#just one more part

[strangersteddierthings]

What's Eight Plus Seven?

Part One🦇Part Two🦇Part Three🦇Part Four🦇Part Five

Alright y'all. We had the hurt, let's get some comfort started.

-

Steve leans against his door, expecting Eddie to follow him upstairs to continue their argument because Eddie's never been one to back down from an argument as far as Steve can tell, so he's using his weight to keep the door shut. It takes about five minutes of just leaning against the door before he hears a few light knocks on the door. He pretends he didn't hear them and soon starts to hear Eddie monologue-ing on the other side. He thinks he hears a 'sorry' and an 'I fucked up' but he doesn't really tune in until Eddie says something about cancelling Hellfire.

Spinning quickly, he yanks the door open and says, "You better not fucking cancel!"

"What? Don't you, like, want me out of your house?" Eddie looks startled and sounds confused.

"What I want is for the kids to get to play Dungeons and Dorks for an afternoon, just getting to be kids and fight against monsters that can't actually kill them," Steve says as he goes to put his hands on his hips (a move that Robin calls his Bitch Stance) but realizes he can't while still holding a book, so instead he folds his arms across his chest, cradling the book to his body.

He waits for Eddie to call him out for saying dorks instead of dragons, but Eddie just blinks at him, quiet for a moment before he says, "Oh. Uh, okay then. I'll just, uhh, I'll be back closer to noon, then. For the game."

"Don't you have prep to do?" Steve knows he's trying to pick a fight now but he's angry, and sad, and hurt underneath it all. Also, he doesn't understand the change in Eddie suddenly. Ten-ish minutes ago Eddie had shouted back I wasn’t exactly wrong, was I? You were a jock, a bully even! Where is that anger now?

"No. Not, uh, not really," Eddie says, avoiding meeting Steve's gaze, face turning a very light pink. "I was- I mean, yes, there was prep, but I did a majority of that already and what's left will take maybe three minutes so..."

Steve's confused now, still trying to cling to his anger. "But you called and asked if it was okay to come early specifically for that reason."

Eddie doesn't respond right away. He turns around to walk to the wall opposite Steve's door and thump his forehead against it. Steve is perplexed by the behavior (but he's been perplexed by Eddie since finding him at Reefer Rick's) so he just watches in silence as Eddie heaves a sigh and turns around to slump against the wall, facing Steve once again. He runs a hand through his hair, then drags that hand back forward and down his face. "Yeah. I did do that."

"So, what, you lied? Why?"

"I just wanted to hang out," Eddie whispers, like it almost hurts him to say out loud, which is such a weird thing to hear because it makes Eddie seem small in a way Steve's never seen him. Even during spring break Eddie was never small or quiet; his fear manifested as shouting, for fuck's sake. It chips away at the last of Steve's anger. He's long past the days of kicking someone when they're down.

"You... wanted to hang out," Steve repeats before heaving a sigh of his own, long-suffering man that he is. Maybe it is time to bury the hatchet and actual deal with this. If nothing else, it'll result in Steve being less defensive around Eddie when everyone hangs out, like for movie night or BBQs. Also, he knows that Dustin will never let him know another day of peace once he learns that Eddie and Steve don't get along as well as he wants them to so he says, "Listen, I think we've got some shit to hash out, or whatever, so that should probably be done or, like, things are going to be weird when we all hang out, but I can't do that right now, man. So, stay or go, just make that game happen at noon. I'm going to stay up here."

Eddie nods, weirdly sullen and quiet again, as he says, "Yeah. Umm, maybe after the game? If you're feeling up to it."

"Sure. After."

Eddie raps his knuckles against the wall behind him twice before pushing off and heading back towards the stairs. He pauses to look over his shoulder and say, "If you wanna watch, or listen in, or something, I don't think anyone will mind." And then he's heading down the stairs.

Retreating back to his room, Steve tosses the book onto his bed before flopping face first next to it. He groans into his comforter before reaching for the book. He props himself up on his elbows and stares down at the cover before opening it to see Christopher's handwriting on the inside cover.

It's been years since he thought about Christopher and even longer since he's laid eyes on the books. He was so sure his mom had just gotten rid of them. All this time, they'd been right where he left them, shoved just far enough back to be out of sight on the shelf. His last link to Christopher.

That's not true, Steve scolds himself. His cousins, Amber and Robert, are still alive and in Washington. His grandparents still live on that farm in Michigan. Steve just hasn't seen them since the funeral.

