#joey beatles

[adam-trademark]

Room Tour 2022

(August 3, 2022)

[operationfusionlog]

Small cute Beetles Brother hc

One time, when Wally was tired and bored, he tried to get Joey's attention and accidentally called him 'Broey'—a mix of 'bro' and 'Joey.' Ever since then, whenever he's feeling lazy or bored, Wally will call Joey 'Broey,' and in response, Joey jokingly calls him 'Wallabro.' And slowly over time, it became their little inside joke.

[footageforfriends]

with the legion

[rolloroberson]

Badfinger - Carry on ‘Til Tomorrow

[shotaro-98]

Algunos botoncitos que hice hoy en el trabajo (⁠ ⁠◜⁠‿⁠◝⁠ ⁠)⁠♡

[scaryfilm]

lalalllalaaaaaa. oc dump Tbh ^_^

[rizz-penguin]

For those of you who aren't aware, I love warrior cats, so I made these cats! :3

Freddie Mercury :3

Dee Dee Ramone

Johnny Ramones

Joey Ramone

Tommy Ramone (lobe 🫶)

Some other ramones members (but kittypets!? 😨)

Elvis Ramone/Clem Burke is a rogue just because

The Beatles (Beetles because they're cats...they don't know what a pun is)

(I don't listen to the Beatles lmao)

Dan Miller from TMBG

Marty Beller, who's a former kittypet

Danny Weinkauf of TMBG!!

John Flansburgh :3

John Linnell :)

Might do some Nirvana cats but I don't really know much about Nirvana so um yeah

[tandonshows]

Did we make *NSYNC reunite?

We can't confirm or deny, but the timing sure is suspicious.

This week, Maddie, crocheter, fangirl, and writer joins to talk about the international boyband sensation, *NSYNC.

We discuss how band brought her comfort decades after they released their last album, the impact of boybands across generations, and how the band's treatment and response to it can strengthen our sense of empathy. Tangents include which boyband is winning the nostalgia era, why fan relationships matter so much, and why teenage girls deserve more respect. 

You can listen to the episode now on Apple Podcasts, Spotify, or find You Are What You Love on your favorite podcast app here.

[thedoubleexposurephotography]

Petition for Joey Batey to play Paul McCartney in a bio pic at some point. Whether it's about The Beatles or focuses on McCartney specifically is irrelevant. Joey would be perfect

[saisshitstorm]

Joey Ramone is dead but would have been the same age as my grandmother

John Lennon is dead, but would have been the same age as my grandfather, and is problematic by today's standards

I don't really have a crush, more a fixation on these men but the point still stands.

i like the culture of people who are into classic rock and have a crush on bandmates who are either old enough to be their grandparents, dead, incomplete or problematic by today's standards

[highladyofterrasen7]

Joeys hair here is crazy

[angelastic]

This Tiling Never Repeats (Split Enz parody)

I mentioned in a previous post that I was working on a parody of History Never Repeats, by Split Enz, about the aperiodic monotiles that have been found recently. I’ve finished it, so here are the lyrics: This tiling never repeatsUnending plane the kite and dart completeWe wish to show we can improveWe may assume, there’s always more to proveIt was the best we used to knowFrom David Smith, a…

[thebanyantee]

From summers to winters, we've got you covered all year round! Explore our incredible range of Band and Tv Show apparel that's perfect for every season. ☀️❄️ Shop ➡️ Band T-shirts

Shop ➡️ Friends T-shirts

[mychameleondays]

The Punkles: Beat The Punkles!

Gatefold

Bitzcore bc 1736, 2003

Originally released as “The Punkles” in 1998

[krispyweiss]

Aerosmith Announces Farewell Tour

- “And if you think we’re joking, dream on,” Steven Tyler says

One more tour and, peace, Aerosmith are out.

The band announced its Peace Out farewell tour with a short video spoofing earth-shattering, breaking news - Ringo Starr, Slash and Dolly Parton are among the many cameos - that finds singer Steven Tyler pouring cold water on any potential post-retirement comeback.

“And if you think we’re joking, dream on,” he says.

The tour, featuring the Black Crowes as openers, runs Sept. 2 to Jan. 26, 2024, and promises “every night will celebrate the five decades of Aerosmith’s groundbreaking hits,” per a statement.

