#jon is literally my favorite character

[anthroposeen]

[disclaimer: i dont mean for this to come off as argumentative or mean-spirited, but i just want to do a blurb on my own interpretation of these relationships and the morality of jon's actions]

i think an important thing to note when reacting to other character's treatment of jon is that we are told the story through his perspective. the tapes follow him and let us see how he acts with his guard down, and we get to see the traumatic things hes experienced. without jon admitting what hes gone through, the others are unaware it happens. so they dont see jon's vulnerable and honest moments that makes the audience feel sympathetic, they only see whatever mask he puts on. and more often than not, he puts on a pretty shitty persona.

in s2, the others didnt have an explanation for why jon was being a stand-off paranoid mess, even jon didnt know what was agitating him at first. and he wasnt doing harmless things to them, we hear about him breaking into gertrude's flat, going through her things, stalking the movements and houses of all his assistants, and being very aggressive with them if hes confronted (tim is a great example). and jon is largely absent in s3, along w being a suspect in a murder case, so it tracks that they all see him in the same light as in s2, how are they supposed to know hes changed? that hes been through traumatic things? and if they've noticed a change in his actions by the end of s3, its likely washed away by the time they see him again in s4. for the audience, the change between seasons is pretty quick, but the archive crew hadn't interacted w jon for 6 months- and once he does wake up, whatever tied him to his humanity is now severed.

im not going to entirely defend basira, bc i dont think shes an entirely innocent person (obviously shes as morally grey as jon) but i do think her relationship to daisy is complex and overlooked. also, important to note that while daisy was hunting jon she thought he was a murderer, and correctly worked out that he was no longer human, so her motivations werent all bad. plus, basira has known, trusted, and worked with daisy for years- of course she supports daisy's convictions and actions and distrusts jon (who they investigated for being a murderer twice).

i think it isnt right of her to fully support daisy- especially after its understood that her actions were largely harmful, an abuse of power, and a reaction of her affiliation w the hunt. but we do see basira understand that what daisy did is bad, and though she expresses anger about daisy being inactive post-buried, she never actually pushes daisy to hunt. even when julia, trevor, and the not!them appear in mag158- she urges daisy to not turn to the hunt, and follows through on her promise to take daisy out (not to mention the lead-up arc to daisy's death in s5, which shows basira recognizing daisy's actions). so i dont find it entirely hypocritical of her to also criticize jon's "eating habits" (even martin didn't condone that, and went way out of his way to bring that to the others' attention). im not saying shes entirely without fault or flaw, since she treats daisy much better than jon even though theyre journeys are similar, but i think thats what happens with a cast of very complex characters.

as for georgie, i hate that shes heavily criticized by the fandom for essentially keeping her peace. she welcomed jon into her house after not seeing him for years (i think jon even says the breakup wasnt very good). the cherry on top is that she even lets him stay after the police asked for him on grounds of a murder investigation. she lets him stay there after hes lied to her multiple times about the tapes, whos sending them, and why hes there. once hes in a coma, she visited him and made oliver leave because she didnt trust him to be there with jon. thats a lot of care and consideration for a guy who is kind of an ass, kept a lot of important info hidden from you, stepped over your boundaries at your house several times, and was a dick to your gf. it checks out that once her relationship to melanie gets stronger and melanie leaves the institute, she would also distance herself from that. georgie never had a responsibility to help jon, but she still did, so i dont see how it makes her a bad person for not wanting more involvement. she saw what it did to jon (he literally isnt human anymore) and she sees what its done to melanie. ofc she doesnt want to stir that pot, ofc she would rather live in relative safety. (also, anyone who was involved was serving an evil fear god in some facet, so involvement is far from the morally correct option)

essentially, i do think jon deserved the treatment he got from the others. they lacked a majority of the context the audience had, and saw jon in a completely different and much more toxic light.

Just finished season 4 of The Magnus Archives and... man...

(SPOILERS)

It makes me so incredibly depressed how badly Jon was mistreated by the rest of the cast from Season 2 on.

With the stalking, obviously it's wrong, right? And yeah, no, Tim is perfectly justified being pissed about it. But 1) John was right and something really was amiss, Sasha was replaced by the NotThem and 2) the paranoia is revealed in S4's finale to be of supernatural origin.

The Stranger's thing is causing paranoia. It worked on Jon.

But even that notwithstanding, Basira's hypocrisy drove me up a wall during Season 4. She's perfectly fine and dandy with Daisy killing people, violently, while abusing her status as a police officer. After Daisy gets pulled out of the coffin (by Jon, no less), she even takes to trying to convince Daisy to go Hunting.

But yeah, no, thats fine! That's not her fault! Violently hurting and killing people is fine! But Jon acting in the way he's driven to by the Watcher by... making people recount their trauma, no, that's a big no! But Jon! Jon you have to use your powers! Gertrude was so admirable doing what she had to to get what she needed no matter who she had to kill and/or offer up to entities on a silver platter for!

God I hated Basira at the end.

And then Georgie being so incredibly hostile out of nowhere.

I know it was part of isolating Jon and all but god that hit hard. Jon wasn't just going through a Personal Crisis(tm) he was facing the end of the world, and Georgie decides it's a great time to enact the "I don't owe you emotional labor uwu" thing.

It was a very interesting twist that the plan wasn't even necessarily Martin becoming an avatar of The Lonely. It was isolating Jon so that he could be marked by The Lonely. Interesting take. JMart fans rise up.

anyway i have many thoughts and feelings. Jon didn't deserve it lmao

[daenerys-targaryen]

i got my tablet working! now... to actually draw... 

[obsidianstrawberrymilk]

Wait so superboy... I love him but what is he from?

--- @crymeariveronceagain

Superboy my beloved!! He's from DC comics/cartons - if you mean Kon El specifically (my blorbo) he's a the focus of Reign of the Supermen and the Superboy comics and is also a major character in Young Justice (both the 1998 and later versions) and in some Titans comics (though I haven't read many Titans comics with him in it so I can't recommend specifics). I'd recommend reading Reign of the Supermen first and then YJ/Superboy and going from there if you're interested.

Kon El is a clone of Superman and Superman's enemy Lex Luthor, who was originally made to 'replace' him after Superman died for a bit (he got better). He's got a really interesting history and he's arguably one of the saddest characters in comics (imo anyway).

He's also in several DC-adjacent cartoons and shows, though the versions of him in those are different than the comics versions. Young Justice (the Cartoon) and Titans (2018) both have him, though I'm personally not a fan.

There's another Superboy as well - Jon Kent, Kon's younger brother and Superman's biological son. My favorite comics for him are the Supersons comics, that have him and Damian Wayne (son of Batman) have Saturday-morning style adventures. He's been aged up in recent comics and I don't really like reading that version of him.

[teamfortresstwo]

Still clinging on to the hope that TMP is going to be non-eye coded. I hope it’s like web or spiral or fuck if it’s corruption or lonely that’s be great!

[man-down-in-hatchet-town]

-incredible puppeteering and design from Nick L ang

-arguably the two best songs in Nightmare Time?

-Some of the funniest moments too!

-Top notch, iconic performances from every single cast member, ESPECIALLY JON AND KIM

-“I outta cover you in syrup!”

Why I Love Abstinence Camp:

- Lautski introduced

- The cross-universe canon between it and NPMD

- Discussion of the dangers and hypocrisy of purity culture and a healthy portrayal of the idea that wholesome and loving characters and relationships do not have to be explicitly non-sexual (as long as they are consensual, of course). Sex and intimacy are not inherently evil things as society makes them out to be, and it is purity culture that becomes dangerous in the minds of the extremists that punish acts of love and passion.

