#just apply! there are so many positions! you don't need a lot of experience! you would love it!

[3hks]

Writing Character CHANGE

Character development is absolutely CRUCIAL to a story, but having spent more time thinking about this topic, I came to the realization that I misunderstood a lot of points other people have made when teaching how to write character development.

There are a lot of factors that play into character development, but in this post, I'll cover some overall, but the main thing concerns any change to your character! (Which is also a huge part in development, really.)

So with this post, I'll be teaching you MY personal tips regarding this subject!

*The Basics*

Before we really get into the developmental stage, there are some things you want to establish, in which I'll explain later!

A couple of flaws.

How your character views themselves at first.

Your character's morals/ideals and how they think.

These things may vary, but you want your readers to be able to at least roughly predict how your character will act during specific events!

*Change*

Character development is just about how your character changes throughout the story. I like to say that there are several different ways one may change, (we'll get into that later on) but your character should NOT stay the same as the same person during the exposition and during the resolution!

"During character development, your character should grow."

This is a common piece of advice; your character needs to grow. And while I've assumed for the longest time that I understood what it meant, it never truly clicked.

While they will use words such as grow, what they really mean is that your character should mature. By the end of your story, your character may not always end up as a better person. When I say mature, I mean that they have reflected back on their life and have understood the consequences that came with their actions (if any) or how they could've done things differently.

Your character will not always end up as a better, fixed person, but they should understand their world and themselves better.

*Negative/Passive Change*

Alright then, so how does a character develop if they don't necessarily change for the better? Well, I'll get into that!

No matter what, your character should have learned a lesson through their experience. Even if they haven't exactly improved as a person, there should be a moral they can learn from what they have gone through.

If not, then did they really grow?

Additionally, how did their qualities negatively impact themselves? If they are bad traits, then it needs to be clear. And the best way to achieve this is by demonstrating how it hurts your character! However, it is rather uncommon for a character to undergo little to no change after a story!

*Positive Change*

Let's circle back to the basics, real quick. Remember how I said that before any development takes place, your character should be anything but perfect? That same thing applies to after the change.

Do NOT create a flawless character by the end of your story. Instead, focus on one or two flaws that get fixed as the story continues. These don't have to be huge, life-changing imperfections, but they can be minor ones that still shape their life in one way or another.

"Fixing" too many shortcomings can make your character seem, well, out of character, producing a character development that's more forced. The same thing applies if you're attempting to FULLY alter a fault that's just too big. The change will be too noticeable.

What am I talking about? Here's an example!

Imagine a character who's incredibly closed off to other people, wanting to ensure that he never gets too close to others.

That's a pretty sizable flaw, no? By the end of your story, you do not want to completely change because you need to preserve character, but you can change it a bit. Does he have a few friends now? Does he understand that there are some people worth trusting?

He may still be closed off to majority of people, but at least it's not everyone, and that's a realistic change.

*Different Changes*

As I continue to read more stories and watch more shows, I have realized that character development is not always about fixing flaws or personality, but it can extend far past that line.

So listen up, because I feel like no one really talks about this.

Your character can change their IDEALS, MORALS, and how they VIEW THEMSELVES.

Hear that? If your character has strong morals, they will hardly stay the same as they reach the end. Remember the requirements I mentioned at the beginning?

See how it connects now? There is SO much more to character development than changing a few imperfections. Like I said in the start, your character needs to grow and mature. Things like new morals or ideals assist with that!

*SUMMARY*

In order to start character development, you need a couple of flaws, an idea of how your character looks at themselves, and their morals. This is because those are the main parts of you character that may change through time.

Growth = Maturing (gaining a better sense of who they are and the world they live in.)

NOT ALL CHARACTER DEVELOPMENT IS POSITIVE!

For negative or passive change, make sure to clarify how their imperfections affected or hurt them and have some sort of moral that follows.

YOUR CHARACTER SHOULD NOT BE PERFECT!

They should not be perfect in the beginning, and not perfect in the end! Do not 'fix' too many traits because you want to preserve character.

I think that's all! It's quite the post for something so simple, eh? But hey, character development is absolutely PIVOTAL to a story so I hope I at least explained the 'change' part of that well!

Happy writing~

3hks <3

[astrosamara]

Moon Sign Observations

Observations from a Pisces Moon :) All these opinions come from my own personal experiences with the different moon signs, so it might not apply to everyone. Various aspects to the moon and house placement can also change interpretation and expression of that moon sign.

Aries ☾

They hate wasting time. When they make their mind up on something, they don't like to sit around and contemplate on it, they want to go after it right away. Super action oriented. I love being around Aries moon's, even if our energy levels can be quite incompatible. I've also seen so many Aries moons that stand up against bullying and root for the underdogs. They can be great in leadership positions. Even with their competitive nature, I feel like they're the moon signs who want to see everyone win, especially the people that they love.

Taurus ☾

I haven't met many Taurus moon's, the one's I have met though always seem to be super big on luxury items and comfort. They can live beyond their means sometimes because they just want to have the best of the best. I've noticed this more frequently in younger Taurus moons though. Very beautiful people who seem to always look good without trying hard and can have a very strong interest in beauty and fashion. They can also be SUPER stubborn over their opinions and can be pretty closed off to hearing what other people have to say.

Gemini ☾

Deeply fascinating minds. It's hard to pin Gemini moons down and they tend to live a double life. You can think you're really close to a Gemini moon, but there can be so much about them you still don't know. Excellent communicators that tend to be lighthearted and funny in conversations. They think deeply about life and I know many Gemini moon's that are insomniacs because they have a hard time shutting down their busy minds. They also tend to have a wide variety of interests and are incredibly smart in any area they apply themselves in. Incredibly analytical and perceptive.

Cancer ☾

I feel like I've met more Cancer moons than any other moon sign. They just appear to be everywhere in my life lol. Very caring and sensitive people. A lot of them wear their heart on their sleeves. They tend to be the mother friend of their friend groups and this sensitive energy can often be taken advantage of by people who only want to use them as their therapist. I've also noticed many people tend to baby Cancer moons and don't hold them accountable for some of their more toxic behaviors. They also have an energy about them that makes people feel safe and comfortable around them almost instantly. Strangers will just start telling them their life story and want to open up to them.

Leo ☾

Leo moons are LOUD, especially when they're comfortable. They also tend to have a very lively and radiant aura to them. Unfortunately, I know a lot of Leo moons that can be a little too self involved to the point that they're uninterested in the people around them. They love having attention on themselves and can become upset if they feel like they don't have that attention. They like to put on a show with their emotions and express themselves in a theatrical manner. I wish I had more positive experiences with Leo placements in general, but I haven't tbh. I will say though that I love how open and expressive they are with their love towards others. Rarely are they emotionally cold and distant, which is refreshing to be around.

Virgo ☾

HUGE worriers. Feeling like they need to be perfect in order to be accepted by themselves and by others. Can stress themselves out to the point of sickness. Underdeveloped Virgo placements in general tend to have very fragile egos and crave external validation to an unhealthy extent. They can struggle with intrinsic motivation, because they don't see the point of doing something unless they're rewarded or praised. I haven't met very many Virgo moons in my life, mostly Virgo suns, but I feel like this would be one of the more challenging moon placements to have. Frequent overthinking and anxiety, similar to that of a Gemini moon. I feel like Virgo's are much more hard on themselves though than Gemini's.

Libra ☾

Super charming and flirty people. They crave beauty, peace, and harmony in their lives. They tend to have a natural way with people and can have many friends throughout their lives. Libra moons are just very friendly and polite people overall. I've found that Libra tends to be more happy in the moon than in the sun, which is why Libra moons can have stronger positive Libra qualities. Similar to Taurus moons, they tend to be very beautiful people with a strong interest in beauty and fashion. Unlike Taurus moons though, Libra moons have a strong disinterest in conflict and fighting. Due to their strong desire to keep the peace, they can probably easily fall into habits of people pleasing and not speaking up for themselves.

Scorpio ☾

I'm in love with Scorpio moons. Incredibly emotionally intelligent and aware individuals. They go through a lot of dark shit in their lives, but they really know how to grow from their pain and transform with it. I've never met a Scorpio moon that didn't have this intense and magnetic presence to them. I've found them to be much more intense than Scorpio suns (being one myself) because this tends to be a really challenging moon placement to have. They have a very dark and deep inner world and they grow accustomed to carrying a lot of pain with them in their daily lives. There's also a very painful and strong desire for intimacy and to feel deeply understood that could stem from a difficult childhood. They have a strong disinterest in superficiality and their intuition guides them heavily throughout their life. If you meet a Scorpio moon that is emotionally healthy and healed, they probably went through hell to get to that place of contentment in their life.

