#joypad bar | Explore Tumblr Posts and Blogs

gamedevbos · 4 years

Text

Minecraft Pocket Edition App Apk Download

Minecraft Pocket Edition is an android version of the most famous video game of the world. Minecraft is a game played by a wide range of people worldwide as it gives players opportunities to design and showcase their abilities on a widely popular platform.

You can play the game on many different platforms, including android, for which we have provided you with the apk file in this article. Minecraft can also be played in multiplayer mode and is still famous among gamers after a long run. This game can be considered an open platform as there are many open-source levels available for the game.

Now I will not waste your time explaining and stuff, and you can download the apk file you are looking for from the link provided below.

Download Minecraft APK

You can download the latest apk download mine craft

The way of playing, the sounds, the textures, and much more are very similar or almost identical to the Minecraft Java Edition. Within a three-dimensional world, the player can break down and place blocks, fight against opponents, and much more. The Minecraft Pocket Edition offers three instead of five game modes: Survival, Creative, and the Adventure mode. Not available are the hardcore and observer mode. Furthermore, several game elements of the Java Edition are not available in the Minecraft Pocket Edition, including the drive lore and the cooldown. Also, the Pocket Edition family contains a few game elements that are not available in the Minecraft Java Edition or other game editions.

The Pocket Edition was created and developed by Mojang AB. The version for Windows phone devices was developed by Microsoft in 2014. After Mojang was sold to Microsoft at the end of 2014, Microsoft developed a Windows 10 Edition based on the Pocket Edition. Both editions contain the same code.

Minecraft free download

Minecraft mod apk of pocket version comes with many exciting tips. It is entirely free to play Minecraft, and you have not to pay a single penny.

What is Minecraft Pocket Edition

The Standard Pocket Edition was created by Mojang AB and is being further developed by them. It was first shown at E3 (Electronic Entertainment Expo) on a Sony Xperia PLAY and was released on August 16, 2011. A few weeks later, versions for other Android and iOS devices followed. In 2014 versions for Fire TV and Windows Phone were added.

Minecraft apk is an android version of a very famous video game Minecraft that is recognized worldwide. You can install Minecraft apk on any android device.

The provided APK above is the pocket edition, which is actually not free, but when downloading the apk file from us, you get it for free.

The Android app „Minecraft Pocket Edition“ (Minecraft PE) brings the well-known computer game to your Android device.

The game classic Minecraft is now available as „Minecraft Pocket Edition“ for your Android smartphone.

Like the PC version, the mobile Minecraft world also features monsters, animal villages, and caves. You can explore the landscapes together with friends via WLAN.

Minecraft Pocket Edition: Popular computer game also on Android

The infinite worlds of the Minecraft Pocket Edition can be explored in different ways. You can choose between Creative Mode with unlimited resources and Survival Mode. In the latter, you start with nothing and build your empire piece by piece. You will have to produce essential weapons and tools to be armed against various dangers and creatures.

What is Minecraft?

You Have The World In Your Hand Prepare yourself for an adventure with countless possibilities as you build, work in the mine, fight mobs, and explore the ever-changing Minecraft landscape.

Whatever you dream of, you can build it in Minecraft. Let your imagination and unlimited resources run wild in Creative Mode.

Minecraft is a phenomenon of recent game history. It was released in 2009 and has sold over 100 million copies. When Swedish programmer Markus „Notch“ Persson published the game in a small forum, he hardly suspected it would make him a billionaire five years later.

In 2014, his company Mojang was bought by Microsoft for an incredible 2.5 billion dollars. Minecraft exists for desktop computers, consoles, and handheld devices and has over 40 million players per month. Most of them are children and teenagers.

Minecraft, initially developed by Mojang and later purchased by Microsoft. You can explore endless scenarios, experience all kinds of adventures, and build as you please with the available blocks and resources.

Minecraft Bedrock

Bedrock Edition refers to the officially „Minecraft“ versions of the game, enabling cross-platform play between mobile devices, consoles, and PCs.

Technically, it has its origin in the Pocket Edition on mobile devices and/or its offshoots for Windows 10 (Windows 10 Edition), Gear VR (Gear VR Edition), and Fire TV (Fire TV Edition) and represents a merger of these.

What Is Bedrock Minecraft

Starting with the Xbox One! The Bedrock Edition was ported to consoles, where it replaces the original console edition for each console (Xbox One Edition, Nintendo Switch Edition, and PlayStation 4 Edition).

The Pi Edition, the Apple TV Edition, and the New Nintendo 3DS Edition are also offshoots of the Bedrock Edition. But the development of these offshoots has been discontinued, so there has been no unification with other versions.

Minecraft Ps4 Bedrock

On December 10, 2019, the Bedrock Edition was ported to the PlayStation 4. It is the only Minecraft Edition, besides the Java Edition, that is actively developed further.

On July 8, 2020, the discontinuation of the Bedrock Edition for devices with Windows 10 Mobile, the Gear VR, and weaker Android devices was announced. In October 2020, the Bedrock Edition discontinuation for iPhones / iPads with iOS 10 or older was announced.

The Bedrock Edition offshoots for PlayStation 4 and Xbox One are also backward compatible with PlayStation 5 and Xbox Series X|S. Still, they are not separate offshoots adapted to the new consoles. The new hardware is not fully utilized, and some features may not be available.

What to build in Minecraft?

It is what is usually called a sandbox game. There is no other concrete goal than to survive while wandering through an endless world and building and destroying objects with the available blocks (stone, grass, iron, granite, etc.).

The worlds of this game are generated randomly. Every world is unique. There are no equal worlds which guarantee a completely new adventure. Every team starts a new game.

The pixel graphics is one of the most distinctive aspects of this game, to such an extent that every game that is started afterward with the same retro graphics is often defined as a Minecraft-inspired game. And there are many of them because due to the massive success after the launch in 2011. Dozens of clones seemed to try to gain so much popularity.

What is Minecraft About?

Minecraft plays in an open world and resembles a virtual Lego game. Blocks of different materials can be mined and placed in other places. The landscape consists of different zones – from jungle to ice landscape. Alien beings – friendly and enemies populate the world.

