#jurassic meteor

[what-is-love-babey-dont-hurt-me]

Terra here is my first kirby OC I ever made and yet is woefully rarely shown! These two are siblings, and Meteor raised his brother!

The bottom drawing in particular is reflects how alligators carry their young! Terra always felt so safe when his brother carried him like that and it’s something he misses dearly. I sure hope nothing bad happens to them!

[dykestriders]

camping filler arc means new outfits so says me

made for my dave & my girlfriends karkat because theyre going together and semi-matching (badly)

[whitewaterpaper]

Jo. Mer italiensk action. Mer retro sci-fi. Klassisk fantasy och med en herkulisk uppryckning: en släng Hollywood-action.

3 Avengers, the / Gli invincibili tre (1964) [📺]

Avenging the Throne / Adormidera (2020) [👎] Historiskt äventyr från Malta. Bra produktionsvärden i stort, men svagt och spretigt manus.

Beastmaster, the (1982) [👍📺] Äntligen har jag fått chansen att se denna klassiker! Kommer försöka se uppföljarna framöver.

Falkenbergsrevyn: Upp & Ner (2023) [👍🆓] Skynda fynda på SVT Play innan den försvinner. Falkenbergsrevyn blickar tillbaka med humoristisk penna på 2022.

Fenomen / Fenómenas (2023) [__] Spansk paranormal dramarysare. Bättre än det låter.

Jurassic World (2015) [👍🔁] Överraskade 2015 med att vara en sevärd mjuk reboot av Jurassic Park-franchisen. Överraskade denna vecka med att även vara värd att se om.

Jurassic World: Fallen Kingdom (2018) [🔁] En uppföljare som missar målet. Mindes inte ett skvatt av den när jag såg om den -- och lär inte minnas mer om jag får för mig att se den igen...

Maciste in the Land of the Cyclops / Maciste nella terra dei ciclopi (1961) [📺]

Meteor (1979) [👍📺] RetroSF med Sean Connery. Riktigt bra film.

Neptun-katastrofen / Neptune Factor, the (1973) [👍📺]

Pirates of the Coast / I Pirati Della Costa (1960) [📺]

Sensationernas Män / Fast and the Furious (1954) [📺] Intressant film. Skall nämnas att den bara har titeln gemensam med den större filmserien på den här sidan millennieskiftet.

Valley of the Dragons (1961) [📺]

Xperiment Q / Quatermass Xperiment, the (1955) [📺]

Skall man bara ge en av månadens titlar en chans kan man skutta över till SVT Play och skratta en stund ihop med falkenbergsteatern.

[theresattrpgforthat]

Hello Mint!

I discovered roleplaying through Lancer, and it made me love tactics with a little emergent behavior (with the occasional surprise super silly combo), the sort we also have in some tactical puzzle games like into the breach or tactical breach wizards. Do you know some tactical RPGs with combat that can almost feel like puzzles at times

THEME: Combat with Puzzles.

Hello friend! I think I have some solid recommendations here, but don't sleep on what I've already written about! You can check out some other recommendation posts at the bottom of this.

Celestial Bodies, by Charlotte Laskowski @binarystargames.

Adrift Among the Bodies of the Dead

For a generation after the calamity, the infinite dark between the stars felt cramped, crowded by refugees on ships meant for fewer people and shorter trips.  In the second generation, those who survived in their home-ships now cannibalized the metal skeletons of the less fortunate ships.  The third generation did not just expand their ships; they expanded their mecha and their operations. They fled to farther stars — populations in space stations and on surfaces booming as quickly as lives were lost in petty disputes.  The fourth generation discovered the Titans. No probe had yet reached these dead gods whose frozen bodies spanned hundreds of miles across. You are the fifth generation.

Celestial Bodies uses an inventory system that feels similar to Mausritter; you have to fit your weapons and other gear inside a grid in order to carry everything. Your “puzzle’ involves constructing your mech to work effectively in battle according to the strategy you prefer. You’re also tracking resources gained and resources used; it seems like you have to keep fighting in order to get access to the things that keep you going.

Ultraviolence Radiation, by KintaroTPC.

Ultraviolence Radiation (UVR) is an experiment in action.

Deflect bullets with a knife! Grab a guy and use him as a weapon against another guy! Take a smoke break in the middle of a hail of gunfire! Get your revenge and look cool doing it.

Featuring 100 enemies with unique Intros, Attacks and special things they do when they die! 28 Abilities to make the action hero you want to play! A rule set which takes inspiration from Beat-Em-Up arcade games and applied them to the Tabletop genre.