Sagittarius ☾

Super funny people. Being a Jupiter ruled moon sign, they have very expansive and limitless minds, which they have in common with Pisces moons. Freedom to express themselves and their individuality is super important for them. Usually a very strong connection to spirituality and a strong interest in learning about other cultures through traveling. I've found that with many Sagittarius moons, people really want to listen to them and hear what they have to say. People see them as a wise guru. They also have a tendency to struggle with commitment and being tied down to anything or anyone (I've found this to be more true for people with heavy mutable energy in their charts overall).

Capricorn ☾

I've rarely met a Capricorn moon that I didn't like. Very loving people that like to take care of the people closest to them. They can struggle pretty intensely, especially younger people with this placement, with a fear of failure and never reaching their full potential. They can have this innate sense of responsibility and structure as a connection to their emotional fulfillment. Capricorn isn't happy in this moon sign, so emotions can be quite challenging for them to navigate. Even though they don't like expressing their emotions openly, when they do, they can express it in a very beautiful and poetic way. There's a lot of singers with this moon placement that have songs with deeply emotional and impactful lyrics.

Aquarius ☾

Aquarius moon's often get described as emotionless or cold, but they actually feel quite deeply. The problem is they intellectualize their emotions more than they actually feel them. I've also noticed they can shut down or feel distant and uncomfortable when they witness other people be emotional around them. This is a moon placement I truly feel for. They can feel incredibly different from the people around them and their feelings can frequently be misunderstood by others. A lot of deep emotional loneliness with this moon sign. I've noticed this to be a common "black sheep" placement, more so than with other Aquarius placements. They have very beautiful and unique souls with a strong interest in bettering society. Very humanitarian.

Pisces ☾

Pisces moon's tend to have strong connections to their grandparents from a young age, or older people in general. They also tend to be into grandma or grandpa activities because they feel like such an old soul lol. Might feel a disconnect from their generation and modern trends. I've noticed many Pisces moon's have these dreamy and sparkling eyes that appear to be filled with magic. They tend to have a very powerful connection to music and they're the type to just be huge music lovers in general, connecting to the vibes of music overall, instead of having a specific genre they listen to. Can be heavily addicted to isolation as a coping mechanism when life gets too overwhelming. Reality can feel very limiting and restrictive for them, which is why I think it's so important for Pisces moon's to have creative and fulfilling outlets (especially during this Saturn in Pisces transit that has definitely been testing them. I know it has for me lol).

[martian-astro10]

Solar return observations- Part 3

(the artist is @eb_hua on twitter)

Saturn in 10th is a frustrating placement (my mom had it last year and basically with this you feel financially helpless, you keep on trying and trying but nothing works, but the good thing is that 2-3 months before your next birthday, you're gonna hit the jackpot, so don't worry too much) (my sister also has it this year)

I have noticed that in every solar return chart that I've looked at, the chiron was in conjunction with the north node and it has happened way too many times for me to call it a coincidence. (do you have it as well, let me know) (according to my observations, the house that it's in represents the area where you'll experience pain but also by the end of the year, you're gonna be able to deal with the themes of that house in a better way, am I making sense??) just let me know if you have any questions about this placement, I think it's very common

The year in which you have a gemini AC, you will focus a lot on building your professional network, a lot of communication, short distance travel and improving your relationship with your siblings, if you have any. (my sister has it this year and her master's will end on 29th April, she has applied to many places for a job and she's also coming to visit me, I'M GOING TO MEET HER AFTER 5 FUCKING YEARS😁😁)

Mars in 12th indicates a low libido, a very exhausting year in general, if you also have sun in 1st then... It can be pretty bad (it's like you KNOW that you need to stop procrastinating, but you really can't help it, so you look calm on the outside but your brain is like AKDHSGHSKGSKJDJK)

Jupiter in 10th in aries is a REALLY GOOD placement. (you get the courage to go after what you want, especially in terms of career) and if Jupiter is Trine/sextile with saturn, then it's even better

Uranus in 5th can mean having flings with people that are not your usual type. (one of my friends came to Italy this year, and the first thing she did was hook up with an Italian guy 😭😭, she's Indian)

Aries in 2nd is an impulsive shopping placement (if you have it and you think you need something, you don't) (one of my friends had this last year and he bought a hat for €150...... Yeah. He has saturn in 2nd this year and he's finally facing the consequences of his actions)

I know that saturn in 8th is associated with difficulties in sex and intimacy but there's another side to it (a lot of my friends have had this, and they became really mature about sexual matters, like if they were previously very into the hook up culture then that year they were more cautious and had this "I'm going to have sex with the person who I genuinely like or love" mentality)

This is very shocking but I looked at the solar returns of all the married couples I know and the year in which they got married, NONE OF THEM had a 7th house stellium 💀💀. For men, I didn't notice a pattern, but for women, 90% of them had Venus positively aspecting saturn (mostly, Trine and sextile but 2 had a conjunction)

My favorite solar return placement has to be mercury conjunct Jupiter, if its happening in capricorn or virgo, then you're really precise and direct with your words, a very leader type aura for that year. If it's in libra, then good for flirting and talking to your crush, there's a high chance they'll fall for your charms. If it's in pisces, then it's your sign to start a cult.

(all pictures are taken from Pinterest)

© martian-astro All rights reserved, 2024

[taffywabbit]

idk if i'm way off the mark on this, but the way some people are responding to that Guillermo del Toro interview about the decline of studio animation is a bit frustrating to me. specifically the bit where he talks about "emoji animation" and how everything is over-animated and pushed too far and things are rarely allowed to not be ultra-cartoony (y'know, because animation always needs to be marketable to children who are never trusted to have attention spans, right?). like, i think he's generally correct about it! but some folks are taking the wrong message away from that.

i've seen people going off about how "soulless" and "corporate" various recent examples are, and talking about these pieces of media as though they're the result of some kind of personal failing or lack of skill/range on the part of the animators, and it's just like. do people realize that's the only animation you're usually allowed to DO in the industry, unless you get incredibly lucky and land yourself on a project/studio that's unusually cool?

when i was in college for animation it was literally drilled into us nonstop that everything had to be pushed more, that exaggeration was not a guideline or a sometimes-treat but a hard rule that always had to be applied regardless of what was going on, because the viewer couldn't be trusted to pick up on subtlety and we sure as hell couldn't be trusted to convey it. you ever wonder why there's such a specific vibe to a lot of self-directed student films, particularly ones that are focused on character acting/interaction or deep emotions and introspection (especially when there's minimal/no dialogue)? it's because for a lot of young animators, they haven't had the freedom to experiment with realism and subtlety up to that point and they're likely not going to have it again for a while (or at all, unless their career path leads to higher positions where they might have more creative direction over the things they work on. which also becomes a lot less likely if they're anything other than a cishet white dude, for what it's worth).

i would LOVE to see more nuanced, realistic, understated motion and acting in animation. i WANT more characters to be able to express what they're feeling through natural body language and facial cues and for scenes to allow me to breathe instead of spelling everything out in giant bold flashing text all the time. what del Toro wants to see changed in the animation industry sounds great, and i hope others join him in seeking to revamp what modern animation is allowed to be.

but as things currently stand, and as they've stood for a long while now, most artists doing the grunt work on the shows and movies you see are completely at the mercy of corporations and networks who have a vested interest in producing a very specific kind of marketable and cost-efficient media all the time. (and by extension that style is ALSO what's taught in most animation schools, because their job more than anything is to grind you down into a perfect little sweatshop worker who will bend over backwards to meet quotas and get your work approved and not question the higher-ups, even if you have little to no personal investment in the projects you're working on, so that the studios who employ you can maintain their good reputations or whatever)

anyways idk what my point was here, this really just sorta became a rant and my views have undoubtedly been coloured by my own personal experiences (this kinda shit is largely why i dropped out before my last year of animation school, for the record).

i guess just be kind to folks in the animation industry? they've had it fucking rough nonstop for well over a century (the majority of them are still not unionized and there's HUGE pushback against doing so in many places). i assure you they are doing their best to infuse the latest uninspired illumination flick or weird spinoff kids' show with literally any amount of soul they can. you don't have to like the stuff that gets produced by any means! be a hater! i'm certainly not gonna stop you. just remember where these creative decisions come from and why these conditions exist, and consider that when YOU watched something and thought "hmm that could've been done better", you can bet your ass someone actually working on it probably thought the same thing but couldn't do anything about it. these things WILL change as the industry itself improves, but in the meantime folks have to pay their rent, and that usually means doing what they're told and working in a way that will minimize revisions and meet quotas so they can keep their jobs. it sucks, but it is what it is.

[kittenintheden]

Smut Writing Tips

I could go on for 600 years on this so I cut myself off at seven basic tips for improving your smut writing. I don't know how to name this something that isn't suggestive so fuck it we ride at dawn etc. If you're having trouble writing smut/improving your smut writing, here are a few things that might help? I'm not the ultimate authority, do whatever you want, take what serves you and leave the rest, etc.