Founding drummer Joey Kramer will not participate.

“It’s not goodbye it’s Peace Out,” the band said. “Get ready and walk this way, you’re going to get the best show of our lives.”

Aerosmith was unable to complete its 2022 Las Vegas residency due to Tyler’s unspecified health issues.

Ticketing info here.

5/1/23

[tavolgisvist]

Paul and drums

Our kid was first in a group with John called Quarrymen, and apparently, I’d forgotten the set of drums fell off the back of a lorry, as we say in Liverpool, and landed up in our house. So I was learning drums, and one of the Quarrymen came back and said, ‘I remember you’re coming down the house, and it was great when you played drums for us.’ I said, ‘Did I?’ I’d totally forgotten. But then I realized why I forgot. It’s because I broke my arm in a scout camp, and this hand dropped. It was dead, paralyzed. So it took several years to get it back, and at that time, those drums that I was learning on, first of all, my brother, no wonder the drums on the band on the road are good. That’s where he learned it from my drums. But I couldn’t play anything then. So I’d forgotten that I was even the drummer, and Ringo got the job.

(Mike McCartney)

Mersey Beat Founder and Editor, Bill Harry wrote a guest column for Beatle Fan Magazine in 2019. He stated “For their August 7, 1961 gig, the Litherland Town Hall classified advertisement in the Liverpool Echo carried the message: ‘Hear Pete Best Sing Tonight.’ Best had been talked into performing the song “Pinwheel Twist,” which Paul had written for him to sing. Pete recalled in a conversation with Spencer Leigh: ‘Paul wrote the song and asked me to do it. He coupled it with Joey Dee’s hit “The Peppermint Twist.’ I used to get up and do the twist onstage and Paul played my drums. It was a little novelty act and it went down well with the fans. When The Beatles performed it, Paul took over on drums, George played Paul’s left-handed bass right-handed and Pete sang.”

(Source)

I used to get on Pete’s case a bit. He’d often stay out all night. He got to know a stripper and they were boyfriend and girlfriend. She didn’t finish work until four in the morning, so he’d stay up with her and roll back at about ten in the morning and be going to bed when we were starting work…

(Paul McCartney, Anthology, 2001)

Q: When did you first play drums? A: My first recollection is in Hamburg. You’d get behind the kit to try and show the drummer what you wanted. That gradually grew to messing around on other people’s kits, which were lying around because there were a lot of groups playing in the places we played. You picked up the simplest beats very naturally. I remember one evening when Tony Sheridan’s drummer didn’t show up, so Tony said, “Come on, man, sit in!” I said, “No way! I can’t do this.” And he said, “Yeah, you can.” So I did it and then I was thinking, “Well! I’ve actually done a professional drumming gig!” Later, with The Beatles, there was a period where John, George, and I operated as a trio and picked up little bits of work. I remember playing in an illegal club in somebody’s basement on Upper Parliament Street in Liverpool’s Caribbean Quarter. One day this guy called Lord Woodbine, who ran the club, asked if we’d come in and accompany this stripper called Janine. We said, “Wow! Yeah, man! There’s a job.” He even paid us money. Q: It sounds like you would have paid him for that gig. A: Exactly [laughs]. So she came in and said, “Okay, I need you to play Ravel’s Bolero.” We said, “Oh, gee. Sorry, luv. We don’t read music. But we’ve got ’Raunchy.’ That might do.” I had somebody’s old drum kit, and I sat there with a broomstick between my legs, with a microphone tied to it so I could do a bit of vocals and drum at the same time. It was hilarious.

(Paul McCartney, interview with Robert L. Doerschuk for Drum!Magazine, 2005)

Q: When Ringo joined the band, that must have interrupted your emerging career on drums. A: Yeah, I was completely redundant. We loved Ringo so much. He was our favorite drummer in Liverpool, and when he joined the band, it was an explosion: Every song sounded new and fresh. He could pass what we felt was the true test for drummers, which was to be able to play “What’d I Say” — the cymbal work and the toms.

