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the-kr8tor · 5 months ago

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hey i was wondering if you could write a fic about the reader teaching Hobie how to roller skate?? It’s so oddly specific but i can imagine him just struggling with it and it’s funny to me. Plus my dream date is to teach someone how to roller skate 😭. Thank you so much. Also please remember to take breaks and rest. I lysm and appreciate all the effort you put into ever story ❤️

What a cute prompt! Thank you for requesting!! And I will!! You're too sweet ❤️

Pairing: Hobie Brown x fem! Reader/ Spider-Punk x fem! Reader

Word count: 1.2 k

Tags: No use of Y/N, no specific physical description of the reader (except for a mention of Hobie being tall and brief mention of clothes), cw food mention, set in Hobie's 70s dimension, FLUFF

ʕ⁠·⁠ᴥ⁠·⁠ʔ

Being a part of the spider society has numerous Perks— Free therapy if you're willing to wait months for a single appointment. The cafeteria providing three meals a day to starving spider people from all walks of life, (and dimensions) not to mention the unmatched camaraderie with your fellow spiders. That alone makes all the jet lag from traveling through dozens of multiverses, and all the aches and pains that comes with being bitten by a radioactive spider. But, there is one thing that trumps all of those perks, and that's hopping to your partner's dimension for a not-so-quick date at the roller rink.

Hobie didn't take much convincing, especially after showing him your timeline appropriate outfit to him. His dimension is practically stuck in the 70s, filled with groovy psychedelic colours from the top to bottom. And of course there's the leather jackets that you've grown accustomed to just by being with Hobie. Hell, you especially love those leather pieces like the one you're wearing now. You went all out with your outfit, researching the trends back then with a splash of punk looks that had Hobie almost melting the second you stepped out of the portal. You fit in, to say the least. But after all the research and countless hours in the library just scouring for history books and life in the 70s, they don't compare actually being there and seeing it with your own eyes.

A glorious disco ball hangs in the ceiling, twinkling lights dancing around the funky, swirly and fluffy walls of the roller rink. Everywhere you look there's a burst of colours, and there's no lack of laughter ringing above iconic disco music you've heard before.

Smiling, you sit on a bench, eyes turned upwards at the sparkling lights twirling around the whole place. Hobie kneels before you, insisting to tie your rollerblades for you, citing that if it's not done well you could fall over and smash your face on the polished granite. You of course don't refuse, loving how much he dotes on you when there's no mission to rush to or a certain Spiderman breathing down his neck.

Patting your foot, Hobie calls your name above the blaring music. “How's the weather up there, lovie?”

You tilt your head, chin tucked on your clavicle, admiring how handsome he looks under disco lights with his piercings and eyes shining. “How long have you been waiting to say that to someone, huh, tall guy?”

He takes your unlaced rollerblade, pushing it in your socked foot and then propping it up on his knee. He's smiling all through it, happy to indulge you even for a quick moment without anyone to kick or web up. “Believe it or not, I've said it a few times.”

You fake a gasp, and he chuckles at your antics while he ties a ribbon. “Someone is taller than you?! I thought that was impossible!”

“You're impossible.” Hobie's hand remains on your ankle, hand rising up to cup your knee, thumb drawing circles around your tights. Leaning up, he holds your hip with his free hand, pushing you down gently to meet him halfway; which you gladly let him guide you.

Beaming, you peck his nose and the space between his brows. Earning a soft chuckle from him. “Says the one kneeling before me.”

“Which makes my comment correct.” He follows suit, kissing where your Cupid's bow lies before standing up shakily on his rollerblades. (That he hides with his nonchalance.) “C’mon, let's get this over with before I change my mind.”

Taking his helping hand, you pull yourself up, effortlessly standing on the wheels. “It's not too bad, I promise. Even little kids get it right after a few tries.”

He raises a pierced brow. “Those little kids aren't as tall as me and don't have a reputation to keep.”

You poke his side, “I've seen you backflip off of Rhino's head. Roller skates are nothing compared to that. Besides, no one you know is here to see you fall flat on your ass.”

