#julie and forrest

[sixtyt-en]

Is it even flesh? Is it even blood? Is it even me?

[vonlipvig]

i started playing killer frequency a little while ago, and my horror-loving self is having so much fun with it, so of course i had to draw my own versions of forrest and peggy!

[nerds-yearbook]

On October 28, 1993, the Simpsons "Treehouse of Horror IV" aired. The wrap-around segments were done in a parody of the "Night Gallery" anthology series with Bart in the position of Rod Serling. The three segments were "The Devil and Homer Simpson" (based on "The Devil and Daniel Webster"), "Terror at 5 1/2 Feet" (based on the Twilight Zone episode and movie segment "Terror at 20,000 Feet" with Bart taking the William Shatner/John Lithgow role), and "Bart Simpson's Dracula" (based on various vampire tales, in particular "Bram Stroker's Dacula", "Nosferatu" and "The Lost Boys".) This episode marked the last episode with Conan O'Brien as a writer and the first appearance of exchange student Uter. ("Tree House of Terror IV", The Simpsons, TV Event)

[eightiesfan]

Let's party !

[dancingwithhope]

[personinthepalace]

I’m back on my legally blonde videoessay bullshit and my current obsession that’s probably not making it into the video I’d the progression from

this

To this

To the final broadway version. Like isn’t it insane how it had nothing to do with love originally. Like, in biased and like when it’s “how about love?“ but this is so precious and works so amazing for door-less productions I can’t!!! The instrumentation picking up!!! The profound sadness and Emmet not knowing!!!! (The way they deal with that is Definitely worse tho, I’m not shilling for Vivian telling him, not me)

But still it’s so!!!!!

hi! hope you are well :) and this is perfect timing bc I am also back on my legally blonde obsession haha

but yeah the San Francisco run doesn't have Elle tell Emmett what happened so he instead finds out through Vivienne which is quite strange especially since Elle does tell Emmett what Callahan did to her in the movie. So at the end of the ballad, Emmett is confused about why Elle wants to leave, finds out about the assault off-stage, and through a second party instead of through Elle herself which not only makes things feel less impactful but is also offensive (I am not sure if I am using the right term) to Elle - she is the victim in this situation and thus this is her story to tell not Vivienne's

but what I really love about the San Francisco version of the ballad is how the music swells after Elle shuts the door. And you see Emmett rushing to the door and calling out to her multiple times - ahhh it is so heartbreaking!! I do sometimes wish they kept that in somehow though of course I love the final Broadway version with all of my heart - "what about love?" "some girls were just meant to smile" 😭

here is a clip of an early san francisco version of the ballad scene for anyone who wishes to watch it:

also does anybody know what emmett is holding here?? I can't figure it out???

anyway wishing you the best of luck with your video essay!! so excited to watch it :)

[amarenacherriezzz]

Fuck I need Hozier to make songs about all the months and seasons.

[inevitablemoment]

Elle and Emmett Baby Headcanons because I'm new to the fandom and I can't control myself

So, I volunteered to scan tickets for a local production of Legally Blonde, so I got to see it three times, and I'm obsessed with it now! I have since watched the proshot about ten times all the way through, and my headcanons are gushing out like a waterfall. Also, I'm a little frightened of how attracted I am to Christian Borle.

Now, these particular headcanons pertain to Elle's pregnancy with their daughter, Julie, but prior to that, they have adopted three kids (they just strike me as the type to adopt).

Brief who's who of the older Woods-Forrest kids here:

Rosie (born April 2013, adopted April 2015) was the daughter of one of Elle's cousin whom Elle and Emmett took in after her biological parents were killed in a car accident. Elle and Emmett had to deal with some pushback from Rose's biological grandmother, but they were able to maintain custody and finalize the adoption.

Sophia (born 2001, adopted 2016) was fostered by them after Enid, who was Sophia's advocate, told them that she was still in a group home after her younger brother had been taken in by another foster family, and asked them to foster Sophia while she tried to reunite the siblings. Sophia rebuffed Elle and Emmett's attempts to integrate her into the family at first, but soon warmed to them.

Owen (born 2007, adopted 2016), Sophia's younger brother. Enid succeeds in reuniting the siblings, and Elle and Emmett decide to adopt him as well.

And now, headcanons about Elle's pregnancy below the cut:

Elle and Emmett had been married for about a year and a half before they began considering to start trying.

Only a few days later, Elle got the call about her cousin, and they moved their focus to taking care of Rosie and adopting her.

About seven months after Owen comes to live with them, Elle finds out that she's pregnant.

She's ecstatic, of course; but then she gets worried-- whether she and Emmett can handle another child at the moment, how the kids would react (especially considering that this baby would be related to her and Emmett by blood), etc.

Unsurprisingly though, Emmett is thrilled to hear this news.

Since he was an only child, he always wanted a big family (totally not projecting, you're projecting)

Telling the kids, though, is an anxiety that they both share... and it turns out not to be totally unfounded.

