#juliette ferrara

[fertileground]

mary, 2005 (dir. abel ferrara)

[cantsayidont]

Movies movies movies:

THE WITCH WHO CAME FROM THE SEA (1976): Disquieting, bloody psychological drama, directed by Matt Cimber (later the founder of G.L.O.W., and the basis for the "Sam Sylvia" character played by Marc Maron on the 2017–2019 G.L.O.W. TV series), about a disturbed young woman named Molly (Millie Perkins, wife of screenwriter Robert Thorn), whose horrifying history of childhood abuse causes her to sublimate sexual attraction into dissociative homicidal fits, when she isn't doting on her two young nephews or drinking herself into a haze. Vibes like an exploitation movie, but too arty and surreal to really qualify as one, and it doesn't ever feel quite like a horror movie despite the lurid subject matter; probably the closest comparison is Abel Ferrara's MS.45, with which it would make an apt double bill. Demands strong CWs for CSA and suicide, both of which are pretty rough, but it definitely makes an impression, perhaps most strikingly in the later scenes where Molly's seedy boss (Lonny Chapman) and bitchy coworker (Peggy Feury) begin to grasp how unhinged Molly has really become, leading to a disturbing finale. Too unsettling to easily recommend, hard to forget.

ALICE GOODBODY (1974): Lightweight, smutty exploitation movie, written, produced, and directed by Tom Scheuer, starring Sharon Kelly as a starstruck Hollywood waitress who loves old movies and movie stars (most of whom the people she meets in the industry have barely even heard of) and who is determined to get a small part in a new musical about Julius Caesar, even though it means sleeping with almost everyone in town. A kind of cheerful low-stakes sex comedy they don't make anymore: The situation is obviously sleazy, but not in any way that ever puts Alice in any particular jeopardy (she's in far more danger on set, where she keeps suffering different workplace accidents). The movie's central running joke is that the men whose favor she's supposed to be cultivating are at least as fixated on their own weird obsessions and neuroses as on sex, something Alice just has to sort of work around as best she can, which ends up making her sympathetic and even relatable. More likable than you'd think.

SPICE WORLD (1997): Delightfully dopey Girl Power homage to Richard Lester's A HARD DAY'S NIGHT, starring the Spice Girls, Richard E. Grant at his Richard E. Grantiest, and a cast of thousands. (Just picking out all the cameos and guest stars is half the fun.) This is what I think the Greta Gerwig BARBIE movie was going for: obviously a commercial product, and making no apologies for its mercantile ambitions, but self-aware enough and full of enough sly piss-taking to be thoroughly enjoyable even if you aren't in (or never had) a Spice Girls phase. Goes on a bit too long, but Grant's outfits alone are worth sticking it out for, and the bridge-jumping climax is very funny.

KALIFORNIA (1993): Mordant thriller starring a disconcertingly young-looking David Duchovny as Brian Kessler, a young writer who blows his advance for a new book about serial killers on an old convertible for him and his horny art photographer girlfriend Carrie Laughlin (Michelle Forbes, with disconcerting bangs) to drive across the country, photographing famous murder sites. Along the way, they pick up a couple of hitchhiking hicks, Early Grayce (Brad Pitt) and Adele Comers (Juliette Lewis), to help pay for gas, not realizing that Early is a paroled convict who's just murdered someone and has no qualms about dropping more bodies along the way. Tim Metcalfe's script (with obligatory '90s voiceover narration) scores some points early on in its depiction of Brian and Carrie's obvious classism and brittle middle-class hipster intellectualism, but the story ends up validating their prejudices rather than questioning them, which keeps the film from being entirely satisfying despite its effectiveness as a thriller. The cast is very good, with Pitt and Forbes the real standouts — Pitt plays Early as a man who draws no line between aw-shucks Southern congeniality and murderous rage, while Forbes makes Carrie's mix of ambition, appetite, and roiling intensity so vivid that you come away wondering what she's doing with Brian, who Duchovny plays as a somewhat gormless jackass. As for Lewis, suffice to say this would make an interesting double bill with NATURAL BORN KILLERS, released about a year later, where she plays a variation on the same damaged theme.

[buxberg]

En 1993 elle a joué le rôle principal de Julie Winon dans le drame musical Three Colours: Blue

Un film mystérieux avec une fin inoubliable.  Juliette Binoche incarne une veuve qui, après la mort de son mari compositeur et de sa fille, a décidé de quitter le monde.  Mais les souvenirs du passé, ainsi que les secrets laissés après son mari, brisent son isolement émotionnel et l'obligent à finir ce que son mari n'a pas eu le temps de finir.  L'image est accompagnée d'une belle musique, le tournage est de la plus haute classe, mais surtout le film est précieux pour la transmission indubitable des émotions et le travail spirituel d'une personne.  Pour ce rôle bien joué, Binoche a reçu un prix du Festival du film de Venise et d'autres films.  En effet, ses premiers grands prix ont été associés au rôle du Polonais Krzysztof Keslowski dans le drame "Trois Couleurs : Bleu": puis elle a reçu la Coupe Volpi à Venise et le "César" en France.  Et puis elle a réussi à travailler non seulement avec Michael Haneke, mais aussi avec le Taïwanais Hou Xiaoshan, l'Américain Abel Ferrara et le Britannique John Boorman.  C'est ce qu'est une véritable star internationale, qui incarne pour beaucoup l'image même de la "beauté à la française" », a déclaré le critique de cinéma A. Dolin.