“You won't film it like last time we went ice skatin’?” He can't help but ogle you under the light and amidst the bright colours.

Leading him towards the rink, you hold his hand, slowly inching your way inside. “I promise I won't take videos this time.” He huffs in reply as you guide him to the shiny floors. “It was for personal use anyway.” You mumble to yourself.

Hobie immediately holds onto the railings next to him the second his feet leaves the carpeted floors and onto granite. His knees are bent and shaking while he tries to keep his balance on the wheels. “Love, why'd you let go?!”

Giggling, you reach for him with open arms, rolling towards him. “I didn't! You did!”

Panic spreads through him unlike all the times he has fought countless villains as his rollerblades smack loudly on the floors as his feet skidaddles in place, struggling to even stand up. After reaching for you, your six foot three baby holds onto you like a life raft. Long arms grasping with none of the cool nonchalance he usually exhibits.

“Do you want me to get a training cart for you—?”

“No, I've got this.” Hobie straightens up, hand holding on to your jean pocket as if he wasn't whining a few seconds ago.

“Oh okay—”

“Don't let me go this time.”

“I won't, Hobs. Maybe try moving your legs?” Smiling, you roll around the rink as he uses you as his personal guide while he barely moves his stiff legs.

His eyes roam around the rink where people of all ages whizz past him without a care. He looks over to you with a new found determination. If those children who are barely five years old can skate like they own the place, he too can do it. “What do I do now?”

You don't laugh or giggle at him, instead, you help and support him throughout the lesson like you promised him when you suggested the date. Hobie picked up on the skill real quick, quicker than he did for ice skating. Maybe the music helped him, or maybe he really wanted to impress you this time instead of the ‘baby deer learning how to walk’ he exhibited earlier.

After a while he's already skating around you. A bit wobbly but his form makes up for it. Hobie thanks his spider senses and balance for not stumbling and crashing into another person.

You're all tired out after the exercise. Head placed on his shoulder, arms looped around his middle as he's the one guiding you this time while you two skate mindlessly on the shiny floors as the skating rink dies down for the night. He blows air in your ear, waking you up.

“Thank you.” Hobie affectionately pecks your brow, you hum in content. “You've got some patience in you, love.”

“Nope, you're just a fast learner. And you're welcome, thank you for indulging me.”

“You chose well.” His eyes smile, hand splayed over the small of your back. “Next time it's my turn to pick the place.”

“What do you have in mind?” Tilting away, your hand snakes up from his back to his nape, kneading softly.

“It's a secret, innit. For now,” he skids to a stop, hand still holding on to you. “you need to see some food that your dimension hasn't seen in decades.”

Your eyes widens, gasping. “So much food that shouldn't be in jell-o.” You're already unlacing your rollerblades.

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lessonnzero · 1 year ago

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⠀ ⠀ ⠀𓇼⠀⠀⠀ ⠀ を⠀⠀⠀ ㅤ🏖️⠀⠀⠀ ㅤ 𓏸

like or reblog if you use or save | don’t repost

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elitekhh · 3 months ago

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☾ like or reblog if you use ☾ do not repost ☾ psdby : @wiiintermoon │█║▌║▌║ @elitekhh ║▌║▌║█│▌

#chloe devita #devita #aomg devita #icons devita #korean hip hop #k-hiphop #r&b/hip hop #khiphop #khh edits #khh #idols hiphop #krnb #elitekhh

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rinrirr · 2 years ago

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beta kids as dance styles!! john - freestyle, because i believe he just simply couldn’t decide on a certain style and just went with it (and now he’ll be learning k-pop dances with karkat)

rose - goth dance. she’s a goth icon and that’s all

dave - hip-hop or street dance, because he just has this vibe

jade - charlestone!!! because she lived with her grandpa and i don’t think that he knew something modern

#homestuck #homestuck art #john egbert #rose lalonde #dave strider #jade harley

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manysmallhands · 16 days ago

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Top Albums Of 2024: #20 - #11

The second post of my albums of the year! The first post also exists!! More will follow!!! Now read on!!!!

