#karen coded eddie girl

[featheryminx]

hate post under the cut! this is so petty and purely a form of stress relief bc it’s finals season and i need some unserious venting. do not engage if ur a fan of buckt*mmy :) thanks

truly i have no words for this one. Girl what do you mean That Ship brought you so much joy you started watching 911 for them, and then stopped when they broke up? this isn’t like that egregious by their standards it just. it just boggles the brain.

why the fuck would chris meddle in this? these are grown ass men and he is a teenager who has a whole world of other problems, be serious. I also love how Those Shippers are so adamant that buck isn’t like that important or intertwined with Chris, up until they can use Chris as a plot point for their (bad) ship

okay so first of all—the 118 were never his friends. Like we gotta get that straight. He (can’t even say That Man bc that’s too ace attorney coded LOL) literally made chim & hens professional lives like, miserable? He was an active proponent of discomfort and harm and you think that the 118 is supposed to be on his side ever? no.

also like between Buck and Him, the 118 would never ever choose him. Like what the fuck does OP mean “the breakup has proven they aren’t his friends” as if there was something to disprove? There was no evidence suggesting that the 118 were his friends for that guy to even feel betrayed by. They just did not give a fuck about him.

you’re just making him italian to give him a cute plot point italian grandma? Talk about making him more and more eddie coded… like we already have Abuela we don’t need another grandma who speaks a diff language and has cute little names for buck. like this is literally just ripping off of eddies character bc you have nothing better to give this cardboard man who is Eddie Lite in every other way as well. (sorry to OP not a dig on your actual writing, it’s just the eddie-ification of your blorbo that bothers me)

WHAT IS YOU BITCHES OBSESSION WITH SAL? IF IM REMEMBERING CORRECTLY SAL WAS ALSO A WEIRD RACIST FREAK! are you weird and racist? is that why you’re obsessed with weird racists? grow up.

GET BUCKS NAME OUT OF YOUR MOUTH how dare you suggest that a song could apply to buck & temu and also sal/temu? gross. ALSO see above for my criticism of sal & temu obsessed weirdos.

so you think a racist, disrespectful clown is easier to stomach than someone having safe, sane, consensual sex? Like let me remind you—Temu was ridiculously paternalistic towards Buck all the time, and never respected him (first date, the way he talked about him to hen and karen) and is also canonically racist and misogynistic and also apparently has no remorse over the way he treated his beard or no respect for her as a human… and you think THAT is easier to stomach than a guy having casual sex? shows where your priorities lie.

GET MY GIRLS OUT OF YOUR MOUTH. he was so dismissive of their concerns in that deleted scene and u want more of those interactions? no baby. absolutely not.

el em ef ay oh. that’s all.

why the FUCK would he be involved, bffr. like practically, we know this is an athena plot. and also. DING DONG THE WITCH IS FUCKING DEAD and he’s not coming back. cope. seethe.

ugh i can’t add more images? okay i’ll just transcribe the post it’s short. basically it’s a snippet of a scene where Temu says “I’ve got your back”, because of course they have nothing better to do than steal from the buddie dynamic. like. that’s just embarassing.

[mrsnancywheeler]

Billy & Muse in the early days are so 'Superman' coded... I never realized that before.

"He puts papers in his briefcase and drives away / To save the world or go to work / It's the same thing to me"

It's his muse in the beginning before all the whole 'I hate you, we break up, you call me, I love you' shenanigans that ensue throughout the early days of the situationship (if you wanna even call it that/whatever ***That*** situation is called)

"I wonder if he knows how much that I miss him / I hang on every word you say"

Need I say more?

"Come back, I'll be with you someday / I'll be right here on the ground / When you come back down"

I feel like this can be taken as either when Billy leaves on tour and Muse stays behind for whatever reason.. or when Billy goes on a bender and the two fight, he tells her to leave, and eventually gets her to come back around when he's sober; gives 'when you come back down' a different meaning.

"He's complicated, he's irrational"

Poor tortured artist Billy :( (sarcasm) but since he has that duel complex of thinking he's some tortured artist but also the best fucking thing since sliced bread... and toss in his short fuse and well... complicated and irrational is he.

"'He's not all bad like his reputation' / And I can't hear one single word they say"

... so 'they' being Eddie... maybe Daisy too. But mainly Eddie. Mainly Eddie trying to convince her that Billy's no good for her (but simultaneously not being the best choice for her either—)

"And I watch you fly around the world / And I hope you don't save some other girl"

The heartbreak when Billy tells her for the first time that 'she's just some groupie' and that 'he has a lineup of girls who would be fine with just the bare minimum' and 'he's billy fucking dunne and she's just... a groupie'

And just that horrible horrible feeling Muse gets when she's away from him after he says those things to her because what if he really does 'save' some other girl after he kicks her out for a day or two...

But then here he comes with flowers and sweets and a half-assed verbal apology followed by make-up sex and...

Well, we know how the rest goes.

wait, you're so right

whatever is that he's doing is life altering for her, his music is life changing, he's an icon, so far above, and she's lost in the daze of it all. his songwriting, him playing the guitar, driving off to the studio before she started coming too. and he totally just starts consuming her thoughts from day one and then once she's got a taste she can't let go. every sweet thing he's ever said is engraved in her brain which is what makes it hurt so much more when he starts switching up.

yes!! he comes back down to reality, he sobers up and comes crawling back to her because he cares about her, he loves her, and he knows that when he's not letting the fame, the fear, take over. and it makes her realize he's much more than the rockstar she became infatuated with because he was endearing but also kind of an ass sometimes, but he can also fluctuate between being so caring to falling into a pit of ego. songs about not being enough (well thanks to daisy encouraging him to write that way) but then he's the shit and nobody can compare.

eddie, daisy, karen, her dad, I'm sure so many people have things to say about being in some sort of situationship with billy dunne. but she can't hear it when she knows at his best it just feels so right, so perfect.

okay and eventually she realizes there will always be groupies, but they're just sex to him (which makes the comments about that being her hurt more) but anyways when she's putting that aside it makes her feel more confident about her place, it's more than just physical. but god, when it's one of those rare times he's kicked her out instead of her leaving and then the thoughts of, 'what if he finds a new me? finds a new girl and then he won't need me anymore' and it's almost enough to make her call first (don't get me wrong there's a time or two when she does but that's for me to write about not in this blurb lmao) but then there's billy at her door and all those thoughts are shaken away because he's so sweet now. and the makeup sex would always be so good-

but we know the drill

[thegoldheartlocketandkey-blog]

SPOILER WARNING!!!!

My quick thoughts on the finale; The first half had me holding my breath. There where a lot of call backs to previous episodes/seasons. But just like the Love is in the air episode, the last 15 minutes where just off and a completely different vibe from what we got. It felt really rushed, and like we needed another episode basically.

Chimney and Maddie were perfect. The jokes that the 118 were making about the engagement where cute and endearing. I loved that Chimney was wearing his ring.

Hen and Karen also loved them. I’m so happy we got to see Karen and they are addressing the fact that they still foster children.

Bobby and Athena; the power couple of power couples. I’m really happy that she was apart of finding him, and really happy we ended with their relationship.

Buddie; going into this finale I knew they weren’t gonna be canon. But the beginning of the episode felt really buddie coded. The girl and her moms best friend sort of mirroring buddie. Buck saving Eddie similar to the shooting episode. If they wanted to they could have made them canon.

I really wish they would just keep them single if they don’t want to make buddie canon. Because Natalia and Marisol just feels off. We were recently introduced to the characters, and I’m sorry but I don’t really care about them.

Buck; As a character he has grown so much and you can really see that in this episode. I love that he played a huge leadership role and it was sort of a call back to when he wanted to be captain/needed to be seen as captain material. And now him taking on this role, when everyone else was down and giving the title to Hen as soon as she was awake, but still very much playing a leader role.

Eddie; I love this man. He’s so cute with out trying to be. Don’t get me wrong I hate that he’s paired with Marisol, but him being afraid and asking Christopher for help was so freaking cute. Actually Christopher stole the show when he made fun of his dad. I love their relationship so much.

Obviously there is a lot more I can say about this episode, I just don’t want to get into all the nuances right now. I’ll definitely end up watching it again. Probably catch a bunch of stuff I missed. I’m still very excited for season 7. I’m also looking forward to all the new edits/fan fics that will come from this episode alone.

