#just a thought. I could elaborate but I don’t want to. also compare to trends in popular novels of what the main character was trying to esc

[quiteunpersuadable]

So many contemporary adult gothic horror novels begin with the main character back in their childhood bedroom. Makes you think about what our culture considers horrific for adults.

[raven-at-the-writing-desk]

Not attacking your points whatsoever, but I just wanted to say I was actually floored when you said Vil doesn't garner as much sympathy from the fandom as say Azul or Riddle, especially considering the actions he took to attempt at redeeming himself - maybe when episode 6 comes out he'll be able to garner more considering he becomes the Meg of Idia's story.

Also your points on Vil not being relatable shocked me just as much because the idea of being put down by others and trying hard for something and still not reaching that end goal despite the struggle kinda seems like a running theme in western media rn. Nonetheless, love your analyses as per usually do keep it up👏

[Referencing this post and this post!]

Hey, no offense taken! ^^ I love hearing from other people; it encourages having a discussion!

Perception on this might vary depending on which pockets of the fandom one frequents, but I’ve always been under the impression that Vil was not well-liked by the international fans, especially prior to episode 6. A lot of this, I believe, had to do with how strict he is, especially towards Epel (as well as a commonly held belief that Vil was shallow and vain before we got more elaboration on his past). There were little uproars here and there about how ���abusive” Vil is to Epel (smacking his hand for using the wrong eating utensil, telling him to not speak in his hometown accent, etc.), and it’s clear that people feel very strongly about this matter, as it is still something that is debated to this day. I think this makes it harder for people to sympathize with Vil; they don’t see him as someone “sympathetic” because Vil is stern and always has a strong suit on, even as a child (compared to Azul and Riddle, who are revealed to have softer sides, which will naturally draw pity).

On the subject of Azul and Vil, I’ve always thought it was extremely unfair that they’re treated so differently in the fandom 😔 If you think about it, their backstories have similar elements: they came from good homes, but were labelled and bullied by their peers, then formed their goals around defying those labels placed on them, just in different ways. Azul pursued revenge (seeking to take from people via deceptive means), and Vil worked himself to the bone in hopes of landing a heroic role that would prove his bullies wrong. So why is it that Azul, the one who actively does bad things with full knowledge and awareness of it, earns more sympathy than Vil, who makes an honest effort to win VDC through his own abilities (and only takes drastic measures when driven to the brink), gets cast to the wayside? Again, I supposed this difference in treatment could come down to other factors like character popularity, relatability, vulnerability (Azul is prominently shown to be vulnerable in episode 3, but Vil doesn’t really show a moment of weakness until the end of episode 6), and how the main story itself treats them, but it’s still been a sore spot for me when I think of the dynamics of the dorm leaders and the fans. (And to be clear, I personally don’t like Vil or Azul; This is not a case me defending Vil over Azul because of an inherent character bias.)

Anyway 😩 even though I don’t like Vil that much myself, I’m hoping that he gets more people on his side when EN releases episode 6… Cuz man, I feel bad for the guy 💦 he tries so hard, yet he still basically gets treated like a “villain” by the international fandom (which is, ironically, what episode 5 was trying to tell us Vil DIDN’T want). The whole situation with him is just riddled with irony.

I don’t think I can comment much on the popular themes of western media; I don’t watch enough of what would be classified as “western media” to talk about the trends I’ve noticed. However, when I said “I don’t think Vil is relatable”, I don’t mean that he’s entirely unreliable. Every dorm leader has parts of their backstory that people can relate to, it’s just that Vil’s specific circumstances are rare. I can’t think of many kids (or even adults) with the same drive and maturity as child Vil, nor can many relate to being a bullied child star. It’s a lot easier to just relate to the “being bullied” segment that is in Azul’s much humbler beginnings. People can relate to Vil trying hard but still failing, but that’s someone that results from his circumstances; most will see the circumstances first and not focus on the finer details.

Actually, I would argue that the “trying hard but failing anyway” part of Vil’s character plays into why some (particularly young people) dislike him or think he was “done dirty”. When you’re younger, you think you’re invincible and can do anything. You generally have more hope. You expect good things in return for trying hard. Not so when you’re forced to face the realities of the world. It was probably jarring for younger players, especially those who associate Disney with “happily ever afters” to see Vil NOT get his. (Again, there was a lot of outrage in the community when episode 5 first came out and NRC lost to RSA.) Meanwhile, adult fans who are generally more jaded, can appreciate that Vil stays strong and works hard in spite of not being rewarded for it. It’s a sad but bitter truth, and maybe some people just.. didn’t vibe with that reminder 🤔 I’ve heard others describe the revelation (and, subsequently, the end of episode 5) as “a slap to the face”, and I can understand why it doesn’t feel good.

[bts-weverse-trans]

210104 Weverse Magazine ‘Be’ Comeback Interview - Suga

SUGA “I'm grateful that there are still unvisited areas in the world of music” BTS BE comeback interview 2021.01.04

SUGA has this way of talking passionately with a deadpan look on his face. Full of passion about his life and music.

How is your shoulder? SUGA: Good. I think it’ll get even better once I take off this brace. Apparently, it takes several months for a full recovery, but I'm trying to get better as fast as possible.

How does it feel like to have resolved a problem that has distressed you for long? SUGA: First of all, I'm glad. The pain is one thing, but when my shoulders got worse, I couldn't even raise my arms. But when I heard that this might recur when getting the surgery at a young age, I waited for the right time and had decided to get it done early next year regardless of the COVID-19 situation. I had planned to get the surgery after the year-end stages, but I got it done this year (2020) because my doctors advised me to start preparing early for next year’s promotions and activities.

How does it feel like watching the other members doing promotions? SUGA: I can't say it feels great. I could see the emptiness because we've been together as a group of seven for so long. Not necessarily because I'm not there but because something that should be there is missing?

Is that what made you join the promotion as much as possible? You shot lots of video footage in advance and you even appeared in the Mnet “2020 MAMA” through VR. SUGA: Fake SUGA (Laughs). There’s this 3D studio where we shot it. I shot, scanned, and acted there, but couldn't see the actual result at the studio. I thought a sense of displacement was unavoidable, and that was exactly the case. (Laughs) I acted normal because it would have been aired anyway even if I hadn’t had the surgery, but it seems a lot because it’s aired after the surgery.

You must feel restricted not being able to go on stage. SUGA: The thing is, it's only been a month after I got surgery, but my absence on stage is so apparent. But my doctors keep telling me that I shouldn't be impatient and in fact, many athletes get a resurgery when they return to the field without proper rehabilitation. So I'm working on trying to care less. For the first two weeks after surgery, I felt so frustrated that I tried out new things. I even watched movies I didn't watch.

What movies did you watch? SUGA: I watched ‘Samjin Company English Class’ as it happened to be on IPTV, and now I have ‘Tenet’ on my list. ‘Parasite’ was the last movie I saw at a cinema. As the social distancing measures became stricter, I haven’t been going outside, except going to the hospital. I even eat at home. I'm also watching a lot of TV nowadays. Watching music shows like ‘Sing Again’, ‘Folk Us’, and ‘Show Me The Money 9’ made me think of what I should do in the upcoming days.

Could you elaborate on that? SUGA: A lot of candidates on ‘Sing Again’ are very talented but hadn't had the opportunity, and on ‘Folk Us’, I noticed that many took their own guitars on stage. I started playing the guitar lately and I'm having this urge to broaden my scope of music. And since my interest in the music industry in the U.S. grew, I'm getting prepared, studying English and all.

What fueled your interest? SUGA: In some ways it’s the most commercially developed market. You could lose the industry attention in a flash if it's not feasible. So in this system, you would try everything and that would be an efficient way. I want to do music for a long time, and to this end, I always want to learn more about the global music industry because I want to do music that’s loved not only in Korea, but also in the U.S., Japan and Europe.

Speaking of which, it seems BE was influenced from music of the past rather than today's trends. SUGA: I especially like impromptu music. I love the songs that were made in one take instead of being recorded several times. In this era of crossover genres, the desire to do better in music is growing inside me.

As the genres become more blended, the melody you use must be more important. Does starting to play the guitar affect your composing in any way? SUGA: I always liked using guitar sounds. And I have always liked the Eagles. If you play the guitar, it’s way easier to write songs because you can carry it along wherever you go, pluck on the strings to create melody lines. Keyboards are difficult to carry around. (Laughs) I usually work on my laptop but I had this thought that I definitely needed an instrument. It accelerates my work and improves my understanding of chords.

It makes me think you could intuitively make melodies. SUGA: It’s easier to write a song because you can intuitively make a progression and try many different things. During my work on ‘Eight’, IU had recorded and sent me a song from her phone. At the time I couldn’t play the guitar, so we tried to make sure we’re working on the same page when keeping track of each other's progress. That made me feel the need to learn an instrument.

This is actually before you started playing the guitar, but I found ‘Telepathy’ in BE very interesting. The varying melodic progressions between hooks for each member made me wonder if you wrote the melody intuitively for each part. SUGA: I tried writing a melody for the first time this year (2020), and as I started knowing the fun of music, it opened a lot of new doors for me. So it was kind of easy working on it. I just played a beat and wrote from the beginning until the end. Done. I wrote it in just 30 minutes. The song almost wrote itself. The trends of pop and hip-hop these days cross boundaries between vocals and rap. I like this trend.

When I listen to your singing, it feels like you’re hitting the beats rather than singing along the notes. So I thought perhaps you're singing as if you're rapping. SUGA: When you're rapping, you just think of the rhythm, so it’s like simply putting on a melody to a rhythm. To define which comes first, I think melody adds to it while writing the rap.

In ‘Life Goes On’, the lyrics ‘Thankfully between you and me, nothing’s changed’ are somewhere in between. It's not rap but it’d be mundane to say it's a mere melody. SUGA: There are obviously songs where the rap needs to be highlighted. For example, in ‘Dis-ease’ or ‘Ugh!’, you have to be good at rap. But in songs that should be easy to listen to, impressive raps are not always the way to go. Sometimes, you want smooth transitions without obstacles.

In that sense, the rap flow of ‘Blue & Grey’ was impressive. Rather than a dramatic effect that emphasizes each part, you extended the rap just as much as the slowing beat. SUGA: To be honest, this beat is difficult to rap to. The beginning of the song only has a guitar line, which made it even more difficult. I participated when we wrote lyrics for ‘Blue & Grey’ and I've always wanted to work on a song like this. It was because verse 1 talks about the theme of the song.

It seems you achieved almost everything that you wanted in BE. SUGA: I think it took less than a week to make my part in the album. After having written one or two melodies for ‘Life Goes On’, I wrote a version complete with rap, and liked it that I even worked on a separate arrangement and lyrics. Rather than pondering over the ways that might work, I choose to simply play the music and write.

Many creators are unsure even after they’ve produced good work. How do you get the conviction to release your work? SUGA: Many musicians are unsure whether they should release their music or not. It was the same for me, but the thing is, you’ll never release anything if you nitpick everything. For example, if we release 10 songs, we have a chance to unveil them in concerts or fan events. And sometimes, as we listen to the song, we think, ‘Why does this part that had bothered me no longer bother me?’ Some things might feel awkward at some point, but in time, it no longer feels awkward. Even I forget about it. So it's more efficient to fine tune, looking at the big picture, rather than thinking too much about the details. On top of that, during promotions, I don’t have the time to pick tracks that others have sent for 10 hours. It would be a success for all of us if each of us play and write a melody in their own time and collaborate with others on the details. So the way of songwriting has evolved in many aspects.

What motivated such evolution? SUGA: I think it evolved naturally. I've changed in personality this year (2020), as well as in terms of my interpretation and attitude toward life to the extent that I almost thought I've been rehearsing. How would it feel like if there were no stage to go to or anyone looking out for me? This thought made me realize the value of these things.

In ‘Dis-ease’, you sing ‘I don’t know if it’s the world that's sick’. Was it this lifestyle that changed your thoughts about your work? SUGA: Yes. When I was young, I had embraced the belief that ‘It must be my fault’, but as I got older, I realized that this is not always true. Most of what I had thought was my fault was in fact, not my fault. On the other hand, there are things that I did well and times I had been lucky.

‘I NEED U’ came out during a time when you were still thinking, “It must be me”. After the members put on a stage with ‘I NEED U’ in KBS' ‘Song Festival’, you wrote on Weverse, “It’s the same as five years ago.” How would you compare with back then? (This interview was held on December 19, 2020.) SUGA: We've matured quite a bit. And our stage performances have become more natural. I still like ‘I NEED U’. Just listening to the beat makes me sentimental, and above all, the song came out nicely. So as I was watching this and that when I stumbled across old videos. Watching them made me think that we haven’t changed much.

In what aspect haven't you changed much? SUGA: Before the social distancing measures got stricter, I talked with the photographer for BE, whom I had met four years ago. The photographer was surprised that we hadn’t changed much after all the success, even though he had assumed we’d be very different.

I'm amazed personally. I’ve had the chance to meet the members before your debut, but from your way of talking with members or others, it seems you haven't changed. SUGA: I think it's because we don’t give it a big deal about success. For example, it's incredible to be ranked first on the Billboards, but there’s also this sense of, “Okay, and?”

Even the Grammys? (Laughs) SUGA: When we got nominated for the Grammy Awards, we thought, ‘Is this real?’ (Laughs) Of course we were delighted, but it didn’t make us think, ‘We're singers nominated for the Grammy.’ If you're nominated, you're nominated, and if you get the award, you get the award. You don't get shaken by that. I know it's a great award and would be so grateful if we receive it, but we know that nothing is possible without the tremendous support of our fans. What’s more important is that the fans are more flattered than us when we receive a great award. So everyone's rejoicing, but it’s like, ‘Let's do what we have to do.’ We've been training ourselves to keep finding our places, so no one remains overexcited.

In ‘Fly To My Room’, there are lyrics that say, ‘This room is too small to contain my dream’, and ‘Sometimes this room becomes an emotional trash can, but it embraces me.’ I had this feeling that the room had been such a place and that you were accepting that you have changed. Then the essence must have remained the same. SUGA: It wasn’t easy to accept that we eventually change. But I think it's a good thing that we changed. What we did back then was possible only at that time, and we could change because of the things we had accomplished.

Then, what new things are you dreaming about? SUGA: I'm eager to continue doing music. Since all performances were canceled due to COVID-19, I had a chance to talk to so many musicians in Korea. I talked with legendary singers as well as people who are my contemporaries. Talking with them once again made me realize that I love music so much. Because music is my profession, I can’t imagine myself not doing it. I'm grateful that there are still unvisited areas in the world of music.

What kind of music do you think you’ll be engaged in in the future? SUGA: I was greatly motivated when I saw the concert of Na Hoon-a last Chuseok . I wondered how many musicians would actually be able perform and write music for so long like he has. At that moment, it occurred to be that ‘I want to be like him’. He has passion and desire, and most of all, he is a superstar. A few years ago, I took my parents to a Na Hoon-a concert, and when they watched the performance last Chuseok, they said it was way less impressive to see him perform through the TV. (Laughs)

That must explain your interest in a broader spectrum of music from instruments to composing and musical genres. Because you want to be doing this for a long time. SUGA: My goal is to continue doing music in any shape or form. In that sense, I have this great respect toward Cho Yong-pil. He takes the best sound there is and reinterprets it into his own. I think that’s something I want to emulate and keep changing and evolving so that I can continue doing music for decades to come.

The lyrics ‘Thankfully between you and me nothing’s changed’ must sound more meaningful for the fans because they will be listening to your music for a long time. SUGA: A month and a half in the current times must seem like a lifetime for the fans when we're far apart. I feel the same. But I think that's proof that we worked hard for the past seven years and that the fans have been passionately reaching out to us. I'm striving to get to them as fast as I can, and I'm eager to go on stage. I'm going through this because I want to be better on stage in a better condition, so don't be sad, and please hang in there a little longer.

Trans © Weverse

[wakaoujisenhime]

✨Hola Viki ✨

I was wondering how would the GOM + Kagami, Takao and Kiyoshi react to their s/o doing tiktok dances randomly in public? Who would join in, who would hype them up, and who would walk away like they don't know them 😂😂

A/N: hola!!! ✨ ok so before you go on a few disclaimers: a) I have zero idea about any tiktok trends/dances etc. so I didn’t name any specific ones, just imagine your favorite one; b) I initially wanted to do my standard hcs but held off and tried something new, so I hope you like it! and if you don’t & wanted a more in-depth one, just send me an ask and I’ll elaborate further! Please enjoy!! ♥️

Tags: GoM and Kagami/Kiyoshi/Takao x reader ✅ fluff ✅

━━━━☆ ━━━━☆ ━━━━☆

THE [JOIN IN] CREW

↳ Kagami, Kiyoshi, Aomine

The two of you went out on a date and you were walking around hand-in-hand, chatting away, laughing, and just having a good time in general, but the moment one of the familiar songs from TikTok reach your ears you just can’t help but let go of your lover’s hand and just start dancing in the middle of the street. He’d be pretty caught off guard for a short while at first, but just seeing you smiling to yourself while you move your body in accordance to the music in the background would even fill him with the desire to just join you, and he eventually would.

He’d just take your hand in his and try to copy your movements to the best of his abilities, constantly chuckling at how enthusiastically you try to teach him and teasing you about it too. Even if you felt a little (or maybe even a LOT) embarrassed at first, having him next to you helping you indulge in your little moment would make you feel super relaxed eventually and you know what they say…once you’re really into it, it becomes a live-worthy show many pedestrians would happily watch and clap to.

[HYPING YOU UP] GANG

↳ Kuroko, Kise (could also be in JOIN IN), Takao, Akashi

So for this one you’re in a certain store (maybe one of the bigger ones like clothing, appliances, etc.), and your lover is currently either talking to a staff member or comparing the two products in his hands while you look around in boredom so of course the moment you hear that familiar tune from the speakers you just can’t help but grin as you remember that one dance from TikTok you practiced alongside it, and before you know it, you’d stepped a few meters away from your companion and had started to dance.

His initial reaction would be shock and surprise, if he was still talking then know that the conversation is over the moment you start your little performance; if he still held the products, he’d just put them back without looking because he’s got something more mesmerizing to look at, namely you. He would be one of those that just start bobbing their head to the melody and gradually smile wider and wider with every passing moment, eventually, he’d either take out his mobile phone to take a video where he constantly switches from you to his face going Look at (Y/N) go!! And here I thought I couldn’t fall in love more with you!, he’d just clap and grin at any passerby silently muttering This is my lover as to not interrupt your momentum, and whenever you did a really smooth move he’d try his best to whistle as if he was at a stadium and go Yeees!! Work it, baby, just like that!!

THE [WALK AWAY BECAUSE THEY SUDDENLY DON‘T KNOW YOU] CLUB

↳ Midorima, Murasakibara

He usually liked the peace and quiet he got to have with you during your date or small walk around the park/town/streets etc. so you can imagine how much it actually flabbergasted him the moment you started dancing to a random passerby’s ringtone, which just so happened to be that one TikTok song you very often danced to. Even if the melody was long gone, you still continued humming and moving your body accordingly and even went so far as to ask your boyfriend to join you. He on the other hand though was absolutely embarrassed, cheeks slightly flushed and his eyes darting left and right in slight panic while he continuously warned you that you were in public and you should just stop and walk normally.

The moment he saw even one pair of eyes on you and him from a random person, he’d just freeze up, turn around, and start walking away at a fast pace, completely ignoring your calls, acting as if he didn’t know you and was just a random passerby that happened to be…too close to you during your little act. In the end, you’d just jog up to him, take his hand in yours and proceed to tease him about being embarrassed. He would need a short while to recover and talk normally to you, but eventually, he’d just squeeze your hand back and mumble a silent those were some great moves under his breath.

[sugadaily]

SUGA has this way of talking passionately with a deadpan look on his face. Full of passion about his life and music. How is your shoulder? SUGA: Good. I think it’ll get even better once I take off this brace. Apparently, it takes several months for a full recovery, but I'm trying to get better as fast as possible. How does it feel like to have resolved a problem that has distressed you for long? SUGA: First of all, I'm glad. The pain is one thing, but when my shoulders got worse, I couldn't even raise my arms. But when I heard that this might recur when getting the surgery at a young age, I waited for the right time and had decided to get it done early next year regardless of the COVID-19 situation. I had planned to get the surgery after the year-end stages, but I got it done this year (2020) because my doctors advised me to start preparing early for next year’s promotions and activities. How does it feel like watching the other members doing promotions? SUGA: I can't say it feels great. I could see the emptiness because we've been together as a group of seven for so long. Not necessarily because I'm not there but because something that should be there is missing? Is that what made you join the promotion as much as possible? You shot lots of video footage in advance and you even appeared in the Mnet “2020 MAMA” through VR. SUGA: Fake SUGA (Laughs). There’s this 3D studio where we shot it. I shot, scanned, and acted there, but couldn't see the actual result at the studio. I thought a sense of displacement was unavoidable, and that was exactly the case. (Laughs) I acted normal because it would have been aired anyway even if I hadn’t had the surgery, but it seems a lot because it’s aired after the surgery. You must feel restricted not being able to go on stage. SUGA: The thing is, it's only been a month after I got surgery, but my absence on stage is so apparent. But my doctors keep telling me that I shouldn't be impatient and in fact, many athletes get a resurgery when they return to the field without proper rehabilitation. So I'm working on trying to care less. For the first two weeks after surgery, I felt so frustrated that I tried out new things. I even watched movies I didn't watch.