1) Get in touch with what turns you on. You can take this literally or figuratively. You don't have to be sexually active or even sexually aroused to write smut! It's not required. But you should know what gets you going, you know? Because whatever you're into, there are other people out there who are into it, too. Writing the things you're passionate about translates to the page. If you're disconnected from what you're writing, it's going to read that way.

2) Practice by translating a personal fantasy to text. THIS IS FOR YOU ONLY. Unless you like it enough to share? But this is an exercise to get you past the initial discomfort and embarrassment of writing sexy scenes. Many of us have romantic or sexual fantasies, even those on the ace/aro spectrum. When they live in our head, they feel safe. When we put them to the page, they suddenly EXIST in a space where someone else can theoretically perceive them. Getting comfortable with that takes a little bit of work/practice.

3) Try writing from the POV of the subject of the reader's desire. When I smut, I write from my OC's POV sometimes, but more often... I write from Astarion's. That's intentional. It's hot to feel DESIRED, to feel WANTED. Being in the subject's head means that the reader is experiencing that desire for themselves. There's power and sexiness in knowing you're making someone feel that way.

4) Physical description and positioning is great, but how do they FEEL? If you've ever heard the term "male gaze," you know it's frequently applied to visual media, especially where the subjects are treated as objects to be observed rather than people with interior thought and feeling. Smut WRITING gives us the opportunity to both describe the actions taking place and also the internal responses of the characters. It's not just what goes where, it's how that makes the body feel, the mind, the heart. It deepens the scene. Not everything needs to be "making love," but the tension and character interaction are still vital.

5) Realism is a fine base but it's not required. Look, there are a lot of smut tropes out there that are not REMOTELY based on reality and we love them anyway because a big part of this style of writing is the FANTASY of the thing. Like, yes, it's going to take some readers out if you're describing a position that's not physically possible. That's something that should be workshopped. But like. People come here for sex pollen and knotting. It's okay to be a little weird. Just consider the fantasy logistics.

6) Sometimes a little humor or awkwardness adds to the experience. Not everything has to be peak romance of the highest order, you know? Sex is messy and weird. If the participants can be a bit messy and weird together, it's both character-building and endearing. Don't be afraid to be like, oh this resulted in fluids and now we have to take care of that.

7) The tension is as important as the cumshot. Yeah I said that. An important piece of writing burning-hot smut is properly building tension. You can do that in a few words or many words. The ANTICIPATION, the WANTING, the not-quite-there-but-god-I-wanna-be of it all. It makes the release that much sweeter.

[emilybeemartin]

Hey! Hey, would you like to be a park ranger?

USA Jobs just posted a bunch of national park ranger positions for summer 2024--everything from small historic sites to the big flagship parks like Yellowstone and Yosemite. These are seasonal positions specifically for interpretive rangers, which means you begin around May-ish and end around September-October-ish. Interpretation is the branch of the NPS that does educational programming and frontline visitor services, like working in the visitor centers, leading guided walks and talks, and just generally interacting with the public in a friendly, helpful way.

If you have a four-year college degree in just about any subject (honestly, I've worked with people with degrees ranging from theater to business to geoscience), or 12 months' relevant work experience (customer service, retail, education, camp counseling, etc), or a combination of the two, you're eligible to apply. All you need is a resume and transcripts if you're using education to qualify.

Just go to USAJobs.gov and search for "park ranger interpretation" in the search bar. The key things you're looking for in the results are listings from the National Park Service, the code GS 5 (which is the entry level for this position), and the phrase Not to Exceed 1039 hours (which indicates it's a seasonal position).

Some tips!

>Each application requires you to answer a questionnaire about your experience with things like customer service, preparing educational programs, researching scientific topics, etc. Be generous with yourself on these, because other folks will be. Even if you don't think you're an "expert" in something, consider your past work creatively. Have you presented research projects in class? Have you worked retail? Can you keep up a professional demeanor when somebody's upset? You have the qualifications. Rate yourself as such.

>Be thorough and specific in your resume. The NPS isn't a one-pager resume organization. They need to see evidence that you have the qualifications you say you do. The best way to ensure this is to copy, word for word, the phrases in the above questionnaire and insert them in the relevant places in your resume. So if the questionnaire says "Can you research, prepare, and present scientific information to a lay public," go to the appropriate place in your resume and write "I researched, prepared, and presented scientific information to my peers" or something similar. I kid you not, my current resume is ten pages long.

>Cover letters are optional but helpful! There are lots of templates online to help you write one; be sure to be professional. Mine is around 250 words and has three short paragraphs:

1- Position I'm applying for

2- Quick summary of most relevant work/education experience

3- Additional skills/rizz that makes me stand out (for me it's writing/illustrating, which helps me create visitor programs)

>Two things the NPS loves that will boost you are foreign language skills and being a US military veteran. Highlight these elements if you have them.

>Are you a schoolteacher? Check out the Teacher-Ranger-Teacher program.

>The big flashy parks are posted as standalone listings, but most of the others are bundled into "Multiple Locations" that are based on region. Consider applying for many of these smaller monuments and historic sites---they get far fewer applicants and are easier to secure. And many are absolutely beautiful. Want to work at Arches? Also apply to Natural Bridges. Want to work in Yellowstone? Also try Lassen Volcanic. Prefer history over science? You have dozens of amazing options from every facet of American history.

>Apply today! Apply now! Many of these parks cap their applicants because they get so many, and the rest will close after a week or so. A glance at the ones that were posted today and yesterday show them either closing on October 15 or 22. Some regions haven't posted yet, so keep checking the website in the next few weeks.

I love my work as a park ranger---it's such a rewarding way to spend a summer (or two, or ten), and it can open doors to other things. You won't get rich, but you will make great friends and great memories, add a killer section to your resume, and spend four months immersed with smart, passionate people in some of the coolest places in the US.

Plus you get a SICK HAT

[ruhua-langblr]

Language Apps Suck, Now What?: A Guide to Actually Becoming "Fluent"

The much requested sequel to my DL post that was promised almost a year ago.

I'm going to address all of the techniques that have helped me in my language learning journeys. Since 95% of these came from the fact that in a past language learning mistake, they are titled as my mistakes (and how I would/did things differently going forward). For those that read to the bottom there is a "best universal resources" list.

Disclaimers:

"Fluency" is hard to define and everyone has their own goals. So for the purpose of this post, "fluency" will be defined as "your personal mastery target of the language".

If you just want to pick up a bit of a language to not sound like a total foreigner on vacation or just exchange a few words in a friend's native language, feel free to ignore what doesn't apply, but maybe something here could help make it a little easier.

This is based on my own personal experience and (some) research.

Mistake 1: Asymmetrical Studying

Assuming you don't just want to do a single activity in a language, or are learning a language like ASL, a language requires 4 parts to be studied: Speaking, Listening, Writing, Reading. While these have overlap, you can't learn speaking from reading, or even learn speaking from just listening. One of my first Chinese teachers told me how he would listen to the textbook dialogues while he was biking to classes and it helped him. I took this information, thought "Yeah that's an idea, but sounds boring" and now regret not taking his advice nearly every day.

I think a lot of us find methods we enjoy to study (mine was reading) and assume that if we just do that method more ™ it will eventually help us in other areas (sometimes it does, but that's only sometimes). Find a method that works for you for each area of study, even better find more than one method since we use these skills in a variety of manners! I can understand a TV program pretty well since I have a lot of context clues and body language to fill in any gaps of understanding, but taking a phone call is much harder—the audio is rougher, there's no body language to read, and since most Chinese programs have hard coded subtitles, no subtitles to fall back on either. If I were to compare the number of hours I spent reading in Chinese to (actively) training my listening? Probably a ratio of 100 to 1. When I started to learn Korean, the first thing I did was find a variety of listening resources for my level.

Fix: Find a variety of study methods that challenge all aspects of the language in different ways.

A variety of methods will help you develop a more well-rounded level of mastery, and probably help you keep from getting bored. Which is important because...

Mistake 2: Inconsistent Studying

If there is one positive to a language app, it is the pressure it puts on keeping a streak. Making studying a part of your everyday routine is the best thing you can do. I benefited a lot from taking a college language course since I had a dedicated time to study and practice Chinese 5 days out of the week (and homework usually filled the other two). Memorization is a huge part of language learning, and stopping and starting is terrible for memorization. When I was in elementary school, we had Spanish maybe a couple times a month. Looking back, it seems like it was the first class to be cut if we needed to catch up on a more important course. Needless to say, I can't even speak Spanish at an elementary level.

