#julia metzler

[rockpaperscissuhs]

Hispanic Heritage Month + Band of Brothers

For the last day of Hispanic Heritage Month (Sept. 15 - Oct. 15), I rolled up my sleeves to do some research on Latinos who served in Easy Company.

Here's who I found…

Antonio C. "Tony" Garcia

Here's the bio & gif set I made for him:

Ynez M. "Tito" Mendoza

Ynez was born September 22, 1925 in California. His parents, Jose and Carlota, were both born in Mexico and had immigrated to the U.S.

He enlisted in Los Angeles in January 1944, and joined Easy Company as a replacement. In October 1944, he was wounded in the lower leg by artillery, but returned to the line December 1944.

After the war, he married and had 3 children. He died on June 30, 2011 at the age of 85.

Wiliam S. "Guillermo" Metzler

William was born and raised in Naco, Arizona. His parents, Francisco and Julia, were born in Hermosillo, in the Mexican state of Sonora. They married, and later immigrated with their first two sons to Arizona, where William and his other siblings were later born.

He was living in Los Angeles when he volunteered for the U.S. Army in August 1942. He was one of the original members of Easy Company and trained at Toccoa.

He was killed in action in Normandy on June 24, 1944, at the age of 22.

Sergio G. Moya

Sergio was born on February 24, 1921, in San Francisco, California.

In February 1943, he enlisted in the U.S. Army. He was one of the original members of Easy Company and trained at Toccoa.

He was on the C-47 plane with Lt. Meehan that was shot down over Normandy by German anti-aircraft fire on June 6th, 1944 (D-Day). He died at the age of 23.

Joseph "Joe" Ramirez

Here's the bio & gif set I made for him:

[genevieveetguy]

I'm so tired of being young.

Four Friends, Arthur Penn (1981)

[themanifestoshow]

8pm - Doors Open 8:30pm - Free Show Begins Arcade Currency (Ayinde Howell, Dane Troy, Aman Adumer, Gerald Grisette, Kalle Pascal, Kingsley Pascal, Edgar Momplaisir) Bearanoia (David Zwick, Winston Carter, Ross Buran, Ben Crutcher, mike Cardella, Marie buck, Heidi heyward, Rex Howell, Rachel Middleton) Gentleman Sumo (Dickie Copeland, Matt Figuera, Tom Fox and Jake Goldman 9:30pm (no intermission) Penguins on the Playground with special guest Deborah Tarica (Jen Krueger and Mark David Christenson) JAH (Jacob Wysocki, Alex Fernie, Hillary Anne Matthews) Hot Prowl (Jonny Svarzbein, Julia Metzler, Josh Brekhus) We are located at: The Clubhouse [theclubhouseimprov.com] 1607 N Vermont Ave Los Angeles, CA 90027 We are improv for the people so admission is free, but we urge performers and audience alike to throw a few rubles in the donation bucket. There will also be beer and water available with donation!

[tuseriesdetv]

Guía de series: Estrenos y regresos de octubre 2021

Una considerable cantidad de series se nos presentarán en la tele próximamente. Como siempre, habrá que ver si cantidad es lo mismo que calidad.

¡Feliz octubre!

Leyenda:

Verde: series nuevas.

Negro: regresos de otras series.

Naranja: miniseries o series documentales.

Amarillo: tv movies, documentales, especiales o pilotos.

Morado: season finales.

Púrpura: midseason finales.

*

Calendario de series

1 de octubre:

SWAT (5T), Magnum PI (4T) y Blue Bloods (12T) en CBS

The Many Saints of Newark en HBO Max

Maid (1T completa), The Guilty, Forever Rich y Diana: The Musical en Netflix

3 de octubre:

Ridley Road (1T completa) en BBC One

The Walking Dead: World Beyond (2T y última) en AMC

4 de octubre: On My Block (4T y última) en Netflix

5 de octubre: Escape the Undertaker y Dave Chapelle: The Closer en Netflix

6 de octubre:

CSI: Vegas (1T) en CBS

Brassic (3T) en Sky Max

La venganza de las Juanas (1T completa) y There's Someone Inside Your House en Netflix

7 de octubre:

Young Sheldon (5T), United States of Al (2T), Ghosts (1T) y Bull (6T) en CBS

One of Us Is Lying (1T) en Peacock

The Billion Dollar Code en Netflix

The Outpost (series finale) en The CW

8 de octubre:

Nancy Drew (3T) en The CW

Leverage: Redemption (1bT) en IMDb TV

Pretty Smart (1T completa), Family Business (3T y última completa), Mio fratello mia sorella y Grudge en Netflix

Acapulco (1T) en Apple TV+

Madame X en Paramount+

Justin Bieber: Our World en Prime Video

10 de octubre: The Equalizer (2T) y SEAL Team (5T) en CBS

11 de octubre:

The Baby-Sitters Club (2T completa) en Netflix

We're Here (2T) en HBO

The L Word: Generation Q (2T finale) en Showtime

12 de octubre:

Chucky (1T) en Syfy

The Oval (3T) en BET

13 de octubre:

Dopesick (1T) en Hulu

The Sinner (4T) en USA Network

Legends of Tomorrow (7T) y Batwoman (3T) en The CW

Sistas (3bT) y Twenties (2T) en BET

Just Beyond (1T) en Disney+

Hiacynt y Distancia de rescate en Netflix

14 de octubre:

B Positive (2T) en CBS

Guilty Party (1T) en Paramount+

Legacies (4T) en The CW

Aquaman: King of Atlantis (1T) en HBO Max

Another Life (2T completa) en Netflix

15 de octubre:

You (3T completa), I onde dager y De slag om de Schelde en Netflix

I Know What You Did Last Summer (1T) en Prime Video

Day of the Dead (1T) en Syfy

Cobra (2T) en Sky Max

Puppy Place (1T) en Apple TV+

Halloween Kills en Peacock

16 de octubre: Misfit: The Series (1T completa) en Netflix

17 de octubre:

Succession (3T) en HBO

Fear The Walking Dead (7T) en AMC

Hightown (2T) en Starz

19 de octubre:

Queens (1T) en ABC

Runt en Apple TV+

20 de octubre: Found, Night Teeth y Stuck Together en Netflix

21 de octubre:

The Blacklist (9T) en NBC

The Girl in the Woods (1T) en Peacock

Sex, Love & Goop en Netflix

One of Us Is Lying (1T finale) en Peacock

22 de octubre:

Invasion (1T) en Apple TV+

Inside Job (1T completa), Locke & Key (2T completa) y Maya and the Three (1T completa) en Netflix