#20. Fred Thomas - Window In The Rhythm

Indie rock

It’s been 6 years since his last proper album and much has changed regarding how much I bother with DiY indie, but I go back a long way with Fred and so I’ll always be excited when he brings a new record out. And all told, Window In The Rhythm is really very good! Most closely resembling 2015’s All Are Saved of his many previous albums, it consists of 7 largely lengthy art rock grinds that take the minutia of relationships and picks away at them remorselessly (there are one or two softer songs in there but most of it is pretty unforgiving stuff). The appropriately titled “Hours” is a bit of a drag but everything else here sounds fantastic and works very well for drifting away to on the grim winter afternoons. Given how the songs kinda melt into each other, I tend to engage with it all as a series of classic Fred set pieces, with my current faves being the way the gentle, ringing guitar arpeggios of "Season Of Carelessness" at first gradually and then suddenly give way to its fizzing, intense electronic coda, and also the bit in opener “Embankment” where Fred does his fast talking about 90s acts party piece, singing “I made you a tape - withthesamesquarepushersongonitfourtimes - but not in a row” and I know that my favourite indie dude is back for real.

#19. Aespa - Armageddon

K-pop

I tend to struggle to focus on k-pop - i can never remember who's who, partly a function of not being able to buy them here on CD - but mercifully Aespa did a cheap retail version of Armageddon and i've managed to give it more time than most things. And their first full length album turned out to be a game of two halves: the first five songs feature a harder, hip hop influenced sound, full of drama and flash but with a hint of Britney here and there, while the remainder takes a lighter, more girlish tone, with "Bahama" coming off like a kind of k-pop "Kokomo" (which is good, not bad like you think) while "Live My Life" goes full pop punk but with a characteristic, slightly restrained quality that makes it all the more charming. A strong debut and an entertainingly distinct calling card that'll make it easier for me to distinguish them from their peers from now on.

#18. Beabadoobee - This Is How Tomorrow Moves

Indie rock; Singer-songwriter

Bea’s third full album was recorded in LA with Rick Rubin and often seemed as in thrall to America as that would suggest, with the guitars rocked up for a 90s alt vibe and her accent set to a mid Atlantic twang. "Take A Bite" and "Beaches" were both terrific anthems that confirmed her status as burgeoning indie icon but it was her more delicate material that came off best, as "Girl Song" and "This Is How It Went" showcased her huge talent as a singer-songwriter of the old school mode.

#17. Doja Cat - Scarlet 2 CLAUDE

Rap; RnB

Last year’s Scarlet was a terrific album but one where its massive hits failed to carry it to general success. Continuing the era is a brave move but one suspects that this might be a final hurrah for Doja in the rap game before going back to paying the bills. The tone is similar on Scarlet 2 but perhaps a little more lowkey, with songs like "MASC" exuding a melancholy rarely seen on the more bravado infused OG record. But there’s still a lot of fun to be had here too, like on the poppier "OKLOSER" where Doja uses that cute, mocking voice that she does so well and takes it all to some hilariously petty places

#16. Taylor Swift - The Tortured Poets Department

Pop/rock

“How much sad did you think I had in me?” Taylor sings after about 20 minutes here and ngl, there’s quite a lot. Her 11th album has been divisive and understandably so: there’s a sense in which the Antonoff and Dessner partnerships feel a bit played out and its often lugubrious and downbeat tone can get a bit exhausting at times, especially when you tie in the 15 (count 'em!) bonus tracks (which I have mostly tended to avoid). But once you warm to its themes a little, Taylor is still a terrific songwriter and "I Can Do It With A Broken Heart", "But Daddy I Love Him" and the sparkling title track are among her best in what’s largely a strong set, at least til the occasionally lacklustre final third. At heart, TTPD knits together an engrossing narrative which plays on the loneliness of breaking up when yr the most famous woman in the world. Whether you have much sympathy for that is yr own call but for myself, I still think it’s pretty fascinating

#15. Remi Wolf - Big Ideas

Funk pop, rock

I came to Remi Wolf’s second album for the funk bangers but stayed for the hooky indie rock tunes too, at least after I’d gotten over how much i wanted there to be more funk bangers. The most immediate material here is definitely in her sunshine RnB pop style, with "Cinderella", "Pitiful" and "Frog Rock" being some of the catchiest songs I’ve heard all year. But, given time, the rockier "Alone In Miami" became a huge favourite too, with Remi’s diaristic lyricism adding a dimension beyond the hooks and riffing. Big Ideas is comfortable reaching across the stylistic spectrum, being the first record i've heard for a long time that takes in both Prince and Daniel Johnston as notable influences. In summary: there are two Wolfs within this album and both of them are good!