- The cheesy camp slasher cliches

[jonsnowunemploymentera]

We don’t appreciate enough how GRRM made House Targaryen the poster children for his de/reconstruction of the fantasy chosen family trope, and we don’t appreciate how Jon and Dany are the main lens through which he does that. House Targaryen is fantasy on steroids—magic swords, magic look, magic lineage, perhaps the most magic pet one could have in the genre, and a magic destiny that’s specific to them and only them. There’s a foretold magical conflict and its main hero (as many would think), “the prince that was promised”, specifically has to be a Targaryen. This House’s history is so rich, but from a genre perspective, it is Aerys II’s reign and Robert’s Rebellion that’s the most interesting to analyze. Aerys isn’t special himself, but he is to sire the future savior of the world. Then Rhaegar is born and tragic as they are, all the signs point to him being the promised messiah. And Rhaegar becomes THE fantasy hero on steroids. He’s the perfect heir to House Targaryen’s legacy because not only is he to be the best of them, and many think he would have been had he lived, but he is the most perfect manifestation of House Targaryen as the personification of fantasy. There’s absolutely a point to him living and dying as the heir, the inheritor, the eternal symbol of what could have been of the Targaryen’s old glory.

Part of Rhaegar’s legacy extends to his son Aegon. Aegon had everything Rhaegar didn’t. A comet was seen at his conception—and this is an most important herald for the chosen one. So he is given a song, “the song of ice and fire”, and a king’s name to match his status as the new messiah. He didn’t live long but he inherited Rhaegar’s look in his youth too; the fantasy protagonist look. But Aegon died before he could be the hero.

You see Jon and Dany as chosen ones only works so well because of their House’s history, especially as (anti)parallels to Rhaegar and Aegon. They are the unexpected inheritors and challengers to their house’s legacy but in different ways.

Dany is the most immediate and obvious heir. There’s a beauty to her being the last of them and thus, the one bearing the entire house’s legacy. Dany is THE Targaryen. And in being that, she becomes THE hero. She’s got the hero’s look, the hero’s magic and destiny, and better yet, she got the hero’s sword and pet all in one. And, she’s legitimate! She is House Targaryen. But there’s a problem….shes a girl. And we all know House Targaryen’s history with girls.

Maester Aemon’s “no one ever looked for a girl” is quickly becoming my favorite Dany-related quote because it pretty much encapsulates her entire arc, especially as an inheritor to her house’s legacy. The hero they died knowing and expecting was the boy: first Rhaegar, then Aegon. But father and son are dead. Yet Daenerys lives. She inherits everything else they did and more! The Targaryens tried and failed to bring dragons back, but it was Dany who ultimately did it.

Now, Jon is Dany but flipped. From a meta point of view, he’s more fantasy protagonist than she is. He’s a boy, he’s got a big magic sword that he can swing about, and he’s perhaps fantasy’s most prolific trope in action—the magical hidden prince. But within this story, GRRM flips these two characters. Jon’s fantasy protag-ness doesn’t go away, it just morphs into something else. Unlike Dany, he may be a boy and he may have a sword, but he lacks literally everything else. He doesn’t have the look, his magic powers are from his other family, so is his magic pet, and his magic destiny has thus far developed outside his immediate association with House Targaryen. Dany is “what if Rhaegar was a girl?”, but we can’t even begin to ask these types of questions with Jon because there’s so much that precludes him from the fantasy hero role in story. He’s Rhaegar’s heir…but he doesn’t look like him…and he’s not even legitimate. So what do we do now?

GRRM destroyed his fantasy protag house and decided to build up again from the ground up, but did so by challenging the two most critical points—primogeniture and exceptionalism. With Dany, he makes a girl the Targaryen’s outward successor. This works really well because the Targaryens have a history of denying their female heirs. But now what’s left of them is a girl, and she is literally everything they could have hoped for. And she is a a reflection of her house, but her arc has at many times seen her be the antithesis of her ancestors. And I can’t help but think of the oncoming meta-textual showdown between her and Young Griff. On the surface Young Griff, a boy, is the preferred heir. But Dany is, in truth, the one.

Jon is interesting because, in my view, he challenges the Targaryen idea of exceptionalism. He’s easily the fantasy protagonist from the outside looking in. But he doesn’t have the Targaryen name, nor does he have the look. He has the blood, but what makes him special is that it is mixed with the other major fantasy protagonist house’s blood—he’s special in that he’s a hybrid. And this is interesting because if Aegon conquered the seven kingdoms because of a prophecy regarding him or one of his princely descendants, it’s quite the twist to have this messiah not even be a Targaryen prince (not in name anyway). That’s why all the hand wringing around “is Jon legitimate?” or “no one cares because he doesn’t look like Rhaegar” really isn’t the point. The point is for Jon to be the manifestation of the hero—the king—outside of that narrow framework. And if he succeeds, then GRRM would absolutely still be subverting prophecy and genre conventions.

There’s something to Jon and Dany being born as or after House Targaryen falls. House Targaryen has no crown, no throne, and their prophetic mandate has been usurped. But GRRM is so attached to them, and he certainly wants to rebuild them and hold fantasy to account. But to do so, everything we know about the Targaryens, everything the Targaryens knew about themselves, has to be challenged and put to the test by the personifications of all that a Targaryen hero couldn’t be: a girl, and a bastard.

[wildgeese98]

It's kind of unfortunate that the only bit of characterization for original! Elias that's widely talked about is him being a stoner. It's true that for a long time that's literally the only thing we got. One funny throwaway line. But we do learn a bit more in mag 193 (one of my favorite s5 episodes incidentally) and it makes him a much more interesting and tragic character.

Elias was an aimless rich kid trying and failing to live up to his father's high expectations for him. He was raised to believe that he deserved success and power simply because of the family he was born into. It's implied that this alienated him from his peers leaving him incredibly isolated. It probably also meant he didn't have a lot of control over his own life, following the path he was expected to rather than what he acctually wanted. Even before being marked by the Eye he probably felt like was constantly watched and judged, and found wanting.

The statement draw heavy parallels between original! Elias and Jon. In fact the line between them gets very blurred as Jon "plays" Elias in the statement and Elias's VA plays Jonah in the body of James Wright. Jon and Elias are both parallels and opposites. They were both marked and drawn to the Institute by that mark.

Elias had the conviction that he was destined to be important and he was right the most perverse, twisted way possible. He was only ever there to be used and used completely. To the point were he ceased to be, leaving only his body to puppeted by Jonah.

Jon had no such conviction, and yet he became literally the most import person in the world. But that was only after being moulded and completely reshaped by Jonah. He in a way lost almost as much autonomy and control of his body as Elias did. Though he at least got to keep his mind, for the most part.

This has gotten away from me a bit, but the point remains. Elias, like a lot of TMA characters, is a fascinating person who we only get to see brief snatches of. I think about him a lot. I especially think about how horrifying it must have been to realize, for the briefest moment, that his mind and body were being completely taken over, right before his consciousness was snuffed out.

[visenyaism]

Sorry if you’ve been asked this but what do you think of all the rot in asoiaf? Obv some of it is related to the problems with monarchy but I feel like a lot of it isn’t and it just leaves me curious. Like cold hands or people killed by the others idk what that symbolizes there. Jon is in a land in which rot is in stasis from the cold and it’s creepy as shit. And then there’s stuff that could have multiple interpretations like dany by proxy of selmy experiencing bio warfare with the corpses like I know some people see it as the fall of old ghis but I wondered if maybe it was a sign to dany about breaking the wheel and doing as her ancestors did. Idk I know it’s a nasty series and sometimes grrm is just doing stuff so that it’s gross but I feel like rot comes up SO much and I people are usually talking online about like Tywin when it comes to rot.

Oh one of my favorite things about the asoiaf series is how heavy-handed george rr martin is with the rot symbolism. and (at the risk of sounding like an mfa vomited on my keyboard) the way that the political, pestilential, societal, and climatological aspects of the rot symbolism all interconnect.