Dune en HBO Max

24 de octubre: Insecure (5T y última) y Curb Your Enthusiasm (11T) en HBO

25 de octubre: All American (4T) y 4400 (1T) en The CW

26 de octubre:

Todo lo otro (1T) y Dolores en HBO Max

The Last O.G. (4T) en TBS

27 de octubre: Sintonía (2T completa), Hypnotic y W lesie dzis nie zasnie nikt 2 en Netflix

28 de octubre:

Luis Miguel: La serie (3T y última completa) en Netflix

Walker (2T) en The CW

Love Life (2T) en HBO Max

29 de octubre:

Colin in Black & White (1T completa), El tiempo que te doy (1T completa) y Army of Thieves en Netflix

Swagger (1T) en Apple TV+

Paranormal Activity: Next of Kin en Paramount+

*

Estrenos de series

Maid (Netflix)

Para lidiar con la pobreza y la falta de vivienda, una madre soltera (Margaret Qualley; The Leftovers, Once Upon a Time... in Hollywood) comienza a trabajar como criada en casa de una exitosa abogada (Anika Noni Rose; Roots, Assassination Nation). Con Nick Robinson (Love, Simon; A Teacher), Andie MacDowell (Four Weddings and a Funeral, Groundhod Day), Billy Burke (Revolution, Twilight), Tracy Vilar (House, M.D., Partners), Xavi de Guzmán (The 100, Take Two), BJ Harrison (Chilling Advenures of Sabrina, Motherland: Fort Salem) y Rylea Nevaeh Whittet.

Basada en las memorias de Stephanie Land (2019). Escrita por Molly Smith Metzler (Shameless, Orange Is the New Black). Dirigen John Wells (Shameless, Animal Kingdom), Helen Shaver (Vikings, Orphan Black) o Nzingha Stewart (Little Fires Everywhere, Black Monday). Diez episodios.

Estreno: 1 de octubre

Estreno en España: 1 de octubre en Netflix España

Ridley Road (BBC One)

Vivien (Agnes O'Casey) es una joven judía que, en 1962, abandona su vida cómoda en Manchester e, inspirada por el Grupo 62, una coalición militante antifascista que combate el neofascismo en Reino Unido después de la guerra, se infiltra en el NSM, un movimiento neonazi que está creciendo en Londres, tras la desaparición de su novio. Completan el reparto Rory Kinnear (Years and Years, Penny Dreadful), Tracy-Ann Oberman (It's a Sin, After Life), Eddie Marsan (Ray Donovan, Gangs of New York), Tamzin Outhwaite (New Tricks, EastEnders), Samantha Spiro (Sex Education, Me Before You), Rita Tushingham (In the Flesh), Danny Hatchard (Our Girl, EastEnders), Tom Varey (Ackley Bridge, No Offence), Julia Krynke (The A Word, Line of Duty), Gabriel Akuwudike (1917, Hanna), Danny Sykes (Bulletproof) y Hannah Traylen (Harlots, Unforgotten).

Basada en la novela de Jo Bloom (2014), escrita y producida por Sarah Solemani (Barry) y dirigida por Lisa Mulcahy (Years and Years, Blood). Cuatro episodios. 

Estreno: 3 de octubre

CSI: Vegas (CBS)

William Petersen (Grissom), Jorja Fox (Sara), Wallace Langham (Hodges) y Paul Guilfoyle (Brass) vuelven a esta secuela de CSI (2000-2015) a la que se unen Matt Lauria (Friday Night Lights, Kingdom), Paula Newsome (Chicago Med, Barry), Mel Rodriguez (The Last Man on Earth), Mandeep Dhillon (After Life, Bulletproof), Jamie McShane (Bloodline, SEAL Team), Robert Curtis Brown (The Handmaid's Tale, Station 19), David Paladino (You), Sean Alexander James (The Morning Show) o Johnny Rey Diaz (Pam & Tommy).

Escrita por Jason Tracey (Elementary, Burn Notice). Diez episodios.

Estreno: 6 de octubre

La venganza de las Juanas (Netflix)

Cinco mujeres con la misma marca de nacimiento, y todas llamadas Juana, deciden investigar sobre su pasado y descubren una red de mentiras montada por un poderoso político (Carlos Ponce; Devious Maids, Julie and the Phantoms). Protagonizada por Juanita Arias (El señor de los cielos, Como tú no hay dos), Sofía Engberg, Oka Giner (Señora Acero, Gossip Girl: Acapulco), Renata Notni (Mi adorable maldición, Sueño de amor) y Zuria Vega (Mi marido tiene familia, Que te perdone Dios). Completan el reparto Carlos Athié (Mi adorable maldición, Que te perdone Dios), Federico Espejo (La casa de las flores, La jefa del campeón) y Pablo Astiazarán (Ingobernable, Club de Cuervos).

Adaptación mexicana de la telenovela colombiana Las Juanas (1997-1998). Escrita por Jimena Romero (Más sabe el diablo, ¿Quién eres tú?). Dieciocho episodios.

Estreno: 6 de octubre

Estreno en España: 6 de octubre en Netflix España

Ghosts (CBS)

Comedia monocámara adaptación de la serie británica en la que una pareja hereda una casa de campo destartalada y llena de fantasmas. Protagonizada por Rose McIver (iZombie, Woke), Utkarsh Ambudkar (The Mindy Project, Brockmire), Brandon Scott Jones (The Good Place, The Other Two), Rebecca Wisocky (Devious Maids, For All Mankind), Danielle Pinnock (Young Sheldon, Get Shorty), Richie Moriarty (The Tick), Asher Grodman, Sheila Carrasco (Jane the Virgin) y Román Zaragoza (Austin & Ally).

Escrita y producida por Joe Port y Joe Wiseman, productores de Zoey's Extraordinary Playlist o New Girl.

Estreno: 7 de octubre

One of Us Is Lying (Peacock)

Cinco estudiantes de instituto son castigados y enviados a la sala de detención, de la que solamente cuatro salen vivos. Todos son sospechosos y todos tienen algo que ocultar. Protagonizada por Marianly Tejada (The Purge), Cooper van Grootel, Annalisa Cochrane (Cobra Kai, Heathers), Chibuikem Uche, Barrett Carnahan (Cobra Kai, Alexa & Katie), Jessica McLeod (You Me Her), Melissa Collazo (Swamp Thing), Mark McKenna (Wayne, Sing Street), Martin Bobb-Semple (Pandora, Free Rein), Karim Diané (StartUp), Sara Thompson (The 100, Burden of Truth), George Ferrier (Dirty Laundry), Miles J. Harvey (American Vandal), Zenia Marshall (Date My Dad), Hugo Ateo (Siren, The Terror) y Alimi Ballard (Queen of the South, CSI).

