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chipper-smol · 3 years ago

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Big ol’ summary of the Pale Jester AU

warning, big rambly but I tried to keep it organized. there’s about 2k words of pure raw unedited AU material for the handful of Hollow Knight fans who have been waiting patiently to learn more about PJau >:3c

PK = Pale King PJ = Pale Jester

How PK and PJ’s situation works

PJ has no memories of his former life. If there are any instances that would potentially jog a memory the Nightmare Heart quickly wipes it once his mind wanders from the subject, appearing to give PJ the memory of a goldfish.

PK however is fully aware of his situation. When PJ falls asleep PK wakes up in the dream realm with every memory that PJ has. PJ is not aware of PK but PK is aware of PJ. It’s sortve like having an alter ego when you’re black out drunk, except you forget who you were formally and instead remember the shit you pulled when you were drunk.

PK resents PJ but accepts his situation as atonement for what he has done (ie: Failing Hallownest) In this AU, PK didn’t see his offspring as living things, deciding to believe that their light and life were sucked out of them while they incubated in their eggs in the void. He believes the Hollow Knight is indeed emotionless, but surprisingly couldn’t completely resist getting attached. Will he admit it though? No. He hates that he was so desperate that he wanted to bond with a corpse of his offspring.

Why did NKG take PK under his wing? What was his motivation?

Insurance. The Nightmare Heart persists in the wake of fallen Kingdoms. If every Kingdom were to disappear, then the last Grimm would perish and with him so would the heart. NKG, being an extension of the heart, wishes to prevent that end.

He wishes to rekindle PK’s flame and inspire him to make another Kingdom. However, that is a weighty request that NKG isn’t the best candidate for. PK is withdrawn, cold, and miserable. The last thing he wants to do is build another Hallownest. NKG lacks the finesse of TMG (Troupe master grimm) when it comes to polite society and instead prefers to bully his way through to get what he wants.

How does TMG feel about this whole thing?

I like the idea that Troupe Grimms vary in personality between each reincarnation. Some Grimms are absolutely delighted by the jester’s presence. Some are ambivalent. Some don’t care. Some become quite close ;) to PJ (to the chagrin of PK and endless amusement of NKG). One common feeling between all the Grimms is pity for the jester. Some experience it in brief moments and others feel it every time they see him. However, PJ makes himself useful and is an undeniable asset to the Troupe, so the Grimms know they can depend on PJ, as wild as he is.

NOTE: This AU follows the sad clown trope, not a joker trope. PJ is not psychotic or malicious. He’s silly, causes second hand embarrassment, and has angsty moments when he thinks no one is looking.

In fact, all PJ wants to do is make people laugh (a result of previously causing so much suffering) and love him (he is still a wyrm and craves to be praised.) He is impervious to hate thrown at him and the only words that could actually cut him would have to come from TMG himself. But that hasn’t happened.

He feels horribly sad and alone when he’s by himself, so he constantly seeks to be in someone’s presence even if they actively try to get away. Any attention is attention and he’ll do anything for that attention. it’s good to repeat here that PJ isn’t malicious. He makes a nuisance of himself but he’s a helpful nuisance. So no stealing items, calling names, physically prodding, nope— none of that.

PJ has been with the troupe for 300 years when they come back to Hallownest. How does time work in the wastes? idk. Is the troupe bound by time?? IDK. Up to your interpretation. PK doesn’t say he’s counting but he is (there’s not much to do in his own brain but think and he hates thinking.)

What’s it like in Hallownest?

first off, headaches galore for PJ. He loves to explore the desolate wastes of destroyed Kingdoms. He often finds cool trinkets or gets inspired to write a song if the reasons for Kingdom’s fall is interesting enough. He particularly loves to write tragedies where it was just a connection of unfortunate circumstances. He enjoys chatting with locals or merchants passing by, but he especially loves to sit in the thrones of former monarchs and gods. He gets a kick out of it. A jester, sitting on the throne where Kings and Queens once sat, HA!

However, how that he’s in Hallownest, every new discovery or piece of lore that he uncovers keep slipping his mind. He can’t get a firm grasp of what happened and those bugs with orange eyes deeply unsettle him. If he was a modded character, he’d act like Quirrel and show up at multiple places, pondering and wondering about his surroundings. He would get increasingly distressed as his headaches get worse and that he’s missing an important piece to this kingdom’s downfall that he just can’t keep a grasp on.