In a society founded on so many feudal evils that has perpetuated for centuries, something has to give. It is a recurring theme in these books that violations of human decency under feudalism cause cataclysmic societal collapse represented through literal and metaphorical pestilence.

There’s the sociopolitical collapse in the riverlands caused by war of human decency and norms like guest right and prohibitions on kinslaying or cannibalism just dedicating away as times get hard. broken men. bodies left to rot in the sun for the crows to feast on. There’s the fermenting wildfire under every major street in Kings Landing. There’s the familial/relational decay of incest especially the targaryens and the lannisters. The people who hold power and that society rot, despite everyone’s best efforts at keeping up appearances: Robert Baratheon the “war hero” dies of a very nasty festering stomach wound he got in a drunken hunting accident, Tywin gets shot on the privy and his corpse putefies in the sept.

The climate stuff is also very salient. The series starts during late summer and as things get worse and worse in the world declines into the autumn where the summer fruit and all of the abundance is literally rotting through the hands of the characters. (see: renly’s peach vs doran’s blood oranges!) The cold up at the wall keeps the rot at bay for a while, but it does not entirely stop it. Coldhands’ hands are still blackening. Things are still unraveling at the hinges of the world. that’s pretty representative of the way that the violence of the border wall and the penal colony stationed there to patrol it are not sustainable. The decline of the night’s watch from a once proud order to a penal colony full of cruel and often impoverished convicts dropped off there by circumstance is a symptom of the society that sends people up there. But something still has to give. The wall will fall down and the existential crisis will come, it’s just slowed.

Critically, there is also the forgotten parable of Old Valyria: a society founded on extreme cruelty and slavery which eventually experiences cataclysm coming up from the very tunnels they send the enslaved into to die for the empire. A lot of what Daenerys experiences in Essos is an extension of that commentary on slave societies to me. Like. as the slavers try and reconquer places dany has liberated, people fleeing the violence, bring disease like the bloody flux with them. The rot creeps back. (important: disease and rot in the series is not always something people get for being morally bad. it often happens to people who just have no choice but to live in these places.)

But that’s why I think the way Volantis is described really ties a lot of those elements of the rot symbolism together. This is a society that has founded itself up from out of the corpse of old valyria. The city maintains some veneer of old glory, but the fountains are dry and the paint is chipping. The people there eat food that is so sweet it literally causes your teeth to rot out if you were to consume it every day. In terms of climate, I think it’s relevant that it is described as extremely, almost disgustingly, humid, and everything is excessively perfumed to cover up a tangible smell of decay.The air is quite literally cloying and difficult to breathe. You feel dirty after walking through it. The evil of slavery is rotting the city to its core in the same way that the evil of feudalism and the wars for the iron throne is affecting the city of king’s landing.

To wrap allllll this up. Rot is a signal that obviously societal collapse is coming, but it’s also transitional: the empire of old ghis brought about its downfall, and then valyria found itself on the same principles which brought about its own downfall, and then the Targaryen went to westeros and engineered their collapse in Kings Landing while the freehold did the same essos. I think the climatological and disease aspects of it are really heavy-handed symbolism that something has to give in the societies and we’re at the point in the series where that’s about to happen.

I think the ultimate arc of the series ends in some form of significant societal collapse, but instead of building upon a rotten foundation again people are going to have try and hope for something new and gather the courage to build that.,quite literally dreaming of the spring.

[pikachic]

Hi it's me again. TMA/POKÉMON AU??? YES HELLO PARDON ME I NEED TO THROW MYSELF AT THIS OCCULUS AU YOU'VE GOT GOING ON IF YOU DONT MIND

*BUSTS DOWN THE DOOR* I’M SO GLAD YOU ASKED

I’ve had this AU simmering away for a while and but haven’t posted that much about it, so thank you for the excuse to scream about my extremely self indulgent Pokémon x The Magnus Archives AU

*ahem*

Introducing:

POKÉMON OCULUS

(Here’s an illustration I did after getting your ask - Champion Jonathan and his ace Pokémon, Vigitera!)

This AU is set in the Ervenis Region, a relatively small island region off the coast of Galar. It closed its borders two years prior to the main storyline, shortly after its Champion went missing during a series of attacks in its major cities and his predecessor was found murdered. Since then, an acting Champion has been instated and the borders have been reopened, but the Champion still has not been found. Most Ervenisans believe he is dead.

However, the Ervenis Champion isn’t as dead as everyone thinks, and his disappearance is only the first in long chain of events that will shake Ervenis to its very core, orchestrated by a man who aims to rule over a ruined world governed by nothing but his own will and the fear of people and Pokémon alike, and who will stop at nothing to bring that goal into reality.

More lore under the cut!

(Some of the AU-specific names and terms might be placeholders in that I haven’t been able to come up with anything better lmao)

(Also some of the art might be a bit old)

General Lore Stuff

Jon is the Champion who went missing, and Gertrude is his murdered predecessor.

Martin is Ervenis’ Pokémon Professor

Martin being the Professor is literally perfect.

Be. Because.

All of the Pokemon Professors (except for the newest ones) are named after trees.

And Martin’s last name is BLACKWOOD. Which is an ACTUAL TREE.

(My first rough attempt at drawing Jmart in the Pokémon art style)

Also jmart are extremely married

They’re Ervenis’ favorite power couple

(Professor Blackwood for half of the main plot: *sighs.* …I miss my husband. I miss him a lot. I’ll be back.)

Their Pokémon ship name would be Londonfogshipping

Martin has a Galvantula (most likely a regional form), a Sinistea, a Frosslass, and a Togekiss

Jon, in addition to AU-specific Fakemon, has a Gardevoir and a Luxray

Jon also has a shiny Appletun on his team and Martin has a Flapple. Make of that what you will :D

Also yes there are Fakemon in this thing

I have never designed any Fakemon before except for one thirty-minute period of time from when I was ten but I’m not going to let that stop me

(Initial Fakemon sketches! Three guesses as to which characters get Sqwyrm and Manickregus and the first two don’t count)

(Also Ervenisan Yamask has another form, which evolves into Ervenisan Cofagrigus which is inspired by the Do Not Open coffin)

(I have a whole list of Fakemon designs I want to make but 90% of them aren’t fleshed out at all)

Tim and Sasha are Professors in their own right, and also Martin’s assistants/fellow researchers

Tim has a Houndoom because I saw another TMA Pokémon AU that gave him one and I really liked the idea, he also has a Ludicolo because I lost a debate with my friend who is also into both TMA and Pokémon

Sasha has a Dartrix and a Meowstic

Most of the Avatars are gym leaders

(Yippee gym leader designs!)

(Not pictured because I ran out of steam before I could draw them: Michael and Helen, who run a double Electric-type gym; Daisy, who runs a Dragon-type gym; Karolina, who runs a Ground-type gym; and Jared, who runs a Normal-type gym)

Elias is the acting Champion in Jon’s absence and the secret leader of Team Chrysalis

The current Elite Four consists of Peter, Simon, Maxwell, and Annabelle

You might have noticed that Jon and the gym leaders are all wearing (mostly) black pendants/brooches

This is part of the Ervenis’ region’s “gimmick:”

Metafestation (which is. Almost definitely a placeholder name)

Skilled trainers can use special items called Metalenses to tap into the psyches of Pokemon and Trainer to manifest the shape of their desires and the power of their emotions in reality.

You basically give the Pokémon a JoJo Stand

Each Metalens must be specially shaped and cut to suit unique trainers and Pokémon, and since using poorly made Metalenses may have disastrous consequences on its users, only a handful of people have the qualifications and legal authorization to do so

(Gerard Keay is one of these people!)

Metalenses are usually worn as pendants or brooches so they’re close to the user’s heart

For the Metafestation power-up to be strongest, the trainer and Pokémon must have a shared goal/desire and a deep bond

(This bond does not have to be a positive one. It just needs to be strong.)

