#just me being a clown

[bookshelfpassageway]

yknow i dont go here but sometimes i gotta go: seriously respect clowns. they have the worst pop culture representation in the world and also the best most thorough honor code. they're just here to be silly little guys who bring joy and are very conscientious about doing so responsibly. let them to their merriment in peace you dont hafta take potshots. i dont go here but like maybe i should, you all seem super chill

[beif0ngs]

everyone on tumblr @Buggy the 🤡 right now 

[heartorbit]

happy halloween! 🎃🐈‍⬛👻🐇

[bixels]

tarpit site.

[poorly-drawn-mdzs]

The Quest Continues...

(part 1- part 2)

[faunandfloraas]

[dragon-spaghetti]

The Overlord of Lust ❤️

(Please click for better quality!!)

[gomzdrawfr]

Simon "Just a Dude" Riley™

[piowasthere]

i swear i hate Reed, Davis, Kat- every single one of them- what is this acting bro???

bro's acting sounds more convincing than me having a genuine break-down fr- like how do u even do that???????????????

they do this every. single. time. i swear- who allowed them to do that to me- who i ask- /pos

[EP: Moon's BREAKING POINT in VRChat (SAMS)]

[kacievvbbbb]

You do get the sense that the fallout of Roger's death and the Roger pirates disbanding not so much traumatized Buggy and Shanks indifferent ways but instead generated such drastically different reactions to the trauma.

While the trauma of everything seemed to push Shanks into the future, always constantly waiting for something, putting plans on hold and then later in place, for this great moment, this great coming that he sees on the Horizon. For Buggy it rooted him firmly in the past keeping him trapped in this grief masquerading as anger.

While Roger's death forced Shanks to grow up fast, it kind of arrested Buggy's development keeping him stuck in those same feelings, rooted int that same place.

You get the sense that Buggy's whole east blue schtick is just one long overdue rebellious phase one big fuck you to Roger and his ideals. He's rebelling against Roger's principles. One of their rules was don't steal from innocent people and Buggy was keeping a whole town in poverty. If Roger and Luffy's pirating styles are diametrically opposed to someone like Blackbeard, who might be the most literal pirate in the entire series, then buggy is the parody of that Blackbeard piratism. He is playing up cruelty, being the most piratey pirate possible, hell he's literally a clown on a stage. It's all a show! It's his own special way of trying to "get back at Roger" of trying to discard everything Roger taught him for this overacted, over exaggerated clownish cruelty. Mentally he never left that execution square. He is still 15, alone and scared.

Hell he literally never left either, while I'm pretty sure Shanks' booked it out of the east blue as fast as he could, Buggy never lef, might have never left, if not for Luffy. It's part of why Luffy bothers him so much, he's just like Roger everything that Buggy is trying hard to forget and here comes this kid, whose never even met the Captain but is wearing his hat, shoving it right back in his face.

It makes sense that he never leaves the east blue till Luffy literally forces him out of it (fucking with Luffy gets him captured and imprisoned) and it makes sense that it's Luffy that literally breaks him out of prison, literally sets him free, and on the path to greatness that maybe he was always meant to achieve (even if he trips his way into it). This boy that is tragically so much like his old captain but so beautifully unabashedly himself, is what Buggy needs to start letting go off the past, to start trying to move forward.

Maybe that's why Buggy, at what could arguably be described as his lowest moment, gets the strength to free himself from his own self imprisonment, realizing that even back then he was locking himself away and pinning his own dreams on Shanks. And, maybe for the first time ever, Buggy really own his dream. He declares to his tormentors and his crew and the entire world that; actually He wants to find the one piece, him, as captain of his own crew, this crew, not just a part of someone else's. That's his dream and he's willing to turn the world upside down to do it.

[uncanny-tranny]

Whenever people who are entrenched in diet culture talk about how terrible chemicals are, I just want to whip out this:

[elsecrytt]

masochist gojo. gojo who's in love with pain, so much that it feels like pleasure, he can barely distinguish between the two anymore.

gojo who's so starved for touch. who's had an infinite space between himself and the whole world for so long, for so many years, every day in and day out.

gojo who's survived off glancing presses when a barista hands him a coffee, the rare hug from his students (who are mostly orphans) that he can't bring himself to decline.

gojo who craves more but can't bring himself to accept it except in fleeting moments with strangers or students.

his hands that long to be held. he wants it so bad that he teases a cursed spirit, laces his fingers with its own, right before he utterly crushes the being in battle, untouchable all over again.

gojo whose skin is hungry for someone else's. he hasn't felt the warmth of a hand in his own in so long. not since - since his youth.