How do the inhabitants of Hallownest feel about PJ?

Lets start with the juicy ones first

The White Lady. Depending on your take of her and PK’s former relationship, her reaction to the jester’s presence could either be one of distain or mournful longing. PJ still holds his half of the Kingsoul and it brought him right to her doorstep. She can muse aloud to the jester of she and her husband’s different ways of cowardice. She can openly weep tears of joy and grief at seeing her husband again, but twisted and forgetful. She can thank the jester for giving her closure on how her love passed away. I don’t think that the relationship between PK and WL could ever be what it once was, and maybe it shouldn’t. If you want to write a fic on their relationship, you really should think if either of them would want to.

PJ would sense her sadness or witness her tears and instantly he wants to cheer her up. He tries all his tricks but none of them work. This quietly distresses him along with the migraine gradually increasing its painful pounding inside his head.

PK in this situation, when the jester falls asleep, outwardly emotes for the first time in three centuries. He 100% ugly cries. It’s his wife! She’s alive but she’s slowly wasting away. He falls into a fit of “I should have/I could’ve done something different.” I fully subscribe to the fanon theory that PK has love brain rot for his wife and seeing her face after so long would break him on the spot. Afterward though, he would retreat into himself further and his self deprecation just doubles.

Hornet tries to murder PJ on the spot. PJ is an excellent dodger and is completely flummoxed by this bugs reaction. A hello would’ve been nice! This must be a record time for how quickly he’s pissed someone off. Hornet hates what PJ represents and it makes her shell boil with rage. Here before her is her father that she presumed dead. Whether she knew him or not when she was a child is up to personal interpretation of Hollow Knight’s lore, but she hates PJ now. PJ means that PK didn’t die. He ran away and left her to deal with the tattered remains of a Kingdom that bore the brunt of a battle between two gods. It doesn’t help that PJ’s extreme desire to be loved makes him seek her out whenever he can.

PK wishes PJ would stop. It’s the worst when PJ defaults to dad jokes. He wants to apologize so much to Hornet, but feels like they would be empty words.

Hornet though is the first one to discover a loophole in the Nightmare Heart’s grip on PJ’s memory. If she says something that is true for BOTH PK and PJ, it confuses PJ because what she’s saying is true, but what she means to PJ isn’t. For example

“You were never a father to me” Is true because PJ has never seen Hornet in his life and true to PK because its like she’s disowning him as a guardian. This breaks the jester for a moment and PK wakes up for the first time in centuries. He’s aware as himself and not as PJ. This is indicated by a shift in posture and PJ suddenly going quiet. PJ’s eyes turn tired and his words are soft instead of loud and boisterous.

However, any sort of tangent from that mindfuckery leads to PK being snapped back unconscious and PJ getting an intense stabbing pain in his brain as the Nightmare Heart hastily corrects that mishap. For the first time, the Jester tries to avoid someone who incessantly tries to get attention from him as Hornet finally has a chance to personally chew her father out.

Hollow, assuming its the Godhome ending, sees the Jester and is heavily conflicted. Thats their father but… not. Still recovering from the Radiance’s grip and still in the mindset to be “pure” they don’t know what to think of PJ so they simply don’t.

Ghost is up to their player’s interpretation. When they figure out that this pale king is actually PJ and their father, do they try to beat his ass or do they try to figure out what happened? What motivates your Ghost to interact with PJ?

Well PJ does have the king soul so if Ghost wants the Godhome ending they have to get it eventually.

Also bc PK is absent from his throne room along with his half of the king soul, guess Ghost does all of the White Palace with no reward!

Whats the deal with the name thing?

OK so I love fae lore and fae trickery. In a lot of books there’s this concept of having a True name that is the very representation of your being. Emotional, Spiritual, and Physical. It is all of you condensed into a word. Having a name is a massive weakness but also a grand treasure. It is a gift to let someone know, as they may choose to use it against you. If you give it away, you are fully at that person’s mercy.