However, I'm sure many people reading this don't have the time to do ultra-immersion 4-hour study sessions every day either. Find what days during the week you have time to focus on learning new vocab and grammar, and use the rest of the week to review. This can be done on your commute to school/work, while you do the dishes, or as a part of your morning/evening routine. Making this as realistic as possible will help you actually succeed in making this a habit. (Check this out for how to set realistic study goals)

Fix: Study regularly (ideally daily) by setting realistic goals. Avoid "binge" studying since remembering requires consistent repetition to be most effective.

Mistake 3: Resource Choice

This is really composed of two mistakes, but I have a good example that will cover them both.

First, finding resources that are at or slightly above your level is the most important thing. Easy resources will not challenge you enough and difficult resources will overwhelm you. The ideal is n+1, with n as what you know plus 1 new thing.

Second, getting distracted by fancy, new technology. Newer isn't always better, and there are often advantages that are lost when we've made technological developments. I often found myself wanting to try out new browser extensions or organizational methods and honestly I would've benefitted from just using that time to study. (Also, you're probably reading this because of my DL post so I don't think it has to be said that AI resources suck.)

A good example of this was my time using Clozemaster. I had actually recommended it when I first started using it since I thought the foundation was really solid. However, after long term use, I found that it just wasn't a good fit. The sentences were often too simple or too long and strange for memorization at higher levels or were too difficult at lower levels. I think that taking my textbook's example sentences from dialogues into something like Anki would've been a far better use of my time (and money) as they were already designed to be at that n+1 level.

Fix: "Vet" your resources—make sure they will actually help you. If something is working for you, then keep using it! You don't always have to upgrade to the newest tool/method.

Mistake 3.5: Classrooms and Textbooks

A .5 since it's not my mistake, but an addendum of caution. I think there is a significant part of the language learning community that views textbooks and classroom learning as the worst possible resource. They are "boring", "outdated", and "ineffective" (ironically one of the most interesting modern language learning methods, ALG, is only done in a classroom setting). Classrooms and textbooks bring back memories of being surrounded by mostly uninterested classmates, minimal priority, and a focus on grades rather than personal achievement (imagine the difference between a class of middle schoolers who were forced to choose a foreign language vs. adult learners who self-selected!) People have used these exact methods, or even "cruder" methods, to successfully learn a language. It all comes down to what works best for you. I specifically recommend textbooks for learning grammar and the plentiful number of dialogues and written passages that can function great as graded readers and listening resources. (Also the distinction made between "a youtube lesson on a grammatical principle" which is totally cool, and "a passage in a grammar textbook" is more one of tone and audio/written than efficacy).

Classrooms can be really great for speaking practice since they can be a lot less intimidating speaking to someone who is also learning while receiving corrections. Speech can be awkward to train on your own (not impossible if you're good at just talking aloud to yourself!), and classrooms can work nicely for this. Homework and class schedules also have built in accountability!

Fix: Explore resources available to you and try to think holistically about your approach. CI+Traditional Methods is my go to "Learning Cocktail"

Mistake 4: Yes, Immersion, But...

I realized this relatively quickly while learning Chinese, but immersion at a level much higher than your current level will do very little for you. What is sometimes left out of those "Just watch anime to learn Japanese" discussions is that you first need to have a chance at understanding what is being said. Choosing materials that are much higher than your level will not teach you the language. It doesn't matter how many times someone at HSK 1 hears “他是甘露之惠，我并无此水可还”, they will not get very far. Actual deduction and learning comes from having enough familiar components to be able to make deductions—something different than guessing. An HSK 1 learner, never having heard the word 老虎 will be able to understand "tiger" if someone says “这是我的老虎” while standing next to a tiger. This is not to say you can never try something more difficult—things should be challenging—but if you can't make heads or tails of what's being said, then it's time to find something a bit easier. If mistake 2 is about the type of method, this is about the level. If you wouldn't give a kindergartener The Great Gatsby to learn how to read, why would you watch Full Metal Alchemist to start learning a language?

Side note: Interesting video here on the Comprehensible Input hypothesis and how it relates to neurodivergence.

Fix: Immerse yourself in appropriate content for your level. It's called comprehensible input for a reason.

Mistake 5: On Translation

I work as a translator, so do you really think I'm going to say translation is all bad? Of course not. It's a separate skill that can be added on to the basic skills, but is really only required if you are A. someone who is an intermediary between two languages (say you have to translate for a spouse or family member) or B. It is your job/hobby. In the context of sitting down and learning, it can be harmful. I think my brain often goes to translation too often because that's how I used to learn. Trying to unlearn that is difficult because, well, what do people even mean when they say "don't translate"? They mean when someone says "thank you", you should not go to your primary language and translate "you're welcome" from that. You should train yourself to go to your target language first when you hear the word for "thank you". A very literally translated "thank you" in Chinese "谢谢你" can come off as cold and sarcastic. I don't tell my friends that, I say "谢啦～". Direct translation can take away the difference in culture, grammar, and politeness in a language. If there is a reason you sound awkward while writing and speaking, it's probably because you're imposing your primary language on your target language.

Fix: Try as hard as you can to not work from your primary language into the target language, but to work from the structures, set phrases, and grammar within the target language that you know first.

Mistake 6: The Secret Language Learners Don't Want You To Know...

...is that there is no one easy method. You are not going to learn French while you sleep, or master Korean by doing this one easy trick. Learning a language requires work and dedication, the people that succeed are those that push through the boredom of repetition and failure. The "I learned X in 1 year/month/week/day!" crowd is hiding large asterisks, be it their actual level, the assistance and free time available to them, "well actually I had already studied this for 4 years", or just straight-up lying. Our own journeys in our native tongue were not easy, they required years and years of constant immersion and instruction. While we are now older and wiser people that can make quick connections, we are also burdened with things like "jobs", "house work", "school work", and the digital black hole that is "social media" that take up our time and energy. Everything above is to help make this journey a little bit easier, quicker, and painless, but it will never be magic.

I find that language learning has a lot in common with the fitness community. People will talk about the workout that changed their life and how no other one will do the same—and it really can be the truth that it changed their life and that they feel it is the ultimate way. The real workout that will change your life is the one you're most consistent with, that you enjoy the most. Language learning is just trying to find the brain exercise that you can be the most consistent with.

Fix: Save your energy looking for shortcuts, and do the work, fail, and come back for more. If someone tells you that you can become fluent in a ridiculously short amount of time, they are selling you a fantasy (and likely a product). You get out what you put in.

For those that made it to the end, here are some of my "universal resources":

Refold Method: I don't agree with their actual method 100%, but they've collected a lot of great resources for learning languages. I've found their Chinese and Korean discords to also be really helpful and provided even more resources than what's given in their starter guides.

Language Reactor: Very useful, and have recently added podcasts as a material! The free version is honestly all you need.

Anki: If I do not mention it, the people with 4+ year streaks with a 5K word deck will not let me forget it. It can be used on desktop or on your phone as an app. If you need a replacement for a language learning app, this is one of them. Justin Sung has a lot of great info on how to best utilize Anki (as does Refold). It's not my favorite, but it could be yours!

LingQ: "But I thought you said language apps are bad!" In isolation, yes. Sorry for the clickbait. This one is pretty good, and more interested in immersing you in the language than selling a subscription to allow you to freeze your streak so the number goes up.

Grammar Textbooks: For self-taught learning, these are going to be the best resource since it's focused on the hardest part of the language, and only that. If you're tired of seeing group work activities, look for a textbook that is just on grammar (Modern Mandarin Chinese Grammar is my rec for Chinese, and A Guide to Japanese Grammar by Tae Kim is the most common/enthusiastic rec I've heard for Japanese).

Shadowing: Simply repeat what you hear. Matt vs Japan talks about his setup here for optimized shadowing (which you can probably build for a lot cheaper now), but it can also just be you watching a video and pausing to repeat after each sentence or near simultaneously if you're able.

Youtube: Be it "Short Story for Beginners", "How to use X", "250 Essential Phrases", or a GRWM in your target language, Youtube is the best. Sometimes you have to dig to find what works for you, but I imagine there is something for everyone at every level. (Pro tip: People upload textbook audio dialogues often, you don't even have to buy the textbook to be able to learn from it!)

A Friend: Be it a fellow learner, or someone who has already mastered the language, it is easier when you have someone, not only to speak to, but to remind you why you're doing this. I write far more in Chinese because I have friends I can text in Chinese.

Pen and Paper: Study after study, writing on paper continues to be the best method for memorization. Typing or using a pen and tablet still can't compare to traditional methods.

The Replies (Probably): Lots of people were happy to give alternatives for specific languages in the replies of my DL post. The community here is pretty active, so if this post blows up at least 20% of what the last one did, you might be able to find some great stuff in the replies and reblogs.