The spectrum ranges from humans and spiders to skeletons and other monsters. Monsters can be found at night or in dark places like caves. All figures also consist of block-like structures.

Besides the main world, there are two fantasy worlds: The Nether and The End. The Nether is a hell-like dimension. The End is the end level, where you have to defeat a mighty dragon. Both worlds are accessible through portals in the main world.

How is Minecraft played?

There are four game modes in Minecraft: Survival, Creative, Adventure, and Spectator.

Survival mode is the „classic“ way to play the game. You have a health bar and a hunger bar, which go back if you are attacked or don’t eat anything. You can create things and trade with mined resources. From armor to tools – the possibilities are enormous. The game is played on different difficulty levels, whereby no monsters appear on the lowest one, and the player never goes hungry.

In Creative Mode, you have inexhaustible resources, and you can fly through the world. This mode is comparable to a gigantic Lego playground. There are no limits to creativity. Millions of elaborate works on the Internet are proof of this.

The Adventure Mode was invented to experience the maps created by users. In adventure mode, you are exposed to the restrictions of the respective map creator.

If you are more passive, choose the Spectator Mode. Here you can observe the whole world and the events as a spectator without having any influence. For example, you can also take the perspective of monsters.

You control the game with the mouse or the joypad – just like in most role-playing or strategy games. The key assignment can be modified.

How Many People Play Minecraft?

The majority of the mentioned millions of players are between 15 and 21 years old. About 80 percent of the players are male.

The reasonably broad mix of the players is probably what makes the game so appealing. Almost generations come together to build and experience gigantic fantasy worlds together at Minecraft. The multiplayer mode works online and also in the local network.

Is Minecraft for kids?

Minecraft age rating

The official age rating is Pegi 7. For some story versions Pegi 12. The game is very harmless, not least because of the very rudimentary graphics. Apart from the almost cute monsters, there are few scary moments. Minecraft is even used in schools (as part of the MinecraftEdu edition), which was developed especially for school environments).

Multiplayer on Minecraft

Multiplayer mode is the server-based version of Minecraft, which, as the name suggests, allows multiple players to play together on one world. Players can build buildings or fight with other players, for example.

A server provides a Minecraft world that players connect over the www with their clients. There are large servers that are designed for several hundred players.

As an alternative, Mojang offers the Minecraft Realms servers. Or you can download the official Minecraft server from Mojang and start it to play with your friends.

Different game modes can be distributed on a server, which allows some players to be in a different game mode than others. Players can also be appointed as operators, which gives them access to some commands, such as setting the time or teleporting players.

Minecraft Server

Minecraft how to play with friends in LAN

If you want to play within a local area network (LAN) with friends or siblings in the same house – you can do so without an internet connection because you can publish a single player world in a LAN.

You set up a „Dedicated Server“ that runs day and night and where you and your friends can join at any time. To do this, download the Minecraft Server .jar file and start it first. You accept the EULA by setting the value at the bottom of the Euler file created by the server from „false“ to „true.“ Restart the server he should run properly.

If you want to play Minecraft with someone else in the same network, start Minecraft as usual. Create a new world or load a score. Now press Escape and then twice on „Open to Lan.“ The game now gets a port, which is shown in the chat window. It is now accessible in the local network.

Another possibility is to use an external Minecraft public server. There may be costs for the server, which you can share with your friends. Depending on the provider, these costs vary, but you will receive support if there are problems with the server.

What is smite in Minecraft?

Smite is a Minecraft enchantment. Smite-Enchantment is one of many that players can use to their advantage in Minecraft. Of course, like many Enchantments in Minecraft, it’s not clear precisely what it does.

What does smite do in Minecraft?

Smite is an enchantment that can be placed on any sword or ax. Once this is the case, the damage inflicted on undead mobs increases. With each level you increase the Smiting Enchantment, you add 2.5 damage to undead mobs with each hit. The highest enchantment level of Smite is level 5.

Minecraft Enchanting

As always, with an enchantment, it’s all about a little RNG luck. You must set up your enchantment table and place the sword or ax you wish to enchant and a lapizlazuli on top of it. If you already have a book with the Smite-enchantment, you can easily enchant your weapon with it.

seen on bjb.io

https://ift.tt/2L2g3hV from BJB.io https://ift.tt/3lMnTsL

#BJB.io #apk #download

0 notes

easyfoodnetwork · 4 years

Text

The Actual Experience of Virtual Experiences

You can tour a museum at 9, take a mixology class at 11, and swoop over Machu Picchu at 3, but do these online versions of “doing stuff” really scratch the itch?

Most of us are currently missing things like Outside and Proximity to Other Humans. For the lucky ones, at least, monotony and loneliness are our most prominent enemies, as we stare down seemingly endless nights of Netflix and bean soaking, longing for the day we can experience somewhere else. If you run a business that requires anyone travel from one place to another, this means that you’re particularly reeling. Airline capacity is down 73 percent, hotels are empty, and even the potential reopening of restaurants and bars comes with heavy caveats. Because of that, brands like Airbnb, Viator, Google, and various tourism councils have begun offering virtual “experiences,” so that hypothetically you both keep spending money and also don’t die of boredom. But can paying to stare at a screen for culture really rescue you from the monotony of staring at Twitter? Or are they, you know, both screens?

Broadly, there are two types of experiences happening today. First, there are interactive classes and group activities, where you can learn to make pasta or Irish step dance or listen to a museum docent talk about statuary on a video call — all with other people looking to emerge from this time with a new skill set. In Philadelphia, one restaurant owner is trying to mimic the experience of dining out. He video calls you for your order and then, once it’s delivered, calls back to check in on your wine and see how everything is. Aside from the fact that they take place over a video call, these experiences are pretty close to their in-person counterparts: you sign up for a particular time and date, you follow directions, and supposedly you learn something, or at least pretend you’re in a restaurant.

Can paying to stare at a screen for culture really rescue you from the monotony of staring at Twitter?

