#joaquin pedro

[deathnote-dramanmusical]

Death Note: The musical UK 2023

Stalemate- Joaquin Pedro Valdes, Dean John Wilson, Frances Mayli Mccann

----

KR ver. 

>>2022 KR Ko Eunsung, Kim Sungcheol, Jang Minje ver. <<

>>2022 KR Ko Eunsung, Xia, Kei<<

>>2022 KR Hong Kwang Ho, Xia, Kei  ver.<<

>>2022 KR Hong Kwang Ho, Kim Sungcheol, Jang Minje ver<<

>>2017 KR Han Ji Sang, Xia, Ben ver. <<

>>2015 KR Hong Kwang Ho, Xia, Jeong Sun Ah ver.<<

JP ver.

>>2020 JP Shouma Kai, Fu Takahashi, Sakura Kiryu ver. (vid)<<

>>2020 JP S. Kai, Ryota Murai, Fu Takahashi, S. Kiryu rehearsal<<

>>2015 JP Kakizawa Hayato, Koike Teppei, Yuzuki Fuuka ver.<<

>>2015 JP Urai Kenji, Koike Teppei, Yuzuki Fuuka ver.<<

RU ver. 

>>2017 RU Alexandr Kazmin, Yaroslav Bayarunas, Mercedesz Csampai ver.<<

>>2020 RU Alexandr Kazmin, Yaroslav Bayarunas, Vera Sveshnikova ver.<<

EN ver.

>>2015 US Jeremy Jordan, Jarrod Spector, Adrienne Warren ver. <<

>>2023 UK Joaquin P. Valdes, Dean J. Wilson, Frances M. Mccann<<

[trulyumai]

morning is forever

pairing: Emperor Geta / wife! reader

synopsis: sure, Geta could be soft. but only in the morning, it seemed.

warnings: none, just fluff.

Enjoy!

Geta was known for his rough and callous nature. It’s what helped build his way to becoming emperor. He had the strength and capacity to do what others could not.

You knew this well. Hell, most memories you share with the man turned out to be violent. Either toward you or some other poor citizen who abused his ill found patience.

He wasn’t loving. Caring, or soft natured of any kind. That was until the morning light flowed through the balcony, to the cascading windows laying about your personal chambers.

A Light breath would fan across your face as sleep fogged its way into your eyelids.

Geta would be at your side, a hand comfortably sat across your chest— sometimes your waist.

You would be oh so close— you could smell the scent of cinnamon and grape leaf’s waft off him almost instantly after awakening.

No scowl would adorn his face— it was always calm, with a little slit between his lips showing, letting out tuffs of air within every second.

It was easily your favorite moments, it almost felt as if things were normal.

Sometimes he would press himself to you, without knowing he seemed to enjoy the warmth you gave off. And if you tried to move away? Those pale hands would grip onto your skin, tugging you closer than ever before.

His lips would meet your neck, and you painfully wished it could be like this all the time.

The moments would never last long. They were so fleeting— leaving you yearning for more.

Geta would wake up, sluggishly rubbing the sleep from his eyes before removing his presence from the bed.

Without even looking at you he would ready himself, with the help of the servants, and exit promptly.

Sometimes it feels like you dreamed it.

Those warm moments.

However, they would always happen again.

In the morning dew that crept silently through the windows, to your clinging forms.

[dekaohtoura]

By cinegramatica

[thetzar]

[dearaustinbutler]

3/12/2024-Very cool Austin 💥💥💥

[pedropascal24-7]

More news about Eddington and potential plot details

[andthesunrisesagain]

Pedro Pascal

[spill-to-t]

I finally completed this project… 20 male celeb’s eyes 😵‍💫 (should I do this with females too ?🤔)

[xplore-the-unknwn]

Commodus in Gold ⚜️

His microexpressions are everything!!!

Hyped for Gladiator 2 coming out. I have trust Joseph Quinn is gonna deliver an out of this world performance as the new “antagonist” emperor but let’s pay tribute to our OG Sassy emperor that paved the way- Commodus the Merciful!

