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fake-married-my-dead-fiance · 1 year ago

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Categorizing Parent-related Trauma for male and female leads in Kdramas:

Orphans: Lee Hong-jo (Destined With You) Moon Gang-tae (It's Okay to Not be Okay) Moon Sang-tae (It's Okay to Not be Okay) Ha-ru (Extraordinary You) Naksu/Cho Yeong (Alchemy of Souls) Tak Dong-kyung (Doom at Your Service) Nam Ji-ah* (Tale of the Nine Tailed) Cheon Sa-Rang (King the Land) Jang Man-wol (Hotel del Luna) Yoon Yi-seo (100 Days My Price) Kang Young-hwa (Moon in the Day) Kim Do-ha (Moon in the Day) So Mun (The Uncanny Counter) Do Ha-na (The Uncanny Counter) Kang Tae-moo (Business Proposal) Kang Tae-ha (The Story of Park's Marriage Contract, present version) Lee Heon (The Forbidden Marriage) Do Do-hee (My Demon) Ji Eun-tak (Guardian: The Great and Lonely God) Na Bong-seon (Oh My Ghost) Kang Cheol (W: Two Worlds) Do Da-hae (The Atypical Family) Yeom Hae-sang (Revenant) Jeong Ji-an (A Shop for Killers) Shin Jae-rim (Dreaming of a Freaking Fairytale) Kim Ji-uk**** (No Gain No Love)

Half Orphans with loving remaining parent: Eun Dan-oh (Extraordinary You) Koo Chan-sung (Hotel del Luna) Ye So-ran (The Forbidden Marriage) Nam Ha-neul (Doctor Slump) Yu Ji-hyck (Marry My Husband) Kang Hee-soo (Captivating the King) Choi Yi-jae (Death's Game) Im Sol (Lovely Runner) Ryu Sun-jae (Lovely Runner) Lee Chang (Kingdom) Lee Geum, Prince Yeoning (Haechi) Gu San-yeong (Revenant) Son Hae-yeong (No Gain No Love)

Half Orphan + Remaining Parent is THE WORST: Jang Uk (Alchemy of Souls) Kim Do-ha (My Lovely Liar) Lee Yul (100 Days My Price) Ahn Min-hyuk (Strong Woman Bong-Soon) Seo Mok-ha (Castaway Diva) Gong Tae-seong (Sh**ting Stars) Kang Tae-ha (The Story of Park's Marriage Contract, past version) Yi In (Captivating the King) Kang Ji-won (Marry My Husband) Kang Sun-woo (Oh My Ghost)

Parents (at least one) are THE WORST but Both Are Still Alive: Jang Shin-yu (Destined With You) Han Yi-joo (Perfect Marriage Revenge) Ko Mun-young** (It's Okay to Not be Okay) Mok Sol-hee (My Lovely Liar) Gu Won (King the Land) Crown Prince Lee Hwi/Dam-yi/Yeon-seon (The King's Affection) Do Bong-soon (Strong Woman Bong-Soon) Woo Young-woo (Extraordinary Attorney Woo)*** Jung Ji-woon (The King's Affection) Kang Bo-geol/Lee Ki-ho (Castaway Diva) Yeo Jeong-woo (Doctor Slump) Hong Hae-in (Queen of Tears) On Eun-yoo (Twinkling Watermelon) Oh Yeon-joo (W: Two Worlds) Yoon Ji-ho (Because This Is My First Life) Nam Se-hee (Because This Is My First Life) Bok Gwi-ju (The Atypical Family) Moon Cha-min (Dreaming of a Freaking Fairytale)

Immortal Being that Still Somehow has Parent Issues: Myul Mang/Doom (Doom at your Service) Lee Yeon & Lee Rang (Tale of the Nine Tailed) Jeong Gu-won (My Demon)

Added trauma flavour: Parent was murdered in front of them (**Still counts if they survived the murder Parent tried to murder them Dying from seemingly incurable disease which makes their parents/guardian sad (If your parents are alive, you must pay for it by dying yourself) Adoptive parent/stepparent is THE WORST

Somehow has normal, alive parents: Lee Jun-ho (Extraordinary Attorney Woo, Has no backstory at all. We only meet his older sister and hear nothing about his childhood.) Shin Ha-ri (Business Proposal, her family is refreshingly normal, right down to her brother being sent out to find her when she's drunk) Oh Han-byeol (Sh**ting Stars, Again, we know almost nothing about her family, only that she has twin sisters. But she doesn't appear to have childhood trauma.) Park Yeon-woo (The Story of Park's Marriage Contract, her mom being annoyed at her for something that is a crime doesn't count as bad parenting) Lee Young-joon/Sung-hyun (What's Wrong with Secretary Kim, his trauma comes from a kidnapper, his parents faced a pretty impossible situation and did their best. They clearly love their kids) Baek Hyun-woo (Queen of Tears, nothing wrong with them out of the ordinary and they are in the drama a significant amount.) Ha Eun-gyeol (Twinkling Watermelon, very loving parents and the deafness and their reliance on him is not anyone's fault)

*Counting her as an orphan even though she gets her parents back after 20 years, she spent her childhood orphaned. ***This character is tricky because I understand why her mother wanted nothing to do with her, but her trying to manipulate the dad and also saying he didn't raise her properly made me so angry. ****This character is tricky because he was explicitly raised as an orphan by his grandma, his father didn't sign his birth certificate (Korean equivalent of this), and he's registered as the child of his grandmother, not his actual mom. His grandma is dead by the beginning of the series and he is living alone without family, so I think he counts as an orphan.

Uncatagorized due to lack of clarity on parents: Soundtrack #1, Hospital Playlist, Happiness

#kdramas #so many orphans #you would think that Korean children never have parents who make it to 60 #if they manage to be alive they are the worst

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anywaythewinds · 2 years ago

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[Translation] INTERVIEW: Sing for My Music: The Phantom of the Opera’s Kim Ju Taek

Interviewed by Ahn Se Young From the March 2023 issue of The Musical Translated by @anywaythewinds, edited by sigye

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Translator's note: Thanks to sigye for their help reviewing and editing this. Please message me if you find any mistakes. Please do not quote without credit (link to this post).