And then there are the experiences that aim to “immerse” you in some locale that is not your apartment, whether that’s Rome’s colosseum or an orchard of cherry blossoms in Japan or the British Museum. Often, the entirety of the experience is just a 360-degree camera or other pre-recorded video footage of a beautiful place, and sometimes it’s free. Maybe for a brief moment it will seem as if you aren’t on the couch with your partner who won’t stop bouncing every time they try to catch a tarantula in Animal Crossing, but instead are surrounded by skulls and a haunting breeze in Paris’s catacombs. Or seeing the Faroe Islands through the eyes of a local with a camera strapped to their shirt and whose movements you can control with a joypad (yes, this is real, and no, it does not seem ethical).

Both of these types of experiences are not new, except for the joypad thing. Virtual cooking classes and workouts are offered by plenty of companies, and Google has long allowed you to tour the world’s museums, or plant yourself in the middle of a national park on Google Earth. Normally, these offerings are an invaluable tool for those who don’t have the ability — whether financially or physically or because there’s only so much time — to visit these spaces in person. Personally, I’ve avoided them all. Aside from the occasional video yoga class, it just didn’t seem worth it — too much potential for technical difficulties, too easy to open Twitter in another tab. Plus, I could just go there if I really wanted.

But now that the pandemic has wiped out any in-person plans for the foreseeable future, boredom is my primary struggle. I finish work and move from my dining table to my couch, queueing up another movie or TV show or video game. The idea of a plan, of something to look forward to, feels increasingly distant — and online experiences increasingly appealing. Can they actually fulfill our collective void of “doing,” or just highlight how far we are from ever “experiencing” in person again? I decided to fill up my calendar again to find out — or at least see if I could forget about the confining walls of my apartment, even for a few minutes.

The instructions for Airbnb’s “GINspiration History & Cocktails at Home” said that points would be given for the best outfit, so I put on earrings and an actual shirt before signing on. The company best known for providing vacation and short-term rentals offered “experiences” — both real-life and virtual — before the spread of COVID-19, but has taken care to promote the latter on its homepage recently. You can learn to cook tacos or pasta or tapas, or watch a man wandering the streets of Prague in a plague doctor costume as you learn about the Black Death. My hour-and-a-half long class promised the bartender would teach me to make some great gin cocktails, as well as tell me a bit about the history of the spirit itself. It took place at 11:30 in the morning EST (the host was in England) but time is meaningless now, right?

I assume I won the best outfit contest, as I was the only student.

Signing onto what you assume will be a bustling Zoom chat only to find yourself the only one there is a little like showing up early to a party; it’s deeply embarrassing for no specific reason, and the only way through is to act like being a party of one is your favorite thing. We waited a few minutes for the other student who had signed up, but he never came. He is my enemy now, and I began the class feeling resentful that I had no other participants to hide behind, and that I had to make an extra grocery run to pick up the limes and juices necessary for cocktail prep. These should have been provided for me, I thought. There should have been more people. It shouldn’t be like this.

But as I listened to my instructor’s story about accidentally spilling a bright pink Cosmo all over a bachelorette’s white dress, I realized I was experiencing what felt like something new after weeks of monotony: talking to a stranger. For an hour and a half the bartender and I chatted, he told jokes, we traded stories and watched each other’s reactions, I drank a French 75 on an empty stomach, and he taught me how to make daiquiris and Cosmos as well, because I came woefully unprepared in the ingredients department. And I know it’s a bartender’s job to make everyone feel like their friend, but I felt like his friend, which meant I felt like my kitchen was a bar. The magic worked, and I’m not sure if my socialization itch would have been scratched had that other guy (still my enemy) showed up.

So I tried another one. I have been to the Metropolitan Museum of Art countless times in my life. As a New Yorker, I can name my price and visit my personal highlights on any rainy day — the Arms & Armor section, the Asian and “Arab Lands” wings, jewelry, “Inferno” by Franz von Stuck. The Met is currently offering 360 degree video of some of its corridors, but to see any art up close right now, I had to sign up for a tour with Walks. The hour-long tour promised a docent would uncover the “scandals and secrets that lie behind some of the artifacts in America’s greatest art collection,” and an art lecture would mean I’d experience the Met in a way I haven’t since I was a kid on a class trip.

I realized I was experiencing what felt like something new after weeks of monotony: talking to a stranger.

Our docent first started by highlighting all the benefits of an at-home video tour, as if we had a choice. On a normal day we’d probably have to wait outside in a line, waddle through security, and check our coats before seeing any art. Now, he joked, we could be “naked with a glass of cabernet” on hand, and because our “tour” took the form of a slideshow of images, we could zip from the Egyptian wing to “Washington Crossing the Delaware” nearly instantly. In the museum it would have been a 15-minute walk. Our docent clicked through works I’d never stopped to notice before, and famous paintings I’d never really considered that deeply. I learned who Madame X was in John Singer Sargent’s portrait, and that Monet’s water lilies were more staged than I’d previously imagined. I regretted that I’d spent so much time at the Met cycling through what I already knew.

But I found myself missing that 15-minute walk. Our tour was an hour long and featured 87 PowerPoint slides. As soon as we were done with one painting we hopped to the next, leaving barely any time for our new knowledge to sink in. I pictured myself in the alternate-universe version of the tour, following a man holding a flag, maybe chatting with a stranger on the tour about what he’d just said as we weaved through galleries, feeling whether the energy of the group was “bored” or “amused” or “laughing politely.” Our video host turned off everyone’s cameras, so I couldn’t even see the nine other participants’ faces as our docent spoke, or allow him to see my genuine laughs at any of his jokes. I joined to stave off the loneliness, but once the call was ended, I felt newly alone.

In an online conference hosted last week by Arival Online, a resource specifically for the tours and attractions companies, members of the tourism industry gathered to discuss the pros and pitfalls of virtual tours, and whether they were worth investing in. The short answer was yes. Andy Lawrence of Vox Group (no relation) noted that this is what business will be like for a while. “From that we know social distancing will become a norm, and the easiest way to deal with this is to give someone the power to take a tour how and when they want,” he said. However, he denied it was a long-term solution, as people can get free videos of monuments and museums on YouTube. Online education may be a need now, but there’s no telling how long it’ll last.

