“A poem for cocksuckers”, John Wieners, from Pathetic Literature
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«Trobar», No. 5, Trobar, Brooklyn, NY, 1962 [Between the Covers, Gloucester City, NJ]
Contributors: Rochelle Owens, George Economou, Charles Olson, Robert Kelly, Robert Duncan, Paul Blackburn, Jerome Rothenberg, David Antin, John Wieners, Amiri Baraka (as LeRoi Jones), Anselm Hollo, Theodore Enslin, and others
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The Acts of Youth // John Wieners
And with great fear I inhabit the middle of the night
What wrecks of the mind await me, what drugs
to dull the senses, what little I have left,
what more can be taken away?
The fear of travelling, of the future without hope
or buoy. I must get away from this place and see
that there is no fear without me: that it is within
unless it be some sudden act or calamity
to land me in the hospital, a total wreck, without
memory again; or worse still, behind bars. If
I could just get out of the country. Some place
where one can eat the lotus in peace.
For in this country it is terror, poverty awaits; or
am I a marked man, my life to be a lesson
or experience to those young who would trod
the same path, without God
unless he be one of justice, to wreak vengeance
on the acts committed while young under un-
due influence or circumstance. Oh I have
always seen my life as drama, patterned
after those who met with disaster or doom.
Is my mind being taken away me.
I have been over the abyss before. What
is that ringing in my ears that tells me
all is nigh, is naught but the roaring of the winter wind.
Woe to those homeless who are out on this night.
Woe to those crimes committed from which we
can walk away unharmed.
So I turn on the light
And smoke rings rise in the air.
Do not think of the future; there is none.
But the formula all great art is made of.
Pain and suffering. Give me the strength
to bear it, to enter those places where the
great animals are caged. And we can live
at peace by their side. A bride to the burden
that no god imposes but knows we have the means
to sustain its force unto the end of our days.
For that is what we are made for; for that
we are created. Until the dark hours are done.
And we rise again in the dawn.
Infinite particles of the divine sun, now
worshipped in the pitches of the night.
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V/A
"Cold Turkey Press / Klacto presents : A Cold Turkey Press special"
(LP. Rotterdam '72. 1972) [US]
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Act #2
John Wieners (1934–2002)
For Marlene Dietrich
I took love home with me,
we fixed in the night and
sank into a stinging flash.
¼ grain of love
we had
2 men on a cot, a silk
cover and a green cloth
over the lamp.
The music was just right.
I blew him like a symphony,
it floated and
he took me
down the street and
left me here.
3 AM. No sign.
only a moving van
up Van Ness Avenue.
Foster’s was never like this.
I’ll walk home, up the
same hills we
came down.
He’ll never come back,
there’ll be no horse
tomorrow nor pot
tonight to smoke till dawn.
He’s gone and taken
my morphine with him
Oh Johnny. Women in
the night moan yr. name
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Cocaine
For I have seen love
and his face is choice Heart of Hearts,
a flesh of pure fire, fusing from the center
where all Motion is one.
And I have known
despair that the Face has ceased to stare
at me with the Rose of the world
but lies furled
in an artificial paradise it is Hell to get into.
If I knew you were there
I would fall upon my knees and plead to God
to deliver you in my arms once again.
But it is senseless to try.
One can only take means to reduce misery,
confuse the sensations so that this Face,
what aches in the heart and makes each new
start less close to the source of desire,
fade from the flesh that fires the night,
with dreams and infinite longing.
John Wieners
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JOHN WIENERS
"A Poem for the Old Man" from The Hotel Wentley Poems (1958)
God love you
Dana my lover
lost in the horde
on this Friday night
500 men are moving up
& down from the bath
room to the bar.
Remove this desire
from the man I love.
Who has opened
the savagery
of the sea to me.
See to it that
his wants are filled
on California street
Bestow on him lan-
gesse that allows him
peace in his loins.
Leave him not
to the moths.
Make him out a lion
so that all who see him
hero worship his
thick chest as I did
moving my mouth
over his back bringing
our hearts to heights
I never hike over
anymore.
Let blond hair burn
on the back of his
neck, let no ache
screw his face
up in pain, his soul
is so hooked.
Not heroin.
Rather fix these
hundred men as his
lovers & lift him
with the enormous bale
of their desire.
6.20.58
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John Wieners - A Poem for Trapped Things
This morning with a blue flame burning
this thing wings its way in.
Wind shakes the edges of its yellow being.
Gasping for breath.
Living for the instant.
Climbing up the black border of the window.
Why do you want out.
I sit in pain.
A red robe amid debris.
You bend and climb, extending antennae.
I know the butterfly is my soul
grown weak from battle.
A Giant fan on the back of
a beetle.
A caterpillar chrysalis that seeks
a new home apart from this room.
And will disappear from sight
at the pulling on invisible strings.
Yet so tenuous, so fine
this thing is, I am
sitting on the hard bed, we could
vanish from sight like the puff
off an invisible cigarette.
Furred chest, ragged silk under
wings beating against the glass
no one will open.
The blue diamonds on your back
are too beautiful to do
away with.
I watch you
all morning
long.
With my hand over my mouth.
- A Poem for Trapped Things by John Wieners
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A Dawn Cocktail
John Wieners, Nerves
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A poem for vipers // John Wieners
I sit in Lees. At 11:40 PM with
Jimmy the pusher. He teaches me
Ju Ju. Hot on the table before us
shrimp foo yong, rice and mushroom
chow yuke. Up the street under the wheels
of a strange car is his stash—The ritual.
We make it. And have made it.
For months now together after midnight.
Soon I know the fuzz will
interrupt, will arrest Jimmy and
I shall be placed on probation. The poem
does not lie to us. We lie under
its law, alive in the glamour of this hour
able to enter into the sacred places
of his dark people, who carry secrets
glassed in their eyes and hide words
under the coats of their tongue.
6.16.58
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Hear me out— they’re the same.
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