In Ultraviolence Radiation, one person is a player, while everyone else at the table plays the baddies. The fighter can’t use moves that draw from the same stat back-to-back; a limitation that points towards having to think carefully about what you’re going to do. There are also moves that have cooldown limitations; you can’t spam the same move, but rather have to time everything to make sure you still have access to good options. Additionally, the fighter has access to passive moves, which have no cooldown, and in some cases, might be consistently in effect. They also have interrupt moves, which can be used outside of your turn. This gives you a fairly complex list of options to choose from, which I think is an integral piece to a good combat game.

Mutation, by OneFootWall Games.

The World as we know it has changed. Two centuries from now a comet strikes Earth. This hunk of interstellar rock was an attack by some Klendathu wannabes. “Goddamn bugs whacked us, Johnny.”

It wasn’t really a comet or meteor, or even an asteroid. It was a seed bomb for terraforming sent by some alien species. This thing detonated a mile up over the Florida Keys and scattered radiation, some kind of bio-gel, and spores around the globe. It wiped out 80% of life on the surface. And we never even got to see the damn aliens…

The world was a little weird and quiet after that. But like Dr Ian Malcom in Jurassic Park says, “Life, uh, finds a way.”

A 3d6 system with a reasonable amount of crunch, distance matters in Mutation, and turns have an action economy. This plus the attacks, talents, psychic powers, skills, and gear which all constitute your character mean that you have a number of different distinct tools that can be used to overcome obstacles, especially in combat. Your character also has the opportunity to inflict and also take different conditions; having different ways to affect and damage your opponent feels like another layer of tactical precision to me.

There is a free quickstart if you want to take a peek behind the curtain before you buy.

Thrones and Threads, by OpalBreeze Games.

Throughout the land, warlords hire mercenary champions to try and dethrone one another. Once hired, these champions don cloth adornments embroidered with threads of vibrant colours that signify their allegiance. Endowed with formidable power, champions are tasked with cutting through enemy lines and destroying fortified strongholds until no obstacles remain between their forces and the enemy throne.

Thrones and Threads is a role-playing battle arena based on Songs and Sagas, product of Fari RPGs, developed and authored by René-Pier Deshaies-Gélinas.

This game comes with 5 pregenerated characters and feels very much like an arena battle; combat is front and centre. Each character has a special move that makes them unique, and many of their traits are determined by different sizes of dice. Because each character has flavoured ways of using their stats, if you are inventive in how you describe your characters’ actions, you’ll likely be able to play to your strengths.

Strike Force Omega, by potatocubed.

It is the far future. Humanity spreads across the galaxy. Led by a council of corporate interests, the Imperial Core reaps the benefits of plunder and exploitation on an unimaginable scale, teeming trillions of human beings kept docile by mass media and the never-ending war against every other sentient species humanity has encountered.

You were a soldier in that war. Not one of the grunts, given basic training and a gun and shoved towards the enemy, although you might have started there. No, you were part of Strike Force Omega. Omega, because you ended things. Given the best training and equipment, remade by your corporate masters into a terrifying god of war, and expected to achieve the impossible on a regular basis. Which you did.

Until you got out.

But war has found you, even here. Not all the threats in the corp newsrooms are overstated.

The people of these worlds are frightened, but they will defend their homes against the oncoming tides – and they will fail and they will die. Even in their millions they cannot win.

Unless…

War is what you were made for, after all. You’ve killed and destroyed for far worse causes than this, so why not take up arms one more time and maybe try to claw back a little part of your soul?

LUMEN is generally a great system for strategic combat, all about creating combos that make you feel powerful and effective. Strike Force Omega is a setting that allows you to play with both magic and technology, and it includes 6 sample campaigns, one for each enemy faction written for the setting. Since the lore and world-building is built in, your characters already have a strong reason for fighting, something that sometimes I struggle to put together in Lancer.

demon blade ultimate, by Peach Garden Games.

Take up your Demon Blade and do battle against the oppression of the imperial army, put an end to the shaded cities, and bring the people of the undercity back to the sunlight.

Demon Blade Ultimate uses the Arts Grid, a character creation and power system pioneered in the legendary Horse Girl Infinity by Jordan Cuddlefish. Choose powers from the grid, unleash powerful summoning magic, and know that nothing is truly beyond your reach.

The grid system in Demon Blade involves choosing three powers on a grid. The spaces between the thing you want to do and the thing you are good at determines the difficulty of an action. Advancement allows you to increase your strengths, making you more powerful as you play.

This game takes a lot from shounen battle anime, so expect narratives about striving to improve yourself until you can vanquish the evil that threatens your people.

Other Recommendations:

Loot, by Gila RPGs.

My Dragoon Recommendation Post.

Fantasy With Tools Recommendation Post

Weapons & Weapon Customization Recommendation Post

Spatial Puzzle Recommendations

Combat Recommendations

If you like what I do and want to leave a tip, you can always stop by my Ko-Fi page.

