#just something to think about ¯\_(ツ)_/¯

[atlas-of-andromeda]

Because I can, I'm answering all of them.

what are 3 things you’d say shaped you into who you are?

Alot of things, obviously, but if I had to pick, I'd say:

Being straight up bullied for expressing interest in things growing up by my brother

Being largely a social outcast for most of my life

And video games

show us a picture of your handwriting?

Yes, I know it looks like shit.

For any curious, it's the lyrics to Does The Swallow Dream Of Flying by Cosmo Sheldrake that I wrote at school a few days ago because it was stuck in my head but I was in math so I couldn't listen to it.

3 films you could watch for the rest of your life and not get bored of?

Wolfwalkers

The Hunchback of Notre Dame

Heathers (1989)

what’s an inside joke you have with your family or friends?

Piss

(It's a long story)

what made you start your blog?

P.M. Seymour

what’s the best and worst part of being online/a creator?

Best? The anonymity of it.

Worse? The anonymity of it.

what scares you the most and why?

People hating me. I couldn't tell you why even if I wanted to.

any recurring dreams?

Sometimes I have this dream where I'm in a massive... sinkhole? I guess? That's covered entirely in moss, grass, trees, and miscellaneous foliage. There's also a waterfall somewhere in it. Everytime I have the dream it's dark, little light making it to where I am from the surface. I'm stood on this little cliff edge on the side of the hole, and everytime I look over the edge, and fall. And the dream ends there. I've had it at seemingly random intervals throughout the past... maybe nine-ish years?

There's also this dream I consistently have once, every four years. Where I'm awake in my bedroom at like... maybe 04:00 or something. And it's the early winter, snow just dusting the ground. I leave my room and the washroom door is open, light on, but all other lights are off. I walk over to the entranceway, and I can hear my mother screaming from the basement. I proceed to leave through the backdoor. I walk out into the front yard and my brother is there, and the lights on my family's car are on.

It gets a little fuzzy from then on, but I know that at some point I go back inside and there's a spoon - like the utensil - is important is some capacity. And at some point the dream suddenly switches into another, unrelated dream; where I'm laying on my back, on the floor of a massive almost warehouse-like building, completely empty, and except of the white and grey metal normally in warehouses, this building is made out of wooden planks. There's a giant fan on the roof blowing straight down on me. Balloons are involved at some point.

So... feel free to psychoanalyze me if you so wish!

tell a story about your childhood

One time my family and I were out visiting my grandfather, and there was a large lake near where he lived, so we went swimming. Now, I was like, five or six when this happened; I was very small (still am, but less so). And my older brother (by like four years) was walking out into the lake, and I was following him, because I did that sometimes when I was younger. And because he was (and still is) a lot bigger than me, he went out just fine. But because I was so small, the water picked me up and flipped me over, and I started drowning. My parents came to the rescue (my brother ignored me (dick)).

would you say you’re an emotional person?

I've gotten better in the last year or two, but yes.

what do you consider to be romance?

Couldn't tell you if I tried.

what’s some good advice you want to share?

¯\_(ツ)_/¯

what are you doing right now?

Typing shit on Tumblr.

what’s something you’ve always wanted to do but maybe been to scared to do?

Come out.

what do you think of when you hear the word “home”?

A house.

if you could change one thing about yourself, what would it be?

I'd make myself braver and less of of a push-over

name 3 things that make you happy

Music, drawing, walking in nature

do you believe in ghosts and/or aliens?

Nope. Not even kinda.

favourite thing about the day?

Being on the bus to and from school. I'm not at school or my house and I get to talk with my friend.

favourite things about the night?

Nobody bothers you. You are left alone for hours on end. It's the only time you get peace.

are you a spiritual person?

Nope.

say 3 things about someone you love

You're always making such shit comments about LGBT+ and minority people, and I can't say anything in retort. You make it easy to forget what a shit person you are, and I'm happy until you make one of those comments again. You're the only person who seems to care about me, even if I know that that if I were to be honest with you that'd change in a second.

say 3 things about someone you hate

You can't shut up for five seconds and give me peace and quiet. You've ruined my life in so many ways for so long. I can't wait for you to be gone.

what’s one thing you’re proud of yourself for?

Going on for this long.

fave season and why?

Autumn. Cold, but not frostbite cold. limited amounts of bugs. Pretty colours. :)

fave colour and why?

Red. No reason, just like it.

any nicknames?

Pumpkin - my father.

do you collect anything?

Yeah! Rocks and breadclips! (Random. I know)

what do you do when you’re sad?

Depends. If I'm in public, suck it up until in private. In private, cry and read fanfiction.

what’s one thing that never fails to make you happy/happier?

Music.

are you messy or organized?