What movies did you watch? SUGA: I watched ‘Samjin Company English Class’ as it happened to be on IPTV, and now I have ‘Tenet’ on my list. ‘Parasite’ was the last movie I saw at a cinema. As the social distancing measures became stricter, I haven’t been going outside, except going to the hospital. I even eat at home. I'm also watching a lot of TV nowadays. Watching music shows like ‘Sing Again’, ‘Folk Us’, and ‘Show Me The Money 9’ made me think of what I should do in the upcoming days. Could you elaborate on that? SUGA: A lot of candidates on ‘Sing Again’ are very talented but hadn't had the opportunity, and on ‘Folk Us’, I noticed that many took their own guitars on stage. I started playing the guitar lately and I'm having this urge to broaden my scope of music. And since my interest in the music industry in the U.S. grew, I'm getting prepared, studying English and all. What fueled your interest? SUGA: In some ways it’s the most commercially developed market. You could lose the industry attention in a flash if it's not feasible. So in this system, you would try everything and that would be an efficient way. I want to do music for a long time, and to this end, I always want to learn more about the global music industry because I want to do music that’s loved not only in Korea, but also in the U.S., Japan and Europe. Speaking of which, it seems BE was influenced from music of the past rather than today's trends. SUGA: I especially like impromptu music. I love the songs that were made in one take instead of being recorded several times. In this era of crossover genres, the desire to do better in music is growing inside me. As the genres become more blended, the melody you use must be more important. Does starting to play the guitar affect your composing in any way? SUGA: I always liked using guitar sounds. And I have always liked the Eagles. If you play the guitar, it’s way easier to write songs because you can carry it along wherever you go, pluck on the strings to create melody lines. Keyboards are difficult to carry around. (Laughs) I usually work on my laptop but I had this thought that I definitely needed an instrument. It accelerates my work and improves my understanding of chords. It makes me think you could intuitively make melodies. SUGA: It’s easier to write a song because you can intuitively make a progression and try many different things. During my work on ‘Eight’, IU had recorded and sent me a song from her phone. At the time I couldn’t play the guitar, so we tried to make sure we’re working on the same page when keeping track of each other's progress. That made me feel the need to learn an instrument.

This is actually before you started playing the guitar, but I found ‘Telepathy’ in BE very interesting. The varying melodic progressions between hooks for each member made me wonder if you wrote the melody intuitively for each part. SUGA: I tried a melody for the first time this year (2020), and as I started knowing the fun of music, it opened a lot of new doors for me. So it was kind of easy working on it. I just played a beat and wrote from the beginning until the end. Done. I wrote it in just 30 minutes. The song almost wrote itself. The trends of pop and hip-hop these days cross boundaries between vocals and rap. I like this trend. When I listen to your singing, it feels like you’re hitting the beats rather than singing along the notes. So I thought perhaps you're singing as if you're rapping. SUGA: When you're rapping, you just think of the rhythm, so it’s like simply putting on a melody to a rhythm. To define which comes first, I think melody adds to it while writing the rap. In ‘Life Goes On’, the lyrics ‘Thankfully between you and me, nothing’s changed’ are somewhere in between. It's not rap but it’d be mundane to say it's a mere melody. SUGA: There are obviously songs where the rap needs to be highlighted. For example, in ‘Dis-ease’ or ‘Ugh!’, you have to be good at rap. But in songs that should be easy to listen to, impressive raps are not always the way to go. Sometimes, you want smooth transitions without obstacles. In that sense, the rap flow of ‘Blue & Grey’ was impressive. Rather than a dramatic effect that emphasizes each part, you extended the rap just as much as the slowing beat. SUGA: To be honest, this beat is difficult to rap to. The beginning of the song only has a guitar line, which made it even more difficult. I participated when we wrote lyrics for ‘Blue & Grey’ and I've always wanted to work on a song like this. It was because verse 1 talks about the theme of the song.

It seems you achieved almost everything that you wanted in BE. SUGA: I think it took less than a week to make my part in the album. After having written one or two melodies for ‘Life Goes On’, I wrote a version complete with rap, and liked it that I even worked on a separate arrangement and lyrics. Rather than pondering over the ways that might work, I choose to simply play the music and write. Many creators are unsure even after they’ve produced good work. How do you get the conviction to release your work? SUGA: Many musicians are unsure whether they should release their music or not. It was the same for me, but the thing is, you’ll never release anything if you nitpick everything. For example, if we release 10 songs, we have a chance to unveil them in concerts or fan events. And sometimes, as we listen to the song, we think, ‘Why does this part that had bothered me no longer bother me?’ Some things might feel awkward at some point, but in time, it no longer feels awkward. Even I forget about it. So it's more efficient to fine tune, looking at the big picture, rather than thinking too much about the details. On top of that, during promotions, I don’t have the time to pick tracks that others have sent for 10 hours. It would be a success for all of us if each of us play and write a melody in their own time and collaborate with others on the details. So the way of songwriting has evolved in many aspects. What motivated such evolution? SUGA: I think it evolved naturally. I've changed in personality this year (2020), as well as in terms of my interpretation and attitude toward life to the extent that I almost thought I've been rehearsing. How would it feel like if there were no stage to go to or anyone looking out for me? This thought made me realize the value of these things. In ‘Dis-ease’, you sing ‘I don’t know if it’s the world that's sick’. Was it this lifestyle that changed your thoughts about your work? SUGA: Yes. When I was young, I had embraced the belief that ‘It must be my fault’, but as I got older, I realized that this is not always true. Most of what I had thought was my fault was in fact, not my fault. On the other hand, there are things that I did well and times I had been lucky. ‘I NEED U’ came out during a time when you were still thinking, “It must be me”. After the members put on a stage with ‘I NEED U’ in KBS' ‘Song Festival’, you wrote on Weverse, “It’s the same as five years ago.” How would you compare with back then? (This interview was held on December 19, 2020.) SUGA: We've matured quite a bit. And our stage performances have become more natural. I still like ‘I NEED U’. Just listening to the beat makes me sentimental, and above all, the song came out nicely. So as I was watching this and that when I stumbled across old videos. Watching them made me think that we haven’t changed much.

In what aspect haven't you changed much? SUGA: Before the social distancing measures got stricter, I talked with the photographer for BE, whom I had met four years ago. The photographer was surprised that we hadn’t changed much after all the success, even though he had assumed we’d be very different. I'm amazed personally. I’ve had the chance to meet the members before your debut, but from your way of talking with members or others, it seems you haven't changed. SUGA: I think it's because we don’t give it a big deal about success. For example, it's incredible to be ranked first on the Billboards, but there’s also this sense of, “Okay, and?” Even the Grammys? (Laughs) SUGA: When we got nominated for the Grammy Awards, we thought, ‘Is this real?’ (Laughs) Of course we were delighted, but it didn’t make us think, ‘We're singers nominated for the Grammy.’ If you're nominated, you're nominated, and if you get the award, you get the award. You don't get shaken by that. I know it's a great award and would be so grateful if we receive it, but we know that nothing is possible without the tremendous support of our fans. What’s more important is that the fans are more flattered than us when we receive a great award. So everyone's rejoicing, but it’s like, ‘Let's do what we have to do.’ We've been training ourselves to keep finding our places, so no one remains overexcited. In ‘Fly To My Room’, there are lyrics that say, ‘This room is too small to contain my dream’, and ‘Sometimes this room becomes an emotional trash can, but it embraces me.’ I had this feeling that the room had been such a place and that you were accepting that you have changed. Then the essence must have remained the same. SUGA: It wasn’t easy to accept that we eventually change. But I think it's a good thing that we changed. What we did back then was possible only at that time, and we could change because of the things we had accomplished. Then, what new things are you dreaming about? SUGA: I'm eager to continue doing music. Since all performances were canceled due to COVID-19, I had a chance to talk to so many musicians in Korea. I talked with legendary singers as well as people who are my contemporaries. Talking with them once again made me realize that I love music so much. Because music is my profession, I can’t imagine myself not doing it. I'm grateful that there are still unvisited areas in the world of music.

What kind of music do you think you’ll be engaged in in the future? SUGA: I was greatly motivated when I saw the concert of Na Hoon-a last Chuseok . I wondered how many musicians would actually be able perform and write music for so long like he has. At that moment, it occurred to be that ‘I want to be like him’. He has passion and desire, and most of all, he is a superstar. A few years ago, I took my parents to a Na Hoon-a concert, and when they watched the performance last Chuseok, they said it was way less impressive to see him perform through the TV. (Laughs) That must explain your interest in a broader spectrum of music from instruments to composing and musical genres. Because you want to be doing this for a long time. SUGA: My goal is to continue doing music in any shape or form. In that sense, I have this great respect toward Cho Yong-pil. He takes the best sound there is and reinterprets it into his own. I think that’s something I want to emulate and keep changing and evolving so that I can continue doing music for decades to come. The lyrics ‘Thankfully between you and me nothing’s changed’ must sound more meaningful for the fans because they will be listening to your music for a long time. SUGA: A month and a half in the current times must seem like a lifetime for the fans when we're far apart. I feel the same. But I think that's proof that we worked hard for the past seven years and that the fans have been passionately reaching out to us. I'm striving to get to them as fast as I can, and I'm eager to go on stage. I'm going through this because I want to be better on stage in a better condition, so don't be sad, and please hang in there a little longer.

[crusherthedoctor]

Sonic Heroes: Sweet or Shite? - Part 2: CREAM

There are some heroes I like. And there are some heroes I don’t like. But why do I feel about them the way I do? That’s where this comes in.

This is a series in which I go into slightly more detail about my thoughts on the heroes in the Sonic the Hedgehog franchise, and why I think they either work well, or fall flat (or somewhere in-between). I’ll be giving my stance on their designs, their personalities, and what they had to show for themselves over the course of time. Two things to keep in mind:

1. These reviews will be focusing mainly on game portrayals. Though alternate media will occasionally be mentioned, it’ll be for the sake of adding onto a point if a portrayal is similar enough, or to compare and contrast if a portrayal is different enough.

2. These are just my own personal thoughts. Whether you agree or disagree, feel free to share your own thoughts and opinions! I don’t bite. :>

Anyhow, for today’s installment, it's a vast departure from the mayhem of Silver’s world. A much more down-to-earth character, it's the Chao-approved little girl who only the most Eggman of Eggmen could possibly hold in contempt... Cream the Rabbit.

The Gist: One day, Sonic was off on another advance adventure. Eggman was starting shit again, so Sonic was obligated to cause shit for him. This time though, upon confronting the doctor early on, he noticed there was an unfamiliar hostage on the doctor’s metal-fisted person, in the form of an adorable bunny girl.

This was how she was evicted from Team Sonic Racing.

Sonic may not have recognised her, but that's okay, because he's Sonic, and no Sonic that isn't the Fleetway one discriminates. With his good heart - and more importantly, his skill in breaking apart Eggman's machines like they’re made of tissue paper - he saved the day, and the bunny was eternally grateful. But all was not sorted out, as it seemed that Vanilla, her adoring mother, was still under threat...

No matter. With the help of her little Chao partner named Cheese, she would handle the problem herself.

“How the fuck did this happen?” - Eggman, Sonic Advance 2 (2003)

And... that's about it? I told you this was a far cry from Silver, didn't I? Compared to Sonic's other friends, Cream just kind of showed up without much fanfare. No elaborate backstory, no dramatic plot twists, just a girl wanting to help out.

Well, if it makes this part of the job easier...

The Design: Just like her story (or lack thereof), there isn’t too much to say here. Her design is fairly simple, but it gets the job done.

“We’re going to have so much fun when we turn our enemies into dust and make them feel inadequate, won’t we Cheese? ^__^”

The best Sonic character designs are perfect at blending the right colours together, and Cream is no exception to that rule. The mix of cream (of course) and brown makes for a suitably warm and cozy package, and the further addition of orange and yellow provide a nice contrast to the reds and whites of her older sister figure, Amy. And speaking of Amy, although it might not be completely intentional, I like that Cream’s style of clothing isn’t too far off from that of the pink hedgehog, given their close dynamic.

I know some may take issue with the fact that her ears are technically backwards, but I personally don’t care. It’s cute, it’s fiction, don’t worry about it.

The Personality: Simply put, Cream is a kind, polite, innocent soul who would feel immensely guilty in the event of accidentally hurting a fly.

“I was not programmed to d’aww...”

This is in large part because she’s a devoted pacifist by nature, meaning she would only be willing to annihilate the absolute shit out of you if she had no other choice in the matter. Not that you should push her if it came to that, since I’m not exaggerating when I say that she’d wreck your shit. No mortal should have the awe-inducing power that Cream wields. (Seriously, is there any game she’s playable in where she’s NOT broken?)

Did I mention she’s cute as a button? Cause I’m gonna mention it again.

Come on, how could you hate this bunny? Is there no place for cuteness in this franchise starring plush-sized cartoon animals and giant red springs?

The Execution: If you haven’t noticed by how shorter this is than the average Sweet or Shite review, Cream is an extremely straightforward character to describe and discuss. But is that a bad thing? No, not necessarily. It doesn’t hurt for a character to have more to them of course, but compared to being as ridiculous and as complicated as, again, the whole mess involving Silver, it’s easy to appreciate when things are kept nice and simple.

If you also haven’t noticed, I would protect this girl with my life.

“Thank you for bowing down to your superior, mister!” “Chao!”

Okay, so maybe her voice can get a little ear-piercing at times, even though I’d argue that hasn’t been the case with her most recent voice actress. Maybe her dedication to her pacifism rubs some the wrong way, since it can cause some unnecessary complications from time to time, most notably during Sonic Battle, when her (initial) refusal to fight in an intense situation led to Emerl getting beat up by Original Gammas, Do Not Steal. Or maybe she’s simply not ~radical~ enough, if you’re that sort of fan.

But me? I like her. I think she has a place, and I think she deserves to keep that place. As such, I also think it’s a tragedy that it appears as though she’s been getting phased out from a lot of Sonic products, possibly due to all these accusations directed at her. IDW has been the biggest exception to this trend thus far... but we all know what happened there, don’t we?

MFW I’m told to sign up on Bumbleking to understand a comic’s piss-poor writing.

Still, even if this unofficial phasing out continues, I’ll continue to defend Cream with the same passion I’d reserve for plenty of Sonic’s other chums. For one thing, she’s not wearing a ganja leaf.

Regardless of the game, Cream’s interactions with the rest of the cast are genuinely sweet, whether it’s Amy, Sonic, a weapon of destruction like Emerl, or a complete stranger like Blaze. She even managed to be nice and understanding to Chris Thorndyke, which is an amazing achievement considering it’s Chris Thorndyke. (Of course, even she lost her temper with Chris Thorndyke at one point, because it’s Chris Thorndyke.) Cream is not the only character who adds heart to the Sonic universe - other examples include Amy, Tails, even Sonic himself at times - but she has her place in doing so all the same... unlike Chris Thorndyke.

I’m always going on about how it’s important to acknowledge Sonic’s world for all it has to offer, rather than take one aspect of it and take it up to eleven at the expense of everything else. That belief of mine also applies here, because as much as it may be a balls to the wall playground filled with cartoon edge and badass attitude, the main star is still a blue hedgehog who rolls into a fuzzy ball, the Ultimate Lifeform with a tragic past is still a black hedgehog who wears hover skates, and the main villain, horrible and brutal as he is, is still shaped like an egg. Appealing charm is inherent to this franchise, no less so than bodaciousness. So Cream isn’t any less appropriate than someone like Shadow.

Although how she hasn’t yet been traumatized by all that she’s been through will be a riddle for the ages. Abductions, abductions of her mother, dead robot friends...

“Shit happens, kid.”

Crusher Gives Cream a: Thumbs Up!

Well, that was a refreshingly easy one. Now if you’ll excuse me, I better get out of here before Trudy takes issue with me for swearing so much in a Cream-related context... oh god, here she comes-!

[penclicksound]

“Willow” by Taylor Swift line by line Analysis

Welcome to a very elaborate analysis of the song “Willow” by Taylor Swift. My goal is to analyse all songs on Evermore, therefore creating an extensive but organised analysis of the whole album. A link will be provided when more song analysis are available.

Note: this is just my interpretation and in no way discards any other interpretation. I don’t claim my interpretation to be the “right” interpretation.

Please do not steal my words or ideas as your own or repost, but refer to me, when you talk about my ideas or post it somewhere else, thank you so much!

“I’m like the water when your ship rolled in that night

Rough on the surface, but you cut through like a knife”

The song kicks off with rough waters, which may equal to stormy waters. Taylor thus refers to herself as stormy waters, potentially thinking of herself or her life as chaotic or turbulent. A love interest then enters her life like a “boat”. This is an interesting metaphor, as Taylor has often referred to music as a “floating device” on a stormy sea (e.g. the piano in the Cardigan music video). Potentially, this means that she sees herself and her life as a stormy sea and the love interest enters her life as floating device (= the ship). Although the water seems rough, the love interest “cuts through” it “like a knife”, suggesting that underneath the surface, the water isn’t rough at all. This could mean that the love interests sees right through the stormy life/character of the singer and by doing that, enters the quiet part of her life/character. The ship/water metaphor is an ongoing metaphor throughout evermore (later: Gold Rush “eyes like sinking ships”).

 “And if it was an open-shut case

I never would’ve known from that look on your face”

An open shut case is a case “which is easily decided or solved because the facts are very clear” (collinsdictionary.com). This could mean that Taylor herself did not see the getting together with the love interest as an obvious thing that happened easily. She did not think of the issues that arise during the first period of dating and getting together as easily solved. And the look on the face of the love interest did not suggest he thought it was easy. Even if it was that easy to get together, she would have never guessed it.

 “Lost in your current like a priceless wine”

This is an interesting line, as it reverses positions. In the beginning, Taylor was the water and now the love interest is. Opposed to the love interest, she is not a ship that cuts through it, but instead she is lost in the waters. The priceless wine may be a reference to herself as being of high value, but the high value is lost in the relationship. It could also refer to the ships that sank while shipping wine, that then started aging in the sea, increasing in value only more. This would make more sense, as it could mean that while Taylor loses herself in her love interest, it only increases her personal value more. Aside from that, one may notice that Taylor uses “current” instead of “water”, perhaps referring to the actions and the course of life of the love interest, more than their personality. It also appears he is in control of the current, of the waters he’s in of he is. Taylor on the other hands, seems out of control, storming.

 “The more that you say, the less I know

Wherever you stray, I follow”

The more the love interests say, the less Taylor knows. This could mean that the love interest is very wise to Taylor, and therefore makes her feel unintelligent and discard old beliefs. It could however, also mean that the love interest is not making any sense when they’re speaking. Maybe they’re sending conflicting signals. This interpretation ties in with the upcoming lines “Now this is an open-shut case, I guess I should’ve known from the look on your face”. However, even though Taylor is not understanding what the person means (or possibly, what their intentions are), she will follow him wherever he goes. This ties in with the previous line: “lost in your current”. She is unable to separate from him, lost in his current, bound to follow him wherever he decides to go.

 “I’m begging for you to take my hand

Wreck my plans, that’s my man”

She then asks the love interests to take her hand. This could again refer to him as a floating device. She is lost, following him around in his stormy sea, and she’s begging him to take her hand, so she won’t get lost in his current. She’s also asking him to wreck her plans, possibly meaning that she’s confused and abandoning her own plans to follow him wherever he wants. She then goes on to say “that’s my man”, which has some sense of pride. Possibly she admires him for being her “current”, taking her everywhere and guiding her.

 “Life was a willow and it bent right to your wind”

This again ties in with the resemblance of the love interest to the “current”. He is in control of his life, deciding where to go, changing course and she will follow. Life bents to his wind. This is the first time the song title is named, so why did she chose a “willow” to equal life? A willow is often considered a beautiful tree, but also a sad tree (willow often means the “weeping willow”). This may mean that life is beautiful, but sad and weeping. All the same, the love interest is able to steer the beautiful and sad life.

 “Head on the pillow, I could feel your sneakin’ in”

Taylor is in her bed, possibly pretending to sleep, while the love interests sneaks up on her. This could mean that she felt like she was in “pause” in her life, sleeping, doing nothing or maybe just not being on guard, but vulnerable. The love interest sneaks into her life, but although Taylor is not on guard, she does know he is entering her life.

 “As if you were a mythical thing

Like you were a trophy or champion ring

But there was one prize I’d cheat to win”

He’s entering her life like he is a mythical thing, like he is not real. This may in a way refer to folklore. It is as though he isn’t real, but stories are told about him. Taylor then compares him to a trophy or a champion ring. Perhaps this line means that she sees him as something that people admire and desire to have, but nobody really ever wins. For example a Grammy is rarely won by anybody, it may feel rather mythical to many musicians. The love interest thus doesn’t seem real to her, but he is highly desired. She would even cheat to win him. Cheating could referring to cheating in a game (this ties in with the champion ring metaphor, such as taking dopamine to win a cycling race), but also cheating in a relationship (which ties in better with the fact that she’s talking about a love interest).

 “You know that my train could take you home

Anywhere else is hollow

I’m begging for you to take my hand

Wreck my plans, that’s my man”

After repeating the chorus, where she is again subject to his course of life, she then goes on to state that her train could take him home. This seems a lot more in control in this second chorus. She’s following him anywhere, but if he steps on her train, he’d go home. Perhaps this means that she will follow him, traveling anywhere, doing anything, but if he wants, he can come to her and she will take him home. She then states that anywhere besides home is hollow. This could mean that, yes, she will follow him anywhere, but she thinks it’s rather a waste, because she’d rather be home. Home could be referring to a familiar place, somewhere where there’s peace. She would follow him into the storm, but she’d rather be at home with him in peace. In this version of the chorus, her asking the love interest to take her hand, may mean the opposite of what it meant in the first version. In this version she’s begging him to let her control his route to take him home. Perhaps going home and staying in peace, however, wasn’t her original plan, as she does refer to it as wrecking her plans. She loves it though, as she again proudly states: “that’s my man”.

