#john remick

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John Remick (Ed Marinaro) et Maggie (Susan Sullivan).

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Burt Lancaster-Lee Remick "La batalla de las colinas del whisky" (The hallelujah trail) 1965, de John Sturges.

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The Hallelujah Trail, Italian lobby card (fotobusta), 1965

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Propaganda

Isabel "Coca" Sarli (Fuego)—Iconic sex symbol, beautiful woman and [John Waters interview video below the cut]

Lee Remick (Anatomy of a Murder; the Ling, Hot Summer)— Sexy in both with and without glasses (AoaM) :)

This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut]

Isabel Sarli:

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Lee Remick publicity portraits for John Erman‘s 1982 TV remake of THE LETTER

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From the Golden Age of Television

Series Premiere

State Trooper - Red Badge of Death - Syndication - September 25, 1956

Crime Drama

Running Time: 30 minutes

Written by Lawrence Kimble

Produced by

Directed by Richard Irving

Stars:

Rod Cameron as Lt. Rod Blake

Jean Byron as Jean Burton

Don Haggerty as Sheriff Bob Elder

Clifford Ferre as Johnny Tobias

Carol Kelly as Doll

Jacqueline deWit as Mrs. Avery

James Nolan as Clark County Sheriff

William Remick as John Howard Preston

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Joseph N. Welch, Lee Remick, and George C. Scott in Anatomy of a Murder (Otto Preminger, 1959)

Cast: James Stewart, Lee Remick, Ben Gazzara, Arthur O'Connell, Eve Arden, Kathryn Grant. George C. Scott, Joseph N. Welch. Screenplay: Wendell Mayes, based on a novel by John D. Voelker (as Robert Traver). Cinematography: Sam Leavitt. Production design: Boris Leven. Film editing: Louis R. Loeffler. Music: Duke Ellington

An exceptional film, far more deserving of the year's best picture Oscar than the bombastic Ben-Hur (William Wyler), Anatomy has a lot of great things going for it: the wonderful courtroom conflict between old Hollywood pro James Stewart and Method-trained newcomer George C. Scott; the tension and volatility of Ben Gazzara as the defendant; the presence of such scene-stealers as Arthur O'Connell and Eve Arden in the supporting cast, along with other character actor stalwarts like Murray Hamilton, John Qualen, Orson Bean, Howard McNear, and Jimmy Conlin. And even the "stunt casting" of non-actor Joseph N. Welch, famous for the integrity he showed in his confrontation with Senator Joseph McCarthy during the Army-McCarthy hearings five years earlier, pays off handsomely, with Welch bringing both gravitas and humor to his role as the trial judge. The soundtrack by Duke Ellington also adds a touch of greatness to the movie, which  David Thomson calls "magnificent." Where I think it falls short of magnificence is in the treatment of the rape victim played by Lee Remick. There is, of course, some ambiguity remaining in the film as to whether she was in fact raped, but the part as written by Wendell Mayes and the performance as directed by Preminger treats the presumed victim as an air-headed sex kitten. It's possible that Hollywood, so long precluded by the Production Code from even treating the subject of sexual assault, hadn't yet developed a grammar and vocabulary for dealing with the subject. Remick was a fine actress, and she does manage to show moments of vulnerability in her performance, but the general impression of the character given by the film verges on the despicable "she was asking for it." Preminger had been flouting the Code since The Moon Is Blue (1954) and The Man With the Golden Arm (1955), challenging the strictures on language (the words "virgin" and "seduce") in the former and drug use in the latter. Anatomy continued Preminger's assault on prudishness, though few who watch it today will be shocked by its rather clinical discussion of whether Laura Mannion was indeed raped, or be inclined to sniff daintily, as Time magazine did in its review, that the film "seems less concerned with murder than with anatomy."