I wish you all the best~

[ronkeyroo]

A positive Update

Friends, kind folk - Hello Again 🤍

Ever since my last update post, I've been thinking about it , a lot ;; I knew I needed time to cook and reflect, and im so glad I gave myself that...

2024 started rough for me; I fell severely ill again - I was too busy cursing my life and dwelling over how betrayed I felt by things still not getting better despite my efforts that I didn't realize I was walking into a self fulfilling prophecy. Its true that the struggles I'm going through are yet to be solved, that its gotten so much to the point giving up seemed easier, and that a couple individuals haven't been making it easier on me either; I swayed and i rattled and I steered within feelings ranging from confusion to anger to dismay and all of this back and forth did nothing but remind me of yet another self-destructive loop I just don't want to allow in my life anymore. Its exactly the kinda stuff that made me ill to begin with, and I've been so lost dealing with everything in between that i forgot to tend to the actual core centering all of this...

It grew unbearable how much emotional and physical turmoil I was pushing myself into, and knowing how intertwined these two elements have been; I had to draw a line before i majorly screwed myself over, gathering any bit of inner will to discipline myself back into some sort of clarity, enough to at least look through a lens OUTSIDE my pain for once, towards the kind of life I want to lead, and the kind of life I don't; and I came to an understanding.

From my physical state to my mental, to the people and memories I've experienced, both the good and the bad - I want to prioritize the good.

Not in a shitty ass, toxic optimism kinda way but in a "I want to prioritize knowing and living the possibility that even when it hurts, even when i want to be gone, even when life doesn't align - There's still every good reason in the world to keep moving forward, to face things from a perspective of growth & compassion, and to grow to love the promise of a better tomorrow even when today was unbearable." To know that I don't end or begin in my suffering, that the infinite potential I speak so fondly of applies to me, as well...

I want to be able to wield and create and share that goodness, too, Especially when it is already in decline...And for all gods sake, to internalize that all of this STILL exists and STILL matters even when it doesn't work the first couple or dozens of times.

As for my place here in Tumblr...I know the sentiment might feel silly to some but the experiences, memories, and connections I've made here have truly been such a significant force in my life, and i don't want to give up on that ;; Not because of my own insecurities, or an inner state of hopelessness, and especially not over a bunch of emotionally immature Anons that dont know how to handle themselves; I want to forgive all of that.

I'm stubborn, and there's an unyielding force within me that no matter how many times it is struck down, it proved itself ridiculously resilient. I'm perking up with with a fiery confidence realizing just how many times it rose back up, enough to realize it is an unchangeable part of me ;_; I shouldn't underestimate that force, and I want to keep living by its side. Whatever positive change I can sprinkle onto my life and the lives of those I care for, I will! And the reason why this space in particular is so important to me, is because so much of that already exists here, alongside you folks;

THAT'S the kind of energy i want to nourish and walk into the new year with! I want to continue growing as a person, challenging my inner turmoils, undoing the self punishing dogmas that still haunt me, stop flexing my teeth over things that don't deserve my time and god DAMN, just - indulge in the stuff that makes me happy, even when I'm going through unhappy times.

So yeah...I guess that means, I'm back & I'm staying ;_;)🧡

I know i may seem like a broken record when it comes to expressing gratitude but - Thank you, thank you thank you everyone who have reached out for me, who so fondly kept me in their thoughts and kept encouraging me whenever i was hurting, both then and now...You folks mean more than whatever ailment or struggle I can go through, and while I'm unsure of how the future will look like as I'm still going through various challenges- I couldn't have asked for a cooler, sweeter audience to have by my side whenever Its time to take a rest or hype over our sexy delicious blorbos!

Speaking of which....................I have been cooking quite a lot of things in the time i was away 👀✨ I most definitely intend to serve them, eheheh

[roach-works]

As A Queer who’s made it in the trades, do you have any advice for other Queers, visible or not, to breaking into the sector?

i don't have any advice for women other than shoot your shot and be brave, because every workplace ive ever been in SAYS they want more women but oh gee women just don't APPLY, but if you look like a guy you just show up, don't pick fights, and let people assume whatever they assume.

if you've never had factory experience before you can either lie or make up a dad who taught you lots of home improvement projects or focus on the physical aspects of other jobs that left you with plenty of experience in packing, handling, basic tool use, forklift driving, truck loading, etc. if you want an actual trade skill you should look up college and trade school classes, or see if you can join a union and get classes from a union hall, or, again, lie your way in.

like. so many young men in the trades are so so bad at their jobs, it's expected that every now and then a dumbass on too many drugs is hired and he breaks important things and turns up late and falls asleep somewhere weird for awhile before getting fired again. ive watched at least eight of these men cycle through my factory in the last year. the last one ran over a welding machine with a truck before breaking his leg by dropping a beam on himself and then quitting because he wasn't getting paid enough (mood). so like if you show up and are a dumbass that arrives on time, works late, cleans up their area, and doesn't break anything too expensive, and doesn't mysteriously vanish after a month, you have a good shot at keeping your position forever. im genuinely not very good at my job and at least one guy everywhere i work hates me for being a mouthy little fag, but the state of the trades is that if you're not actively on drugs and fire and trying to punch your boss, you probably get to keep your job indefinitely.

my other advice is: if you're trans, and you work in manufacturing, do your best to pass and never admit you're trans. things get bad weird, very fast, and you're surrounded by big guys with power tools. you don't have to pass very well, because the trades are full of a wide variety of the weirdest men in the world and almost none of them have a functional gaydar, but you do have to at minimum not volunteer the information that you're trans.

like. you can if you want. the results will be educational. but no one will be learning anything they wanted to know from this event.

EDIT: start working out though. you NEED to be able to safely lift 30-40lb to start out with and 50-100+ is ideal. if you can't carry around 50 lb for at least a short ways (on and off trucks, on and off tables, on and off dollys) you're risking throwing your back out which is a lifelong bigtime problem. make sure you can lift, bro!

[rou-luxe]

please elaborate on the grandpa clavis bc I don't know much about Alfons, so idk what to think about that 😭

hEHehEhhAaAaHAHA LET'S GO I HAVE PERMISSION TO GET THE IDEA OUT OF MY HEAD (cracks knuckles) I love them both

analysis under the cut spoilers for Clavis, light spoilers for Alfons

I kinda quit Alfons route early to go to the English server release because my brain is too lazy to translate everything 😭 so this is just from what I know about him. this is doomed to be inaccurate 💀

warning this gets off topic in some places because my analysis ideas carried me a bit too far because I love them

The central point is that they both use pleasurable experiences to ignore reality. Alfons focuses a LOT on the pleasure part of that, as seen from erm his lack of sleep and mentions it plenty in voicelines. Alfons also applies this philosophy to people other than himself. Alfons sometimes protects MC from uncomfortable realities, like the scene where he and Ellis kill someone, and uses his power to convince MC that it was just a play (Kate LOVES plays).

As seen from his profile, Alfons heavily resents pain of any sort. I already forgot when exactly (chapter 4 premium avatar challenge?), but at some point, MC is crying and he consoles them before you know- this is just an assumption, but I think he doesn't want any sort of emotional turmoil in those close to his heart. He keeps reassuring Elbert that he is much more beautiful than MC without hesitation. Not only is he making sure MC is safe and doesn't get in a horror-esque story (nervously looks at Elbert trailer), he's also making sure that Elbert doesn't get jealous to the point of performing taxidermy on a person... because the events leading up to that would hurt them both. This makes Alfons feel so kind and considerate ngl 😭

Clavis wants to be loved by all. The game sometimes describes him as "lonely" - this is likely because he was overshadowed by Chev as a kid, and because he felt so shaken by his mother's death that he needed attention from others to feel more complete. It also connects to his pranks. He wants to feel something, anything to pretend he's not dying inside. Whether the attention he gets is positive or negative, at least he feels something.

It's mentioned quite a lot in his path that the more pained / scared Clavis is feeling, the more he smiles. It's sort of his coping mechanism. By smiling, he can pretend everything is alright (HIS MOM 😭😭 I'M GONNA FUHGKING CRY SHE MUST'VE BEEN SO SWEET AND BEAUTIFUL AND Cybird I want to see his mom).

He also does somewhat force MC to be around him, but it's not in a Silvio way, it comes off more clingy to me. He's been left alone, abandoned so many times, that he can't bare the pain of loneliness anymore. And thus we get dragged to his breakfast parties. Another coping mechanism. Clavis gets to spend time with MC every morning, gets to cook for her (...it's the thought that counts) and terrorize a couple of his half-brothers... just to forget it all. Clavis even escapes from his prison cell just to see you, the light of his life. (I love him)

"Sylvatica" comes from the scientific name for "forget-me-not". This one is completely an assumption that seems rather unlikely, but perhaps like Clavis, Alfons wants to be remembered somehow.