[scheodingers-muppet]

welcome back to stranger things characters/ships as songs. this episode; GUTS !

all-american bitch - nancy. the battle between trying to be something society likes while still being a strong woman. she’s very much girl-next-door, americana-dream coded

bad idea right? - steddie. specifically used to be dating in secret steddie. this song just really reminds me of steve talking to robin getting ready to go hang out with eddie again after not talking for months

vampire - s2 stancy, from nancy’s pov. i adore steve, but he wasn’t a great boyfriend to nancy. in this season, she is so clearly struggling with barbs death and he just wanted to move on. “how’s the castle built of people you pretend to care about?” “i’ve made some real big mistakes, but you make the worst one look fine” nancy blames them for barbs death, the worst mistake, and steve is “making it look fine” by trying to just go back to normal. “every girl i ever talked to told me you were bad, bad news” “how do you lie without flinching?” and the dinner scene with barbs parents

lacy - ronance. nancy about seeing robin with steve, thinking she’s jealous that she gets to have steve, when in reality she’s falling for robin and jealous that steve gets to have her. i can also see this being from robins pov without the jealousy undertone.

ballad of a homeschool girl - el. just feeling awkward and like you don’t know what to do in social situations fits so well with growing up as an actual science experiment. plus, “everything i do is tragic, every guy i like is gay”

making the bed - will and el about mike. first half is will. “another thing i ruined i used to do for fun” and the dnd fight. “another conversation with nothing good to say” and the season 4 fight. “another day pretending i’m older than i am” “another perfect moment that doesn’t feel like mine” airport scene. “another thing i forced to be a sign” “push away all the people who know me the best” second verse is el. “my life feels so out of control” “i tell someone i love them just as a distraction. they tell me that they love me like i’m some tourist attraction” “i got the things i wanted, it’s just not as i imagined.” “i’m so tired of being the girl that i am. every good thing i have turns into something i dread”

logical - joyce and lonnie. i can also see max and billy if you ignore the romance love and make it a little sister loving her older brother, but i think joyce fits a bit better. i could also see maybe karen and ted

get him back! - steddie again. steve is just so teenage girl pop coded. but in my little used to be secretly dating au, this is very much right when he’s realizing he still has feelings for eddie

love is embarrassing - going right back to my steddie au. i might right a whole fic honestly. this would be from eddie’s perspective

the grudge - max about billy AND will about his dad. i desperately need people to dive into that dynamic more.

pretty isn’t pretty - honestly, robin is the closest i can find. or maybe a trans!stevie

teenage dream - nancy. it’s so nancy coded. the whole first verse is written in nancy’s diary.

[charlesleclerrc]

I have so much opinions on the show. SPOILERS

1. I personally do not like Daisy. I didn’t like her in the book or the show, in the beginning I sympathized with her and did but as it continued I started to dislike her even more and more. See even though Billy is the one married to Camila, it’s something about Daisy betraying Camila that is worse to me. Billy ain’t ish, of course and I don’t like him either, but he’s already apart of their family u know? DAISY just got there, and CAMILA is the one who had daisy’s back. She sincerely welcomes Daisy and encourages her to come back to the party because she wants her there. She pushes Billy to let Daisy to join the band. Daisy herself says “he’s lucky to have you” and after all that…she still throws herself at Billy. And THEN gets mad that Billy brought Camila to the cover shoot as if that’s not his wife? AND THEN has the gall to walk up to Camila & Julia, smiling in their face, as if she wasn’t kissing and making eyes w her husband the day before. I mean, thats got to be one of the most appalling things I’ve watched in a while. Like daisy has no girl code whatsoever, and I can’t seem to understand how u can like her after doing that to Camila? Like Camila is literally mother, she looks after everyone and has everyone best interest at heart yet is getting betrayed over and over and over again.

2. I hate the fact that no one says anything to Camila about what Billy does behind her back. As if she doesn’t look out for everyone. As if they didn’t know her since Pittsburg. As if she wasn’t Karen & Graham #1 rooter. As if she wasn’t helping the band of the ground. Like wtf ? So much for being a family that looks out for each other.

3. Billy & Daisy have no romance whatsoever. They didn’t have it in the book and they don’t have it in the show. All they have is chemistry and passion, and I’ll forever stand on that. Also, when Daisy betrays Billy’s trust and tells the reporter about his past, something in told her in confidence, that was disgusting. Like that’s not love, you don’t do that to someone you love and she had no right. What’s crazy is that Camila is the one who suffered at the hands of Billy’s past, AND she never said that. So Daisy really had no right. And all because of what? Cause the reporter told her that Billy said it was an act? That she didn’t want to believe whatever was goin on between her and Billy was all in her head? Get over yourself, you have no claims to him as he has a whole family that she could’ve hurt.

4. I support Camila cheating w Eddie. Billy cheated on Camila multiple times and then again w Daisy. He neglects their marriage and lies to her and write stuff like the song “please”. Camila has to READ that herself that’s so heartbreaking. In the middle of the night, he’s up talking to Daisy. Billy literally isn’t appreciating what he has and acting as if he’s the only one who has needs. Like u don’t think Cami has needs too? Eddie in that moment and probably more, made Camila feel confident and loved again. Billy has been treating her like some old used cardigan and Eddie came and put her on like she was new again and I honestly loved that because she doesn’t deserve feeling like that.

5. I like both Graham and Karen and understand both characters. However, in the books and show Camila & Daisy both have that convo of Graham being more into her than Karen is in him. Karen know that and continues her relationship with her. I feel like Karen should’ve been more clear or cut that relationship off right then and there. Graham should’ve understood and considered Karen’s feelings about the pregnancy and not shame her and act as if he’s not the only one in pain.

I have way more to say but ima leave it at that.

You're so right in everything you said my dear anon. As I said in the other ask I got, you can always dm and I'll happily discuss everything about this show. I didn't mind daisy much in the book, sometimes i liked her, other times i didn't. in the show she's just boring. some of her actions annoyed me, but they also did in the book so that was on character.

idk what the writers were thinking when they made camila bring daisy to her house and make her feel part of the family. the whole 'she brought into her home the woman that was gonna steal everything from her' thing? HORRIBLE!! the moments in the book when camila welcomed daisy and was kind to her were beautiful, here, they only make daisy look like backstabber. and her whining about billy and camila was ridiculous in book and it's pathetic in the show.

no one in this show deserves camila's love. they're all bad friends. i hated the whole 'yeah maybe they were cheating, but they made good songs so it was ok'. FUCK THAT!! i understood when they didn't told her the first time. but this time someone should've at least called billy out, because it's not like they barely know camila and she's just billy significant other, they're her family. they are at her house ALL THE TIME!

my interpretation of book!d*aisybilly was that yeah, he liked her, but he was more enchanted with her and everything that she represented, because when billy reached his peak as an famous singer he was already sober so he could never live things like the others did. and also they understood each other in very deep ways because they were a lot alike. in the show it feels more like lust and necessity of adventure, idk, their scenes in the don't do anything for me.

but yeah, daisy exposing not only him, but camila and their daugther like that, in both book and the show, was a shitty move.

i have the same feelings about karen and graham, they always wanted different things, but closed their eyes to that, until things exploded on their faces.

edit because i forgot eddiecamila hdjhdjsh I LOVE THEM!! they're the best thing about this adaptation even if they only have 4 scenes together. it broke my heart how camila was holding back tears when eddie said he would always choose her. that woman was feeling unloved for so long :( the only thing i'm mad about is that we didn't got a kiss. #releasetheeddiecamilacut

[causeitsoundsgood]

911 rewatch thoughts:

Season 1

Episode 1: BABY BUCK

Is that why they call you firehose? 😂

Bobby’s we leave that at the door�� uh huh for now we do.

Athena called him cowboy 😭

Also where are Hen’s glasses?

Episode 2: The 🎢

DON’T YOU DARE TELL BUCK HE FAILED HIM.

I hope Buck’s therapist looses EVERYTHING. She is the ick 🤢🤢🤢

I love Athena too much, Michael is an ass and I want someone to smack him.

I think Abby was interesting the first watch through but I’m feeling very meh about her this time, like can we be done yet?

I miss Eddie 😩

I knew May had an attempt and I forgot it was in this episode 💔

Episode 3 - bounce house off the cliff

The winch is fun 💀

WHAT THE FUCK MICHAEL??? WHY DID HE COME IN THE HOSPITAL MICHAEL??

Momma Athena is FIERCE and I love her 😍

“This girl” Michael that’s your fucking daughter 🙄

Athena please use that left hand to smack that man ugh

Tatianna can go away now

Chimney IS a keeper but you very very much are not

Chim 😭

Bobby - let’s go it’s Chimney 😭

Bobby’s our job end right at these doors like always - ok Bobby tell me that a couple seasons from now Bobby

GO HEN!!

Why does Buck keep answering Abby’s phone calls when he’s on a call?? - I think Abby bugs me more than I thought ugh 🙄

I know it sucks but I’m glad Tatianna left, that kind of resentment sucks the life out of everything and I don’t think she’s a bad person. I mean it’s mean and she sucks but I don’t think it makes her a bad person.

Am I not loving Carla here or do I just want Chris and Eddie?

Am I not loving Carla here or is she just around Abby?

Hey Chim you can do the maneuver

It’s alright his family is right here 😭😭😭

Episode 4: the plane crash

Why did I think this was the golf club episode?? I’m gonna cry

Also why the fuck don’t people listen to flight attendants? And why do you think the bathroom is a safe place to be when landing?

Buck LEAVE THE BOOK ALONE.

Athena please don’t go anywhere near that girl - but I get it do what you gotta do

Buck I told you to leave, I know Bobby I’m a terrible listener ❤️

How did I miss that Bobby and the mom got pulled out by a helicopter? That was fucking cool!

I love you Annie and that’s not going to die even if I do today - ARE YOU FUCKING KIDDING ME 😭😭😭

Abby this find this phone call acceptable.

Go Athena!!! I love you 😍 Angela Bassett is a certified bad ass!

Is there not some version of Hippa for first responders?

Bobby 😭 I don’t think I have enough tears for everyone 😭

Athena I think we both have issues asking for help…

Buck I’m gonna kick the door down. Hen no I have a key. Buck hasn’t even been there a year and he’s already Bobby’s important I’m getting to him now.

Nope I’m definitely loving Carla! I just miss the boys and Abby bothers me.

Episode 5 - the wedding crash

I should count how many times Buck does some sort of rope rescue

Ugh I forgot how much I hate Eva. She’s a walking mass destruction.