Sophia and Owen, despite trying to show excitement, are wary of this news, but Elle and Emmett do everything they can to reassure them.

Rosie has trouble understanding at first, but she does grasp that there's going to be a new baby, she's not going to be the youngest anymore, etc., etc. Once Elle starts showing, it begins to sink in for her.

Though they have plenty of hand-me-downs from Rosie and from Paulette and Kyle's kids, Elle does jump on shopping for this baby-- clothes, toys, gear, everything.

Elle has pretty awful morning sickness during the first twenty weeks, sometimes to the point that she has to stay home from work.

But one time, while in the middle of a trial, she rushes out to vomit, only to return completely composed and ready to resume.

While she enjoys buying maternity clothes, her personal favorite outfit is just one of Emmett's shirts as a nightdress. Once she's on maternity leave, it's pretty much all she wears around the house.

Both she and Emmett cry when she has her first ultrasound and they hear the baby's heartbeat.

Emmett cries tears of joy when they learn that they're having a little girl.

And he's so attentive. Whatever food Elle's craving, he's willing to drive to the grocery store or restaurant, and pick it up, even after a long day at work.

Speaking of long days at work, he always rubs Elle's back and feet once they're settled in at home for the night.

Out of every doctor's appointment, he only misses one and he feels so bad about it. He cheers up when Elle shows him the ultrasound picture that she had them take for him, though.

Emmett loves talking to the baby. The night that they're in bed after Elle told him that she was pregnant, he's already leaning over her belly, talking to the baby about how excited he is that they're coming, about her older sisters and brothers, and about how awesome their mom is.

Even before Elle starts showing, Emmett cannot keep his hands off of her belly. They both love feeling the baby kick together.

Sophia and Owen eventually warm to the idea of a new baby, especially once they're reassured that they won't be treated any differently from a child who shares DNA with Emmett and Elle.

Elle originally intends to work all the way up to her ninth month, but she ends up going on maternity leave earlier than planned so that she can rest and savor some quality time with each of the kids before she gives birth.

Emmett loves taking pictures of Elle during her pregnancy, particularly with her belly showing.

She goes into labor around midnight in her thirty-eighth week.

Emmett's mother arrives to look after the older kids.

While there aren't any serious complications during Elle's labor and delivery, it's not very pleasant.

It lasts for twenty-seven hours, risking an infection.

She's put on Pitocin to speed up the process, but she doesn't react well to it, and her epidural only works on one side of her body.

Thankfully, the baby girl is born healthy.

Emmett and Elle name her Juliet Anneliese Woods-Forrest, nicknaming her "Julie."

Appearance-wise, Julie is the perfect mix of her mother and father-- her father's eyes and her mother's hair.

Sophia and Owen take to their new sister immediately, loving on her as much as they can.

However, for Rosie, this is where the jealousy kicks in.

It takes a while for her to adjust to Julie being around, but she does love her little sister.

Even when his and Elle's leave wraps up, Emmett takes the option of extended leave to spend more time with the kids.

When he does eventually go back to work, he has a whole bunch of pictures on his desk of all of his kids.

[mia-seth-adventures]

Abandoned

[movies-tv-more]

Blu-ray & 4K Steelbook Releases for July 2, 2024

[goodprospects]

Rhodos, island on fire, july 2023

[sinnamonscouture]

Selena Forrest, Chloe Oh, Lulu Tenney, and Mika Schneider Covers Vogue Korea, July 2023

[jessiejamesdeckers]

jessiejamesdecker: Being a mom is my greatest joy in life as y’all know. So I did a special interview with @ usweekly about being a mommy for their “Hollywood moms” edition💖💙💙 I showed the kids last night and Forrest got a real kick out of it! Go grab your copy at your local store and tag me with a pic on story & I’ll re post on my story as many as I can!!💖

[nerds-yearbook]

Guido/Strong Guy first appeared in The New Mutants 29#, cover date July, 1985. He was created by Chris Claremont and Bill Sienkiewicz. ("Meanwhile, Back at the Mansion", The New Mutants 29#, Marvel Comic Event)

[flashthunders]

This account is for an incredible young boy who gave his life during the Second World War.

It is dedicated to him and his enjoyments — most importantly, his personal life and who he was as a person.

That is what truly matters.

Edwin Gordon Thomas

Born 23 July 1921

Likes: 👍

Cinema 🎥 🎞️

Theatre 🎭

Beer 🍺

Cigarettes 🚬

Loves: ❤️

Lucky rare leave! 👨‍👩‍👧‍👦

Nights out with friends 🌃 🍻

Favourite films:

Fantasia (1940)

Gasbags (1941)

The Man Who Talked Too Much (1940)

49th Parallel (1941)

Favourite Songs:

Tangerine (Jimmy Dorsey + Helen O'Connell)

Skylark (Helen Forrest)

Dance of the Hours (Fantasia 1940, from the opera La Gioconda)

Please, follow Edwin's account to share your respect — and most importantly to remember Eddie for the sweet boy he is.

[dancingwithhope]