I can't remember if this was legit or not because I've been scrolling through Tumblr too much but I remember seeing a post that went something like: "Alfons has MC sign (something) papers because after he dies, his curse will make him forgotten and he just wants something to prove that he loved MC" or something. (That post broke my heart so bad.) Is that why he's called a "phantom"?

In summary:

They both have their own ways of ignoring reality, and they are both up to trickery (especially when it comes to MC). Both endulge in enjoyment, it's part of their lifestyle. doesn't necessarily refer to seggs but it does sure sound like it

I'm not quite sure where Alfons' ignorance originates, but all Clavis wants is to be loved. Give him the love.

Okay onto the shorter sillier theories because my heart can't take this

Clavis' epithet is "The Pleasure-Loving Beast", and Alfons' is "The Hedonistic Thrill-Seeker".

Clavis likes tricks and teasing, and so does Alfons. Though Clavis does that MUCH more often.

They also act like they're fucking around but they actually know what they're doing.

They pretend to be worse than they are 😭 (omg shakespeare too... is that my type... 💀)

Others have made this remark before but Alfons feels like a darker Clavis + more unhinged

They both like to cook. And eat. And they both have stomachs of steel.

sword

They both have bad handwriting. Clavis is notorious for this, and Alfons says he has bad handwriting in the first letter of his path.

Fuck I forgot I had science homework due tomorrow

edit: I forgot another one they both are self-described "gentlemen" 😭😭

[pityroadart]

since the tags on my Lewis hands painting have mostly been along the lines of #WATERCOLOR?! HOW? (thank you!!) I figured I may as well do a wee step by step of how I painted the skin)

(disclaimer: I did not take many photos of the different stages, so you'll just have to trust the power of my narration)

(above) first up: the reference was from the Met Gala, as posted on Lewis Hamilton's Instagram. I can't take credit for the framing/pose — that was all the photographer

here's my cleaned up sketch and the first couple layers — I did a wash of colour on the hands first (quin burnt sienna PO48 quin maroon PR209 pigments my beloved, the best for warmer/deeper skin tones), added in a layer of shadows in the same colour to build structure, then got the inky black background in (mostly burnt umber PBr7 & French ultramarine PB29 I believe, with a bit of Roman Szmal's shadow grey too)

I kinda wish I'd left the background like that, but hey this whole piece was an experiment so I'll learn from it next time

next I added in further shading to the hands — again with the same skin tones as before, in different concentrations depending on the area, with the addition of some redder and darker tones too where needed. I also painted in the tattoos here — making sure they're under a layer or two of watercolour settles them into the skin like a real tattoo, rather than them looking sharpied on

And then! this is where the magic happens, and the part I'm most pleased with: by the stage of the first image above, the shadows were great in terms of position/shade, but felt a bit too blocky and stylised for the piece. So, if you get to the same issue (whether painting skin or clothing or anything with softer and more rounded contours), what you wanna do is:

make a pool of incredibly diluted skin tone mix on your palette. Literally, just water with a subtle hint of colour, roughly the same value as your highlights

get your softest brush. Nope, softer than that. In watercolour brushes, 'springy' is the opposite to 'soft', so you want bristles that don't really bounce back to their original shape if you push the wet brush against a firm surface. I'm using the Silver Black Velvet brush I've been using for the whole painting, but ideally a squirrel/sable or synthetic sable brush is gonna work

gently paint that diluted skin tone wash over the whole of the area (the hands, in this piece). This is why you want your softest brush, so as not to disturb the paint underneath too much. It also helps if the pigments you've been using are more staining (resistant to lifting). In general, phthalos and quinacridones are most staining, and granulating pigments least so. I've been using earth quinacridones here, which are moderately staining. Using good quality 100% cotton paper also helps

before that diluted wash is dry, get some paper towel and dab out the highlights. This keeps the edges softer and more natural than if you just painted around them

the wash you applied should have been just enough to soften those hard edges of shading you had previously, leaving lovely soft and more realistic transitions. Ta-dah!

then, off-camera, I added the darkest shading, painted in the gold, and felt it was missing something so added some scribbly highlights in 'ivory' coloured pencil. And that's that! It did involve a lot more swearing and complaining than I've just made it seem, but the skin part at least was something I'm used to.

[eggcats]

I'm still (always) thinking about my Housewife Vox AU, so here are my sexuality/history/etc headcanons for Alastor and Vox in it

(I kind of have more for Alastor here, bc almost all of my Hazbin ships involve him so he's the one I've thought about more - I kind of keep similar headcanons no matter what ship I'm thinking of, tbh).

I'm also going to write Alastor being in a rut in this AU, because those fics are always fun, and he will be having sex but it'll be more in a "my mate is aroused and I must please them" kind of way, if that makes sense? I kind of see him as sex-neutral/positive asexual, even in a rut, but the rut makes him a little (lot) more feral and in less control of his instincts. (This is why, before he got into a relationship with Vox, he's never really been affected by the sexual aspects of a rut, because he's only interested in sex as far as his mate is).

(I know my fic kind of tiptoes around any possible consent issues, but I think having Alastor react like this kind of solves it in a way, because he's only interested in making his mate feel good so if Vox didn't want something or began to not like it, Alastor would immediately stop to comfort his mate. However, since he's never before had ANY of his deer/demonic instincts really show before, none of them are sure how he'll react this time, hence the concern).

(I don't mean this in a way to insult any other Alastor-rut fics, trust me I love them, this is just how I'm writing mine here).

I put a readmore here bc I realized how many words I was writing and didn't want to clog your dash, lol.

Alastor:

Asexual - is generally so uninterested he has never masturbated or even considered doing so; knows and understands sex (in a baseline level) but doesn't know anything further as he never wanted to engage or see it; still is only interested in it in a way to experience/watch Vox enjoy himself, wouldn't engage on his own otherwise

Possibly aromantic - the line between "romantic love" and "this person belongs to me" is essentially the same to him, could not tell you the difference (side note: neither can I)

Doesn't know either of those things

Just thinks "I'm the only normal motherfucker alive/in hell when it comes to relationships" and has not had a single question in regards to himself since

Doesn't really understand the difference between being friends/roommates and being in a relationship (hence when he found out that Vox liked him, he was like ah, okay. I don't need to change anything here, since he thinks we're in a relationship, this must be what people DO in a relationship. No need to mention any of this to Vox, surely)

When eventually I do make him have sex, he doesn't really have a preference in position. Generally, I'll include him as the more dominant partner (especially with Vox), but that's more because that's what VOX wants, and Alastor is being intimate for Vox. He has no real preference on who tops and who bottoms, as long as Vox is enjoying himself (and Alastor gets enjoyment out of the act when Vox is)

The same applies to dancing - Alastor teaches Vox how to swing dance, but once Vox learns and becomes more comfortable, a lot of their dancing has them constantly switching the lead and following position, based on whatever they feel like doing at the time

Despite living in the 20s/30s is fairly open minded about a lot of things relating to gender and sexuality, because he lived in the vice district in New Orleans and was exposed to a lot of that (either growing up, or living there as a serial killer, or both).

Some parts of me think that after he murdered his father when he was only around 13-15 (another headcanon of mine), his mother needed a way to make money and so they moved to the vice district, and so Alastor knew and grew up with sex workers and cross-dressers and saw how they were treated by police/society, and so has no issues with them.

Living there when he was a serial killer was also useful, because no one bothers anyone to avoid the risk of setting the police on you.

He doesn't know a lot of more modern terms for things, but Vox wanting to wear a dress doesn't concern him, nor does being in a relationship with a man, since those were things he not only had experienced/seen when he was alive, he's also been in hell for 20 years which is, as a whole, a lot more open minded about things. (I did try to keep him ignorant of more modern things, tho, like he doesn't know anything about things he would have only seen/experienced in hell because he doesn't care about people or relationships, really).