You’re right Hen she’s not your girl. I wish you would keep it that way.

Buck “I gotta fix it” Buckley - I feel like he doesn’t give himself enough credit for how smart and resourceful he is. Like yeah he’s a mid twenties dude and he’s gonna be a little dumb sometimes but he gets shit done and he takes care of people and he’s good at it. Someone needs to love and cuddle him real good.

What kind of money do you have to be making to be able to rent two apartments and be able to afford drugs and alcohol? That shits expensive.

Also watching this basically back to back as the story line with Amir really shows how far Bobby gets. I know he mentions it to the priest that the building wasn’t up to code but I don’t think he ever fully reconciles that with himself. He was a fucking mess and needed rehab and had issues but I don’t think he actually killed those people, the landlord did.

I don’t think Hen really understands how much Karen knows and sees. Also Hen wearing sunglasses keeps a separation between them. I think it’s a great way to have Hen see Karen while Hen tries to hide from Karen because Hen knows this is an issue and I think Hen also knows she’s gonna fuck up and she does.

The first time I watched I like the relationship between Buck and Abby and I do think in a lot of ways it’s a good growing relationship for him but I can’t get over how she leaves him and now their age difference BOTHERS me, he left existence bothers me.

I love Bobby and how much he loves Hen and Chim and Buck ❤️

Episode 6 - the one where Athena almost dies… the first time

Why do men do such stupid shit when trying to propose??? Nice job landing in the golf course though.

I love that Athena is already hanging out at the firehouse, but I’m not sure that she likes Abby.

This lady is fucking crazy. Like real crazy. I can’t watch this crazy shit imma skip most of this.

Bobby tying Bucks tie is very dad behavior and I love it.

The music in this show is amazing, there goes my heart for an organ transplant in Valentine’s Day (with a kidney transplant)

I feel like they were trying to get Abby more into hands on stuff but the audience didn’t love her. Like having her do an emergency tracheotomy on Buck, what. Like yes keep our boy alive but why was that necessary.

I know they had to have something happen to Athena for the drama of it all but I feel like even with all the family bs she has going on her instincts would have kept her out of the crazy lady situation.

Even when Abby is being good to Buck and saving his life I still can’t get past how she leaves him later and I just can’t like her.

Also their age difference bothers me, she’s 42 and he’s what 26? And at some point she says something about Buck being a boy toy but even here Buck is trying to be more than Buck 1.0 and he’s doing so good and I feel like she doesn’t actually want or appreciate that and I think he deserves a whole lot better.

[lesbianelphie]

Hey so I’ve seen you posting the supernatural/stranger things parallels and damn I didn’t realize there were so many. So thank you for pointing those out!! also I’m kind of curious do you think the st main characters would get along with spn main characters? Idk what seasons to base this off of but overall thinking about the main characters journeys. Like do you think the party/teens/adults from st would overall like team free will? Damn this is so open ended so like hopefully you don’t get confused by it! If you do just tell me to narrow it down or something! Have a great day/night!

Hmmm this is such an interesting question that could be approached in so many different ways. Short answer is I think they would like each other in a Self-Recognition Through The Other way. These guys are all massive dorks at heart and it's all about loving your (found) family and breaking cycles and challenging constructions of deviation/monstrosity/otherness. Long version is:

- A concept: ca 1985-87 John Winchester rolls into Hawkins with baby Sam and Dean in tow to investigate the Happenings. He tries to talk to Hopper the same way Murray did with similar results. Joyce/Hopper somehow find out that he's basically dragging his 2 small children along with him on a monster hunt and leaving them alone for extended periods and report him to the appropriate authorities. Joyce Byers in danger of adopting more children. (On that note I think Hopper and Bobby would make excellent friends. Hopper is basically if you combined Bobby Singer and Jody Mills into one person. Parental figure/adoptive parent, trauma over loss of a child).

- On another similar note I have a lot of feelings about the similarities/differences between Sam+Dean and Will+Jonathan. Parentification of older siblings and snarky queer-coded siblings and growing up in poverty and absent fathers whose presence is at least partially remediated by the presence of unconditionally loving/present parents/parental figures. Forming an identity around adherence/rebellion against that absent father vs. "you shouldn't like something just because people say you're supposed to". Healthy vs. Unhealthy sibling dynamics. Sam Winchester running away to college to escape his father vs. Jonathan Byers not going away for college bc he doesn't feel like he can leave his family.

- El and Cas and Jack would absolutely love each other so much. Just a bunch of Weird Girls (gn, affectionate) learning the intricacies of humanity/society while learning to see their value outside of their power. Finding out who they are and building a family that loves them for exactly that regardless of their usefulness. They would be best friends.

- Nancy "Unauthorized Investigative Journalism" Wheeler would LOVE Sam "So Get This" "The Lore" Winchester. She would become a hunter just so she could put on a little disguise and tag along for Monster of the Week.

- this is more of a rambling about thematic content but. Spn on the dichotomy of monstrosity/humanity (hunter/monster lifestyle vs. White Picket Fence) and ST as a commentary on forced conformity. What is "normal" and who is a "freak"? Who is the authority on the acceptable level of deviance? White picket fences that hide unhappy marriages. Ending up Just Like Your Parents. Characters who are desperate to live a normal life vs. characters who rebuke it. Finding a home in embracing your authentic self and slowly building a found family of people who love and understand you.

- on that note, Karen Wheeler meeting Mary Winchester would be. We don't have time to unpack ALL of that. Trapped in a life of normalcy to conform to what was expected of you vs. to rebel and escape the life expected of you. The baby is crying and your husband is asleep in his armchair. Is this your life? Who are you, really? I think it would break them.

- Dean "secret NerdDork" "besties with a lesbian supergeek" Winchester would vibe with stobin and eddie and the party so hard if they got him out of his shell.

I am accepting constructive criticism on this one so feel free to chime in

[tuseriesdetv]

Guía de series: Estrenos y regresos de octubre 2021

Una considerable cantidad de series se nos presentarán en la tele próximamente. Como siempre, habrá que ver si cantidad es lo mismo que calidad.

¡Feliz octubre!

Leyenda:

Verde: series nuevas.

Negro: regresos de otras series.

Naranja: miniseries o series documentales.

Amarillo: tv movies, documentales, especiales o pilotos.

Morado: season finales.

Púrpura: midseason finales.

*

Calendario de series

1 de octubre:

SWAT (5T), Magnum PI (4T) y Blue Bloods (12T) en CBS

The Many Saints of Newark en HBO Max

Maid (1T completa), The Guilty, Forever Rich y Diana: The Musical en Netflix

3 de octubre:

Ridley Road (1T completa) en BBC One

The Walking Dead: World Beyond (2T y última) en AMC

4 de octubre: On My Block (4T y última) en Netflix

5 de octubre: Escape the Undertaker y Dave Chapelle: The Closer en Netflix

6 de octubre:

CSI: Vegas (1T) en CBS

Brassic (3T) en Sky Max

La venganza de las Juanas (1T completa) y There's Someone Inside Your House en Netflix

7 de octubre:

Young Sheldon (5T), United States of Al (2T), Ghosts (1T) y Bull (6T) en CBS

One of Us Is Lying (1T) en Peacock

The Billion Dollar Code en Netflix

The Outpost (series finale) en The CW

8 de octubre:

Nancy Drew (3T) en The CW

Leverage: Redemption (1bT) en IMDb TV

Pretty Smart (1T completa), Family Business (3T y última completa), Mio fratello mia sorella y Grudge en Netflix

Acapulco (1T) en Apple TV+

Madame X en Paramount+

Justin Bieber: Our World en Prime Video

10 de octubre: The Equalizer (2T) y SEAL Team (5T) en CBS

11 de octubre:

The Baby-Sitters Club (2T completa) en Netflix

We're Here (2T) en HBO

The L Word: Generation Q (2T finale) en Showtime

12 de octubre:

Chucky (1T) en Syfy

The Oval (3T) en BET

13 de octubre:

Dopesick (1T) en Hulu

The Sinner (4T) en USA Network

Legends of Tomorrow (7T) y Batwoman (3T) en The CW

Sistas (3bT) y Twenties (2T) en BET

Just Beyond (1T) en Disney+

Hiacynt y Distancia de rescate en Netflix

14 de octubre:

B Positive (2T) en CBS

Guilty Party (1T) en Paramount+

Legacies (4T) en The CW

Aquaman: King of Atlantis (1T) en HBO Max

Another Life (2T completa) en Netflix

15 de octubre:

You (3T completa), I onde dager y De slag om de Schelde en Netflix

I Know What You Did Last Summer (1T) en Prime Video

Day of the Dead (1T) en Syfy

Cobra (2T) en Sky Max

Puppy Place (1T) en Apple TV+

Halloween Kills en Peacock

16 de octubre: Misfit: The Series (1T completa) en Netflix

17 de octubre:

Succession (3T) en HBO

Fear The Walking Dead (7T) en AMC

Hightown (2T) en Starz

19 de octubre:

Queens (1T) en ABC

Runt en Apple TV+

20 de octubre: Found, Night Teeth y Stuck Together en Netflix

21 de octubre:

The Blacklist (9T) en NBC

The Girl in the Woods (1T) en Peacock

Sex, Love & Goop en Netflix

One of Us Is Lying (1T finale) en Peacock

22 de octubre:

Invasion (1T) en Apple TV+

Inside Job (1T completa), Locke & Key (2T completa) y Maya and the Three (1T completa) en Netflix