Pretty organized.

how many tabs do you have open right now?

...17...

any hobbies?

Drawing, writing, dancing, singing, playing guitar, playing harmonica.

any pet peeves?

People with no volume control.

do you trust easily?

Not really.

are you an open book or do you have walls up?

As many walls as possible.

share a secret

No. :)

fave song at the moment?

Vulture Culture by Fangclub

youtuber you’ve been obsessed with and why?

Rendog. Idk ¯\_(ツ)_/¯

any bad habits?

Biting my nails.

questions I think would be fun to be asked

what are 3 things you’d say shaped you into who you are?

show us a picture of your handwriting?

3 films you could watch for the rest of your life and not get bored of?

what’s an inside joke you have with your family or friends?

what made you start your blog?

what’s the best and worst part of being online/a creator?

what scares you the most and why?

any reacquiring dreams?

tell a story about your childhood

would you say you’re an emotional person?

what do you consider to be romance?

what’s some good advice you want to share?

what are you doing right now?

what’s something you’ve always wanted to do but maybe been to scared to do?

what do you think of when you hear the word “home”?

if you could change one thing about yourself, what would it be?

name 3 things that make you happy

do you believe in ghosts and/or aliens?

favourite thing about the day?

favourite things about the night?

are you a spiritual person?

say 3 things about someone you love

say 3 things about someone you hate

what’s one thing you’re proud of yourself for?

fave season and why?

fave colour and why?

any nicknames?

do you collect anything?

what do you do when you’re sad?

what’s one thing that never fails to make you happy/happier?

are you messy or organised?

how many tabs do you have open right now?

any hobbies?

any pet peeves?

do you trust easily?

are you an open book or do you have walls up?

share a secret

fave song at the moment?

youtuber you’ve been obsessed with and why?

any bad habits?

(this post was stolen from @teenage-mutant-ninja-freak, since it couldn't be reblogged anymore)

[bienmoreau]

I think why people want the Trojans to get a red card, specifically defending Jean against the ravens, is because it shows the Trojans breaking their moral code to defend Jean, which could be significant, and I think it would introduce an interesting dilemma of how far they are willing to go to protect him from the raven’s toxicity. Idrk tho

I guess I can see that.. maybe.

For me it feels like it undermines something fundamental about who they are (especially who Jeremy is; from what we have so far, how seriously he takes being a role model/showing up as his bast self in public) and how they are presenting Jean with a new world view and reality of how it's possible to be, and how to protect, support and care for others. The idea that the others don't resort to violence to protect each other and still smash the opposition is important. That they don't display violence as a solution means that it is never presented as a possibility that it will one day be used against Jean.

Yes sure the situation of protecting him would be specific (and if it was something like Andrew saving Neil in TKM then even more so). But once they have shown they can and will resort to violence as a reaction that means he is no longer safe with them in the way he was up until that moment.

It also basically nullifies the promise he has made to them by signing the contract and committing to learning to play their way! And the tacit promise Jeremy has made to him to get them to championships by playing their way with him as part of the team!

But that's just my thoughts and maybe my mind will be changed on this (v unlikely ngl). But If that's what Nora decides to have happen in some way I'm sure she'll be able to write it in a way that carries us to that situation meaningfully and believably. It just isn't something I feel is needed at all for this story I guess ¯\_(ツ)_/¯

[apartmentwhereikeepallofmyswords]

I wonder if passive ever wanted to rename himself (before the apple incident)

Like, Nim legit named them ‘dream’ and ‘bad-dream’. Not only the favoritism (using that loosely cause. nim. Just in general) but the fact he’s been demonized from the start by his own name. Having his twin brother who’s the golden child and loved be the ‘good’ version while he has to be the bad one? That had to hurt, on top of everything else.

His bullies probably used that fact too. “Oh you’re the bad one, it’s literally your name” kind of bs

But then what would he name himself?

Maybe after a character in a book? someone he looked up to/didn’t treat him as badly? maybe even after a plant since he was in nature all the time

Idk. just thinking about the fact passive might have wanted to be named something else, but then when he died and was corrupted Nightmare took on the name as a defining part of himself. It’s his name, it’s what he is so it has to be who he is

And if he was ever reformed/fixed/stopped being evil, would he change it then? Shed the name in order to feel less like the monster he’d been?

[starryemeralds]

HAPPY BIRTHDAY TO MY FAVORITE TWINS, DIPPER AND MABEL 🩷💙

Bonus Comic Below

[bistaxx]

Cat hybrids twins headcanon is my favorite not only because cats are super cute and awesome but also because I adore the mental image of them purring in satisfaction or joy while threatening or killing people

[neversetyoufree]

So while I've seen a thousand jokes about this scene and Noé slapping a snapchat filter over the rat bastard in his memories, I do think it's worth analyzing what goes on here, because it's just a really well-executed example of how memories change with time and fondness.

