#josephstella

[boywithflowersartgallery]

A collection of 93 high-resolution digital images of Joseph Stella ▶️https://boywithflower.gumroad.com/l/vnjmy ▶️https://www.boywithflowers.com/product/joseph-stella/ ▶️https://www.patreon.com/posts/74763917 Get more digital paintings. https://boywithflower.gumroad.com/ https://www.boywithflowers.com https://www.patreon.com/boy_with_flowers_art_gallery

[artbookdap]

"A stunning display of Mr. Stella’s use of light and shadows, colors and shapes to create on canvas a tropical floral world that feels both familiar and unfamiliar, joyous and sober." ⁠ ⁠ Read @josephbtreaster on 'Joseph Stella: Visionary Nature' @nytimes via linkinbio⁠ ⁠ Exhibition catalog published by @delmonico_books @brandywinemuseum & @highmuseumofart⁠ ⁠ Edited with text by Stephanie Mayer Heydt. Edited with illustrated chronology by Audrey Lewis. Foreword by Rand Suffolk, Thomas Padon. Text by Ellen E. Roberts, Karli Wurzelbacher, Ara H. Merjian.⁠ ⁠ #josephstella #josephstellanaturepaintings #josephstellavisionarynature #visionarypainting #futurism #modernism #americanpainting⁠ https://www.instagram.com/p/CoFgmQ2u55D/?igshid=NGJjMDIxMWI=

[jamieroxxartist]

*One of the Greats! and a one of my Fave Futurist Painters!

RIP Today, Nov 5, 1946 – #JosephStella, Italian-American painter (b. 1877) walked on.

( https://en.wikipedia.org/wiki/Joseph_Stella )

[bm-american-art]

The Virgin, Joseph Stella, 1926, Brooklyn Museum: American Art

Size: 39 11/16 x 38 3/4 in. (100.8 x 98.4 cm) Frame: 43 1/2 x 42 1/2 x 3 in. (110.5 x 108 x 7.6 cm) Medium: Oil on canvas

https://www.brooklynmuseum.org/opencollection/objects/352

[aic-american]

A Vision, Joseph Stella, 1925, Art Institute of Chicago: American Art

In 1922 Joseph Stella revisited his native Italy and became fascinated by Renaissance painting. After returning to New York, he began to produce detailed, symbolic compositions such as A Vision, which was originally a mural commission. Stella was enthralled by the tropical plants he observed at the Bronx Botanical Garden, and here he imagined a woman growing out of the earth like the exotic flowers on either side of her. This painting’s fantastical subject also aligns it with modern art, particularly the dreamlike imagery of Surrealism. Through prior gift of the Albert Kunstadter Family Foundation Size: 203.2 × 101.6 cm (80 × 40 in.) Medium: Oil on canvas

https://www.artic.edu/artworks/76047/

[harvard-art-museums-drawings]

Flower Bud, Joseph Stella, 20th century, Harvard Art Museums: Drawings

Harvard Art Museums/Fogg Museum, Gift of an Anonymous donor Size: sight: 56.8 x 70.5 cm (22 3/8 x 27 3/4 in.) Medium: Colored pencil and metalpoint with incised lines on white wove paper

https://www.harvardartmuseums.org/collections/object/330694

[bm-contemporary-art]

Old Woman Reading, Joseph Stella, 1957, Brooklyn Museum: Contemporary Art

Medium: Etching

https://www.brooklynmuseum.org/opencollection/objects/73432

[moma-prints]

Portrait of a Man in a Cap, Joseph Stella, c. 1900, printed 1960, MoMA: Drawings and Prints

Gift of Bernard Rabin and Nathan Krueger Size: plate: 5 1/8 x 5 11/16" (13 x 14.5 cm); sheet: 11 x 14 15/16" (28 x 37.9 cm) Medium: Etching

http://www.moma.org/collection/works/60907

[portraitsgallery]

Joseph Stella, Self-Portrait, c. 1940 ©  Whitney Museum of American Art, New York

[si-national-portrait-gallery]

Joseph Stella Self-Portrait, Joseph Stella, 1937, Smithsonian: National Portrait Gallery