Dune en HBO Max

24 de octubre: Insecure (5T y última) y Curb Your Enthusiasm (11T) en HBO

25 de octubre: All American (4T) y 4400 (1T) en The CW

26 de octubre:

Todo lo otro (1T) y Dolores en HBO Max

The Last O.G. (4T) en TBS

27 de octubre: Sintonía (2T completa), Hypnotic y W lesie dzis nie zasnie nikt 2 en Netflix

28 de octubre:

Luis Miguel: La serie (3T y última completa) en Netflix

Walker (2T) en The CW

Love Life (2T) en HBO Max

29 de octubre:

Colin in Black & White (1T completa), El tiempo que te doy (1T completa) y Army of Thieves en Netflix

Swagger (1T) en Apple TV+

Paranormal Activity: Next of Kin en Paramount+

*

Estrenos de series

Maid (Netflix)

Para lidiar con la pobreza y la falta de vivienda, una madre soltera (Margaret Qualley; The Leftovers, Once Upon a Time... in Hollywood) comienza a trabajar como criada en casa de una exitosa abogada (Anika Noni Rose; Roots, Assassination Nation). Con Nick Robinson (Love, Simon; A Teacher), Andie MacDowell (Four Weddings and a Funeral, Groundhod Day), Billy Burke (Revolution, Twilight), Tracy Vilar (House, M.D., Partners), Xavi de Guzmán (The 100, Take Two), BJ Harrison (Chilling Advenures of Sabrina, Motherland: Fort Salem) y Rylea Nevaeh Whittet.

Basada en las memorias de Stephanie Land (2019). Escrita por Molly Smith Metzler (Shameless, Orange Is the New Black). Dirigen John Wells (Shameless, Animal Kingdom), Helen Shaver (Vikings, Orphan Black) o Nzingha Stewart (Little Fires Everywhere, Black Monday). Diez episodios.

Estreno: 1 de octubre

Estreno en España: 1 de octubre en Netflix España

Ridley Road (BBC One)

Vivien (Agnes O'Casey) es una joven judía que, en 1962, abandona su vida cómoda en Manchester e, inspirada por el Grupo 62, una coalición militante antifascista que combate el neofascismo en Reino Unido después de la guerra, se infiltra en el NSM, un movimiento neonazi que está creciendo en Londres, tras la desaparición de su novio. Completan el reparto Rory Kinnear (Years and Years, Penny Dreadful), Tracy-Ann Oberman (It's a Sin, After Life), Eddie Marsan (Ray Donovan, Gangs of New York), Tamzin Outhwaite (New Tricks, EastEnders), Samantha Spiro (Sex Education, Me Before You), Rita Tushingham (In the Flesh), Danny Hatchard (Our Girl, EastEnders), Tom Varey (Ackley Bridge, No Offence), Julia Krynke (The A Word, Line of Duty), Gabriel Akuwudike (1917, Hanna), Danny Sykes (Bulletproof) y Hannah Traylen (Harlots, Unforgotten).

Basada en la novela de Jo Bloom (2014), escrita y producida por Sarah Solemani (Barry) y dirigida por Lisa Mulcahy (Years and Years, Blood). Cuatro episodios. 

Estreno: 3 de octubre

CSI: Vegas (CBS)

William Petersen (Grissom), Jorja Fox (Sara), Wallace Langham (Hodges) y Paul Guilfoyle (Brass) vuelven a esta secuela de CSI (2000-2015) a la que se unen Matt Lauria (Friday Night Lights, Kingdom), Paula Newsome (Chicago Med, Barry), Mel Rodriguez (The Last Man on Earth), Mandeep Dhillon (After Life, Bulletproof), Jamie McShane (Bloodline, SEAL Team), Robert Curtis Brown (The Handmaid's Tale, Station 19), David Paladino (You), Sean Alexander James (The Morning Show) o Johnny Rey Diaz (Pam & Tommy).

Escrita por Jason Tracey (Elementary, Burn Notice). Diez episodios.

Estreno: 6 de octubre

La venganza de las Juanas (Netflix)

Cinco mujeres con la misma marca de nacimiento, y todas llamadas Juana, deciden investigar sobre su pasado y descubren una red de mentiras montada por un poderoso político (Carlos Ponce; Devious Maids, Julie and the Phantoms). Protagonizada por Juanita Arias (El señor de los cielos, Como tú no hay dos), Sofía Engberg, Oka Giner (Señora Acero, Gossip Girl: Acapulco), Renata Notni (Mi adorable maldición, Sueño de amor) y Zuria Vega (Mi marido tiene familia, Que te perdone Dios). Completan el reparto Carlos Athié (Mi adorable maldición, Que te perdone Dios), Federico Espejo (La casa de las flores, La jefa del campeón) y Pablo Astiazarán (Ingobernable, Club de Cuervos).

Adaptación mexicana de la telenovela colombiana Las Juanas (1997-1998). Escrita por Jimena Romero (Más sabe el diablo, ¿Quién eres tú?). Dieciocho episodios.

Estreno: 6 de octubre

Estreno en España: 6 de octubre en Netflix España

Ghosts (CBS)

Comedia monocámara adaptación de la serie británica en la que una pareja hereda una casa de campo destartalada y llena de fantasmas. Protagonizada por Rose McIver (iZombie, Woke), Utkarsh Ambudkar (The Mindy Project, Brockmire), Brandon Scott Jones (The Good Place, The Other Two), Rebecca Wisocky (Devious Maids, For All Mankind), Danielle Pinnock (Young Sheldon, Get Shorty), Richie Moriarty (The Tick), Asher Grodman, Sheila Carrasco (Jane the Virgin) y Román Zaragoza (Austin & Ally).

Escrita y producida por Joe Port y Joe Wiseman, productores de Zoey's Extraordinary Playlist o New Girl.

Estreno: 7 de octubre

One of Us Is Lying (Peacock)

Cinco estudiantes de instituto son castigados y enviados a la sala de detención, de la que solamente cuatro salen vivos. Todos son sospechosos y todos tienen algo que ocultar. Protagonizada por Marianly Tejada (The Purge), Cooper van Grootel, Annalisa Cochrane (Cobra Kai, Heathers), Chibuikem Uche, Barrett Carnahan (Cobra Kai, Alexa & Katie), Jessica McLeod (You Me Her), Melissa Collazo (Swamp Thing), Mark McKenna (Wayne, Sing Street), Martin Bobb-Semple (Pandora, Free Rein), Karim Diané (StartUp), Sara Thompson (The 100, Burden of Truth), George Ferrier (Dirty Laundry), Miles J. Harvey (American Vandal), Zenia Marshall (Date My Dad), Hugo Ateo (Siren, The Terror) y Alimi Ballard (Queen of the South, CSI).

Basada en la novela de Karen M. McManus (2017). Escrita y producida por Darío Madrona (Élite, Los protegidos) y Erica Saleh (Evil, Instinct). Dirige y produce el piloto Jennifer Morrison (Euphoria). Ocho episodios.

Estreno: 7 de octubre

The Billion Dollar Code (Netflix)

En los años 90, dos pioneros de la informática alemanes fueron a juicio con una demanda multimillonaria para luchar por sus derechos como inventores del algoritmo de Google Earth. La historia real de la dura batalla de dos grandes amigos contra un oponente aparentemente invencible cuenta con el mundo del hackeo en Berlín y el idealista mundo de los inicios de Silicon Valley como telón de fondo. Con Mark Waschke (Dark, Tatort), Mišel Matičević (Babylon Berlin, Tatort), Leonard Scheicher (Das Boot, Das schweigende Klassenzimmer), Marius Ahrendt, Lavinia Wilson (Deutschland 86, Deutschland 89) y Seumas Sargent (Spy City).

Creada y producida por Oliver Ziegenbalg y Robert Thalheim, escrita por Ziegenbalg y dirigida por Thalheim.

Estreno: 7 de octubre

Estreno: 7 de octubre en Netflix España

Pretty Smart (Netflix)

Comedia multicámara centrada en Chelsea (Emily Osment; Young & Hungry, Hannah Montana), una altanera e ingeniosa intelectual sin habilidades sociales para vivir en el mundo real que, cuando su novio la deja inesperadamente, se ve obligada a vivir con su despreocupada y jovial hermana Claire (Olivia Macklin; The Young Pope, Filthy Rich) y sus amigos: Grant (Gregg Sulkin; Runaways, Wizards of Waverly Place), un dulce y romántico entrenador personal; Solana (Cinthya Carmona; Greenhouse Academy, East Los High), una antigua abogada que ahora se dedica a la sanación; y Jayden (Michael Hsu Rosen; Tiny Pretty Things, Jessica Jones), un influencer de las redes sociales.

Creada, escrita y producida por Jack Dolgen (Crazy Ex-Girlfriend, Diary of a Future President) y Doug Mand (How I Met Your Mother, Crazy Ex-Girlfriend). Producida por Kourtney Kang (How I Met Your Mother, Fresh Off the Boat) y dirigida por Pamela Fryman (How I Met Your Mother, Frasier). Diez episodios.