 “Life was a willow and it bent right to your wind

They count me out time and time again”

Life was a willow and it bent right to your wind

But I come back stronger than a ‘90s trend”

While he is completely in control of his beautiful and sad life, the people in Taylor’s life (“they”), keep counting her out, as though she’s no longer a part of the world/life. After stating again that he is in control of his life, she then takes control over hers and states that she “comes back stronger than a ‘90s trend”. This could mean that, in the beginning of the song, she felt out of control, following her love interest anywhere, unsure and confused, but now she’s back, and she’s stronger than ever.

 “Wait for the signal and I’ll meet you after dark

Show me the places where the others gave you scars”

Waiting for signals and meetings in the dark suggests there’s secrecy in the relationship. This could be because she is cheating (“there was one prize I’d cheat to win”) and therefore they have to meet secretly. In my view, however, it could also refer to some sense of darkness in the world and they have to built their relationship in secrecy to avoid other people from interfering (this could tie in with “they could me out time and time again”. It also interesting to note that the love interests enters her life in the nighttime (“your ship rolled in that night”), so perhaps they have always met during the nighttime in secrecy. It is also interesting to note the parallel this line has with Cruel Summer (album Lover track 2): “I snuck through the garden gate every night that summer just to seal my fate”, perhaps referring to the same type of secrecy and nighttime meetings. During the meeting in the dark, they tell each other everything, showing each other their scars and where they got them from. They get to know each other deeply, in secrecy.

 “Now this is an open-shut case

I guess I should’ve known from the look on your face

Every bait-and-switch was a work of art”

Then follows a slightly different version of the ending of the first verse, where she states that if it was an open-shut case, she never would’ve known. Now, however, she states that it in fact was an open-shut case and she should have known. Where at first, she thought that starting and building their relationship was a complex and uncertain thing and perhaps she wasn’t even sure her love interest wanted it, now she knows. It was clear as day and it was quickly and easily done. And apparently he was already aware of that, before she was. An interesting parallel can be drawn with Cruel Summer again, where she sings: “I love you, ain’t that the worst thing you ever heard?/He looks up grinning like a devil”. This means – as is widely accepted among Taylor Swift listeners - he was already long aware she loved him and he was just playing along. She then goes on to state that every bait-and-switch was a work of art. A bait and switch is a “sales tactic that lures customers in with specific claims about the quality or low prices on items that turn out to be unavailable in order to upsell them or a similar, pricier item”. In this context it could mean that the love interest was pretending to be something he was not, therefore luring her into getting to know him. Then, as she dedicated herself to him, she stays with him, even though the costs are higher. In this case, I believe this is a “cheeky” comment, about him selling himself a player, but when she falls for it, she finds out he actually never intended to enter her life as a player, but as a life partner. So now, instead of just dedicating to a period of fun loving, she is in the relationship for life. There is, yet again, a parallel with Cruel Summer: “Bad, bad boy, shiny toy with a price, you know that I bought it”.

[accioromione]

Things that people/characters judge Ron by /use as a joke that makes 0 sense to me

So as we all know. We read the books from Harry’s point of view. Here are my issues with how Ron was treated. 

1. His food habits - this has to be the most annoying part about the series. J.K Rowling is partly to blame. She is always highlighting how Ron’s on his ‘sixth chocolate frog’ or how he’s always hungry, or going further on about his food habits, that it overrides moments of when Ron shares food or plates it for other people. For instance

 'Course, once Dumbledore turned up on your side, there was no way they were going to convict you,' said Ron happily, now dishing great mounds of mashed potato on to everyone's plates. 

One sentence, simple, no elaboration, just a simple ‘on to everyone’s plates’, much easier to forget than something like this

'Oh, yes,' said Nick, who seemed glad of a reason to turn away from Ron, who was now eating roast potatoes with almost indecent enthusiasm. 'Yes, I have heard the Hat give several warnings before, always at times when it detects periods of great danger for the school. And always, of course, its advice is the same: stand together, be strong from within.'

 'Ow kunnit nofe skusin danger ifzat?' said Ron.

 His mouth was so full Harry thought it was quite an achievement for him to make any noise at all.

 'I beg your pardon?' said Nearly Headless Nick politely, while Hermione looked revolted. Ron gave an enormous swallow and said, 'How can it know if the school's in danger if it's a Hat?'

 'I have no idea,' said Nearly Headless Nick. 'Of course, it lives in Dumbledore's office, so I daresay it picks things up there.'

 'And it wants all the houses to be friends?' said Harry, looking over at the Slytherin table, where Draco Malfoy was holding court. 'Fat chance.'

 'Well, now, you shouldn't take that attitude,' said Nick reprovingly. 'Peaceful co-operation, that's the key. We ghosts, though we belong to separate houses, maintain links of friendship. In spite of the competitiveness between Gryffindor and Slytherin, I would never dream of seeking an argument with the Bloody Baron.'

 'Only because you're terrified of him,' said Ron.

 Nearly Headless Nick looked highly affronted.

 Terrified? I hope I, Sir Nicholas de Mimsy-Porpington, have never been guilty of cowardice in my life! The noble blood that runs in my veins -'

 'What blood?' asked Ron. 'Surely you haven't still got - ?'

 'It's a figure of speech!' said Nearly Headless Nick, now so annoyed his head was trembling ominously on his partially severed neck. 'I assume I am still allowed to enjoy the use of whichever words I like, even if the pleasures of eating and drinking are denied me! But I am quite used to students poking fun at my death, I assure you!'

 'Nick, he wasn't really laughing at you!' said Hermione, throwing a furious look at Ron.

 Unfortunately, Ron's mouth was packed to exploding point again and all he could manage was 'Node iddum eentup sechew,' which Nick did not seem to think constituted an adequate apology. Rising into the air, he straightened his feathered hat and swept away from them to the other end of the table, coming to rest between the Creevey brothers, Colin and Dennis.

 'Well done, Ron,' snapped Hermione

As you all see, J.K Rowling went out of her way to make the way Ron is eating noticed, and the way Harry and Hermione react to it. I absolutely hate this. I hate how the characters look at his food habits and I hate the way readers now remember him by. Ron is about 6′3 (maybe even taller), he is a teenage boy who is GROWING, and is also skinny. It is COMPETLEY NORMAL for him to eat like how he does. He is the YOUNGEST SON of 5 older brothers, he is used to having to eat food quickly. I don’t understand why this became a thing of judgement, he is allowed to be hungry. When other character’s are hungry, it’s fine, no one addresses it, but when it’s Ron of course Hermione has to look disgusted. Meanwhile, look at the reaction’s the occur when Harry is hungry... 

"So you persuaded Horace Slughorn to take the job?"

Harry nodded, his mouth so full of hot soup that he could not speak.

"He taught Arthur and me," said Mrs. Weasley. "He was at Hog-warts for ages, started around the same time as Dumbledore, I think. Did you like him?"

His mouth now full of bread, Harry shrugged and gave a noncommittal jerk of the head.

"I know what you mean," said Mrs. Weasley, nodding wisely. "Of course he can be charming when he wants to be, but Arthur's never liked him much. The Ministry's littered with Slughorn's old favorites, 

No looks of disgust from Mrs. Weasley? If it was Ron I bet you Mrs. Weasley would have been like, ‘slow down Ron!’ or something to shame him for being hungry and this is just not O.K. LET RON EAT. LET HIM BE A GROWING BOY. WHY DOES HE HAVE TO BE SHAMED FOR BEING HUNGRY? 

Okay onto number 2. His insecurities. 

In my opinion, it started off O.K and then after GOF it became something that was like..characters were like ‘yeah O.K Ron’s insecure we get it,’ like in GOF Hermione goes from understanding him to the point where she explains to Harry, don’t you see, it’s hard for him always being compared to people, to OOTP where she’s like shut up with your jealousy Ron you’re sooo annoying. It particularly pisses me off in HBP when Hermione is like going out of her way to compliment Harry and Ron is clearly annoyed with it. And Hermione just ignores Ron like it’s an inconvenience that he’s insecure. I personally would never go out of my way to compliment one friend and ignore the other, especially when tha other friend looks bothered. We see this trend with other characters, who make fun of him for being insecure. The whole Weasley is our King is literally a song that abuses Ron’s lack of confidence in order to make him choke up in quidditch, and no one thinks nor cares about the seriousness of just how insecure Ron is that even other houses can recognize it to use it for their advantage. They just roll their eyes at it like ‘ugh Ron stop being insecure’ and I feel like he deserved more sensitivity, rather than make it like, Ron needs to stop being an insecure prat. Harry is the KING of brushing out other peoples problems because he’s Harry Potter and he has BIGGER PROBLEMS. They ignored Ron to the point where Harry was surprised as to what was coming out of the locket, Harry should have known, he should have not treated it like a minor inconvenience. 

Number 3. His lack of ‘compassion,’ or ‘empathy’ 

We see it highlighted a few times. Harry has described Ron as lacking empathy in situations, or in being too blunt. And these situations tend to be, well, not serious situations, they’re also situations where he is 14 years old. However, when Ron is showing empathy and emotion it’s always brushed off. Like how he cried during Dumbledore’s funeral. Or how he was dealing with Harry’s tantrums, or how he was able to diffuse tension with jokes. It makes Ron appear as if he’s emotionally underdeveloped, but this is not the case, Ron lacks in lady knowledge, what teenage boys don’t? The reality is that Ron knows when to be serious, he IS emotionally mature. When Sirius dies he doesn’t interrogate Harry like Hermione does, he knows when to draw the boundary and respect space. 

Number 4. His status.

It’s often highlighted how he is poor, is a ‘nobody’, or is Harry’s friend by other characters. We see it in HBP with the slug club, we see it with the Slytherin’s. Here is my issue with this...yes he is a Weasley..but let’s look at all the Weasley’s. We have Bill, a curse breaker who married a Veela, Charlie a dragon hunter, Percy, who is high up in the ministry, Fred and George, who have a funny swagger and are popular with everyone, and Ginny, Ms. Badass. I just don’t understand why he was the only Weasley who really got made fun of for being well, a Weasley, why was it RON? Even in the slug club I don’t get it, Slughorn liked people with connections, wouldn't he have had connections by Bill being is brother, or like his aunties? Cormac was taken in because of his uncle...And of course Ginny get’s invited. 

Number 5. The downplay of his accomplishments and the highlight of when he messes up. 

By convenience we don’t get to see How Gryffindor won the quidditch cup in fifth year because of Grawp, but we got to see him failing miserably before-hand. We don’t see him duelling the death eaters in the ministry, but we see him with the brains, although we know what he’s done, due to another character, or Ron telling us what he’s done, the readers get a limited amount of how many times that is actually described. 

Number 6. The tone J.K Rowling uses with Ron’s descriptions. 

Huge pet peeve of mine was how J.K Rowling decided to describe Ron’s owls marks. She gave Harry’s all laid out, and all we get for Ron is ‘Harry saw no O’s’ only to see that next book, they’re cleared for the exact same classes, meaning he got Exceeds Expectations in everything Harry did, like wtf? With ‘Harry saw no O’s’ that could mean 11 P’s, the only reason we know this is not the case is because Ron highlights how he only failed divination and history of magic, and how Molly says he got more than the twins combined. Without this, readers could have assumed anything as all they had to go by was ‘Harry saw no O’s,’ UGH it still bothers me. 

All in all, I think there was a tone implied in the novels that tried to downplay Ron’s character. And it’s sad because I think J.K Rowling knew she created such a likeable complex character, so she downplayed it. Making Ron suffer in the process. 

[fyeah-bangtan7]

SUGA “I'm grateful that there are still unvisited areas in the world of music”

SUGA has this way of talking passionately with a deadpan look on his face. Full of passion about his life and music.

How is your shoulder? SUGA: Good. I think it’ll get even better once I take off this brace. Apparently, it takes several months for a full recovery, but I'm trying to get better as fast as possible.

How does it feel like to have resolved a problem that has distressed you for long? SUGA: First of all, I'm glad. The pain is one thing, but when my shoulders got worse, I couldn't even raise my arms. But when I heard that this might recur when getting the surgery at a young age, I waited for the right time and had decided to get it done early next year regardless of the COVID-19 situation. I had planned to get the surgery after the year-end stages, but I got it done this year (2020) because my doctors advised me to start preparing early for next year’s promotions and activities.

How does it feel like watching the other members doing promotions? SUGA: I can't say it feels great. I could see the emptiness because we've been together as a group of seven for so long. Not necessarily because I'm not there but because something that should be there is missing? Is that what made you join the promotion as much as possible? You shot lots of video footage in advance and you even appeared in the Mnet “2020 MAMA” through VR. SUGA: Fake SUGA (Laughs). There’s this 3D studio where we shot it. I shot, scanned, and acted there, but couldn't see the actual result at the studio. I thought a sense of displacement was unavoidable, and that was exactly the case. (Laughs) I acted normal because it would have been aired anyway even if I hadn’t had the surgery, but it seems a lot because it’s aired after the surgery.

You must feel restricted not being able to go on stage. SUGA: The thing is, it's only been a month after I got surgery, but my absence on stage is so apparent. But my doctors keep telling me that I shouldn't be impatient and in fact, many athletes get a resurgery when they return to the field without proper rehabilitation. So I'm working on trying to care less. For the first two weeks after surgery, I felt so frustrated that I tried out new things. I even watched movies I didn't watch.

What movies did you watch? SUGA: I watched ‘Samjin Company English Class’ as it happened to be on IPTV, and now I have ‘Tenet’ on my list. ‘Parasite’ was the last movie I saw at a cinema. As the social distancing measures became stricter, I haven’t been going outside, except going to the hospital. I even eat at home. I'm also watching a lot of TV nowadays. Watching music shows like ‘Sing Again’, ‘Folk Us’, and ‘Show Me The Money 9’ made me think of what I should do in the upcoming days. Could you elaborate on that? SUGA: A lot of candidates on ‘Sing Again’ are very talented but hadn't had the opportunity, and on ‘Folk Us’, I noticed that many took their own guitars on stage. I started playing the guitar lately and I'm having this urge to broaden my scope of music. And since my interest in the music industry in the U.S. grew, I'm getting prepared, studying English and all. What fueled your interest? SUGA: In some ways it’s the most commercially developed market. You could lose the industry attention in a flash if it's not feasible. So in this system, you would try everything and that would be an efficient way. I want to do music for a long time, and to this end, I always want to learn more about the global music industry because I want to do music that’s loved not only in Korea, but also in the U.S., Japan and Europe. Speaking of which, it seems BE was influenced from music of the past rather than today's trends. SUGA: I especially like impromptu music. I love the songs that were made in one take instead of being recorded several times. In this era of crossover genres, the desire to do better in music is growing inside me. As the genres become more blended, the melody you use must be more important. Does starting to play the guitar affect your composing in any way? SUGA: I always liked using guitar sounds. And I have always liked the Eagles. If you play the guitar, it’s way easier to write songs because you can carry it along wherever you go, pluck on the strings to create melody lines. Keyboards are difficult to carry around. (Laughs) I usually work on my laptop but I had this thought that I definitely needed an instrument. It accelerates my work and improves my understanding of chords. It makes me think you could intuitively make melodies. SUGA: It’s easier to write a song because you can intuitively make a progression and try many different things. During my work on ‘Eight’, IU had recorded and sent me a song from her phone. At the time I couldn’t play the guitar, so we tried to make sure we’re working on the same page when keeping track of each other's progress. That made me feel the need to learn an instrument.

This is actually before you started playing the guitar, but I found ‘Telepathy’ in BE very interesting. The varying melodic progressions between hooks for each member made me wonder if you wrote the melody intuitively for each part. SUGA: I tried a melody for the first time this year (2020), and as I started knowing the fun of music, it opened a lot of new doors for me. So it was kind of easy working on it. I just played a beat and wrote from the beginning until the end. Done. I wrote it in just 30 minutes. The song almost wrote itself. The trends of pop and hip-hop these days cross boundaries between vocals and rap. I like this trend. When I listen to your singing, it feels like you’re hitting the beats rather than singing along the notes. So I thought perhaps you're singing as if you're rapping. SUGA: When you're rapping, you just think of the rhythm, so it’s like simply putting on a melody to a rhythm. To define which comes first, I think melody adds to it while writing the rap. In ‘Life Goes On’, the lyrics ‘Thankfully between you and me, nothing’s changed’ are somewhere in between. It's not rap but it’d be mundane to say it's a mere melody. SUGA: There are obviously songs where the rap needs to be highlighted. For example, in ‘Dis-ease’ or ‘Ugh!’, you have to be good at rap. But in songs that should be easy to listen to, impressive raps are not always the way to go. Sometimes, you want smooth transitions without obstacles. In that sense, the rap flow of ‘Blue & Grey’ was impressive. Rather than a dramatic effect that emphasizes each part, you extended the rap just as much as the slowing beat. SUGA: To be honest, this beat is difficult to rap to. The beginning of the song only has a guitar line, which made it even more difficult. I participated when we wrote lyrics for ‘Blue & Grey’ and I've always wanted to work on a song like this. It was because verse 1 talks about the theme of the song.

It seems you achieved almost everything that you wanted in BE. SUGA: I think it took less than a week to make my part in the album. After having written one or two melodies for ‘Life Goes On’, I wrote a version complete with rap, and liked it that I even worked on a separate arrangement and lyrics. Rather than pondering over the ways that might work, I choose to simply play the music and write. Many creators are unsure even after they’ve produced good work. How do you get the conviction to release your work? SUGA: Many musicians are unsure whether they should release their music or not. It was the same for me, but the thing is, you’ll never release anything if you nitpick everything. For example, if we release 10 songs, we have a chance to unveil them in concerts or fan events. And sometimes, as we listen to the song, we think, ‘Why does this part that had bothered me no longer bother me?’ Some things might feel awkward at some point, but in time, it no longer feels awkward. Even I forget about it. So it's more efficient to fine tune, looking at the big picture, rather than thinking too much about the details. On top of that, during promotions, I don’t have the time to pick tracks that others have sent for 10 hours. It would be a success for all of us if each of us play and write a melody in their own time and collaborate with others on the details. So the way of songwriting has evolved in many aspects. What motivated such evolution? SUGA: I think it evolved naturally. I've changed in personality this year (2020), as well as in terms of my interpretation and attitude toward life to the extent that I almost thought I've been rehearsing. How would it feel like if there were no stage to go to or anyone looking out for me? This thought made me realize the value of these things. In ‘Dis-ease’, you sing ‘I don’t know if it’s the world that's sick’. Was it this lifestyle that changed your thoughts about your work? SUGA: Yes. When I was young, I had embraced the belief that ‘It must be my fault’, but as I got older, I realized that this is not always true. Most of what I had thought was my fault was in fact, not my fault. On the other hand, there are things that I did well and times I had been lucky. ‘I NEED U’ came out during a time when you were still thinking, “It must be me”. After the members put on a stage with ‘I NEED U’ in KBS' ‘Song Festival’, you wrote on Weverse, “It’s the same as five years ago.” How would you compare with back then? (This interview was held on December 19, 2020.) SUGA: We've matured quite a bit. And our stage performances have become more natural. I still like ‘I NEED U’. Just listening to the beat makes me sentimental, and above all, the song came out nicely. So as I was watching this and that when I stumbled across old videos. Watching them made me think that we haven’t changed much.

In what aspect haven't you changed much? SUGA: Before the social distancing measures got stricter, I talked with the photographer for BE, whom I had met four years ago. The photographer was surprised that we hadn’t changed much after all the success, even though he had assumed we’d be very different. I'm amazed personally. I’ve had the chance to meet the members before your debut, but from your way of talking with members or others, it seems you haven't changed. SUGA: I think it's because we don’t give it a big deal about success. For example, it's incredible to be ranked first on the Billboards, but there’s also this sense of, “Okay, and?” Even the Grammys? (Laughs) SUGA: When we got nominated for the Grammy Awards, we thought, ‘Is this real?’ (Laughs) Of course we were delighted, but it didn’t make us think, ‘We're singers nominated for the Grammy.’ If you're nominated, you're nominated, and if you get the award, you get the award. You don't get shaken by that. I know it's a great award and would be so grateful if we receive it, but we know that nothing is possible without the tremendous support of our fans. What’s more important is that the fans are more flattered than us when we receive a great award. So everyone's rejoicing, but it’s like, ‘Let's do what we have to do.’ We've been training ourselves to keep finding our places, so no one remains overexcited. In ‘Fly To My Room’, there are lyrics that say, ‘This room is too small to contain my dream’, and ‘Sometimes this room becomes an emotional trash can, but it embraces me.’ I had this feeling that the room had been such a place and that you were accepting that you have changed. Then the essence must have remained the same. SUGA: It wasn’t easy to accept that we eventually change. But I think it's a good thing that we changed. What we did back then was possible only at that time, and we could change because of the things we had accomplished. Then, what new things are you dreaming about? SUGA: I'm eager to continue doing music. Since all performances were canceled due to COVID-19, I had a chance to talk to so many musicians in Korea. I talked with legendary singers as well as people who are my contemporaries. Talking with them once again made me realize that I love music so much. Because music is my profession, I can’t imagine myself not doing it. I'm grateful that there are still unvisited areas in the world of music.

What kind of music do you think you’ll be engaged in in the future? SUGA: I was greatly motivated when I saw the concert of Na Hoon-a last Chuseok . I wondered how many musicians would actually be able perform and write music for so long like he has. At that moment, it occurred to be that ‘I want to be like him’. He has passion and desire, and most of all, he is a superstar. A few years ago, I took my parents to a Na Hoon-a concert, and when they watched the performance last Chuseok, they said it was way less impressive to see him perform through the TV. (Laughs) That must explain your interest in a broader spectrum of music from instruments to composing and musical genres. Because you want to be doing this for a long time. SUGA: My goal is to continue doing music in any shape or form. In that sense, I have this great respect toward Cho Yong-pil. He takes the best sound there is and reinterprets it into his own. I think that’s something I want to emulate and keep changing and evolving so that I can continue doing music for decades to come. The lyrics ‘Thankfully between you and me nothing’s changed’ must sound more meaningful for the fans because they will be listening to your music for a long time. SUGA: A month and a half in the current times must seem like a lifetime for the fans when we're far apart. I feel the same. But I think that's proof that we worked hard for the past seven years and that the fans have been passionately reaching out to us. I'm striving to get to them as fast as I can, and I'm eager to go on stage. I'm going through this because I want to be better on stage in a better condition, so don't be sad, and please hang in there a little longer.