Most of the posts I've seen have contrasted this shot of Vanitas to this one from chapter 1:

and that makes sense! They're both similar shots of him standing at the top of the steps in front of the windows, and they're also the faces that make for the biggest contrast between the two versions of the scene.

However! If you look at the actual dialogue, this super-romanticized shot of Vani isn't entirely from Noé's memory of Vanitas's speech on the podium. It's more complicated than that. Just like what often happens with real memories, when Noé recollects Vanitas's request to use his strength, he blends it with other memories of the same scene.

In the original version of this conversation, the "lend me your strength" line comes while Vanitas and Noé are still standing on the same level. This is the moment that the dialogue from the romanticized memory comes from,

and you can see immediately before and after this moment that Noé and Vanitas are still together on the lower church floor.

Vanitas only heads up the stairs to the windows/podium once he's well into his final "I will save you whether you like it or not" speech, which is what he's saying in that especially manic/bloody panel that I posted above.

When this moment flashes through Noé's mind at the start of chapter 52, he blurs the whole thing together rather than pulling any accurate memory. He puts Vanitas on top of the stairs by the window, the most dramatic and memorable staging from that scene, and has him say his "be my shield" line, the part where he's reaching out to Noé personally. Beyond the romanticized snapchat filter aesthetic of the memory, the very basics of the words and staging of the scene betray how Noé misremembers that moment.

In chapter 1, Noé reacts to "lend me your strength" with flat disinterest and "I will save you without fail" with borderline horror. In 52, however, memory Noé reacts to the blended mix of those two moments with tender admiration, showing how he's now come to view Vanitas.

Every single thing about those two pages of flashback works to show how Noé's view of Vanitas has changed. (And also to provide a contrast to the violence that immediately follows it, lol).

It's just a really well-executed example of how romanticized memories actually work in people's heads. Everything blurs together until only the best and grandest parts of the moment are left, and only then does it get the fluffy beautiful filter. And this treatment tells us so much about Noé's feelings on Vanitas at the time.

[thelassoway]

Social Conditioned ¯\_(ツ)_/¯

[novasintheroom]

Penpals headcanon - Vash x Reader

The letter writing starts as a little check-up on Vash. You can’t travel with him all the time, much like other friends on the road, so you start the age-old trend of writing letters to him. You leave small notes at each town’s postal service, never knowing if or when he’ll blow through. It’s almost like journaling, sending thoughts into the void. You don’t even expect a response, just hoping it might help take that sad look out of his eyes for a moment.

Until you get a letter back. Vash, with his chicken scratch for handwriting, and doodles of toma or himself because he’s self-conscious about how poor his penmanship is (he doesn’t have to write often!), and he wants to give you something for your efforts.

It doesn’t matter how often he receives your letters; he’s floored every time that you write to him. It becomes a game of scavenger hunt, trying to figure out where the next letter will pop up. Often, the first building Vash visits is the post office when coming into a new town. It becomes a habit, a little sparkle of hope in his eye when he sees buildings in the distance.

He starts collecting things on the road he can feasibly send to you. A pretty pebble, a green feather from a tomas, little things he can sneak into the post. You send photos back, showing off the jewelry you made from the item. A necklace against your throat. A feathery earring brushing your cheek. Your smiling face in them all. He treasures those photos more than he’s willing to admit.

He knows it can’t last forever, so he takes what is given. A stack of carefully wrapped letters always sits in his sack or one of his jacket pockets. He pulls them out when he has a moment of peace to allow himself an often-needed smile. The paper browns and softens with age and how often he thumbs over the ink. Some have bullet holes in them. He’s memorized most of the letters anyway, so it doesn’t bother him much. You do the same, though yours are crisper since your life isn’t nearly as dangerous as his.

This goes on for the better part of three decades, with random encounters with one another happening throughout. He thinks you’re getting older, that you’ll settle down at some point and forget to write him. Yet month after month and over the years, your letters come. It isn’t until one day Vash catches on that something doesn’t add up about you. The pictures you send show the same person, same face. He compares the newest to the oldest. Yeah, same person. Same age. And when you meet up after time has passed, you realize:

Neither of you have aged. Not in thirty years. Not even a little.

And suddenly, there’s a lot more to talk about.

[byanyan]

honestly? byan's one of those people who'd like to be open to all pronouns bc they're oh so fond of gender fuckery, but they can't bring themself to actually lean into that entirely bc they know that a lot of people would resort to using 'he' to refer to them. people would see 'he' as the default bc they're amab so it's what they'd hear the most and it would be impossible for them to feel any amount of trust in anyone who chose 'he' over 'they' or 'she'. this is a big part of why they decided to insist on using they/them exclusively, even though they don't mind she/her. much as they love to play around with that "haha i could be your boyfriend and your girlfriend" kind of energy, it leaves too much room for freaks to get away with being secret transphobes for their liking.