Estreno: 8 de octubre

Estreno en España: 8 de octubre en Netflix España

Acapulco (Apple TV+)

Comedia bilingüe centrada en Máximo (Enrique Arrizon; Las hijas de Abril, La jefa del campeón), un joven mexicano que en 1984 consiguió el que creía que sería el trabajo de sus sueños en un resort pero que resultó ser un puesto mucho más complicado que le haría cuestionarse su moral y sus creencias. Eugenio Derbez (No se aceptan devoluciones, Dora and the Lost City of Gold) producirá y narrará la serie interpretando a la versión actual del joven. Completan el reparto Damián Alcázar (Narcos, Señora Acero), Camilla Pérez (A Teacher, Gotham), Raphael Alejandro (Once Upon a Time, Bunk'd), Jessica Collins (The Young and the Restless, It's Always Sunny in Philadelphia), Chord Overstreet (Glee), Vanessa Bauche (Luis Miguel: La Serie, Rosario Tijeras), Rafael Cebrián (Las aventuras del capitán Alatriste, Narcos), Fernando Carsa, Regina Reynoso (La rosa de Guadalupe), Regina Orozco (La casa de las flores, Mi marido tiene familia) y Carlos Corona (El señor de los cielos, Doña Flor y sus dos maridos).

Inspirada en la película How to Be a Latin Lover (2017). Creada por Austin Winsberg (Zoey's Extraordinary Playlist, Gossip Girl), Eduardo Cisneros (No se aceptan devoluciones) y Jason Shuman (Anger Management) y escrita por Winsberg y Chris Harris (How I Met Your Mother). Diez episodios.

Estreno: 8 de octubre

Estreno en España: 8 de octubre en Apple TV+ España

Chucky (Syfy)

Serie continuación de la saga cinematográfica protagonizada por Chucky (Brad Dourif) en la que Jake (Zackary Arthur; Transparent, Kidding), un adolescente gay solitario que sufre acoso y busca su sitio tras la muerte de su madre, encuentra al muñeco diabólico en una venta de garaje. Alex Vincent, Christine Elise McCarthy y Jennifer Tilly volverán a interpretar a Andy Barclay, Kyle Simpson y Tiffany Valentine. Completan el cast Devon Sawa (Final Destination, Casper), Teo Briones (Ratched, Pretty Little Liars), Alyvia Ayn Lind (Daybreak, Masters of Sex), Fiona Dourif (True Blood, The Blacklist), Barbara Alyn Woods (One Tree Hill; Honey, I Shrunk the Kids: The TV Show), Björgvin Arnarson (The Seventh Day) y Lexa Doig (Continuum, Arrow).

Creada y escrita por Don Mancini (Child's Play, Bride of Chucky), que también dirigirá el primer episodio. Ocho episodios.

Estreno: 12 de octubre

Estreno en España: Enero en Syfy España

Dopesick (Hulu)

Limited series que explorará el inicio de la crisis del opio en Estados Unidos y cómo afectó a varias familias, cuyas historias se cruzaron, desde el lanzamiento al mercado del fármaco OxyContin a finales de los 90 con una promoción que obviaba los altos índices de adicción que generaba. Protagonizada por Michael Keaton (Birdman, Beetlejuice), Peter Sarsgaard (The Killing, The Slap), Kaitlyn Dever (Last Man Standing, Unbelievable), Rosario Dawson (Luke Cage, Jane the Virgin), Will Poulter (The Maze Runner, Midsommar), Michael Stuhlbarg (Boardwalk Empire, Call Me by Your Name), Jaime Ray Newman (Veronica Mars, Bates Motel), Will Chase (Nashville, Smash),  John Hoogenakker (Jack Ryan, Castle Rock), Phillipa Soo (Hamilton, Smash), Jake McDorman (Shameless, Greek), Ray McKinnon (Deadwood, Sons of Anarchy), Cleopatra Coleman (The Last Man on Earth, In the Shadow of the Moon), Andrea Frankle (Cloak & Dagger, The Purge), Rebecca Wisocky (Devious Maids, For All Mankind), Meagen Fay (Agent Carter, Malcolm in the Middle) y Trevor Long (Ozark, Low Winter Sun).

Adaptación del libro de no ficción de Beth Macy (2018), escrita por Danny Strong (Empire, The Butler) y dirigida por Barry Levinson (Paterno, Rain Man). Producen Strong, Levinson y Keaton. Ocho episodios.

Estreno: 13 de octubre

Estreno: 12 de noviembre en Disney+ Star España

Just Beyond (Disney+)

Antología que adapta Goosebumps, las historias gráficas de R.L. Stine en las que distintos personajes realizan viajes de autodescubrimiento en mundos llenos de brujas, aliens, fantasmas o universos paralelos. Podremos ver en la serie a Mckenna Grace (The Haunting of Hill House, Designated Survivor), Nasim Pedrad (Scream Queens, New Girl), Lexi Underwood (Little Fires Everywhere, The First Lady), Henry Thomas (The Haunting of Hill House, E.T. the Extra-Terrestrial), Christine Ko (Dave, Upload), Malcolm Barrett (Preacher, Timeless), Sally Pressman (Army Wives, Good Girls), Cedric Joe (Space Jam: A New Legacy), Riki Lindhome (Another Period, Enlightened), Tim Heidecker (Moonbase 8), Gabriel Bateman (The Mosquito Coast, Outcast), Cyrus Arnold (The Exorcist), Arjun Athalye (Are You Afraid of the Dark?), Jack Gore (Billions, The Kids Are Alright), Logan Gray (Vengeance), Elisha Henig (American Vandal, Mythic Quest), Rachel Marsh (Before We Go), Jy Prishkulkni (The Birch), Izabela Vidovic (The Fosters, Supergirl) y Megan Stott (Little Fires Everywhere).

Escrita y producida por Seth Grahame-Smith (Pride and Prejudice and Zombies, The Hard Times of RJ Berger). Produce R.L. Stine. Ocho episodios.

Estreno: 13 de octubre

Guilty Party (Paramount+)

Comedia negra en la que Beth Burgess (Kate Beckinsale; Underworld, Serendipity), una periodista sin prestigio, trata de salvar su carrera siguiendo la historia de Tony Plimpton (Jules Latimer), una joven madre que está en prisión y condenada a cadena perpetua por asesinar a su marido aunque ella dice ser inocente. Beth tendrá que lidiar con contrabandistas de armas, la cultura del clickbait o su propio pasado. Con Geoff Stults (Enlisted, Little Fires Everywhere), Laurie Davidson (Will, Cats), Andre Hyland, Tiya Sircar (The Good Place, The Fugitive), Alanna Ubach (Euphoria, Girlfriends' Guide to Divorce) y Madeleine Arthur (The Family, Snowpiercer).

Creada por Rebecca Addelman (Dead to Me) y dirigida por Trent O'Donnell (No Activity, New Girl). Producida por Addelman, O'Donnell y Beckinsale. Diez episodios.

Estreno: 14 de octubre

I Know What You Did Last Summer (Prime Video)

Un año después del accidente mortal que estropeó la noche de la graduación, un grupo de adolescentes es perseguido por un asesino. Mientras averiguan quién es, descubren el lado secreto de su pueblo aparentemente perfecto y de ellos mismos. Con Madison Iseman (Jumanji, The Next Level), Bill Heck (The Old Man, Locke & Key), Brianne Tju (Light as a Feather), Ezekiel Goodman, Ashley Moore (Popstar: Never Stop Never Stopping), Sebastian Amoruso (Solve), Fiona Rene (Stumptown), Cassie Beck (Connecting, Good Joe Bell), Brooke Bloom (Homecoming, Alpha House), Sonya Balmores (Inhumans), Spencer Sutherland (Afterlife of the Party), Chrissie Fit (Awkwafina Is Nora from Queens)

Basada en la novela de Lois Duncan (1973) en la que se inspiró la película de 1997. Escrita y producida por Sara Goodman (Preacher, Gossip Girl). Produce James Wan (Saw, The Conjuring). Ocho episodios.

Estreno: 15 de octubre

Estreno en España: 15 de octubre en Prime Video España

Misfit: The Series (Netflix)

Tras la trilogía cinematográfica neerlandesa, Julia (Djamila) y las misfits trabajan en las canciones y las coreografías de un musical que la nueva directora quiere prohibir para que se centren en la disciplina, las notas y los estudios. Julia idea un plan para sabotear las reglas de dirección y trabajar en el musical en secreto.

Estreno: 16 de octubre

Estreno en España: 16 de octubre en Netflix España

Day of the Dead (Syfy)

Oda a la película de George A. Romero (1985) en la que seis extraños intentarán sobrevivir en las primeras veinticuatro horas de una invasión zombie. Con Keenan Tracey (Bates Motel, The 100), Daniel Doheny (Brand New Cherry Flavor, Alex Strangelove), Natalie Malaika (The Color Rose), Morgan Holmstrom (I Still See You), Kristy Dawn Dinsmore (Vikings), Miranda Frigon (Aurora Teagarden Mysteries), Mike Dopud (Power, Arrow), Dejan Loyola (Saving Hope, iZombie), Marci T. House (iZombie, Julie and the Phantoms), Kevin O'Grady (Julie and the Phantoms, You Me Her), Matty Finochio (Once Upon a Time in Wonderland, The Order), Trezzo Mahoro (Van Helsing), Christopher Russell (UnREAL, Dirk Gently) y Lucia Walters (The 100, The L Word).

Escrita por Jed Elinoff y Scott Thomas, creadores de Raven's Home. Diez episodios.

Estreno: 15 de octubre

Queens (ABC)

Cuatro mujeres de cuarenta y tantos se reúnen para intentar recuperar la fama y el estilo que tenían en los 90 cuando se convirtieron en leyendas del hip-hop con el grupo Nasty Bitches. Protagonizada por Eve (Eve, Feel Good), Naturi Naughton (Power, The Client List), Nadine Velazquez (My Name Is Earl, Six), Taylor Selé (P-Valley, The Deuce), Pepi Sonuga (Famous in Love, Ash vs. Evil Dead), Brandy Norwood (Moesha, Star) y Precious Way (Days of Our Lives, Partners in Rhyme).