[manny-jacinto]

i just came back from gladiator II and i’m just gonna say that they really underused pedro pascal 😐

[sahinduzgunart]

GLADIATOR (2000) by SahinDüzgün

[deathnote-dramanmusical]

[DEATH NOTE THE MUSICAL UK]

Cs. Whatsonstage

[blairbarely]

Gladiator II, to its credit, isn’t the kind of movie you can lob a single, sweeping complaint at. Do you think Paul Mescal is a step down from Russell Crowe as the titular gladiator? The movie seems to preemptively shrug at that critique by sliding Denzel Washington into the antagonist role previously held by Joaquin Phoenix. And sure, Phoenix was brilliant in the first movie, but let’s be honest: casting Denzel in place of almost any actor from the past 40 years is like upgrading from a bicycle to a jet.

So no, you can’t walk out of Gladiator II and say, “The new cast doesn’t hold up to the original.” The movie doesn’t just sidestep that complaint—it dares you to even try making it.

The screenplay isn’t flawless, but it works its alchemy well enough to keep you invested, making sure you care just enough for the big moments to land. The arc that stands out—the one between Hanno (MESCAL), Acacius (PASCAL), and Lucilla (NIELSEN)—is a perfect example. By tying Acacius directly to Lucilla, the returning character we already love, the movie pulls a sly narrative trick: it asks us to sympathize with Acacius while also rooting for Hanno’s quest for revenge against him.

For much of the movie, it feels like Pascal is working overtime to inject depth into a character that, at its core, exists more as a plot device than a fully realized person. But then there’s his final showdown with Mescal in the Colosseum, and suddenly, it all lands. That fight carries an emotional weight Pascal has been building toward the entire time, delivering something surprisingly profound in the end.

And let’s be honest: there’s an extra charge for the audience here, especially for Game of Thrones fans, who can’t help but feel the ghost of Oberyn Martell lurking in every step Pascal takes into that arena. Watching him in period costume, once again fighting for his life, adds a meta-layer of intensity and heartbreak that makes the scene hit even harder.

While we’re being honest, let’s address the elephant in the room. I mentioned it earlier, and now feels like the right time to dive in: I sincerely hope this is a one-and-done experiment for Paul Mescal. Don’t get me wrong—he’s not bad. Far from it. He brings layers of emotional depth to his performance that most actors his age wouldn’t even think to attempt.

But the entire time, I couldn’t shake the feeling that I’d rather be watching him in literally any other kind of movie. It’s not that he doesn’t belong in Gladiator II—he’s good enough to hold his own—but we already have enough action stars. Sure, a sword-and-sandals epic is a far cry from joining the Fast & Furious family, but here’s my truth: I’d rather anyone else made this movie, because Mescal should be making the kinds of films that only he can make.

You want to prove to the world you’re a full-blown movie star? Amazing. Do it. But what I really want is for you to make another Aftersun.

[dekaohtoura]

Barbie style

By the_ai_dreams

[quietbreeze97]

I've waited until today to write my thoughts on Death Note: The Musical because I've been so exhausted from being in London and generally just collecting my thoughts on the show (had a good post-show drink with my friend in the pub to talk about it last night).

But now I have a free moment to go on Tumblr and splurge, I have to summarise by saying: WOW. WHAT. A. SHOW!!!!

I had such a blast watching it; I think I was grinning pretty much throughout the whole thing. Every song is brilliant (I've been listening to them on repeat all of today), the actors are mega talented with amazing voices, and it's a really INTERESTING (wink!) adaptation of the anime I love so much.

It wasn't without its flaws, that's for sure. My main gripe was perhaps the ending, as it felt a little rushed and out of character for L, but given that one musical would never be able to cover the full story of the anime or manga, they did a great job considering what they had to work with, and it was always going to be a condensed version of the story we know.

My main highlights:

Rem was an unexpected delight! She looked stunning, resembling a white angel next to Ryuk's pure blackness, and the actress' voice was GORGEOUS.

Ryuk, of course. Adam Pascal nailed this role, both the comedic and dark elements of his character, and like Rem, he LOOKED perfect.

John Dean-Wilson was an AMAZING L, just as I expected. His interpretation was slightly more unhinged than anime/manga L, and I honestly loved that. His mannerisms were on point and every song of his was memorable.

My favourite song and scene in the whole musical was definitely 'Playing His Game' which was sung DURING L AND LIGHT'S TENNIS MATCH. That entire number gave me chills and summed up their dynamic perfectly. I'll be playing this song over and over again for weeks.

But yeah, as you can tell, I LOVED THIS MUSICAL, and really hope I get an opportunity to see it again at some point. <3

[thewaythisis]

Todays Pedro pics

📸 - Mirachai, Oshianna Castillo, Mandy Flippo, sylvia medina photography