[semiotomatics]

think i found a fake georgia o'keeffe painting lol

[guiltreservoir]

 as long as there is an ocean ✧ read on ao3

the abyssal plains of tommy's subconscious are littered with the carcasses of his father's favorite adages.

no matter how valiant his attempts have been to pry them free — and despite the meticulous, delicate nature of his methods — it seems that many of the sea-skeletons have been left sitting beyond salvation, now inextricable from waterlogged sediment. they're too far-sunk to extract safely; if lucky enough not to crumple like a sheet of discarded tissue paper on the journey down, he'd explode his lungs to red mist on the way back up to the surface. it's almost easier if he imagines them this way, as broken fragments of corpses too fragile to exhume:

the fleshy tissue of a half-eaten squid — actions speak louder than words. the crushed shell of an unfortunate lobster — beggars can't be choosers. the rotting remains of a clever eel — boys who live in glass houses shouldn't throw stones. the ribcage and spine of a starved shark — do as i say, not as i do.

one saying in particular has been mummifying for longer than the others, a giant humpback frozen in a state of watery decay, embalmed in the sandy gunk of his darkest trenches — keep your shoulders straight and your head on straighter. oft punctuated with a caustic, kid.

it's pretty ironic, considering the fact that tommy kinard has nary a straight bone in his body. maybe that's why the line burrowed itself so thoroughly into the deepest, slimiest crooks of the substrate of his mind, slow-growing algae coating the slippery crevices of his hippocampus to rankle him perpetually. tommy hasn't spoken directly with his old man in years; these days he couldn't if he wanted to, or at least not without a ouija board and an uncharacteristic flair for masochism, neither of which he cares to equip himself with.

nevertheless, the phantom whale fall of his father's most-reliable phrase continues to nourish the last hungry, lonely fish left scouring the ocean floor of tommy's mind. nearly every move he makes is centered around practicality, every decision sewn together by threads of vigilance and observation.

with nearly four decades of practice and application under his belt, he's gotten good at keeping his shoulders straight, and gay as he may be, he thinks his head's on just fine, although such would be a contradictory and controversial statement upon the ears of one thomas kinard, senior. thankfully he'll never have to hear it.

tommy can live with his own amendment to the man's words because tommy knows himself and therefore knows the truth. his posture is excellent and he's a considerably level-headed guy. he can't be straight; he doesn't want to be. what he can be is pragmatic. he can be logical, he can be useful, he can be rational. he can be quite capable and, as it turns out, even likable. he can be funny, and charming, and vulnerable with the right people. he can be queer, he can be gay, he can be loved, he can love. he can become without becoming unmoored.

for thirty-some good years, tommy kinard does a bang-up job at keeps his shoulders straight and his head on just fine. he's pushing forty when he meets evan buckley and eddie diaz.

───────────────

evan buckley and eddie diaz exist as a singular entity within the confines of tommy's skull. two sides of the same coin, grumbles the detached jaw of an imaginary anglerfish.

it takes some effort to extract one from the other, but tommy finds ways. over mutual interests in muay thai, basketball, and helicopters, he and eddie become fast friends. over mutual interests in each other's inquisitive minds, curious hands, and wanting mouths, he and evan become even faster lovers.

he makes out with one of them, roughhouses with the other; it all feels the same, gets identical synapses firing. he knocks eddie to the mat, steals spit-flecked exhales off of the inches of air near his wild-grinning lips and brings them home for buck to drink down, licking them into his ravenous mouth, delivering him secrets to unwittingly swallow. he smelts himself down to the base and seeps in between them, liquid copper in the nickel sandwich of their clad coin.

it isn't until tommy's got both of them sprawled out on his couch one night, months into his increasingly complex relationships with each of them, that he truly starts to grasp how evan and eddie might exist as a singular entity outside of his skull, too.

top gun's ending credits march, sans serif ants, to the glowing edge of tommy's television screen. fuzzy, synthetic white-blue haze pours into the room and across the skin of buck and eddie's limbs and faces in a manner that makes tommy think of marble hewn painstakingly into handsome statue, of rock tumbled smooth by a patient, perpetual stream, ever-flowing towards the sea.

tommy thinks, i could be a sculptor. i could be a river.

copper in the nickel.