gojo who sometimes wishes he could get hit. who sees the impact of curse techniques on his infinity and feels a wild, strange desire for them to go straight through and strike him.

he imagines it, vividly, being impaled by a long spear (inverted spear) that goes straight through him. how it would lance his flesh so cleanly.

being struck so hard, across the face, in the stomach, enough to knock the wind out of him.

enough to feel it with his whole body.

gojo who wants to be touched so bad he doesn't even care if it hurts anymore. infinity couldn't protect him from geto's betrayal.

gojo who keeps infinity up not because he doesn't want to get hit, but because he's terrified of what he might do when it happens.

gojo who got hard whenever geto sparred with him. he still doesn't know if it was because of geto, or because he had no infinity back then, no way to block the strikes.

he dreams of his youth. bruises littering his pale, pretty form like kisses, proof that he was human, there, that there was someone who could reach him.

dark purple things that turned pretty colors as they healed. he remembers pressing into them, relishing the hurt, feeling like he was getting hit (touched, reached, connected) all over again.

nothing ever touches him again. not like that. not like anything.

he never feels it. he never feels anything.

satoru gojo who wants, so very very badly, to feel something.

pain is a choice for him, always a choice. he alone has the privilege of deciding whether or not anything can touch him.

he could try to let more strangers touch him. one night stands, discreet arrangements. he had a pretty face and a body to match. there was no shortage of willing partners.

he lets them touch him, lets them hurt him. lets them drool over his body and use it at their leisure. they tell him he's beautiful, and he believes them.

white hair, blue eyes, sprawled out with a lean, unmarred body full of bare flesh for them to bite and scratch and bruise. he finds people who will do it, do it hard, fuck him up until he's lost entirely in the feeling of being touched, having someone against him, with him, above him.

it makes him feel like a piece of meat. it makes him feel good.

or he thinks it does, anyways.

sometimes, when he's gone particularly long without sleep, when his partner has gone particularly hard, he gets a real rush.

heart racing out of his chest. a cold sweat that overwhelms him. breaths coming in labored gasps. he can heal himself, he's physically fine, so this must all be in his head.

he acknowledges that information, distantly, like it's not happening to him. it doesn't help.

it feels like part of his body has been ripped away from him, something vital and important, and it's about to get up and run away.

always, always, it happens when his partner is no longer touching him. when he lays alone in the sheets, by his own volition, because of course these partners are not meant to be attachments.

love is not a privilege, though, not for the strongest sorcerer. it's a curse.

it's the only curse which infinity cannot protect him from.

so gojo stays untouchable. distant.

but the hunger doesn't go away. never.

he likes to imagine that suguru swallowed this one last curse before he died. something sweet and bitter, like losses at the arcade, sunny days at the beach, walking together with shoko, nanami, haibara.

but even suguru couldn't have absorbed this curse. it's in his bones, deep, longing and wanting even after he's dead and gone.

gojo is hungry. he is so, so hungry. and he has nothing to eat that will not leave him just as empty as before.

touch-starved. love-starved. pain-craving.

if someone could hurt him then it wouldn't matter that he was terrified of attachment. they could latch onto him, into his heart, under his skin. bury themselves in his chest like they belonged.

they could kill a hundred and twelve people and it wouldn't matter, because he wouldn't be able to kill them.

gojo is hungry, so hungry.

please feed him.

[tumblingxelian]

A Necessary Post - Yang, Taiyang & Seeing Red

I debated this being a message or a note or a reblog, but ultimately this warranted an essay. Because a hatred of nuance is not even remotely the reason why Tai is critiqued as a teacher or father.

With that fact in mind, let's begin:

During RWBY Volume 4, Episode 9: Two Steps Forward, Two Steps Back Taiyang has a great deal of critical feedback for Yang regarding her fighting style, personality & Semblance.

The issue is that Tai's words and advice when compared to what we saw on screen before & afterwards demonstrate he does not understand how it works or how she used it.

So here for your reading pleasure if a more or less line by line breakdown of Tai's advice and why I don't feel it holds up & more to the point, why I don't believe Yang utilized it.

Taiyang: Do you realize that you used your Semblance to win every fight after the qualifiers?

Yang rightfully points out that her using Burn is no different than anyone else using their Semblances. I would add that Yang's Semblance only serves to enhance her already present abilities with damage taken in a fight. So her not using it would be stupidly holding back extra energy for no reason.

Tai's critique also fails to register that when using her Semblance to take out FNKI, Yang specifically disrupted the ground so Neon could not skate effectively & used the boost in power to turn Flynt's own weapon against him.