[rocketbirdie]

I saw the official title of the new Jurassic Park movie coming out and had to make this immediately

And now I’m just thinking of an all dino party trying to stop Sephiroth from summoning Meteor to destroy the dinosaurs

no way did they actually name it that. if this is what it takes to see tankceratops in hd then i'm not sure i'm ready to pay that price

[jbaileyfansite]

Interview with Backstage (2024)

Jonathan Bailey is still marinating in his thoughts, andthey taste pretty sweet. Top notes of red wine, he says. 

These are busy times for the witty British heartthrob. He’s speaking over Zoom from Malta, where he’s filming the next “Jurassic World” installment. And two days prior, he received his first Emmy nomination for his supporting turn on Showtime’s “Fellow Travelers.” 

What’s lingering in Bailey’s mind after reaching such a huge milestone? “The nature of the story, and how that story’s come to be told,” he says of Ron Nyswaner’s limited series, a decades-spanning gay drama that’s chock-full of steamy sex scenes. For him, the Emmy nod is “an acknowledgment of [the show] meaning something much bigger.” 

The 36-year-old actor radiates humility and surges with pride for his collaborators; “Fellow Travelers” also picked up nominations for lead actor Matt Bomer and for Nyswaner’s writing. Bailey believes the fact that executive producer Robbie Rogers was able to get the project on television at all is a “brilliant signifier” of changing times. He feels lucky to have been the right person for the job. And after a couple of decades in the industry, the actor’s star is about to go supernova. 

Childhood stage work and gigs on 2000s teen TV shows led to roles on acclaimed series like ITV’s “Broadchurch” and Channel 4’s “Crashing.” He nabbed an Olivier in 2019 for his performance in Marianne Elliott’s West End revival of “Company.” Households on the other side of the Atlantic learned his name in 2020 when he courted lockdown audiences as Anthony, the strident head of the titular family on Netflix’s period-romance smash “Bridgerton.” 

Then came the game-changing “Fellow Travelers.” Bailey plays the idealistic Tim Laughlin, a closeted congressional staffer who pursues a clandestine relationship with another man amid the witch hunts of McCarthy-era Washington. The actor is keeping up that momentum in the coming months with part one of Jon M. Chu’s highly anticipated film adaptation of the Broadway musical “Wicked” (out Nov. 22), followed by the fourth “Jurassic World” in 2025. 

“Fellow Travelers” is a fitting inflection point for Bailey, considering it reflects aspects of his own gay identity. Tim’s story also illuminates a thread connecting the actor’s work, both in and out of character: always embracing the truth, shame be damned. 

Born in Wallingford, England, Bailey made a beeline for the arts as a kid when he began studying music and ballet. After getting a taste of performing at a young age, he secured an agent when he was a teenager. Even now, he feels the sense of joy and wonder he discovered in those early days. 

He chose not to attend drama school, instead throwing himself into professional theater, where he encountered the performance process in its most essential form. “You start with your own instincts, and then you share with others in the room in real time,” Bailey says. “You academically approach text, then you emotionally explore it. Then, you physically put it on its feet.”

Theater taught him to be observant. In rehearsals, he witnessed actors being brilliant and bold, but also making crucial mistakes. Weeks of rehearsing helped him learn how to spend time with a character as he watched his castmates play against type and expand themselves through performance. Those lessons both tested and encouraged him, and they’ve carried him throughout his career. 

Since then, Bailey has gotten the chance to see plenty of giants at work. He reverently discusses performing Stephen Sondheim’s music alongside Patti LuPone in “Company” and reciting Shakespeare opposite Ian McKellen in the Chichester Festival Theatre’s 2017 production of “King Lear.” 

His contemporaries also made for great teachers. He worked with Phoebe Waller-Bridge on “Crashing” and Michaela Coel on “Chewing Gum”—two certified television geniuses whose creative successes Bailey likens to the magnesium flame of a meteor. It’s an apt comparison—Waller-Bridge called him “a meteorite of fun” in a 2022 interview with GQ. (“I think I’ve always been quite naughty,” he says playfully.)

“There’s so much you take on via natural osmosis,” Bailey explains. “It’s what you watch and how you interpret things.”

For example, he thinks that every actor should see Sandy Dennis’ Oscar-winning turn as Honey in Mike Nichols’ 1966 film “Who’s Afraid of Virginia Woolf?” Her performance whet his curiosity about the craft: “She is so fluid. I mean, that might be the most exposing answer I’ve given about what my inner world is like.”

Bailey’s technique is rooted in music. He plays piano and clarinet, and he approaches acting like an instrument, too. When reading a script for the first time, he experiences his character’s arc as the phrases in a song. “The way my brain works is that I see the images of what they’re doing,” he says. “When I say ‘phrasing,’ it’s like, how you get from that image to this image.”