the two men are draped across his sectional like lions in the sun, impenitent and unabashed in the way they take up space, in the way they take up each other. buck's legs are long, stretched out along multiple cushions, his head heavy on tommy's lap. eddie, on the opposite end of the couch from tommy, started out the evening upright, but the drone of the movie — combined with tommy's easy laughter and the literal and figurative warmth pouring off of buck — had helped to coax a more relaxed posture out of him. now he slouches deep into the pillows, legs spread wide to knock up against buck's bare feet where his sweatshorts ride up his quads. tommy almost expects the point of contact between the pair of them to spark, start a blaze that would surely incinerate the three of them in spite of their résumés.

his heart's been a tinderbox for long enough that he can usually recognize flint even when it's disguised as water; the thirst that parches him convinces him it's worth attempting a sip without regard of probable risk.

he lets out a long exhale and drops a hand to card through evan's hair, half-listens to eddie babble on about how the shots of the F14 fighter jets are still so cool all these years later. he's beaming like a kid the whole time, sunshine-ray of a smile gleaming straight at buck.

tommy watches as buck can't help but smile right back, and god, if the energy radiating off of them could be harnessed for physical usage, tommy would never have a utility bill again in his life. he watches, enraptured, as buck flexes and curls his toes against the soft dark hairs of eddie's thigh, pressing dents into his skin. watches as eddie presses back.

eddie falters in his warplane musings when buck's foot skids over and catches in the edge of his shorts.

buck says, "sorry," not convincingly.

eddie clears his throat and drags his gaze from the arch of buck's foot resting against his leg up buck's calf, to his knee, to where the exposed pale of his thigh disappears behind them hem of his shorts. he takes his time wandering up the rest of buck's body, lingering especially at the relaxed curve of his dick under loose cotton fabric, the relaxed curve of his gently parted lips. finally he meets buck's answering stare and blinks, languid, like he's searing something into his memory, buck-shaped sunspots in his retinas. he says, "no big deal," not convincingly.

before tommy's eyes, water transmutes into flint and back into water and over again, metamorphosing in a churning lazy whirl. it dizzies him, blurring his vision until there is no difference between the two; there's just a murky charcoal pool, molten obsidian shimmering like glass, rippling like the surface of an ocean less haunted than the one sloshing in his cerebrum.

an ocean glinting with the reflection of two incandescent stars careening towards each other at a devastating rate, a spectacle to behold.

relaxing his shoulders, tommy orders them to, "kiss," more certain than ever. when they hesitate, he adds, "each other," bracing himself for the likelihood of a stellar collision.

when eddie clambers on top of buck and leans down to crush their lips together, pushing his head down against tommy's thighs, pushing tommy out of his own, it feels more like the calm soar and twinkling glitter of a shooting star against the navy velvet sky, the soft crash of a wave against the edge of a silky coast.

there's no threat of unkind flame, no exploding celestial dust.

it feels like water.

tommy kneels at the sacred place where the luminous sea laps at the heavenly shoreline and drinks, and drinks, and drinks.

───────────────

drinks become shots become wandering hands in the generous backseat of a stranger's car, an obvious cocktail to use as a scapegoat for the hammering beneath tommy's breastbone. the depths of his mind bubble up with, trust your gut, not your heart.

he has mixed feelings about that one, but at present he's not sure he can trust any singular part of his corporeal form, so at least it half-applies.

hearts and guts aside, tommy is starkly aware that things between buck and eddie may be escalating a bit beyond his feasible reach. he'd come into the evening equipped with the knowledge that he's successfully constructed his own internal witch's cottage of cake shingles and sugared windowpanes in this questionable "date" night between the three of them, however mutually agreed upon the night may be. he's self-aware enough to understand that he's destined to walk himself straight back into it, naïve as hansel and gretel without the excuse of not knowing better.

he just hadn't realized how famished he's become, and how tempting his own makings would look.

with buck seated comfortably between himself and eddie, tommy has no real access to eddie outside of the smush of knuckles-on-upper-arm from the hand he's got slung around buck's shoulder. as per usual the concept of space does not seem to exist between the other men, and tommy's fingertips get wedged so tightly between their limbs that it feels like with just a little more effort, maybe they could do some damage. the sick, private, bourbon-drenched gutters of his mind surmise that maybe he'd let them.

he watches as they exchange a heated look and a hotter liplock, uncertain as to whether he'll ever get used to witnessing them like this. in the weeks following the fated night of their little home movie screening, tommy's been lucky enough to encourage and initiate several more exchanges of both kisses and conversation among the three of them.

"i... still want to be with you," evan had mumbled against his chest, as they laid in bed together the morning after their tag-team makeouts with eddie to the soundtrack of top gun's menu screen music on a muffled loop.

"i had hoped," was tommy's response. after a beat, "and eddie?"

buck had peered up at tommy, eyes so earnest and open and stupidly fucking blue. "yeah, yes, eddie," he'd said, almost apologetic. "i— i do want to be with eddie," like he had to.