[lorei-writes]

How To: Comments

A brief guide to commenting under the fics by Lorei.

As some of you may know, I am a court overthinker. I know that human interactions can be scary - and honestly, sometimes so is commenting. However... I wish that anxiety did not stand in way of interactions between readers and the author. So, to cut this introduction short: from me, an anxious writer-overthinker, to you, any person who may need it.

Contents:

Few general truths.

Do’s.

Don’ts. 

All things I will talk about stem from my personal experience and observations. It may vary to some extent between writers, although I did my best to stick to the general trends and to mark where something is more of my personal opinion.

EDIT: As per usual, this is just the general “this will be most likely okay”. If you are doing things differently and it works out for you - great! No need to change that. This was written with people who may be anxious and/or overthinking the matter in particular. I also tried to remove myself from this as much as possible.

Few general truths.

Does my comment even matter?

Yes, it does, especially for longer series. It may be one of the few things pulling the writer through a crisis. 

Your comment notifies the writer that they are indeed seen, that their words reached somebody. If the story resonated with you in any way, letting the writer know that it did may boost their self-confidence, and perhaps even motivate them to keep on writing. 

The writer didn’t reply to my comment. Did I do something wrong?

No! In plenty cases, the writer may not know how to reply, simply as that. They may not have enough time, they may be too tired - just the ordinary, mundane life stuff can cause such a thing too. 

An important thing to remember here is that they still appreciate it, even if they don’t have enough resources to reply to every single person - or even any of them.

How do I know the writer even welcomes comments?

Unless it is specified they do not want comments (or a certain type of comments), assume those are always welcome. 

Do’s

Good will and courage is one thing, but... What could a comment even include?What things are appropriate? Ahhh, no, this is too hard...!

*catches your hand and pulls you back* No, no, no, don’t run, I’ve got you covered! 

First, remember that it is way more likely that what you want to say is okay than for it to be inappropriate. Worst case scenario, the writer will tell you that well, you missed the mark - but! Then you will have the knowledge on what to avoid doing. Your potential to cause plenty good is still way greater than that to cause harm. Not only that! You can apologize! We are humans. We all make errors. Never doing a thing in fear of messing up never leads anywhere. 

So, what things are generally okay*?

If the story made you feel something, say so! For example:  “This made me feel happy!” “I smiled too much because of this story!” “I’m crying, nooo.” “This is so sad!” “My heart has melted.” “This made my day!” “I love it!”

If you can’t find words for your state, emojis work too!  For example:   😭 ❤️ ❤️ 😳 💖 🥺 🥺 🥺 😍 💯✨

Of course, mixing up emojis with text is a great idea! The only thing you may want to be mindful of is that screen-readers do interpret emojis too - so you perhaps want to avoid emoji-[word]-emoji combinations (which overall, applies to the internet in general, btw). 

The story made you think about something? Elaborate! The tricky part here is that yes, you are sharing your thoughts, but you should also tell the writer something nice about their work. The rule of thumb seems to be that it is the story that is in the spotlight, not your experience - or, in other words, you are speaking of the experience in relation to the work, not the work in relation to the experience. For example: “I love your OC, they are so relatable! I don’t think I have ever seen a character which spoke to me so much. I struggle with XYZ too, so I’m feeling for them, I know it’s hard :(” “AAAAAA. The theme of red string reminds me a little of a certain superstition. Some people here think red bows are a good-luck charms. This is wonderful, I love it. 😭💖”

Now, this may seem a little self-centered. Allow me to explain why I insist the story is kept in the spotlight.  Imagine that you’ve spent your time on writing a story, however much of it. Let’s assume it’s about missing a long-deceased pet. Then, you get this comment:

“Nooo, this is so sad, I used to have a dog like that too 😭 His name was Teddy and we were best friends. We’d oftentimes sit together and sometimes I’d throw him a stick. Whenever I would cry, he’d come snuggle up with me, and he wouldn’t leave me until HOURS after I’ve calmed down. I miss him so much, I wish dogs could live forever 😭 “

Now, this makes the situation uncomfortable. You must remember that well, sometimes you may still be almost complete strangers to one another, and this much information puts a great emotional load on the writer. Is it still the writer’s space after such comment, or...? Yeah. It is a bit of a lapse in regards to well, knowing a person.

You are simply thankful and don’t know what to say? Express gratitude!  For example: “Thanks for writing <3 “ “I really needed to read this story.” “Thank you!”

Other things which generally are okay to include:

key smashes (as part of the comment, so that the author knows what you mean) For example:  “I’m wheezing ghesgeskgess” “ghoeigjeshes THANK YOU”

quoting the part of the work you especially liked + adding emoji at the end/commenting something under it

listing the things you enjoyed about the work

Of course, you can do some of those, you can do all of those, you can do just one - whichever suits you!

Don’ts

Okay, we know what is going to be fine. Now, what things to avoid? 

Do not give critique unless the writer clearly asked for it.

Critique must be consensual. Unsolicited advice is not. Sure, your intention may be good, but it leads to backhanded compliments and nobody likes those.

Example of what not to do:

“I enjoyed it, tho it was rater boring at first and it took me several tries to even get to the half of it.  Like, some things were confusing? [Explanation].  Overall, yeah, hard to understand and boring at first, but I liked it.”

Now you may ask - is the writer exempt from feedback?! And the answer is... Yes, honestly, yes. Unless they ask for it, yes. As long as they don’t hurt anybody - yes. Although then I suggest blocking instead of going on a crusade. 

FanFiction isn’t the same as published books. We don’t get paid for it. It is simply an act of sharing what you enjoy with the world, like a sort of perpetuum-mobile. FanFiction propels the reader, the reader comments and thus puts the writer in motion.

Now, you can say that something made you sad. You can say that something made you angry, or that it wasn’t what you were expecting. BUT. Make sure you aren’t demanding the writer changes those things. 

This stretches also to typos, grammar errors, etc. - unless you are absolutely sure the writer asks for this sort of feedback, assume it is unwelcome.

Also, from my personal experience: it happened to me once. I did not know what to reply and went on with my standard apologetic... Ekhem. I regret it. The person who commented knew less about the issue than I did.

EDIT: There is also another reason for this - most often, if a person wants to get feedback, they look for a beta-reader. Beta-reader is a person who reads the work before it is posted. Generally, they point out errors and inaccuracies. However, for it to work well, you need a certain sort of fit, both in how the message is delivered (some people do well with harsher criticism, some need to be more gentle with them), in the writing style, and so on. Another thing when looking for a beta-reader is that, well, you generally look for a person that knows more than you do, or is at a similar level. This isn’t to say that we know more than every single person out there - only that it’s hard to ascertain it at first glance and it’s generally better to talk about it before any critique is delivered. Communication is the key.

Do not ask when the next part will be posted/when your request will be completed unless you are sure the writer is okay with such questions. 

When this happens, many writers feel as if they were being pressured into working harder.

Do not write fleshed out paragraphs of what you think should have happened.

If you have an idea for a story - write it. Again, we write in our free time and do it for fun. This feels like being pressured or told what to do.

What may be more grey in regards to whether it is okay or not is theorising about what happens next. To me, personally, that would be okay, but you may want to ask your writer whether they are okay with this sort of things - for example, by writing a comment with a short theory and then asking whether it’s okay to do so? However, be mindful not to tap into suggesting or putting too much pressure on what must happen.

Do not write “Imagine that... [fleshed out scenario]” type comments.

Those are basically requests hidden as comments.

Do not compare writers to other writers (You are so much better than XYZ/ You wrote trope X so much better than XYZ).

This is pretty self-explanatory. We want to lift each other up, not feel better about ourselves because of putting others down.

Another slippery situation here: some people may mind being compared to published authors. Some may not. It is hard to tell, there is no strict rule here.

Hmm... I think it’s about it? ^^” I hope it was helpful ^^” Overall, if you avoid those major Don’ts, you should be good ^^”

[foxymoxynoona]

It’s hilarious how we’re all assuming Sasha will be the one to get the STD. What if its Jungkook?

I think it’s because subconsciously, most of us might want her to be ‘punished’, or face some type of obvious repercussion for the break up and the many bad decisions she’s been making. Or maybe I’m wrong… and thinking too much.

Still haven’t read recent chapters. 😂 My self control should win me awards (lies). Foxy please update soon, I don’t know how much longer I can last 😭 😭 .

I just want all the angst to pass so I don’t end up disliking Sasha and unshipping them. The last chapter I read, I was actually hoping they never get back together or at least for the next five years. The toxicity was just too upsetting.

Anyway, on a serious note, please take your time and update as you can. Welp, this got longer than I intended. Hope you’re having a good day 🦊 .

🥂

I don't think you're thinking too much; at least not if you compare it to how much I thought about everything I put into this story! And I mean I have literally gotten multiple comments from people (serious or joking, they both kind of prove the same point...) who said Sasha deserves to get an STD.

You have really good insights when you send in comments so I'm going to hope this is ok in a response to you and elaborate a little more on a topic I get really excited analyzing and see at play right now with Flux...

Without referencing anyone's comments specifically, I'm just talking general trends, it's probably unsurprising to know that in my 11 stories over the last year and change, I have seen that BTS men can get away with WAY MORE "misbehavior" than the female OCs before I see escalated reader outcry. JK's non-con sexual acts in Lowlander didn't get the reaction that Isabella interrupting her own orgasm in Amended did. Obviously these incidents have context that also impact how we react to them, sure. And there's obviously a starting bias we have towards even fictional JK based on our love for real JK because we know I'm writing him with a good heart in my stories whereas you're meeting the OCs fresh, so this isn't a perfect comparison. But I do think it's hard to completely divorce the common sexist ideas the world has about female behavior and identity from the way we react to fictional female characters. I know I'm not perfect about it; a desire to look more closely at ways in which my own thoughts still reflect some of the very sexist ideas I was raised with was literally the starting of Amended! (And, arguably, I could write an analysis about how it still reveals internalized mysogyny through the narrative choices I made... 😬)

In general we tend to hold female characters to a higher bar of behavior and expect them to "know better" than male counterparts. This often holds even in a case like Flux where we know JK was raised by good parents and has seen good relationships modeled through them and his hyungs, and we also know Sasha does not seem to have had any good relationships modeled or have any specific family we know of who could have taught her anything healthy. I think she even said at one point (unless this is a spoiler? if so oops haha) that she's never seen a long, loving relationship. She's never had a relationship endure her having a mental health crisis. Her only long, healthy relationships are with three platonic friends, no romance or sex involved. Her family is three friends she met as a teenager who are similar to her in terms of age/experience/knowledge. But we expect her to model behavior she's never seen while giving JK more space to learn and grow through mistakes. I'm simplifying here because there are so many more details that can be brought in to understand this whole picture, some of which you all don't have yet, but I hope you get the gist of what I mean. Female OCs have to prove they deserve our beloved JK, but JK tends to get the benefit of the doubt unless I really swing him hard (Meadow and Sugar Fairy the reactions did manage to flip! Is it kind of interesting those were my most "well-behaved" female OCs too? Lowlander was sort of middling, some readers really loved Mishka and some found her behavior really off-putting in ways that are very interesting to analyze, even stopped reading because of her.)

Not saying every critical response is completely gender biased, or unfounded/unjustified, or a result of mental health stigma (which I didn't even get into in here but definitely comes up with some of my stories), and obviously responses will be messy because I intentionally try to write messy characters in messy scenarios. I try not to push ideas here and instead let my works speak for themselves and spend more time listening to reader understanding and response than proselytizing mine. Even when I disagree with the response in a specific comment, it's still interesting and enlightening to see other viewpoints and opinions. My own opinions are of course baised by my own life experiences and studies and I love having that broadened; in a way my stories are, for me, a big long discussion about ethics, identity, and society. LOVE IT.

Ok I'm sorry, I got carried away. It's just so interesting to me to get to see how people respond to my characters and events and how that changes over time and analyze how to impact or direct those feelings as a writer. I wish I could just give a readers guide of questions because I'd be so interested to read the think about the answers (not leading questions, genuinely curious questions like "What do you consider Sasha's many bad decisions?" and "What do you see as the differences in morality between Sasha having sex with Seojoon and JK having sex with the women in the hotel in Japan?")

OK I WILL STOP I AM SORRY

[sigmalied]

THOBM S1:E4

While I’m here I’d like to obnoxiously discuss why Episode 4 of Bly Manor is my favorite, regarding the portrayal of Dani’s inner struggle with her sexuality, through a point-by-point chronological analysis.

Part 1: First Flashback

The episode opens with a flashback to Dani’s childhood, revealing the owner of the glasses as Eddie. Dani says she needs to go home, but Eddie insists she stays. At this point, persuading her to stay is relatively innocent. Some day, it won’t be.

We then leap to the moments before Dani and Eddie’s rehearsal dinner. Eddie asks if she’s ready, and Dani hesitates, giving a weak “I think so,” which Eddie brushes off without much concern, perhaps chalking it up to stage fright.

Dani does not speak at the rehearsal, but Eddie does. In his speech, he reveals that Dani had to dare him to kiss her, presumably because she couldn’t do it herself. He calls her “Danielle”, never “Dani”. Additionally, Eddie spent their adolescence and early adulthood asking Dani to marry him, each time receiving a “no” until Dani finally caved in. Why Eddie is so surprised about being dumped later on is beyond me.

Eddie’s mom, Judy, catches Dani escaping the dance floor and gives Dani her old wedding dress. Dani holds the dress in front of herself before a mirror and Judy asks her to say, “Good morning, Mrs. O’Mara,” in reference to both the first time she met Dani, and Dani’s wedding day when that will also become her name, too.

During this segment, both Eddie and Judy insist that Dani knows what she wants. Judy even encourages her to speak her mind. This puts some responsibility on Dani for her predicament, and it’s not entirely undue. Dani is passive. She is trapped, yes, but she has also taken no measures toward freeing herself.

Part 2: Day of the Funeral

The flashback ends and Dani’s in her room at Bly, getting ready for Owen’s mom’s funeral. The timing of Dani remembering her impending wedding on the day of a FUNERAL is incredibly telling, as is the obvious link between Judy’s dress and Dani’s only black one.

Jamie comes in, and when Dani expresses her reservations Jamie doesn’t pressure her to go if she’s not comfortable doing so. Jamie’s, “I don’t need you to be my date to Owen’s mom’s funeral” suggests they’ve discussed going together, probably sometime that same morning, but Jamie doesn’t trap her in that arrangement. She readily gives Dani a way out and doesn’t shame her about it. (Compare to Eddie and Dani before the rehearsal).

Dani asks Jamie to help her out of the black dress (just the zipper!). The point of this isn’t merely sexual tension, it’s also symbolic of Jamie freeing Dani from a life she equates with death. Eddie’s specter shows up, right on schedule, to guilt Dani for her intimacy with Jamie.

Part 3: The Kitchen & Dani’s Nervous Episode

Jamie returns from the funeral to find Hannah, Dani, and the kids preparing supper in the kitchen. Jamie eerily foreshadows the struggle she and Dani will face in their future relationship, as well as her own character development, when she discusses care for someone with a terminal condition.

Jamie catches Dani staring at her. Dani averts her gaze but keeps glancing back even as she approaches the kitchen sink. Eddie makes an appearance, as expected, and it thoroughly rattles Dani because his form has become physical as he places his hands on her hips. (It may be somewhat of a stretch, but the physicality of Eddie might imply that Dani's private thoughts toward Jamie were trending toward the ‘physical’). She excuses herself in a panic; it’s all coming to a head because she’s starting to realize what this means for herself.

Part 4: Second Flashback

Dani’s getting Judy’s old wedding dress fitted. Judy and her own mother watch. For such a short scene, this one is DENSE. Allow me to draw your attention to a few spicy quotes: “Luckily, Danielle does not share my taste in men.” - Dani’s mother. “Well, lucky for Edmund; he’s the lucky one in this equation...” - Judy. “Danielle’s father helped pick [my dress] out, and look how THAT turned out.” - Dani’s mother. Everything here has double meaning. From the obvious implication that Dani doesn’t have a taste in men at all, to the more subtler “THAT” referring to both Dani’s mom’s bad marriage and how Dani ‘turned out’ (to be non-heterosexual).

The tailor flirts with Dani. Or seems to. Either way, Dani hones in on it; how she compliments her shoulders, gives her a smile, lets a hand linger on her lower back. Dani sees their reflections together in the mirror.

When Dani resurfaces from this flashback she looks solemn, even grim, with realization. She’s still looking at Jamie, but now she understands why.

Part 5: Third Flashback & The Bonfire

Dani joins Jamie, Owen, and Hannah for a bonfire outside. She spaces out and recalls the night Eddie died. They went to dinner that night. Dani nervously bites her fingernails and Eddie says, “Hey, easy. You’re going to hurt yourself.” Dani replies, “I’m sorry. I keep trying to stop.” Some more subtext there. It should also be pointed out that Eddie doesn’t even ask what’s wrong, or if she’s okay. He just assumes it’s the stress of planning their wedding. Little does he know, Dani’s about to break up with him. She almost doesn’t, at first. She tip-toes around it. “I thought I wanted it. I wanted to want it... [there’s] so many people to let down...” Then Eddie says, “For a second it almost sounded like you didn’t want to get married at all,” and the opportunity is finally right in front her, put in words, because she hasn’t been able to do it herself.

They talk in the car. Dani says she didn’t want to hurt anyone, because she still loves Eddie, just not like that. “And it’s just what we were doing... If I could just stick it out, eventually I would feel how I was supposed to.” They’ve been physically intimate, but Dani’s been unable to feel any emotional connection.

Angry and hurt, Eddie exits the car, gets hit by a truck, and dies. This is the source of the guilt that haunts Dani. She blames everything on herself. If she had just married him, or had the guts to be truthful about herself earlier, Eddie would still be alive. This is her flawed logic, and it sabotages her every time she tries to move forward. She sees Eddie in reflections because she can’t bear to confront herself.

Back at the bonfire, they toast the dead. Jamie toasts the late Wingraves. Dani, too, surprisingly. What’s important is that she praises who Dani is: “a bit of a weirdo, but stronger than she thinks”. It’s brief, but significant when you contrast it with Eddie’s speech at the dinner rehearsal, where he gives no real indication that he even knows who Dani is. To him, Dani is Danielle, “this amazing, beautiful girl” and while those are nice things to say, he speaks nothing of Dani’s character. 

Part 6: The Greenhouse

Dani and Jamie sneak away to the greenhouse, where Dani elaborates about her fiance and confesses how she still ‘sees’ him. Jamie doesn’t say she’s crazy, instead focusing on what matters: that Dani’s surviving. Jamie knows grief and trauma. She knows how it can fuck people up in different ways, from first-hand experience. It’s acceptance and the peace of being heard and seen that compels Dani to kiss her. She doesn’t have to dare Jamie, she doesn’t passively wait for it to happen, no, she takes the initiative to make a move first because for the first time possibly ever, Dani knows what she wants. But her guilt’s still there. It ruins the moment when she sees Eddie again.

Part 7: Drunk Dani Putting the Past to Rest

After drinking courage into herself and nearly getting fucking bodied by Viola on her way out, Dani tosses Eddie’s glasses into the bonfire and confronts his ghost a final time. She knows what she wants, but she first needs to make peace with the past and with herself. 

In conclusion: This episode was a true delight from a critical point of view. Dani’s journey from realization to self-acceptance was filled with subtlety and heart the whole way through and I had such a good time picking out the parallels, subtext, and symbolism. I know S1:E9 is probably more popular, because yeah, that all happened, but S1:E4 was so well-written, personally relevant, and teeming with storytelling devices that the writer in me could not for a second consider any other entry as my favorite episode of the season.

[collecting-stories]

Enchanted - Gilbert Blythe

Request: Okay great! Can I request a Gilbert blythe x reader when they’re dating but then reader sees Anne and Gilbert having a friendly hug and she misinterprets it as something else and Gilbert tries to apologize. in the end they make up and it’s all fluff?

A/N: Based off Gilbert Blythe from the Netflix adaptation Anne With An E. 

\\\

The train ride in from Toronto was both longer and shorter than you wanted it to be. Gilbert sat beside you, fiddling with the cufflinks on his jacket sleeves as the train jostled along toward Avonlea. There had been a ferry ride from Halifax as well. The summer was setting in and Gilbert had asked you to come to Avonlea with him to meet his business partner and housemate Bash and Bash’s daughter Delphine.

“Ever since my father died, they’ve been my family.” Gilbert had explained.  

There were other people he had mentioned as well. Friends from school, Moody, Diana, a girl called Ruby who had been obsessed with him in her youth.  

“I didn’t know it at the time, obviously, but Moody’s told me in great detail.” A whole anthology of his life had been shared with you since September.  

And then there were the Cuthberts. He mentioned Marilla and her brother Matthew, both having been good to him when his father passed. But most of all he spoke of Anne. Close friends and rivals throughout their years together, she seemed to be the antidote to every story he told. The heroine in all his tales of the Island. And while you were excited to meet her, you would have been lying to say that you were also terrified. Who was this Anne and how could you compare to someone as magnanimous as her?  

You weren’t sure if the knowledge that you would be staying with the Cuthberts made it worse or better. He had written to Anne to ask if you could board there for the summer while you visited him, a mark of a serious courtship surely, but still you couldn’t find yourself totally calm during the ride.  