[leanstooneside]

Get over playing the victim

◊ Anderson Cooper's nose (East Ham)

◊ Lee DeWyze's nose (Hendon Central)

◊ Beyoncé Knowles's nose (Tottenham Court Road)

◊ DJ Kiss's nose (West Harrow)

◊ Whitney Port's nose (Park Royal)

◊ Mandy Moore's nose (Perivale)

◊ Kevin Durant's nose (East Putney)

◊ Ryan Reynolds's nose (Croxley)

◊ Floyd Mayweather's nose (Hyde Park Corner)

◊ LeAnn Rimes's nose (Mill Hill East)

◊ Gwyneth Paltrow's nose (Kenton)

◊ Hank Baskett's nose (Angel)

◊ Miranda Kerr's nose (Sloane Square)

◊ Chad Kroeger's nose (Euston)

◊ Christie Brinkley's nose (Blackhorse Road)

◊ Tony Romo's nose (Charing Cross)

◊ Ryan Dunn's nose (Gants Hill)

◊ Jerry Ferrara's nose (Bromley-by-Bow)

◊ Kenny Chesney's nose (Liverpool Street)

◊ Matt Leinart's nose (Covent Garden)

◊ James Rodriguez's nose (Mill Hill East)

◊ Donald Trump's nose (North Ealing)

◊ Gisele Bundchen's nose (Greenford)

◊ Jennifer Hudson's nose (North Greenwich)

◊ Ali Fedotowsky's nose (London Bridge)

◊ Elizabeth Banks's nose (Vauxhall)

◊ Elton John's nose (Barbican)

◊ Gisele Bündchen's nose (Lancaster Gate)

◊ Justin Trudeau's nose (Wembley Park)

◊ Mary J. Blige's nose (Northwick Park)

◊ Jesse Eisenberg's nose (Sudbury Hill)

◊ Cory Monteith's nose (Ravenscourt Park)

◊ Elisabetta Canalis's nose (Marble Arch)

◊ Kelly Bensimon's nose (Embankment)

◊ Juliette Lewis's nose (Stamford Brook)

◊ Amy Adams's nose (Golders Green)

◊ Ben Affleck's nose (Bond Street)

◊ Roberto Martinez's nose (Totteridge & Whetstone)

◊ Malin Akerman's nose (Sudbury Hill)

◊ Anna Paquin's nose (Moorgate)

◊ Rachel McAdams's nose (Roding Valley)

◊ Channing Tatum's nose (Knightsbridge)

◊ Jessica Alba's nose (Marylebone)

◊ Iggy Azalea's nose (Euston Square)

◊ Tinsley Mortimer's nose (North Acton)

◊ Selena Gomez's nose (East Ham)

◊ John Cusack's nose (Highbury & Islington)

◊ Willow Smith's nose (Earl's Court)

◊ Nacho Figueras's nose (Edgware Road)

[dr-doo]

love it when books go from take out (murder) to take out (dating)

[batsyhope]

kenji kishimito quotes/headers

like or reblog if you save!

[twickedwoman]

Shatter me

Like/reblog if you save or like.

Credits on twitter @wickedfireheart if you use

[mubiblog]

Juliette Binoche and Abel Ferrara by Marion Stalens, 2005.

[alexgrazioli]

ABEL FERRARA / JULIETTE BINOCHE / FOREST WHITAKER / MATTHEW MODINE / ODYSSEY IN ROME

FEATURE  DOCUMENTARY   Odyssey in Rome   narrated by Eric Stoltz   original music by UNKLE   a film by Alex Grazioli   WATCH IT HERE

[clockworkbee]

It’s humiliating.

That I thought I could slip into the role of a regular girl with a regular boyfriend; that I thought I could live out the stories I’d read in so many books as a child.

—Juliette Ferrara, from Unravel Me

[lunasferrarslayouts]

Shatter me layouts; like/reblog if you save

[highqueenofelfhame]

Juliette Ferrara and Aaron Warner playlists!

Juliette: 1. Gasoline - halsey 2. don’t wanna be your girl - wet 3. no time to die - billie eilish 4. you should see me in a crown - billie eilish 5. crazy in love - sofia karlberg.