"i know," tommy had told him, the organs in his abdomen heaving tumultuously. "it's okay, evan," he'd said, his heart a hummingbird fluttering frantic. like the idea wasn't sending his ribcage collapsing in on itself, he'd even managed, "i can leave whenever you're ready for me to go." he'd assumed all along that he was on borrowed time; couldn't be a beggar and a chooser.

buck, with love bursting forth from every single inch of his being, with more than enough to go around, had admitted to wanting tommy to stay, if tommy would be okay with it. he pitched the idea that they could talk to eddie, try this together, give it an honest shot.

tommy had flashed back to a childhood history lesson on the u.s. mint where he learned that certain coins aren't made in layers, but instead by melting all of the metals together to become a solitary slab. his copper edges fuse further into mirroring ponds of nickel.

three sides of the same coin, he'd thought to himself. imagine that.

"god, eddie," buck rasps now, voice low, clandestine enough to stay in the backseat. "want you so fuckin' bad."

eddie's answering, "jesus, buck, i— want you, too," honest and shameless, snaps tommy fully back into the present moment in perfect timing.

their rideshare driver whips into the driveway of tommy's house, personified stress wearing a thin windbreaker of customer service as he vocally ushers them out of the car — ahem, looks like we're here, have a pleasant rest of your evening, goodbye. as eddie and buck tumble out of the passenger's side rear door in a picture of resolute gracelessness, tommy, clutching stubbornly onto an ounce of awareness, pauses to give a rearview-mirror nod of thanks to the weary-eyed dude white-knuckling the steering wheel. he promises a significant gratuity for bearing with their shenanigans and lets himself out on the driver's side of the car.

while he steadies himself on his feet, gravel crackles under the wheels of the gratefully retreating sedan, headlight beams fading to shadow. tommy observes the silhouette of the inelegant, eight-limbed, two-headed harbinger-creature making its way to his home's front entrance in a clumsy tangle and waits for his innards to spike with fear, with reluctance. he meanders up the drive and overturns every stone lining the path to his warranted doom, expecting to find the tattered shreds of his decomposing clarity, or maybe a colony of vicious fire ants. all he finds is fertile, loamy earth, rife with potential.

he stumbles up his porch stairs and unlocks the door when he gets there, opening it for the lot of them to fall through together.

───────────────

together on tommy's mattress, buck and eddie writhe and moan and curse. they haven't been able to break apart since toppling out of the backseat. they kiss like it's the very thing keeping them alive.

from where he's snuggled up to buck's back, tommy's got a front row seat for the premiere screening of his most-likely demise. he can see the saliva bubblling on the edges of eddie's tongue as he smears it from buck's throat all the way to the cap of his shoulder, a glistening snail trail scattered through with blooming bruises he'd sucked into buck's skin minutes before. he can hear every wet catch of buck's breath in his throat, every soft grunt eddie lets out into against it, every exhale shared between them.

tommy's head spins, so god damn far from being on straight. he feels like a balloon released into the wind, miles above the cold and familiar waters of his deep-ocean, stranded somewhere in the high desert of his psyche. loose dry earth kicks up in a vortex around him, carried by the tempest of his culminating untended emotions. when the dust cloud settles enough for him to think, he recalls the term raison d'être.

it's french, that's why it sounds fancy, is what his father had said to teenage tommy, long before he'd cared to even attempt a grasp on the concept. he'd been moody, hormonal, and wildly, spitefully uninterested in all of the things the man he shared a name with held so dear. rolled his eyes at the gruff, translates to 'reason for being.'

"buck, buck, c'mon," is what eddie says as he scrabbles for a good grip on buck's shirt, taking fistfuls of fabric and wrenching it over buck's head in a frenzy. says, "come here," like buck isn't already melded into him, bare torsos flush, thighs slotted close. says, "come here," again, and it registers that eddie is calling for tommy, too.

tommy eyes snap onto eddie's across the naked curve of buck's shoulder to find them scalding. "fuck," he breathes out, "okay," like it's permission enough for all of them.

for now, it will suffice.

the skin stretched over buck's bulky trap muscle is tacky with eddie's spit when tommy sets his mouth against it, bursting salty-bitter on his tastebuds. buck whimpers into eddie's mouth and grinds his ass back against tommy's crotch; eddie's hips follow after them in a sinuous roll. into the blushing hollow of his ear tommy asks buck if he'd like to feel eddie inside of him, makes sure it's just loud enough for eddie to hear, too. he feels eddie's ankle hook around his own, overlapped with buck's.

"please, yes," urges buck, fervent and wanton, lust and liquor fraying the last threads of his hesitancy. "i've been wanting that."