Just like the first scene of The Phantom of the Opera when we see time turned back through a fallen chandelier pulled back to its place hanging from the ceiling, let’s turn back the clock to 2009. The year The Phantom of the Opera returned for its second season in Korea, Korean baritone Kim Ju Taek made his opera debut as Figaro in The Barber of Seville in faraway Italy. He then traveled all over the world, performing as an opera singer, until 2017 when he suddenly appeared on musical competition TV show Phantom Singer 2 and took on a new challenge as a part of crossover musical group, Miraclass. Now, in 2023, Kim Ju Taek of Phantom Singer 2 is about to transform into a real Phantom in The Phantom of the Opera, returning for its first Korean production in 13 years. Opera star Kim Ju Taek receives the spotlight of the stage, while the Phantom hides in the dark basement of an opera house. These two characters that live in seemingly different worlds become one through a common desire to share their music with the world.

“I knew I couldn’t pass on this opportunity”

You were actively performing in Italy, the birthplace of opera, when you decided to appear on Phantom Singer 2, and there was a lot of talk about you. I heard that some of your family and friends even discouraged you from doing TV. How did they react when they heard you would be making your musical theatre debut? When I told my mother I was going to be on Phantom Singer 2, she had to go lie down from shock. To be honest, I was afraid she would react similarly this time as well so I kept Phantom a secret from my mother until just before the cast was announced. But when she heard the casting news, her reaction was completely different from the past. Instead of opposing it, she even asked me this and that about the musical with interest. Genre aside, perhaps she saw that I was appearing alongside distinguished actors such as Jo Seung Woo, Choi Jae Rim, and Jeon Dongseok, and thought, “My son must be doing something amazing!” (laughs) The Miraclass members were also very happy for me. Musical actor Park Kang Hyun sunbaenim [senior] told me that it was a role that I would fit very well and congratulated me. (laughs)

I heard that you went to see pretty much every musical that actor Park Kang Hyun appeared in. When did you start becoming interested in musicals? Before I appeared on Phantom Singer 2, I honestly thought that classical music was the only type of music for me. Like a racehorse with its eyes covered, my view was too narrow. But through Phantom Singer I met so many skilled musicians that performed in other genres, and I discovered there was a whole other world I was unaware of. It was a wakeup call. “I was too proud just because I sing a bit of opera!” I thought, and I realized I had the wrong view before. From that time, my eyes were opened, and I became interested in a variety of genres. Through the competition, I became a member of the same team as musical actor Kang Hyun, and I started learning about musicals when I went to support him in the musicals he appeared in. I’ve pretty much seen all of the musicals he’s been in from when he was at Daehakro in 2017 doing Evil Dead to the present day in grand theatres.

As a member of the audience, what did you think of musicals? I went to study abroad in Italy in my last year of high school, so I didn’t have any opportunity to learn about musicals. Musicals aren’t performed much in Italy, the birthplace of opera. I discovered musicals late, once I returned to Korea, and it was overwhelming. The stage direction was awesome, and the actors’ singing was powerful to my ears - a completely different appeal from opera, which doesn’t use mics. I’ve never learned acting, but I thought that I would like to try performing in sung-through musicals such as Les Miserables and Hadestown. I also wanted to try singing the songs that An Jung-geun sings in Hero. I sometimes imagined what appearing in a certain musical would feel like. One of the musicals that I vaguely dreamed of was The Phantom of the Opera.

When the cast was announced, you said, “I have thought that if I ever were to be in a musical, the musical that would best express my music would be The Phantom of the Opera.” What was the reason that made you decide to appear in Phantom? Even amongst classical singers, The Phantom of the Opera is a well known musical. It’s set in an opera house in Paris, and many opera singers have appeared in the show as well. I’ve never seen the show in person, but I’ve sung Raoul and Christine’s duet, “All I Ask of You,” at a concert before. From then, I’ve thought that the show had very beautiful music. I was also curious what the secret was behind Broadway’s longest running musical. I wanted to figure out the reason for its success through performing in the musical myself. More than anything, it’s also the first time in 13 years that The Phantom of the Opera is being produced in Korea! We don’t know when the next production after this will be, so I knew I couldn’t pass on this opportunity.

Considering that this is the first license production in so long, the casting competition must have been fierce. Do you have any stories from the audition process? The auditions were held when people couldn’t freely enter and leave the country due to COVID-19, so the director, Rainer Fried, couldn’t come to Korea himself and ended up video calling into the auditions. The audition song was “All I Ask of You (Reprise),” when the Phantom peers at Christine and Raoul’s secret rendezvous and sings of his feeling of betrayal. I was so nervous that I don’t even remember how I sang the song. But after I sang, the director asked me to focus more on the Phantom’s emotions and sing it once more, so I had a hunch it was going well, since it meant that he was interested in me. The first time I sang in front of the director was during rehearsals, and he said that now that he was hearing me in person, it was a hundred times more thrilling than during the video call auditions. The producer that was at the auditions also said that I was memorable. They said that they usually just keep their eyes on their laptop screen, but for the first time at any audition, they looked up after I sang my first line. To be honest I don’t remember anything except being super nervous, but I was a little shy hearing such praise.

Were you really that nervous? Even though musical theatre is a new genre to you, you’re skilled in singing so I thought you would be confident. I definitely wasn’t confident at first! First of all, Phantom’s songs have a lot of high notes. In opera, the highest notes a baritone has to sing is around F# or G, but Phantom has to sing G#s and even A. I also have to use falsetto for some parts, which opera singers usually don’t need to do, since opera singers have to sing powerfully enough to cut through the orchestra and be heard without mics. But since musical vocalization is different from opera, I felt some pressure there. I debated a lot about how to sing in the show, and I ended up mixing in just the right amount of opera vocalization during rehearsal. Thankfully everyone seemed to think it was okay. (laughs) From that point, I gained some confidence.

