#jim morrison project

[morrisonfanclub]

New photo for me, and I’ve been looking at JDM photos since 2009.

[blueeyeddarkknight]

Some Val reaction gifs I made today 🥰

Done with your bs 😮‍����

Gasp 😲

Keep yapping 😾

Smolder face 😽

Shit eating grin 😈

Me when I see someone talkin shit about Val 🤨👊

Eyeroll🙄

My appetite at night 😬

My social battery is 0% but I can't go home yet 🙃

Me and my big mouth 🙊

That's it. I can't handle your dumb (and hot) ass, mav 🔥🥶

[kingandqueenofswords]

60s stamp designs i made for class!

[hauntedrose555]

happy birthday to the most ethereal beautiful doe eyed angel in existence @whimsyfawn222

[spookyserenades]

hey.. *slides 50 dollars* what are the costumes for this year Halloween the residents are wearing ?

fjdkslafjsd THANK YOU!! Hmm how fun! Here's what I think they'd be the second Halloween spent with Y/N (Trouvaille, btw!) :

Seokjin - Bro. He was a devil the first Halloween, so I think he'd go with angel (Saltburn style) the second. kfdalfjdals.

Yoongi - Honestly I think he'd really get into the TV Y/N watched as a teen like Supernatural, etc... I could see him going as a Shadowhunter.

Hoseok - There are two things he would consider: scary and sexy. Think Ghostface (but like this) or maybe Jack Skellington (this)

Namjoon - Fox Mulder from the X-files! Or some kind of character from a David Lynch project, perhaps Agent Cooper.

Jimin - Ponyboy Curtis from The Outsiders, or maybe Indiana Jones (hot). A greaser or an adventurer....

Taehyung - Jim Morrison or Luke Skywalker. I cannot explain why but both would be perfect.

Jeongguk - Kind of a party pooper but I think the second Halloween he'd be in the house Y/N would convince him to dress up. I think he'd end up going as John Constantine (iykyk ;)) or,,,, hear me out,,,,, a priest....

[rhapsodynew]

#everything you need to know about rock

Keith Richards.

The whale had to literally "grow up to be an instrument." Grandpa Gus, a jazz musician, teased his grandson's interest by hanging an acoustic guitar on a higher wall with the words : "When you get it, I'll let you play."

UK rock musicians are a friendly community where everyone knows each other. Every talented guitarist became famous two or three weeks after his appearance in London. John Wetton did not stay idle for long after the collapse of King Crimson. One day he received an envelope with an invitation to attend a rehearsal of the famous band "Jurai Hip", which needed a professional bass guitarist. In early 1975, Yuri Hip lost one of its musicians, Gary Thane, who died of a drug overdose. John Wetton replaced him, and very successfully. The appearance of an experienced musician in the band changed the atmosphere radically. John, a powerful generator of new ideas, became the real leader of the group.

John Anderson's most famous project after the Yes band was the duo Jon and Vangelis — with the legendary keyboardist and film composer. They first crossed paths back in the mid-70s, and then we'll give the floor to John:

So, I got Vangelis's phone number, he lived in Paris, I went and called him. He said (feigning a rude Greek accent) "Hello." I said, "My name is John Anderson." He asked: "What?" I replied: "I sing in a band called Yes." He said: "Are you a singer? Well, come on over." And I came. I was greeted by a tall and sturdy man in a long caftan. He had a bow and arrows slung over his shoulder. I followed him to a luxurious apartment that was located near the Champs-Elysees. We walked down the long hallway leading to the living room. And then Vangelis took out a bow, pulled the string and shot an arrow along the corridor — it hit the open window exactly. I said: "Vangelis, you could have killed someone." He said, "Oh, don't worry, I'm Greek." I said: "I know you're Greek, but damn..." And he was already busy at the stove. In general, I was crazy about this reaction."

The story of the song "The End" by The Doors.

According to the band members, this song was conceived as an ordinary farewell song after Jim Morrison broke up with his girlfriend Mary Werbelow. During the creative process, however, it gradually became more complicated and modified, overgrown with universal images.

The album version consists of two glued parts. The second, which appeared later, the "Oedipus" part was added to the first directly from the words "The killer awoke before dawn", which can be detected by changing the sound when listening carefully. The song was recorded the morning after Morrison's next "frenzy", possibly still under the influence of drugs. Morrison replaced the censored "fuck you" in the "oedipal" part with an inarticulate mumble.