Basada en la novela de Karen M. McManus (2017). Escrita y producida por Darío Madrona (Élite, Los protegidos) y Erica Saleh (Evil, Instinct). Dirige y produce el piloto Jennifer Morrison (Euphoria). Ocho episodios.

Estreno: 7 de octubre

The Billion Dollar Code (Netflix)

En los años 90, dos pioneros de la informática alemanes fueron a juicio con una demanda multimillonaria para luchar por sus derechos como inventores del algoritmo de Google Earth. La historia real de la dura batalla de dos grandes amigos contra un oponente aparentemente invencible cuenta con el mundo del hackeo en Berlín y el idealista mundo de los inicios de Silicon Valley como telón de fondo. Con Mark Waschke (Dark, Tatort), Mišel Matičević (Babylon Berlin, Tatort), Leonard Scheicher (Das Boot, Das schweigende Klassenzimmer), Marius Ahrendt, Lavinia Wilson (Deutschland 86, Deutschland 89) y Seumas Sargent (Spy City).

Creada y producida por Oliver Ziegenbalg y Robert Thalheim, escrita por Ziegenbalg y dirigida por Thalheim.

Estreno: 7 de octubre

Estreno: 7 de octubre en Netflix España

Pretty Smart (Netflix)

Comedia multicámara centrada en Chelsea (Emily Osment; Young & Hungry, Hannah Montana), una altanera e ingeniosa intelectual sin habilidades sociales para vivir en el mundo real que, cuando su novio la deja inesperadamente, se ve obligada a vivir con su despreocupada y jovial hermana Claire (Olivia Macklin; The Young Pope, Filthy Rich) y sus amigos: Grant (Gregg Sulkin; Runaways, Wizards of Waverly Place), un dulce y romántico entrenador personal; Solana (Cinthya Carmona; Greenhouse Academy, East Los High), una antigua abogada que ahora se dedica a la sanación; y Jayden (Michael Hsu Rosen; Tiny Pretty Things, Jessica Jones), un influencer de las redes sociales.

Creada, escrita y producida por Jack Dolgen (Crazy Ex-Girlfriend, Diary of a Future President) y Doug Mand (How I Met Your Mother, Crazy Ex-Girlfriend). Producida por Kourtney Kang (How I Met Your Mother, Fresh Off the Boat) y dirigida por Pamela Fryman (How I Met Your Mother, Frasier). Diez episodios.

Estreno: 8 de octubre

Estreno en España: 8 de octubre en Netflix España

Acapulco (Apple TV+)

Comedia bilingüe centrada en Máximo (Enrique Arrizon; Las hijas de Abril, La jefa del campeón), un joven mexicano que en 1984 consiguió el que creía que sería el trabajo de sus sueños en un resort pero que resultó ser un puesto mucho más complicado que le haría cuestionarse su moral y sus creencias. Eugenio Derbez (No se aceptan devoluciones, Dora and the Lost City of Gold) producirá y narrará la serie interpretando a la versión actual del joven. Completan el reparto Damián Alcázar (Narcos, Señora Acero), Camilla Pérez (A Teacher, Gotham), Raphael Alejandro (Once Upon a Time, Bunk'd), Jessica Collins (The Young and the Restless, It's Always Sunny in Philadelphia), Chord Overstreet (Glee), Vanessa Bauche (Luis Miguel: La Serie, Rosario Tijeras), Rafael Cebrián (Las aventuras del capitán Alatriste, Narcos), Fernando Carsa, Regina Reynoso (La rosa de Guadalupe), Regina Orozco (La casa de las flores, Mi marido tiene familia) y Carlos Corona (El señor de los cielos, Doña Flor y sus dos maridos).

Inspirada en la película How to Be a Latin Lover (2017). Creada por Austin Winsberg (Zoey's Extraordinary Playlist, Gossip Girl), Eduardo Cisneros (No se aceptan devoluciones) y Jason Shuman (Anger Management) y escrita por Winsberg y Chris Harris (How I Met Your Mother). Diez episodios.

Estreno: 8 de octubre

Estreno en España: 8 de octubre en Apple TV+ España

Chucky (Syfy)

Serie continuación de la saga cinematográfica protagonizada por Chucky (Brad Dourif) en la que Jake (Zackary Arthur; Transparent, Kidding), un adolescente gay solitario que sufre acoso y busca su sitio tras la muerte de su madre, encuentra al muñeco diabólico en una venta de garaje. Alex Vincent, Christine Elise McCarthy y Jennifer Tilly volverán a interpretar a Andy Barclay, Kyle Simpson y Tiffany Valentine. Completan el cast Devon Sawa (Final Destination, Casper), Teo Briones (Ratched, Pretty Little Liars), Alyvia Ayn Lind (Daybreak, Masters of Sex), Fiona Dourif (True Blood, The Blacklist), Barbara Alyn Woods (One Tree Hill; Honey, I Shrunk the Kids: The TV Show), Björgvin Arnarson (The Seventh Day) y Lexa Doig (Continuum, Arrow).

Creada y escrita por Don Mancini (Child's Play, Bride of Chucky), que también dirigirá el primer episodio. Ocho episodios.

Estreno: 12 de octubre

Estreno en España: Enero en Syfy España

Dopesick (Hulu)

Limited series que explorará el inicio de la crisis del opio en Estados Unidos y cómo afectó a varias familias, cuyas historias se cruzaron, desde el lanzamiento al mercado del fármaco OxyContin a finales de los 90 con una promoción que obviaba los altos índices de adicción que generaba. Protagonizada por Michael Keaton (Birdman, Beetlejuice), Peter Sarsgaard (The Killing, The Slap), Kaitlyn Dever (Last Man Standing, Unbelievable), Rosario Dawson (Luke Cage, Jane the Virgin), Will Poulter (The Maze Runner, Midsommar), Michael Stuhlbarg (Boardwalk Empire, Call Me by Your Name), Jaime Ray Newman (Veronica Mars, Bates Motel), Will Chase (Nashville, Smash),  John Hoogenakker (Jack Ryan, Castle Rock), Phillipa Soo (Hamilton, Smash), Jake McDorman (Shameless, Greek), Ray McKinnon (Deadwood, Sons of Anarchy), Cleopatra Coleman (The Last Man on Earth, In the Shadow of the Moon), Andrea Frankle (Cloak & Dagger, The Purge), Rebecca Wisocky (Devious Maids, For All Mankind), Meagen Fay (Agent Carter, Malcolm in the Middle) y Trevor Long (Ozark, Low Winter Sun).

Adaptación del libro de no ficción de Beth Macy (2018), escrita por Danny Strong (Empire, The Butler) y dirigida por Barry Levinson (Paterno, Rain Man). Producen Strong, Levinson y Keaton. Ocho episodios.