“Are the Cuthberts meeting us at the station?” You chanced to ask, realizing that you weren’t entirely sure what was going to happen once you arrived in Avonlea.  

When Gilbert had asked you to come home with him for the summer you had been surprised and, though you hated to admit it, a tad bit reluctant. You and Gilbert had met through a friend of a friend way back in September at the beginning of the school. Both students from small towns who had excelled. Both formerly betrothed, though you more than he, who had rebelled against the prospect of a richer future in the interest of an educated, self-fulfilling future. A rather progressive woman, in action and speech more than trend, like so many of the women who had been present in his life before.  

“I’m not entirely sure how I should go about this,” he had started, already proving himself to be clueless when it came to courting, “I’ve been to tea before and I’m sad to say I’ve forgotten all the rules.” The easy smile made up for his forgetfulness.  

You could hardly remember either, getting lost in the romantic nature of his eyes that Ruby and Anne had both experienced in his early school days. “It’s quite alright, surely between the two of us we can navigate.”

And so you did. Navigate. Through the beginnings of a relationship and the beginning of college. It was odd, to find someone who so championed your education and put priority on the finishing of college before anything else. You expected him to treat the relationship casually then, just friends who knew that they liked each other. But he didn’t. He was serious about it and, as such, invited you to visit for the summer.  

“I can’t wait for you to see Avonlea.” Gilbert mentioned, eyes fixed on the passing landscape.  

“I’m looking forward to it.” And you were. Spending more time with Gilbert, seeing where he was from, meeting the people he considered part of his family. That all sounded spectacular to you.  

-

The train arrived in Avonlea a short time later. Gilbert exited before you in search of the luggage.

“It’s never where they say it will be.”

You stood, waiting for him, on the platform. You’d taken plenty of trains in your lifetime but somehow stepping onto the platform in Avonlea felt different. It was as if you were a child again, riding for the first time, nervous of your surroundings and unsure who to ask for help. It was all very overwhelming and in an instant, the bustling crowd had seemed to swallow Gilbert up, his figure disappearing behind a cloud of smoke. You considered calling out to him. Should you chance him realizing that you were having the most pathetic of panic attacks.  

Off to a good start in Avonlea.  

Through the smog and the voices for the crowd your ears caught the distinctive sound of an accent, one native to an island, calling Gilbert’s name. You remembered his stories about his business partner and practical brother Bash and decided the Gilbert being called was yours. Heading through the smoke you arrived on the other side to find a small gathering of people, Gilbert at the front of them. You had come through in just enough time to see a young woman with long red hair hug him. A much friendlier hug then you would have expected someone to give, even with small town etiquette not being as reserved as the city.  

But you recognized that redhead immediately, regardless of never having seen her before. It was Anne, it had to be. The Anne that Gilbert had talked about from school. The Anne that he corresponded with.  

“Oh, gosh, I’m so sorry I was just coming to get you.” Gilbert’s hand at your wrist and his sincere apology carried you back to the reality of the platform. You were standing there, center of attention now.  

“Quite alright.” You smiled, filing the uneasiness away for later. You would be upset when you were alone. Though would you truly be alone? You were to stay with Anne after all.

“Let me introduce you.” And just like that Gilbert was going through the odd, makeshift family that he had assembled. You were hugged by Anne as well, and nearly everyone else. Bash teased that there would be plenty of appraising done that night over dinner though you seemed to win him over quite easily when you offered to hold Delphine during the ride back to Gilbert’s farm.  

Try as you might the carriage ride home filled you with dread. Even Delphine couldn’t distract you from the tortuous thoughts in your head. Had you come all this way to Prince Edward Island with Gilbert only to have him tell you he loved another. And what if he never told you, what if he just continued on, in some elaborate rouse where you were his intended (something he had made perfectly clear before proposing the idea of PEI) but he was thinking of someone else. Someone who had leagues more history with him than you could every accumulate.  

The first stop, once the carriage had arrived outside of the Blythe family farm, was the tour. While Bash took Delphine inside Gilbert took you along the grounds. Your hand was tucked in the crook of his elbow as he walked you about, pointing out parts of the land and supplying humorous antidotes to accompany the visuals.  

“And here Anne,” he began, telling the third story in a row that featured his redheaded best friend.  

“You have a lot of stories about Anne.”

“I suppose so.”

“More than anyone else.” You continued on. You were no longer on the train platform or in the carriage. You wouldn’t stay a moment longer to be second fiddle to Anne Shirley-Cuthbert, however charming she had already proven herself to be.  

“I...hadn’t noticed.”

“Well, unfortunately,” you took your hand back, here in the orchard grove, “I have. I didn’t come all the way from Toronto to be humiliated Gilbert.”

He looked rightfully confused. Everything until now had felt perfectly normal between the two of you. He’d hadn’t sensed the change in attitude, in fact it had come out of nowhere to hit him in the gut. “I don’t know what you mean?”

“Don’t you? I make a world of excuses for your correspondence with another woman, knowing how much Anne means to you but then we arrive here and it feels as if I've been making those excuses to myself as well. Have I? Am I so delusional to think that it’s only friendship you feel for her?” You confessed, thinking back to the hug at the platform. The way she had thrown her arms around him in excitement.  

“Anne and I are just friends. I’ve told you that.” Gilbert replied.

“Why don’t I feel like that?”  

“Avonlea is my home and the people here are my family. I love and care for them all deeply. And that’s why I wanted to bring you here. So you could know them too and so you could consider if, maybe, in the future, you could make Avonlea your home too. I love you, and I meant what I said before we came out here. I want a future with you, a family with you, and I want us to make a home. Here, if you could see yourself here.” Gilbert said, concern marring his features. Had he not been clear?

You crossed your arms and turned your head away, looking out passed the rolling fields of the farm. What could you say? You loved him too. The thought of starting a family with him here, on this island, was a wonderful thought and you wanted nothing more than to be part of his life.  

“Once, when I was much younger, I admit I felt something toward Anne but we’re only friends. She’s been a big part of my life since she came to Avonlea and helped me become the person I am. A person who loves you. Who would never hurt you. Please, you have to believe me. Anne is my friend but you and I...you’re the person I imagine spending the rest of my life with.” Gilbert continued.

“I love you as well...I guess I’m just nervous to be here. To meet your family and friends and know them.” You admitted, looking back at him. Gilbert looked near heartbreak, his usual bright eyes a sad, drowning, blue.  

“They love you already, trust me.”

“I really do like Anne...I think we would be great friends.” You had heard certain parts of her letters read allowed when he found bits funny or was reminded of something you might have said. You had thought that she sounded like she could become a good friend of yours, someone you could rely on here in Avonlea and you had looked forward to meeting. “I think I’m just so nervous I made myself jealous.”

“There is nothing to be jealous of.” Gilbert reassured. “Shall we finish the tour?”

“Please? I want to see everything before dinner.” You replied, taking the arm he offered once more. You looked back around the orchard one more time, “are we alone?”

“Bash is at the house with Delly.”

With that knowledge you leaned up and pressed a quick kiss to his cheek. “Alright, show me the rest of this enchanted island.” You said, using Anne’s words from earlier. Enchanted. You imagined this summer would be.

-

I imagined this being done yesterday but my youngest sister decided to give me a minor panic attack and I spent most of the day freaking out when I meant to be writing. 

[that-house]

Hey so I hit 100 followers today!

Buckle up, this is gonna be a LOOOONG post.

I quite honestly expected it (while my ego is a little smaller than my jokes make it out to be it is definitely present), I didn’t expect it to happen so fast.

It’s not an insane milestone, plenty of people have 100 followers. A hefty portion of my followers are bigger than me. But it’s still important to me. Knowing that there’s 100 people out there who enjoy my shit makes me happy.

First and foremost the credit quite honestly has to go to ahegao George Washington. No, I’m not joking. Until I posted on r/tumblr about my desire to draw that, I had 0 followers. I jumped to like 10 overnight, which was awesome. And then those new followers helped me spread my posts and get more attention.

Secondly I’d like to shoutout @imaverysadgirl and @themeaninglessjumble. You two were my first real tumblr frens. You were the first of my followers to really interact with me. Ember, I’m super happy you’re alive to see me hit 100 followers. Jumble (I don’t know your name unless I forgot it), your art and creations are great and you deserve way more attention.

To all the rest of you, you guys are great, too. Every new follower makes me happy. I’d say I don’t deserve you all, but my colossal ego says I do. Regardless, being nemesi and getting called out for being horny on main and sending and receiving asks has made this last month or so great.

Finally, for all the shit it gets, and for all the shit it pulls, [tumblr] really is pretty dope. I got to meet you all, and it’s actively making me a better person by exposing me to groups of people I’d rarely interact with in real life.

Why does it feel like I’m saying goodbye? I’m not, don’t worry. I plan to stay, and neither death nor pain shall drive me from this hellsite. I’m just saying thanks.

Now with the thanks out of the way, I want to talk about myself a little. Just the stuff that I’ve always wanted to say and never quite gathered my thoughts and found the time to talk about.

You’re gonna get to know me so well! This is like a mini autobiography!

First off, my mental health. This is something I don’t talk about much on this blog, mostly because it doesn’t need much talking about. I’m doing pretty well, to be honest. I have a smattering of anxiety and I’m maybe a little too introverted for my own good, but I’m not suffering from depression and the only time I ever even remotely considered suicide was when I just really really didn’t want to go to French class. COVID has been great for me, since I don’t have to see people. I suppose I’m not a great person to talk to if you’re struggling with depression or suicidal thoughts, seeing as I can’t personally relate, but I’m still always here for you guys if you need me. Just because I haven’t lived through your experiences doesn’t mean I can’t try to help.

Next up I want to talk about my sexuality. This one’s a bit of a mystery. For the past 16 years of my life I’ve considered myself 100% straight. But lately (let’s be honest, following the release of Spirit Blossom Thresh) I’ve been wondering if I might be bi. How many times can I joke about wanting to smash sexy boys before it’s not really a joke anymore? And if I am, a lot of things would suddenly make a lot of sense. But every time I think I have it figured out it suddenly feels like I have no clue what’s going on. Regardless, my sexuality has honestly never been a massive part of my identity (though I’m definitely not asexual, my friends can attest I’m far too horny for that). I have no clue if I’m bi and for now it’s kind of a fun little adventure!

I guess I’ll talk about school and stuff now. Believe it or not, I’m kinda smart. I’m taking a shitton of AP courses this year. But I simultaneously feel like it’s too much and not enough. I’m smart, but I’m not a great student. Compared to my dad, who graduated college with a 3.98 GPA (and his only B being in History of Canada as an American) and now has a super well-paying government STEM job that he loves, I feel like even if I work my ass off I’ll never quite measure up. And my parents have had super high expectations of me, and it’s only recently that they’ve started to accept that I might get some B’s here and there. I’m worried about all the homework this year. I’m a year ahead in Math but I don’t feel good enough at math to be taking AP calculus junior year. I’m worried I’m going to get like a C. But for the most part school is alright, too. That’s sort of the trend in my life. Everything’s alright.

Time to talk about my love life! I have no love life! I’ve been single for 17 years and probably stand no chance of changing that until at least college! Haha I’m so alone! But I can live with it. Growing up an only child with a few friends means that I’m pretty good at functioning without a ton of social interaction, and, while I’d like a partner someday, I’m not desperate. I can wait until I find someone. Pretty much my goal is not to die alone.

Onto sports maybe? I played soccer for most of my life, and was always the worst player on the select team. I was too good for the normal team and not good enough for the select team (kinda like math). Soccer was really toxic, especially when you’re the worst player on a team of high school jock drug addict boys. So I quit, and started playing frisbee! It’s a lot better. The people are nicer! But my first season never happened because of COVID and now I’m in my Junior year and haven’t played much frisbee! So I kinda suck! But I’m physically fit and that’s good enough for me! On my own time I bike and run to stay in shape.

Are you still with me? Now I’m gonna talk about my hobbies and things!

I’ve been playing video games for a long time. I kinda suck at them to be totally honest. I probably have below-average reaction time, and my parents only let me play 15 minutes a day for most of my childhood, so I have a lot less practice than most of my friends. I’m pretty slick with Swain in LoL tho.

This next part is borderline shameless self-promotion, but since the Kickstarter isn’t live yet I guess it doesn’t count. I’m making a tabletop role playing game! I’ve been working on it for the past few years. My goal is to launch the Kickstarter prior to my college applications, because that’ll look sexy as fuck to potential colleges. It’s a post-apocalyptic sci-fi game where you play as supersoldiers trying to reconquer the wastelands of Earth for humanity. I’ll do a big post on it when I launch the Kickstarter, and I guess that’ll also be a full name reveal (kinda spooky since my full name is ENTIRELY unique and one-of-a-kind. More ego boost lmao).

And finally I want to talk about my art and writing. I’ll start with my drawing, and finish off with my writing, since that’s what I’d most like to be known for on here (but that’ll never happen because my caveman brain shitposts are too funny).

So I’ve been doodling for a long time. I briefly got formal art training but sacrificing my Saturday mornings to draw what someone else wanted me to make so that I could make better stuff in the future didn’t appeal to my 8-year-old brain. I draw in the margins of worksheets. I draw on random sheets of paper. Recently my parents bought me a drawing tablet, and I’ve been trying to improve at digital art. I’d say I’m getting better, but I don’t practice nearly enough. All in all my art serves its purpose. It makes people laugh and can sometimes creep people out. It’ll never go in a museum, and I’ll never make money off of it but whatever.

And finally, my writing.

How can I talk about writing without talking about reading? I’ve likely read more books than both my parents combined, and if not, it’s close (and my mom is a prolific reader too). I have three bookshelves in my room and books on every surface. You can’t follow me for long without seeing a post ranting about my latest read. I love to read and I read incredibly fast. Reading spurred my love of English class, which in turn helped me write.

And finally, we get to writing in and of itself. I’ve been writing stories since I was a little kid. I’d like to think I’ve improved a fair bit. I’m still no novelist, but I consider myself a fairly adept short story writer.

But I suppose where my writing really stems from is my bed. Every night while I’m lying in bed, I tell myself stories until I fall asleep. I work on a story until it’s done or until I get bored of it. Along the way, in the shower, on my bike, I build the world of the story, crafting the plot. Sometimes the stories are elaborate fanfictions of my latest reads. That’s probably how they started. Often, they’re unique worlds all of their own. My current writing posts are about the City of Mammon, but my current story in my head is about some vampires who hunt other vampires in Victorian England.

And now we get into the process of writing. It’s fun! I sit myself down with an idea in my head, and use all the fancy words I picked up from my books to convey the vibes I want. I honestly wouldn’t be a great writing teacher. It’s just a skill that comes naturally to me as a result of what I’ve been doing with my free time my whole life. And it’s beautiful. And every time someone compliments my writing or reblogs it, I love writing just a little bit more.

Well I guess this is it. The 100 follower special. I wonder how many of you guys will take the time out of your day to read this. Hopefully a lot!

James (or That House) signing off for the night!

<3 thanks guys

[grlsgen]

songs that sound like they’re by red velvet but aren’t

or in other words, songs i think red velvet could eat up..

this isn’t intended to discredit the original artists or anything else like that so don’t piss your pants over this😐 i’m simply just a dreamer i dream a lot. i also miss red velvet

i don’t understand my own thought process most times so the explanations are about to be a mess. my apologies in advance

my error - bvndit

honestly.. bvndit remind me a little bit of rv in general. a few of their bsides radiate big rv energy and i’ve seen a lot of people say the same

children - bvndit

this one especially

liar - clc

i don’t know what it is about this song but it reminds me of rbb bsides ..

devil - clc

reminds me of cookie jar’s sound just twisted a little

caffeine - eyedi

i was thinking this reminded me more of a joy solo, imagine a world like that .. eyedi sounds a little like joy imo

greedy - ariana grande

okay yeah i know everybody and their mother in the kpop industry has covered this damn song but seulgi greedy fancam is haunting me. out of every gg i think rv could pull greedy off the best as an original song

can’t you see me - txt

i have absolutely nothing to say about this. i compared tdc eternity to bad boy in my favorite albums post which is a haunting comparison but something about this song reminds me of something rv would do ..

number 1 - loona

it has a dreamy aura, i could see this as one of their bsides

perfect love - loona

idk man i’m just saying and talking

where are you - clc

i know retro is the trend and some people r sick of it but now imagine rv doing an 80s esque ballad like this. i’m on my knees

it’s you - gfriend

not really self explanatory but i said it and don’t feel like explaining it

one last time - snsd

possibly maybe perchance

a majority of loona odd eye circle’s discography

don’t tell me they wouldn’t eat the shit out of sweet crazy love. i really want a loonatic type song for them.. that dreamy vibe that makes you feel like you’re in a liminal space Yeah Yeah..

sun & moon - nct127

somebody said once this reminded them of rv and now it haunts me everytime i hear it

night aviation - gwsn

i’ve really liked this song for a while and i only just recently realized it sounds a lot like kingdom come. this is the most rv sounding song on this list, imo. it’s so good

melting point - gwsn

gwsn kinda remind me of rv a little too, like bvndit

you in my heart - twice

kinda reminds me of it’s you by gfriend that i mentioned earlier.. i associate this creepy dream-like sound with rv and this song definitely has it. still has a twice twist on it tho so not entirely

dark cloud - younha

now This.. sounds like a wendy solo. reminds me of some of her osts... she could definitely eat a song like this up

jazz bar - dreamcatcher

must i elaborate

apple - gfriend

this has been driving me nuts for a while. in an alternate timeline this was a rv ot5 comeback this year. i’m a simple woman i hear a song that sounds witchy and my mind goes back to the zimzalabim satanic ritual video from twitter. side note: gfriend seriously ate with this cb tho, one of the best from this year

night drive - gfriend

like how this was an eunha/yuju subunit.. kinda reminds me of a seulgi/wendy/joy subunit. but anyway

honorable mention: eternally - txt

i started thinking earlier what if a gg sang eternally and i haven’t stopped thinking since. only rv could pull it off flawlessly let’s be honest

that’s my 2 cents though. there’s probably specific rv songs these remind me of but i have not made the connection in my brain yet bc im slow. i’m also just bored and living in the alternate dimension in my head where sbs didn’t ruin everything. i miss red velvet so bad, kpop a little boring without them

i’m off to stream i&s feel good for the millionth time. farewell

[datawyrms]

That’s Robophobic!

Is K1-B0 really too sensitive about being a robot, a far too long rambling thing digging through every bit of dialogue he has.

short answer: no. long answer: HOLD ON FOLKS I’N SERIOUS ABOUT EVERY BIT OF TEXT as i’m bored and i’m going to spit ideas about my Favourite good robot at you all day. It’s entire prologue and first chapter I am serious this thing is huge and way too many words.  Also spoilers everywhere so uh. Don’t...look at this if you haven’t finished V3ok.

Prologue 

Keebo doesn’t talk or do anything in this bit! He’s just there. Up front for the splash and then hiding in the back afterwards. Officially according to the art book he is in fact a robot at this point in time as well. He’s just covered up and apparently doesn’t have to have those lines on his face or the ear-analogues he’s got most of the game. The More You Know. (not that this should stop anyone from havin fun in fan work. do what makes you happy!) I mostly point it out as Being A Robot is a massive part of Keebo’s character, so the fact he’s always one isn’t really that surprising. We’ll get into that more when he actually...has lines... oh and the mild theory of Monodam basically being Keebo’s Bear Equivalent, they have similar plot beats/character progression though the Monokubs are shaky in general so :v MOVING ON

Ultimate Revival

aka we meet Keebo and Kokichi ‘properly’ for the first time. The pair should generally be the 6/7th students protag bumps into. (me replaying and going ‘lol Tsumugi makes herself the first not Shuichi person Kaede should canonically meet by the placements’) Get used to Kokichi, a massive amount of Keebo’s dialogue is with, in response of, or directed at him, and this introduction is a testament to that. You meet them mid interaction!

Kokichi- Heeey! Wait for meee!

That boy in white is chasing that other boy in the funny clothes... What's happening here?   

Great opening robot. You spend most of the time lonely but the first we see of you is running away from someone. (It’s an interesting difference to how he reacts to Kaede/Shuichi in their first FTEs.) That, and apparently Kaede doesn’t peg Keebo as a robot here. Shuichi says he’s ‘chasing somebody’, so he might have noticed.

Kokichi: C’mooon! Wait up! Lemme touch your body a little! I've always wanted to be friends with a robot! Kaede: What? A robot!? K1-B0: ...What is it? Are you another robophobe?  I have a recording function. If you make any robophobic remarks, I will see you in court. 

keebs you don’t have the money to take anything to court but we’ll let you keep that delusion ok. and you’re probably legally counted as property In fairness, the robot lad is not making the best first impression! Kokichi is kinda childish by just assuming he should get to touch the robot, but he is genuinely interested at this point. It’s easy to read this as Keebo being too touchy. He’s sensitive about that being a robot is the ONLY thing you care about. So Kokichi wanting to be friends with a robot and being grabby...well there he goes getting defensive. (and it turns out he probably has reasons to not like grabby hands. kaede)

Kaede:  Wait...you're a robot!? Are you, for reals, a robot!?  Shuichi:  A-Are you...one of the Monokubs—   K1-B0:  Do not compare me to those toys! I am not just any old robot! 

Keebo is completely justified here, visually he isn’t even close to a Monokub or an Exisal, and lacks a split two tone theme. Would you want to be compared to a Monokub? No. No you would not. He’s also showing at bit of that pride here, calling them ‘toys’, though they do seem as capable as thinking as he is. (keebo is also a robophobe oh no.)