But others noted it didn’t seem like interactive tours were really competing with the videos on YouTube. “I don’t see it as a full replacement for travel, but a new initiative that’s complementary for travel when we get back to normal,” said Matthijs Kefi of Withlocals. After all, streaming a video is one-way. “Our hosts also want to connect with other people, everyone likes that interaction.” The point of a guided tour or a lesson is rarely just the accumulation of new information. We had cookbooks and Wikipedia before the pandemic. What we want is people.

Public anonymity is one of the things that keeps me in my hometown of New York. I’ve cried in parks, in museums, and at well-renowned bars. I’ve sat quietly with my thoughts at crowded restaurants, and I’ve had life-changing conversations in front of world-famous monuments. Some of the most important things have happened to me while I’ve been shoulder-to-shoulder with strangers.

Now, all of these things happen on my couch. There is no white-noise of humanity to provide cover to my sobs or my half-baked ideas. I am not anonymous, but alone, and the thing I am missing the most is being in public with strangers. What I wouldn’t give right now to attend a book reading, have a drink, or look at a painting with people I’ll never know. What I miss about the world isn’t being told about an artist’s life by a docent. It’s meandering through a museum, talking to my partner about why a newly seen painting is hitting us, quietly experiencing the beauties of life alone in company.

As soon as I named this craving for myself I started feeling it in anything else I tried to do. I clicked around a virtual tour of Machu Picchu where tourists in bucket hats and cargo shorts stand frozen and warped by the circular camera. I tried to recall what the wind felt like on my own trip there over a decade ago, but I could only focus on what it would be like to overhear another person’s conversation. I looked at cherry blossoms blooming in Prospect Park, and thought of the last time I was there, which happened to be the same weekend as the West Indian Day Parade so the Japanese garden was juxtaposed with booming dancehall music from the street. I tried “going” somewhere I’d never been before, the Great Wall of China, only to find myself focusing more on a tourist squatting while drinking a water bottle than any of the sights.

“The same” is too high a bar to set for these experiences. Nobody is advertising that these virtual tours and classes will provide an identical experience to one in person, but rather they’re a way to support docents and guides and bartenders who would otherwise be out of work. But even then, it’s too easy to recall the other version of this experience, the one where your conversation isn’t studded with glitching video, where you can shake the bartender’s hand after he’s taught you how to make a lemon twist, where even after you’ve found a quiet spot at the top of Machu Picchu where it feels like you’re the only person in the whole world, you can walk back down and watch everyone else having their own moments of transcendence without ever having to ask them about it.

Most everything about life right now is both deeply essential and muted. We’re instructed to leave our houses only for necessary work or supplies, and only touch those we live with (which could mean no one at all). Every decision carries the weight of literal life and death. And yet every action feels like a photocopied version of reality, like we’re in a holding pattern until life gets switched back on. The virtual tours and classes are no different. Human interaction, however it happens, feels newly vital. But mostly, these tours and experiences don’t provide that any more than watching Too Hot to Handle on Netflix does. The majority of them are one-way entertainment, good enough if the topic interests you, but the equivalent of an interesting PBS special. And even when they are slightly more interactive, there is no lasting release. You say goodbye, feeling smarter or tipsier or full. The video sputters and freezes and then it ends, and you’re still in your living room, with no one to even ignore you.

Anyway, I love Cosmos now, so at least there’s that.

from Eater - All https://ift.tt/2A0rvW5 https://ift.tt/3ddgm2g

You can tour a museum at 9, take a mixology class at 11, and swoop over Machu Picchu at 3, but do these online versions of “doing stuff” really scratch the itch?

Can paying to stare at a screen for culture really rescue you from the monotony of staring at Twitter?

I assume I won the best outfit contest, as I was the only student.

I realized I was experiencing what felt like something new after weeks of monotony: talking to a stranger.

Anyway, I love Cosmos now, so at least there’s that.

from Eater - All https://ift.tt/2A0rvW5 via Blogger https://ift.tt/3c516V4

#Blogger #cooking #Eater #food #recipes

0 notes

ask-will-and-nico · 7 years

Note

"Waffles," Reyna answered. Will smiles, coming up behind Nico to kiss the top of his head. "Morning," Will tells the room. Reyna pours a mug of tea for everyone, and Nico takes a sip, sighing st the warm feeling. "Have you taken your meds, Nico?" Nico pointed to them on the counter. Will checks to make sure he's got the right ones. Nico took a few more sips of tea before swallowing them. The waffle maker beeps, and the first batch of waffles is done. "I'm hungry," Will says, smiling at Nico.

Will sat down at the breakfast bar as Nico plated a few waffles for him. He saw the joypad with scribbled handwriting on it. “What’s this?” Will asked, pointing to the notepad. Reyna hummed before answering. “It’s for Nico. He’s still mute today, so I found it so he could use it communicate instead of just nodding and shaking his head.” Will nodded around a mouthful of waffles. “Smart. Still not feeling well enough to talk?” Will asked as Nico sat down beside him with a plate of waffles. He had managed to find a bottle of chocolate syrup and was in the process of drowning his waffles when he looked up at Will’s question.

#asks #mini fic 3

9 notes · View notes

dazstormretro · 5 years

Text

PS1 4 Everyone - Jan 1996

Having owned my PlayStation for only a few months my attention was suddenly captured once again when in the January of 1996 Nintendo finally revealed more details of its up and coming console now renamed the N64. Magazine coverage was rife with photos of the final console design, rumoured games and a strange looking joypad which resembled the top of a trident. Gamers had been waiting for what felt like years for this juicy information and I must admit I was intrigued to see the console in action especially as a new 3D Mario and a Zelda game were in development.

Elsewhere life was plodding along nicely. I was now in my second year of college, my 18th birthday was just around the corner and between hanging out with friends on student nights drinking Castaways and my studies I was still finding time for some video gaming. On television I had discovered an American teen drama called My So Called Life staring a young Claire Danes. The show captured everything about being an angst ridden teenager in the 90’s and embarrassingly influenced my fashion sense at the time. On my Walkman I would have been listening to Warren G or the Fugees whilst looking at the world through my parted curtained hairstyle. Everywhere you looked grunge and indie rock had taken hold and you couldn’t go more than a few meters without bumping into a depressed looking teenager moping around like their dog had just snuffed it.