Aaron Warner: 1. daddy issues - the neighbourhood  2. ocean eyes - billie eilish 3. new blood - zade wolf 4. silhouette - aquilo 5. seven devils - florence and the machine

[magdolna-teljesfilmek-hdqua-blog]

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felszabadított: Nov 18, 2020

Runtime: 83 percek

Műfaj: Dráma

Csillag: Juliette Binoche, Matthew Modine, Forest Whitaker, Kate Conner, Ettore D’Alessandro, Stefania Rocca

Crew: Silvia Nebiolo (Costume Design), Abel Ferrara (Director), Abel Ferrara (Story), Fernando Sulichin (Producer), Chris David (Sound Re-Recording Mixer), Riccardo Neri (Executive Producer)

Crew: Kim Suk-won (Sound Supervisor), Cho Sang-kyung (Costume Design), Kim Woo-taek (Executive Producer), Mowg (Original Music Composer), Yeon Sang-ho (Director), Yeon Sang-ho (Writer)

Rendező: Buvári Tamás Főszereplők: Buvári Villő Nagy Katica Bódi Mária Magdolna 1921-ben született Szigligeten és 1945-ben halt vértanúhalált Balatonfűzfő mellett, Litéren. Rövid életét a Balaton-felvidéken töltötte, több településen élt és dolgozott cseléd szüleivel és két fiú testvérével. Gyerekkorától kezdve különösen vonzódott Istenhez és segítette a rászorulókat. Tizenhat éves korától munkáslányként a fűzfői lőporgyárban dolgozott, miközben szent ferenci életet élt, minden idejét imádságban, a betegek, nélkülözők segítésével töltötte. Tisztasága és lánytársai védelmezése közben ölték meg 23 éves korában. Boldoggá avatását 2017. márciusában kezdeményezték, pere folyamatban van a Vatikánban. Filmünk ebből a szempontból is érdeklődésre tarthat számot.

A játékfilm Magdolna életének két napjára fókuszál, s ezek történéseit mutatja be egyszerűen, de szépen haladva előre az időben. Az egyik ilyen nap 1933 nyarán játszódik a Káli-medencében, a 12 éves Magdolna egy csodás, ugyanakkor tanulságos napját bemutatva. Magdolna ekkor ébred rá, sorsa az, hogy Krisztushoz hasonlóan rendkívüli áldozatot hozzon embertársaiért. A másik napon már 1945-ben vagyunk, Magdolna életének utolsó napján, melyet a küzdelem, a reményvesztettség és a félelem ural, s közben környezetéből kiemelkedik Magdolna alakja, aki a végsőkig tartja a lelket társaiban, mialatt a szeretet és az elfogadás erejével közelít saját halála felé.

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[buxberg]

En 1993 elle a joué le rôle principal de Julie Winon dans le drame musical Three Colours: Blue

Un film mystérieux avec une fin inoubliable.  Juliette Binoche incarne une veuve qui, après la mort de son mari compositeur et de sa fille, a décidé de quitter le monde.  Mais les souvenirs du passé, ainsi que les secrets laissés après son mari, brisent son isolement émotionnel et l'obligent à finir ce que son mari n'a pas eu le temps de finir.  L'image est accompagnée d'une belle musique, le tournage est de la plus haute classe, mais surtout le film est précieux pour la transmission indubitable des émotions et le travail spirituel d'une personne.  Pour ce rôle bien joué, Binoche a reçu un prix du Festival du film de Venise et d'autres films.  En effet, ses premiers grands prix ont été associés au rôle du Polonais Krzysztof Keslowski dans le drame "Trois Couleurs : Bleu": puis elle a reçu la Coupe Volpi à Venise et le "César" en France.  Et puis elle a réussi à travailler non seulement avec Michael Haneke, mais aussi avec le Taïwanais Hou Xiaoshan, l'Américain Abel Ferrara et le Britannique John Boorman.  C'est ce qu'est une véritable star internationale, qui incarne pour beaucoup l'image même de la "beauté à la française" », a déclaré le critique de cinéma A. Dolin.

[womenandbooksonfilms]

Juliette Binoche.

Mary; Abel Ferrara, 2005.

[jshatan]

It’s day 25 of the #septemberspins vinyl challenge by @vinylhandle and @shutupaboutvinyl: Pretending: An Album That Would Make a killer Movie. Lou Reed - New York (Sire, 1989/2020) I’m imagining either a gritty drama, directed by Abel Ferrara or Martin Scorsese, that features vignettes based on the multiple characters and storylines Reed introduces on this classic album, from the impoverished dreamers of Romeo Had Juliette to the AIDS-ravaged Halloween Parade, or maybe an even grittier documentary drawing on the resonances between 1989 NYC and 2022 America. Trump and Giuliani are here, along with a plethora of other corrupt and venal figures. I was lucky enough to see Reed perform New York in its entirety on Broadway, which was a story in itself! #vinyl #vinylcollection #vinylgram #vinylgeek #vinylcollector #vinylcollection #records #vinylchallenge #vinylcommunity #septembervinylchallenge https://www.instagram.com/p/Ci8bxBnA_9v/?igshid=NGJjMDIxMWI=