Oh look it’s the reason you have SO MANY NAMES. Some people prefer the ‘Kiibo’ shortening, but all the screenshots are going to say Keebo so we’re gonna be consistent. We are never going to see another character refer to him as K1-B0, but everything interface wise will call him this. We might not think you’re a person, but we’ll use your preferred name no problem. probably because k1-b0 is a mouthful

Kaede:  A robot and...supreme leader? Neither of them make any sense. Kokichi: By the way, I learned the hard way that a robot's breath smells like gasoline. K1-B0: My breath does not smell like gasoline! I am powered by electricity! Kokichi: Nee—heehee...I'm just kidding. K1-B0: ...You're not funny. Kokichi:   Of course you don't think I'm funny. Robots can't understand human humor to begin with! K1-B0:  D-Don't mock me! I have studied the complete history of stand-up comedy! 

Things we learn: These two are weird. That, and Keebo is kind of terrible at interacting with people. He takes the lie/joke at face value, hesitates when corrected that it is a joke (But doesn’t go saying ROBOPHOBIA this time). and each time he’s responding he’s trying to prove something. The little stammer seems like Keebo knows he’s bad at it but darn it he’s going to tell you about the things he can do. Like study stand-up comedy. (Poorly)

Kaede: I think you should've just watched stand-up comedy instead of studying it...   K1-B0: Plus, I may have the appearance of a robot, but I am a high school student just like you Shuichi: You're a high school student? K1-B0: I was created by Professor Idabashi, the leading authority in the field of robotics...  He installed in me a "strong AI," capable of learning and maturing like a human brain. That's why, at the time of my creation, I didn't know anything. I was like a baby...  But the professor raised me like I was his own child. He taught me so many things... Until finally, he enrolled me in high school. And now I stand here before you all! See? I’m just like everyone else! Kokichi: Hey, do robots have dicks? K1-B0: Please do not ask ridiculous questions! Kokichi: Nee-heehee... I only asked because your backstory is pretty flaccid for a robot. Kaede: Well, I can see how being a robot might be enough to be called the Ultimate Robot...

Keebs loves talking about himself, this like the longest intro block of text. Then the justification to why Keebo is Pretty Garbage at fitting in! He speaks rather formally and uses contractions less often than he could and spends a lot of time clarifying things you could probably assume. His entire life up to this point he’s basically been home schooled by a leading robotics expert from scratch, and we don’t even know for how long. He doesn’t mention any other people, and even via FTEs and Salmon mode he never refers to having any other close relations or friends. (This isn’t uncommon for most of the cast there isn’t a ton of FTE time to bring up things that don’t matter, but they’ll usually MENTION other people/activities that you could reasonably assume would involve others.)  He says he was raised ‘like his own child’ but Keebo might have zero actual context to what a family relationship looks like! Kaede’s mental crack nudges at this, maybe our robot friend ‘knows’ what something is, but has he actually experienced it? Is he just assuming his experience is ‘close enough’ to whatever he was taught? We don’t know! For all we know Keebo has only been operational for like three years. He’s incredibly aware he’s a robot, he doesn’t use words like born and always clarifies he was like a baby or a child, but not literally so. So constantly being reminded like he doesn’t already know that might be annoying for him. Really he’s asking for respect and to be treated like an equal...but he’s expressing it by saying he’s the same as everyone.  Also: We’re just meeting him and we’ve already got two people going ‘this is a disappointing robot’. Kaede doesn’t even think he’s much of an Ultimate right now, and we all know Kokichi’s thoughts :v This trend will continue.

Kaede: Hey... Everything he's said so far has sounded like a lie, so that's gotta be a lie too, right? K1-B0: Just leave him alone. Everything he has been saying has been a lie. ...He's a far more suspicious person than I am, that's for sure. Kokichi: Well, of course you're not a suspicious person, because robots aren't people, silly. K1-B0: Grgh...! Kokichi: Oh, you mad? Are you gonna hit me with a rocket punch? K1-B0: I don't have that function! Kokichi: Aw maaan, you’re boring.

Keebo will use ‘person’ to describe himself! Never human. It’s likely the main conflict he’s having is having a different definition for ‘personhood’ than most of his fellow classmates. If you’re into marine life, you might know about how dolphins and whales seem intelligent enough that considering them ‘non human persons’ was/is bandied about sometimes, and the whole issue with that is well, we’re humans. Everything we judge is going to related to the human experience. (National Geographic had a neat article on the topic in 2015 I think?) Keebo is not coming from that experience. He knows he can think and feel like all the others, so of course if he needs a word, it’s ‘person’. Note how he doesn’t actually argue back when Kokichi says he isn’t one. They’re both ‘right’ in a sense, even if Keebo clearly doesn’t like it.

K1-B0:  I may have the appearance of a robot, but I am a high school student just like you. From one high school student to another, I hope we can all get along! Kokichi: Who creates a robot without a rocket punch? Why do you even exist?

Yes, even in post conversation dialogue Kokichi comes along for the ride. Here Keebo goes trying to use ‘high school student’ as a describer instead of person since he is undeniably a student. The fact he flips from being proud of what he is to downplaying the fact he’s a robot is pretty interesting and the first look at the difficulty he’s going to be having. Fitting in=Respect.  While Kokichi is digging for more info, but Keebo doesn’t elaborate or react to the repeated rocket punch reference :v Shuichi and Kaede only comment on Kokichi in the post dialogue, so nothing to add from them.

Then we get to the gym. Kaede chastises Himiko for being lazy and then Keebo decides to add his thoughts. With an apology. This boy can’t decide if he has all the confidence or none of it.

K1-B0: Pardon me, but...we need to be on our guard. We do not know if and when danger will strike. Kokichi: D-don’t say that... I’m so scared... I don’t know what to do... Angie: There is no need to worry. Atua will protect us. Kokichi: Phew! That’s a relief!

oh look a Keebo line immediately followed by a Kokichi one i wonder if this will be a trend. Kokichi points out that Keebo phrased ‘uh we might be in danger’ rather poorly with his little emotion flip flop. We know that Keebo means it in the best way possible, he wants the best for everyone, but it’s unnecessary. Yes, nothing has happened, but they all know they’ve been kidnapped by weird colourful bears. Are you restating for the audience at home Keebs? (...he could be. Inner voice is a fun can of worms. we’ll get to that.) He doesn’t speak again until the killing game is announced.

Tenko: W—Wait a second. What did you say? K1-B0: I-If I heard him correctly— Monodam: KILLING-GAME

There he goes taking someone completely literally. Then not even getting to finish his sentence because Monodam cuts him off. The Monokubs do their jabroni throwdown thing annnnd Tsumugi: In a situation like this, is he just going to watch!? K1-B0: Either way, it's too dangerous! We need to get out of here or else—  Monokuma: Now, now, now... Kaede: What? Monokuma: My cute little cubs... You gotta knock off this awful fighting...

Cutting off other robots is apparently a family trait, because Monokuma does it here too! The fact Keebo is instantly suggesting running also shows he’s not really the aggressive sort. When you see his profile image in the Monopad you might think he’d be a scary sort of fighter bot. Buuuutnope. The Monobear gang do their chattering/properly introduce Monokuma

Maki: Headmaster? K1-B0: It appears to be some sort of autonomous robot with a built-in A.l., like me... Monotaro: Dong dong dong! The Exisals are different, though! They're brainless buckets of bolts!

He does recognize Monokuma/kubs as similar to himself here instead of continuing on with the current question of ‘how is this thing a headmaster of anything’. Keebo would probably be the expert on this, but no one asked. Time and place for information is also something Keebo is terrible at :v Monokuma: It's just...when I said it before, I kinda just phoned it in and now I feel awkward... I want you students with your Ultimate-level talents to participate in a killing game. Kaede: K-Killing game? Us? K1-B0: Please stop joking! Why would we agree to participate in a killing game!? Monokuma: Huh? You guys don't wanna do it?  

‘Maybe he’s joking like Kokichi was earlier!’ Sorry robot friend, Monokuma is not joking. Keebs cares about death, even if reasonably he could be as ‘replaceable’ as Monokuma (Though we sort of know he isn’t based on Tsumugi’s mentioning that she’s glad he ‘made it to the end’.)  Keebo doesn’t comment again after this

He is the second to show up after Kaede in the into though! Considering he is a ‘protagonist’ (for the ‘real world’) that’s not too surprising, while Shuichi is hiding in the 5th spot, after Rantaro.

Chapter 1

ohboy here we go. With the entire cast alive, Keebs is very much a background character. What’s his first line as everyone is learning the rules of the killing game?

Tsumugi: But...we looked all over that wall and there wasn't a single hole. K1-B0:  Now wait just a second. If there's no opening in the wall... Then how did we get inside these walls in the first place? Tsumugi:  ...Oh, good point.

Correcting Tsumugi. No horrified reactions or anything, but oh That Isn’t Logical I Will Correct You. Especially in group settings, Keebo generally sticks to factual statements, unless he’s being goaded. Once again, he has nothing else to say after this! But before you have Gonta open the manhole cover, Keebo shows up in Kokichi’s dialogue if you talk to him.  aka this is optional content.

Kokichi: Whoa, look at all these weeds. This place could definitely use a groundskeeper. Right, Kee—boy!? K1-B0: Why are you telling me that? Furthermore... I would prefer you address me as "Keebo." Kokichi: But you can pull weeds. Right, Kee-boy? K1-B0:  I can do all sorts of things just as well as any person! Kokichi: As well as any person...? But...you're not a person. K1-B0: Th-That's discrimination... Robophobic discrimination...

I don’t have anything to say, time to hassle the robot is a pretty common tactic for Kokichi. He’s also the only one to nickname Keebo a second time. No one else will be calling him Keeboy. It’s curious how he pulls Keebo into this conversation, and how Keebo doesn’t really seem to know how to react to it and just tries to correct Kokichi about his name. We can add our second example of him actually going ‘robophobia’ to the list though :v He seems a bit offended that he’s being underestimated/having the suggestion floated that he can only pull weeds and basically does a low key brag about his abilities ‘all sorts of things’. In fairness, ‘as well as any person’ isn’t exactly a useful metric for ability. People vary a lot! Again he doesn’t deny that he ‘isn’t a person’, by going ‘robophobia’ he’s practically agreeing. If you talk to Keebo directly...

K1-B0: ...There is a monitor here, too. That aside, this is a rather remote location to install a communication device... K1-B0: ...lt's a pointless expenditure, wouldn't you agree?

He’s making observations about the area alone and trying to be useful by posing a question. That, and getting someone to agree with you is a decent tactic to becoming more friendly, and it’s a pretty easy thing to agree with... He’s not actually being useful, since we have no reason to care why Monokuma would make pointless expenditures, but he’s trying. This is also the most dialogue any single person has (Kurumi gets close, but only has one textbox to Keebo’s two.) Time to lift a manhole cover aaaannnnd

Angie: Awwww, this manhole cover looks heavy. Can we even lift it? K1-B0:  I can try. Keebo placed his hands on the manhole cover, and with all his strength he—Grgh...! Grrrrrrrrrrrrgh...! How embarrassing. It won't even budge. Angie:  Huhhh? A robot's not even strong enough to move it? K1-B0: Oh, don't worry. My physical strength is approximate to that of a strong senior citizen. Miu: Th-That's fuckin' pathetic! K1-B0: Th-The professor did not want a repeat of the tragedy that occurred during trial production. Tsumugi: Umm... Now I'm just plain curious about what happened during that trial...

Yes, the first time Miu ever interacts with Keebo, she calls him pathetic. :v His want to help overroad the common sense that he probably wouldn’t be able to lift it at all. It is also possible Kokichi’s comments made him want ho show he can do things. Even though he literally can’t do this. Tsumugi was very much me at this moment, going ‘wait explain that please’ but no one else really cares so he won’t be clarifying. The fact he just goes there was a tragedy in trial production and no one bats an eye is low key hilarious to me. He’s just so matter of fact about it. Gonta then makes the cover look like a paper plate.

Kokichi: But Gonta is sooo much more reliable than some bean—counting robot. K1-B0:  Are you...talking about me? Because I can count many things, not just beans.

His objection is that he can count lots of stuff. Not that he’s a bean-counting robot, or less useful than Gonta. Keebo is adorable, okay. Keebo doesn’t speak again after this, meaning we’re back in optional dialogue time! This is right outside the death road of despair.

Miu: You're too weak, Keebo! Lemme remodel you and I'll make you the strongest robot ever! First, I'll soup up your crotch plate by installin' a nice, thick one, just how I like it! Hah-hahaha!

Miu is Miu. Keebo doesn’t respond to this! It is fun to see Miu’s already excited that there’s a robot around that isn’t evil to tinker with, but we don’t know how he feels about it for the moment. Her lab isn’t even open yet and she STILL is talking about remodling new robot pal :v (and yes i am putting down dialogue that relates to Keebo even if he doesn’t react/isn’t present for it. Knowing what the other characters think of him is important too.)

K1-B0: ...It's quite dusty in here. Prolonged exposure to this polluted air may be detrimental to one's health. Angie: Whaaat? Polluted air bothers you? But you don't even breathe air, right? K1-B0: W—Well, that is... While it's true that I do not breathe, I also do not like polluted air any more than you do. Kokichi: I see, you have a function for sensing poisonous gases! Well then, lead the way! K1-B0: N—No! I don't have that function! Do I look like a canary to you? Kokichi: Whaaat, you don't? Then you're even more useless than a canary! K1-B0: Grgh...

oh did you think he’d have a conversation without Kokichi. WRONG. Poor Keebo is already a bit flustered by being called out as different again when he was mostly just making an observation like he did upstairs. The whole not breathing thing is a pretty big difference and he’s instantly going I STILL DON’T LIKE IT, even though originally he might have just meant everyone’s health in general. Being able to sense poison gasses would probably be a helpful skill, and it’s a reasonable deduction...buuuut since he doesn’t have that it just gets to be an easy jab at him instead. The fact Keebo instantly goes for the canary comparison when as a robot he could be reasonably expected to not die because of the gasses is a bit odd, but sets him up wonderfully for a roast :v Keebo is one of the few that gets to ‘...’ at the death road failure, but doesn’t comment again until everyone is rallying themselves for another shot.

Tenko: My body is ready! You can tell by how outta control my pit sweat is! Kaede: E—Everyone! K1-B0: Isn’t it premature to say what we’ll do after we escape? Assumptions are all but useless. Kokichi: Geez, you're clueless... Why am I not surprised that a robot can't read the air? K1-B0: Robots can read the air! Thanks to innovations in pollutant-detecting technology, I— Kaito: Anyway, it doesn’t matter if Monokuma says it’s impossible! We’ll show him what we can do!

Kaito has joined the ‘people who cut off Keebo mid sentence’ club. Keebo is TERRIBLE at interacting. The question is probably genuine, logically they’re thinking too far ahead but like he’s told...now is not the time to be throwing reality in people’s faces Keebs. Or for desperately trying to prove yourself as able to read the air by completely misunderstanding what Kokichi is saying. he’s such a little disaster. i adore this silly robot. Once Kokichi calls Kaede out for ‘torturing’ everyone, K1-B0: Given the circumstance...the most logical course of action would be to give up...

No mentions of how he’s feeling. Just logic and trying to relate it to facts. I assume he expects feelings to be ignored so he sticks to facts for that reason...but that’s just my reading. He does it again when Rantaro speaks up.

Rantaro: Hey, guys? Just...as a warning...We shouldn’t let our guards down. We’ll be easy targets at night. Gonta: C-Cuz of killing game, you mean? K1-B0: I see no need to worry about something as illogical as murder taking place here. Rantaro: I know, I know. Just a warning.

Even though he says there’s no need to worry, he’s absolutely sporting a worried sprite. Yet he goes for saying it’s illogical for murder to be taking place. He can’t see any way doing such a thing would be justified at the moment, and you can see Keebo is a bit of a stickler for things ‘making logical sense’. When he’s not just taking the advice of a voice in his head anyway. We don’t hear from him again until the next morning in the dining hall.

Korekiyo: Now...all of us have arrived.  Kehehe...I'm glad. It looks as though there were no victims. K1-B0: But of course! Kokichi: By the way...are you okay, Kaede? Kaede: Huh? What do you mean? Kokichi: Well...you looked pretty bummed out after everyone started blaming you yesterday. Tsumugi: H-Hey... What are you doing all of— Kokichi: Seriously, you guys are so mean. Poor girl... She tried her best to encourage everyone, and you sore losers got mad at her anyway. K1-B0: What's the point of bringing that up again? Tenko: Actually...didn’t *you* blame Kaede first?

Oh look, Keebo’s being positive. Since everyone lived and he can confidently say that now. He’s also showing that Understanding Kokichi For Dummies was not in his hard drive, but he is trying to figure him out a little. Why did you bring it up? They don’t know, because Tenko gives him an easy out here. Not that he was likely going to answer anyway, but hey! A direct question! Which he follows up on after the rest of the class squabbles about it here..

Kokichi: Phew, cool beans! Now everything’s settled! K1-B0: ...But you did blame her first, didn't you? Kokichi: Well, that was a lie. Y'know, one of those lies to make us more united or whatever. Did you know half my lies are actually told with good intentions? Himiko: Now *that* sounds like a lie.

Kokichi actually answers! Genuinely, no less, even though he’s already got his lying reputation by this point. Kokichi is surprisingly up front with Keebo a decent chunk of the time, even if most of the time it’s just His Opinion On The Robot. Maybe he knows no one’s gonna take anything he says to Keebo very seriously now that he’s laid out the constant mockery groundwork. and then monokuma shows up

Maki: ...Motivation to kill? Monokuma: In short, a motive! That oughta add some mystery to the proceedings! Even if a killer is exposed, they could whip up a sob story to deceive everyone! K1-B0: Wh-What are you saying? Your logic is impossible to understand...! Monokuma: I will now announce the first motive! Make sure  you record this moment for prosperity! Now then, the special motive I’ve prepared is called the First Blood Perk!  Wow! For the first murder that occurs, no class trial will be held! Can you believe it? That means the first one to kill someone will get to graduate, no strings attached! Maki: No class trial will be held? Monokuma: I'm sorry that I made the class trial seem more important than it really is... So for the first murder, I've decided not to hold a class trial at all. Please just relax, calm down and kill! After all, the first one’s free! Miu: Huh? That's all!? We just gotta kill someone to get outta here!? K1-B0: "That's all"!? What's that supposed to mean!? Please just calm down! Tenko: First Blood Perk!? Don't make it sound like some kind of game show bonus!

Keebo is super anti-murder, though it’s sort of funny how his plea to Miu is very close to Monkuma’s own wording to ‘just calm down’. He doesn’t understand why you’d want to kill someone or make someone kill another, and seems genuinely surprised someone would do it based on how he reacts to Miu here. Leaving is not a justifiable reason to murder for Keebo, and we get that fact pretty fast. Then he just watches until Kaito gets himself in trouble by threatening Monokuma.

Monosuke: Youse bastards better pay attention! This is what happens when you mess with us! Kaito: Wh...what? What are you guys planning to do? K1-B0: P-Please, don't! Kaede: Run, Kaito!

More pleading to reconsider, because watching people die is Not Fun. Asking the Monokubs to not do something over encouraging Kaito is a bit notable though, no one really tries to reason with them. Keebo might not like them, or like being compared to them, but still seems to think they might be able to be reasoned with. They are AIs like him after all...and he doesn’t remark on anything after Monotaro messes up and crushes Monokuma either. I wonder if watching Monokuma die bothered him at all. (I think it might have, on the walk to the library Shuichi takes Kaede on, Keebo is one of the few characters that isn’t around to talk to.) You don’t see him again until the next morning where he’s hanging out near the main entrance.

K1-B0: Good morning, Kaede. Kaede: Morning, Keebo. K1-B0: Everyone appears to have gathered at the dining hall again. Kaede: Yup, looks like it. K1-B0: I'm thinking about heading over there as well, but... ... Kaede: But? K1-B0: Oh, nothing. I was just wondering...when someone is going to come rescue us. It's been almost a full day since Monokuma was dispatched, but our situation hasn't changed. I'm just speculating, but what if... ...only Monokuma knew about this place? What if this location is not on any map? What if...no one is coming to rescue us? Kaede: Huh? K1-B0: Maybe...we'll just be forgotten, and no one will ever find us again... Kaede: D-Don’t say that! Besides, we should be trying to escape, not waiting for someone to rescue us! K1-B0: Y-Yes...I apologize. I was overthinking things. It would be impossible to discreetly construct a facility such as this in the first place. Plus, if the professor knew I was missing, he would not rest until he found me. With his technology, he would rescue us! No matter where on earth this place is! Kaede: Yeah... K1-B0: On the other hand...it *has* only been one day. As much as we'd love to go home right now, we must wait in a calm, dignified manner! (you need to talk to him a second time to get this line)   

This poor boy has thought himself into a tizzy and is looking to Kaede for some of that positive thinking that he’s not super great at. He goes from ‘good morning’ to ‘oh it’s nothing but I’m worried we’ll never be found :v’ in two seconds flat. Keebo DOESN’T SLEEP. He’s probably been overthinking all night! He has no trouble finding reasons to not worry once Kaede shakes him out of it, and once again shows us he thinks a great deal about the professor who made him. Look at him going all ‘we must wait calmly’ like it wasn’t just him having a miniature breakdown there. Keebs is fond of ‘we’. Not a shock, since Fitting In and being part of the group is kinda big deal for him. At breakfast he’s taken the whole ‘don’t worry’ thing to heart.

Gonta: But...when someone coming to get us? K1-B0: Whoever does...I assume they will come today. There's no need to worry. Rantaro: ...

he’s probably a bit over positive in thinking they’ll be rescued in a single day after Monokuma’s demise though. Logically they’re going to be saved, therefore it should be quick. Keebo kinda runs down bad logic paths like this to extremes instead of staying a middle ground. there’s levels between we’re all gonna be stuck forever and rescue today keebo.

Monokuma: After dying in a tragic car accident, I've been reborn as a Yo-Kai! Call me Jibakuma, kuma! K1-B0: Jibakuma...? Monokuma: From now on, I'm the headmaster of the Ultimate Academy, kuma! You might feel uncomfortable at first, but eventually you'll get used to it. 