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The Medusa Touch (1978) Movie Review

The Medusa Touch – Movie Review ABC Film Challenge – Set in the UK – Z (Dr Zonfeld) Director: Jack Gold Writer: John Briley, Peter Van Greenway (Screenplay/Novel) Cast Richard Burton (1984) Lee Remick (The Omen) Lino Ventura (Army of Shadows) Harry Andrews (Superman) Alan Badel (The Day of the Jackal) Plot: A telekinetic novelist causes disasters simply by thinking about them. Runtime:…

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Experiment in Terror

Maybe this dates me, but there’s something refreshing about watching a thriller with no forced romance, no jump scares, no attempts to launch a sequel and cutting that doesn’t try to give you motion sickness. Blake Edwards shot EXPERIMENT IN TERROR (1962, TCM, Tubi) in the tradition of Alfred Hitchcock and classic films noirs. Its clearest Hitchcock inspiration is PSYCHO (1960). Like that film, the production derived in part from the director’s work in television, with Edwards bringing cinematographer Phillip H. Lathrop, composer Henry Mancini and several supporting players from shows like PETER GUNN. And as with much TV of the time, he shot in glorious black and white. Both also feature cross-dressing killers, but unlike the Master of Suspense, Edwards makes no attempt to explain the pathology of his psychopath, nor is there any suggestion that the cross-dressing is anything more than expedience. The character played memorably by Ross Martin may queer the staid middle-class life of bank teller Lee Remick, but only in the sense that he disrupts her safe, sanitary existence.

In this adaptation by The Gordons of one of their John Ripley novels, “Operation Terror,” Martin accosts Remick in her garage and threatens her and sister Stefanie Powers to make Remick steal $100,000 from her bank. Despite his warnings, she calls the FBI, which is where Glenn Ford enters as Agent ‘Rip’ Ripley (Broderick Crawford had played the role in an earlier film). One of the joys of EXPERIMENT IN TERROR is watching the precision of Ford and his agents as they try to determine Martin’s identity and capture him while protecting Remick (who’s pretty good at protecting herself, as it turns out) and Powers. The procedural scenes are like a more serious take on the clockwork slapstick comedy of such later Edwards films as THE PARTY (1968) and the Pink Panther films. You may find it slower than most contemporary thrillers, but it’s tremendously entertaining, and the slowness pays off in the opening scene, where Edwards holds the initial shots of Martin threatening Remick for an almost unbearable length. You can feel her terror from the sheer endurance of it all.

The cast is uniformly solid, with Martin and Remick taking the showiest roles. There are also nice turns by Ned Glass as a stoolie and Anita Loo and Patricia Huston as two of Martin’s girlfriends. If you’re a Sondheim fan, you can try to spot Harvey Evans, Young Buddy in the original FOLLIES and a Broadway mainstay. A really dedicated soap fan will know which of Tom and Alice’s two children from DAYS OF OUR LIVES turn up in the film.b

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🌄Burt Lancaster | The Hallelujah Trail (1965) | "EPIC" Western Comedy 

The Hallelujah Trail is a 1965 US Western "EPIC" mockumentary spoof directed by John Sturges.  The stars are Burt Lancaster, Lee Remick, Jim Hutton, and Pamela Tiffin. The movie was based on the book of the same name which was originally released as "The Hallelujah Train" written by Bill Gulick in 1963.  The movie is certainly an epi classic, according to Amazon reviews, the film scores a strong 4.4 out of 5, and is said to be a laugh a minute, however, on Rotten Tomatoes, the movie only gets 33%. Never miss a video. Join the channel so that Mr. P can notify you when new videos are uploaded: https://www.youtube.com/@nrpsmovieclassics