Escrita y producida por Zahir McGhee (Scandal, Stumptown). Dirige el piloto y produce Tim Story (White Famous, Prince of Peoria).

Estreno: 19 de octubre

The Girl in the Woods (Peacock)

Hay una colonia de carácter sectario en el noroeste del Pacífico que protege al mundo de los monstruos escondidos tras una puerta secreta en pleno bosque. Carrie (Stefanie Scott; A.N.T. Farm, Insidious: Chapter 3), una misteriosa guerrera, huye de esta colonia y trata de mantenerse a salvo en el pequeño pueblo de West Pine, donde se da un debate medioambiental entre mineros y activistas. Allí, Nolan (Misha Osherovich; Freaky, NOS4A2) y Tasha (Sofia Bryant, I Am Not Okay with This), mejores amigos aunque formen parte de distintos bandos, reaccionan de diferente manera ante la llegada de Carrie y de las fuerzas extrañas que comienzan a acechar el pueblo. Además, el antiguo mentor de Carrie (Will Yun Lee; The Good Doctor, Altered Carbon) tiene ahora la misión de encontrarla y obligarla a regresar a la colonia, donde deberá enfrentarse a las consecuencias de su deserción. Completan el reparto Kylie Liya Page (Ninja Assassin), Reed Diamond (Agents of S.H.I.E.L.D., Designated Survivor) y Leonard Roberts (Heroes, Buffy the Vampire Slayer).

Adaptación de los cortometrajes de Crypt TV The Door in the Woods (2018) y su secuela The Girl in the Woods (2020). Escrita por Casey Modderno (The Birch). Krysten Ritter (Jessica Jones) dirige los cuatro primeros episodios y Jacob Chase (Come Play), el resto. Producen Modderno, Ritter, Chase y Jack Davis y Darren Brandl, de Crypt TV. Ocho episodios.

Estreno: 21 de octubre

Invasion (Apple TV+)

Cuenta una invasión alienígena desde distintos continentes, con el punto de vista de un sheriff a punto de retirarse (Sam Neill; Jurassic Park, Peaky Blinders), un soldado en Afganistán (Shamier Anderson; Wynonna Earp, The Next Step), un matrimonio de inmigrantes sirios que viven en Long Island (Goldshifteh Farahani y Firas Nassar) o una inteligente miembro del control de las misiones del programa espacial japonés (Shioli Kutsuna, Deadpool 2).

Escrita y producida por Simon Kinberg (X-Men: Days of Future Past, The Twilight Zone) y David Weil (Hunters). Dirigida y producida por Jakob Verbruggen (The Alienist, The Fall). Diez episodios.

Estreno: 22 de octubre

Estreno en España: 22 de octubre en Apple TV+ España

Inside Job (Netflix)

Para los empleados de esta organización secreta, las conspiraciones no son teorías, son hechos. Precisamente, es su trabajo mantenerlas en secreto. Cuenta con las voces de Lizzy Caplan (Masters of Sex, Castle Rock), Christian Slater (Mr. Robot, Dr. Death), Clark Duke (Greek, I'm Dying Up Here), Andrew Daly (Silicon Valley, Veep), Bobby Lee (MADtv, Love), John DiMaggio (Mythic Quest, Disenchantment), Tisha Campbell (My Wife and Kids, Dr. Ken) y Brett Gelman (Stranger Things, Fleabag).

Comedia de animación creada y escrita por Shion Takeuchi (Disenchantment, Gravity Falls). Producida por Alex Hirsch (Gravity Falls). Veinte episodios.

Estreno: 22 de octubre

Estreno en España: 22 de octubre en Netflix España

4400 (The CW)

Reboot de la serie The 4400 (2004-2007) en la que 4400 personas ignoradas, menospreciadas o marginadas que han desaparecido durante los últimos cien años aparecen en un instante sin haber envejecido ni un solo día y sin recuerdos de qué les ha ocurrido en todo este tiempo. Mientras el gobierno corre a analizar la potencial amenaza y contener la historia, los 4400 deben afrontar su nueva vida y hacerse a la idea de que es probable que hayan vuelto por una razón específica. Con T.L. Thompson, Cory Jeacoma (Power Book II: Ghost), Ireon Roach (Candyman), Derrick A. King (Call Your Mother), Autumn Best, Joseph David-Jones (Arrow, Nashville), Khailah Johnson, Brittany Adebumola (Grand Army), Jaye Ladymore (Empire) y Amarr Wooten (Knight Squad, American Housewife).

Creada, escrita y producida por Ariana Jackson (Riverdale, UnREAL).

Estreno: 25 de octubre

Colin in Black & White (Netflix)

Limited series que sigue los años formativos de Colin Kaepernick, el quarterback de los San Francisco 49ers y activista que durante la temporada de 2016 se arrodilló antes de los partidos mientras sonaba el himno nacional. Jaden Michael (The Get Down) interpretará una versión adolescente del jugador. Completan el reparto Nick Offerman (Parks and Recreation, Devs), Mary-Louise Parker (Weeds, The West Wing), Klarke Pipkin, Amarr Wooten (Knight Squad, American Housewife) y Mace Coronel (Nicky, Ricky, Dicky & Dawn).

Escrita y producida por Michael Starrbury (When They See Us). Producida por Ava DuVernay (When They See Us, Queen Sugar) y Kaepernick, que narrará la historia. Seis episodios.

Estreno: 29 de octubre

Estreno en España: 29 de octubre en Netflix España

Swagger (Apple TV+)

Drama que explorará el mundo del baloncesto juvenil centrándose en los jugadores, sus familias y los entrenadores. Tocará temas como los sueños, la ambición, el oportunismo o la corrupción inspirándose en los años de juventud del jugador Kevin Durant. Protagonizada por O'Shea Jackson Jr. (Obi-Wan Kenobi), Isaiah Hill, Shinelle Azoroh, Quvenzhané Wallis (Beasts of the Southern Wild, Annie), Caleel Harris (When They See Us, Castle Rock), James Bingham, Solomon Irama, Ozie Nzeribe (Shameless), Tessa Ferrer (Grey's Anatomy, Mr. Mercedes), Tristan Mack Wilds (The Wire, 90210) y Jason Rivera.

Escrita, dirigida y producida por Reggie Rock Bythewood (Shots Fired, Players). Produce Durant. Diez episodios.

Estreno: 29 de octubre

Estreno en España: 29 de octubre en Apple TV+ España

[nylonsandlipstick]

List Your Essential Media

I was tagged by @hauntedthief and @passeurdaurore. Thanks, guys!!

What would someone need to watch, read, or listen to in order to really know and understand you? Basically, what media defines you and made you who you are today?

Movies

Snow White and the Seven Dwarfs (1934)

Wonder Woman (2017)

The Chronicles of Narnia: Prince Caspian (2008)

Rocky Horror Picture Show (1975)

Mulan (1998)

Snow White: The Fairest of Them All (2001)

Scooby-Doo (2002)

The Nightmare Before Christmas (1993)

Ben 10: Alien Swarm (2009)

TV

Law & Order: Special Victims Unit

Dude, What Would Happen

The Royals

Perception

Wonder Woman

The Flash

Pretty Little Liars

Downton Abbey

The Hollow Crown

Sister, Sister

George Lopez

Reba

Elementary

Celia

Raising Hope

Isabel

Carlos, Rey EMperador

Cable Girls

I’m In the Band

H20: Just Add Water

Rome

Music

OneRepublic

Halsey

Zella Day

Scorpions

Imagine Dragons

Melanie Martinez

Woodkid

Kat Dahlia

Kadebostany

The Lumineers

The Civil Wars

Bastille

Florence + the Machine

Little Mix

Ivy Levan

Zolita

Books

Cleopatra’s Daughter by Michelle Moran

The Season by Sarah MacLean

Princess Ben by Catherine Gilbert Murdock

Private series by Kate Brian

Privilege series by Kate Brian

The Magician’s Nephew by C.S. Lewis

Goddess War by Kendare Blake

Divergent trilogy by Veronica Roth

The Amaranth Enchantment by Julie Berry

The Education of Bet by Lauren Baratz-Logsted

Blue Bloods series by Melissa de la Cruz

Airhead series by Meg Cabot

Goddess of Yesterday by Caroline B. Cooney

Guardians of Time by Marianne Curley

The Shadow of the Bear by Regina Doman

The Musician’s Daughter by Susanne Dunlap

Secrets of the Tudor Court by Kate Emerson

Chronicles of the Scribe by Ginger Garett

Princess of the Midnight Ball by Jessica Day George

Letter Perfect by Cathy Marie Hake

The Queen’s Governess by Karen Harper

Monster High series by Lisi Harrison

The Hound Saga by Mette Ivie Harrison

Fenestra by Amber Kizer

Lady Macbeth’s Daughter by Lisa M. Klein

The Rogue Not Taken by Sarah MacLean

Nine Rules to Break When Romancing a Rake by Sarah MacLean

The Uncrowned Queen by Anne O’Brien

Virgin Widow: England’s Forgotten Queen by Anne O’Brien

The Scandalous Duchess by Anne O’Brien

Before I Fall by Lauren Oliver

Song of the Sparrow by Lisa Ann Sandell

Lament by Maggie Stiefvater

Wildwing by Emily Whitman

The Extraordinary Adventures of Alfred Kropp by Rick Yancey

Prophecy of the Sisters by Michelle Zink

Other (Anime & Manga, Cartoons, etc.)