Keebo’s the only one to even sort of play along. Considering he has everyone call him something other that his name, I can see him continuing to use ‘Jibakuma’ if Monokuma had kept up the bit for more than ten seconds :v audience stand in keebs always on standby if a bit is falling flat for the other participants. Next motive gets given, Kubs do their shitk with the one of a kind thing and Kaede: Of course! We never left! K1-B0: Why are you doing this!? How much suffering do you want to put us through!? Monokuma: I see... Well, if you're suffering, you all better hurry up and start the killing game. Puhuhu... then you can say bye-bye to the suffering.

monokuma is directly answering the audience at this point I swear. Keebs does do a decent amount of the ‘obvious protag questions’...it is kinda his job. It’s interesting in hindsight. Bears leave, panic happens.

Kaito: W-We can’t panic about something like this. I’ll...do something about it. K1-B0: ...Did you have a course of action in mind? Kaito: I'm...gonna start thinking of one right now!

Kaito is so salty about Keebo pointing out he has no actual plan that he doesn’t invite him to the ‘fight Monokuma’ meeting on the final day. (or doesn’t trust a robot/think he’d help after the manhole debacle.) Keebs, once again bringing down the mood with reality/ genuine questions he doesn’t think through very well. (And honestly Kaito’s whole believing in people thing is inherently illogical, so they don’t really see eye to eye...) They then discuss fighting back.

Ryoma: You're going to go against those machines barehanded? Isn't that too reckless? Tenko: B-But...we have to do it! If we don't, we'll die! K1-B0: Wait! We still have plenty of time to calculate all possible options— Korekiyo: We’ve no time to be indecisive. We are being urged to make a decision... To die fighting... Or die from the time limit.

That’s four members of the cut Keebo off club. :v Keebo might react in the moment, but when it comes to making a plan? Yeah he’d rather take the time to think over everything, but apparently that’s not an option here so he gets trampled over.

Kaede: Miu! You better not do anything shady, okay!? K1-B0: There is no need to worry, is there? No one is going to...kill anyone, right? Himiko: If someone is going to kill, they should just go for the robot. K1-B0: That's even worse!

It really isn’t Keebo’s day. Korekiyo goes right into talking about ‘why does everyone think killing is wrong’ here, no one goes ‘hey maybe don’t threaten the robot’. Poor guy hesitates to even say kill and then gets told he should die first and no one stands up for him. being keebo is suffering. People start leaving and Rantaro starts being Mysterious

Kaede: Ultimate Hunt? What is that...? I've never heard of it. K1-B0: What about it?  Rantaro: ...Nothing, forget it.

Curious robot is curious. That and is doing the whole protag thing again by following on weird unanswered questions, not that it goes anywhere this time. When you talk to him after Rantaro leaves, he’s still thinking about it.

K1-B0: That Ultimate Hunt Rantaro mentioned...what do you suppose it is? ...Any theories, Kaede? Kaede: I don't know... It's the first time I've heard of it... K1-B0: It sounds so...violent. It sounds like it involves us somehow...No, disregard that. Nobody has any clue what it could mean, so it is illogical to continue thinking about it. Our more pressing concern...is the current predicament we find ourselves in. Kaede: Yeah, you're right... K1-B0: We have until nighttime, two days from now... What should we do until then? (once again you need to talk to him a second time for this line.)

He’s pretty much on the right track, but dismisses it before he can drop into that overthinking spiral he was doing earlier in the day, and decides to refocus on the current problem, probably trying to be helpful again. Yet again, reason why is ‘it’s illogical’ to keep worrying about it. Of course, he doesn’t actually have any ideas here. Logic can only take you so far Keebs. He has nothing else to contribute until Free Time. If you chat to him in the first time slot...

K1-B0: A killing game... Why are we being forced to do such a thing? I cannot believe we're being subjected to this purely for the entertainment value!

Keebo has apparently found the script and read chapter six. oknotreally, he’s clearly basing this off the fact it’s called a game and Monokuma basically answered his ‘why are you doing this’ with ‘lolcuzican’, and can’t accept this as a valid reason. Yet he’s not gonna get another one! In time slot two he’s hanging out at the gym

K1-B0: I'm tired of everyone's prejudices! Yes, I'm a robot. But I'm also a high school student like everyone else, you know!?

Himiko literally said kill him first, I think he’s allowed to be a bit miffed about being treated differently. He’s still not arguing that he’s not different, but wants to be treated the same way the others are in ways they can be. sadly for Keebs he is this game’s easy target and he will not be getting a break ever and he needs a hug. Instead we’re going to make a mockery of him again when Shuichi recruits Kaede for operation ‘Get Miu to Make Stuff For Us’ as go near the Casino area.

Kaede: Morning Keebo. K1-B0: Ah, good morning. Your timing is impeccable. I have something I wish to ask you both. Shuichi: Huh? What is it, Keebo? K1-B0: What are your thoughts on this door? No matter how hard I try, it will not open... Kaede: Um, well...it doesn't seem like an exit... K1-B0: What do you think is on the other side of this wall? Kokichi: Why don’t you fly over and see for yourself? K1-B0: Whoa—!? Shuichi: K-Kokichi!? Kokichi: C’mon! I wanna see you fly! Robots have jet packs or whatever under their feet, right? K1-B0: ... Kokichi: Whaaat? You...don’t...? K1-B0: ...No, I don't. Kokichi: ...Have a dick? K1-B0: Wh-What are you talking about!? Kokichi: Oh yeah! If you had a jet pack... then you could've flown over the wall and called for help! K1-B0: ... Kokichi: Geeeez! You're just a huge disappointment, Keebo! K1-B0: ... Kaede: K-Keebo? K1-B0: ...I’m fine. Please just let it be. I...don't like sci-fi functions like flight. Kaede: But aren't you already pretty sci-fi? K1-B0: ... Kaede: Um...it might be better to leave them alone... 

Oh look a big semi important conversation. Keebo’s just asking questions again, he seems to put a lot of importance on what other people think over what he personally does. (he listens to a voice in his head that he knows isn’t himself. listening to other people first is probably preprogramed into him so he’s more malleable >> You can also take it as having a lot of doubts about himself.) Of course, neither Kaede or Shuichi can have any more idea than he does about the wall and what’s beyond it, but he’s asking anyway! Then Kokichi shows up and completely redirects the conversation to Keebo’s abilities again. And robot just can’t follow this! He knows he’s going to disappoint Kokichi ability wise again and clams up instead of stating yes or no clearly here, it takes a second nudge to get an answer. Honestly it reads like he feels bad that the reason he can’t fly is because of something he personally doesn’t like, so he’s unable to help again. He just assures Kaede he’s fine and then clams up again. He’s probably not fine! Like Kaede thinks, Keebo is..pretty sci-fi on his own, but he’s not elaborating on why he doesn’t like that sort of thing. It makes him stand out too much, it makes him less ‘like everyone else’ is probably a safe bet though. And all of this is completely missable dialogue :v In free time slot three he’s in the B classroom alone.

K1-B0: ...Tsumugi just asked me if I can perform a "rocket punch." Why does everyone automatically assume that robots have a rocket punch function!? I don't have a violent function like that! 

it’s a common robot trope, but keebo doesn’t know this, apparently. But hey, bonus reafirrming that Keebo would consider rocket punching violent, and probably doesn’t have any other similar features. Nor does he want any. (For now.) In time slot 4, the final one...

K1-B0: ...At this rate, the time limit will expire before we know it. We must take action somehow... 

He’s worried again! That, and still using ‘we’. Killing someone and only looking out for himself isn’t an option here. He does have good reason to be worried though, if you swing on by to talk to Himiko at this time... Himiko: The time limit is tomorrow night... Maybe...we should kill the robot? Kaede: That's just a joke...right? 

seriously himiko you’re a jerk. I get it, you’re magic and he’s all science and wouldn’t buy a magic trick for a second but you have seen him around for a few days now and are just calling him ‘the robot’ and saying someone should kill him!  For the second time! At least he’s not in the room this time but come on! Himiko clearly has a division between human life and Keebo’s life, and she’s going to stay that way, Which, fair enough, a human can value human life over other forms of life (and guess what we usually do) but...he’s literally sitting and talking with you guys and in the exact same boat. He’s closer to human than a lot of things... After this free time we don’t see him at all until it’s corpse time. So I’ll throw down his Kaede FTEs now. With all the options. As I’m nuts.

K1-B0: If you have come to talk to me...that can only mean you are interested in me, right Kaede? I certainly do not mind. After all, I am the Ultimate Robot. Naturally, I will attract interest. Kaede: Yeah, I've never talked to such a human-like robot before... Well, any robot, really. Hey, if you don't mind... Can I ask you a question? K1-B0: By all means, ask me anything. Oh, but I cannot answer any questions about the technology used to create me. Kaede: Don't worry, I won't ask anything too difficult! Okay, first question...do you sleep at night? K1-B0: I have no need for sleep. However, it is necessary to recharge my power cells. Kaede: Oh, so you recharge! K1-B0: Yes, but I am still conscious while I recharge, so it's not quite the same as human sleep...A single charge generates a week's worth of power, so I don't need to do it very often. Kaede: Ooh, for one week, I see... I always assumed robots needed a lot of electricity. K1-B0: That's what's so incredible about me! My energy efficiency is truly incomparable! Kaede: Hmmm... K1-B0: ...That's it? Kaede: Huh? Was he expecting me to be more excited? To be honest, it's not *that* amazing... May I ask you another question, then? K1-B0: Yes, go ahead... Kaede: Do you eat? K1-B0: ...No... Kaede: Huh? He looks pretty down... Sorry, did I say something wrong? K1-B0: No, I'm sorry too...Though I cannot eat, food still looks delicious to me. The unfairness of it all pains me... Kaede: Yeah, that seems pretty rough. Do you like girls? K1-B0: ...Huh? Kaede: Are you attracted to human girls? Or do you prefer female robots? K1-B0: Are you suggesting...that robots should stick with their own kind? Kaede: I didn't mean it like that! I was just curious! Honest! K1-B0: Then...are you saying...that you...and me...? Kaede: Th-That's not it, either! K1-B0: ...Of course. I apologize for being overly self-conscious. I have never felt romantic attraction, so I cannot answer questions on that subject. Kaede: How do you feel about the Roomba? K1-B0: You mean...the disc-shaped cleaning robot that scoots along the floor Kaede: Yeah, that! Do you see them as, like, younger siblings or something? K1-B0:  ...Kaede, it's very robophobic to suggest that robots are only good for cleaning. You should know that I am completely different from that simple machine. Kaede: But you guys are basically the same, more or less...so I was just wondering K1-B0: That does not matter. If I am comparable to a human, that thing is comparable to a microbe. Kaede: But compared to Roombas, you're losing in the popularity department. K1-B0: Why, that's—! Kaede: I'm kidding! Really! K1-B0: Krgh...! Human jokes are rather vexing...! Kaede: I continued to ask Keebo some questions... Well, that's all! Thanks for answering them, Keebo! K1-B0: Yes, of course...You're the first person to ask me so many questions, one after the other. Kaede: Oh! Was I being too forward? K1-B0: No, that's not what I meant. I just thought......being treated like that isn't so bad. It's actually...kind of fun.

hooboy that’s a lot. Robot is just looking for some validation and is not gonna get it in the ways he thinks he should! One week battery life is incredibly impressive but Kaede sure doesn’t think so, or care to know why that is. She is pretty nice though, overall. Oh and the fact Keebo has a built in company secrets thing is kinda funny. Maybe that’s why he’s garbage with computers, he can’t blab if he doesn’t know jack :v. Mostly we just reconfirm that Keebo is pretty bad at talking to people and probably hasn’t met all that many. He also takes the ‘liking girl’s question really badly and backpedals into being offended when really he just doesn’t have an answer at all. Since he doesn’t know what love is. He actually apologizes for freaking out here, so apparently getting touchy is just his default reaction. :p You can see when he actually has time to explain why he doesn’t like a thing he’ll actually do so, and seems more reasonable when he can. Of course he doesn’t like being compared to something that scoots along, doesn’t think and cleans. They’re both robots, but really not on the same level...and Keebo isn’t quite sure how he’s going to handle that. He says it’s rude to say they’re only good for cleaning...but you can kind of tell he mostly means in relation to himself/robots as intelligent as he is. So instead he just sounds weird and inconsistent...and robophobic himself considering he thinks he’s better than other robots :v Even if it is a joke...Kaede is probably right about the roombas being more popular than Keebs. Also who the heck made him think food looks good when he can’t eat. That’s just mean.

Kaede’s blurb about him for the FTE is pretty positive too, when you see Shuichi’s they’re quite different. (Though their rank one FTEs are INCREDIBLY SIMILAR. because this is how Keebo introduces himself to people. By assuming they want to know about him and flailing. aka terribly. this poor robot. he’s probably only met other people interested in robotics before now.) So we move to FTE 2, where Kaede shows she’s an impulsive little imp when she wants to be!

Kaede: I'm chatting with Keebo again today, but... K1-B0: ...Kaede, is something troubling you? Kaede: N-No! It's nothing.  To be honest, something's been bothering me, and I can't really focus on our conversation.There's a button on Keebo's neck... What does it do? It's calling out to me... I wanna push the button! *thud* K1-B0: Hm? What was that sound? Kaede: Whatever that sound was, it occurred at the exact right time...Because when Keebo turned around, his neck was completely defenseless...Oh, god! The button is like screaming, "Don't push me! Don't push me!" But I'm definitely gonna push the button! *click!* 

(great job you broke him kaede. they do a ... back and forth like five times, just stare at it for a bit.) No reaction...? Keebo!? I called his name and circled around him... K1-B0: ... Kaede: Whaaaaat!? Keebo was completely frozen! Like a toy out of batteries...M-Maybe that was the emergency stop button!? Wh-What should I do!? Maybe if I push it again, it'll fix him...? Hoping that was the case, I pressed the button again. *click!* K1-B0: ... Kaede: ... K1-B0:  Wha—!? Kaede, why are you in front of me? Weren't you behind me earlier? A-And why are you so close to me? Kaede: I-I'm so glad... You're back to normal... K1-B0: Huh? What do you mean? Kaede: U-Um...well, I noticed a button on your neck, so I pushed it K1-B0: What—!? You discovered this button!? Kaede: I-I'm so sorry! It was tempting me! Was that the emergency stop button? K1-B0: ...Yes. It's there just in case my AI or essential functions encounter problems. Kaede: I didn't know you had such a function... K1-B0: Kaede...you know my secret now... Kaede: I-If it's a secret, then you should've hid it better! K1-B0: But what good is an emergency button that cannot be easily found in an emergency? Kaede: But there are people who might push it for fun...like me... K1-B0: ...That's true. I will forward your feedback to the professor when we get out of here. Kaede: Yeah, good idea... K1-B0: But...Kaede, that means you will have influenced my design. Which means you will have played a role in my creation. Kaede: Huh? You're exaggerating. K1-B0: It's no exaggeration. If Professor Idabashi can be considered my "father"...Then you, Kaede, will be my "mother." So I shall call you mom. Kaede: M-M-Mom!? What!? K1-B0: ...That was a joke. Kaede: U-Um... K1-B0: It's payback for messing with my body. You deserve at least that much. Kaede: Ha...hahaha... I'm so sorry, Keebo. A robot making a joke... That's pretty cool. The title of Ultimate Robot really suits him. K1-B0: Um, Kaede... Do you think you can keep that button a secret from everyone? Kaede: Yeah, don't worry. Kokichi definitely can't find out about his button. That would be a huge problem...

Keebo spends a good chunk of his own FTE completely frozen up :v That, and Keebo has this collar covering nearly all of his neck and half of his face! How did you get to it? Or are you calling the collar his neck. He’s probably had to deal with literally getting his buttons pushed before, but Kaede does apologize so he seems more okay with it than he’d usually be. (Really as long as you say sorry he’s generally okay...he wants you to like him.) Also, having that button probably isn’t a ton of fun, even if it’s important. He was completely unaware of what happened and a bit disoriented because of it. Yet he still has time to defend the professor about the placement of the stop button. (As I seriously doubt he had any say in where it is, Kaede! Don’t go pushing random buttons on people!) The fact he gets back at her with an attempt at a joke this time is pretty cute, considering he just previously said jokes are difficult for him. He’s learning! That and the fact both of them instantly go ‘Kokichi must never know’ is just ‘yes, hilarious.’ He’s pretty lucky she keeps it secret and no one else finds out. As an aside, Kaede can ask Rantaro what she thinks of people, and Keebo is an option.

Rantaro: Nah, it's nothing. By the way, who's the most...unique person here, in your eyes? Kaede:  Keebo... Rantaro: Being a robot is interesting enough that his personality barely matters. But you know, I think Keebo is on our side... Kaede: What do you mean, on our side? Rantaro: Have you ever heard of the Three Laws of Robotics? The long and short of it is...robots can't harm people. If Keebo's creator was a good scientist, he would have programmed that into Keebo's AI. We're all human, so we can assume that he's on our side...Of course, I'm just guessing

He probably wouldn’t appreciate his personality not having to matter, but Rantaro basically seems to trust Keebo here. Because he’s a robot :v Unfortunately, he doesn’t trust him enough to let him in on the survivor perk thing...he probably would have lived if Keebo came along to his ill advised library search. It’s much harder to sneak up on two people with a shot putt ball. speaking of shot putt balls, time to get past the part where he dies. Since Keebs is hiding out his room, he gets summoned by the body discovery announcement.

He doesn’t get it, and understandably panics a little, and doesn’t really interact with anyone, they’re all doing their own expressions of dismay. Miu’s does come after his though. What finally gets him talking again? Being worried he won’t be much help.

Kirumi: Do not fret. Just imagine this as something out of a police drama or detective manga. Right, Shuichi? Shuichi: R-Right... K1-B0: I'm in trouble... I've never watched police dramas or read detective manga! Korekiyo: Well...there's no need to think so hard. We need only converse with the corpse... A corpse is not simply a dead person. That is just an assumption made by the living. Yes! By coming face to face with the corpse, you will learn a great many things! (yes that is it exactly.)

Really though, how long has Keebo been ‘alive’? He’s never so much as looked at entire genre even once? You had time for the entire history of stand up and didn’t look at detectives? Shuichi taking charge a little does get him a bit more positive though.

K1-B0: As novice investigators, logic dictates that we work together rather than give in to paranoia.

Teamwork makes the dream work :v He also goes ahead and does the protagonist thing again here.

Kaede: We’ll all escape from here! I’ll make sure of it! K1-B0: So, let's get started. 

He’s the first one to say ‘okay let’s do the thing.’ He’s also the first to react when Kaede says...

Kaede: The mastermind killed Rantaro... K1-B0: ...Mastermind? I’m sorry, what are we talking about?

Asking clarifying questions is Keebo’s part time job at this rate. Most of the other characters have no idea what Kaede is going on about here! This exchange is ten times funnier when you know Kaede is actually right, Tsumugi’s sprite is on screen when she says this and everything. Keebo also trusts Monophanie at her word when it comes to developing the camera film.

K1-B0: And she said she had to follow the rules, so I don’t think she’d destroy evidence. 

He doesn’t say how he thinks very often! Though in this case he’s probably speaking from experience...he’s a robot too, and might have rules he absolutely has to follow. (Such as not talking about how he was created.) Gonta is the other one who trusts her...but Gonta is kind of a sweetheart that trusts almost anyone so :v. Angie also sort of does? But really, the ones who trust are all in the ‘probably not taken seriously’ camp. He continues to be a team player during the investigation.

Kirumi: I do not intend to offer a suggestion that would further arouse suspicion, but... K1-B0: No, that's logical! Please speak your mind, Kirumi! Kaito: It's not something you should be proud to say... but I guess we don't have a choice. After all, if we don't find out who the culprit is, we'll all be killed. 

Keebs with the logic train again, with Kaito there going ‘I Do Not Like’, seeing as it’s kinda hard to believe in your friends while suspecting them. He almost seems to be chastising Keebo here, since he’s unapologetically for the ‘stick in groups’ plan. Of course robot lad knows someone is dead, someone here had to have done it, taking all precautions therefore is only being sensible. In the investigation proper he hangs out in the classroom they kept watch in with Korekiyo, since he actually listens when they say stay in groups.

K1-B0: Kaede, Shuichi! I would like to ask you two a question! You were on lookout inside this classroom, right? Kaede: Yeah. From here, we could keep an eye on the basement, and it was close to the library, too. Shuichi: That’s our alibi. We were both in this classroom when the murder occurred. K1-B0: I see... Then the probability that you two committed the crime is extremely low... By the way...were you two together the entire time? Shuichi: No...I did leave for a bit to see what was happening in the basement. But besides that, we were together the whole time, until the receiver went off. Kaede: Y-Yeah, that's right... K1-B0: ...I understand. Thank you very much. Kaede: Is that all you wanted to ask? K1-B0 Oh, may I ask you one more question? Specifically, about that vent... It appears to be connected to this classroom. The air duct in the basement hallway leads to it... Shuichi: Yes, I was also concerned about this vent... That’s why we kept watch in this classroom. Kaede: Because the culprit wouldn't be able to use this vent if we're in here on lookout. K1-B0: Under those circumstances, it would be difficult to sneak into the library from here. Shuichi: Kaede stacked up books in front of the library vent as well. With those in the way, it would be even harder for someone to go in and out. K1-B0: Really? I will be sure to save that important piece of information to my memory bank. I hope my line of questioning has not offended either of you. It is necessary, so that we may find the truth. Kaede: Keebo, you totally sounded like a detective or a lawyer just now! Oh! Maybe you were a detective or a lawyer in a past life!