These Metafestations have their own typing system, though no one’s been able to figure out exactly what it is yet.

It’s the Fears. The Fears are the typing system.

Though most users of this system aren’t aware of it, Metafestation comes from achieving a delicate balance of both desire and fear.

When I first came up with this idea, it was JUST Fear, but I felt like that was a bit dark for frickin POKÉMON so I added the desire aspect

After all, what we fear and and what we desire often go hand in hand

You desire safety because you fear its absence, you desire light because you fear the dark, you desire freedom because you fear being confined, etc.

For example, Professor Blackwood desires companionship, and fears being forgotten. Most of the Metafestations he and his Pokémon create are foggy and cold, but in a way soothing at the same time.

Though a small handful of them are spindly and laced with puppet strings and reflect his desire to wield his cunning for good.

(However, he hasn’t been able to properly use his Metalens in years. The first and only time he tried after his husband vanished, it backfired horribly, consuming both him and his Pokémon in a chilling fog and sending them spiraling into unconsciousness. It took weeks for them to recover, and Professor Blackwood bears a physical scar of the incident in the streaks of stark white in his hair.)

Of course, most people don’t have just one desire/fear. The Metalens just channels the strongest ones, and most users don’t achieve more than three separate tertiary types of power-ups.

One of the biggest exceptions is Jon.

He desires many things: Safety, love, knowledge. He also fears many things: Being manipulated and controlled, abandonment, the unknown.

When he was a child, something happened to him that scarred his psyche in such a way that he could channel all of his desires and fears.

It’s what makes him such a potent conduit for the power-up system, and what makes him a prime target for:

Team Chrysalis

Team Chrysalis is a criminal organization/sort of cult disguised as something innocent: The Magnus Institute, the region’s main research institution that Professor Blackwood works at

The AU’s main plot gets kicked off when Professor Blackwood finds evidence that his husband, the missing Champion, is still alive

If this were a real game, the main story on the side of doing the gym challenge would be helping Professor Blackwood look for clues about Jon’s whereabouts and about The Magnus Institute’s hidden goals

Professor Blackwood also figures out that it’s very likely that Elias had a hand in Jon’s disappearance

(Professor Blackwood for the other half of the main plot: *slams down the Do Not Open coffin in front of Elias* It’s a coffin. There’s a name engraved on it. “WHORE!” IT’S EMPTY!! *grabs Elias by the collar* AND YOU’RE GOING IN IT!!!)

The Elite Four are also part of Team Chrysalis and fully on board with its plan

Though Annabelle might have her own machinations going on

Team Chrysalis plans to reshape the world as they see fit by summoning a Legendary Pokémon that’s a warped physical manifestation of the fears and desires of all living creatures, and simultaneously embodies and feeds on those fears and desires

(It’s basically all the Fears mashed into one eldritch monstrosity)

(I’m mildly worried this sounds too similar to some existing legendaries but at the same time I’m just spitballing and having fun here)

To summon this Legendary, they need a lynchpin capable of channeling all of those fears and desires

This lynchpin is Jon because of course it is.

Team Chrysalis’ whole plan actually only serves to grant Elias immortality and make him king of a ruined world but shhh none of the team members know that

I have zero idea what the Legendary would look like, I just have the fact I want it to have “Pan” in its name

The climax of the story comes when Team Chrysalis starts their ritual and the end of the world. In order to stop them, their Vessel and the Legendary must be defeated.

You are challenged by The Archivist!

The Really Self Indulgent Part

I started working on this at the same time that my friend was watching through XY for the first time

So at some point when coming up with all of the story stuff my brain went “what if I stuck Ash Ketchum into the story?”

So Ash is there now. For some reason lol

He’s 19 now and is just doing his thing and traveling the world

As usual, he takes on the player’s role, challenging gyms and helping Professor Blackwood in his investigation and eventually helping him take on Team Chrysalis

(I made this shitpost in like. Less than an hour lmao)

Ash is so done with these evil team leaders trying to destroy the world

Greninja is also there because tHIS IS MY AU AND I DO WHAT I WANT *MANIACAL LAUGHTER*

And I think that’s it for an overview of Pokémon Oculus!

I have a bunch more stuff for this AU, mostly spitballs and WIP writing snippets, and I do plan on making more art and Fakemon designs eventually (especially now that I’m getting better at emulating the Pokémon art style)

Thank you for reading this far, and feel free to ask me anything about this AU! :D

[rwrbmovie]

BTS of #RWRBMovie: NYE kiss

via Consequence:

It was important for Henry to be the grab-and-kiss-er in this scenario, Lopez says, because “there’s something very striking about a character such as Henry, who has spent up to that point in the film being very buttoned down and seemingly in control of his urges in that moment, losing the ability to control his urges and give into the desire to kiss Alex.” Plus, there’s the additional context of Henry being literal royalty: “There’s something very sexy and romantic about a prince dropping his guard. And taking things that are old movie tropes and letting two boys do it — that was definitely the romantic gesture that we wanted to go for.” Of course, on a practical level, the grab-and-kiss has certain practical elements to consider. “The only danger on set was that sometimes [Nicholas Galitzine] would come at [Taylor Zakhar Perez] so forcefully that they would just bang faces. We were really worried about fat lips and bloody noses,” he laughs. It wasn’t just the passion of the actors that was an issue, but the terrain — according to Lopez, “they were on a slope. So Nick was going downhill.” (Passion with a little help from Newtonian physics.) On set for this as well as the film’s other, more graphic scenes was intimacy coordinator Robbie Taylor Hunt, who oversaw shooting the kiss in two different ways: “We had one where Alex is completely taken by surprise and doesn’t respond to the kiss. And then we did Version B, where Alex is taken by surprise and then does respond to the kiss. Because I wasn’t quite sure what was going to work, so I gave myself the option of having both.” Process-wise, this meant rehearsing both versions and then shooting different angles and framings, which means “those lads kissed easily like 40 or 50 times that night,” Lopez laughs. “There’s nothing like having to kiss someone 40 times in a row to really, really take the allure out of kissing.”

While the grab-and-kiss is the best term I’ve been able to come up with for this maneuver, it’s not my favorite — if only because if you Google the phrase “grab and kiss” today, the search term pulls up very unsexy results. These unsexy results (including phrases like “attempted sexual assault” and “Donald Trump”) do serve as a necessary reminder of how delicate a balance one has to strike with this particular maneuver. As Lopez puts it, “there is a gray area and I think you see it in some older movies, in which they do the grab-and-kiss and it’s icky — it just feels not consensual at all, or very uncomfortable.” What’s so powerful about the grab-and-kiss is that it’s an embrace with purpose. There’s a backstory to it, usually one involving repressed emotions and deeply held longing. That was the strategy Lopez used with Red, White & Royal Blue, using the scenes leading up to the kiss beneath the tree to emphasize “the pull between them.” (Specifically, Lopez got what he calls his “West Side Story moment” during the New Year’s party, when a crowd dancing to Lil Jon’s “Get Low” does as instructed by the song, leaving a still-standing Henry and Alex to gaze at each other across the dance floor.)

[jackoshadows]

It's funny that the same folks who make up nonsense about 'blood supremacy' and 'eugenics' to hate on the Targaryens are obsessed, like really, really obsessed with Sansa calling herself 'the blood of Winterfell' and use that as the reason for their favorite Jonsa crackship and for why Sansa will rule the North.

Having a certain 'blood' is apparently very important for shipping reasons and for why one feudal queen should rule over the peasants and serfs. But it's also Aryan ideology and 'blood supremacy' if other characters uphold their house in the same way.

It's funny that they bring real world ethics into this fictional fantasy world to argue blood supremacy to hate on certain characters and houses while all the time justifying in world Westerosi child abuse, classism, sexism, bullying and ableism as being right because it's the done thing.