He hadn't gone back to the farm the summer after freshman year, or any year since. His parents thought he was old enough to stay home for a whole month in the summer alone now, instead of paying to ship him off to his grandparents. Steve's old enough now to know that was why he'd spent a month every year out on the farm; so his parents could go off on longer work trips. Once they'd decided Steve was old enough to stay alone for the summer, that quickly reached other seasons and by the time Steve was a junior, the were gone more than they were home.

He doesn't even remember when he last spoke to them in person. He thinks the last phone call was right after Starcourt. It was just to make sure Steve got to job hunting, since his place of employment had burned down and the bills wouldn't pay themselves. Which is true. He doesn't have to pay rent, but all the utilities are in his name now.

Jesus, he doesn't want to be thinking about them.

He goes back to the book, flipping through the pages absently. Halfway through the book he finds a couple folded pieces of paper tucked close to the spine. He doesn't have to open them to know exactly what they are.

It's the character sheets he'd made.

He closes the book back atop them and rolls over to face his ceiling. He wants to call Robin, but the phones are downstairs and he doesn't want to go down there just yet. He also kinda wants to cry. To get rid of all these emotions about Christopher, and Freshman First Day, and Eddie.

Fucking Eddie. Who haunts Steve's thoughts more than he'd like because despite the grudge Steve has been holding, Eddie has been fun to be around and so good with the kids, especially Dustin. Fuck, after having watched Dustin break down when they thought he was dead- but he'd had a pulse. It was weak but it was there.

After Eddie'd been cleared of the charges and the months rolled on into summer, they'd spent lots of time together as a group. Steve will admit he tried to avoid Eddie as best he could (he knows he's petty, okay) but could still see how he blended smoothly into their group.

If this Eddie had been the one he met on Freshman First Day, instead of the dick that mocked him, they might very well be friends now.

That's the crux of it all, Steve thinks. That he wouldn't mind being friends with Eddie if not for that bottled up grudge he'd been holding onto. He can't bring himself to let it go and Steve's not even sure why. Thoughts and feelings aren't something Steve processes quickly, and it usually helps to talk it out with Robin. She lets him stumble through his thoughts, and doesn't mock him for messing up, or mixing up, words.

Goddammit, if he's really going to try talking this out with Eddie, he's going to have be open and honest and maybe a little vulnerable and he doesn't know if he can do that.

But he'll have to. For better or worse, he can't just keep Eddie at arms length. They need to either come to the conclusion that they can be friends, or not, and then go from there. (Also, he knows that Dustin will never let him know another day of peace once he learns that Eddie and Steve don't get along as well as he wants them to.)

In the end, Steve's not sure how long he just stares up at the ceiling but a sudden shout breaks him from his trance. It sounded like Dustin. Hellfire must have started.

Steve leaves his room to go lean against the half wall of the hallway, so he could look down to the dining table where everyone has gathered to play. No one notices him, so Steve sinks to the floor and turns, so he can lean against the wall, closes his eyes, and listens in.

The room below is filled with noise. Shouts of excitement, and groans of pain, and sighs of relief. Dustin yells at his dice when it rolls a Nat 1. Mike curses up a storm over a barely missed perception check that makes the party fall into a surprise round. He hears Lucas whoop happily and then what sounds like him taking several victory laps around the table.

He used to be an imaginative kid, able to easily conjure castle, and knights, and dragons in his mind's eye. Listening to Eddie describe a new location, or NPC, or monster makes it easy to bring that part of himself back. Eddie is descriptive and uses so many voices that Steve would be embarrassed to even attempt. But because Eddie is being descriptive, so is everyone else at the table. Erica has adopted an accent of some sort for her character. Dustin and Will go into great detail describing what they want their character to do. The older members of Hellfire do the same, and one of them is using an Irish accent that if he used while talking to Steve, he'd would think it was his first language.

Steve's not sure how long he sat there, long enough that they've taken a snack break and are back at it again, before he decides he might as well watch, too. He gets up and goes downstairs. There's a pause at the table when he wonders in and plops down on the couch. He makes eye contact with Eddie and offers a small half smile. Eddie grins back, and starts back into the game, pulling everyone's focus.

Watching is interesting. He gets to see the Party jab at each other, or lean over and whisper about something. It's nice, to see them being kids. Having fun.

They end around five and Steve is surprised at how quickly five hours had passed.

"So, Steve, how was watching your first DnD game?" Dustin asks, pausing on his way to the door to do so.