Probably some form of autistic (same, bestie) and takes a lot of cues about how their relationship should be from Vox (which is why he originally didn't feel the need to change his behavior even when he found out Vox was interested in him, because it didn't occur to him at all, and only discovered Vox was sexually interested when it was shoved in his face - however, now that he knows, he's taken a much more active/possessive role in their relationship, including a sexual aspect)

--

Vox:

(Previously) closeted bisexual

Grew up/lived/married/died in middle Americana, white picket fence, 2.5 children, all the houses looking identical, 1950s desperate housewives edition, the whole shebang

DID have a cult, but I'm thinking less Manson, and more "televangelist who extorts his flock for money/power" - this is why he has his hypnosis powers (he doesn't really have them/have discovered them yet, but that's because he's never really had a chance to explore his powers in any real capacity - he basically showed up in hell and then was kidnapped and wifed up immediately)

Did have a wife and children, but wasn't interested in either of them - had them more so because he "had" to and it would look bad for his image, not out of any attraction or love to his wife

All of this contributes to him doing everything he can to try to hide his attraction to Alastor, because he had to do so in life

He's Really Bad At Hiding It tho, because living with Alastor (who, even before he learned Vox was interested in him, has very little boundaries to physical space and just grabs and touches him all the time) is different than being a little attracted to your neighbor

Also, no one in hell calls him out on it, so he never quite realizes how obvious he comes across

Does eventually start his side of the media business, with the help of Alastor, to combine both radio and television to take over the airwaves entirely - becomes the Television/Video Demon, to complete the Radio Demon

Stops Alastor from murdering any and all other media demons/demons who have similar powers over the airwaves, and instead makes deals for their souls to work for him - this is where a lot of his initial power/dealmaking comes from as he rises to also be an Overlord; even when Alastor is the one who finds a media demon he basically just kidnaps them and drops them at Vox's feet like a cat presenting a half-dead mouse to it's owner

--

(Note: I'm aware that Alastor is canonically asexual and he's still in my AU, and I've heard back and forth about him being canonically aromantic and I'm unsure if you'd classify him as aro here too. I'm ace, and I think (maybe?) I might be on the aro spectrum, but regardless I kind of write Alastor like how I'd see relationships/would develop into one in a similar way. I'm not interested in sex or anything, and I've been interested in people/relationships very rarely (and those I am, once I become close friends I'm usually like, oh cool, yay), so I'm kind of using myself as a baseline to figure out how Al feels about things here.

That being said, I don't agree with people harassing other creators who DON'T make Alastor ace or aro in their fics or art, bc it's fan content and so it doesn't matter. Changing a sexuality in a fanfic isn't the same as Actual Erasure and it's wild that people claim that, because I've been reading fanfic since I was 13 and I PROMISE you none of those characters were as queer as I was reading them, lmao. Despite all evidence to the contrary, when they grew up Naruto and Sasuke did NOT fuck nasty in the Hokage office, no matter how much they should have.

Sorry rant, over.)

[why-animals-do-the-thing]

Weird question but do you think its possible to become a zookeeper without a degree? I'm 29 and don't have the time, energy, or money to go back to college and fear I've missed my chance at my dream career. I'm not sure how to get experience or what I could possibly do to help my resume.

It’s definitely possible! Not super common, but possible - and much more so than it would have been a couple of years ago.

When I was in college (early 2010s) and wanting to enter the field, there was a pretty clear pipeline: four year degree, unpaid summer internships, then apply for a part-time or temp position somewhere, and volunteer somewhere until you get a first job. This is still somewhat of the way it’s done at bigger AZA facilities.

But, interestingly enough, things are changing. There’s two things really driving that. The first is the massive push for increased DEAI efforts in the zoo industry. After the big commitments AZA and many individual zoos made during the BLM protests in 2020, one of the big conversations that started was how inequitable zoo hiring and especially internship programs are. Requiring four years degrees and large amounts of unpaid labor before getting a job - and paying poverty wages once someone gets that job - biases success entering and staying in the zoo field towards people with generational wealth. I honestly didn’t think the advocacy that stemmed from those discussions would do much, and I’ve been very pleasantly surprised to see that I was wrong! There’s a been a lot of real movement towards creating paid internships and making hiring requirements more equitable. It isn’t happening everywhere, but I know it’s becoming more and more common (and last year there was a ton of presentations about this on the AZA annual meeting schedule, which is a huge deal). The other thing that’s happening is less formal, but equally fascinating. I’ve been present for a lot of discussions about how there’s a disconnect between what zoos are hiring for (formal education, complex resumes) and what skills the job actually requires. It seems like it’s easier to train people to work with animals and learn their behavior than it is to teach people practical skills like how to do manual labor without hurting themselves and operate heavy machinery. I’ve seen some discussions of how some of their most successful new staff have come from adjacent industries or even just other “blue-collar” jobs that involve similar types of work, regardless of what their academic background is. Which is great! Because that adds to equity and diversity of staff across the industry.

To start off the rest of my answer, there has to be a disclaimer that I’m not in hiring, so I can’t say for sure what will get you a job (and while I’ve volunteered and interned, I have never been formally hired as staff by a zoological facility). So my advice for the rest of this comes from watching and listening to a whole ton of industry folk for the past decade or so, and from what I’ve seen my friends do that’s been successful to get jobs in the field.

In terms of experience, the best thing you can do - and I hate to say this, because it does require a level of privilege to be able to do - is volunteer somewhere. It doesn’t have to be at a zoo. Anything that will give you some animal experience for a resume and references will be valuable: shelters, vet offices, riding barns, farms, even 4H. You need to be able to demonstrate that you’ve worked around a variety of species (even if they’re all domestic) and have people who can speak to the fact that you’re diligent, attentive to detail, and have common sense about things like safety protocols. If you can’t volunteer, try to find a job in any of these areas with similar skills. Or where you can learn them! Say you can’t get an animal care job, but you’re good at phones and people - you could get a desk job at an animal shelter, and help out with cleaning and animal enrichment when possible. Boom! Experience!

It’s also important to learn how to shape your current job experience to an application, which is something I can talk more about and maybe pull in advice from folk actually in hiring for. There’s a ton that can be applicable to animal jobs. Office work? You can probably speak to experience with proprietary software systems and record-keeping (which is a bigger deal than you’d think). Construction / landscaping / similar physical labor jobs? You know how to work hard in a range of weather conditions, keep a project on spec, have experience with complex project planning, and probably know a thing or two about basic safety stuff (don’t store heavy things above your head, lift with your legs, etc). You’re basically looking to communicate “I haven’t worked in this field, but here’s all the skills I have that will translate to this job.”

Realistically, if you’re coming in without a degree or a ton of animal experience, you’re much more likely to be able to get a job at smaller, non-AZA facilities to start (they might not even be zoos - there’s sanctuaries and petting zoos and all sorts of other professional animal care gigs). And this is fine and good! There’s lots of good ones out there. You can always use experience gained there to move up in the field, if it’s your dream to work at an AZA facility specifically. And a lot of people do that - you’ll hear some places talk about how they know they’re training zoos, because their staff get a foot in the door and then consistently leave for other facilities after a couple years. But there’s also a lot of reasons to stay with some of the smaller facilities. They’re often in areas with cheaper cost of living, and so a zookeeping salary will go farther. I’ve also seen that a lot of the smaller facilities - ones where like, staff know and interact with the zoo director frequently - tend to take better care of their staff. They may not be able to increase salary, but I’ve seen some of those facilities go the extra mile for their people in other ways when it’s possible. It’s a very different experience than being a small cog in the giant machines that are many AZA zoos. It’s the sort of thing you have to vet carefully, but when you find a small facility that really invests in it’s people, it can be very worthwhile.

You also have to think about the fact that you don’t have to start in zookeeping to get an animal care job! I’ve seen a lot of people start in education or in summer camp staff, and then use the relationship with the facility and their track record in those jobs to transition into animal care. Especially education, if you’ve got the skill-set, because you’re often working with ambassador animals or in collaboration with the teams that care for them. I’ve seen some people start in facilities or ground crew, too, but I think that’s less common. Getting your foot in the door somehow and building relationships is one of the biggest parts of getting a job in the field if you’re not following the traditional pipeline.

If you’re near enough to a smaller facility that you can visit regularly, do. Learn as much as you can about the zoo and what they do and what they’re involved in, to show that you’re interested and invested, and then go talk to someone there. Tell them exactly what you told me: this is a dream, and you’re really interested in their facility specifically, and you’re wondering what you should do to build a resume to apply for a job there. At worst, you’ll get some advice. At best, they might take a chance on you. I’ve heard of it happening. (The hardest part of this is, honestly, figuring out who to talk to - it’s not the sort of thing where you can just ask a keeper while they’re cleaning. But you can find opportunities, and then ask if there’s someone in management who might have time to answer a couple questions.)

So in short: yes. It’ll take some work and time, and probably some free labor, but it’s doable. More so now than any other time recently. Good luck!