“I want to break the stereotypes about opera singers”

Did you find any big differences between musical theatre and opera while rehearsing? As I said before, since opera singers don’t use mics, if you sing softly your sound is completely buried by the orchestra. It’s really embarrassing if you’re an opera singer and a conductor says your voice is soft. But in musical theatre, through the mic, even the smallest whispers and breaths from an actor is perfectly conveyed to the audience. So compared to opera, a much more subtle expression is possible. On Phantom Singer 2, Kang Hyun nicknamed me “tyrannosaurus” so a lot of people remember me as just having a powerful voice, but I actually enjoy more subtle singing, with expressiveness. In that sense, I think musical theatre fits me well.

In the past, you sang mostly in Italian when performing in operas. This time, you’ll be performing in front of a Korean audience singing in Korean - it must be a new feeling. You might think that it’s easier for me to sing in Korean, but that’s not the case. First of all, during rehearsals, the Korean lyrics were constantly being edited, so I would confuse the lyrics with the version I’d previously memorized. However, opera lyrics never change, and it’s required to arrive at rehearsals with the score memorized, so I’m still getting used to the rehearsal process for Phantom. The Korean language doesn’t have distinct accents or intonation, which is also an obstacle. European languages all have set rules for pitch and intonation, so you can sing according to those rules, but Korean doesn’t have those rules. So classical singers find Korean songs harder than Italian, German, or English language songs. But it’s fun, since a song sounds completely different based on the points that the singer chooses to emphasize in their interpretation.

Do you feel nervous about the acting? I would’ve been nervous if there were a lot of spoken lines, but The Phantom of the Opera is a sung-through musical. Putting emotions into my singing is something I’ve already been doing from my opera days, so it’s not too hard, comparatively. A lot of people have this misconception that opera singers wait for their turn, sing their song, and then get off stage, but operas are also just like musicals and require acting skill. I want to break that stereotype about opera singers by doing well as the Phantom.

The role of Christine is played by Son Ji Soo and Song Eun Hye, who are also opera singers. How did you feel performing with them during rehearsals? Even before Phantom, I knew both of them well. Soprano Ji Soo and I are both graduates of Seonhwa Arts High School and we’ve run into each other before at competitions. Popera singer Eun Hye and I performed together at a concert before. The fact that the two of them are also a part of this is a source of strength for me, since we can talk about our troubles together as classical singers doing musical theatre. The two Christines must feel a lot of pressure regarding acting since the role has so much stage time, but the others playing the Phantom role are all musical actors so they’ve been taking the lead during rehearsal, and now we have a great time practicing together. I’ve been enjoying rehearsals because each of the Christines have their own personalities. Since Ji Soo has her share of experience on the opera stage, she gives off the vibe of a respectable prima donna; Eun Hye, on the other hand, brings out a more young and innocent side of Christine, one that’s just about to become a big star.

Imagine yourself finally standing on stage after all the rehearsals - which scene do you anticipate the most? The scene where the Phantom sings “The Music of the Night.” After starting rehearsals, we pretty much rehearsed this song for ten days straight, but I understand why we poured our heart and soul into rehearsing it. In just a few minutes, I have to fully express what kind of person the Phantom is. To the Phantom, music is his entire life. He’s devoted his entire being into his music. And one day, someone appears that can transform the music he’s been dreaming about into reality. That someone is Christine. Right before the Phantom sings “The Music of the Night,” he sings this to Christine: The only reason I’ve brought you here is so that you can sing my song. If I don’t properly convey the Phantom’s mentality in this passage, the Phantom could be just a villain in the audience’s eyes. So I’m very nervous about this scene, but I’m also excited for it. It feels like time stops when I’m singing this song.

“The Music of the Night” requires a detailed portrayal, but the Phantom’s face is covered so it must be difficult to convey emotion in this song. That’s right. My face is half covered by the mask, so however intensely stare, there’s a limit to what the audience will take away. Instead, I use my hand movements to convey emotion. In “The Music of the Night,” the Phantom’s motions are gentle and careful as if he’s lulling a baby. Because Christine is that precious to him. But strength must coexist with that gentleness - only then can the audience see that Christine is overpowered by the Phantom. The director said that I have to act with “the feeling of pulling Christine’s backbone.” It’s a bit of an extreme expression, but that’s how I have to portray the Phantom’s invisible power that’s able to captivate Christine. As rehearsals continue, I’m realizing just how exquisitely and systematically this musical was put together. I can’t carelessly pass over any single breath, look, gesture, or word. I think the reason why The Phantom of the Opera has been so loved all over the world for 35 years is because of this meticulous attention to detail.

“If all you do is think, nothing will happen”

With the guidance of the Phantom, Christine emerges as the prima donna. In real life, do you have a mentor like the Phantom? Though I’ve never met him, there’s someone that held on to me so that I could make it to this point without losing my passion for singing - Italy’s legendary baritone Piero Cappuccilli. Cappuccilli was famous for his ability to sing up to the tenor range, even though he was a baritone, and his long, uninterrupted phrases. I especially love his legato [the method of singing multiple notes in a smooth, continuous fashion]. There’s an aria from the opera Don Carlo called “Io Morro, Ma Lieto In Core” that Rodrigo sings before he dies. In this aria, Cappuccilli sings four phrases without a single breath in between for about 20 seconds. When I heard him sing this, I was floored. I wanted to copy him so at night I would go to the park when it was empty and walk while practicing singing. In this way, I was able to sing for longer on a single breath. That’s how I grew as a singer while listening to Cappuccilli. He’s my idol and mentor. Whenever I want to go back to the basics, I watch videos of Cappuccilli. If the Phantom reached out to Christine through the mirror to guide her, Cappuccilli did the same thing to me, through the computer screen.

The Phantom is a musical genius, but due to his hideous appearance he leads a lonely life hidden in the basement of an opera house. Though you’re known for having an optimistic personality, do you find any similarities between you and the Phantom? For any character I portray, I start with finding the similarities between my experiences and the character’s in the story. For example, if the role is a father who has lost a wandering son, then I’ll recall the feeling of when one of my favorite juniors lost their way to portray that role. While I was carefully considering where to find the commonalities between myself and the Phantom, my slump in Italy came to mind. After 4-5 years studying abroad, due to my family’s circumstances, it became difficult for my parents to support me. To make matters worse, I was deeply betrayed by someone in my life. As a twenty something year old living alone far from home, I struggled to get through these hardships one after another. I wanted to give up on the music that had been my everything up until then. I even had the extreme thought of giving up on life. I’m going to try and place those feelings into my Phantom. The Phantom’s solitude, his feelings when Christine, who he believed would give his music wings, betrays him - I think my experiences will help me portray those emotions.