#14. Jessica Pratt - Here In the Pitch

Singer-songwriter; Folk pop; Retro

Her third album Quiet Signs felt a bit hazy and nebulous at times but Here In The Pitch returned to the strong melodies of Jess’s earlier material, a mid century pop record that frequently feels like a warm summer night somewhere in Latin America circa 1962. Tho it’s sometimes as minimal as its small hours vibe might suggest, Here In The Pitch contains plenty of pop energy, full of Spectorish rumble and swaying bossanovas as well as being as packed with hooks as any of this year’s big sellers. While the atmosphere does sometimes tend twds eeriness, Pratt's distinctive babyvoiced coo always feels welcoming on an album where she sounds like she's really enjoying herself.

#13. Tyler the Creator - Chromakopia

Rap; Hip Hop

I’ve never managed to connect much with Tyler before but Chromakopia really blew me away. I'm a sucker for the kind of upbeat funk and soft soul beats that he tends to use here, but his extremely in yr face, percussion heavy approach is also a big draw and the way this album comes at you right out of the gate is hugely impressive. Lyrically, there’s some of the usual bragging that I’d expect but Tyler also gets into the kind of awkward personal and moral quandaries that make up life's grey areas too. Songs like "Hey Jane" and "Take Your Mask Off" have a real depth of character to them, exploring issues like unwanted pregnancy and personal disillusionment in a thoughtful way that doesn't look for neat answers.

#12. Lizzy McAlpine - Older

Singer songwriter; Folk-rock; Retro

Lizzy’s third album, while coherent enough in its focus, finds her stylistically split between a Laura Marling type singer songwriter vein and something more obviously retro focused. In all truth Older is rarely a cheerful record - a young woman’s odyssey thru a time of change type of thing - but it is beautifully rendered, either in rich Fleetwood Mac-esque arrangements or spare, delicate solo accompaniments which reinforce the desperation at its heart. I’ve struggled a little with some of the final third, where the backing tends to drop to a bare minimum and that’s probably kept this out of the top 10 here. But the strength of the melodies and the real character and power of her delivery are getting me now to a point where I’m more consistently enjoying all of it: it’s just the kind of record where some parts of it take a little longer to come into full focus than others. This sort of folky, soul bearing singer songwriter is not always the kind of thing that i can get along with but, far more than most albums of its kind, Older is an absolute gem.

#11. Halsey - The Great Impersonator

Pop/rock

The Great Impersonator was largely inspired by Halsey’s struggles with life threatening illness and much has been made of her “main character syndrome” by some, regarding the way she places her fears and trials at the centre of the record. In truth it can feel quite jarring at times - and occasionally exhausting - but what it actually made me think of is the way that I, as someone with long term disabling illness, often don’t bring things up, in fact make myself small and don’t talk about the basics of my life, for fear of not being heard or accommodated. So when Halsey talks about her issues here, then it really does feel genuinely moving to hear someone making that space for herself and refusing to be silent.

None of this would matter much if The Great Impersonator sucked but - lucky for us - it’s absolutely fantastic. The multi-decade concept feels a bit hard to parse but generally you can just ignore it and focus on the songs, a clash of genres to rival her masterpiece Manic but with an even greater depth of emotional turmoil to draw upon. Aside from illness, there are the usual self hating bangers like "Ego", and a mix of the two is often welcome too: “Dog Years” especially bristles with fury as Ashley growls “they say all dogs go to Heaven / well, what about a bitch?” and indeed the record is well stocked with good one liners throughout. It's fair to say that the consistently downbeat focus can make for a grim listen and also that the returning "Letter To God" songs can come off as a bit repetitive and boring. But there’s sweetness here too as well as harsh reality - especially on the glorious, featherlight title track - and I suspect a bit more time with this would have shunted it into the top 10.