When he was playing the bottled-up Anthony on “Bridgerton,” Bailey found inspiration in songs by Echo and the Bunnymen and Nirvana. While filming “Fellow Travelers” in Toronto, he went on long walks while listening to expansive pop music to help him explore Tim, a character whose energy radiates outward.

Considering Bailey’s process plays like a song, connoisseurs of his work might notice a motif. Sam from “Crashing,” a party boy Bailey calls “a wild, untamed animal in a tiny little cage,” aggressively maintains a facade of heterosexuality while pining for his male housemate Fred (Amit Shah). On Season 2 of “Bridgerton,” Anthony locked himself into a prison of duty and a loveless engagement to avoid acknowledging his desire for the fiery Kate Sharma (Simone Ashley).

Tim of “Fellow Travelers” is the latest in a series of sharply drawn characters confronting the tension between their assigned roles and their personal truths. Viewers first meet a straitlaced rule-follower whose Catholic piety is only matched by his loyalty to the infamous Senator Joseph McCarthy. All that changes when he crosses paths with Hawkins “Hawk” Fuller (Bomer), a crystal-eyed, debonair State Department official. Their respective closets combust on contact, and they enter into a forbidden love affair just as McCarthy’s Lavender Scare has begun purging queer people from the halls of government.

Bailey’s interior work tends to be more emotional than cerebral, but he’s a generous conversation partner who’s always game to riff on the deep stuff. Whether it’s yearning, going against expectations, or facing high stakes, the phrasing is what draws him in. 

He finds a lot of gorgeous notes to play across the eight episodes of “Fellow Travelers” as the action moves from the 1950s to the ’80s, making pit stops along the way. While Hawk settles for a life of straight domesticity, Tim hurtles through a sexual and political awakening: The Beltway boy becomes an activist priest who refuses to diminish himself, especially when the AIDS crisis begins to rip his community apart.

Bailey loved being inside Tim’s head; in fact, the actor thinks of him as a hero. After experiencing the isolation of his secret relationship with Hawk, he opens himself up to the world: He comes out, moves to San Francisco, cobbles together a found family, and builds a life as his true self. 

“Ron Nyswaner has spoiled Matt and me for the operatic detail that existed between [our characters],” Bailey says, “and also with Tim’s political fervor: the truth and the honesty that he demands of himself and the world around him, and the grappling with anything that is an obstacle to his own and other’s happiness.”

You can’t talk about “Fellow Travelers” without discussing its rapturous sex scenes—and not only for titillation’s sake, though the kinky encounters between Tim and Hawk certainly call for smelling salts. These sequences gave Bailey the opportunity to commit authentic queer intimacy to the screen, which members of the LGBTQ+ community rarely come across as they search for ways to understand their identities. 

The trust between Bailey and Bomer informed everything they did onscreen. Before filming those scenes, the two actors talked through their approach at a café (Goldstruck Coffee on Cumberland Street in Toronto—a ribald little detail that still makes Bailey laugh). The filming itself was incredibly technical, and the actors worked with an intimacy coordinator on set. “We sort of hit the ground running, knowing exactly what was going to be required but also how to communicate throughout it,” Bailey says. “It felt immediately quite safe.”

He sensed an exciting opportunity to tell a story about transformative love amid the “wild, oppressive moment” of the Lavender Scare, dismissing any reservations about the explicit nature of the material. “Honestly, this is exactly why this show is going to be brilliant,” he remembers thinking.

The series’ milestone dramatic moments, with buttons still done up and no skin showing, carried that same sense of significance. No matter how much Tim grew over the course of his arc, Bailey says that his bond with Hawk remained an “extraordinary, material thing.”

This summer, the actor made a very Tim move when he founded the Shameless Fund, a charity that supports LGBTQ+ causes under the tagline: “Raising cash. Erasing shame.” The initiative grew directly out of his acting work—first inspired by the platform afforded to him by “Bridgerton” and further influenced by his experience on “Fellow Travelers.” 

Playing Tim—or, as Bailey puts it, spending “five months doing a dissertation on queer oppression and liberation”—catalyzed his thoughts about the people who created a world where such a show could even exist. “I think in ‘Fellow Travelers,’ it’s so clear what Tim wants,” he says. “But as the world around him develops, you realize there’s so much that he can’t have, but that he can help change.”

Bailey sees that progress playing out in the next generation. He has a small role on the upcoming third season of Netflix’s queer YA hit “Heartstopper” as a dreamy academic who’s the celebrity crush of the series’ protagonist, Charlie (Joe Locke). Based on creator Alice Oseman’s graphic novel series, the show has found a passionate following of young LGBTQ+ fans. 