How did you get out of that slump back then? Ironically, it was music that pulled me out of my slump in the end. At the time, my final exam to graduate from the Verdi Music Conservatory in Milan was approaching, but I had lost myself to a state of despair and I even stopped attending my classes. But then, a teacher of mine came to look for me, and even brought me to their villa to cheer me up. They also helped me enter a competition, and it was at that competition that I met the casting director that cast me in my debut opera. It’s dramatic, right? After that, while preparing for the opera, I forgot about all of the hard times. I also graduated from school as the fourth student in the conservatory’s history to receive unanimous votes. I almost gave up on life because of music, but it was also thanks to music that I hung on to life.

I always thought you had a continuous upward trajectory as an opera star - I’m surprised that you also had setbacks in your career. I’m not sure how I appear to others, but my life has been a continuous cycle of new endeavors and failures. After debuting as an opera star, while I was actively performing, I hit another slump. It was difficult to always sing in the same theatre, with the same people, with the same orchestra and the same repertoire. This question kept ringing in my head: “Is this really the future I dreamed of?” Around this time, I was in Korea for a bit, and coincidentally it was when Phantom Singer 1 was airing. While watching the show, I couldn’t get the thought out of my head, “What if I had appeared on this show?” So when the applications for Phantom Singer 2 opened I immediately applied. Because I had gotten tired of constantly doing the same things in the same way and wanted a refresh.

Is there anything else you want to challenge in the future? After Phantom of the Opera, if possible, I want to keep doing musicals. I intend to grow as a musical actor one step at a time. Later on, I want to be a conductor or a music director. I want the job of seeing the forest instead of the trees - painting the big picture. My childhood dream was to become a conductor. While traveling around the world and performing with conductor Jeong Myung Hoon, I saw his overflowing charisma while conducting and my childhood dream that I had carefully tucked away came back to life. After all, it’s part of my personality that I can’t stay in one place for too long. Just like how 19 year old Kim Ju Taek set off for Italy, I love taking on new challenges. And I’ll do that for the rest of my life.

In the world, there are more people that are afraid and hesitant in front of new challenges than those that enjoy it. What do you want to say to the people that are afraid? I often tell my juniors to not just think of doing something but to actually attempt it. If all you do is think, nothing will happen. However, with anything you attempt, even if you fail, the experience remains. That experience keeps building up and then it becomes your skills. Sometimes, when I’m giving advice to my juniors, they respond with, “I’m not ready yet.” I get sad when I hear those words. If you do nothing and just wait for your big break, when your chance actually appears you won’t be able to take it because you don’t have the skills. You have to remember that no matter if you succeed or fail, the experience you build is preparation so you’re able to take the opportunity when it comes. So if you’re thinking about trying something right now, go for it. It takes ten hits to chop down a tree. If all you do is think about something ten times, nothing will come out of it.

#kim ju taek #김주택 #the phantom of the opera #오페라의 유령 #korean musicals #translation #i love that even though he's a musical theatre rookie he's bringing such a wealth of experience of performing to the role #like you can feel just how much he loves music and that's why this role is perfect for him

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444namesplus · 3 months ago

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plangentia · 6 months ago

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PY Ta 713

.1 to-pe-za , ra-e-ja , ku-te-se-jo , e-ka-ma-pi , e-re-pa-te-jo-qe , a-pi-qo-to , e-ne-wo-pe-za , qe-qi-no-me-na , to-qi-de 1 .2 to-pe-za , e-re-pa-te-ja , po-ro-e-ke , pi-ti-ro2-we-sa , we-pe-za , qe-qi-no-me-na , to-qi-de 1 ⟦to-pe-za⟧ .3 to-pe-za , ku-te-se-ja , e-re-pa-te-jo , e-ka-ma-pi , a-pi-qo-to , e-ne-wo-pe-za , ko-ki-re-ja

Translation

A table, made of stone, with supports made of faux ebony and ivory with decoration going around it, with nine feet and decorated with a spiral. 1.

A projecting table, made of ivory, decorated with little feathers, with six feet and decorated with a spiral. 1.

A faux ebony table with supports made of ivory, with decoration going around it, with nine feet and decorated with seashells.

Commentary

The Ta series from which this tablet comes resembles a list of furniture found in Odyssey Book 19, which is owned by a goddess.

to-pe-za - torpedza - "table." Likely related to Classical Greek τράπεζα from PIE *tr-ped-ya (syllabic r > or in Mycenaean Greek and ra in Classical Greek).

ra-e-ja - laeia - "made of stone". An -eja adjective of material suffix. Classical Greek λᾶας means stone seems to be related. Blegen found a large marble disc on three legs at Pylos - is this one of our tables? (No.)

ku-te-se-jo - kuteseiois - (faux) ebony. An instrumental plural. Related to Classical Greek κύτισος meaning "bastard ebony?" Likely a loan word.

e-ka-ma-pi - hekhmapphi - some kind of support? Potentially related to ἔχω. Unsure if Grassman's Law acts upon Mycenaean Greek (does kh deaspirate to k?). Instrumental plural -pi.

e-re-pa-te-jo-qe - elephanteiois-kwe - "(and) ivory". Instrumental plural here. Related to our modern word elephant.

a-pi-qo-to - amphigwotos? - with decoration going around it? Unknown meaning. amphi- describes "around", whilst -gwotos is from PIE *gwm-yo > βαίνω - "goes." This adjective is used to describe tables and portable hearths - may refer to a rim or the decoration.

e-ne-wo-pe-za - "having nine feet"

qe-qi-no-me-na - "decorated." A perfect participle shown by reduplication and standard perfect participle suffix. Root *gwi- may be related to βινόμενον, meaning enlived (related to Latin vivus and English quick).

po-ro-e-ke - prohekhes - "projecting?" hekh < *sekh = "to follow". This seems most likely. However, po-ro could be related to poros marble? Seems less likely.

pi-ti-ro2-we-sa - "decorated with little feathers". we-sa suffix of decoration. pi-ti-ro2 = ptilyo- - this could be related to Classical πτίλον, meaning "little feather."

we-pe-za - "six-footed." Likely originally sweppedza, with swex being the origin of ἕξ [hex] - six.

ko-ki-re-ja - "decorated with sea shell." This definitely means decorated with, not "made of" in this context.