I used this concept to allow NKG to be able to change PK into PJ. PK gives up his name in his final moments and NKG takes it and molds it to his desire. If PK ever rekindles his desire to live again, he has to somehow get his name back from NKG (which he would dangle over PK’s head for a bit, but then let him have it as his goal is complete).

WL is the only person who knew PK’s true name when he was alive.

Miscellaneous

Ok so the jester isn’t malicious but except for one outlying scenario. If he is put in a room with another version of himself, so like another pale king (another alternate universe) he will get intensely competitive. The Jester unknowingly pulls on this endless pit of self hate deep within himself and it manifests as tricks, jeers, comebacks, you name it, against this other version of himself. Territorial wyrm instincts don’t help that out either.

He will make full eye contact with that other PK and slap WL’s ass in the throne room.

This is all that I can think of right now. If you have questions, go throw them over at @chipper-asks !

#G muses #hollowknight #hollow knight #palejesterau #There's some firm concepts in this AU that make it what it is #but there are also other spots that people can bounce off of and interpret as they'd like

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destinysthralls · 6 years ago

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[prompto voice] i want to rp with my friends all day!

follow forever ! (sorry to everyone i missed by accident)

chocobos : people i haven’t interacted with much/at all, but really really want to!

moogles: people who i’ve interacted with and LOVED interacting with!

@sinnhelmingr: LIGHT OF MY LIFE. supporter of all my muses, all five hundred of them lmfao. u are the most talented writer i have ever met, and i constantly feel my heart leap up into my chest when i see you’ve written me a starter or a reply. i love ur brain!

@marurisen: you were my FIRST NEW FRIEND on this blog, and the first person who really GAVE ME A CHANCE. i was so surprised when you followed me back bc u seemed so amazing and cool and i was like WOWWWWWW so impressed with u, and u followed me back and i was like so pleased with myself lol. ur kind and smart and funny and i LOVE all our characters relationships, especially jester/gladio, the crossover ship that stole my heart!

@divinarcsa: my WIFE!!!! i love u so much. you inspire me to be better, to work harder, to make my prose more prosey and my outlook more rosey! you’re such a wonderful person, inside and out, with so much to offer the world in terms of art and personality. you are truly beautiful my love! <3

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@chosenbythecrystal: you are an EXCELLENT WRITER, definitely one of the best in the fandom BY FAR and you are one of my FAVORITE people to write with. i love your ideas for noctis and how easy you are to plot with in aus. you’re a very giving partner and i feel like i can build whole universes with you and i love that!

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@dawnryse : okay so i’ll admit we definitely got off on the wrong foot in the ffxv server (through no fault of our own really, just big misunderstandings as far as the eye can look), but you’ve given me a real appreciation for platonic relationships. i know we haven’t meshed together perfectly on any one plot, but i really appreciate you reaching out to me so much with the GIFT of your friendship, and i really appreciate every conversation we have bc ur so funny and nice and u have such great ideas!

@dawnled : you realize i will stan you until the day i die? i am TRULY YOUR BIGGEST FAN. LOVE THAT STELLA. your writing is soooo gorgeous and i love the depth you give riku and ALL his relationships even when canon won’t. your ideas for aus are so brilliant, and just seeing you interact with other people on the dash makes me smile so much. you are so, so loved by ALL of us. and you better be---because you’re the shining light in this fandom that gives us all so much inspiration and happiness.

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@invertxgo: we’re not as close as we used to be, but that’s okay! i still think the WORLD of you and all your characters. our friendship is evolving just like my blog is, and i hope we get to have lots of good good interactions on this blog! thanks for refollowing me bro!

#follow forever for ts #long post cw #positivity cw #not rp #ooc

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saltine-kakyoin · 5 years ago

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🎶 + joseph, and also alexandra if you want? :0 if youre still doing these!

shannon, howdy! :D this is a challenging set- i really struggle with getting into joseph’s headspace (which... i don’t know why, i too am Stupide..), and i hardly ever listen to songs for alexandra! however, i will give it a Go!!

i am putting this one under a readmore- it turned out a lot longer than i thought it would!