When he watched “Heartstopper” for the first time, Bailey remembers wondering what it would have been like to see such representation on television when he was growing up. “I was so celebratory of it,” he says. “But it was obviously kind of a melancholic watch for people above a certain age, because it allowed them to grieve what they didn’t have.”

Having conquered the Regency and Cold War periods on the small screen, Bailey’s blockbuster era is imminent. He’s playing dashing love interest Fiyero in the “Wicked” films (based on Gregory Maguire’s 1995 novel), singing and dancing alongside Cynthia Erivo and Ariana Grande. It’s a perfect fit for the actor’s particular lens: “Musically and theatrically, I understand it massively.”

Since “Wicked” came with its own well-known songs to study, Bailey spent a lot of time with composer-lyricist Stephen Schwartz’s music in his ears rather than Kurt Cobain’s. He explored Fiyero’s interiority through the musical theater form itself: What does the act of singing express for him?

And for a character whose signature number is called “Dancing Through Life,” what metaphorical direction are his steps leading him in? 

Bailey sees Fiyero as part of the same club as Tim, Anthony, and Sam, as the heightened world of Oz sends him on a journey of radical transformation. “I think about where he starts and where he ends up; he’s literally a changed person,” the actor says. “I savored the arc over two films.” 

Next year, Bailey will become an action star in Gareth Edwards’ next installment of “Jurassic World” opposite Scarlett Johansson. Though details have yet to be announced, including the movie’s title, production is well underway; Bailey just finished filming in Thailand before shooting moved to Malta. A few days before we spoke, he was interacting with a fake blue-screen dinosaur (which is only a spoiler if you thought Hollywood has actually been cloning big reptiles this whole time).

But Bailey is still keeping his theater muscles toned. Next year, he’s starring as the titular monarch in Nicholas Hytner’s production of Shakespeare’s “Richard II” at London’s Bridge Theatre. “I have to go and sharpen up,” he says of returning to the stage. “You feel so sharp and dexterous at the end of a theater run—but also, you know, without a soul. Carcass levels of absolute exhaustion.”

Bailey lights up at the prospect of getting back onstage and experiencing the kinetic energy between the actors, crew, and director. He believes that the emotional and intellectual rigor of theater leads to a tight, specific piece of work. It’s an art form that requires continuous creation night after night.

This stamina comes in handy in front of a camera, too. “When you’re exhausted, you have to rely on technique,” he explains. “Technique does get you over the finish line, and you can deliver a performance that is honest and tell the story effectively and truthfully.” 

Until then—and until he’s back on set with those fake dinosaurs—he’s going to soak up that Emmy-nomination afterglow for a little while longer. 

“I’m actually going to go and have another glass of wine to celebrate,” he says.

Source

[weirdmageddon]

some thoughts on dave lalonde

so note this isn’t a kidswap au, just a strilonde guardian swap au; a plausible au wherein dave’s meteor(s) are set to land in upstate new york and rose’s in houston tx where they are discovered by mom lalonde and bro strider respectively. so it’s not even really an “alternative universe” so much as “alternative circumstance” because that’s literally all that changes

their interests aren’t swapped; their interests are a natural result of a mix of what they were always predisposed towards (we can look at their post-scratch versions for constants) combined with their living environment. rose strider is still gothy and writes, knits, and has an interest in the zoologically dubious. perhaps rose might handcraft some delirious puppets for her brother-slash-ectofather’s enterprise as a “gift” in one-upmanship. probably has good rapport with the crows that fly into her ironic knockoff disney-princess themed bedroom (see the post i linked above) and get them to fuck with bro passively in exchange for peanuts. she also keeps all the things the crows gift her, pickpocketed shiny things and whatnot

dave lalonde is still the knight of time, still makes sbahj, likes photography, still loves cooking up unbelievably ill jams, still into post-ironic expression, however he’s not irony-poisoned by bro so he’s more comfortable being genuine. his interest in dead things and paleontology comes more to a forefront because of mom’s predilection towards science and genuine encouragement from her. after all she’s made many a mutant kitten herself

i feel like since dave fell to earth with maplehoof, crushing the pony instantly on impact, instead of using its hide to make a bib like a fucking weirdo, mom would paradox clone maplehoof. so dave has a pet pony with a ribbon and little pink heart on it. a knight needs a loyal steed. and hes been attached to maplehoof since his literal first few minutes of existing. so maplehoof wouldnt be bought anywhere, it would originate from itself

i mean he’s seen with the pony at his side in the post-scratch universe so…..