"you have?" eddie asks, as tommy says, "he has."

"god." context aside, eddie's tone is reverent. he says it again, as though the word is synonymous with buck's name. then, like it's still a secret to himself, admits, "i've been wanting you, too."

buck groans and shifts, or maybe it's eddie — as tommy's faculties render off in the burn of both the top-shelf whiskey in his bloodstream and buck and eddie's immediate intimacy, it becomes progressively more challenging for him to distinguish the fine details. it all feels the same, gets identical synapses firing.

he tracks eddie's movements as he smooths a hand down buck's side, sure and attentive, as natural as breathing. when he keeps moving south to bump his fingertips up against the waistband of buck's jeans and the boxers beneath, buck's breath hitches, hips jerking. tommy tilts against them in pursuit.

eddie asks, "can i?" and it's double the approval he's seeking.

"yeah, eddie, please," buck begs again while tommy nods, delirious with overwhelm.

in an uncoordinated jumble, eddie gets buck flat on his back and makes himself a home between his open-lolling legs. right away his palms return to the broad planes of buck's chest, the curves of his strong stomach, the slight slants of his hips. he makes constellations out of kisses on buck's collarbone, his nipples, in the divot of his sternum.

it looks as close to worship as anything tommy's seen.

tommy wonders if it's worth telling eddie how he'd taken his time working evan open that morning, fucking him deep and thorough so he'd be easier for eddie to push inside of now. if it's worth telling eddie how he'd come, sudden and hard and so fucking good, from thinking about buck taking him so readily.

when eddie's devout, trembling fingers struggle to unclasp the button of buck's jeans, tommy decides to backburner the dirty talk. instead, he rests a hand on top of eddie's, gentle yet authoritative, and says, "let me help."

buck's hips lift for tommy's hands without second thought, making it simple to shuck the pants off of him as eddie shimmies out of his own. before he can even process the sight of evan buckley and eddie diaz naked, together, on his own mattress, tommy's met with twinning expectant gazes and understands that he's meant to strip, too.

"i—" thought i would stay on the sidelines, he tries to say. but as seconds pass under the scrutiny of the other men, the reluctance dies in his larynx, and he jostles around a bit until the denim of his pants is bunched down low enough to free his dick.

he's too preoccupied by the fact that he's got both objects of his affection directly in front of him, touching and loving on each other and spilling all of it onto him, to truly comprehend the magnitude of the moment. his head is so far into the atmosphere that he almost misses eddie say, "tell me what to do, tommy."

re-tethered to the earth by the string of eddie's voice, tommy doesn't miss buck's impatient, "aw, c'mon, eddie, just get in me." his desperate, "need you," is clear as day, clear as his afternoon sky irises, brighter against the rosy blush ruddying his cheekbones. he's always so damn pretty when he pleads.

tommy glimpses down at buck's dick, finds it stiff and pink and already leaking a mess onto his belly; he flicks across to the heft of eddie's where it rests heavy in the lax grip of his own hand. it's a beautiful cock, flushed dark and filled out, not quite as thick as tommy's but a nice, proportionate size. tommy knows buck will unfurl for him at once, a blossom to the morning sun.

meeting the bonfire of eddie's anticipative stare, tommy decides to say, "it won't take much, i got him ready for you this morning. right, baby?"

if buck could nod any more vigorously, he might snap his vertebrae. he adjusts the angle of his hips a little to make more of his ass visible, scoots onto a pillow so that he can prop himself up enough to get a better hold on eddie's waist.

"jeeesus," drawls eddie — a rare slip of his honeyed-rye texas lilt — and then, like he can't help it, "christ." his eyes rake down buck's body, idling on his twitching dick before trailing further, like he'll be able to find evidence: tommy was here.

that makes tommy smirk. he wishes he could keep his instructions ambiguous, left up for eddie's interpretation, something like he can handle whatever you're willing to give him. instead, mindful of the fact that this is largely uncharted territory for eddie, he suggests, "start with your fingers, you won't hurt him."

tommy's trusty bottle of nightstand lube is within convenient reach, making it no trouble to squeeze and slather some across eddie's fingers with a lewd jerk. a bit of extra coats the side of tommy's hand and he uses it to rub along the cleft of buck's ass, prompting a shiver out of him.

"there you go," tommy rumbles, "nice and wet."

the synchronous broken moan that the two let out when eddie finally finds the courage to nudge his fingers into buck is one that will most likely play like a broken-record loop within the walls of tommy's skull forever from this moment forward, for better or for worse.

buck promises, "i can take more," with the bleeding edge of a prayer still present in his tone. "i want more, want you, eddie, come on. it's alright, you can fuck me, you're not gonna break me."

eddie asks, "are you sure?" dually directed.

