#just thought I'd mention it

[flyingnightmouse]

there’s a gegg cult in charlie slimecicle’s offline chat i think

[seasidesketches]

To anybody who saw my previous post (which I deleted), please disregard it. Things are a little more under control now and things have been taken down by the right people. There are still issues out there but we'll have to leave it to lilith games staff to deal with it.

[frobby]

Hey hey this is kinda random but yall do know how easy it is to get Japanese games(or Chinese or korean) on ur phone right? I saw a bunch of ppl talking about how they're sad they can't play haikyuu touch the dream cuz it's not global but like u totally can and it's super easy

Android: just download qooapp u just gotta look up qooapp and if u want download their app and boom jp games galore! Qooapp is what I use but the caveat is its not for ios

Apple: okay ur getting this info second hand so if someone has more than I do that would be very helpful. From what I've heard u just have to make a Japanese apple ID and I don't have an apple phone so I don't know how it works sorry!

Japanese IP bypass: some Japanese games check if you have a Japanese IP address which makes them harder to download however u can work around it with a VPN. I used tunnelbear when I downloaded magireco and it Def worked. All I did was change my location to Japan and then make a Japanese IP email acc and sign in to the googleplay store. Make sure to set the app to auto update tho so u don't have to deal with it later. Luckily it's only a few games you'll have to do do this for

In conclusion:downloading Asian games is very easy and the only issue is language and u could easily look up translations for story and mission and stuff though I wouldn't recommend story heavy or games where you feel like you would need to be able to read I know some people use like apps that translate in real time but idk how to do that lmao

[haven-of-dusk]

Also on Episode 8 things, watch people complain that the Golden Ichor Ares bled or the beads at the end of the summer weren't commented on.

I've seen so much of "the show talks and explains too much, there's too much exposition dumping," but I will not be surprised if complaints roll in that these elements were shown and not made into a big moment, especially the beads.

So just...can we all appreciate these moments for being so book accurate so casually? It's these types of details that give me so much faith in this adaptation despite the changes. The show is clearly made with love for the source material, and it shows, in my eyes. Literally.

[taintedbenevolence]

Friendly reminder to those that follow me: if your blog is empty, please put something in your description/header that lets me know you aren't a bot.

If your blog is entirely blank/has no posts or has zero indicative that it is a real person, I will assume you are a bot and soft-block you (block and then unblock you so you won't be following me).

[dragon-kazansky]

Pedro Pascal is daddy

[gurdy-enjoyer]

sorry for all the ultrakill reblogs I got the brainrot bad today

[some-pers0n]

Hey you ever think about The Characters so much to the point where

[crimeronan]

i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

[mooneggtarts]

These are just doodle requests from twitter for celebrate my 1k (2k now what?!?!) Follows..

[sunlit-mess]

I can only take so much, but lately, they have replaced my reflection. And realize I'm just as bad as them.

[tomiyeee]

likes the smell of pineapple-scented air fresheners while (sort of) implying that he doesn’t like real pineapples

likes drinking out of pineapple cups

??? i don’t know what to make of this but the presence of the pineapple seems intentional

hates the combination of pineapple and ham

...why does this man have a more complicated relationship with a god damn fruit than some shows have between its own characters???

[starflungwaddledee]

some rather strong first impressions were made.

required reading for the magical "voice" headcanon and another for starstruck's signature in particular. asked by @trainerbob23 !

[dduane]

Just a note in passing (Young Wizards meta dep't)

The formal name for the phrase below—which maybe understandably appears fairly frequently in the Young Wizards series—is the Provocodictory; and in casual use, it often seems to get misspelled a little bit. So I thought I'd put in a correction.

The correct phrasing is:

"Fairest and Fallen, greeting and defiance."

Greeting is, in this admittedly slightly archaic usage, singular. The archaism sometimes sort of includes other greetings, in an implied plural: but not in this case. Here the singular is intentional, and precise.

This is because the Lone Power doesn't rate more than one greeting* per run-in. It gets this greeting only because there's no need to be rude to It right out of the box. Then It gets formally defied (as in definition 3 here, where "defiance" is a formal challenge to combat). And then It immediately gets hit upside the head with whatever the wizard in question has brought to the fight.

The Provocodictory is not to be confused with the monitory declaration, which routinely precedes the use of deadly force.

Anyway: hope this helps!

*If you like, you can imagine Stephen Fry in Blackadder's Christmas Carol saying "...This much greeting," with that handwavy gesture. The usage is similar. ...And would probably piss the Lone One off something fierce, but that's neither here nor there. :)

[starry-bi-sky]

how do you clone a fey? that's trick question; and fey love those!

@the-navistar-carol (<333) brought up a good point while I was talking about my changeling danny au with her -- Dani! How would she exist in this au? Danny's a changeling - a fae. How would Dani, a clone of him, be created? How do you make a fey? Not through any means that Vlad is doing; you can't make a fey through unnatural means, considering the Fair Folk are nature. And Vlad's not a fey himself -- he's a halfa, even if he could make a fey, it's not in his best interest too. He's a powerful ghost, but even the weakest fae can overpower the strongest ghost. He won't want a clone of Daniel to be more powerful than him.

(In a three tier hierarchy it goes Ancients -> Fae/Mythos -> Ghosts. They all live in the Infinite Realms, but on different Planes. The fae live above the Ghost Zone in the Fey Wild, while the Mythos live beside the Wilds or down in the ghost zone depending on where they are. Places like the Frozone, the Athens Acropolis, and other such large islands climb throughout all three Planes.)

(While Ghosts can travel into the Fey Wild, its generally advised against as the ectoplasm tends to manifest differently there due to close contact magic. It can make it rather disorientating for a ghost, and as human spirits, the Fae living there would jump them faster than they could blink. So unless you're willing to play mind games with 'steal thy name eat thy face' fae, most ghosts keep out of the way of the Wilds. Fey can travel down into the Ghost Zone, they just don't bother.)

That's of course, not taking into account if Vlad even knows Danny's a fae himself. Vlad doesn't ring me as someone who really cares much about ghost culture or the going ons of the GZ. He might be aware that fae exist, but the moment he realizes he can't use them for personal gain he just doesn't bother with them. The risk is greater than the reward, and he'd rather not get eaten. But lets assume he's aware by now that Danny is fey, and has to take that into account while cloning him.

So, how does Dani exist? Good question! Honestly; i'm not sure. She might not exist at all, or if she does, she's more halfa than fey. Vlad would need a lot of human dna and ectoplasm to balance out all that fae magic. He manages to steal DNA from Jack and Maddie to do it, and since Jack's fey ancestry is very dormant its much easier to use alongside Danny's DNA.

In turn, it results in a little girl whose more human-ghost hybrid than clone. With that little extra boost in fey magic making her not a fey, but still relatively powerful. Dani is less of a clone and more of a lab-grown little sister. It's a rather tedious, complex process that has Vlad tearing his hair out trying to figure out. But he does eventually figure it out.

[airborneice]

they live in my mind rent free