would make sense if the pony mom gifted to rose in canon was more of an involved thing with dave in this circumstance

the only issue is maplehoof cant become his sprite, otherwise that would break the timeloop (they need to come unaltered to earth with dave on the meteor in the first place during the reckoning). also [S] Ride with dave and the scarf would absolutely be a thing at some point

i was thinking maybe instead of a crow, since they aren’t as “everywhere” in upstate new york as they are in that high rise in texas, dave has something more prehistoric put into a sprite. like a parave theropod. can you imagine parave davesprite. maybe an archaeopteryx or something

i guess mom would indulge in a living museum/zoo for “domesticated” ancient organisms all jurassic parked like a weird ongoing experiment but the ectobiology wouldnt be perfect especially because the dna wouldnt be able to be fully read from fossils and specimens. i feel like jurassic park should be dave lalonde’s sort of in-universe media reference the way con air was with john and putting the bunny back in the box. like his friends would just rip on him for living out jurassic park in an imperfect domestic way

and he accidentally kills it through some fetch modus shenanigans. dave still has the bladekind strife specibus but not because he does rooftop battles but because swords are unironically cool, and flings it out the window by accident and it strikes one of the parave theropods in the enclosed zoo below outside his window and dave feels kinda bad

when jade sees it as his server player shes like “oh nooooo :(“ and dave is like “oh god no dont put that in the seizure kernel while i take a piss in one of the many fancy bathrooms this household has”

[giantchasm]

It seems Peony's finally resorted to what all desperate businesspeople eventually resort to: blackmail and lies.

She's growing up so fast! 💖

This is a silly little comic I’ve wanted to do like… ever since Peony was set up to face off against Sir Meteor, in the @kirbyoctournament and I’m glad I was able to get it done before the poll ended! My art drive has been a little low this past week or so.

At the moment Peony is about 10% behind in her poll, so give her a vote if you’d like!

Or don’t? Maybe we shouldn’t be encouraging this behavior from her. But also… who DOESN’T want a repeat of Jurassic Park, zombie dinosaurs and all?

Either way, thanks to everyone who’s supported Peony this far! And while I’d like to see her go further, ultimately I’m happy with making the top 20 OCs. The love has been overwhelming and I have yet another silly comic planned for if I do end up having to send her off.

For now, though, enjoy her little pyramid scheme!

(Sir Meteor belongs to @what-is-love-babey-dont-hurt-me and Night Terror belongs to @justalilstar — I knew I had to include her in this in some way, too. Honestly, I’m a little bummed the poll’s been so stacked against her in favor of Peony and Meteor, because she’s a super cool OC too. Badass design. Honestly this whole bracket is full of absolutely awesome characters. So hard to choose 🥲)

BONUS:

It seems, if nothing else, with her morally dubious behavior, Peony is joining the family business.

…Yayyyyyy?

[xenomayhem]

|🦖::☄️!! JURASSIC/DINOSAUR NPTS !!🌋::🦕|

[ pt: Jurassic/Dinosaur NPTs. end pt ]

-- Requested by @diinotism --

[ pt: Requested by diinotism. end pt ]

:: Names: Dino, Amber, Fossil, Spine, Spike, Rex, Saur, Tooth, Meteor, Titan, Titania, Scale, Talon, Claw

:: Pronouns: Dino/saur, Spino/saurus, Tyranno/saurus, Dino/dinosaur, Tri/cera/tops, Plateo/saurus, Deino/suchus, T/rex, Rex/rexself, Fossil/fossilself, Jur/assic, Meso/zoic, Roar/roarself, Vol/canic, Bone/boneself

:: Titles: prn who is fossilized, prn the fossilized, prn who walked with dinosaurs, The fossilized, The fossilized one, The giant one, The lizard king, prn who survived the meteor

[voidfanged]

— DINOSAUR ID PACK 🦖

NAMES : amber, anky, ankylo, archie, archo, bailey, blue, bones, bronto, buck(y), cambria, carno, cera, charlie, claw, cory, daemon, darwin, dee, delta, devon, dina, dino, dinora, doe, draco(rex), echo, ediacara, eli, fern, finn, fleet, fossil, grover, harpy, jade, jane, kylo, leo, lichen, lichida, luca, marella, max, mono, mosa, neo, nuna, nyx, phyla, pteraspi, pyro, raptor, red, rex, rexie, reximus, rexley, rexy, rhino, roardin, roarke, rocky, ronaldino, rory, roy, sage, saur, scale, scotty, scout, shale, spike, spine, spino, stega, strata, sue, talon, theodore, thumper, tina, titan, titania, titus, tooth, trexler, tristan, trix, trylo, ty, venator, verdi, zephyr, ziggy