As 1996 progressed more and more of my friends entered the PlayStation generation. There will still many different systems on the market including the Sega Saturn, 3DO and the Atari Jaguar but it was the PlayStation which now had mass appeal. People who up to this point hadn’t played video games since their ZX Spectrum days were suddenly talking about Twisted Metal and Wipeout during lectures. The PlayStation had officially infiltrated youth culture and was showing no signs of slowing down.

Another standout memory of that year (even though not video game related) was Euro 96. Not necessarily the football tournament but the song which accompanied it and would go on to define that glorious summer for me, that song was of course Three Lions by the Lightning Seeds featuring Baddiel and Skinner. Every radio station, nightclub and pub would constantly play this tune which seemed to bring the whole country together during the month of June. I remember the last day of college myself and the whole of my drama class had gone to the local park and armed with plenty of beers we chilled out in the sunshine listening to Three Lions whilst reminiscing about our last two years together. Every time I hear those lyrics “three lions on a shirt” it takes me back to that carefree summer of 96.

By the time September came around my best mate Ben had also sold his Super Nintendo just as I had done the previous year and now owned the all powerful PlayStation. One of his first games of choice was the conversion of Ridge Racer which we hastily set up on his parents ‘big tv’ in the living room.

Having played the amazing full-sized sit down version in the arcades we were excited to see how this compared to the original and we weren't disappointed. Before the game had even begun we were treated to an interactive load screen in which you could play a mini version of the Namco classic Galaxian followed by the announcement of ”Ridge Racer” booming out of the tv speakers. In fact the amount of sampled speech throughout the game was pretty impressive and so was the echo of the cars engine as it zoomed through the winding tunnels. Getting to grips with the controls was fairly easy (even with the original PS1 controller) and once the corner drifting technique was mastered the game opened up immensely. I remember being a bit disappointed with the lack of tracks to race on but the one track available looked and played so well it could be forgiven. Impressive smooth 3D graphics, fast energetic gameplay accompanied by some classic 90’s techno music made Ridge Racer a welcome addition to our slowly growing PlayStation collection.

The following month there would be more PlayStation shenanigans, this time at a famous nightclub. My mate Rob was the first out of my group of friends to attend uni. During the September of 1996 Rob packed his bags and headed off to the bright lights of Sheffield Hallam University. Of course having a new city to explore which contained new pubs and clubs me and my mates weren't far behind him. Once Rob was unpacked and settled in a group of us decided to pay Sheffield a visit. That weekend we lived the student life to the max, drank cheap booze, stayed in a shitty student flat and headed to Gatecrasher for a night of debauchery.

This was my pre-Ibiza days so Gatecrasher was my first experience of a superclub. My memory of that drunken night is pretty hazy (which is no surprise) but what I do remember was heading up to the top floor which overlooked the hundreds of clubbers below. Apart from a small bar which was located in one corner the entire room housed loads of free-standing PlayStation units. Whilst enjoying a drink and bouncing around to the music people were playing Wipeout and Tekken. This was yet another genius move by Sony to get their games console into trendy establishments such as nightclubs in order to spread the word of PlayStation.

As 1996 came to a close yet another mate decided Sony was the way to go and it was on his console that I first laid eyes on the hottest new title that Christmas. The original Tomb Raider was released in the November of this year to much hype. An action-adventure game staring a sexy (if not a bit polygonal) female Indiana Jones-esc protagonist who had many excitable teenage boys pinning her image to their bedroom walls around this time.

On that evening a group of us met up at my mates house for a night on the town in Manchester. Enjoying a few pre-evening beers before heading out a couple of friends were playing Tomb Raider in the background. Whilst I didn’t get to play the game that night I was impressed by the graphics and main game mechanics. Watching Lara Croft perform acrobatic feats whilst taking down enemies with her dual wielding pistols was very satisfying. It might look and play primitive by today’s standards but back then Tomb Raider was the bomb and paved the way for many sequels and imitations.

1996 was certainly all about the power of the Sony PlayStation. My games library may not have evolved as quickly as it did back in my Mega Drive and SNES days but this was just the beginning, it would be 1997 which would confirm my love for the console with a long awaited release.

#retro gaming #video games #nostalgia #1990s #playstation #ridge racer #euro 96 #three lions

1 note · View note

gamersis-blog · 6 years

Link

For just $59.99 SIX-AXIS: Equipped with the latest motion sensing technology, built-in three-axis gyroscope and three-axis accelerator. With the three features, it can detect omnidirectional dynamic information including Roll,Pitch and Yaw. In addition, it can also capture the 3 axis acceleration information of three-dimensional space X/Y/Z, and transmit all information captured to the game system quickly. With this function, players can use this PS4 Dual Shock 4 controller to operate special games. Mini Light Bar: It can display a variety of colors, different colors represent different players, they can also used as an important message tips such as reduction of player’s life value and so on. And it also can interact with PlayStation camera, so that the camera can determine the movement and distance of the controller. Double Vibration: Support the game vibrate function, according to the game state and the game scene to produce the strong and weak different vibration effect, every click to let you immerse. Precision Control: The feel, shape, and sensitivity of this controller's analog sticks and trigger buttons have been enhanced to offer players absolute control for all games on PS4. Note: Because few games will use the built-in speaker, so this function is not included. The Controller is specially designed for PlayStation 4 console, which equipped with 6-axis sensor which is composed by 3D acceleration sensor and gyro sensor. {"@context":"https://schema.org/","@type":"Product","name":"Wireless Bluetooth Controller for PlayStation 4, Touch Panel Joypad with Dual Vibration","image":"https://cdn.shopify.com/s/files/1/0025/8965/5138/products/wr1.jpg?v=1539046256","brand":{"@type":"Organization","name":"Gamersitemshop"},"aggregateRating":{"@type":"aggregateRating","bestRating":"5","reviewCount":"3.6","ratingValue":"4.7"},"availability":"https://schema.org/InStock","offers":{"@type":"Offer","priceCurrency":"USD","price":"59.99","itemCondition":"https://schema.o...

0 notes

linuxlife · 6 years

Text

Linux Life Episode 34

Well hello folks and welcome back to Linux Life. Since the last episode I have been getting to grips with ArcoLinux B Mate on the i7 desktop.