The song is included in the list of the top five hundred according to Rolling Stone magazine (No. 328); the guitar solo of the song is ranked 93rd in the list of the 100 best guitar solos according to Guitar World magazine.

Richie Blackmore.

During his school years, Richie was actively involved in javelin throwing and swimming. Richie hated his studies and teachers for their formalism and suppression of non-standard thinking among students.

Roger Taylor and his mini-replica, drawn using words from his songs.

[hit-song-showdown]

Year-End Poll #18: 1967

[Image description: a collage of photos of the 10 musicians and musical groups featured in this poll. In order from left to right, top to bottom: Lulu, The Box Tops, Bobbie Gentry, The Association, The Monkees, The Doors, Frank and Nancy Sinatra, The Turtles, The Young Rascals, Frankie Valli. End description]

More information about this blog here

Moving on to 1967. As mentioned in one of the previous 60's polls, we're seeing how rock and roll is continuing to shift throughout this decade. With the debut of The Doors, psychedelic rock is starting to take hold within the genre. Even beyond rock music, with acts like The Association and The Turtles, that psychedelic descriptor will start applying to pop music as well as the psychedelia subculture truly takes hold in the decade. In the classic rock canon, 1967 is considered one of the greatest years the genre has to offer. And just looking at the projects and artists that debuted this year, that reputation doesn't feel like an exaggeration. Since these polls are strictly focused on the very top of the Billboard year-end Hot 100, I won't go too much into that. But just to give you an idea, this was the debut year of Creedence Clearwater Revival, Fleetwood Mac, Blood Sweat & Tears, The Jimi Hendrix Experience, Sgt. Pepper, and many more. Trust me, I'm making a bunch of painful cuts from this list alone.

We're also seeing the mainstream rise of Blue-eyed soul, a term used to describe white R&B singers at the time. While originally used by radio DJ, Georgie Woods, to introduce the Righteous Brothers, the term soon expanded until now some would classify it as a genre of its own. However, to paraphrase musician, writer, and political activist, Darrell McNeill, BES is primarily a marketing term. Since he explains the phenomenon and context far better than I can, here's a link to an article where he's quoted.

Much like how yesterday's poll was marked by an important cultural moment, we have another one today. This is the first poll that has a nipple on the banner. Yay! Congratulations Jim Morrison. Spoilers: he won't be the last. But this isn't a nipple poll, so they're all winners.

[demifiendrsa]

DC Studios | Chapter 1: Gods and Monsters

Chapter 1: Gods and Monsters:

Creature Commandos: An animated seven episode series, written by Gunn, that is already in production. Originally a team of classic monsters assembled to fight Nazis, this is a modern take on the concept. The voice actors have yet to be cast but the executives are looking to find people who can voice the animated characters and also portray the live-action versions when the anti-heroes to show up in movies and shows.

Waller: A spin-off of Gunn’s own HBO Max hit series, Peacemaker, Viola Davis will return as the ruthless and morally ambiguous head of a government task force. It is being written by Christal Henry (Watchmen) and Jeremy Carver, the creator of the Doom Patrol TV series.

Superman: Legacy: The movie featuring the Man of Steel that Gunn is writing and may direct, although no commitments on that end have been made. While the two previous titles are meant to be “aperatifs,” in Safran’s words, Superman is the true kick off for the duo’s DCU plans. “It’s not an origin story,” Safran said. “It focuses on Superman balancing his Kryptonian heritage with his human upbringing. He is the embodiment of truth justice and the American way. He is kindness in a world that thinks that kindness as old-fashioned.” A release date of July 11, 2025 has been penciled in.

Lanterns: Greg Berlanti’s long-in-the-works Green Lanterns TV series has been scrapped and the duo have parted ways with the longtime DC series steward. In its place will be a new take on the space cops with power rings. “Our vision for this is very much in the vein of True Detective,” Safran described. “It’s terrestrial-based.” It will feature prominent Lantern heroes Hal Jordan and John Stewart and is one of the most important shows they have in development. “This plays a really big role in leading into the main story we are telling across film and TV.”