Estreno: 13 de octubre

Estreno: 12 de noviembre en Disney+ Star España

Just Beyond (Disney+)

Antología que adapta Goosebumps, las historias gráficas de R.L. Stine en las que distintos personajes realizan viajes de autodescubrimiento en mundos llenos de brujas, aliens, fantasmas o universos paralelos. Podremos ver en la serie a Mckenna Grace (The Haunting of Hill House, Designated Survivor), Nasim Pedrad (Scream Queens, New Girl), Lexi Underwood (Little Fires Everywhere, The First Lady), Henry Thomas (The Haunting of Hill House, E.T. the Extra-Terrestrial), Christine Ko (Dave, Upload), Malcolm Barrett (Preacher, Timeless), Sally Pressman (Army Wives, Good Girls), Cedric Joe (Space Jam: A New Legacy), Riki Lindhome (Another Period, Enlightened), Tim Heidecker (Moonbase 8), Gabriel Bateman (The Mosquito Coast, Outcast), Cyrus Arnold (The Exorcist), Arjun Athalye (Are You Afraid of the Dark?), Jack Gore (Billions, The Kids Are Alright), Logan Gray (Vengeance), Elisha Henig (American Vandal, Mythic Quest), Rachel Marsh (Before We Go), Jy Prishkulkni (The Birch), Izabela Vidovic (The Fosters, Supergirl) y Megan Stott (Little Fires Everywhere).

Escrita y producida por Seth Grahame-Smith (Pride and Prejudice and Zombies, The Hard Times of RJ Berger). Produce R.L. Stine. Ocho episodios.

Estreno: 13 de octubre

Guilty Party (Paramount+)

Comedia negra en la que Beth Burgess (Kate Beckinsale; Underworld, Serendipity), una periodista sin prestigio, trata de salvar su carrera siguiendo la historia de Tony Plimpton (Jules Latimer), una joven madre que está en prisión y condenada a cadena perpetua por asesinar a su marido aunque ella dice ser inocente. Beth tendrá que lidiar con contrabandistas de armas, la cultura del clickbait o su propio pasado. Con Geoff Stults (Enlisted, Little Fires Everywhere), Laurie Davidson (Will, Cats), Andre Hyland, Tiya Sircar (The Good Place, The Fugitive), Alanna Ubach (Euphoria, Girlfriends' Guide to Divorce) y Madeleine Arthur (The Family, Snowpiercer).

Creada por Rebecca Addelman (Dead to Me) y dirigida por Trent O'Donnell (No Activity, New Girl). Producida por Addelman, O'Donnell y Beckinsale. Diez episodios.

Estreno: 14 de octubre

I Know What You Did Last Summer (Prime Video)

Un año después del accidente mortal que estropeó la noche de la graduación, un grupo de adolescentes es perseguido por un asesino. Mientras averiguan quién es, descubren el lado secreto de su pueblo aparentemente perfecto y de ellos mismos. Con Madison Iseman (Jumanji, The Next Level), Bill Heck (The Old Man, Locke & Key), Brianne Tju (Light as a Feather), Ezekiel Goodman, Ashley Moore (Popstar: Never Stop Never Stopping), Sebastian Amoruso (Solve), Fiona Rene (Stumptown), Cassie Beck (Connecting, Good Joe Bell), Brooke Bloom (Homecoming, Alpha House), Sonya Balmores (Inhumans), Spencer Sutherland (Afterlife of the Party), Chrissie Fit (Awkwafina Is Nora from Queens)

Basada en la novela de Lois Duncan (1973) en la que se inspiró la película de 1997. Escrita y producida por Sara Goodman (Preacher, Gossip Girl). Produce James Wan (Saw, The Conjuring). Ocho episodios.

Estreno: 15 de octubre

Estreno en España: 15 de octubre en Prime Video España

Misfit: The Series (Netflix)

Tras la trilogía cinematográfica neerlandesa, Julia (Djamila) y las misfits trabajan en las canciones y las coreografías de un musical que la nueva directora quiere prohibir para que se centren en la disciplina, las notas y los estudios. Julia idea un plan para sabotear las reglas de dirección y trabajar en el musical en secreto.

Estreno: 16 de octubre

Estreno en España: 16 de octubre en Netflix España

Day of the Dead (Syfy)

Oda a la película de George A. Romero (1985) en la que seis extraños intentarán sobrevivir en las primeras veinticuatro horas de una invasión zombie. Con Keenan Tracey (Bates Motel, The 100), Daniel Doheny (Brand New Cherry Flavor, Alex Strangelove), Natalie Malaika (The Color Rose), Morgan Holmstrom (I Still See You), Kristy Dawn Dinsmore (Vikings), Miranda Frigon (Aurora Teagarden Mysteries), Mike Dopud (Power, Arrow), Dejan Loyola (Saving Hope, iZombie), Marci T. House (iZombie, Julie and the Phantoms), Kevin O'Grady (Julie and the Phantoms, You Me Her), Matty Finochio (Once Upon a Time in Wonderland, The Order), Trezzo Mahoro (Van Helsing), Christopher Russell (UnREAL, Dirk Gently) y Lucia Walters (The 100, The L Word).

Escrita por Jed Elinoff y Scott Thomas, creadores de Raven's Home. Diez episodios.

Estreno: 15 de octubre

Queens (ABC)

Cuatro mujeres de cuarenta y tantos se reúnen para intentar recuperar la fama y el estilo que tenían en los 90 cuando se convirtieron en leyendas del hip-hop con el grupo Nasty Bitches. Protagonizada por Eve (Eve, Feel Good), Naturi Naughton (Power, The Client List), Nadine Velazquez (My Name Is Earl, Six), Taylor Selé (P-Valley, The Deuce), Pepi Sonuga (Famous in Love, Ash vs. Evil Dead), Brandy Norwood (Moesha, Star) y Precious Way (Days of Our Lives, Partners in Rhyme).

Escrita y producida por Zahir McGhee (Scandal, Stumptown). Dirige el piloto y produce Tim Story (White Famous, Prince of Peoria).