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Il grande attore americano, interprete di film come Invito a una sparatoria di Richard Wilson, Quiller memorandum di Michael Anderson, Chi ha paura di Virginia Woolf? di Mike Nichols, Il gufo e la gattina di Herbert Ross, Un tocco di classe di Melvin Frank, California Poker di Robert Altman e molti altri, avrebbe novant’anni. Nato a Great Neck - nello Stato di New York - nel febbraio 1934 (è morto nel marzo del 2021) da genitori figli di emigrati russi, si diploma alla Columbia University e frequenta l’Actor’s Studio. Dopo alcune apparizioni televisive, esordisce al cinema all’inizio degli anni Sessanta in Giorni senza fine (1961) di Phil Karlson, con Ben Gazzara e Fredric March, e, nel ’62, fa parte del cast corale di Il giorno più lungo di Ken Annakin e Andrew Marton, tratto dall’omonimo saggio storico (1959) di Cornelius Ryan sullo sbarco in Normandia. Segue un’intensa stagione - che durerà per circa vent’anni - da comprimario e poi da protagonista, dal western psicologico - Invito a una sparatoria (1964) di Richard Wilson, con Yul Brynner - al film di spionaggio - l’ottimo Quiller memorandum (1966), scritto da Harold Pinter, diretto da Michael Anderson ed interpretato anche da Senta Berger e Max von Sydow); è un pittore nel drammatico-grottesco La nave dei folli (1965) di Stanley Kramer, con Simone Signoret e Vivien Leigh (al suo ultimo film); ottiene una nomination all’Oscar come Miglior Attore non Protagonista per Chi ha paura di Virginia Woolf? (1966) di Mike Nichols, tratto dall’opera teatrale omonima di Edward Albee, ed interpretato da Elizabeth Taylor e Richard Burton. A prove drammatiche - Loving, gioco crudele (1970) di Irving Kershner - e di grande intensità - Il mio uomo è una canaglia (1971) di Ivan Passer - alterna commedie più indiavolate ed eccentriche come Il gufo e la gattina (1970) di Herbert Ross, con Barbra Streisand, Un tocco di classe (1973) di Melvin Frank, con Glenda Jackson, California Poker (1974) di Robert Altman, con Elliot Gould. Negli anni Ottanta e Novanta, sia pur continuando a lavorare a pieno ritmo, la sua carriera cinematografica si avvia verso il declino e Segal si orienta al film tv - Intrigo a Berlino (1984) di James Dearden ed alle serie televisive. Le sue apparizioni al cinema si orienteranno a ruoli di secondo piano, come ad esempio Senti chi parla (1989) di Amy Heckerling, con Kristie Alley e John Travolta, Giorni di gloria… giorni d’amore (1991) di Mark Rydell, Un orso chiamato Arturo (1992) di Sergio Martino, con Carol Alt, Senti chi parla adesso! (1993) di Tom Ropelewski, con K. Alley, J. Travolta e Elias Koteas, Caccia mortale (1993) di Vic Armstrong, Da morire (1995) di Gus Van Sant, Babysitter… Un thriller (1995) di Guy Ferland, Il rompiscatole (1996) di Ben Stiller, L’amore ha due facce (1996) di Barbra Streisand, con B. Streisand, Jeff Bridges, Lauren Bacall e Pierce Brosnan. Fra gli altri film ricordiamo Squadra di emergenza (1964) di John Rich, Qualcuno da odiare (1965) di Bryan Forbes, Né onore né gloria (1966) di Mark Robson, con Claudia Cardinale, Il massacro del giorno di San Valentino (1967) di Roger Corman, Addio Braverman (1968) di Sidney Lumet, Non si maltrattano così le signore (1968) di Jack Smight, con Rod Steiger e Lee Remick, Il suo modo di fare (1968) di Franco Brusati, Il ponte di Remagen (1969) di John Guillermin, La pietra che scotta (1972) di Peter Yates, con Robert Redford, Una pazza storia d’amore (1973) di Paul Mazursky, Roulette russa (1975) di Lou Lombardo, La volpe e la duchessa (1976) con Goldie Hawn e Marito in prova (1979) con G. Glackson entrambi di Melvin Frank, Rollercoaster - Il grande brivido (1977) di James Goldstone, con Richard Widmark, Henry Fonda ed una giovanissima Helen Hunt (al suo esordio cinematografico), Non rubare se non è strettamente necessario (1977) e Qualcuno sta uccidendo i più grandi cuochi d’Europa (1978), di Ted Kotcheff, Sfida alla vita (1985) di Michael Tuchner, Scherzare con il fuoco (1985) di Burt