In a fantasy world where certain groups of people do have magical powers based on who they are and their bloodline - Targaryens having prophetic dreams and Starks having warging powers - it's funny they are trying to argue that a girl fighting against slavery is the real evil because of her house and her blood and she has to die in violent and painful ways since in her case eugenics and blood purity applies and ALL TARGARYENS MUST BE EXTERMINATED. Except for Jon Snow who weirdly escapes the evilness despite having Targaryen blood because he has the SUPER GOOD SPECIALEST STARK BLOOD that dilutes the evil Targaryen blood. also he's THE BLOOD OF WINTERFELL!.

Here's the deal:

Arya being the only Stark child to have the Stark look IS IMPORTANT TO HER STORY, plays a part in her narrative and foreshadows her future arc.

[I love how stans get triggered when this is brought up in terms of Arya's character and her importance but use it generously to prop up their shitty crackship. Oh, Sansa imagines one of her kids would look like Arya? This means she has children with Jon ❤️❤️❤️]

The Direwolves are important. They are gifts from the Old Gods. Nymeria being a leader of a huge wolf pack is important.

You know, I don’t like to give things away.“ says Martin, a grin spreading across his face. ”But you don’t hang a giant wolf pack on the wall unless you intend to use it.“ - GRRM

“You have five trueborn children,” Jon said. “Three sons, two daughters. The direwolf is the sigil of your House. Your children were meant to have these pups, my lord.”   - Bran, AGoT

Magical powers linked to blood are important in the fictional fantasy world of The Song of Ice and Fire. Especially when they are facing an otherworldy magical existential, apocalyptic threat from beyond the Wall. They need dragons, direwolves, prophetic dreams and magical swords to save the entire realm!

Bran, Arya, Rickon and Jon Snow being wargs who are having wolf dreams and communicating with each other through their direwolves is important.

Arya being her father's child in every way that matters IS IMPORTANT TO HER STORY. Her father literally talks to her through weirwoods and gives her strength and courage. She has learned from him on what it takes to administer Winterfell. These are necessary character building subplots for characters to ultimately end up in leading positions.

Arya being her mother's child and proactively taking charge, being a leader and getting things done in terms of surviving in a man's world is ALSO IMPORTANT TO HER STORY.

Arya has a connection to the North through her father - the North is literally rising up in ADwD to save Ned's precious, valiant little girl - and has a connection to the Riverlands and her mother - the brotherhood without banners.

Characters having certain features because they belong to a house is an important and running theme in the books. It's not just house Targaryen. The Lannisters have a certain look - hence why Ned figures out who Joffrey's father is. The Starks have a certain look - this plays into Catelyn's hatred for Jon because he looks more Stark than Robb which is important in terms of being the future heir considering ALL the Starks who have ruled the North thus far have the Stark look. Hell, the Baratheons having a certain look is what leads Ned Stark to crack the secret of Lannister incest - 'The seed is strong'. Applying real world genetics and biology to a fantasy world is idiotic.

Jon Snow looking like a Stark is important in terms of his secret mystery parentage and who his mother is. His special bond with Arya gains significance considering she looks like Lyanna and that is Jon's mother. Lyanna having the Stark look is important. Sansa looking like Catelyn is the major component of her relationship with Petyr Baelish spanning over 5 books.

GRRM is not randomly writing characters looking a certain way for shits and giggles. These are important, narrative and foreshadowing plot points.

[lokorum]

what would you say is your favorite jonmichael fic..... im very curious and love to reread anything in that tag

oh but how can i pick only one when they all are so good??? (,,•᷄‎ࡇ•᷅ ,,)?

aaaaaa can i make the several honorable mentions of the fics that made me scream and roll on the floor?????? pretty please???

scheherazade was one of the first jonmichael fics that i found while going through all of the cher's works because, evidently, they have no fics that are not worth reading!! (i'm sorry if and forty feet down only confirming it!!!)

sleep inertia has one of the best dialogues i ever read!!! the way cruelzy writes michael's lines??? aaaaaaaaa its so delicious and believable and never for a second i thought i'm reading something out of canon?? its just that good. 

carousel is the only one fic (from what i found) that i set in the last season and its adds a lot of layers to that big jonmichael onion that torments my eyes for a while now ldkfjgkdfjg also it's messy?? i mean the whole situation in the fic?? its so humanly complicated and it does not gives you the chance to experience any of the feelings clearly and i love it!! screechfox somehow captured all of the complicated stuff in one fic, blendered it together and for the whole time i just couldn't take my eyes away from it. 

five times michael saves jon's life and one time he doesn't have to - is here to sooth our pain and heal our wounds. i reread it so many times!! the dynamic between jon and michael in it is one to live for!!! sometimes you think 5+1 kind of fics can't surprise you anymore and then the coolest author like paisleycowboys enters the room and proves you wrong. 

to be like super honest, the 100 ways to say i love you series, when i first saw it, made me think im not gonna like it? i love my fanfics long and scary and bittersweet and with a bad-very-not-good-endings, so the title of this one made me go "hmmmmm HMMMMM hmmmmm hmmmm?" but ive started to read it anyway, theres not that many fics on the ao3 for jonmichael, we cant afford to be capricious and gosh GOSH i was so fucking wrong!!! its sweet AND sad AND scary AND awkward (in a best way!!!) AND it made me giggle so many times!!! NeedsCaffeineRightNow can make even the edgiest of us enjoy the soft kinds of fics (its not hard when they are written with so much care and love.)

POSSESSIVE!! MICHAEL!! COMBING!!! JON'S!! HAIR!!!!!! what else do we need from life?

transition, every time i reread it or think about it, makes me painfully aware of how many things should coincide for something to work. it's not one of those fics that completely encompass you; nor its the one that leaves you with new headcanons or in a good mood, no, i think it's the one that leaves you in dissoray, making you want to argue with author, to ask them what were they thinking about, pointing on your weak sides like this?, giving you something precious and then stealing it away? pushing your old bruises? that is to say, i have nothing but deep respect for indefensibleselfindulgence. to write fic that makes you want to engage in conversation? thats powerful 

Our 'Angel' of Static and Bone is written so inexplicably good, that more than once i wondered, how NeverwinterThistle was able to do it? and then i realised they are one of my fave bg3 and dishonored authors phpphp but really, the care, the effort that went into this fic? they are literally visible! you can feel the amount of time and brain juice that went into writing it. and the neighbor character? they appeared like two times?? and still their addition left me speechless with how clever it is, how different!! absolutely amazing work.

adjective noun has jonmichael chapter (11) that destroyed me as a person i swear i laughed so hard i dropped my phone and just kept giggling face-into-the-pillow style!!!!!! its rare for the fics to bring you this childish kind of pure joy; the little in-between moment of forgetting about everything, good and bad, and just have a good time. this chapter is definitely one of those rare things and it also made me wish there would be more jonmichael fics from cuttoth. somehow they nailed everything that should be nailed about this ship and did it in a couple of pages, what a magical work!! 

and well, now here's my fave fic, the one that took my head, shaked it like it's a soda can, and then left it open, fountaining at first and then dented and empty. 

I ask for nothing, but maybe I'm lying is the work that made me grateful for the fact that i know how to read in english. its....mmmm, you know that feeling when fic makes you go through literally everything? and then, as a bonus, through all stages of grief as well?

first you get hooked up by the beautiful writing style and so you know the fic is gonna be good and you get comfortable and you turn yourself off from the rest of the world and you read. 

you love pov, you love mood shifts, you love pacing, you love when scenes are short and you pause to think about what happened / you love when scenes are long and you get overloaded with the simple things that make you feel complicated emotions, you love it all. 

then you start to wish it would never finish; you look at the scrolling bar from time to time, a little bit too aware of how much there's left to read, a little bit too anxious about it. and at the same time, the fic starts to make you feel safe, confident, that at least it's gonna be alright, its gonna be that one work that will replace the canon events for you. it was the

“Oh. Oh, Archivist, no. That’s not right at all,” you say to yourself as you watch him march into artefact storage, both hands clamped around an axe. 