The Authority: a movie based on a team of superheroes with rather extreme methods of protecting the planet that first originated in the late 1990s under an influential imprint known as Wildstorm, run by artist and now head of DC publishing, Jim Lee. “One of the things of the DCU is that it’s not just a story of heroes and villains,” said Gunn. “Not every film and TV show is going to be about good guy vs. bad guy, giant things from the sky comes and good guy wins. There are white hats, black hats and grey hats.” Added Safran: “They are kinda like Jack Nicholson in A Few Good Men. They know that you want them on the wall. Or at least they believe that.”

Paradise Lost: The duo describe this HBO Max series as a Game of Thrones-style drama set on the all-female island that is Wonder Woman’s birthplace, Themyscira, filled with political intrigue and scheming between power players. It takes place before the events of the Wonder Woman films.

The Brave and the Bold: “This is the introduction of the DCU Batman,” said Gunn. “Of Bruce Wayne and also introduces our favorite Robin, Damian Wayne, who is a little son of a bitch.” The movie will take inspiration from the now-classic Batman run written by Grant Morrison that introduced Batman to a son he never knew existed: a murderous tween raised by assassins. “It’s a very strange father-and-son story.”

And, importantly, it will feature a Batman not played by Robert Pattinson…

Booster Gold: an HBO Max series based on a unique and lower-tiered hero created in 1986. Safran said of the series, “It’s about a loser from the future who uses basic future technology to come back to today and pretend to be a superhero.” Gunn described it as “imposter syndrome as superhero.”

Supergirl: Woman of Tomorrow: Taking its cues from the recent Tom King-written mini-series, this movie project promises to have a different take than what most think of when the idea of Superman’s cousin comes to mind. “We will see the difference between Superman, who was sent to Earth and raised by loving parents from the time he was an infant, versus Supergirl, raised on a rock, a chip off of Krypton, and who watched everyone around her die and be killed in terrible ways for the first 14 years of her life and then come to Earth. She is much more hardcore and not the Supergirl we’re used to.”

Swamp Thing: a horror film that promises to close out the first part of the first chapter.

[shake-your-money-maker]

On this date in 1991, "Point Break" was released.

Development of "Point Break" began in 1986, when W. Peter Iliff wrote an initial treatment for the film. Matthew Broderick, Johnny Depp, Val Kilmer, and Charlie Sheen all being considered to play the Johnny Utah character, with Ridley Scott directing. However production fell through. Four years later, after acquiring the screenplay, the producers of "Point Break," Peter Abrams and Robert L. Levy, began looking for a director. At the time, executive producer James Cameron was married to director Kathryn Bigelow, who had just completed "Blue Steel" and was looking for her next project. Only Iliff is credited for the screenplay, but Cameron has said that he did a considerable amount of writing with Bigelow for the final film, helping to establish a better plot flow.

"Point Break" was originally called "Johnny Utah" when Keanu Reeves was cast in the title role. Reeves liked the name of his character, as it reminded him of star athletes like Johnny Unitas and Joe Montana. He described his character as "a total control freak and the ocean beats him up and challenges him. After a while, everything becomes a game. He becomes as amoral as any criminal. He loses the difference between right and wrong."

The studio, however, felt that "Johnny Utah" as a title said very little about surfing and by the time Patrick Swayze was cast, the film had been renamed "Riders on the Storm" after the famous song by The Doors. However, Jim Morrison's lyrics had nothing to do with the film and so that title was also rejected. It was not until halfway through filming that "Point Break" became the film's title because of its relevance to surfing.

Two months before filming, Lori Petty, Reeves and Swayze trained with former world-class professional surfer Dennis Jarvis on the Hawaiian island of Kauai. Jarvis remembers, "Patrick said he'd been on a board a couple of times, Keanu definitely had not surfed before, and Lori had never been in the ocean in her life." Shooting the surfing sequences proved to be challenging for all three actors, with Swayze cracking four of his ribs. For many of the surfing scenes, he refused to use a stunt double as he never had one for fight scenes or car chases. He also did the skydiving scenes himself and the film's aerial jump instructor Jim Wallace found that he was a natural and took to it right away. Swayze ended up making 55 jumps for the film.

Swayze actually based aspects of his character after one of his stunt doubles, Darrick Doerner, a top big wave surfer. After learning to surf for the film, Reeves took a liking to it and took it up as a hobby.