Estreno: 19 de octubre

The Girl in the Woods (Peacock)

Hay una colonia de carácter sectario en el noroeste del Pacífico que protege al mundo de los monstruos escondidos tras una puerta secreta en pleno bosque. Carrie (Stefanie Scott; A.N.T. Farm, Insidious: Chapter 3), una misteriosa guerrera, huye de esta colonia y trata de mantenerse a salvo en el pequeño pueblo de West Pine, donde se da un debate medioambiental entre mineros y activistas. Allí, Nolan (Misha Osherovich; Freaky, NOS4A2) y Tasha (Sofia Bryant, I Am Not Okay with This), mejores amigos aunque formen parte de distintos bandos, reaccionan de diferente manera ante la llegada de Carrie y de las fuerzas extrañas que comienzan a acechar el pueblo. Además, el antiguo mentor de Carrie (Will Yun Lee; The Good Doctor, Altered Carbon) tiene ahora la misión de encontrarla y obligarla a regresar a la colonia, donde deberá enfrentarse a las consecuencias de su deserción. Completan el reparto Kylie Liya Page (Ninja Assassin), Reed Diamond (Agents of S.H.I.E.L.D., Designated Survivor) y Leonard Roberts (Heroes, Buffy the Vampire Slayer).

Adaptación de los cortometrajes de Crypt TV The Door in the Woods (2018) y su secuela The Girl in the Woods (2020). Escrita por Casey Modderno (The Birch). Krysten Ritter (Jessica Jones) dirige los cuatro primeros episodios y Jacob Chase (Come Play), el resto. Producen Modderno, Ritter, Chase y Jack Davis y Darren Brandl, de Crypt TV. Ocho episodios.

Estreno: 21 de octubre

Invasion (Apple TV+)

Cuenta una invasión alienígena desde distintos continentes, con el punto de vista de un sheriff a punto de retirarse (Sam Neill; Jurassic Park, Peaky Blinders), un soldado en Afganistán (Shamier Anderson; Wynonna Earp, The Next Step), un matrimonio de inmigrantes sirios que viven en Long Island (Goldshifteh Farahani y Firas Nassar) o una inteligente miembro del control de las misiones del programa espacial japonés (Shioli Kutsuna, Deadpool 2).

Escrita y producida por Simon Kinberg (X-Men: Days of Future Past, The Twilight Zone) y David Weil (Hunters). Dirigida y producida por Jakob Verbruggen (The Alienist, The Fall). Diez episodios.

Estreno: 22 de octubre

Estreno en España: 22 de octubre en Apple TV+ España

Inside Job (Netflix)

Para los empleados de esta organización secreta, las conspiraciones no son teorías, son hechos. Precisamente, es su trabajo mantenerlas en secreto. Cuenta con las voces de Lizzy Caplan (Masters of Sex, Castle Rock), Christian Slater (Mr. Robot, Dr. Death), Clark Duke (Greek, I'm Dying Up Here), Andrew Daly (Silicon Valley, Veep), Bobby Lee (MADtv, Love), John DiMaggio (Mythic Quest, Disenchantment), Tisha Campbell (My Wife and Kids, Dr. Ken) y Brett Gelman (Stranger Things, Fleabag).

Comedia de animación creada y escrita por Shion Takeuchi (Disenchantment, Gravity Falls). Producida por Alex Hirsch (Gravity Falls). Veinte episodios.

Estreno: 22 de octubre

Estreno en España: 22 de octubre en Netflix España

4400 (The CW)

Reboot de la serie The 4400 (2004-2007) en la que 4400 personas ignoradas, menospreciadas o marginadas que han desaparecido durante los últimos cien años aparecen en un instante sin haber envejecido ni un solo día y sin recuerdos de qué les ha ocurrido en todo este tiempo. Mientras el gobierno corre a analizar la potencial amenaza y contener la historia, los 4400 deben afrontar su nueva vida y hacerse a la idea de que es probable que hayan vuelto por una razón específica. Con T.L. Thompson, Cory Jeacoma (Power Book II: Ghost), Ireon Roach (Candyman), Derrick A. King (Call Your Mother), Autumn Best, Joseph David-Jones (Arrow, Nashville), Khailah Johnson, Brittany Adebumola (Grand Army), Jaye Ladymore (Empire) y Amarr Wooten (Knight Squad, American Housewife).

Creada, escrita y producida por Ariana Jackson (Riverdale, UnREAL).

Estreno: 25 de octubre

Colin in Black & White (Netflix)

Limited series que sigue los años formativos de Colin Kaepernick, el quarterback de los San Francisco 49ers y activista que durante la temporada de 2016 se arrodilló antes de los partidos mientras sonaba el himno nacional. Jaden Michael (The Get Down) interpretará una versión adolescente del jugador. Completan el reparto Nick Offerman (Parks and Recreation, Devs), Mary-Louise Parker (Weeds, The West Wing), Klarke Pipkin, Amarr Wooten (Knight Squad, American Housewife) y Mace Coronel (Nicky, Ricky, Dicky & Dawn).

Escrita y producida por Michael Starrbury (When They See Us). Producida por Ava DuVernay (When They See Us, Queen Sugar) y Kaepernick, que narrará la historia. Seis episodios.

Estreno: 29 de octubre

Estreno en España: 29 de octubre en Netflix España

Swagger (Apple TV+)

Drama que explorará el mundo del baloncesto juvenil centrándose en los jugadores, sus familias y los entrenadores. Tocará temas como los sueños, la ambición, el oportunismo o la corrupción inspirándose en los años de juventud del jugador Kevin Durant. Protagonizada por O'Shea Jackson Jr. (Obi-Wan Kenobi), Isaiah Hill, Shinelle Azoroh, Quvenzhané Wallis (Beasts of the Southern Wild, Annie), Caleel Harris (When They See Us, Castle Rock), James Bingham, Solomon Irama, Ozie Nzeribe (Shameless), Tessa Ferrer (Grey's Anatomy, Mr. Mercedes), Tristan Mack Wilds (The Wire, 90210) y Jason Rivera.

Escrita, dirigida y producida por Reggie Rock Bythewood (Shots Fired, Players). Produce Durant. Diez episodios.

Estreno: 29 de octubre

Estreno en España: 29 de octubre en Apple TV+ España

[dermontag]