And that Top 10 is coming soon! i have actually written the posts! Maybe starting tomorrow! Bye for now!

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pink-vacancy · 5 months ago

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who's in the vacancy supergroup line up the people must know

Ok so this ask has put me into a group building spiral. I have chosen my roster and drafted a logo and I'm building the debut concept

PVE (Pink Vacancy Entertainment) presents:

I want to add a music note icon and sword icon with similar styling to the text so the icons combined can also be like a little mini logo.

The visual concept is y2k armored gals with colored transparent 2000's technology weapons and armor. Like the transparent mac book type look except cool armor outfits. Pretty ladies with sword.

I'd also want to do a winter sports videogame concept like 1080 avalanche or SSX Tricky as the concept B for the album.

Soundwise, I'd want to replicate the fast pace beats of those video game soundtracks with some Jungle Beat/Hip-Hop and Pink Pantheress type songs. I'd also want some early '00s sounds like Britney and NSYNC lol.

Here is our 10 gal roster. I stole six of JYP's girls (basically my 2 bias lines lol) and I broke it down into 3 medieval military themed sub units:

The Command Unit

2. The Artillery Unit

3. The Melee Unit

Park Jihyo - The hardest part about making the group was choosing a leader and I realized I'd be so nervous if anybody but Jihyo was the leader. Also I want to hear her on a Britney Spears type track!

Myoui Mina - Wow! A huge surprise right? But honestly Mina brings everything to a group. Vocals, dancing, elegance, humor, Minecraft. So choosing her is a real no brainer even besides the fact that she is the love of my life. She's the face of the group for sure! I didn't make her leader cause she needs her gaming laptop time.

Minatozaki Sana - Sana is another obvious choice to me, bias aside. She has such mass appeal and talent for entertainment that she would create so much success for the group just by existing. And girl groups gotta have someone who will just full on smooch the other members.

Hwang Yeji - The second in command. I imagine her as being in charge of the younger half of the group. JYP holds this gal back possibly most of all. Here at PVE, we are giving her all those louis vuitton deals and what not, cause that will translate to bigger success for her and the group (JYP is certified big dumb). Plus she is an S tier performer, leader and visual.

Shin Yuna - Yuna is obviously another of my all-time favorite gals but hear me out. After seeing her live I know now she is an all around ace. She can sing, dance, and you can tell when she is on stage she is loving life! Also her rap from 'Twenty' is one of the few K-Pop raps that i actually enjoy and doesn't make me wanna kms lol.

Lee Chaeryeong - Chaeryeong is honestly such a talented singer and dancer. She’s super sweet and charismatic interacting with the crowd! And she is so funny just by being herself in the ITZY reality content. One of my all time fave idols and a must have for the group.

Miyawaki Sakura - Sakura would be the leader of the third unit. She's an incredible multi talented idol and her vibes are immaculate. She's super funny and beautiful and sweet. Plus she and Mina could be gamer friends together. I feel like she would really kill they2k aesthetic with like some cat ear headphones like she likes.

Jeong JinSoul - Jinsoul's voice has always been really soothing to me. Like it always sits very nicely within the melody of the song. I want that kind of sound for choruses on softer and popier songs. And she is a visual queen so she is a lock for the group.

Cho Miyeon - I wanted a group with two ultra feminine gals in it. Plus her and Sana are already friends so it works out very nicely. She has an amazing voice and is one of the prettiest idols out there!

Lee Saerom - I am honestly just starting to get into Fromis 9. But I have watched enough performances to understand the Saerom has incredible stage presence and has an awesome physique! Her muscles and her charisma will add to the groups flavor for sure ^^.

Maybe i'll do some concept art later to illustrate some ideas. If you read this far you are allowed to be a hater on the group. It will help me prepare for the debut.