#abby's translations #linear b #pylos

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indiesole · 1 year ago

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Indies (Lifetime) Playlist Tributes to Music Legends - Part 3

DEV ANAND’S TOP 270 SONGS ! :

Yt Link:

Hai apna dil - Solva saal

same (sad version)

Sau saal pehle - Jab pyar kisise hota hai

Jiya ho jiya kuch bol do - Jab pyar Kisise Hota hai

Kabhi na kabhi, kahin na kahin - Sharabi

Dil ka Bhanwar - Tere Ghar ke Saamne

Abhi na jaao chhodkar - Hum Dono

Khoya khoya chand - Kala Bazar

same (color version)

Ek But Banaoonga - Asli Naqli

Khwaab Ho Tum -Teen Deviyan

Hum Bekhudi Mein - Kala Pani

Rim Jhim Ke Taraane - Kala Bazaar

Aankhon hi aankhon mein - CID

O Leke Pehla Pehla Pyar - CID

Main zindagi ka saath - Hum dono

Tujhe jeevan ki dor se - Asli naqli

Hum hain rahi pyar ke - Nau do Gyarah

O Aaja Panchhi - Nau do Gyarah

Aankhon Mein kya ji - Nau Do Gyarah

Chal Ri Sajni - Bambai Ka babu

Koi Sone Ke Dilwala - Maya

Yaad Kiya Dil Ne - Patita

Tere ghar ke saamne - Tere ghar ke saamne

Kahin Bekhayal ho kar - Teen deviyan

Kabhi Khud Pe - Hum Dono

Tasveer teri dil mein - Maya

Mana Janab ne pukara nahi - Paying Guest

Chhod do aanchal - Paying Guest

Woh dekhe toh unki inayat - Funtoosh

Hai hai hai ye nigahen - Paying Guest

Jeevan ke safar mein rahi - Munimji

Aese Toh na Dekho - Teen Deviyan

Achha ji Main Hari - Kala Pani

O Shivji bihane chale - Munimji

Ye raat ye chandni phir kahan - Jaal

Dheere dheere chal - Love Marriage

Na Tum Hamein jano - Baat ek Raat Ki

Deewana Mastana - Bambai ka babu

O Nigahen Mastana - Paying Guest

Gaata rahe mera dil - Guide

Tere mere sapne - Guide

Dooriyan nazdeekiyan ban gayi- Duniya

Yeh dil na hota bechara - Jewel thief

Kal ke roop mein - Nau do gyarah

Dekho rootha na karo - Hum Dono

Gori Zara Hans de Toh - Asli Naqli

Sun le tu dil ki sada - Tere ghar ke saamne

Teri zulfon se judaai toh nahi - Jab Pyar Kisise Hota Hai

Dil Pukaare - Jewel thief

Aye dil Kahan teri Manzil - Maya

Chupke se mile pyaase pyaase - Manzil

Dekho ji mera haal - Solva saal

Yahi toh hai woh - Solva saal

Ye nai nai preet hai - Pocketmaar

Likha hai teri aankhon mein - Teen Deviyan

Are yaar meri tum bi ho gazab - Teen Deviyan

Tu kahan yeh bataa - Tere ghar ke saamne

Aye kaash chalte milke - Manzil

Phir se ek baar kaho - Maya

Phoolon ke rang se - Prem pujari

Sawan ke mahine mein ek aag si sene mein - Sharabi

Bahe na kabhi nain se neer - Vidya

Aa teri tasveer bana loon - Nadan

Pavan chale toh - Bambai ka babu

Bol na bol aye jaane wale - Armaan

Saathi na koi manzil - Bambai ka babu

Jao ji jao - Sharabi

Ladi aankh se aankh - Pocketmaar

Dil toh hai diwana na - Manzil

Yeh aankhen uff yumma- Jab Pyar Kisise hota Hai

Peechhe Peechhe Aa Kar - House No.44

Phir wahi chand wahi hum - Baarish

Hum dum Se gaye- Manzil

Teri duniya mein jeene se - House No. 44

Bataao kya karungi main - Ek ke baad ek

Dil ki umangen hain jawan - Munimji

Dukhi Man Mere - Funtoosh

Chup hai dharti - House No. 44

Nazar Milayi toh - Ek Ke baar ek

Thumak thumak haye - Ek ke baad ek

Tum toh dil ke taar chhedkar - Roop ki rani choron ke raja

Chheda mere dil ne tarana - Asli naqli

Oh dilwale ab teri gali aa pahunhe - Kala Pani

Jo Ijaazat Ho Toh Ek Baat Kahoon - Bas Ek Raat Ki

Hai sabse madhur woh geet - Patita

Zindagi hai kya sun meri jaan - Love Marriage

Ae meri topi palat ke aa - Funtoosh

Denewala jab bhi deta - Funtoosh

Dil hai aapka hujoor - Jaali Note

Chhidi ladayi bhari re- Ek ke baad ek

She ne khela he se - Love Marriage

Kal Ki Daulat Aaj Ki - Asli Naqli

Dane dane pe likha hai - Baarish

Jaayen toh jaaye kahan - Taxi Driver

Yaad Aa Gayi Woh Nasheeli Nigaahen - Manzil

Apni toh har aah ek toofan hai - Kala Bazaar

Wahan Kaun Hai tera - Guide

Doobte hue dil ko - Kahin Aur Chal

Mere jeevan mein ayi bahaar- Mohan

Ye Baharon ka Sama - Milap

Aji loot liya dil ko bahane karke - Dushman

Bin dekhe aur bin pehchaane - Jab pyar kisise hota hai

Kahan ja rahete kahan aa gaye hum - Love Marriage

Chand zard zard hai - Jaali note

Sach kehta hoon - Jaali Note

Hamein ab ye jeena gavara nahi - Khel