Steve considers teasing him, but he goes for honesty instead. "Pretty interesting. It might not be my last time observing. I gotta see you get killed sometime, right?"

"Rude, Steve. Rude," Dustin is grinning though.

"Tell your mom hi for me, and let me know when she's making pork chops again. I'd like to crash that dinner."

Dustin rolls his eyes and shakes his head but he hugs Steve before leaving. Between all the older Hellfire members, they all have rides home that aren't Steve or Eddie.

Speaking of the latter, he's slowly packing things away at the table. Clearly killing time so it won't look like he's intentionally staying after everyone's gone.

Soon, the house is empty again.

"So, I'm not sure... how to start this conversation," Eddie admits to the silence. He's still at the table, standing behind where he was previously sitting, fiddling with a die. "But, I'm sorry. For that day. You were right, you know? When you said I was lashing out at you first."

"Thanks. For the apology," Steve stands from the couch and moves to the table, toying with the tablecloth instead of looking at Eddie. "I, uhh, I'm not sure where to go from here, either? I spent such a long time angry at you. For pointing out all the things I'm bad at in front of everyone there. For making me feel like an idiot."

"I know. I'm sorry."

Now Steve looks up at Eddie. "You say that, but like, why? Are you sorry because what you did was shitty, or because you want to be my friend now?"

Eddie blinks, apparently thrown by Steve's question.

"Because, like, you were pretty dismissive of Lucas before Spring Break and he helped save your life. So, it's like, are you okay with being shitty if the people you hurt aren't people you like? 'Cause I used to be that way, and I'm not going to be friends with someone who is."

"Yeah, no, you're right," Eddie nods. "For all that I scream about conformity, and how stupid it is, I've been rather quick to dismiss everyone outside my own... group. I held rather close to that nerds verses jocks crap for too long. Lucas is a jock, but he's also a nerd, and so very loyal to his friends. And you- you're really fucking awesome."

"I am," Steve interrupts with a cheeky grin.

"Ass. But yeah, you're pretty awesome, and I've been feeling all fucked up today because, we could have been friends, couldn't we? In high school. If I'd just let you take the damn flier and kept my mouth shut."

"Hey, that's not all on you," Steve says. "I would have still joined the basketball team, and the swim team. And, like, I was so desperate for any shred of attention from my parents that I would never have picked Hellfire over sports meetups. I could have joined and still ended up a bully by sophomore year."

"Well, I didn't help-"

"I made those choices, Eddie. And it doesn't matter because it's in the past. So, like, we can just move forward. Start over, or whatever."

Eddie looks him up and down before giving one sharp nod, then breaking out into a wide grin, sticking his hand out for a handshake. "Hi. Name's Eddie Munson."

Steve laughs, reaching out to shake Eddie's hand. "Steve Harrington."

"Great, pleasure to meet you. Do you wanna hang out? We can play 20 questions. Get to know each other."

"Sure," Steve chuckles, extracting his hand from Eddie's. "Let me order some pizza first."

First time hanging out with Eddie alone. Guess they'll find out if they can be friends after all.

[hinamie]

10 years later

[inkskinned]

because sometimes there are invisible tests and invisible rules and you're just supposed to ... know the rule. someone you thought of as a friend asks you for book recommendations, so you give her a list of like 30 books, each with a brief blurb and why you like it. later, you find out she screenshotted the list and send it out to a group chat with the note: what an absolute freak can you believe this. you saw the responses: emojis where people are rolling over laughing. too much and obsessive and actually kind of creepy in the comments. you thought you'd been doing the right thing. she'd asked, right? an invisible rule: this is what happens when you get too excited.

you aren't supposed to laugh at your own jokes, so you don't, but then you're too serious. you're not supposed to be too loud, but then people say you're too quiet. you aren't supposed to get passionate about things, but then you're shy, boring. you aren't supposed to talk too much, but then people are mad when you're not good at replying.

you fold yourself into a prettier paper crane. since you never know what is "selfish" and what is "charity," you give yourself over, fully. you'd rather be empty and over-generous - you'd rather eat your own boundaries than have even one person believe that you're mean. since you don't know what the thing is that will make them hate you, you simply scrub yourself clean of any form of roughness. if you are perfect and smiling and funny, they can love you. if you are always there for them and never admit what's happening and never mention your past and never make them uncomfortable - you can make up for it. you can earn it.