I have installed a few things since we last spoke but mainly to get things working. For example I am now using Cairo Dock instead of Plank or Docky and I must admit it is definitely better than the pair of afore mentioned programs it can be offset so it does not need to on an edge this means I can finally move it above the task manager bar.

In fact I did so for a little while but I had issues with its hiding so its back at the top of the screen like all the others. I solved the issue of it highlighting entries apparently I had not installed the plugins but once I did that it seems to work fine.

Now to admit the not so fun part of ArcoLinux and Cairo Dock. When you minimise a program it seems to default to Cairo dock and not to the actual Task Manager dock meaning that if you want to reopen things you have to go up to the Cairo Dock.

While not the most convenient thing in the world it does work. However even before I ran Cairo Dock minimising programs is a problem as sometimes you cant get them to reopen by clicking the icon. Sometimes it works, other times it doesn’t.

This is a major pain when you are trying to switch between apps as you have to manually restart them to get back in. So for all that ArcoLinux is quite functional it does have its quirky moments.

Will I stick with ArcoLinux is a bit of an unknown at the moment. it seems to work well with the NVIDIA drivers and OpenCL works in it which it doesn’t in Antergos but at the moment I am not really taking advantage of the fact as I was intending to try video editing with Davinci Resolve 15 I just have not got around to doing that so a bit pointless.

One thing I did install was a Dreamcast emulator in the form of Redream. Now I downloaded it from their site as the version in the AUR did not want to build even though it was allegedly a GIT version.

Mind you this isn’t the first time I have had issues with GIT versions I remember trying the version of FocusWriter and although it worked it was a tad weird and kept a chevron cursor on screen at all times.

Its strange as I think I have also tried FlatPak images and others and they are not very well liked by Arch but then again they are really designed for Ubuntu so not a huge surprise.

Well Redream works really well it even detected when I connected my joypad. OK I had to rebind the controls to the pad but it took no more than a minute to do so then all was good.

Only game I did not get running was Metropolis Street Racer but there is unstable versions of the emulator I could use that may allow me to play the game. The intro video would play but then it would crash out back to main menu with no error messages. If I ran it in a terminal I am sure I could find out what the issue is.

It did however run Crazy Taxi, Crazy Taxi 2, Sonic Adventure, Sonic Adventure 2 and Ikaruga perfectly fine. In time I will try it with a few more Dreamcast games and it ran 60 FPS with out an issue.

Part of me wants to run the i7 desktop as a Hackintosh but I have no idea how to do so in a dual boot format with ArcoLinux. I am sure it can be done I just don’t know how to go about it. can Grub2 see Hackintosh? or can Clover/Chameleon boot Linux partitions. It probably can as I think it is based on ISOLinux. Don’t quote me on that.

Time to do some investigations it seems. Well I think that’s enough waffle for this episode. So until next time ... Take care.

#linux arcolinux #linux life #emulation #dreamcast #waffle

1 note · View note

3nding · 8 years

Text

Come il galeone per Dylan Dog

Sto provando una sensazione stranissima, mi sento al contempo bimbo e vecchissimo. Perchè? Perchè dopo anni e anni, bestemmie, tentativi, imprevisti e attese, ho finalmente un cabinato arcade funzionante.

E questo cabinato è davvero per me come il galeone per Dylan Dog, qualcosa che sembra non dover finire mai (infatti tecnicamente io non sono ancora alla fine, e il successo di stasera mi fa temere che morirò nel sonno, o mi sveglierò con un varco dimensionale infernale fuori dalla porta di casa o prenderà fuoco/si fulminerà/fonderà l’elettronica del cabinato senza un apparente motivo e mentre è disconnesso dalla rete elettrica).

Per prima cosa i ringraziamenti: ringrazio i bar e le fumose sale giochi di paese per avermi messo la scimmia e aver sottratto ai miei genitori ingenti finanze sotto forma di monete da 200 e 500 lire e gettoni vari.

Ringrazio quei pazzi del M.A.M.E. che all’università mi permisero di finire quei giochi che nei posti precedentemente menzionati non ero mai riuscito a terminare.

Ringrazio la mia conoscente che lavorava in un bar, la quale mi mise in contatto con uno che installava e riparava cabinati - e ringrazio lui che me ne regalò uno.

Poi ringrazio i forum e le pagine italiane ed internazionali, i tutorial su Youtube e tra i tumbleri sicuramente: @axeman72 per i consigli e le dritte al tempo dell’acquisto di una raspberry, @gigiopix & @quattroperquattro che impiegarono un pomeriggio ad installare Retropie e @kon-igi , che come l’ispettore Bloch mi ha seguito ed aiutato quando ci sono stati momenti di stallo (momenti che sono divenuti periodi anche di mesi e anni).

Ricapitolando tanti anni in un periodo solo:

2009 prendo un cabinato usato con dentro puzzle bobble 3. Lo parcheggio in garage perchè non ho spazio, decidendo che ci installerò dentro il MAME. Le mie conoscenze di elettronica sono basilari e limitate ai personal computer, vivo nel terrore di morire folgorato mettendoci dentro le mani finendo col toccare la ventosa (pulendolo recupererò 13 euro). Una volta ottenuto lo spazio dopo appena 4 mesi lo schermo muore. Ci vorranno anni per avere una situazione tecnologica decente ovvero:

2 Joypad USB

1 Raspberry Pi con installato Retropie

1 Tastiera USB

1 Televisore a tubo catodico

1 Encoder Xin Mo

1 cavo tv composito a 4 poli

Davvero, oggi nel 2017 servono pochissime cose e poche ore per fare tutto. Io ci sono arrivato in anni e anni e tentativi e innovazioni tecnologiche e l’aiuto di diverse persone.

Il prossimo post sarà una mini-guida sul come fare.

Perchè dopotutto knowledge is power no?