Aa Gup chup pyar karen - Sazaa

Sajaniya kit bhaage - Birha Ki raat

Aayee jhoomti bahaar - Insaniyat

Ye duniya hai yahan dil ka - Shair

O Sanam main tujhe pukaroon - Sanam

Mujhe le chalo - Sharabi

Raat suhani hai - Humsafar

Jaaneman jaaneman - Jaaneman

Tu roop ki rani - Roop ki rani choron ka raja

Woh chand nahi hai dil hai - Andhiyan

Aisa kya kasoor kiya - Nadaan

Aaja aaja tera intezaar hai - Sazaa

Teen kanashtar peet peet kar - Love Marriage

Krodh kapat ke andhiyaare - Armaan

Yeh kaun aya re - Ziddi

Main keh doon tumko chor- Sanam

Hum toh jaani pyar karega - Baarish

Dil Jawani Ke Nashe se - Birha Ki Raat

Nigahn Ne Pheka - Jaali Note

Dekh hamein awaaz na dena - Amar deep

Marne ki duayein - Ziddi

Duniya kya hai - Sarhad

Akela hoon main iss duniya mein - Baat ek Raat ki

Aao yaaron aao pyaaron - Ek Ke Baad ek

Hamein Aaj koi na chhediyo - Funtoosh

Do Bichhde hue dil - Shair

Humne khayi hai mohabbat mein - Dilruba

Chahe kitni kathin dagar ho - Jeet

Layi khushi ki duniya - Vidya

Kisiko yaad karta hai mera dil - Madhubala

Dil Todne wale yaad rahe - Namoona

Kaise koi jiye - Baadbaan

Bharam teri wafaon ke - Armaan

Teri dhoom har kahin - Kala bazaar

Ek Do Dilon Ka Kaafila - Do Sitaare

Naacho jhoom jhoom jhoom ke - Sarhad

Nayi jawani rut mastani - Madhubala

Chale jaa rahe hain - Kinare Kinare

Sawan ki ghataon - Aage Badho

Oghar ghar ko diye - Hum Bhi Insaan Hain

Hum tere Hain - Hum Bhi Insaan Hain

Naam hai Jhatpat aji - Dushman

Oonche sur mein gaye jaa - House No. 44

Din Dhal Jaaye - Guide

Shokhiyon mein ghola jaye - Prem Pujari

Jaisa des waisa bhes - Des Pardes

Phoolon ka taaron ka - Hare rama Hare krishna

Bahut door chale jana hai - Heera Panna

Saare jahan se achha - Yeh Gulistan Hamara

Taaqat Watan Ki humse - Prem Pujari

Zulm sahe na zulm kare na - Insaniyat

Kiska raste dekhe - Joshila

Kya se kya ho gaya tere pyar mein - Guide

Hai maine kasam li - Tere Mere Sapne

Jeevan ki bagiya mehkegi - Tere Mere Sapne

Falsafa pyar ka - Duniya

Pal bhar ke liye - Johnny Mera Naam

Wada toh nibhaya - Johnny Mera Naam

Yeh Duniyawale Poochhenge - Mahal

Dekho O deewano - Hare Rama Hare Krishna

Dum Maaro dum - Hare Rama Hare Krishna

Choodi nahi ye mera dil hai - Gambler

Main apni dhun mein - Manpasand

Aise na mujhe tum dekho - Darling darling

Kanchi re kanchi re - Hare rama Hare krishna

Panna ki tamanna hai - Heera Panna

Dil aaj shayar hai - Gambler

Sun jeenewale - Swami dada

Ek roop kai naam - Swami dada

Aasmaan ke neeche - Jewel thief

Main Aya hoon - Amir Garib

Dekho dekho madam - Pyar Mohabbat

Hue aap naaraaz - Pyar Mohabbat

Rahi tha main awara - Sahib bahadur

Des Pardes-Des Pardes

Aaj ka din koi bhoole na -Lootmaar

Ishq Ihq ishq -Ishq ishq ishq

Mera mann tera pyasa -Gambler

Neend chura ke raaton mein -Shareef Budmash

Ek main hoon ek tu -Darling darling

Mere peechhe ek ladki - Banarasi babu

Mujhe Pyaar kar -Prem Shastra

Aankhon aankhon mein-Mahal (Contd)

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dear-indies · 2 years ago

Note

Hi there, lovelies! I was looking for a Korean fc and I'm stumped, I really like the vibes of Kang Haerin, her features fit the girl I'm writing for but she's still a minor, that's a huge no-no! Can you help me find a young adult with similar looks to her? Thank you so much!

Park So Dam (1991) Korean.

Bae Suzy (1994) Korean.

Han So Hee (1994) Korean.

Kim Se Jeong (1996) Korean.

Park Soo Young (1996) Korean.

Tati Gabrielle (1996) Korean / African-American.

Moon Ga Young (1996) Korean.

Minseo (1996) Korean.

Han Ji Hyun (1996) Korean.

Jo Soo Min (1999) Korean.

Kim Ye Rim (1999) Korean.

Jo Yi Hyun (1999) Korean.

Kang Mi Na (1999) Korean.

Hwang Ye Ji (2000) Korean.

Kwon Eun Bin (2000) Korean.

Here you go!

#fc help #rph #rpc #korean fc

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korean-dreams-girls · 18 days ago

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Onda (Everglow) - Selca

#Onda #Jo Se Rim #Everglow #Selca

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k-star-holic · 1 year ago

Photo

Kim Yuna, "Ko Woo-rim": "Future Child? Figure Never!"