don't fuck up. they're all testing you, always. they're tolerating you. whatever secret club happened, over a summer somewhere - during some activity you didn't get to attend - everyone else just... figured it out. like they got some kind of award or examination that allowed them to know how-to-be-normal. how to fit. and for the rest of your life, you've been playing catch-up. you've been trying to prove that - haha! you get it! that the joke they're telling, the people they are, the manual they got- yeah, you've totally read it.

if you can just divide yourself in two - the lovable one, and the one that is you - you can do this. you can walk the line. they can laugh and accept you. if you are always-balanced, never burdensome, a delight to have in class, champagne and glittering and never gawky or florescent or god-forbid cringe: you can get away with it.

you stare at your therapist, whom you can make jokes with, and who laughs at your jokes, because you are so fucking good at people-pleasing. you smile at her, and she asks you how you're doing, and you automatically say i'm good, thanks, how are you? while the answer swims somewhere in your little lizard brain:

how long have you been doing this now? mastering the art of your body and mind like you're piloting a puppet. has it worked? what do you mean that all you feel is... just exhausted. pick yourself up, the tightrope has no net. after all, you're cheating, somehow, but nobody seems to know you actually flunked the test. it's working!

aren't you happy yet?

[ghost-bxrd]

Prompt:

Brucie Wayne gets into a mild accident in public (read-got hit by a car). And Batman would just walk it off (“it’s barely a bruise”), but Brucie obviously… can’t.

So he has to suffer the ordeal of having civilians call paramedics, getting fussed over, and having-

Having his dead son get into the back of the ambulance with him.

Oh- oh no. He must have hit his head worse than he thought. He thought he was past this…

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[gatoburr0]

I HATE how this turned out WITH A PASSION.

[theoldkyokodied]

The Allegiance of the Ascended Vampire and the New God of Magic

[egophiliac]

he did it! 🐍 and it only took...uhhh...well, there probably could've been less punches, but why hold back!

PUNCHES FOR EVERYONE

[mythicalcoolkid]

You don't wish your disability was worse or more visible, you wish your disability was taken seriously. Please stop confusing the two, I guarantee you would not get the support you need JUST by being more severe or more visible. Please listen to visibly disabled people when we tell you it isn't better on our side

[wtfforged]

my campaign hiatus has gone on for too long so to cope ive combined my interests at their maximum potency and had some dnd-strawhats thoughts

thoughts in depth under read more... :)!

this is SO self indulgent. their designs literally did not change. but i am a firm believer that dnd doesnt have to be european high fantasy. and also one piece literally IS fantasy. no changes are necessary to fit into dnd. ive already imagined plenty of campaign/oneshot ideas inspired by one piece. so this was basically just an exercise of trying to replicate their canon abilities in dnd 5e as much as possible without totally homebrewing everything. well. aside from luffy. you just cant take away or change his stretching.

LUFFY: (human monk. drunken master subclass. outlander)

the only plain human of the crew to balance out with the fact that he still has rubber powers. obviously a monk. but drunken master subclass specifically because i think the flavor(not the fact that its about being a drunkard) and abilities both fit him really well. this line in the subclass' flavortext especially fits him: "A drunken master often enjoys playing the fool to bring gladness to the despondent or to demonstrate humility to the arrogant, but when battle is joined, the drunken master can be a maddening, masterful foe."

ZORO: (tiefling fighter. samurai subclass. bounty hunter)

a fighter with the samurai subclass is so very incredibly obvious... but i actually had a lot of fun geeking out while comparing the abilities to what he can do in canon; Fighting Spirit, Rapid Strike, and Strength Before Death especially! tiefling is also pretty on the nose for his demon pirate hunter shtick and asura form, but i thought he'd be really human-passing for a tiefling and theorized about his tail getting cut off at some point or another before joining the strawhats. initially wasnt gonna give him a feat, but i gave sanji a feat so i thought itd be unfair to not give him one as well, so sentinel fits the bill pretty well i think!

NAMI: (tabaxi rogue. arcane trickster subclass. criminal)

cat burglar -> full grown literal humanoid cat. this one is INCREDIBLY self indulgent... i love... cats... theres nothing deeper to this and no other reasoning. i took cat burglar and ran with it. can you tell that i love izutsumi dungeon meshi? rogue for the aforementioned burglar-ing as well, and the arcane trickster subclass for when she picks up climatact! the mage hand will be very useful for her pickpocketing. in the future as she levels up with timeskip, i can totally see her multiclassing into wizard as well! weather wizard!