On a whim, you decide to save him."

line for me for sure uhhh it still hits as good as the first time too 

and then you get to the ending and you just stare at the screen. that hollowing feeling slowly spreading inside you. *sigh* its the best sort of inspiration im sure, but its the worse one too. i have no idea how possessedradios and authors like them are able to write something that kills you, then reanimates you and then makes you sit in front of the tablet drawing hours non stop. ''I ask for nothing, but maybe I'm lying" is so beautiful its scares and fascinates me, just like the podcast did. hell, better then the podcast did.  i know its silly but i even named my fisrt fanart of michael as the title of the fic 👉👈

ahhhh SO i rumbled again SORRY!!!!!!! every time someone asks something from me its either "i'll reply later" (replies 10 years after) or "tolstoy, hold my fucking beer". but i really hope that fic writers, not only those who are mentioned here but like in general? know how much they affect other people!! how their work creates safe spaces for others!! how they make readers smile or cry, even if those readers (im not pointing finger on myself idk what you talking about pgphpphph) are little gremlins that leaving comments once in a decade....................

have fun time reading!! <3

btw im working on a little fanart rn............. (expressing my deepest grattitude to ao3 johmichael writers 😳🔪)

[fae-morrigan]

Someone put a post (where they admit they straight up dont know these characters lol, and also spell damian as 'damien' so like. yknow.) in the tags saying that if you're a fan of Jon & Jay, you shouldn't buy super son. Well, as the crowned CEO of Jay & Jon, I'm here to tell you guys that you absolutely should.

Super Son did the amazing thing of hitting several marks that I predicted while still managing to surprise me in how they hit them. Which is high praise for any story: A great narrative should be able to both meet reasonable audience expectations (i.e, staying in character, setup payoff) WHILE STILL throwing in curveballs that tell you something new.

There's a lot I want to analyze and get into, namely how I think the rooftop conversation between Jon & Nia is really brilliantly done in what it says about both characters, but mainly I've been thinking a lot about how great those last few pages were and how I think Sina absolutely nails how Jon & Jay's specific issues interact with each other.

Jay's always been a blunt person. From their first meeting back in SOKE 2, hes said what he thinks, and rarely does he try and soften himself. More than that, his bluntness is often a shield from vulnerability, which Jay struggles with the whole scene. It makes total sense, after what hes experienced (re-traumatization at the hands of a friend) that he's displaying that trait again.

Jon, however, is immediately vulnerable. This is the most poignant confession of the issue: Not even in the amazing sequence of Nia helping him make a place in the darkness (look, its back, thanks isabel!) do we get this admission of fear.

And Jay, like always, embraces him. Sidenote, LOVE how they got in the thing Jon does where he's constantly tucking his face in people's shoulders during hugs.

But the moment ends, and we get here. First of all, cold af. I could feel the aura before I turned the page.

Second of all: Jay is totally valid in feeling this way. And it makes perfect sense that he would.

Sara was his everything. Getting her back was one of his main motivations in SOKE. Because of Nia's actions, she died horribly (do you know what happens to a person when they fall from that sort of height? I do. Its AWFUL.) for an unjust cause. Of course he's glad she can't hurt anyone else!

And that's when we get to my FAVORITE PART! Oh how I love this bit. Because like. You understand why Jon's angry- Its a harsh thing for Jay to say! Nia was the one who kept him sane while he was trapped in his own mind! But Jay, like always, is RIGHT: Jon DOESN'T get it. How could he?

Jon Kent will NEVER, ever, be put in this position. Out of universe, his parents are Clark Kent and Lois Lane. They'll ALWAYS come back. Hell, the fact they'll always come back is something Ma LITERALLY says to Jon in SOKE. He will never, ever have to know this pain.

In universe, Jon's a white american. Despite being queer, despite being an alien, he'll never know what its like to be this kind of collateral, delegated as pawns in a greater war for 'freedom'. That is what killed Sara at the end of the day: imperialism.

This next bit hurts my heart. Great job, guys!

For one: Jon claims he's not excusing the mistakes Nia made, but by downplaying it like this... yes he is. But did you catch that part? Right at the start of that bubble?

"I'm going to fight every day to make up for my own part in this."

That's where it clicked for me. Something I had been hoping for since Nicole first called them twin flames.

He's projecting.

Of COURSE he's defending Nia. Of COURSE he wants Jay to forgive her. It isn't just about the fact that she gave him support, it isn't just the dreams, its the fact that... well. If Jay can't forgive her... how could he EVER forgive HIM?

THIS is where the fact that Jon and Nia are so similar as character SINGS. They become mirrors to each other, evaluating their own self worth through the other, at the unintentional expense of the people they've hurt.

Jay's right, though. Again. Its almost like he's the embodiment of the truth or something. He doesn't HAVE to do anything.

When he starts crying though, I immediately was RUINED. This is the first time we have EVER seen him cry before during his entire existence of a character. And its not really even because his mom is dead (though yes, that) and its not even because of the argument. Its because Jay fundamentally wants to be understood, and he's not getting that.

Which is important for the next bit:

I want to first backtrack a bit to Son of Kal El again, specifically, issue fourteen, right here.

Hello, two-panel sequence that succinctly describes these two as characters. How convenient you are for me, a guy analyzing a work that isn't written prose.

Jon isn't good at letting go, for better or for worse. The things he cares about stay with him, and when something or someone tries to exit his life, he clings to them with all his might.

Jay however, both selflessly and selfishly, is willing to let go first if he thinks its better for the other person. To me this line so effortlessly summarizes who Jay is- he's a person who's accustomed to not having things, and will leave before it hurts and he gets too attached.

And that thought is ALL over this scene. Jay, who begins to let go, Jon, who both literally and physically CLINGS to jay, practically begging him to stay.

(Sidenote. This is like, the third time Jay mentions breaking up when Jon starts acting up. Good for you king, keep that white boy on his toes, let him know he ain't all that.)

Every little detail of this four panel sequence is killing me. "My worst nightmare is not having a home with you in it." His greatest desire. The thing that kept tipping him off in every fake reality Nia constructed for him- Jay's absence. Him wiping the tear of Jay's cheek. Jay walking away from him.

But what really gets me is how on this page, Jon talks about them as 'we', while Jay is firmly stuck in 'I.'

This is what made me LOSE MY MARBLES at three in the morning. Just utterly fucking off my rocker in a straightjacket talking to myself.

Because this is what JON wants. But is it what JAY wants?

Jon never asks.

What about what Jay fears? What about the life that HE wants? What if he doesn't want San Francisco? What if the life he wants is the life he HAD before everything went wrong? Jon outright says he wants a fresh start. But Jay, Jay's someone with such deep connections to what he just lost, what he likely WANTS to get back. His country. His mother. His sense of self. But. He says yes.

(Sidenote. FIRST I LOVE YOU WOOOOOOOOOO) To quote my buddy Dami: Oh, the drama of needing a future with someone who can't get over the past.

It is left unclear, by the end, whether or not Jay is saying yes to this because he genuinely wants to, or if he's only saying yes because he doesn't want to lose Jon, too. Jon doesn't stop to question whether or not Jay's only reaching after him because Jon's walking away. We, the audience, are left to ponder that for ourselves.

How much of Jay saying yes is him just accepting that this is the best he's going to get? That he's never going to be understood because nobody wants to understand?