Joseph:

the laughing song- so. this is an odd choice at first glance, and i feel i should explain the context. I sang this song at Stetson’s Choral University when i was wee sophomore and STRUGGLED with the rhythms and jumps. i vividly remember having a meltdown over my lunch at firehouse subs bc I couldn’t wrap my mind around it, and neither could my friend!! So it became a meme between us- whenever choir was kicking our ass we’d just sing the alto line maniacally. This, I feel, is BIG joseph energy. in an alternate universe, all the crusaders despair in the cave against The Sun except for joseph.. who slowly erupts into the laughing song... litch rally madness

people say- this is more of a somber song, and I think maybe a more introspective song for Joseph. I don’t think he ever fully shakes off the survivor’s guilt from Caesar’s death, and Sergio’s death is just. the second whammy you know. The Crusade is really important to Joseph because while yes, it’s a journey to get rid of the thing endangering his whole family, I think there’s also a small part of the journey that is like. atonement? for not being there for caesar or his son (that is also, spiritually, also somewhat caesar’s son..) in their final moments. I think this song is really reflective of that part of Joseph, that’s also haunted by ghosts. the “kill the voice inside your mind/ we don’t need no answers darling/ hold me close and we’ll be fine/ let’s pretend we never parted” section in particular makes me really emotional, thinking of him and Suzi being each other’s tether in the aftermath of both deaths... oUGH :”(

luminescence- it’s hard for me to explain why, but this song makes me think of joseph’s overarching journey with hamon and hermit purple, and the friendships he forged through both. it’s partially because of the lyrics, but also just because of the chords and dynamics? i have no idea how to explain this, but i really feel this is a softer joseph song.

aiutami- sometimes i listen to shows and imagine AUs with them but never actually commit to the idea. the light in the piazza is one such show- i’ve been haunted by the ghost of a caejose au for it for MONTHS. Joseph is also just really reminiscent of Signora Nacarelli.. “without risk, there is no drama; without drama, there is no ‘aiutami’, without asking for help- no Love!!” just really reminds me of younger joseph’s wildly melodramatic ass explaining his schemes. also, “does father cheat on mother? she suspects....does father know that she suspects? He Suspects!” is like hghdhghs. in a world where the joseph cheating subplot is Not with a 20 year old college student but rather with his + suzi’s husband caesar and their wife suzi. like.. it coulda been great, if unrealistic :(

the beauty is (reprise)- of course, the context for this choice isn’t 100% 1 to 1 with the actual context of the song. BUT. imagine, “I reach... like these paintings in the old traditions. There’s a figure reaching out in them like them, and to me it is the most familiar tableau I know” with joseph.. it is the most familiar tableau he knows because he’s was reaching First for his best bud caesar, and then decades later for his son. like :powercry: the whole song is a REALLY sad joseph song, but we are just here to suffer. also..”So much wanting something, so much reaching for it, so much wishing just to have One Moment back.” + “I thought if I had a child, I would take such care of her!” AND “If I could, then I would paint it over. I would be there and I wouldn’t turn away....If I only had a chance to not turn away” all in the context of joseph regretting his final argument with caesar, him not visiting Holly once she moved to Japan, and him not checking in on Sergio who he KNEW had a deep debilitating fear of Dio... AUGHHHHH 3 Joseph is a jester, but he’s also a man of regrets and this dichotomy is really beautiful. it breaks my heart yo ; J ;

Alexandra:

gnothi safton- this is the only song I’ve ever listened to exclusively for Alexandra! I struggled a lot with connecting the dots around her identity, and i remember galaxybraining it in the pitch black of my room at 1 w nothing but this song pushing me on.. Anyhow! this song ties into Alexandra’s fear of stagnation and her desire to explore beyond the palais garnier (which her siblings do NOT understand. they’re like bro we were mad fortunate to be born into this opera house bro.. why would you ever leave? :( and she’s like “it IS powerKNOWLEDGE is power”). She knows costuming is her calling, but there are so many outlets for that and opera costumes are but one niche. Her drive to explore and experiment other styles leads her to La Comédie Italienne, which is where she first encounters Camille and their whole story begins. /(\\\ ///)\

super trouper- Techies get burn-out too!! this song isn’t a 1 to 1 w the interpretation in my head, either, but it’s aight! The first interaction that ever passes between Camille and Alexandra is Camille frantically pouring praises onto Alexandra for her beautiful costume design after a show at LCI, and Alexandra being absolutely swept off of her feet because she’s never had an audience member seek her out to gush over her work! And then!! Camille keeps coming back to see and photograph Alexandra’s costumes! It’s deeply invigorating for Alexandra, and the root of their entire relationship. (also, mamma mia because that’s is Alexandra’s baby- first, it’s a greek musical! second, she works as a costumer and dresser for its debut in london, and then gets carted from tour to tour for it which is a DREAM come true.)