[theadaptableeducator]

Projected City - Monochromes in a Colourful Mind

The waterfront light show,

a spectacle of wonder and awe,

On towering shipping containers,

that reach for the sky.

The city skyline aglow,

with a mesmerizing display,

Projected stories of our history,

unfold before our eyes.

Through veils of dry ice smoke,

the past comes alive,

A tapestry of memories,

that capture our attention.

Jim Morrison said it best,

we are riders on the storm,

And in this moment,

we are transported to another time.

The waterfront light show,

a celebration of our city's past,

A reminder of all that we've been,

and all that we can be.

[morrisonfanclub]

A new photo of JDM.

[mermaidsirennikita]

Just started reading Daisy Jones & The Six and I gotta ask - who would you have cast had you been in charge for the TV series?

Honestly, I don't really know. I had people I might've cast at the time (like, four years ago) but so much has changed since then and I don't necessarily feel the same way.

I diiid like the idea of Florence Pugh as Daisy back in the day, and I maintain that. I feel like Daisy needed to be played by someone who could be both realistically battered and realistically ethereal, and... a good actress.... Florence is all of those things. For Billy, in my mind's eye I always pictured more of an Aaron Taylor-Johnson type (not saying ATJ, just talking the Look, though hey, he did play Lennon)--bigger than Sam, obviously beautiful but also obviously a part of the kind of reactive masculinity of the era.

I mean. The show, at certain points, very obviously tried to draw from Jim Morrison and Pamela Courson's aesthetics to an obnoxious degree with Billy and Daisy. And while Daisy was traaaansparently a Stevie rip in the book, Billy, imo, probably had to do not only with Lindsey but with people like Morrison. Because frankly, I don't think Lindsey on his own has the kind of mystique that Stevie has (I mean... I know he doesn't lol) and TJR wanted that for her male lead. However, I think that Sam and Riley were both super poor choices for transmitting that kind of mystique. To be blunt, I think that Riley's heritage went a long way towards ensuring she was cast, and I kind of roll my eyes when they try to suggest that it had nothing to do with it. You're gonna tell me that the fact that she's the granddaughter of "The King of Rock 'n Roll", however dubious that title may be, had NOTHING to do with her being cast in your fake music biopic? ... okay.

And while I don't think Sam is a bad actor, I do think his Billy was such a fucking sad sack. Essentially neutered. Billy was supposed to be this super compelling frontman, capable of being both a good father and husband and of falling into his demons. There was absolutely no edge to Sam's Billy. He gave big "starts crying midway through sex and not in a good way" vibes. But I think that was totally intentional, because they didn't want Billy to be as problematic and aggressive onscreen as he was in the book. They wanted to sanitize this whole deal and turn it into a Billy/Daisy romantic melodrama.

ANYWAY. One thing I do know is that they basically lost the plot as soon as they turned the whole thing into a cash grab with the music. Because I sincerely do not care if anyone in that project could sing in real life. They're supposed to be acting. Like, I don't even think Sam and Riley had Billy and Daisy's vocal qualities anyway, so who cares.....

[helix-enterprises117]

Batman Headcanons, Opinions & Headcanon Timeline

I personally like a Batman who abides closely to his no-kill rule, but firmly believes that his enemy's life is forfeit if they go too far. KGBeast is an example of Batman willing to take a life to ensure the safety of others and, me personally, while Batman shouldn't liberally murder people, I don't think it's out-of-chracter for him to be willing to make exceptions to his rule without becoming corrupted, like he fears. In regards to his character in-general, think an Adam West who breaks bones; he takes no pleasure in using focused violence as a necessary means to take his opponents out, considering he's a normal guy who operates in the most dangerous city on the planet and is constantly fighting super-powered villains and literal monsters on a nightly basis, but does enjoy being Batman all the same and smiles more often than people tend to realize/want to admit.

The Batmobile should be car. I'm sick of the damn tank.

