon Girl and Devil Dinosaur: Hair Today, Gone Tomorrow

📚 August 1, 2023

Illustrated by New York Times best-selling artist Bea Jackson, this poignant story speaks to Lunella Lafayette's insecurities about her hair as School Picture Day approaches. Sure, Lunella may be a genius Super Hero (Moon Girl), but when someone makes unkind comments about her hair, she questions whether she needs to change it for School Picture Day. She is, after all, still a 13-year-old girl. Ultimately, Lunella figures out the hairstyle that makes her feel like her best self for her school picture, but not before struggling with what that means for her. Readers will explore and relate to themes of self-kindness, patience, identity, and acceptance in this charming and funny story.

[disneytva]

This girl is on fire with new screencaps of MOON GIRL AND DEVIL DINOSAUR via Gracenote, Youtube TV and Rotten Tomatoes.

14 ALL NEW Moon Girl And Devil Dinosaur episodes streaming February 3rd only on Disney+. 🌕🦖✨🔥