33 notes · View notes

pierreqies · 4 years

Text

PS4 Controller Wireless Bluetooth Gamepad for Playstation 4 Clickable Touch Panel Joypad – Joystick with Sixaxis,Compatible with All PS4 Models & PC (Black)

Worth: $35.99(as of Jul 19,2020 19:19:39 UTC – Particulars) 【Superior options】Constructed-in speaker and three.5mm stereo jack, placing a number of new audio choices within the participant’s arms,Multi contact and clickable contact pad, Built-in gentle bar, Sharing at your Fingertips.Geared up with the most recent movement sensing expertise and the most recent vibration. Suitable for PS4/Professional/Slim, […]

Source

The post PS4 Controller Wireless Bluetooth Gamepad for Playstation 4 Clickable Touch Panel Joypad – Joystick with Sixaxis,Compatible with All PS4 Models & PC (Black) appeared first on Hammers and Steel.

from WordPress https://hammersandsteel.com/index.php/2020/07/19/ps4-controller-wireless-bluetooth-gamepad-for-playstation-4-clickable-touch-panel-joypad-joystick-with-sixaxiscompatible-with-all-ps4-models-pc-black/

#PS4 #Black #Bluetooth #Clickable #controller #Gamepad #Joypad #joystick #models #panel #PC #PlayStat