Source: k-star-holic.blogspot.com

#Kim Yuna #Nanoblock #You Quiz on the Block #Ko Woo-rim #Yoo Jae-Suk #Jo Se-ho

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rajeshkumardayalsblog · 2 years ago

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Hye me Rajesh kumardayal friends tumbler par meri ye pheli post hai asa karta hu ki meri ye pheli post ap sabko pasand aaegi

Zamane ki bheed mein tanha sa rasta tha,

Tumbler ki duniya mein dil ko sukoon mila.

Dard bhari shayari, pyaar ki baatein,

Tumbler ke andar kuchh alag hi jaate hain.

Jaise tumbler ghoomti hai khubsurat raaton mein,

Shayari ke jharokon se aapke dil ko chhu jaate hain.

Tumbler ke kinare baithkar, kuchh sochne ko dil karta hai,

Shayari ke saath ek nayi duniya basaane ko dil karta hai.

Rim jhoomte hain, saath chhupte hain sitare,

Tumbler ke andar kahaniyan jagmagati hain pyare.

Tumbler banaye har ek pal ko yadgar,

Shayari ke saath saath, khud ko paigam bhejta hai nagar-nagar.

Tumbler ke jadoo mein rangin hai zindagi,

Shayari ki lehar mein basa hai asli maza.

Toh tumbler uthaiye, shayari se sajaiye apne aapko,

Kho jaiye us kahaani mein, jo hai anokha.

Yeh tumbler shayari aapke dard ko halka kare,

Khushiyan bhar de aur dil ko behka de.

Tumbler ke saath shayari ka milaap ho jaaye,

Har roz nayi khushiyan aapke darwaze pe aaye.

Umeed hai yeh shayari aapko pasand aayi hogi,

Tumbler ke saath aapki khushiyon ki bahaar khilayegi.

Tumbler utha kar yeh shayari aap apne doston ke sath baatenge,

Khushiyan baantenge aur pyaar phailayenge.

Tumbler shayari ka jadoo hai kuchh alag,

Tumbler lekar aap bhi ban jaiye shayar mere bagh.

Umeed hai aapko yeh tumbler shayari pasand aayi,

Khush rahiye aur shayari ke jharokon se muskurayiye.

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rkausdmldudhkd12 · 2 years ago

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가면의 여왕 다시 보기 1화 2화 채넒A 1회 2회 드

가면의 여왕 다시 보기 1화 2화 채넒A 1회 2회 드 <<

가면의 여왕 다시 보기 1화 2화 채넒A 1회 2회 드

Takelin High School. It is a literary society founded by seven writers during the military regime in the middle of the Goryeo Dynasty.

The key figure in this group was Yi In-ro, who imitated the Chinese poet Baek Nak-cheon’s four wives and formed a misu-wu. Imchun was called Si-wu, Jo Tong was called San-rim-wu, Lee Dam-ji was called Zhou-wu, and the monk Jong-ryeong was called Gongmun-wu.

Later, it was renamed as the Seven Strings of Bamboo Forest after the Chinese gathering, and is often called the Seven Strings of Bamboo Forest even in modern times. It is also called the Seven Hundreds of Seas.[1]

They were immersed in laissez-faire ideology of the Wei, Jin, Southern and Northern dynasties in China, and held a meeting after the seven sages of Bamboo Forest, who made friends with benefactors, and called it Juklim High School. When tattoos were alienated from the political world during the military regime, they went to the mountains and fields to console their unfortunate situation with poetry and alcohol. Just as the seven sages of China's bamboo forest entered the early night to preserve their lives during the turbulent times of the Jin Dynasty, the bamboo forest school can be seen as a place where military officials came to power and the tyranny of tattooists intensified. Of the 7 prefectures, except for Yi In-ro and Jo Tong, the remaining 5 people lived unfortunate lives as literary masters. It was also that they tried to comfort and forget the feelings of resentment and resentment coming from their situation through literature and alcohol. It is not known to what extent they were aware of Lao-tzu's thought, but it seems that they admired the innocent, worldly, and self-indulgent appearance. However, considering Oh Se-jae's tragic death, etc., it may be more accurate to say that there was nothing they could do during the unmanned regime rather than that they did not actively seek government office. In fact, Lee In-ro or Juklim Gohoe, Lee Gyu-bo, later served in the government of Choe Chung-heon and made a big success, and will hear the sound of being a scholar in the future.

It is said that he represented the literary world at the time of the Goryeo Dynasty and had considerable influence. In addition to writing poetry, he is presumed to have actively discussed poetry, and Lee In-ro's 《Pahanjip》 is an important review book in the history of Korean literature. At the age of 19, Lee Kyu-bo formed a late-year relationship with Oh Se-jae, who was 35 years older, and interacted with them while attending Jukrim High School. However, as they gathered every day to drink alcohol, compose poetry, and behave recklessly, it is said that there were not a few people who criticized this attitude. invited to come in. Then, Lee Gyu-bo said, "What kind of government office is the 7 prefecture, so that it can fill the vacant position? After the death of China's Wanjeok and Hyegang, I have not heard that there is anyone who succeeded them," making the audience laugh. It is said that he made the audience angry by reciting "I still do not know which of the 7 strings is the same as Wang Yung". Tattoo of Goryeo. Gaegyeong faction noble family. He is famous as the author of Samguk Sagi, and is a representative authority in Korean history who controlled the Goryeo court after suppressing the Myocheong Rebellion in 1135 (13th year of King Injong of Goryeo).

His children include Kim Don-jung, who initiated the military coup. Kim Bu-sik's family was a family that fell short of the central aristocracy even until his father's generation. Then, in the era of Kim Bu-sik, he succeeded in rising to fame, and his family prospered greatly, becoming one of the leading nobles in Goryeo. Kim Pu-sik's grandfather and father did not hold high positions, but the family's prestige rose sharply as all five brothers of Kim Bu-sik passed the state examination in the past and succeeded in life. The eldest of Kim Bu-sik's brothers made a contribution during the conquest of Yeojin by Yoon-gwan after passing the state examination in the past, and the five brothers subsequently passed the examination in the past and became a family that leads to legends in the entrance examination. Thanks to this, the mother of the five brothers received a great reward from the Goryeo court. The five brothers, Kim Bu-sik, supported and pulled each other, and quickly emerged as a family that exercised great influence in the court, and had a prestige that was second only to Lee Ja-gyeom[6], a powerful official of the time. However, during Lee Ja-gyeom's reign, he was more of a cooperative rather than a rival. In that Lee Ja-gyeom insisted on Sadae for the Jin Dynasty, he was at odds with the Seogyeong faction that emphasized the Goguryeo succession consciousness, so he cooperated to some extent with the Donggyeong faction belonging to Kim Bu-shik, who was friendly to Song and Silla.