Der "Tatort" im Schnellcheck Es war einmal in Orinaca … Von Ingo Scheel 19.03.2022, 15:33 Uhr Ein Teenager verschwindet aus einem Elite-Internat und Falke (Wotan Wilke Möhring) bekommt es mit der Bel Étage eines südamerikanischen Fantasiestaats zu tun. Klingt märchenhaft? Schön wär's, leider gehen beim "Tyrannenmord" die meisten Krimi-Wünsche nicht in Erfüllung. Ein Teenager verschwindet aus einem Elite-Internat und Falke (Wotan Wilke Möhring) bekommt es mit der Bel Étage eines südamerikanischen Fantasiestaats zu tun. Klingt märchenhaft? Schön wär's, leider gehen beim "Tyrannenmord" die meisten Krimi-Wünsche nicht in Erfüllung. Was passiert? Aus dem fernen Orinaca hat sich hoher Besuch angekündigt, das Staatsoberhaupt dieses (fiktiven) Landes in Südamerika kommt nach Hannover. Der Mann mit dem Hang zum Diktatorischen will nicht nur politisch nach dem Rechten sehen, sondern sich zudem versichern, dass beim Sohn im hiesigen Internet alles nach Plan läuft. Der 17-jährige Juan (Riccardo Campione) hat jedoch keinen Bock auf die große Repräsentationsnummer. Kurz bevor der alte Herr in Deutschland aufläuft, ist Junior plötzlich wie vom Erdboden verschluckt. Falke hat einen neuen Kollegen: Felix Wacker (Arash Marandi). (Foto: NDR / Marc Meyerbroeker) Im Internat erzeugt das einigen Wirbel. Im Kollegium sorgt man sich um den guten Ruf der Bildungsanstalt (und um den Kontostand natürlich), die Eltern von Juans Mitschülern machen mobil und die wiederum scheinen längst nicht so astrein zu sein, wie es die Chefposten von Mutti und Vati womöglich vermuten lassen. Während Kollegin Julia Grosz (Franziska Weisz) aus der Ferne zugeschaltet ist, muss Thorsten Falke (Wotan Wilke Möhring) vor Ort ermitteln, ihm zur Seite gestellt der Polizei-Novize Felix Wacker (Arash Marandi), ein Mann mit Ambitionen und programmatischem Namen. Und dann ist da noch Carlos (José Barros), der Bodyguard des Verschwundenen, der sich als nur bedingt hilfreich erweist. Worum geht es wirklich? Der Legende nach soll Südkoreas Kim Jong-Un einst unter falscher Identität - und mit einem Bodyguard an seiner Seite - ein Berner Internat besucht haben. Autor Jochen Bitzer (Grimme-Preis für "Der Fall Jakob von Metzler", 2013) fand die Zeitungsmeldung darüber so anregend, dass er sie zur Ausgangssituation von "Tyrannenmord" machte. Wegzapp-Moment? Der Wegzapp-Moment ist kein konkreter, vielmehr erweist sich dieser "Tatort" als ein derartiger Slowburner, ein Schichtkuchen aus Klischees und Stereotypen, dass man zum Zeitpunkt des Jetzt-reicht's-aber-mal ebenso gut dran bleiben kann, um sich das letzte Viertelstündchen auch noch zu geben. Was sich am Ende sogar lohnt, denn die Auflösung des Ganzen ist nach diesem fantasiereichen Built-up auf beinah charmante Weise absurd. Wow-Faktor? Pffffffffffff … wobei, Moment: Die Musik-Cameos sind wieder mal vom Feinsten, und damit ist nicht etwa Falkes Rolling-Stones-Klingelton gemeint. Im Autoradio läuft The Clash ("I'm So Bored With The USA"), Falkes Schlafshirt zeigt das Cover eines US-Hardcore-Klassikers, "Land Speed Record" von Hüsker Dü. Mehr zum Thema Wie war's? 2 von 10 Punkten - keine besonders gute Idee, eine ernst gemeinte Geschichte anhand von Karikaturen zu erzählen. Oder war es am Ende etwa doch eine Politsatire?

[kwebtv]

The Alamo:  Thirteen Days to Glory -  NBC -  January 26, 1987

Historical Drama 

Running Time:  170 minutes

Stars:

James Arness as James Bowie

Brian Keith as Davy Crockett

Alec Baldwin as William Barrett Travis

Raul Julia as General Antonio López de Santa Anna

David Ogden Stiers as Colonel Black

Jon Lindstrom as Capt. Almaron Dickinson

Lorne Greene as Sam Houston (in his final film role)

Jim Metzler as Maj. James Bonham

Tom Schanley as Pvt. Danny Cloud

Fernando Allende as Col. Alamonte 

Kathleen York as Susannah Dickinson

Isela Vega as Senora Cos

Gene Evans as McGregor

Michael Wren as Juan Seguin

Hinton Battle as Joe 

David Sheiner as Luis

Noble Willingham as Dr. Pollard

Eloy Casados as Gregorio

Tony Becker as George Taylor

Thomas Callaway as Col. James W. Fannin

Buck Taylor as "Colorado" Smith

Jerry Potter as Jacob Walker

Grainger Hines as Charles Despelier

Tom Everett as Major Evans

Stan Ivar as Doc Sutherland

Ethan Wayne as Edward Taylor

Jan Tríska as General Wolf

Gary Kasper as Major Wheelwright

John Furlong as Zanco

Jay Baker as Hayes

Dale Swann as Lt. Kimball

Laura Fabian as Lucia

Loyda Ramos as Senora Esparza

Bel Sandre as Mina

Laura Martinez Harring as Santa Anna's bride

Nicky Blair as John Jones

Red West as Cockran 

[tomorrowedblog]

Friday Releases for October 1

Friday is the busiest day of the week for new releases, so we've decided to collect them all in one place. Friday Releases for October 1 include Titane, Maid, Venom: Let There Be Carnage, and more.

Titane

Titane, the new movie from Julia Ducournau, is out today.

TITANE: A metal highly resistant to heat and corrosion, with high tensile strength alloys, often used in medical prostheses due to its pronounced biocompatibility.

Venom: Let There Be Carnage

Venom: Let There Be Carnage, the new movie from Andy Serkis, is out today.

Tom Hardy returns to the big screen as the lethal protector Venom, one of MARVEL’s greatest and most complex characters.

The Many Saints of Newark

The Many Saints of Newark, the new movie from Alan Taylor, is out today.

Young Anthony Soprano is growing up in one of the most tumultuous eras in Newark’s history, becoming a man just as rival gangsters begin to rise up and challenge the all-powerful DiMeo crime family’s hold over the increasingly race-torn city. Caught up in the changing times is the uncle he idolizes, Dickie Moltisanti, who struggles to manage both his professional and personal responsibilities—and whose influence over his nephew will help make the impressionable teenager into the all-powerful mob boss we’ll later come to know: Tony Soprano.

Mayday

Mayday, the new movie from Karen Cinorre, is out today.

Ana is transported to a dreamlike and dangerous land where she joins an army of girls engaged in a never-ending war along a rugged coast. Though she finds strength in this exhilarating world, she comes to realize that she’s not the killer they want her to be.

The Guilty

The Guilty, the new movie from Antoine Fuqua, is out today.

The Guilty takes place over the course of a single morning in a 911 dispatch call center. Call operator Joe Bayler (Gyllenhaal) tries to save a caller in grave danger—but he soon discovers that nothing is as it seems, and facing the truth is the only way out.

Old Henry

Old Henry, the new movie from Potsy Ponciroli, is out today.