DC Comics

Avatar: The Last Airbender

Powerpuff Girls

Code Lyoko

Lilo & Stitch

Mickey’s House of Mouse

Totally Spies!

Bob’s Burgers

The Amazing World of Gumball

Ed, Edd n Eddy

Courage the Cowardly Dog

Ben 10 (the franchise)

Class of 3000

My Gym Partner’s a Monkey

Justice League/Justice League: Unlimited

Young Justice

Monster High

Winx Club

Get Ed

Bratz

Barbie movies

I’m tagging, @sheisthehighqueen, @pavratipatil, @straightouttanarnia, @kingramthegreat, @coravis, @myaekingheart, and whoever else wants to do this!

[tunes9]

VEVO Watch Major Lazer - Run Up (feat. PARTYNEXTDOOR & Nicki Minaj) (Official Music Video)

New Post has been published on https://vevo.ws/watch-major-lazer-run-up-feat-partynextdoor-nicki-minaj-official-music-video/

Watch Major Lazer - Run Up (feat. PARTYNEXTDOOR & Nicki Minaj) (Official Music Video)

BRAND NEW MUSIC VIDEO FOR RUN UP FEAT. PARTYNEXTDOOR & NICKI MINAJ OUT NOW – http://vid.io/xcMQ

RUN UP OUT NOW – http://majorlazer.fm/RunUp

YEAH THEY THOUGHT THAT YOU WAS A SHY GIRL UNTIL I MADE YOU MY GIRL GIRL YOU PUSHED ME LIKE A BIG BUTTON TIL I CUFFED YOU LIKE YOU DID SOMETHING

YOU AINT GOT TO WAIT FOR IT YOU AINT GOT TO WAIT FOR ME TO GIVE YOU MY LOVE YOU AINT GOT TO WAIT FOR IT THINGS ARE GETTING STICKY GIRL I THINK THAT I’M STUCK

I’LL ADMIT I’M WRONG WHEN I KNOW THAT YOU GON’ COME FOR ME NEVER GONNA NOT NOT HIT THAT YOUR LOVIN IS DRUGS TO ME

AND EVERYTIME YOU HIT MY PHONE WHEN YOU SAY YOU NEED COMPANY

OHH IMMA RUN UP ON YOU IMMA RUN UP ON YOU 8X IMMA RUN UP ON YOU

GIRL YOU’RE USED TO BEING QUIET UNTIL I BROUGHT THAT LOUD YOU SAY YOUR DOLLARS IS A MOUNTAIN AND YOUR MOMMA YOUR ACCOUNTANT

YOU WATCH YOUR FIGURE CAUSE YOU’RE A BIG DEAL GOT YOUR FRESH PRINCE AND A BIG WHIP

POLO MINK COAT THAT’S A BIG KILL PUT YOU ON A PHONE LIKE A WINDSHIELD

I’LL ADMIT I’M WRONG WHEN I KNOW THAT YOU GON’ COME FOR ME NEVER GONNA NOT NOT HIT THAT YOUR LOVIN IS DRUGS TO ME AND EVERYTIME YOU HIT MY PHONE WHEN YOU SAY YOU NEED COMPANY

OHH IMMA RUN UP ON YOU IMMA RUN UP ON YOU IMMA RUN UP ON YOU

MAJOR KEYS IM THE BOSS DONT GRISELDA GO OFF LEFT FROM THE LOFT AND WENT TO BERGDORF MOST OF THESE DUDES IS REALLY QUITE SOFT 45 SPECIAL THIS IS MY CLOTH BOUT TO DROP A ALBUM THIS IS MY FOURTH I DON’T PUT SUGAR IN MY SPAGHETTI SAUCE DROP A FREESTYLE AND GET THESE HOES PARCHED

FIRE BURN THE OBEA MAN CHURCH PRETTY GIRLS, WHERE MY GIRLS GET RIGHT CAUSE IT’S ANOTHER DAY, LET YA LIGHT SHINE BRIGHT AINT NONE OF THEM IN YOUR LANE TRUE MI HAVE DI GAME PON LOCK, DEM WAH CODE JUST LINK WIT SOME HOT GYAL OUT AH ROAD TRUE MI HAVE DI WAIST SMALL, PRETTY, BUS WHINE ROLEX NAH DEH PON UNO DUTTY GYAL TIME? YO, I TOLD EM PULL UP ON ME FASTER THAN DANICA THATS ON THE LOW I’M TRYNA BLOW HIM LIKE HARMONICAS HE CALL ME QUEEN HE KNOW NICKI IS THE MONIKER. HE WANT A MIX BETWEEN HILLARY AND MONICA I SWITCH IT UP I SWITCH IT UP RIP THE BEAT THEN I I STITCH IT UP. TRAVEL THEN I BOUNCE I BALL SINEAD SIR BARBIE A LINK UP MAJOR LAZER.

OHH IMMA RUN UP ON YOU IMMA RUN UP ON YOU IMMA RUN UP ON YOU

Directors: Paul, Luc & Martin Producers : Matt Jacoby, Gary Farkas @ PHANTASM Creative Director : Sara Nataf Choreographer : Fatima Robinson Director of Photography : Kris Belchevski Post Producer : Julie Rambaud Editor : Tianes Montasser Colorists : Mathieu Caplanne, Alice Syrakvash Flame artist : Tonia Wallander

Los Angeles Crew Executive producer : Sarah Park @ Pulse Films Head of Production : Marina Viscun Production Supervisor : Regina Fernandez Assistant Production Supervisor : Alek Parker 1st Assistant Director : Jonas Morales 2nd Assistant Director : Salem Beasley Lazer Gyals : Jaylene Mendoza, Sara Bivens, Andrenita Smith, Helen Gedlu Dancers : Angelo Saunders, Peter Styles Francis, Tiara « Tia » Rivera, Dana Vaughns, Marquita « Quita » Washington, Jason Facey Lead Girl : Vanessa Party Goers : Piper, Phlo, Kayla B, Jaira, Ama, Kelly, Shadeh, Lillie, Selena, Sylvia, Jess, Karen, Eddie, Niko, John, Fox, Box, Jordan, Dylan Diver : Niki Steadicam Operator : Liam Clark 1st Assistant Camera : Zachariah Jones 2nd Assistant Camera : Michelle Kwong D.I.T : Isidro « Cid » Pineda Gaffer : Brian Hickman Best Boy Electric : Danny Carillo Electric : Greg Ladwig Key Grip : Jimmy Viera Production Designer : Christian Corio Set Dressers : Caleb Dawson, Josh Anzano, Michael Lopez Production Assistant : Matt Capen Stylist : Lisa Katnic Wardrobe Assistant : Adrian Gilliland Hair : Marisa Ramirez Hair Assistant : Morgan Laroyce Make-up : Tsipporah Liebman Make-up Assistant : Lindsey Rivera VTR : Ignacio Martinez Assistant Choreographers : Amanda Lopez, Adrian Wiltshire Pass Van Drivers : Hershey Petty, Sean Blackwell Production Assistant (Truck) : Dashawn Boyce Production Assistants : Rob Rogers, Forrest Martin, Tom Dagnino, Justin Pool, Jake Kershinbaum

Miami Crew Executive producers : Gaëtan Rousseau, Marieta Blaskova @ Paradoxal Production Supervisor : Verena Faden Dancers : Karina Cedeno, Vanecia, Jennifer, Jackie, Corinne 1st Assistant Director : Young Chang Steadicam Operator : Mike McGowan 1st Assistant Camera : Brett Frey Gaffer : Carlos Gomez Key Grip : Alvaro Huerta BB Grip : Miguel Gomez Art Director : Tom Criswell Prop Master : Per Tom Wardrobe Stylist : Nikki Takesh Hair & Make-Up Dancers : Gena Sullivan Location Manager : Jeff Rollason Camera Truck Driver/Key Production Assistant : Rolando Viñas Set Production Assistant : Karen Alexis Major Lazer – Run Up (feat. PARTYNEXTDOOR & Nicki Minaj) (Official Music Video) was viewed about 14827822 times, Major Lazer – Run Up (feat. PARTYNEXTDOOR & Nicki Minaj) (Official Music Video) lyrics was posted on 2017-04-12 16:19:09 280209 people has liked this video and about 11100 peoples didn’t liked it. Thanks to Music for sharing the video and lyrics on youtube.

[angelwoodpictures]

Nominations for the 2017 Angelwood Pictures’ Angel Awards Announced

JENNY TYRELL and ACEI MARTIN announced the 2nd Annual Angelwood Pictures’ Angel Awards nominations. Can't see the video? Click here.

This year, Angelwood Pictures worked with over 150 actors, actresses, and industry professionals to produce over 42 different web episodes, a short and a feature film. Nominees had to be participating in an Angelwood Pictures production from November 1, 2015 to December 23, 2016. 

Nominees were selected and voted on by a select number of industry professionals including actors, producers, writers, casting agents, and other members of the entertainment industry.