Reynolds, Heights (2004) di Chris Terrio, 13 giorni a Las Vegas (2007) di Charlie Picerni, 2012 (2009) di Roland Emmerich, Amore & altri rimedi (2010) di Edward Zwick, Elsa &Fred (2014) di Michael Radford, con Christopher Plummer e Shirley MacLaine. Molto attivo, come già detto, anche in televisione, è apparso in vari film tv - Death of a Salesman (1966) di Alex Segal, Le piccanti avventure di Robin Hood (1984) di Ray Austin - ed in alcuni episodi di serie e miniserie - Channing (1963), La signora in giallo (1993), Just Shoot Me (1997-2003), circa centocinquanta episodi , Law & Order - Unità vittime speciali (2003), Retired at 35 (2011-13, oltre venti episodi), The Goldbergs (2013-21, oltre centosettanta episodi).

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John Remick (Ed Marinaro) et Maggie (Susan Sullivan).

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HAPPY BIRTHDAY to Frank Allen (The Searchers), Jane Birkin, Dave Brubeck Quartet’s 1959 TIME OUT album, Patty Duke, Felix the Cat, Spike Jones, Abbe Lane, John Lurie, Jackie McAuley (Them), Natascha McElhone, Yvonee Mwale, Nostradamus, Christopher Parkening, Cecil Payne, Lee Remick, Charlie Rich, the 1977 film premiere of SATURDAY NIGHT FEVER, Joaquin Zamacois Soler, Maria Szymanowska, choreographer June Taylor, Clark Terry, Peter “Spider” Tracy, world music singer-songwriter Matt Venuti (thanks for the jam), guitar hero Dick Wagner, Viola Wells, Leo Wright, and singer-songwriter/frontman for The Waterboys, Mike Scott. The band got their name from a Lou Reed song, and their inspirations come from Bob Dylan, David Bowie, Celtic music and culture, and writers such as George MacDonald. I discovered The Waterboys in the early 80s wave of music that gave us The Alarm and U2, as they have similar spiritual themes. I’ve performed Scott’s “Whole of the Moon” solo acoustic, and here’s a band demo we did of his song “Spirit.” We took it into a Talking Heads retro-pop style, with me playing a funky Vox teardrop electric 12-string guitar. HB Mike.

#birthday #waterboys #mikescott #spirit #talkingheads #loureed #bobdylan #davidbowie #U2 #thealarm #October #Voxguitar #newwave #johnnyjblair

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The Hallelujah Trail, Italian lobby card (fotobusta), 1965

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Birthdays 12.14

Beer Birthdays

John Frederick Wiessner (1831)

Simon Fishel (1846)

Vic Kralj (1959)

Five Favorite Birthdays

Tycho Brahe; Danish astronomer (1546)

Shirley Jackson; writer (1919)

Ginger Lynn; porn actor (1962

Stan Smith; tennis player (1946)

Clark Terry; jazz trumpet player (1920)

Famous Birthdays

Morey Amsterdam; comedian, actor (1908)

Jane Birkin; English singer, actor (1946)

Dan Dailey; singer, dancer, actor (1913)

Ernie Davis; Syracuse RB (1939)

James Doolittle; aviator (1896)

Patty Duke; actor (1946)

Cynthia Gibb; actor (1963)

Scott Hatteberg; Oakland A's 1B/C (1969)

Vanessa Anne Hudgens; actor (1988)

Spike Jones; bandleader, comedian (1911)

Abbe Lane; singer, actor (1932)

Krissy Lynn; porn actor (1984)

Natasha McElhone; English actor (1971)

Nostradamus; French astrologer, physician (1503)

Michael Ovtiz; talent agent (1946)

Lee Remick; actor (1935)

Charlie Rich; country singer (1932)

Jon Staggers; Green Bay Packers WR (1948)

Charles Wolfe; Irish poet (1791)

Tata Young; Thai singer, model, actor (1980)

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Lee Remick in the ABC TV remake of THE LETTER (1982) directed by John Erman.