I will be addressing Mercury further down but she used it effectively and intellectually here and to great effect.

What's more, every other fights fighting style, weapons or both were literally built around their Semblances. Yang's threat level remains fairly consistent without her Semblance, all three of these other characters take a huge dip.

Taiyang: Because not everyone else's is basically a temper tantrum.

Ignoring that calling the manifestation of Yang's soul a temper tantrum is another in a long line if dickish things Tai says to Yang. Her Semblance literally does not work that way.

Her anger has jack and shit to do with it, this has been explained & demonstrated time and time again. Yang only gets a power boost when she's been injured, the fact she tends to be angry when using it is because being hurt sucks and she's usually in an intense fight. When the fight is going well and she still gets to use it she's not angry, as seen with a pleased smirk here:

So as before, Tai's critique is bereft of any merit, Yang's Semblance does not work that way.

Taiyang: I'm serious! Once you take damage, you can dish it back twice as hard, but that doesn't make you invincible!

Cite a time Yang thought she was invincible, cite it provably that Yang thought, said or indicated that she felt she was invincible. You can't because Yang never indicated as such this is something Tai is assuming about her at best.

& no her jumping in the Nevermore's mouth is not an example because she was not using her Semblance, did not take damage, it was a very effective strategy & seemingly either part of the plan, or was so easily understood that it could be safely and reliably worked into the plan. She wasn't using her Semblance here but finding evidence of risky behavior was hard, especially with her Semblance, go figure.

In fact every time Yang used her Semblance she did so only because someone landed a blow, which just happens in fights sometimes.

Taiyang: It's great when you're in a bind, but what happens if you miss? What happens if they're stronger? What then? Now you're just weak and tired!

We know what happens when Yang misses, she can swing again!

After the first blow on the Paladin she missed & needed help to catch it, her missing had zero impact on her Semblances.

As to what happens if they are stronger, um, she loses, that sometimes happens in fights. Its not something Yang can do anything about by holding back on extra strength. Not to quote Qrow but sometimes bad things happen. Other characters losing to stronger opponents don't get given this kind of diatribe's because its pointedly obvious that there was nothing to be done about it.

& on the final piece, she was very pointedly not weak and tired after using it. The only times she has been shown to be is when she was extremely low on Aura regardless in which cases not using her Semblance is a death sentence.

So again, we've established Tai's critique comes from nowhere & his understanding of her Semblance is nonexistent.

Taiyang: But you gotta keep your emotions in check. Keep a level head, and think before you act. Your Semblance is a great fallback, but you can't let yourself rely on it.

This is so painfully unfair it hurts.

No other character gets this kind of shit for expressing emotions in combat. In fact we see characters expressing emotions in battle all the time. Nor has she stopped displaying emotions in combat:

I already outlined how in all two of the Yang fights Tai actually witnessed she used strategy and retained excellent combat form. So again, baseless claims from Tai.

What's more, Yang primarily does use her Semblance as a fallback rather than rely on it in these fights. She only whipped it out against Mercury when he'd unleashed his seeming kill move on her and was confident he'd won.

Not using it here would be dumb and make no sense.

Yang doesn't rely on it to save her, she deploys it when it makes sense to & she has the energy or the need. This is more than we see from many characters.

Taiyang: It won't always save you. Obviously.

So now he is critiquing her for a fight he didn't even witness & knows jack shit about. So let's break this down once again:

Yang has spent the last 24 hours questions her sanity.

Yang's new home (Her words) is burning down.

Yang's sister is missing in all this chaos.

Then Yang's partner gets fucking stabbed, and the guy who did it is standing between them with a sword & gun, with fire all over Grimm all around.

Anything Yang can do he can counter, she tries to go around he only has to pivot. If she tries to fire from long range she might hit Blake. She tries an earth shock wave, she launches Blake into the fire.

She quite literally had no others options & zero time to try anything else because he can just shoot or stab Blake whenever he wants.

Taiyang: You definitely have your mom's stubbornness.

This, this right here is where all this is actually coming from. Tai is once again projecting Raven onto Yang despite them frankly having almost nothing in common.

With most of Yang's visible personality tells being inherited from Summer, such as the mother daughter shoulder check of V9. Thanks to chittychittyyangyang for the GIFs

Or as outlined in some songs with Yang's side of the lyrics explicitly citing how she is trying to fill the Summer shaped void in their lives.

Like the smell of a rose on a summer's day, I will be there to take all your fears away.