Keebo does not appreciate your absolute nonsense Kaede. Even if you’re meaning it as a complement. He’s trying pretty hard, noticing the vent and asking for alibis and trying to puzzle out what happened. He is of course, pretty wrong about these two being unlikely culprits for being here since he hasn’t considered how the murder occurred, but he’s already admitted to not being good at this. He even apologizes for being rude, he’s so worried about making people not like him! Yet he still gets prickly about the robot thing, but really Kaede should we be talking about past lives when there’s a smashed avocado downstairs at this very moment?

Kaede: Hey Keebo, what were you doing and where during the body discovery announcement?  K1-B0: Ah... My alibi.  ... ... (we get his glitching out sprite here :v) Kaede: ...Um, are you glitching right now? K1-B0: No, I'm just searching for the right words. In all honesty I was alone in my room, so I admit my alibi is not altogether reliable... Kaede: So...you don't have an alibi? K1-B0: But Ryoma said he was alone in his room, too. Kaede: Geez, way to throw him under the bus K1-B0:  Huh!? Th-That was not my intention! Kaede: But I see... Both Keebo and Ryoma don't have an alibi... That means, it's possible one of those two is the mastermind... K1-B0: Umm... Am I under suspicion because I don't have an alibi? Kaede: No... I won't suspect you just because you don't have an alibi. And I’m not saying that because you’re a robot or anything! I’m not robophobic at all! K1-B0: Thank you very much. But...you don't need to be so PC. 

Don’t throw Ryomas under busses. Though this is more of ‘I’m stating a fact’ and not really thinking how that comes off again. Well, really you should be under suspicion Keebo, but Kaede already knows who the culprit is and is trying to make you feel better since you’re clearly anxious about it. So she leans into your weak point...and you tell her it’s fine and she doesn’t need to do that. Now is that because her outright saying she not a robophobe makes you feel silly, or are you so worried about inconveniencing your friends you’re just automatically downgrading the importance of your feelings? keebo doesn’t know what he wants. So who’s the one to ask the protagonist about the last bit of evidence they get?

K1-B0: ...Kaede! Are those the developed photos?

zero points for guessing designated audience insert. I have a question and wish to ask it is just how he rolls, especially early on when everyone needs time to talk.

K1-B0: There is one more photo of the front entrance, correct? 

as you see.  A+ for consistency.

Kaede: The camera pointed at the front entrance only snapped these four photos... K1-B0: Neither Rantaro nor anyone else who could be the culprit are in the photos... Ryoma: Did they both enter through the back door, then? 

Adding his two cents, though he’s basically stating the obvious. Hmm. Is it really his two cents when he’s just making factual comments? Ryoma’s the one who actually moves the thought to the next question that needs to be answered.

Ryoma: Could the culprit have gone into the hidden door? K1-B0: Yes, that is a possibility. Korekiyo: For now, let us see the next picture. There is one remaining, isn't there? 

Validating other people’s assumptions but not adding any of his own here.  

Shuichi: But that would mean that Rantaro noticed it... He saw...our hidden camera... K1-B0: Moving the bookcase triggers the sensor, which in turn activates the camera, right? The bookcase appears to have already been moved, so why did the sensor activate...? Tenko: Who cares!? What happened to the culprit!? How come they're not in any of the photos!? 

Tenko, Keebo cares. That’s why he asked.  He’s either not quite understanding how the sensor works...or he’s pointing out the bookcase has moved more than it should have to trigger the sensor a second time. So we know someone came out of the mastermind lair when Rantaro got distracted by the flash. We will never touch on this again! We know the door can automatically close, but it’s in the exact same position despite the camera interval timers. this is probably just oversight but it is kind of funny to think this could have been a giveaway.

Kaede: We just need to expose the mastermind in this class trial! And then everything, including this killing game...will come to an end. K1-B0: Yes, that's right.

Gotta stick to those safe tiny bits of encouragement eh Keebs? even if he’s wrong

K1-B0: I'm sorry, I can't even posit a guess as to who the culprit might be...But I haven't given up! I assure you, we will avenge Rantaro!

‘I have nothing useful to add, so I’m going to use odd words and restate my willingness to help.’ The choice of ‘avenge’ is pretty interesting though. Keebs isn’t big on violence, and we’re not going to be avenging Rantaro with a song and dance number here, we’re gonna get someone else dead. Perhaps we’re getting a tiny peek at the ends justify the means Keebo who only really gets to come out to play in chapter six. or he’s just mimicking the other’s sentiments and not thinking too hard about what avenging would mean :v

Keade: An...elevator? K1-B0: Does he want us to board it?

protagsaskstupidquestions.txt

K1-B0: This is an authentic replica of a courtroom

No it’s not! Well maybe it is in ronpa world. oh god does he know what they look like because he was literally built for this. is this why he threatens with lawsuits.

Tenko: First, let's breathe in! And breathe out! We need to remember our "No, No, No's"! “No pushing! No running! No talking!” K1-B0: But communication is the foundation of any discussion!

The human is confusing me, and we’ve been here for like five seconds. He can’t think of a good way to start, so he’s stuck just pointing out things that might be problems, such as not talking :v

Ryoma: The mastermind, huh? Odds are, it's one of us... Kokichi: It's Kee-boy over here! Everyone else thinks so too! K1-B0: D-Does everyone really think that...!? Kaede: We'll get to the bottom of this... 

He can instantly buy into the idea that everyone suspects him. Even when it’s coming from Kokichi. Kaede sort of denies it, but this poor boy. He’s trying so hard and wants to do his best but has no trouble at all going ‘yeah everyone doubts me’. Maybe that’s a protag thing, with how Shuichi freaks out when you present the wrong evidence :v (THEY’LL THINK I’M A FRAUD)

Kaede: Because, Rantaro didn't have the card key to open the hidden door. You'd think the mastermind would have that card key on him, right? K1-B0: Perhaps the culprit took the card key after killing Rantaro? Shuichi: But none of the pictures show Rantaro holding the card key. So I don't really think he had the key at all

Time for Keebo to make little logical guesses and generally be wrong, since this is Kaede and Shuichi’s trial to run. Someone’s gotta double down on Rantaro possibly being the mastermind I suppose. 

Ryoma: To lure Rantaro to the library...and kill him K1-B0: Does that mean the culprit and the mastermind are one in the same? Korekiyo: Hmm... That does seem plausible. It’s very likely the mastermind knew about Kaede and Shuichi’s trap. Kaede: The mastermind knew about our trap this whole time?

Yes, but actually no. Ryoma, Keebo and Korekiyo are absolutely correct here, even though we won’t be getting the correct answer. It’s kind of impressive that the ‘real world’ protag and his Investigation Buddy have the actual right answer here. (Kiyo and Keebs were together after all). Ryoma’s showing up a lot near Keebo’s dialogue too :v The most unexpected trio ever.

K1-B0: So you knew nothing about the trap in the library? Miu: I'm tellin' ya, I had no idea! Not like it matters...cuz I never went to the library, okay!? Ryoma: The person who made the cameras...would've known their blind spots, too.

Keebo Ryoma tag team...to get the agree statement Kaede needs. I don’t think Keebo has really talked to Miu beyond her calling him pathetic once still.

Ryoma: Cool your jets, kid. Korekiyo: Tsumugi and Kirumi were both in the dining hall as well. K1-B0: We can dismiss those four as potential culprits if they were together the entire time. Korekiyo: No...not the entire time. At one point, Tsumugi went to the restroom. Tsumugi: Oh...so you brought that up after all...It's true. I went to the restroom closest to the dining hall.

I really didn’t notice how often these guys are paired together but now I keep seeing them. Kiyo corrects Keebo like a good Investigation Buddy and brings up a damning clue even. THAT WE WON”T USE AAAAA

Tenko: I would never punch a foe from behind! A true aikido master would never do something so dishonorable! K1-B0: Punching is permitted in aikido!? Tenko: Yes! Neo-Aikido even uses wooden swords! Maki: All you've proven is that you're an idiot.

A distraction conversation in the mass panic debate, but the fact Keebo is so baffled here is funny to me. I suppose he’d be more interested in self defense styles like aikido. Gonta also mentions  ‘ Not person... Robot? Like Keebo? ‘ when talking to Angie. Keebo Is Not A Person is a pretty common sentiment in the class :v

Tsumugi: The A/V Room's sliding door doesn't open, so you can't get into the hallway. K1-B0: If you cannot enter the hallway, how would you open the rear door to the library? Kirumi: Although you cannot fit your whole body through the sliding door, an arm would suffice. It would be possible if you used a particular item in the A/V Room.

Keebo doesn’t talk a ton in this trial because Lots Of People need screentime, but here he is to ask more questions now that we’ve moved past the correct culprit and are moving on to the ‘acceptable’ culprit. He continues to follow Kirumi’s logic path after this exchange too.

Kirumi: Yes, the act of throwing a shot put ball could lead one to use it as a weapon. K1-B0: Even if a person couldn't fit through the space, a shot put ball certainly would.

He doesn’t see the contradiction Kaede does in the whole open bookcase thing, after all. So he’s just helping in making Gonta look suspicious.

Kokichi: Yup! A walking, talking Roomba can't compare to a mighty beast like Gonta! K1-B0: That Roomba remark...is probably not about me, as l have a variety of custodial functions.

Yes, I’m sure everyone totally believes he believes that. While your rebuttal is ‘i can do lots of types of cleaning over a roomba’. This robot, I swear. I tell Kaede off for assuming robots should just need to clean but to prove myself to Kokichi I will talk about how good I am at cleaning things. (Amusing, Kaede apparently magically remembers this, she brings up Keebo’s cleaning function in one of her Salmon mode library dates :v) Also: Kokichi proving to himself that he can derail the robot REALLY EASILY if he wants to be distracting in trials. Keebo doesn’t participate again until another robot crack sets him off. 

Tsumugi: We don't even know if they're a guy or not, though, right? Himiko: Or if they're even human... K1-B0: Are you referring to me?

Himiko doesn’t like you Keebo, I’m sorry. Who else could she be referring to? The fact Tsumugi is saying this to Kaito’s ‘culprit should man up and confess’ thing though? Ha

Angie: The culprit was hiding in the library the whole time, before Kaede and Shuichi even placed the cameras. K1-B0: Where would they have hidden? Angie: Inside the hidden door! Ryoma: So you’re sayin’ the culprit was lyin’ in wait there? Korekiyo: If that's true, the suspects...are those who were alone at time of the incident.

Oh look, Keebo is talking when proof of the real culprit shows up, and asks the question that brings up that proof. Angie’s right! Kiyo is going a bit too far in suspecting Keebo and Ryoma here, but they’d be on the right track if it wasn’t for that chalk dust in the card reader :v 

Kirumi: So the real question is how the culprit entered and exited the library. K1-B0: We cannot continue until we address that problem first! Korekiyo: It’s quite the mystery. How did the killer avoid being caught by the cameras?

He’s helping a little here in making sure the discussion stays on this topic, but Investigation Buddy Kiyo is the one doing the work again. Keebs, you are really showing your inner Makoto :v

Miu: Eureka! I know how the culprit got in the library-- the front door! K1-B0: Um... Have you been paying attention? The camera would've taken their picture. Miu: Not if the culprit timed their movements around the camera intervals!

He’s so exasperated by her by saying something that goes against hard evidence/logic. He hasn’t even considered such a thing like camera intervals. He’s pretty bad about thinking of stuff that goes against ‘facts’. Sadly we won’t get more robot sass for a bit. But hey, we got some.

Miu: The three cameras that Kaediot and Poo-ichi placed go off when they pick up movement. From there, it takes 30 seconds for the film to auto-roll to the next photo. K1-B0: So, for 30 seconds, anyone could've entered the library without their photo being taken!? Kirumi: That may have been enough time to kill Rantaro and exit the library...

Thank you for summarizing for the audience Keebo, I think they figured that out. He’s perfectly happy to work with Miu even if he was just snarking at her for not paying attention. She just needed a logical reason and now he’s on board, no problems. This is probably the first non-aggressive/in agreement bit the two have, depending on how you read their other interactions.

Korekiyo: I see. Then he caused the receiver to go off in front of Kaede to trick her. Shuichi: ... K1-B0: It's certainly plausible, considering that Shuichi knew about the intervals.

Ryoma, since the receiver trick is his idea is the one who gets Keebo on the Suspecting Shuichi bandwagon. The fact Kiyo talks right before he decides it’s plausible is just amusing. He keeps following them, but doesn’t seem very sure. He doesn’t join in for the following debate.

Kaede: So that’s why there’s no way Shuichi could’ve turned off the receiver! Shuichi: ... K1-B0: If that is true, then the entire premise of the argument thus far is wrong... Kirumi: Is this true, Kaede?

He doesn’t actually ask if it’s true, just what it would mean if it was. I’m not sure if I’d rather take it as he doesn’t really buy it or not, she doesn’t seem like a great liar, but Keebo is pretty garbage at reading things. I don’t really think be buys it yet personally (he does later once hearing ‘why would I lie’), that why he doesn’t want to ask, but I can see it being the other way, in he does completely and he’s bummed that they’re back to square one.

Korekiyo: Or perhaps...you wanted to cover for Shuichi, even at the cost of your life. Shuichi: ...Huh?

Kokichi: Words from a true heartless robot! Emotions are only for meatbags! K1-B0: That is a harmful stereotype. I can produce heartfelt remarks through calculations! Tsumugi: Like "less than three"? Those kinds of calculations?

Mugi’s just here to dunk on a robot. Keebo is actually showing how different he is from everyone here. Even though he’s a big team player, he can’t fathom why someone would risk death for a lie for someone else. Kokichi is going to give Keebo a real life example someday, but it seems like Keebo is a tiiiny bit selfish here, or really just very lonely. He doesn’t have a strong enough relationship with anyone to make this idea seem possible, that and he’s not much of a liar. It’s not a shock Kokichi jumps on him here to try and figure out if this is just a shortcoming or Keebo just doesn’t feel much in general, but Keebo’s angry response probably clued him in. Even if he needs to clarify he’s doing so via calculations. Maybe you;re a bit too honest, Keeboy. (Also, given what we learn in his third FTE, a bit strange. His previous self killed himself over risking hurting the professor again...but perhaps he’s not counting that because it’s not a lie?) Either way, he’s taking Kaede’s lie as 100% truth at this point.

Miu: So we all agree that Poo-ichi did it!? Then let's just vote already! K1-B0: No, I think it’s too soon to determine the culprit. Tsumugi: Umm...I agree. I sort of can't believe that Shuichi is the culprit.

mugi i swear to god you just love flaunting don’t you. Keebo’s the first to go ‘actually let’s not die killing tthe wrong person’, so good for him. Against Miu, again. you two have a rocky start huh.

Ryoma: If Shuichi had the receiver, it could have been disguised. K1-B0: Kaede is the one who actually had the receiver!

Robot is gonna be the one taking the lie in the debate scrum and using it as a weapon. She said she didn’t lie, it is a fact now, and he’s sticking with it. He really flip flops on how much he wants to trust people. I think he wants to trust everyone generally, but then he gets in that logic zone and starts being suspicious again. Thaaat and the voice in his head often probably tells him to get off the logic track and believe. He listens to it when he ‘doesn’t know what to do’, and let’s be real Keebo is almost in a constant state of ‘what do’. The less confident he is, the more likely he’s going to be nudged into being trusting...

Kaito: Whoa! The brightness is totally different! K1-B0: Same room, circumstance, and camera. And yet, there is a disparity in brightness...

Reiterating and expanding on what Kaito said here, but he’s letting Shuichi explain it instead of trying to do so himself. It’s this sort of thing that makes me think his confidence is incredibly fragile >>

Shuichi: ...Kaede is the culprit. K1-B0: Huh!?

Keebo has identified the new protagonist and is now reacting to them first instead of False Protagonist. I suppose it makes sense he’s first to react a decent chunk of the time...he does have a computer for a brain. Quick on the update, sometimes. Not that he knows what to say beyond being baffled.

Shuichi: How Kaede killed Rantaro with the shot put ball...should become clear when you consider where she used it. K1-B0: Where she used the shot put ball?

Keebo you were in the room and pointed out the vent, come on buddy. but i was serious about how he’s figured out who he should be listening to most closely again.

Shuichi: ...She rolled it. She rolled the shot from the first floor classroom and hit Rantaro. K1-B0: I am skeptical that she could perform such a feat of accuracy...

see? Of course in his confusion the thing he personally investigated has just dropped right out of his hard drive. :v It does egg Shuichi on so he’ll continue explaining. It’s his show now. To the point Keebo stays silent until we get to Kaede’s motivations.

Shuichi: You weren’t persuaded by Monokuma...and you weren't trying to save yourself. What you were trying to do...was kill the mastermind! K1-B0: Kill...the mastermind? Shuichi:  Kaede wasn't targeting Rantaro. She was targeting the mastermind. She was trying to end this killing game... She was trying to save us all. ...Isn't that right, Kaede?

Keebo just loves to pretend to be Solid Snake. He’s been really quiet otherwise, this isn’t a good time. Kaede was one of the friendliest people to him, too.

Kaede: ... K1-B0: Kaede, what would possess you to do something like this?

Even after hearing how it played out (well, everyone thinks it played out) he still doesn’t get it. She did it to kill the mastermind, but he just can’t see why you’d ever take such a step. Maybe he wants to hear it from her, but it’s still a gut punch.

Kaede: I felt like if I didn't do this, then Rantaro's death would have been meaningless. K1-B0: We were searching for both the culprit and the mastermind during this class trial. Angie: Ah, Kaede did mention that.

What can you say to something like that? His death is ‘meaningless’ in a way, but the truth about him will come about later. (too bad keebo’s is the MOST meaningless) Keebo just chooses to stick to stating the facts, as if that’ll help it make more sense. Not that it probably does. He still has questions.

K1-B0: But, Kaede, why did you set such a convoluted trap? If your intent was to kill the mastermind, there was no reason for you to cover your tracks. Kaito: Isn't it obvious? It's because...she didn't want Shuichi to know.

Kaito is way better at figuring out people’s motivations, especially if driven by emotion. Keebo’s question is sensible...but it is probably rather obvious to everyone else there. He’s accepted she killed with a reason, though we don’t know if he thinks it was a good reason. Being tricked like this...it couldn’t have been good for anyone. He doesn’t stand up to the Exisals. He’s not going to throw his life away.

Kaede: Even after I'm gone...my wish will still be here. So I’m counting on you all! I’m entrusting my wish to every one of you! I believe in you! I believe that you all will make it through this, somehow! You guys better live! Don't go dying on me now! End this ridiculous killing game, survive, and get the hell out of this place! And then...be friends after you escape, okay? I think you’ll all be the best of friends. K1-B0: Affirmative, Kaede...

He will agree to try and make her wish come true. (before everyone else. he’s quick on the draw for this kind of thing.) Of course...no one takes her death well.

A horrible mess Keebo, a horrible mess. Of course, he can still pull himself together if a question needs to be asked.

Monokuma: ...Hate you? Puhuhu...who can say? That's your job to figure out. If you really wanna know what's going on, you're gonna have to work for it. ...Though the corpse formerly known as Rantaro may have had a hunch. Gonta: ...Huh? K1-B0: What do you mean? What was Rantaro's hunch? Monokuma: Puhuhu... What, indeed?

Posing for the camera, that bear. Unfortunately, Keebo doesn’t really pursue what Rantaro’s hunch might have been...or if he does, Shuichi isn’t around to see him do it. Or maybe he mentions it in a one off line and I’ve forgotten. We’ll see.

Tenko: Wh-what kinda d-degenerate male... cries in p-public...? It’s so r-rude... Keebo: But, Tenko, you're crying too. Ryoma: Now's not the time to point that out, Keebo. Just let it be.

Ryoma’s a good guy, he’s figured out Keebo doesn’t really mean anything by it, and he’s genuinely confused by Tenko’s illogical statement. No mockery or anything, just tells him to let it go for now. Of course he’s trying to get more easily answered questions figured out when you’re stuck dealing with ones like ‘why did Kaede have to die’, ‘why did it have to be so cruel’ or ‘what secrets do we know nothing about’. He’d rather be distracted right now.

Kaito: Clench your teeth! K1-B0: Kaito! You are supposed to say that *before* you hit him!

An easy fact that can be applied, so he speaks up. He’ll be speaking up when Kaito does a repeat performance later, too. Kaito and Keebo get on each others case sometimes :v But now it’s Keebo’s turn to be a bit insensitive. 

Shuichi: ...I'm fine.

Gonta: Gonta not sure it waste of time. But Gonta agree, fighting not good...

That was a pretty emotional moment between people mourning a lost one with Kaito trying to get Shuichi to stand up and fight back annnnnd Keebo’s calling it a waste of time. Oooof, he is bad at people. Gonta disagrees, though to Keebo it’s logically just a waste. He can’t see what they’re gaining here, or the point of fighting between friends like this. We know in hindsight that Shuichi kind of needs this, but our robot pal doesn’t. That, and violence is never really entering his acceptable solution list. Not yet.

Shuichi: Sorry, you should go ahead without me... K1-B0: ...Why? Is there a reason you wish to stay in a place like this? Shuichi: I want to be alone for a while. Just for a little bit.

must...respond...to...protagonist...Cannot understand why you want to stay in the place Kaede just died and you got punched in. Shuichi kinda gives a non answer, but Keebo doesn’t press. Probably because he’s not going to understand the answer anyway. That’s in for chapter one!

Why did I do this? Cus I’m in the mood to replay it and I am going to babble about my favourite who deserves better. The other kids a bit too, I do like them all but mostly the robot lad.

Also congratulations if you got this far, you’re just as nuts as I am! please share your own hot takes/ things you just realized from all the quotes shoved in here. I probably should have worked on my fanfics instead of doing this :v (I have a bunch on Keebo as Verl on A03, if you are like ‘yeas i want more ravings from this mad being’) ...I’ll be back with Chapter two later...