He's an afterthought to Nia, an obstacle at best, and to Jon he's a particularly handsome prop in this little fantasy he has of running away and starting new. He's either not thought of at all, or when he is thought about, it's in the context of how he can emotionally fulfill the other person And you get why Jon did this. He's desperate, he's hurting, he just got tangible evidence that the time he has with the people he loves isn't ever guaranteed. He's been needing space from Clark and Lois for MONTHS because god knows they haven't been fulfilling his emotional needs. In a very real sense, Jay is who he has.

But wanting someone to stay with you so much that you'll... Not even ignore, but just not ever consider what they may want. The intentional isolation, moving halfway across the country away from all support systems. The need to cling to someone.

It reminds me of... something. Someone.

Don't tell Jon I made this comparison. He'll kill himself. Jon and Ultraman ARE similar. They're both such deeply lonely people who cling very tightly and even though it manifests in different ways and even though they have different core thoughts about it. The effect at the end of the day is the same, isn't it?

Is loving Jay not a brutal act of destruction?

There's so many more details about this story I love. Jon & Nia's conversation being vague enough that you have no idea how Jon meant what he told her but you KNOW how NIA took it (girl you can do better hes literally ugly!). Jon breaking a pillar by bonking his head against it (LMFAO). The pretty lies vs ugly truth dichotomy of Jay vs Nia here.

But this one scene, man. This one fucking scene takes the cake. STELLAR work all around. Every panel counts.

This better lead into a full Superman & Gossamer run or SOMETHING or I'm going to have WORDS with DC's editorial staff.

[mamawasatesttube]

Sorry, I know you don’t really like people bringing up Jason but I’m very curious. I read Straight on Till Morning several times before really joining Tumblr and I was surprised by how much you seem to dislike him compared to how nicely he was written in said fic. Is it cuz it’s a future fic so he can be more chilled out than in current comics or something?

Feel free to ignore me if you want. Curiosity does not owe me answers.

no worries, i don't mind polite questions! :P

so there's two things. a) sotm was written when the only real comics i'd read were sb94, yj98, tt03, batgirl (2000), and nightwing '96 (iirc - i might be forgetting one or two but the point is, when i was pretty new to comics). at this point wfa had tricked me into thinking jason actually had a consistent character arc that i simply hadn't read yet, and i assumed it would be weird to write a fic where dick, tim, and cass were all around as kon's friends + damian was there being jon's friend in the background, but jason didn't get mentioned, so i worked him in bc i thought that was like. gonna be weird if i didn't, even tho i didn't know what he was doing in postcrisis yet. i mostly just wanted to write about kon and did not yet have the strong "actually i do not care for 99% of post-rebirth comics" feelings i have today. if i were to do the sotm rewrite in my mind, jason would actually still be in his villain to antivillain era because that's my actual favorite era of him. i think it's fun when he's hanging around being like... a vengeful ghost who's just determined to make his problems Everyone's Problem. i'm not really interested in soft angsty daddy's boy jtodd or whatever sdkjfh and that seems to be the most popular version of him i see. it's either soft angsty daddy's boy jason or it's power fantasy cop-adjacent jason who has never done anything wrong in his life and is completely valid in every decision he's ever made. neither of these interests me.

which brings me to b) it's not so much that i dislike jason todd as a character so much as that his fans are so fucking annoying to me. that chapter of sotm? multiple people in the comments were there ONLY to talk about jason, even though the fic is literally about kon and not about jason and he just happens to appear for PART of one scene that chapter. it made me get sick of hearing about him. like theres soooo many jason todd fics out there can you go read those. i want to talk about kon! and i've had people bring him up on my completely unrelated fics too like he doesn't even get MENTIONED like one fic is about clark kon and tim, and someone was in the comments like "omg i bet clark was thinking about jason here" and i was so ... dude. read the room. or the fic even. it is not about him.

but even more than the way a lot of jason fans have this apparently compulsive need to make him the main character of the entire universe, i really can't stand how many of them i've seen spout literal straight up copaganda and/or defense of the death penalty. like they will bend over backwards so hard to defend why he was right to put 8 heads in a duffel bag or why it's morally correct to kill rapists that they start spewing right-wing talking points. and the constant need to make him the perfect imperfect victim ("he's angry and loud unlike GOOD victims--") and all of that just... it really turns me off of 99% of fan content about him that i've seen. it makes me genuinely kind of uncomfortable. like if you think there's a category of criminal that it's okay to execute (without a trial, even) i want nothing to do with you. can you guys just say it's sexy when a man is covered in blood after murdering a room full of people without having to be like "and he was right to do it too!!" because i promise he was not. and if you SAY any of this people will come up with a whole thing about how you must hate victims and/or poor people or some shit. its... really something.

all of that being said - i think there are interesting things you COULD do with his character. i think he can be a fascinating character! with stories worth telling! the family tragedy, the horror story, the vengeful ghost! but at this point with how rancid i find his fanbase i just really only want to see jason takes from people i know will not start spewing copaganda at me + people who i know appreciate tim kicking him in the balls (bc he kicked dick in the balls and tim is a bitch).

anyways. bring back tentatodd 2k25 who's with me

[felassan]

Snippets. 🐺💜

Corinne Busche celebrates 5 years at BioWare! [source]

Devs Michelle Flamm and Gabe Graziani: "feels weird that 'the last game informer cover game is a game I worked on' is a thing I can say now" / "And all of the exclusive coverage we did with them is just... gone." [source, two]

Jon Renish: "It's just a coincidence but, the last cover for Game Informer is 'Dragon Age: The Veilguard', the last printed Prima strategy guide was 'Anthem'." [source]

John Epler: "christ. seeing game informer shutting down is awful. seeing them shut down literally three months after spending time with them is fucking me up. hope everyone lands on their feet. unbelievable." [source]

Jay Ingram (on GI): "Oh my gosh. It was always so exciting to see what the cover story of a month would be, and then even more so as a dev when you showcase games I've been privileged to work on. This is so sad. Thank you for everything. I wish you all the best. Truly the end of an era" [source]

Derek Wilks: "Seriously hate to see Game Informer go. They’ve been my go to for years. Always loved their magazines. They will be greatly missed. It’s a bittersweet honor to have our game as their last cover story. Wish they could have continued forever. 💔" [source]

User: "Will Briala make another appearance in the future (not necessarily in Veilguard)?" Trick Weekes: "Anyone who didn’t die onscreen could potentially show up again someday." [source]

[Here] is the link to costume builder Ladytoxie's SDCC V-log! Ladytoxie was invited to the DA:TV@SDCC Fandom party, at which they cosplayed Bellara. In the vlog, they discuss their Bellara cosplay, the process of creating it, their experience going by the BioWare booth at SDCC, and their Fandom party experience with the devs. The vlog also includes a bonus short interview with the devs from SDCC. In the vlog you can see that, along with the dragon screenshot, an alternative option for the background of the DA:TV photo booth pic was this tavern screenshot that we've seen. Ladytoxie also mentioned in the vlog that it's clear how much love and work the devs have put into the game [source]

^ The devs talked a bit about DA/the game & characters in the bonus interview. I'm not 100% sure if I heard all these details right, so apologies/correct me if I misheard, missed or misunderstood any of it (listening to the original source first-hand is of course always most advisable!!), but it sounded like: Corinne Busche feels most connected to Maevaris Tilani. Corinne Busche loves the qunari and would cosplay as Taash, as she loves the scale, armor and Rivaini gold. Her favorite companion is Emmrich. John Epler would cosplay as Lucanis, calling him so stylish and suave. It sounded like he said he wrote Bellara and a few other characters. Ashley Barlow would cosplay as Neve, saying that she has [awesome] dialogue, quick wit and is sassy. Parrish Ley would cosplay as Davrin. He said that Davrin has some awesome armor pieces, with the hands and feet being lots of interlocking pieces of metal. Parrish Ley is a big face and hands animator, so when he's animating Davrin's armor, his hands and feet get a lot of focus, so that he looks great in any pose from any angle. [source] <- Check out the vlog here!