0 notes

easyfoodnetwork · 4 years

Quote

You can tour a museum at 9, take a mixology class at 11, and swoop over Machu Picchu at 3, but do these online versions of “doing stuff” really scratch the itch? Most of us are currently missing things like Outside and Proximity to Other Humans. For the lucky ones, at least, monotony and loneliness are our most prominent enemies, as we stare down seemingly endless nights of Netflix and bean soaking, longing for the day we can experience somewhere else. If you run a business that requires anyone travel from one place to another, this means that you’re particularly reeling. Airline capacity is down 73 percent, hotels are empty, and even the potential reopening of restaurants and bars comes with heavy caveats. Because of that, brands like Airbnb, Viator, Google, and various tourism councils have begun offering virtual “experiences,” so that hypothetically you both keep spending money and also don’t die of boredom. But can paying to stare at a screen for culture really rescue you from the monotony of staring at Twitter? Or are they, you know, both screens? Broadly, there are two types of experiences happening today. First, there are interactive classes and group activities, where you can learn to make pasta or Irish step dance or listen to a museum docent talk about statuary on a video call — all with other people looking to emerge from this time with a new skill set. In Philadelphia, one restaurant owner is trying to mimic the experience of dining out. He video calls you for your order and then, once it’s delivered, calls back to check in on your wine and see how everything is. Aside from the fact that they take place over a video call, these experiences are pretty close to their in-person counterparts: you sign up for a particular time and date, you follow directions, and supposedly you learn something, or at least pretend you’re in a restaurant. Can paying to stare at a screen for culture really rescue you from the monotony of staring at Twitter? And then there are the experiences that aim to “immerse” you in some locale that is not your apartment, whether that’s Rome’s colosseum or an orchard of cherry blossoms in Japan or the British Museum. Often, the entirety of the experience is just a 360-degree camera or other pre-recorded video footage of a beautiful place, and sometimes it’s free. Maybe for a brief moment it will seem as if you aren’t on the couch with your partner who won’t stop bouncing every time they try to catch a tarantula in Animal Crossing, but instead are surrounded by skulls and a haunting breeze in Paris’s catacombs. Or seeing the Faroe Islands through the eyes of a local with a camera strapped to their shirt and whose movements you can control with a joypad (yes, this is real, and no, it does not seem ethical). Both of these types of experiences are not new, except for the joypad thing. Virtual cooking classes and workouts are offered by plenty of companies, and Google has long allowed you to tour the world’s museums, or plant yourself in the middle of a national park on Google Earth. Normally, these offerings are an invaluable tool for those who don’t have the ability — whether financially or physically or because there’s only so much time — to visit these spaces in person. Personally, I’ve avoided them all. Aside from the occasional video yoga class, it just didn’t seem worth it — too much potential for technical difficulties, too easy to open Twitter in another tab. Plus, I could just go there if I really wanted. But now that the pandemic has wiped out any in-person plans for the foreseeable future, boredom is my primary struggle. I finish work and move from my dining table to my couch, queueing up another movie or TV show or video game. The idea of a plan, of something to look forward to, feels increasingly distant — and online experiences increasingly appealing. Can they actually fulfill our collective void of “doing,” or just highlight how far we are from ever “experiencing” in person again? I decided to fill up my calendar again to find out — or at least see if I could forget about the confining walls of my apartment, even for a few minutes. The instructions for Airbnb’s “GINspiration History & Cocktails at Home” said that points would be given for the best outfit, so I put on earrings and an actual shirt before signing on. The company best known for providing vacation and short-term rentals offered “experiences” — both real-life and virtual — before the spread of COVID-19, but has taken care to promote the latter on its homepage recently. You can learn to cook tacos or pasta or tapas, or watch a man wandering the streets of Prague in a plague doctor costume as you learn about the Black Death. My hour-and-a-half long class promised the bartender would teach me to make some great gin cocktails, as well as tell me a bit about the history of the spirit itself. It took place at 11:30 in the morning EST (the host was in England) but time is meaningless now, right? I assume I won the best outfit contest, as I was the only student. Signing onto what you assume will be a bustling Zoom chat only to find yourself the only one there is a little like showing up early to a party; it’s deeply embarrassing for no specific reason, and the only way through is to act like being a party of one is your favorite thing. We waited a few minutes for the other student who had signed up, but he never came. He is my enemy now, and I began the class feeling resentful that I had no other participants to hide behind, and that I had to make an extra grocery run to pick up the limes and juices necessary for cocktail prep. These should have been provided for me, I thought. There should have been more people. It shouldn’t be like this. But as I listened to my instructor’s story about accidentally spilling a bright pink Cosmo all over a bachelorette’s white dress, I realized I was experiencing what felt like something new after weeks of monotony: talking to a stranger. For an hour and a half the bartender and I chatted, he told jokes, we traded stories and watched each other’s reactions, I drank a French 75 on an empty stomach, and he taught me how to make daiquiris and Cosmos as well, because I came woefully unprepared in the ingredients department. And I know it’s a bartender’s job to make everyone feel like their friend, but I felt like his friend, which meant I felt like my kitchen was a bar. The magic worked, and I’m not sure if my socialization itch would have been scratched had that other guy (still my enemy) showed up. So I tried another one. I have been to the Metropolitan Museum of Art countless times in my life. As a New Yorker, I can name my price and visit my personal highlights on any rainy day — the Arms & Armor section, the Asian and “Arab Lands” wings, jewelry, “Inferno” by Franz von Stuck. The Met is currently offering 360 degree video of some of its corridors, but to see any art up close right now, I had to sign up for a tour with Walks. The hour-long tour promised a docent would uncover the “scandals and secrets that lie behind some of the artifacts in America’s greatest art collection,” and an art lecture would mean I’d experience the Met in a way I haven’t since I was a kid on a class trip. I realized I was experiencing what felt like something new after weeks of monotony: talking to a stranger. Our docent first started by highlighting all the benefits of an at-home video tour, as if we had a choice. On a normal day we’d probably have to wait outside in a line, waddle through security, and check our coats before seeing any art. Now, he joked, we could be “naked with a glass of cabernet” on hand, and because our “tour” took the form of a slideshow of images, we could zip from the Egyptian wing to “Washington Crossing the Delaware” nearly instantly. In the museum it would have been a 15-minute walk. Our docent clicked through works I’d never stopped to notice before, and famous paintings I’d never really considered that deeply. I learned who Madame X was in John Singer Sargent’s portrait, and that Monet’s water lilies were more staged than I’d previously imagined. I regretted that I’d spent so much time at the Met cycling through what I already knew. But I found myself missing that 15-minute walk. Our tour was an hour long and featured 87 PowerPoint slides. As soon as we were done with one painting we hopped to the next, leaving barely any time for our new knowledge to sink in. I pictured myself in the alternate-universe version of the tour, following a man holding a flag, maybe chatting with a stranger on the tour about what he’d just said as we weaved through galleries, feeling whether the energy of the group was “bored” or “amused” or “laughing politely.” Our video host turned off everyone’s cameras, so I couldn’t even see the nine other participants’ faces as our docent spoke, or allow him to see my genuine laughs at any of his jokes. I joined to stave off the loneliness, but once the call was ended, I felt newly alone. In an online conference hosted last week by Arival Online, a resource specifically for the tours and attractions companies, members of the tourism industry gathered to discuss the pros and pitfalls of virtual tours, and whether they were worth investing in. The short answer was yes. Andy Lawrence of Vox Group (no relation) noted that this is what business will be like for a while. “From that we know social distancing will become a norm, and the easiest way to deal with this is to give someone the power to take a tour how and when they want,” he said. However, he denied it was a long-term solution, as people can get free videos of monuments and museums on YouTube. Online education may be a need now, but there’s no telling how long it’ll last. But others noted it didn’t seem like interactive tours were really competing with the videos on YouTube. “I don’t see it as a full replacement for travel, but a new initiative that’s complementary for travel when we get back to normal,” said Matthijs Kefi of Withlocals. After all, streaming a video is one-way. “Our hosts also want to connect with other people, everyone likes that interaction.” The point of a guided tour or a lesson is rarely just the accumulation of new information. We had cookbooks and Wikipedia before the pandemic. What we want is people. Public anonymity is one of the things that keeps me in my hometown of New York. I’ve cried in parks, in museums, and at well-renowned bars. I’ve sat quietly with my thoughts at crowded restaurants, and I’ve had life-changing conversations in front of world-famous monuments. Some of the most important things have happened to me while I’ve been shoulder-to-shoulder with strangers. Now, all of these things happen on my couch. There is no white-noise of humanity to provide cover to my sobs or my half-baked ideas. I am not anonymous, but alone, and the thing I am missing the most is being in public with strangers. What I wouldn’t give right now to attend a book reading, have a drink, or look at a painting with people I’ll never know. What I miss about the world isn’t being told about an artist’s life by a docent. It’s meandering through a museum, talking to my partner about why a newly seen painting is hitting us, quietly experiencing the beauties of life alone in company. As soon as I named this craving for myself I started feeling it in anything else I tried to do. I clicked around a virtual tour of Machu Picchu where tourists in bucket hats and cargo shorts stand frozen and warped by the circular camera. I tried to recall what the wind felt like on my own trip there over a decade ago, but I could only focus on what it would be like to overhear another person’s conversation. I looked at cherry blossoms blooming in Prospect Park, and thought of the last time I was there, which happened to be the same weekend as the West Indian Day Parade so the Japanese garden was juxtaposed with booming dancehall music from the street. I tried “going” somewhere I’d never been before, the Great Wall of China, only to find myself focusing more on a tourist squatting while drinking a water bottle than any of the sights. “The same” is too high a bar to set for these experiences. Nobody is advertising that these virtual tours and classes will provide an identical experience to one in person, but rather they’re a way to support docents and guides and bartenders who would otherwise be out of work. But even then, it’s too easy to recall the other version of this experience, the one where your conversation isn’t studded with glitching video, where you can shake the bartender’s hand after he’s taught you how to make a lemon twist, where even after you’ve found a quiet spot at the top of Machu Picchu where it feels like you’re the only person in the whole world, you can walk back down and watch everyone else having their own moments of transcendence without ever having to ask them about it. Most everything about life right now is both deeply essential and muted. We’re instructed to leave our houses only for necessary work or supplies, and only touch those we live with (which could mean no one at all). Every decision carries the weight of literal life and death. And yet every action feels like a photocopied version of reality, like we’re in a holding pattern until life gets switched back on. The virtual tours and classes are no different. Human interaction, however it happens, feels newly vital. But mostly, these tours and experiences don’t provide that any more than watching Too Hot to Handle on Netflix does. The majority of them are one-way entertainment, good enough if the topic interests you, but the equivalent of an interesting PBS special. And even when they are slightly more interactive, there is no lasting release. You say goodbye, feeling smarter or tipsier or full. The video sputters and freezes and then it ends, and you’re still in your living room, with no one to even ignore you. Anyway, I love Cosmos now, so at least there’s that. from Eater - All https://ift.tt/2A0rvW5

http://easyfoodnetwork.blogspot.com/2020/05/the-actual-experience-of-virtual.html

#EasyFoodNetwork #ComfortFoodRecipes #EasyRecipes #GoodFood #BestComfortFoodRecipes #TastyFoodv

0 notes