Size: Sheet: 73.6 x 58.5cm (29 x 23 1/16") Medium: Metalpoint on paper

https://npg.si.edu/object/npg_NPG.2002.346

[the-met-art]

Single Flower by Joseph Stella, Modern and Contemporary Art

Medium: Crayon and metalpoint on paper

Bequest of Katherine S. Dreier, 1952 Metropolitan Museum of Art, New York, NY

http://www.metmuseum.org/art/collection/search/488748

[daniellatroni-daybook-blog]

Man Ray - "The three heads:"Joseph Stella and Marcel Duchamp (1920)

[artbookdap]

Works and details from lyrical, exuberant new release, 'Joseph Stella: Visionary Nature,' published by @delmonico_books @brandywinemuseum & @highmuseumofart⁠ ⁠ Amazingly, this is the first major monograph on the nature-based paintings of the pioneering American modernist whose work is normally associated with Futurism. ⁠ ⁠ If Stella’s NYC cityscapes and paintings of the Brooklyn Bridge were symbols of a modern era, his pictures of flowers, plants, birds and trees were rooted in another, more ancient, primal and paradisaical world. Inspired by archaic and classical precedents as well as his own brand of spirituality, these works are also his least understood. ⁠ ⁠ Edited with text by Stephanie Mayer Heydt. Edited with illustrated chronology by Audrey Lewis. Foreword by Rand Suffolk, Thomas Padon. Text by Ellen E. Roberts, Karli Wurzelbacher, Ara H. Merjian.⁠ ⁠ Pictured:⁠ 1. Red Flower, 1929⁠ 2. Dance of Spring (Song of the Birds), 1924⁠ 3. Aquatic Life (Goldfish), ca. 1919–1922⁠ 4. Study for Song of Birds, ca. 1924⁠ 5. Purissima, 1927⁠ 6. Neapolitan Song, 1929⁠ ⁠ Read more via linkinbio.⁠ ⁠ #josephstella #visionarynature #josephstellavisionarynature #josephstellanaturepaintings #americanfuturism https://www.instagram.com/p/CoFQfWMuS5V/?igshid=NGJjMDIxMWI=

[galleryofmodernart]

Battle of the Lights, Coney Island (1914) Joseph Stella.

Joseph Stella was an Italian-American who specialized in Futurist painting in the early 1900s. Then he transitioned to painting in the Precisionist style in the 1920s and ‘30s. Influenced by Cubism and Futurism, Precisionism emphasized America’s emergence as a modern industrialized society by highlighting its impressive bridges, skyscrapers and factories. Battle of Lights, Coney Island was one of the first successful paintings of American Futurism. Thereafter, Stella became a renowned painter in the New York art scene, though his work attracted much criticism from conservative art critics who found works of modernism threatening and impossible to define. Be that as it may, during the late 1930s and into the ‘40s, Stella’s painting style became more realistic and baroque, which didn’t fit the modernist - much less avant-garde - mold, so the art world forgot about him.

[bm-american-art]

Man with Mustache, Joseph Stella, n.d., Brooklyn Museum: American Art

Sheet is torn from pad with perforated edge at top Size: Sheet: 5 x 4 1/16 in. (12.7 x 10.3 cm) Medium: Black chalk on paper

https://www.brooklynmuseum.org/opencollection/objects/147071

[aic-american]

By-Products Plants, Joseph Stella, 1923, Art Institute of Chicago: American Art

While studying art in Italy and France from 1909 to 1913, Joseph Stella was captivated by Italian Futurism, a movement that employed Cubism’s fragmented forms to express the mechanization and speed of modern life. After he returned to the United States, Stella used Futurism to convey the dynamism of American industry in paintings such as By-Products Plants, which depicts the factories that extract ammonia, tar, and light oils when coal is burned. Such mechanical processes fascinated Stella, and he later recalled, “opposite my studio was a huge factory . . . towering with the gloom of a prison. At night fires gave to innumerable windows menacing blazing looks of demons.” Stella invested his factory paintings with this sense of eerie mystery. Gift of Mr. and Mrs. Noah Goldowsky in memory of Esther Goldowsky Size: 61 × 61 cm (24 × 24 in.) Medium: Oil on canvas

https://www.artic.edu/artworks/84228/