PRONOUNS : bite/bite, bone/bone, cera/cera, cera/ceratop, cera/top, claw/claw, cre/creta(ceous), dig/dig, dino/dino, dino/dinosaur, dino/saur, dinosaur/dinosaur, don/don, evo/evolve, flora/fauna, foss/fossier,fossi/fossi, fossil/fossil, jur/jurassic, mim/mim, mimu/mimus, mimus/mimus, paleo/paleo, paleon/paleon, phy/phylum, pretyx/pteryx, rapt/rapt, rapt/raptor, rawr/rawr, rex/rex, roar/roar, saur/saur, saur/saurus, saurus/saurus, scale/scale, spino/spino, suchus/suchus, teeth/teeth, tetra/tetrapod, tri/triassic, tri/trilobite, tyra/tyra, tyrant/tyrant, tyras/tyrant, ven/ven, vena/vena, venator/venator, vol/cano, zo/zoa, ☄️, 🌠, 🌋, 🦕, 🦖

TITLES : the fossilised, the fossilised one, prn the fossilised, prn who is fossilised, prn who is buried in stone, prn who walked with/among dinosaurs, prn who walked among giants, the giant one, the titan, the last titan, prn who survived the meteor, prn who saw the meteor fall, the one who roared, the one who roared last, the lizard king, the cold-blooded king, the great hunter, the swamp stalker, the shadow in the ferns, prn who stalked the ferns, the one who came before

[pt: dinosaur id pack,

names,

pronouns,

titles, end pt]

[wootusart]

Jurassic June day 16

Meteor Shower. No, Not That One. Not Yet.

[pro-birth]

So according to various evolutionary models I have seen, they pinpoint the first childbearing/birthing animal to a female shrew-like mammal in the middle Jurassic period. And Idk what the science behind that would look exactly, but it got me wondering about how the uterus evolved with that ability.

I know a lot of feminists and women’s activists argue that the uterus is not primarily a childbearing organ. But maybe we should respect the fact that it kinda is? Maybe it isn’t a sexist thing to say if it’s literally ingrained in our normal biology?

Regardless of whether you have children, a healthy and functioning uterus has health benefits of all sorts for the woman who has one. I’m not saying that if the uterus is primarily for pregnancy then you have an obligation to become pregnant. BUT, the uterus was formed before, during, and after our mammalian ancestors gained the ability to birth live offspring. That is a fact, and you know what else?

This switch from egg laying to gestation is likely what enabled our ancestors to survive the meteor strike 65 millions years ago. Little pregnant Juramaia were able to flee into caves and other safe crevices while the world burned and froze over and struggled to equalize. Countless lives of our own ancestors in turn were able to share space more effectively by not having to leave behind eggs to guard in what little room they had.

It was the childbearing purpose of the uterus that has allowed humanity to thrive and survive. This primal tradition can even be seen in historical and present day women figures fighting for changes and their own destinies while pregnant!

I’m not saying that pregnancy is all sunshine and roses, or that it should be mandatory. I’m just saying that this ancient gift should be respected, at the least, for literally and figuratively birthing us. That we should respect the power our uterus holds for our own lives, just that fact that we COULD birth and raise little humans who can change the future.

The uterus is a childbearing organ that gave us life. I am okay with that; maybe if society was too, we can make it into a new age of true equity.

[adreamthatsworthkeeping]

Right, so we know that the Jurassic, Cretaceous, etc periods were millions of years apart. If the meteor hadn't ruined their good party fun times, do we think this was going to be a dinosaur planet only? If they hadn't been wiped out to make way for Mammal Time, would it just be dinosaurs of various degrees dominating forever?

[iamblue15]

Moditrix AU: Alien Nicknames

Dipper

*Grey Matter: Little Grey

*Humongusaur: Gigantosaur

*Wildvine: Xenoplant

*Blitzwolfer: Weirdwolf

*Ampfibian: Ghost Jelly

*Shocksquatch: Shocksquatch

*XLR8: Acceleraptor

*Brainstorm: Crabstein

*Ball Weevil: Goop Beetle

*NRG: Meltdown

Mabel

*Wildmutt: Hyperhound

*Chromastone: Rainbowblast

*Ditto: Multi Buddy

*Grey Matter: Little Grey

*Humongusaur: Gigantosaur

*Bloxx: Build a Thing

*Cannonbolt: Maball (Mabel + Ball)

*Buzzshock: Zip Zap

*Fasttrack: Kitty Fast

*Upchuck: Stuff Up

Raz

*Heatblast: Hot Shot

*Jetray: Rayser

*Spider Monkey: Spider Monkey

*Clockwork: Time Lord

*Cannonbolt: Rollout

*Feedback: Feedback

*Echo Echo: Dupli-Sound

*Gravattack: Mars Head

*Ball Weevil: Gunk Mite

*Way Big: Goggalor

Lili

*Wildvine: Green Queen

*Chamalien: Camo Gecko

*Chromastone: Meteor Quartz

*Four Arms: Red Bruiser

*NRG: Rad Tank

*Grey Matter: Tinker Frog

*Snare-Oh: Celopatrap (Cleopatra + Trap)