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444namesplus · 5 months ago

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aba abe abh abi abo abu acha ache achi acho achu ada ade adh adi ado adu afa afe afh afi afo afu aga age agh agi ago agu aha ahe ahi aho ahu aja aje aji ajo aju aka ake akh aki ako aku al ala ale alh ali alo alu am ama ame ami amo amu an ana ane ani ano anu apa ape aph api apo apu ar ara are arh ari aro aru asa ase ash asi aso asu ata ate ath ati ato atu ava ave avi avo avu az aza aze azh azi azo azu ba bal bam ban bar baz be bel bem ben ber bez bha bhe bhi bho bhu bi bil bim bin bir biz bo bol bom bon bor boz bu bul bum bun bur buz cha chal cham chan char chaz che chel chem chen cher chez chi chil chim chin chir chiz cho chol chom chon chor choz chu chul chum chun chur chuz da dal dam dan dar daz de del dem den der dez dha dhe dhi dho dhu di dil dim din dir diz do dol dom don dor doz du dul dum dun dur duz eba ebe ebh ebi ebo ebu echa eche echi echo echu eda ede edh edi edo edu efa efe efh efi efo efu ega ege egh egi ego egu eha ehe ehi eho ehu eja eje eji ejo eju eka eke ekh eki eko eku el ela ele elh eli elo elu em ema eme emi emo emu en ena ene eni eno enu epa epe eph epi epo epu er era ere erh eri ero eru esa ese esh esi eso esu eta ete eth eti eto etu eva eve evi evo evu ez eza eze ezh ezi ezo ezu fa fal fam fan far faz fe fel fem fen fer fez fha fhe fhi fho fhu fi fil fim fin fir fiz fo fol fom fon for foz fu ful fum fun fur fuz ga gal gam gan gar gaz ge gel gem gen ger gez gha ghe ghi gho ghu gi gil gim gin gir giz go gol gom gon gor goz gu gul gum gun gur guz ha hal ham han har haz he hel hem hen her hez hi hil him hin hir hiz ho hol hom hon hor hoz hu hul hum hun hur huz

iba ibe ibh ibi ibo ibu icha iche ichi icho ichu ida ide idh idi ido idu ifa ife ifh ifi ifo ifu iga ige igh igi igo igu iha ihe ihi iho ihu ija ije iji ijo iju ika ike ikh iki iko iku il ila ile ilh ili ilo ilu im ima ime imi imo imu in ina ine ini ino inu ipa ipe iph ipi ipo ipu ir ira ire irh iri iro iru isa ise ish isi iso isu ita ite ith iti ito itu iva ive ivi ivo ivu iz iza ize izh izi izo izu ja jal jam jan jar jaz je jel jem jen jer jez ji jil jim jin jir jiz jo jol jom jon jor joz ju jul jum jun jur juz ka kal kam kan kar kaz ke kel kem ken ker kez kha khe khi kho khu ki kil kim kin kir kiz ko kol kom kon kor koz ku kul kum kun kur kuz la lal lam lan lar laz le lel lem len ler lez lha lhe lhi lho lhu li lil lim lin lir liz lo lol lom lon lor loz lu lul lum lun lur luz ma mal mam man mar maz me mel mem men mer mez mi mil mim min mir miz mo mol mom mon mor moz mu mul mum mun mur muz na nal nam nan nar naz ne nel nem nen ner nez ni nil nim nin nir niz no nol nom non nor noz nu nul num nun nur nuz oba obe obh obi obo obu ocha oche ochi ocho ochu oda ode odh odi odo odu ofa ofe ofh ofi ofo ofu oga oge ogh ogi ogo ogu oha ohe ohi oho ohu oja oje oji ojo oju oka oke okh oki oko oku ol ola ole olh oli olo olu om oma ome omi omo omu on ona one oni ono onu opa ope oph opi opo opu or ora ore orh ori oro oru osa ose osh osi oso osu ota ote oth oti oto otu ova ove ovi ovo ovu oz oza oze ozh ozi ozo ozu pa pal pam pan par paz pe pel pem pen per pez pha phe phi pho phu pi pil pim pin pir piz po pol pom pon por poz pu pul pum pun pur puz ra ral ram ran rar raz re rel rem ren rer rez rha rhe rhi rho rhu ri ril rim rin rir riz ro rol rom ron ror roz ru rul rum run rur ruz sa sal sam san sar saz se sel sem sen ser sez sha she shi sho shu si sil sim sin sir siz so sol som son sor soz su sul sum sun sur suz ta tal tam tan tar taz te tel tem ten ter tez tha the thi tho thu ti til tim tin tir tiz to tol tom ton tor toz tu tul tum tun tur tuz uba ube ubh ubi ubo ubu ucha uche uchi ucho uchu uda ude udh udi udo udu ufa ufe ufh ufi ufo ufu uga uge ugh ugi ugo ugu uha uhe uhi uho uhu uja uje uji ujo uju uka uke ukh uki uko uku ul ula ule ulh uli ulo ulu um uma ume umi umo umu un una une uni uno unu upa upe uph upi upo upu ur ura ure urh uri uro uru usa use ush usi uso usu uta ute uth uti uto utu uva uve uvi uvo uvu uz uza uze uzh uzi uzo uzu va val vam van var vaz ve vel vem ven ver vez vi vil vim vin vir viz vo vol vom von vor voz vu vul vum vun vur vuz za zal zam zan zar zaz ze zel zem zen zer zez zha zhe zhi zho zhu zi zil zim zin zir ziz zo zol zom zon zor zoz zu zul zum zun zur zuz

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