Nominations:

OUTSTANDING LEAD ACTRESS

Wendy Hartman as Rebecca Ellison (Family Problems: Season 5) Natasha Hatalsky as Detective Christina Elliot (Family Problems: Season 5) Tanja Melendez Lynch as Helen (The Girl in the Attic: Season 1) Casey Grace Murtagh as Jasmine Willow (Testing: Season 1) OUTSTANDING LEAD ACTOR

Tony Ramos Wright as Father Jacob Hamblin (Family Problems: Season 5) David Afflick as Arnold Madison (The Resurrection of Victoria Wheeler) Evan Crocker as Tyler (Testing: Season 1) Neal Gyles as Ryan (The House Sitter) OUTSTANDING SUPPORTING ACTOR

John Samela as Chief Alexander Hudson (Family Problems: Season 5) Tony Ramos Wright as The Doctor (Testing: Season 1) David Afflick as Greg (The Girl in the Attic: Season 1) Rob Floyd as Vincent Elliot (Family Problems: Season 5) Joel-Michael Martin as Perry (Testing: Season 1) Jared Contrada as Alexander (Testing: Season 1) OUTSTANDING SUPPORTING ACTRESS

Paula Dellatte as D.A. Cheryl Waller (Family Problems: Season 5) Alexa Hartman as Madison (The Girl in the Attic: Season 1) Charlie Alejandro as Nurse Purple (Testing: Season 1) Karen Ann Martino as Mother Turner (Family Problems: Season 5) Kathryn Shasha as Shelby (The Girl in the Attic: Season 1) Wendy Hartman as Beverly Madison (The Resurrection of Victoria Wheeler) Luisa Maria Badaracco as Catherine Hamblin (Family Problems: Season 5) OUTSTANDING GUEST ACTOR

JP Valenti as Detective Lockhart (Family Problems: Season 5) Keith Jensen as Nathan (Testing: Season 1) Paul Taft as Michael (The Girl in the Attic: Season 1) Richard Chandler as Nathan (Family Problems: Season 5) Eddie Frateschi as Detective Edwards  (Family Problems: Season 5) Frank O’Donnell as Priest (Family Problems: Season 5)

OUTSTANDING GUEST ACTRESS

Pamela Jayne Morgan as Dr. Carson (The Girl in the Attic: Season 1) Charlie Alejandro as Elena Maretto  (Family Problems: Season 5) Heather Stapleton as Nurse Flora (Testing: Season 1) Jenny Tyrrell as Nurse Fauna (Testing: Season 1) Rosemary Pacheco as Miranda (The Girl in the Attic: Season 1) Alaina Gianci as Detective Dina Pratt  (Family Problems: Season 5)

OUTSTANDING DAYPLAYER

The following nominees receive recognition for appearing in a smaller featured role that appeared in a few scenes or episode, but did not fit our Guest Nomination Category

Stephanie Eaton as Adult Lilly (Family Problems: Season 5) Marybeth Paul as Dorothy (Testing: Season 1) Jeanne Lohnes as Medical Examiner  (Family Problems: Season 5) Gia Dill as Lisa (The Resurrection of Victoria Wheeler) Clara McKay as Nancy (Testing: Season 1) Christie Devine as Hannah  (Family Problems: Season 5)

OUTSTANDING BAKGROUND PERFORMANCE

Eight judges were asked who stands out in a positive way in the background in a selected set of episodes featuring 45 background actors. The following nominees were selected and receive recognition for their outstanding performance in the background.

Hyten Davidson as Evil Demon Spirit (The Resurrection of Victoria Wheeler)

Jane D. Benjamin as Rose (Family Problems: Season 5)

Zafir Latessa as Church Patron (Family Problems: Season 5)

Aurora Grabill as Evil Spirit (The Resurrection of Victoria Wheeler)

Mary Jane Brennan Sangiolo as Secretary (Family Problems: Season 5)

Elle Doucette as Secretary (Family Problems: Season 5)

Isabella Leone as Girl Ghost (The Resurrection of Victoria Wheeler)

OUTSTANDING CINEMATOGRAPHY

Evan Schneider (The Girl in the Attic: Season 1) Sean Carmichael (The Resurrection of Victoria Wheeler) Seng 2KX (Testing: Season 1)

OUTSTANDING YOUTH PERFORMER

Avery Hatch as Lizzie (The Girl in the Attic: Season 1) Isabelle Assaf as Caroline (Testing: Season 1) Damon D’Amico Jr. as Isaac  (Family Problems: Season 5) Kailyn Kaluna as Julie Madison (The Resurrection of Victoria Wheeler) Bella Moore as Kristina (Family Problems: Season 5) Deirdre Robins as Young Felecia (Family Problems: Season 5)

OUTSTANDING ORIGINAL SONG

“Turn You In” By Deena Jill Shoshkes & Jonathan Fried (The Girl in the Attic: Season 1) “The Infamous” By Ear 2 tha Beat / Shadowville (Testing: Season 1) “Resurrection” By Prune (The Resurrection of Victoria Wheeler) “Always Turn Me” By Jamie Knight  (The Resurrection of Victoria Wheeler)

 OUTSTANDING ENSEMBLE

The Cast of Family Problems: Season 5 The Cast of Testing: Season 1 The Cast of The Resurrection of Victoria Wheeler The Cast of The Girl in the Attic: Season 1

 TOTALS:

Family Problems - 23

Testing - 14

The Girl in the Attic - 11

The Resurrection of Victoria Wheeler - 10

The House Sitter - 1

The award presentation will be held in the Spring. Information will be announced soon. The show will feature highlights from all the Angelwood Pictures series and feature scenes from upcoming projects like “Code 13: Unreadable” and the upcoming seasons of “The Girl in the Attic” and “Testing”. For more information check out Angelwood Pictures on the official Facebook page or www.angelwoodpictures.com.

[scheodingers-muppet]

hi y’all are getting another taylor album as ST because it’s all i can think about at the moment. today, folklore!

the 1: stancy, from Steve’s perspective. specifically when he’s starting to move on (ignoring what happened in season 4 cause like… what?) or if you want some serious heartbreak, i’m a “steddie was friends in middle school” truther and if you listen to it like that…

cardigan: byler!!! mainly from Will’s perspective. you can’t convince me Will didn’t come home from his first playdate with Mike and tell Joyce he was gonna marry that boy. he knew this whole time he loved him, and Mike used to show him how much he loved him back

the last great american dynasty: steddie. steve’s family would see eddie as a bad influence and blame steve “being where he is” on eddie (reality; steve is happy and loved and just got a place with eddie and his family views it as a downgrade). the town would still hate eddie, and blame whatever they could on him. also the line about the neighbor makes me think of the Eddie Munson TikTok Saga and i can see eddie stealing a dog just to get back at someone being slightly rude to steve

exile: jopper. specifically Hopper seeing Joyce with Bob. Hopper saw her with Lonnie through high school, has loved her since then. He’s loved Joyce through multiple relationships, on both sides. they’ve lived this movie before

my tears ricochet: max and billy. max didn’t deserve any of the shit billy gave her. “i still talk to you when i’m screaming at the sky” “i can go anywhere i want, just not home”

mirrorball: STEVE! that poor boy has Brett Hand syndrome and doesn’t even know his favorite color. he fully picked his personality to get friends when he was younger and he’s finally learning how to tear that down. he still “performs,” to get people to like him though, like still trying to flirt with all the girls in season 3

seven: Ronance. specifically Robin. i just know that girl is deeply nostalgic for her early childhood and brings Nancy to her grandmas house one summer, going off on 30 minute stories about all her favorite traditions and stuff and then getting to her favorite playground, where Nancy tells her she went on a trip here one summer with her family years ago and befriended a little girl at the creek and spending the day running around like this. Robin realizes she was that little girl and the pretty girl with the long braid she’d been talking about was her now-girlfriend. i also think robin would love someone in such a soft way, like with a childlike-sense of adoration

august: elmax. they’re in love your honor and if the stupid upside down would have stayed quiet in season 3, they would have had the best summer ever. they would have sleepovers every night, switching between their places. snuck out to the mall when one gets grounded

this is me trying: nancy. this girl needs therapy. she’s dealing with so much. also, “my words shoot to kill when i’m mad” “i got wasted like all my potential” “i was so ahead of the curve, the curve became a sphere” “it’s hard to be at a party when i feel like an open wound” those are so nancy-coded

illicit affairs: steddie. them hiding it at first and then when eddie dies ends up in the hospital in a coma, steve sits at his grave hospital bed holding his hand, telling him how angry he is

invisible string: jancy. i think we as a fandom forget they likely grew up knowing each other pretty well. the way we see Joyce and Karen talking show us the families are close. it’s also not hard to imagine they’d be close with how close Mike and Will are. i think they’d have so many little things that ended up with them fitting together so well. also, i think them both being bi and the line “blues and that purple pink sky” is so funny

mad woman: Joyce. she’s painted to be the town-loon in season one. the town saw what they thought was a mother who just lost their child and decided she was crazy

epiphany: Hopper. that man lost so much and tries to just handle it by bottling it up. his ptsd from the war and all the upside down stuff, losing his daughter, the russian prison

betty: stancy, from Steve’s perspective after the movie incident

peace: Will and El (not a ship) “as long as danger’s near, and it’s just around the corner cause it lives in me” i just know these kids blame themselves for getting everyone involved in this (even though it’s not their fault) they’re able to find the solidarity in each other

hoax: platonic stobin. i think they definitely need to dive more into the dynamic now that their trauma bonded, but i think them switching off on being extra sad and the other taking care of them is extremely them

the lake: steddie, from eddie’s perspective. they get out of hawkins as soon as they can and live happily ever after