User: "bioware, it is now the second of august." Dev Jess: "Soon 😄" [source] User: "On my knees groveling for more information on Taash" Jess: "soon :)" [source]

User: "Coming back to say Thank you so very much for Veilguard! Coming back to Thedas feels like Home!!". Derek Wilks: "It’s absolutely our pleasure. We’ve truly made something that we love, and hope you all love it too. 🧡" [source]

User on Fenris in DA2: "coolest character introduction ever". Derek Wilks: "So far 😊" [source]

[spider-jaysart]

Any hot takes or unpopular opinions about super sons?

Here's some for the animated movie first:

Jon's voice doesn't suit him at all for the age he's supposed to be, it just kept throwing me off a little everytime he spoke with it. It's definitely not terrible though, it's just not for him at all

Idk about others opinions on Damian's voice though, but I really loved it. I felt like it fitted him pretty well and let his daring and mischievous side stand out really nicely. It's my favorite for him personally

I don't like that they white washed Damian in it once again when they could've definitely given him his darker skin and green eyes (I know this one's very popular already, but I just wanted to say it still). And when they showed the pitcher boy in the baseball game, he literally had EXACTLY those features on himself, which made it really feel like it was an actual annoying tease of some sort, since his model strangely looked way more like Damian than Damian himself did

And also besides all of that stuff, when Damian is in his Robin model, I feel like he looks perfectly fine and cool, but his civilian version looks a little weird to me for some reason. And I know that his hair in his Robin form is also a little funny too because of how long it is, but I don't really have a problem with it lol

Now for the ones outside of the movie:

I'm not so crazy about them being a Nightwing and Flamebird duo as adults. I want them to become their own identities, but not by using those mantles, cause it's still not completely theirs and isn't really fitting for them to me either, not even the Batman and Superman mantles either. Other characters like Dick, Chris, and Bette have already used them and made their names with it. Damian and Jon both actually deserve their own that let them shine in their real unique ways and stay independently remembered without their titles getting into the mix of confusion with other hero's. Everyone is allowed to have fun with it obviously though, no matter what I think

For a day job as an adult, Jon should become a scientist instead of a writer or reporter for the Daily Planet like his parents, because that's just totally boring and he's also his own person, not their twin. Just cause he's their child, it doesn't mean he's gonna be exactly like them and daydream about their hobbies. And it makes a lot more sense for science being his dream job too, because he's shown plenty of interest in it before

And for Damian, he should become a vetinarian as an adult, and credit to my good friend @camo-wolf for this next part here that I love, which is that he also owns his own company as a ceo to do it too, so he also has many more helpful clinics opened everywhere instead of just one

I'm not too crazy about their trinity with Lizzie and just can't see the boys having one either. It feels like it's just another thing to make them even more like their Dad's once again imo, but I think they're better off being kept as just a duo still. And unlike many other Damijon and Supersons fans, I'm also not crazy about Lizzie herself either :| (Not saying that I hate or dislike her though). I will say that the stories with the three of them together are pretty fun and cute though, despite what I feel about her. Oh, and for another little thing, even though it's Damian and Jon's thing in their relationship to fight and argue over things, it feels a little overdone in those books and feels like they're being more like just nasty to eachother with their certain comments and want to actually just get the other mad constantly

Speaking of groups, besides the boys having their little Supersons duo to themselves, as kids Damian and Jon definitely should've had their own awesome superhero team together a LONG time ago with characters their own age that could've grown with them like how it was originally planned for canon, instead of them both being shoved into ones like Teen Titans and other already established ones like that, because those groups have so much of their own stuff going on that just doesn't fit the boys and all of the members in them are usually much older than them too. For my idea about what they would have, I like to think that it's a fun group separate from the Supersons duo that both Damian and Jon lead and their main members could've been young close friends of theirs, like Maya Ducard, Kathy Brandon, and Colin Wilkes, and then for additional ones, it could be Tai Pham, Maps Mizoguchi, Flatline, Respawn, Suren Darga, Chris Kent, Irey and Jai West, Lian Harper, and even though I play around with their ages a lot in my own universes like randomly switching them both from toddlers to tweens whenever I feel like it, I'll say Mar'i and Jake too (idk if I'm forgetting any others). Then for the team name, I choose "Legacy's Youth" or "Youthful Legacy" or "Legacy's challangers"

And for another thing to do with groups, Dceased should've just let Maya and Kathy be the girls that teamed up with the boys, instead of forcing a deaged Cassie Sandsmark into it just to date Damian, create a trinity, and be the girl in a boys group, because unlike her, Maya and Kathy are the ones who actually have real relationships and history with Damian and Jon that were already made outside of that universe, so they both would've been much better picks. And without all of that dating stuff too, because them being boys and girls doesn't mean they should have to (plus, Damian and Jon seemed like they were the ones that were actually dating and also married to eachother instead in the story anyways lmao, so that's more proof that there was literally no need for it)

Jon's electric powers that came out during his Injustice crossover are so lame, cause that's not anything new. His solar flare is so much more dope and unique than that, what happened to it?!?! I prefer it way more

The team up reunion Supersons book that came out with Older!Jon and Damian in his new suit felt like their personalities were kind of swapped in some parts of the story, which was kind of weird to see and bothered me a little

During Damian's first time visit in the future, Jon should've been way more protective and stood up for him better when Saturn Girl and the other legion of heroes members began saying their hateful and nasty comments out loud about him right in front of his dang face. And even more defensive he should've been too when Saturn girl started messing with Damian's mind out of nowhere like it was okay and then put him to sleep, instead of just letting her like he did. He should've had complete second thoughts about the whole team right there and decide to leave after how uncomfortable they've made things, instead of still joining them anyways like they're still cool and forgetting about what had just happened. Jon's actual entire reaction during it all was just so naive and felt so ridiculous to me, it was disappointing

Jon and Chris Kent can both exist together at the same time, there is no problem with it at all. And just because Chris was taken away, that doesn't mean Jon's existence should be hated for it, it's the fault of DC writers for what happened, not him

Damian should also be able to finally have a sweet relationship with his Mother already instead of it still being dragged away from him all the time and also still being considered as an abusive one for him, because 1. being horrible to her child is ooc for Talia and 2. Damian deserves to have her in his life, not just Bruce as a Father. He should also be able to have a good relationship with the rest of Al Ghul's too and even a sibling relationship with Respawn as well, not just the ones he has with the Batkids. I know that some (or most?? Idk lol) fans don't like him because they say his origin made Ra's look bad for having him be abusive to him, but that's all very unnecessary blame on Respawn's character that he doesn't deserve at all, it was just a role he was put in as a victim, it's obviously the fault of the writers who wrote the story to be that way. I also feel like it would've made more sense that Slade raised him and was the one who had actually abused him, because he's done it to his other kids in the past anyways and him being a toxic parent is actually very in character for him

The Fortress of attitude is literally catching dust now that Damian and Jon have both completely forgotten about it for some reason, it deserves to make a comback!!

Jon used to have a dog named Ranger, I'm not sure what exactly happened to him (I guess he was forgotten about or whatever), but he shouldn't have been erased. He was adorable

I prefer Damian's pushed back spikey hair so much more over his current flat and long one, it fits him better. The current one does look nice on him and I get the reason behind why he has it, which is pretty sad, but it makes him look too similar to Tim and I don't like that. The same artist who made Damian's new hair that way in the first place also doesn't draw Flatline's spikey hair either, which makes me think they might actually have something against those kinds of hairstyles lol

Damian would so get along with Lois because of their sass and Talia would actually love Jon for how great he is to her Son

Annnnd I think that's probably all of my unpopular opinions about the boys for now lol

Thank you for the ask, anon!! I enjoyed answering this!