*Astrodactyl: Jetrassic (Jet+ Jurassic)

*Buzzshock: Battery

*Whampire: Batula (Bat + Dracula)

Coraline

*Diamondhead: Hardstone

*Swampfire: Wildfire

*Big Chill: Frostbite

*XRL8: Rush

*Rath: Raging Stripes

*Water Hazard: Flash Flood

*Crashhopper: Kicket (Kick + Cricket)

*Ampfibian: Astrosquid

*Grey Matter: Liliphibian (Liliputian + Amphibian)

*Echo Echo: Surround Sound

Wybie

*Brainstorm: Shell-Minded

*Upgrade: Symbiote

*Feedback: Cable Guy

*Stinkfly: Mutant Fly

*Lodestar: Magnetizer

*Artiguana: Frizard (Frigid + Lizard)

*Ripjaw: Depthmaw

*Nanomech: Microdroid

*Ball Weevil: Crud Bug

*Spider Monkey: Arachney (Arachnid + Monkey)

Norman

*Goop: Slimer

*Echo Echo: Screamer

*Frankenstrike: Lightningstein

*Big Chill: Ghostmoth

*Ripjaw: Angler Man

*Snare-Oh: Bind Tut

*Wildvine: Trap Plant

*Eye Guy: Multeye (Muliple + Eye)

*XLR8: AMX (Alien Motorcross)

*Terraspin: Draftshell

Neil

*Four Arms: Double Muscle

*Cannonbolt: Wrecking Ball

*Upchuck: Spit n' Boom

*Wildmutt: Mad Dog

*Armadrillo: Diggin' King

*Kickin' Hawk: Rooster Fighter

*Fasttrack: Felay (Feline + Relay)

*Articguana: Sub-Zero Dragon

*Brainstorm: Intellishrimp

*Bloxx: Stackem'

[paleoforest]

My List of super Old Browser Games with Dinosaur Thematic/Lore/Gameplay

There are Flash and Unity

These games I first played more than 10 years ago, and by re-opening them, I had a nostalgic experience. Here only remarkable and memorable games what deserve their ray of glory, yep.

Non-playable games are crossed out by red diagonal: "Jetpack Brontosaurus" (3D) was very poorly archived on FlashPoint, and the second one "Век Рептилий: бои дино!" (it used to called " Dino Crisis: Затерянный мир!") is a 2D multiplayer from Russian social media VKontakte, and its servers have been closed long time ago. So yeah, all most of them still playable! I have info/files each of 'em !!! For example, Lego ones needs .exe for launch. There are many ways to play them!

Rest titles for search: 2D: Eggstinction, Dino Run: Marathon of Doom!, Lego: Dino Outbreak, Dino Panic (2x), T-Rex Rampage: Prehistoric Pizza (Hot Wheels), Dino Paint, Gone Fishing (baryonyx), Robot Dinosaurs That Shoot Beams When They Roar, Dinosaurs and Meteors, Prehistoric Shark, Battle of Giants: Dinosaurs, Donald the Dino, Ice Age: Dawn of the Dinosaurs, DINOK, L.A. Rex, One Man and His Dinosaur (shepherd-theropod), Lego: Dino Archeological Dig, Obama Jurassic Park, Dino Soars!, Dino Duet, Me and My Dinosaur, Caveman Climb, BM REX, Dinosaur Killer 3D and of course Google Chrome Dinosaur. 3D: Dino Storm (Wild Western), Off-Road Velociraptor Safari (developers of Jetpack Brontosaurus)

Someday I will make fanarts and video about paleo games with my voice!!!!!! not in english, cause I'm very poor in english(( P.S. I tried to upload post in r/Dinosaurs, but my suggestion been ignored for 3 months

[mediasaurs]

TRM Round 1: Fantasia (Rite of Spring T. rex) vs. Prehysteria! (Elvis)

Fantasia (Rite of Spring T. rex) – From the classic film comes an early animated depiction of T. rex. Here, we see Tyrannosaurus fighting with, and ultimately defeating, an anachronistic Stegosaurus. Though, sadly, like many of the entries in this competition, no success in hunting can save this T. rex from the extinction of the dinosaurs. Here, though, extinction comes not from a meteor but climate change.

Prehysteria! (Elvis) – Debuting the same year as Jurassic Park, Prehysteria! asks the important question: what if dinosaurs were tiny and cute and could live in your house? For the real answer, you can look at pet birds, but either way, wacky shenanigans will ensue. Elvis is a miniature T. rex, part of a group of eggs accidentally obtained by an ordinary family. Each hatches into a different dinosaur (or pterosaur) and is named after a famous musician. The T. rex, naturally, is named Elvis because he was the king. These are fun, silly movies and the stop-motion animation is a welcome sight in the world of endless CGI.