(Paul McCartney, interview with Robert L. Doerschuk for Drum!Magazine, 2005)

We did do a few little bits and pieces together before we all went our separate ways. John and I and Yoko did ‘The Ballad of John and Yoko’. He enlisted me for that because he knew it was a great way to make a record. ‘We’ll go round to Abbey Road Studios. Who lives near there? Paul. Who’s going to drum on this record? Paul. Who can play bass? Paul. And who’ll do it if I ask him nicely? Paul.’ He wasn’t at all sheepish about asking. He probably said something like, ‘Oh, I’ve got this song I want to record. Would you come round?’ And I probably said, ‘Yeah, why not?’

(Paul McCartney, The Lyrics, 2021, about Dear Friend)

Steve Miller happened to be there recording, late at night, and he just breezed in. ‘Hey, what’s happening, man? Can I use the studio?’ ‘Yeah!’ I said. ‘Can I drum for you? I just had a fucking unholy argument with the guys there.’ I explained it to him, took ten minutes to get it off my chest. So I did a track, he and I stayed that night and did a track of his called My Dark Hour. I thrashed everything out on the drums. There’s a surfeit of aggressive drum fills, that’s all I can say about that. We stayed up until late. I played bass, guitar and drums and sang backing vocals. It’s actually a pretty good track. It was a very strange time in my life and I swear I got my first grey hairs that month. I saw them appearing. I looked in the mirror, I thought, I can see you. You’re all coming now. Welcome.

(Paul McCartney in Many Years From Now by Barry Miles, 1997)

I really had to ask myself, “Do I want to give up music, or keep going?” I got a four-track Studer recording machine, like the Beatles used for Sgt. Pepper, put it in the corner of the living-room at my house in London and tried a very simple technique of just plugging directly into the back, not going through a mixing desk. It’s a cool way to record because it’s pure. If, say, I was doing a drum track, I’d play the drums, record it with one microphone, listen to it back, move the mike a little if there wasn’t enough hi-hat or cymbal, and then re-record. Then I’d add bass by plugging the mike into track two and overdubbing while listening to track one through headphones. I’d do that with all with four tracks. It was very hands-on, primitive way of working. <…> It was funky, and still sounds good to me.

(Paul McCartney, “Wingspan” documentary, 2001)

We did not see Ringo until the next night when he arrived at the session. He walked in and went straight to his drums…fiddled with them, then fiddled with them some more. “Somebody did something to my snare drum,” he said irritably. “Paul was here last night. He played them,” explained John. “He’s always fucking around with me things!” It sounded as though Ringo were back in Liverpool and all of them were still teenagers and nothing in their lives had changed. I realized then, that no matter what might happen among them, this was the way they would always relate to each other.

(May Pang, Loving John, 1983)

(Krla Beat, pic by lisamarie-vee)

So, I got into my studio in Scotland and started working, doing the drum track. I normally start with the drums. I sometimes use drum machines, but I like to redo it with real drums. I enjoy drumming. Then I put some bass on it. I was just doing an experimental thing. I was messing around and experimenting. Slowing down tapes, or speeding them up.

(Paul McCartney, The Lyrics, 2021, about Coming Up)

Paul and I were in England, having dinner together [along with our wives]. I told him I was making an EP, and I said, “Why don’t you write me a song?” He wrote the song [Feeling the Sunlight] and put bass on it, he put piano, he put the drums on — and I had to take the drums off. [Laughs.]

(Ringo Starr, interview with Rob Tannenbaum for AARP, Nov 2023)

George was the first one to make a solo album [Wonderwall Music], and I was the drummer. John started the Plastic Ono Band, and I was the drummer. Paul likes to play drums himself, or I would’ve been on his albums too.

(Ringo Starr, interview with Rob Tannenbaum for AARP, Nov 2023)

Q: As strong as you are on bass, keyboards, guitar, and as a singer and writer, is it frustrating to play your drum parts at a more limited level? A: That never intimidates me, though it probably should. I just have so much enthusiasm when I do things that I don’t even consider it. I’m lucky, because some people would wrack themselves with doubt, but when I came to this project I was like, “Man, let’s just have a bit of fun!” It didn’t occur to me that I was some idiot jumping on the kit. I know that a lot of drummers can play rings around me, but as long as I keep it simple and don’t get too flash, I can play with a steady, swampy feel, and that’ll do the job.

(Paul McCartney, interview with Robert L. Doerschuk for Drum!Magazine, 2005)

@i-am-the-oyster, I hope you will enjoy :)

+ this