As for the timeline:

Batman: Year One

Legends Of The Dark Knight: Gothic/Shaman

Legends Of The Dark Knight: Prey

Batman: Year Two

Legends Of The Dark Knight: Faith/Flyer

Batman: Full Circle

Batman: Ego & Other Tales

Pretty much most of the Golden Age, Silver Age & Bronze Age runs on both Batman AND Detective Comics from 1940 - 1987

Mike Barr's Detective Comics run and Jim Starlin's Batman run (for those who don't know, Detective Comics and Batman are two different comic runs)

Batman: Son Of The Demon

The Dark Knight Returns: The Last Crusade

Batman: A Lonely Place Of Dying -> Batman: Dark Night, Dark City -> Batman: Bride Of The Demon, and finally -> Chuck Dixon's Robin run

All of 90s Batman, including Graham Nolan, Alan Grant, Dennis O'Neil and Chuck Dixon's runs on the character throughout the three runs (at the time): Shadow Of The Bat, Detective Comics & Batman

Batman: Under The Red Hood (animated movie, not the comic)

Grant Morrison's Batman

Batman Incorporated

Batman: War On Crime

Batman Universe

Batman: Dark Detective

Batman Beyond

In-between all of it, Bruce Timm's Justice League & Justice League Unlimited are my headcanon JLA stories. None of the spin-off material is canon to me, though; so no "Zeta Project" or "Static Shock" (nothing against either of those, it's just that neither is important to me).

[jonesbrianshining]

Jim Morrison in Paris in May 1971

© Hervé Muller

These photos were taken by Hervé Muller at the Bar “Alexander” in Paris in May 1971. In these candid snaps you can see how Jim is in a good mood, eating and drinking with friends in Paris, jokes and tells of his personal projects, he also makes faces at the camera. None of them could ever think that a little later, Jim would be died in his apartment in Paris on July 3, 1971.

His death came two years to the day after the death of Rolling Stones guitarist Brian Jones and approximately nine months after the deaths of Jimi Hendrix and Janis Joplin — all of whom died at the age of 27. Three years after his death, Courson also died at the age of 27.

Source: Vintag.es

[offender42085]

Post 0533

“the victim’s brother, father and sister bare “animosity” toward me, so I will not address them” -- Offender

David Anthony Parga, California inmate AV0978, born 1986, incarceration intake in 2014 at age 28, sentenced to 50 years to life, projected discharge date not available

Murder

A member of the Westside La Habra gang that is tied to the Mexican Mafia, Parga was found guilty of second-degree murder and sentencing enhancements for being the triggerman in the fatal shooting of Leland Washington, an African-American Cal State Fullerton student with no gang affiliations who was attending a Halloween 2006 party in La Habra.

Investigators and prosecutors originally surmised Parga killed Washington because he was black and to further the activities of the Westside gang, which like many Latino gangs in neighboring Los Angeles County has ties to the Mexican Mafia. Those gangs have for years targeted African Americans to drive them out of LA neighborhoods.

But Senior Deputy District Attorney Jim Mendelson would tell jurors Washington was part of a group that had been kicked out of the party and later returned to hang out outside, something that Parga considered disrespectful to his gang. After the party host warned his invited guest Washington and his group to leave, Parga walked up to the student athlete and shot him four times with a .22-caliber pistol. A bullet ripping through Washington's aorta, liver and small intestine caused him to bleed to death internally.

Parga's attorney, Ken Morrison of the Orange County Alternate Defender's Office, said authorities got the wrong man, according to a City News Service report that adds Parga fired Morrison and represented himself at today's sentencing in Santa Ana.

Imposing the 50-year term, Judge Steven Bromberg called Parga a “coward,” reports City News Service's courtroom reporter Paul Anderson.

“This was a senseless and a very, very stupid killing of a young man about to graduate college,'' said Bromberg, referring to Washington being a semester away from bachelor degrees in accounting and business administration. “The defendant's conduct was about as cold-blooded as cold-blooded can be, and that's what makes you a coward.”

Parga also got his chance to address the court, saying he felt Leland's brother, father and sister bore “animosity” toward him. Thus, he directed his comments to Bessie Washington, Leland's mother.

“I know there's nothing I can do to bring (the victim) back and I'm deeply sorry about what happened to him. To you, specifically, I want to say I'm sorry about what happened to your son.”

3f

[ashes-0f-phoenix]

I need to find more people who loved the new Griselda series because I'm projecting so hard onto all the women & also obviously loved staring at Martin Rodriguez as Rivi (and we are both in our Jim Morrison phase lol)