USOPP: (lightfoot halfling artificer. artillerist subclass. urchin)

I HAD SO MUCH FUN THINKING ABOUT HIS CHARACTER SHEET. halfling's Naturally Stealthy ability lets him hide behind his crewmates since theyre (almost) all bigger than him, so its perfect for hiding behind zoro or sanji all the time. Lucky is also perfect for him, and I think Brave fits pretty well too when he puts on the sogeking mask. artillerist artificer is also very fun! tinkering and making magic items for his crew, and i think Eldritch Canon or Arcane Firearm could both be easily reflavored as kabuto or any of his inventions. for emphasizing his sniper-ness, the spell sniper feat was also necessary. i think hes my favorite of all the concepts. big ears and long nose combo is so cute to me.

SANJI: (half-elf monk. drunken master subclass. guild artisan (cook!))

race was mostly based on vibes i wont lie. squints. and that vinsmoke balogna or whatever too ig. but mostly vibes. along with the idea that i think a dwarf zeff raising him would be really funny and cute. monk is also obvious, and same subclass as luffy for mostly the same reasons. though the flavor fits him much less, i think the abilities still fit him perfectly, and this blurb specifically; "Your martial arts technique mixes combat training with the precision of a dancer." i really wanted to give him a different subclass from luffy, but i dislike all the other monk subclasses a lot and i found none of them fit him as well anyways, so to try and give them SOME differences, i gave him the crusher feat.

CHOPPER: (awakened deer(shifter statblock) cleric. life subclass. hermit)

this ones definitely a mouthful im sorry. awakened deer for obvious reasons, but due to magic instead of devil fruit stuff. when i was struggling with his race, i looked a lot at shifter because of his forms, but it occurred to me that itd be super cool if he could shift between all of the different shifter options instead of being stuck with just one to replicate his rumble balls. something like heavy point/guard point=beasthide, horn point/arm point(?maybe?)=longtooth, walk point/jumping point=swiftstride, and brain point=wildhunt. hed definitely need some kind of nerf though to balance out that homebrew... and cleric for class. duh.

ROBIN: (high elf wizard. order of scribes subclass. criminal)

robin is definitely the one i struggled the most with just because of her class. elf came pretty easily- shes very elegant and i think shed look cute with super long ears- and i landed on high elf instead of wood elf for the int-based abilities. i was really on the fence between sorcerer and wizard for her because i knew shed be a full spellcaster, but i didnt feel that any of the subclasses really fit her. i ended up going with wizard for order of the scribes since it focuses on texts and knowing everything. but also because robin with a flying talking sentient book would be crazy cool. it could also be similar to how she spawns mouths and eyes places to talk to or watch people. my "fuck it, why not. this would be rad. its my house" mindset kicked in with her i will admit. also the One with the Word ability made me cackle out loud when i read it. thats the funniest ability ever. anyways, i cant really think of a way to replicate her powers, but maybe we could just reflavor a bunch of spells to be her limbs or clutch; hold person, maximillian's earthen grasp, or evard's black tentacles. thatd probably work okay, and theres a handful of spells to replicate her ability to spawn eyes or mouths. unrelated, but i imagine nico olvia to be a drow. why? her hair is white. i am a simple man!

[coddda]

I wish we could have met in some other way.

Lawlight Week Day 2: Soulmates

If you saw me repost and re-edit this several times uh No you didn't </3

Still frames/Individual gifs:

If you know what every frame is from you get a free cookie. by the way

[chloesimaginationthings]

If Vanny is in the digital circus.. where’s Pomni?

[hinamie]

I don't want to regret the way I lived

[griffinkid]

I've seen "I don't know how to play with toys anymore" a few times lately and just wanted to point out-

Playing with toys looks different for everyone, even actual children!

Playing with toys can look like: 🧸🪁🚂

Taking pictures of your toys and writing captions for them

Brushing or grooming soft toys or toys with rooted hair

Ordering or sorting your toys by colour/species etc

Making up stories, poems or comics about your toys

Dressing or accessorising your toys

Imagining your toys talking to you or each other, forming opinions of their own, etc

Drawing your toys

Taking your toys for a walk outside, even in a backpack or pocket if you don't want to carry them openly

Making lists of the toys you have and where you got them etc

Feel free to add your own ideas

[umblrspectrum]

part 4 of a lot funnier in my head than on paper

[themetalhiro]

Its almost too easy.