Old Henry is an action-Western about a widowed farmer and his son who warily take in a mysterious injured man with a satchel of cash. When a posse of men claiming to be the law come for the money, the farmer must decide whom to trust. Defending against a siege of his homestead, he reveals a talent for gunslinging that surprises everyone, calling his true identity into question.

Maid

Maid, the new TV series from Molly Smith Metzler, is out today.

One young mother’s incredible story of survival and resilience as she navigates the world of poverty, abuse and redefining her worth against all odds.

Tres-Bashers

Tres-Bashers, the new game from ondydev, is out today.

Tres-Bashers is a 2D monster-bashing adventure featuring a big interconnected map full of cryptids, secrets, and more! Find 40 different monster types and whack 'em with your baseball bat!

[jutta111]

Läuft: Mit einem Konzert von Akkordeonissimo hat der #BÜZWinter im Bürgerzentrum der Stadt Münchberg begonnen. Fortsetzung folgt, am 8.2. mit Michl & Metzler, am 15.2. mit der Small-O-Band und am 14.3. mit Thomas & Julia Motschmann" am 14.3.. Mehr Infos unter www.ak-kunst.de #akkunst #münchberg #stadtjugendmünchberg #bürgerzentrum #akkordeonissimo #sonntаgscontent https://www.instagram.com/p/B7gz2cXifJG/?igshid=1sy3wj9a2a4a4

[anangstyblackgirl]

Angsty Black Girl Essay #3: Why is my Anger Not Valid?

I’ve been meaning to write this essay for a while now. I’d like to preface this by saying that I used to work at a racially diverse call center for a major retail company. I’d like to say that the Black and Hispanic population equaled if not outnumbered all the white employees there. Though everywhere you go as a black woman, you will experience microagressions, they were not as prevalent there. I definitely feel that I was unfairly targeted a few times by white management who were shook by my styles they couldn’t wear or because I laughed too loud--and we all know everyone thinks Black girls are just inherently louder than everyone else which is bullshit if you’ve ever been around drunk ass white people--but again, nowhere near the level of microagressions I am now experiencing at a predominately white call center.

Due to the nature of my work, I sometimes get frustrated with the people on the other end. It involves car insurance, so of course people will get heated. There are people here who are notorious for banging tables, slamming phones or just getting an exaggerated attitude with the customers. There’s a white woman who does it, an Asian woman and a white man. And me. But guess who constantly gets singled out whenever a call gets out of control? Me. When my team coach tried to explain that I shouldn’t get mad, I asked, “Is it because I’m black?” Then I checked him and let him know that the Asian girl on our team does the same thing, but he never calls her out for it. Granted, she is not on his direct team, but I already know why he only addresses me whenever this happens. 

Black women are automatically expected to have a furious attitude over everything, and when we get rightly pissed off about things, instead of indulging our anger, a natural human emotion that everyone has, we get told to stifle it. God forbid a black woman get pissed off about anything! We’re supposed to just smile through the bullshit, which doesn’t make any fucking sense because it’s not like anyone is trying to help us or coddle us the way they coddle white women. I have to go through life on my own because this white supremacist society has fucked me over time and time again but you still expect me to never get angry about anything? 

I already know why this is, though. White people are unflappably great at projecting all the savage shit they do onto minorities, but especially Black people. Case in point: angry white people are never viewed as a threat. Chef Gordon Ramsey yells at fucking everyone for making tiny mistakes. Fuck, that’s basically the reason people watch! No one says he has an attitude or is creating a hostile work environment for his fledgling chefs. Simon Cowell was the biggest bitch on American Idol and no one called him angry or said that he had an attitude for always insulting the ones who couldn’t sing. Bill O’Reilly’s fuck ass is always angry about some shit, cutting people off on his shows or hulking out over not being able to read a damn teleprompter, but no one will say he has an attitude! And these men are privileged, cis-het assholes. Why the hell are they pissed? But that’s just the men.

Angry white women are always viewed as radical, even the middle aged Beckys who get mad at retail employees for not accepting their years old returns or because Apple Care said one thing but then another thing happened. People listen to what they have to say because white women are always viewed as more important and delicate and therefore precious. Many movies have proven this to me. Case in point, there was this really 90s movie called Election that had Reese Witherspoon and Matthew Broderick in it. In the movie, Reese Witherspoon is a power-hungry, manipulative overachieving bitch who is running against the queer younger sister of her more popular opponent played by Chris Klein. She ran against her brother as payback because her ex-girlfriend began dating Klein’s character for the evulz. Her name is Tammy Metzler. Tammy is a bratty, whiny asshole. I understand her angst, though. I mean, come on, a queer, adopted teenager living in bumfuck Nebraska whose brother just unknowingly snatched up your ex? Not to mention, the entire school knows about her sexuality and disapproves. She eventually takes her 90s girl power angsty ass to the stage and reads the school election for what it really is: a bunch of bullshit. And that’s fucking great! I love this scene so much because it tips the nature of elections on its head in a high school setting. Everyone cheers. They love her because they also know it’s bullshit. But would they love her if she were a Black queer woman saying the same shit? 

And it of course continues. Watching Clueless, I hated how they made Dionne the haughty one with the attitude. You were definitely meant to love Cher more, which I did when I was a kid. Save the Last Dance had another example, with Julia Stiles playing the wide-eyed, relatable fish out of water and her best friend, played by a young Olivia Pope, is the bitter, angry Black girl who got knocked up young and is now pissed that her milky white friend is dating an eligible black bachelor. Let’s not even get into the cartoonish portrayals of angry, fat Black women used for “comedy” in these shitty, hack-written mainstream flicks. Repeat until infinity.

I find it also funny too, because Black girl attitudes always manage to get appropriated in some way. Everyone hates black women when they get a bit pissed but don’t mind watching trash reality television where they are front and center yelling at people. Black men fetishize these same unacceptable attitudes from Black women whenever they’re in a non-Black body. I have heard my brother say countless times about the whole Sandra Bland situation that everything would have been okay if she hadn’t gotten an attitude. And don’t even fucking get me started on that fucking cash me bitch. Her fake attitude gets her in a Kodak Black music video where she can now get even more exposure. What does my Black ass get when I rightfully get pissed about how shitty I’ve been treated my whole life? Don’t worry, I’ll wait.

I know that just whining about it in essay form will do little to change the sad reality that anger is somehow always devalued when its coming from the rightful source. What the fuck are white cis-het men so pissed about? They have everything but for some reason, are allowed to be angry about their favorite sports team losing. Their violence is justified, even when it is completely nonsensical. I mean come on, how does “I’m rioting because a child molester who was also the coach of my favorite football team is now going to jail” sound? White women, who overwhelmingly voted for that guy, can march in droves yet when their own hypocrisy is called out from Black women and other POC, they will be quick to invalidate our feelings and tell us that we need to stand together and stop being so “divisive.” Meanwhile, two queer Black women organized Black Lives Matter and it is always labeled a terrorist group. Good fucking bye. 