Taiyang: Your mother was... a complicated woman. Like everybody, she had her faults, but those faults are what tore our team apart. And, it did a real number on our family.

Tai blames Raven for tearing their team apart. Save that by all accounts, barring her absence things seemed to be going fine. Qrow seemed to be present in their lives, Tai looked happy, the girls were happy & Summer at least seemed happy though we know she was covering up a lot of dread.

Keep in mind Tai is projecting Raven, the woman he blames for destroying the team and damaging the family onto his daughter who literally kept the family together after Summer died. Yang's established this, Ruby has established this, its canon.

Yang: I had to pick up the pieces. I had to keep things together. Alone. (pause) Weiss, if you have something to say, then say it. Ruby: If you thought we wouldn’t come for you, then you must’ve forgotten who raised me.

Tai was not the one holding that home or family together. Unless you think the writers are gonna randomly swerve & say both Yang & Ruby are big whiny liars for some utterly nonsensical reasons. So no, I don't take him seriously as a narrator or critique of Yang, I have no reason to.

But let's push on, because I'm not done.

Taiyang: You both act like the easiest way to tackle an obstacle is through it. (pointing at Zwei) That strength is all that matters in a fight.

Ah yes, Raven, the woman famously known for thinking the easiest way to deal with an obstacles is to tackle it head on. That's why she spent years adorning herself in a Grimm helmet that hid her eyes & raised a False Maiden to serve as her body double.

A woman so inclined to rely on her own raw strength that when she was ambushed by Salem's forces she decided to trick them into an ambush.

Then when fighting Cinder and was at a disadvantage she freezes her in place while making Cinder think she is going on the offensive leaving her to be crushed by Stalactites & also utilized mind games to distract her & deal the finishing blow... Cos she only relies on strength.

As to his final piece of advice I already address it up above, there was no way around Adam, the situation was fucked from the start.

Saying it was Yang's fault she was dismembered is no more than victim blaming, I stood by that in Volume 3 to to this day & beyond.

Taiyang: But if you just take a second look, then maybe you see... (walking toward her, stepping around Zwei) there's a way around as well.

But let's actually look at Seeing Red & if Yang listened to Tai's advice or if she not only ignored it but did the opposite of what he ordered.

Let's see she goes in with open aggression & emotions, and also takes many blows rather than going 'around' them somehow.

Yang, as if she were 'indestructible' outright tanks a massively charged up Aura beam for the purpose of increasing her strength.

Then burns through all of her Aura & Semblance energies delivering one direct blow, relying on it to save her & leaving her weak & tired.

Or in other words, she:

Yang didn't miss, but we know that isn't a real issue anyway.

Yang used her Semblance to 'win' the fight & very much did rely on it to save her.

Yang expressed anger & many other emotions in the battle & still continues to does so.

Yang willingly took huge risks that involved her being able to take tons of damage rather than go "Around" the problem.

Yang knew Adam was likely stronger given it was 2 V1 but relied on her Semblance to get her out of that bind and she was in fact left weak and tired.

This is also the first time she has done several of these things, or otherwise demonstrated these traits, such as being left weak and tired or willingly tanking big attacks rather than just being hit by surprise or due to being overwhelmed.

I don't take Tai's advice seriously because none of it was accurate or aligned with the Semblance we saw in action or had described to us.

I don't trust Tai's opinion on Yang because his take on her is explicitly informed by Raven & not the Yang we spent four & then five more volumes getting to know.

I don't take Tai's words over Yang's, Ruby's or what we see on screen because Tai is at best a secondary or minor character & a recurring theme in RWBY is the failure of older generations.

These failures are not just in the past but how they have been consistently failing the next generation as the story is being told. There is zero reason to think Tai is some magic exception to this narrative trend when much more well explored characters like Maria, Qrow, Ozpin, Ironwood, Raven, and hell, Summer Rose are not.

& that is my stance on that, thanks for tuning in!

[actuallyjustabiscuit]

You know, you’ve been a good…friend to me.

Friend! I like the sound of that.

Ever since @endomentendo finalized Ragatha’s role in their Digital Wonderland AU I’ve been dying to do a redraw of one of my favorite pages from the graphic novel Wonderland by Tommy Kovac using these characters!

I love love LOVE Ragatha as Mary Ann!

[poorly-drawn-mdzs]

He dies if you don't pay attention to him, its a very urgent situation for an uncle to attend to.

[First] Prev <–-> Next

[logicpng]

studying the brand new raptor hand harlequin

feat. Caroline from the excellent re:curse. yes this is yet another re:curse propaganda post if you like digital clowns you should play it go go go