"never been more sure," buck affirms, as tommy says, "trust him, he knows his own limits," all the while knowing he can't make the same claim about himself.

regardless, he casts himself into the riptide, plummets into the undertow and captures buck's lips in a greedy kiss. he licks behind buck's teeth and drinks up his whines as eddie rides his dick along the slick valley of buck's asscheeks. before he even pushes inside, buck's making these fucking tiny wounded noises that make tommy's heart swell and cock throb.

when eddie lines up and sinks, at last, into the place inside of buck that tommy has come to learn and know and adore, buck breaks away from tommy's kiss with something close to a genuine sob. one of his hands finds one of tommy's, the other still firm on eddie's waist, keeping both of them close. he's got a leg hitched up over one of eddie's hips for better leverage, and his toes curl when eddie starts to move, shallow and slow.

eddie's name has never sounded better to tommy's ears than it does falling out of buck's lips now.

"buck." eddie's tone is reverent. he says it again, as though buck's name is synonymous with god, the two a singular entity within the confines of his skull.

tommy nearly has to look away from them, they blaze so brightly. evan buckley and eddie diaz, starfire contained in terrestrial form, crashing and combining and dazzlingly white-hot.

───────────────

white-hot aftershocks zap through tommy's nervous system as he sits at the edge of the mattress, back turned to the two other men. his fingers are gooey with spatters of buck's come mixed with his own, his softening dick sensitive and sticky as his entire body pulses from the dopamine spike of his orgasm. being a spectator to eddie and buck's otherworldly connection — and a helping hand in their ridiculously hot, intimate sex — has him feeling triply unmoored.

he's supposed to be getting them something hydrating to drink; he'd been the one to offer after eventually peeling himself free from the gordian knot of their bodies. evan always gets thirsty after, in particular when he gets a little teary from the pleasure overload, so tommy figures he could use a glass of cold water. they all could.

he tries to will his legs to stand; he finds his knees locked. impulse turns him inward and sweeps him cliffside on the tallest peak of his high desert mountain range. there, he can stand with his shoulders in repose and head in the clouds, squinting far into the distance where he can decipher the unmistakable expanse of an ocean that glints with the reflection of two incandescent stars careening towards each other at a devastating rate. a ghostly whale breaches the surface for a flash, a mere speck on the horizon from here, vanished before its presence totally registers.

his heavy eyelids flutter shut and he mulls, achingly, over the term raison d'être.

he can hear buck and eddie behind him exchanging lazy, smacking kisses and sweet murmured praises.

"you made that so good for me, thank you."

"mm, you were pretty fuckin' good yourself. now come kiss me some more."

the sounds and sentiments soak into tommy's soul like they're meant for him. his lips tingle as though the press of another mouth is against them; his ears warm as eddie waxes on about how fucking glorious that all felt. his heart swoops at evan's quiet, bashful laugh.

upon opening his eyes the fog in his line of sight clears, and even through a blur of unwanted tears he can clearly recognize that he is no longer in the desert but in the sacred place where the luminous sea laps at the heavenly shoreline. the call of the waves isn't far off at all — the surf is actually rippling at his toes, splashing at his knees and calves. he's been here since the night that eddie diaz kissed evan buckley in his lap, feet sunken into silt, warm tides rising and falling around him.

translates to 'reason for being.'

"come back to us, tommy," summons eddie, as evan's hands reach out and welcome him back down to their mess of rumpled sheets and sweaty limbs.

tommy thinks, i could be a river, and lets himself melt into the embrace of their current, stream into ocean, copper into nickel.

[earl-grey-crow]

~groovy~

[jusiri]

Worst part of trying to draw Alvin is trying to figure out what an attractive guy looks like

...To be clear this isnt an "Ew guys are ugly" thing this is an 'AroAce deeply confused about what qualifies as generally attractive' thing

[stars-inthe-sky]

Tagged by @sullenaquarian

Last song: "Lisztomania (Classixx Version)" by Phoenix

Last movie: "Saturday Night" on New Year's Eve at home, "Wicked" in a theater the day after Thanksgiving

Currently watching: The new Doctor Who Christmas special. I should really catch up on Abbott Elementary at some point. I don't have the brain power for anything new, though whether that's kid-related exhaustion or because 911 still owning my entire ass (¯\_(ツ)_/¯) is anyone's guess.

Currently reading: ...really just 911 fic

Tagging: @village-skeptic, @hondagirll, @alchemistc

[nobodybetterlookatme]

Debating if I wanna hang out with asshole tomorrow bc I'm just gonna be stuck in my room all day if I don't, but also I'm mad at him and wanna throw hands lmao

[undermostcorgi]

drawing other people's dnd characters based on the image i made of them in my head and NOTHING ELSE because i'm evil