[lesterplatt]

"The Build" GMC from Bennett Johnson on Vimeo.

Director: Bennett Johnson DP: Dan Kennedy 1st AC: James Regan Gaffer: Dan Misner Key Grip: Pete Metzler Sound Mixer: Taylor Bickel

Producer: Johnathon Melton EPs: Michael Peay Chelsea Franklin Foundry Producer: Amy Rio Agency: the Foundry

Additional car shots: Motion State Arm car camera op: Corey Koniniec 1st AC: Adam Kirschhoffer Precision driver/Drone Op: Ryan Haug Stunt driver: Amber Koniniec

Client Grades: Ana Escorse, Colin Travers DC Grade: Paul Yacanoo Client Edit: Jose Cota DC Edit: Jeremy Huff Titles: Jose Cota Sound Design: Sam Costello

PA: Sam Robertson, Mark Gauthier Delivery Driver: Mike Martin Vehicle Handler: Joshua "Red" Bishop

Talent: Chris, Julia, and the Marcum family

[monsieurdemaurice]

Gewöhnlich - Ungewöhnlich… Am letzten Wochenende hatten wir, die studioCOMMUNITY e. V. uns einen ganz besonderen Referenten für einen Workshop ins Saarland (bzw. nach Frankreich) geholt. Andreas Jorns hat mit uns eine Masterclass in einer besonderen Location durchgeführt (Danke Jens Gerlach für die einmalige Location und natürlich an Judith Gerlach, dass wir dein Haus auf den Kopf stellen durften) Aber die eigentlichen Stars waren unsere besonderen Model's Joelle Pangritz (hier im Bild) und Julia Mi / Putsch.i (hier zeige ich Euch in den nächsten Tagen noch ein Bild) Danke an meine Vereinskollegen (Andreas Wilhelm, Kurt Metzler, Sarah Pulvermüller, Yvonne Sorg, Jens Gerlach, Kurt+) und unseren Gast-Teilnehmer Mark Doerr - in so einem entspannten Zusammenspiel machen Workshops Spass. Mein Fazit - Mut zu Schatten in Portraits....... http://ift.tt/2q3Tlr4

[jutta111]

Läuft: Mit einem Konzert von Akkordeonissimo hat der #BÜZWinter im Bürgerzentrum der Stadt Münchberg begonnen. Fortsetzung folgt, am 8.2. mit Michl & Metzler, am 15.2. mit der Small-O-Band und am 14.3. mit Thomas & Julia Motschmann" am 14.3.. Mehr Infos unter www.ak-kunst.de #akkunst #münchberg #stadtjugendmünchberg #bürgerzentrum #akkordeonissimo #sonntаgscontent https://www.instagram.com/p/B7gz2cXifJG/?igshid=1n9cpgte5mlxg

[themanifestoshow]

The Manifesto Show - 10 More Shows

8pm - Doors Open

8:30pm - Free Show Begins

Small Town Sheriff (Mike Leffingwell and Ben Siemon)

Carol's Poolhouse (Elizabeth Bemis, Courtney Clark, Corey Clifford, Quinn Gasaway, Chloe Jacobs, Brandon Klaus, Rachel Middleton)

Yacht Club (April Mouton, Charles Mihelich, Derek Lettman, Eli Gonzalez, Ellie Race-Moore, Jessica Uhler, Katie Dill, Noah Findling)

9:30pm (no intermission)

Penguins on the Playground with special guest Will Hines! (Jen Krueger and Mark David Christenson)

Hot Prowl (Jonny Svarzbein, Julia Metzler, Josh Brekhus)

The Ladies Ann Taylor's Loft (Karolyn McKenzie, Kate Duffy, Lindsey Barrow, Pam Murphy, Betsy Stover & Jess Eason)

We are located at: The Clubhouse [theclubhouseimprov.com] 1607 N Vermont Ave Los Angeles, CA 90027

We are improv for the people so admission is free, but we urge performers and audience alike to throw a few rubles in the donation bucket. There will also be beer and water available with donation!

[themanifestoshow]

The Manifesto Show w/ Area 51

8pm - Doors Open 8:30pm - Free Show Begins Grandpa #1 (Spencer Wider, Lauren Davis, Justine Griffiths, Jaymie Parkkinen, Derek Scully, Chris Carter and Josiah Jenkins) Hot Halloween (Annabel Seymour, David Quattrocchi, AJ Berna, Sandha Khin, Joseph Gehart, Geo Lee) Hot Prowl (Jonny Svarzbein, Julia Metzler, Josh Brekhus) 9:30pm (no intermission) Penguins on the Playground (Jen Krueger and Mark David Christenson) Area 51 (Sarah Claspell, Dickie Copeland, Jessica Jardine) 3 Live Krew (Farley Elliott, Scott Neiman, Andrew Portner) We are located at: The Clubhouse [theclubhouseimprov.com] 1607 N Vermont Ave Los Angeles, CA 90027 We are improv for the people so admission is free, but we urge performers and audience alike to throw a few rubles in the donation bucket. There will also be beer and water available with donation!

[themanifestoshow]

The Manifesto Show w/ Arts & Athletics

Friday February 10th

8pm - Doors Open 8:30pm - Free Show Begins Custody Battle (Gianna De Caro, Jade Law, Kristina Nikolic, Joey Olson, Anthony Guerino, Alex Anderson, Sheridan Pierce, Jesse Crall) Delta Flow (Beth Alexandroff, Katie Marovitch, Chase McCown, Kyle Parulski, Wave Segal, Ele Woods) Hot Prowl (Jonny Svarzbein, Julia Metzler, Josh Brekhus) 9:30pm (no intermission) Penguins on the Playground (Jen Krueger and Mark David Christenson) Arts & Atheltics (Stephanie Allynne, Mookie Blaiklock, Michael Cassady, Michael Hanford, Zoe Jarman, Tricia McAlpin, Allan McLoed, Annie Mebane, Michael Mitchell) Sex Positive Science Kids (Michelle Thompson, Jake Jabbour, Marina Em, Katie Marovitch. Ally Beardsley, Chuck Maa, Matt Rath and Lyndsey Frank) We are located at: The Clubhouse [theclubhouseimprov.com] 1607 N Vermont Ave Los Angeles, CA 90027 We are improv for the people so admission is free, but we urge performers and audience alike to throw a few rubles in the donation bucket. There will also be beer and water available with donation!