#asks #beloved moots #tuxedo <3 #I obviously had a ton of fun with this ask so thank u tuxedo ^^#rhythmic knights #vacant of meaning

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ziacos · 8 months ago

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240504 ZICO at 2024 Hiphopplaya Festival

ISLAND_JPG | do not edit, crop, or reupload without logo

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meishouse · 1 year ago

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media i could talk about for hours

Spiderman: Into the Spider-Verse (dir. Peter Ramsey, Bob Persichetti, Rodney Rothman) & Spiderman: Across the Spider-Verse (dir. Joaquim Dos Santos, Justin K. Thompson, Kemp Powers) You know ther story, after being bit by a radioactive spider, Miles Morales becomes Spider-Man and soon is embroiled in a battle to save the multiverse after he collides with alternate versions of himself. These two movies are easily, in my opinion, some of the greatest feats of animation I've ever seen. With the clear and concrete understanding of the rules of animation, the brilliant animation team, bend and break those rules so perfectly to fit the story and to further foreshadow the storyline. Plus, with an amazing two soundtracks produced by Daniel Pemberton and Metro Boomin, respectively, the movie has this amazing connection with lovers of hip hop and trap music.

Saltburn (dir. by Emerald Fennel) in which wealthy Felix sympathises with his newfound friend's living situation and invites him to spend the summer with him and tragedy soon engulfs the entire family. Okay first of all, that synopsis does not do the movie justice, anyone who's seen Saltburn will back me up on this, but there's truly no combination of words that could even begin to describe the beauty of both the plot and visuals of Saltburn. The story and plot simply unrivals anything else I've seen, the use of music throughout was absolute perfection and iconic. If you've not seen it yet, you really should.

Fleabag (dir. Harry Bradbeer, Tim Kirkby (pilot)) based on the book written by the wonderfully witty Phoebe Waller-Bridge, Fleabag is a series following a woman (known only as Fleabag) with a dry sense of humour navigating life and love in London whilst dealing with the grief of her best friend. The series is nothing short of pure, unbridled brilliance, it is raw and real and honest and so tenderly human. It is one of those shows that left me wishing I could relive watching it for the first time, over and over.

Bojack Horseman (created by Raphael Bob-Waksberg) a show about a humanoid horse, a famous 90s sitcom star, who struggles with substance abuse amidst his desire for a comeback. The series took place over six seasons and follows the growth of Bojack and his friends. Bojack Horseman encouraged me to question several of my own morals while confronting the complexity of people and the complexity of morality. And yet, it does this so simplistically, almost without you really realising it, captivating your attention in a spell. It also targeted many real-world issues without being overwhelming. A truly binge-worthy show.

Someone Great (dir. Jennifer Kaytin Robinson) dumped by her long-term boyfriend, music journalist (played by Gina Rodriguez) recruits her two best friends for one last outrageous adventure before she leaves that chapter of her life for good. Now, I think Someone Great did the perfect job of depicting love, in all its form and stages, in such a visually powerful way. The soundtrack features songs by Lorde, who is a visionary in powerful, emotional, lyrics on both love and heartbreak. Jennifer Kaytin Robinson managed to, in my humble opinion, perfectly encapsulate the feeling of first love (and heartbreak) throughout the movie. Someone Great, is, for this reason, my favourite movie of all time.

#saltburn #emerald fennell #someone great #gina rodriguez #metro boomin #into the spider verse #miles morales #across the spiderverse #fleabag #phoebe waller bridge #romantic comedy #coming of age #film #movie review

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everythingbap · 2 months ago

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📰📸 View of the Arts: Bang Yongguk: A Fiery Return to the London Stage A/N: posted on 241101

Bang Yongguk moves like a flame, his aura alive with passion and purpose. Every time he steps on stage, even with songs like I Remember [yes, yes that’s one of my favourite songs] from 2011, he breathes new life into his music, each note more powerful than the last. To witness his journey from a young, determined teenager to the man he has become is like watching a river carve its path through stone – steady, uncompromising, and beautiful. Seeing his career evolve fills me with a deep sense of pride as his artistry truly reflects the passion and soul he invests in everything he does.