[wheelie-sick]

thoughts on some of the disability zeitgeist words? like “tism” “spoonie” “audhd” “potsie” etc?

personally they frustrate me bc it feels like only a narrow section of the disabled community uses those words but they’ve become more pervasive than they need to be and so ppl assume we all like those words. but also i think all disabilities need to become more culturally-known-about so idk

I personally see most of them as neutral in and of themselves. I think they can be used in helpful ways and I don't think people who like the words should be shamed (not saying you believe this, I just know some people do)

I think some of the terms can be helpful for defining communities or intersections of communities (like "spoonie" and "auDHD") while I'm not a huge fan of either community those communities do exist and it's a lot easier to say "the spoonie community" than refer to... I don't even know how to refer to that specific subsection of the broader chronic illness community. I also think in the case of "auDHD" it's helpful not just for defining a community but also defining the overlap of two conditions that frequently go hand in hand. I think it gets misused but, like, it can be used correctly. I know there are other similar terms for other overlaps of conditions & communities like "schizotism" for schizophrenia & autism. (another two conditions that have a lot of symptom overlap) I see them as just abbreviated ways to say "this and also this" because typing out "comorbid ADHD and autism" or "the overlap between ADHD and autism" or even just "ADHD and autism" over and over again gets exhausting.

with others I definitely look at them and go "hmm, I'm not a fan" but I don't think they're harmful except for when they're applied to people who don't want to use that term. I am not personally someone who wants most of those terms applied to me and it certainly bothers me when people say that I "have the 'tism" just like it bothers me when people say I'm "on the spectrum" it feels like a way to dance around the term "autistic." I am just autistic.

sometimes it also seems to try to make the term more cutesy for lack of a better way of phrasing that. I don't have a problem with people seeing their conditions neutrally or positively and even wanting to share that opinion with the world. again, I think if someone wants to identify with those terms for themself there is no issue. if someone wants to call themself "POTSie" etc. because they view their own condition as a neutral or positive or quirky thing I don't really care, it's their condition and I'm not living their life. I do care when they try to make those community wide terms. I do not view my conditions as fun or positive (I don't count Deafness as a condition for the record) community terms like that essentially force that belief as the standard when that is so very not the case.

I also think there's something to be said for the fact that these terms tend to become identity terms. I don't mind it if someone's condition is part of their identity, hell, many of my conditions are part of my identity. not everyone wants to be defined by their condition, though. in fact, there's an entire movement of people begging to stop being defined by their disability and I think it's unfair to try to override their own activism asking for abled people to see them as people not just walking (or rolling) medical conditions. some people will say "well they're just experiencing internalized ableism!" and to me it shows they are very out of touch with that side of the community (and usually the experiences driving that viewpoint) activism for disabled people can't just steamroll other disabled people's activism with the excuse of "well they're just internally ableist"

so to sum up the last several paragraphs they're fine as individual terms but need to stop being treated like terms that describe the entire community

[scr33ch1ng]

So,

There really is nothing on system littles. And what I mean is, despite how long I've been searching I can't find much that helps us actually raise a child. System hosts will mention it, sure, or they'll have a specific alter who is great with kids. But we don't have any of that, and I bet other systems are struggling with this too. So, I'm compiling what I've learned in the past year or so and sharing it as an attempt to help.

This is written from my experiences with my little brother, a traumatized headmate around 10 years old. This might not apply to everyone.

Traumatized children require constant reassurance. They might be easily scared or startled by anything, and hold irrational beliefs that everything will hurt them (me too buddy). They can be the most vulnerable and emotional part of a system. This makes them really important, and in a unique position. They DEMAND attention. Even if they are quiet, if they are dissatisfied, it will come back and bite you in the ass. They require patience and special consideration.

You have to make your child headmate feel safe and comfortable. This is easier said than done. It's a lot more complicated than simply buying some toys and watching cartoons. Children have emotional needs, we all do. They need to feel love and feel like they are part of a family. This is why communication is very important. Communication is different with every system, and we communicate via a variety of writings, pinterest boards, dreams, co-fronting, and more direct but vague ways of throwing emotions at each other, and asking questions and receiving a vague response. This is all to say that even if you literally can't hold a conversation, there is many ways to talk to each other.

In order to meet your littles needs you have to know them first. You can assume the basics, yes, but that will only get you so far. Children also aren't known for their excellent communication skills, so this is a process. My little benefits from a pacifier, which was easy to figure out. But it took longer to realize he also wants his own clothing, and he refuses to wear black because it's a color that is worn too frequently by other alters, and he needs to feel like his own person. This might be a bit ridiculous. A color is just a color, right? No one is going to die by wearing black. But to him it is very important, and he will be distressed if he is not wearing clothes comfortable to him.

And the way our system works is it's easy to feel another alter's distress, so there is no point in wigging a systemmate out for no reason. You want to work together to reduce stress. It makes an easier time for everybody.

Anyways. You will have to make compromises. You make compromises just by being a system. I adjusted our living space to be more "child friendly". I removed the animal bones we had on display. I don't buy decor that my child alter would find scary, even if it's a horror movie character I like, even if I think it's not that bad. If you can make your little feel comfortable even by one percent, it's worth it. I adjusted our room to feel more cheerful. I have a shelf of easily accessible toys. I decorated our house more with cute things. Fridge magnets, goodwill figurines, a printed photo of a puppy, anything to make your syskid feel like this is also their space will help .

This is all I have for today. Thanks for reading!

[gummyfang]

Hey, I wanted to let you know that I love your writing, your mind is brilliant 🫶

I don’t normally send in asks, but I saw that you’re open to writing for Anakin, and I was wondering if you’d be willing to make some nsfw head cannons for him? I’d especially love to hear your sub Anakin thoughts because I lot of the content I see about him writes him in a more dominant way (which is awesome, but I’m personally obsessed with submissive anakin)

Once again, you are such a gifted author, thank you for sharing your work 💕

HHHH THANK U SO MUCH FOR UR KIND WORDS <33 honestly I have so many specific interps for Anakin in NSFW situations so I'm excited to share my thoughts. NSFW below read more, duh

♡♡♡ |   ˗ˏˋ Anakin Skywalker NSFW headcanons  ´ˎ˗

Ok first things first I have some strong opinions about what he doesn't do, firstly his experience levels.

Because let's be real, if you're his partner in the first place, you're his first. Anakin is a space monk . The code he lives by essentially forces him into celibacy. Now, we know Anakin tends to discard those rules if he believes the situation calls for a different approach, but he can't do so without caution.

Also, I dunno, he seems so romantically ride or die I don't really see him as someone who'd sneak out and sleep around. Point being, his experience before getting together with you is zero.

He can't find the clit at first.

Be patient with him.

I will say this though, Anakin is an experimental person and not afraid to try new things at the risk of them not working out. This is definitely something that extends to the bedroom. He doesn't exactly have sources to get new positions from so he's just gonna tangle your legs around him in every way he can think of, all to find that new angle that he can fuck you that much better at.

And if it doesn't work, he would much prefer honesty over being told it's fine. This extends to everything in the bedroom tbh, safewords are sacred to him and he takes your comfort very seriously.

Now the perhaps more controversial take. Anakin is a switch for sure, but he has some pretty hard limits when it comes to either.

Dom Anakin

I cannot see him being into degrading you, honestly. Anakin loves you to death. You are ethereal to him. He can't cum with such filthy lies in his mouth.

Nahh Ani is praise all the way for sure. He'd brabble on about how good you look as he cums inside of you. His capacity to respond coherently goes down as he's closer to releasing but how sweetly you moan for him and how perfect you look never leaves his mind.

By extension, I don't think he'd be super into hurting you. Though he is not gonna pass up on some consensual choking and spanking.

And boy, he is mouthy.

As in literally.

While he ruts into you, he either wants his mouth on your lips, on your neck or on your chest.

When he is not babbling his praising comments to you, his mouth needs to be busy in some other way.

If you do not want marks on you, you better tell him, because he is going to have to actively stop himself from teething and sucking purple marks into your neck.

Really likes mutual masturbation as well. He tells himself he won't do it over the comms but. He will. If you or him is on a long-term trip you know damn well he doesn't have the patient to wait for either of you to come back.

Sub Anakin

Now. Sub Anakin. That is a whole other ball park.

Anakin craves control, but getting to give up every ounce of control on his own terms really arouses him.

He has some harder limits, he doesn't enjoy being in too much pain or degradation that is too harsh and personal.

But the humiliation aspects of it make him rock hard.

Honestly. He's kinda into it when he's on his knees in front of you, staring up at you with those expectant eyes, and you just barely apply some pressure on his solid crotch. Not enough for it to hurt, just for him to rut against and then make a soiled mess of his pants.

If you let him, that is. Anakin wants to be a good boy. If you tell him no he will listen.

Oh yeah he is more into sexual denial than you'd probably expect.

Orgasm denial? Hell, nothing makes him harder and whinier than making him watch you get yourself off with him unable to touch you or himself.

Or when you edge him? Make him wait until he's close to sobbing. He wouldn't cry, but if you keep going he will get real desperate.

The longer you deny him, the more he goes from bratty to begging.

HUUUUGE validation kink.

Like HUGE.

He enjoys being denied to an extent but he does want to finish on a high note. Call him a good boy, tell himhow hot he looks when he eats you out... Boy he will go feral.

Haven't written just headcanons in a while so I hope you enjoyed these rambles