Yongguk has found a kindred spirit in Europe, particularly in the heart of London, where music flows like the River Thames. Camden has become a cherished destination for his performances, filled with the sounds of jazz, rock, and the beats of hip-hop and K-pop. It’s an ideal setting for an artist like Yongguk, who loves experimenting with various genres.Bang Yongguk at Dingwalls / Image © Maggie Zhu for View of the Arts

Our first encounter with Yongguk as a solo artist was in 2019 at the Underworld, a venue steeped in history and artistry. Fast forward to 2023, and we were thrilled to experience him again, this time at Dingwalls. As fate would have it, we found ourselves returning to Dingwalls once more. This venue, with its intimate atmosphere and rich musical legacy, is a perfect stage for talents like Yongguk, who have the power to satisfy even the most demanding concertgoers.

Let’s not forget, Dingwalls saw its fair share of legends pass through its doors, from the iconic Oasis and Blur to the legendary The Ramones, Coldplay, and the one and only Foo Fighters. It is a sanctuary of sound that hosts the best of the best, and on October 20th, we witnessed Yongguk’s magic once again.

It all began with DJ’s intense set – and I truly mean intense! He undeniably set the house on fire even before Yongguk appeared on stage. And when Yongguk did, he brought even more heat with his superb performance.

Yongguk delivered a dynamic mix of old and new tracks, kicking off his set with the 2022 single RACE. Dressed in his signature black and sporting a fresh hairstyle, he “injected” the song with such explosive energy that the entire room was ready to go wild. Together with his DJ, he flared up the stage from the first beat, and no matter how he entered, once he was on stage, he simply owned it.

Yongguk’s first full-length self-titled album, BANGYONGGUK, is one of a kind, so there was no surprise that the artist decided to include Xie Xie in the setlist too. During his first MENT, he addressed his fans with sincere energy: “What’s up everyone, I’m Bang Yongguk. I’m finally back in London – I’ve really missed you. It feels incredible to be here with all of you again. Thank you, always, for standing by my side.”Bang Yongguk at Dingwalls / Image © Maggie Zhu for View of the Arts

Ride or Die from Yongguk’s mini-album The Colors of Love, released last year, was, and still is, a great hip-hop track that displays both his singing and rapping. And as the red stage lights washed over the crowd, everyone felt like part of the experience. His fans, loyal as ever, became an essential part of the performance.

Yongguk also performed tracks like IXLU and NUMB from his 2024 release EP 3as well as OFFOfffrom the 2022 EP 2. Once again, the lighting worked in his favour, perfectly complementing the mood of each song allowing him to deliver a performance that was both powerful and emotionally impactful.

In his next MENT, he expressed his appreciation towards his fans once more and fondly mentioned his former B.A.P members, sharing his hope to one day perform together with them in London.

I Remember, one of his earliest solo projects, hit differently. Released in 2011, this track, featuring Yang Yo-seob, took me on a nostalgic trip down memory lane, filled with unfiltered lyrics and energy. Even in this early solo release, Yongguk demonstrated that his lyricism has always been a central part of his artistry.

Yongguk also included HIKIKOMORI + AM 4:44, Up, UFO, YAMAZAKI, and BUSS IT DOWN in his setlist – and what a powerful performance it was! Then came MOVIMIENTO from his EP 3, where he fully embraced the dancefloor – the stage – powered by a club beat driving every moment of the track.

If you thought that was the full set, you’d be mistaken. Yongguk gave the audience even more, performing five additional songs, including BAD and Green, before closing the night with Ride or Die, MOVIMIENTO, and Orange Drive. With each track, he painted an intimate portrait of his journey – at times raw and rebellious, at times reflective and nostalgic. It must also be pointed out that Yongguk’s artistic range is impressive, making him one of the most exciting artists of his generation. The energy was superb, leaving us all longing for his triumphant return to London!

Rating:

⭐⭐⭐⭐⭐

Rating: 5 out of 5.

Written by Maggie Gogler

#241020 #yongguk #concert #III #england #article #b.a.p

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