defying gravity- THE cliche theater song...sometimes I think about this song when hammering out the dynamic between alexandra and her siblings and go :( there are no huge blow-outs at the palais that lead to alexandra leaving, she just Does it because it’s what is right for her. this baffles her siblings, who could never imagine leaving the opera house that nurtured them as they grew up. Alexandra has a lot of Elphaba’s determination and drive. the “I hope you’re happy” repetition specifically is :( because the Xydakis kids are super tight knit! They all know that Alexandra branching out and leaving the Palais means they’ll see her much less frequently, but Marika and Panayiotis also respect that it’s what Alexandra needs to do for her own sake.

all i ask of you- Alexandra grew up in the Palais Garnier, with a ballerina mother and a lighting design father. you Cannot tell me that her parents didn’t take them to see Phantom of the Opera at the West End. you cannot tell me alexandra didn’t dream of one day loving like raoul. You cannot tell me that she and Camille didn’t dance to this at their wedding. yeet yeet in the streets fella

sofia- this song has been THE camillexandra (are we outchea making our own ship names? mayhaps) song. is the character of the narrator synonymous to alexandra? not entirely. but ughh this is the Song i’ve always written about them to.

#joseph #alexandra #ALSO. I REDISCOVERED SOME JOTAKAK GEMS THAT GOT LEFT OUT OF THE OTHER POST </3 impossible + i wouldn't ask you by clairo... write on my hea #SAY IT SOMEHOW FROM THE LIGHT IN THE PIAZZA..there were more but i forgot them dhghshhf #moment of Silence #starsplatinum

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plounce · 6 years ago

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JUST READ YR DR WHO WDMK AU CONCEPT AGAIN AND IM SO EMO THANKS

THANK YOU IT IS CLASSIC ROB MOLLYGLOCK FARE………. also im still just so like. hrmmmmgh. about the fact that the third time caleb sees molly is the last time molly sees him. because Molly Dies Saving Him And Nott. and molly having to hide how used to caleb he is, and having to pretend he’s not as comfortably besotted & happy to see him as he actually is because no spoilers!

i am also so like… into caleb seeing molly again after he died for the first time on molly’s end, and on the one hand there’s excitable gung-ho jester SO excited about the carnival and the mystery and the running around the market planet that they’re doing… but also her shabby chaperone/chauffeur who just can’t stop Staring at him? and molly loves attention/being paid attention to, but it’s so much more than the gawking/ogling he’s gotten in the past, because… well. WE know why. but caleb is much better at hiding that he Knows molly than molly ever was vice versa

(more under the cut because god if i am anything but a big stupid rambling dumbass)

and then caleb pulls some heroics (although of course jester saves the day) and molly is like oh this guy is Cool! (because before that caleb was barely talking (because he was coming to terms with like. Molly Is Here And Oh God I’m Gonna Be In Love With Him/Am Falling In Love With Him n all)

and then the carnival falls apart and molly realizes that jester WASN’T stretching the truth about how caleb here has a time and space traveling machine, and caleb hesitantly (because he’s afraid of maybe doing something he’s not actually Supposed to do) volunteering to try to fix the vortex manipulator gustav gave molly before he was arrested, and molly hops at the chance to get outta here! especially because he has found out that the planet has some people who Knew him before he was molly.

caleb slowly but faithfully works on the vortex manipulator when they have downtime, trying to stop himself from working too slow but also working too fast - adds in some features he can remember molly mentioning/using that aren’t present in the original device he has in his hands - and they adventure through the cosmos.

at some point molly finds his coat in one of the closets (see the first post) and caleb was certain that he’d closed off that room to prevent paradoxes, but molly comes swanning into the console room with the tattered burnt thing, eyes alight with delight and asking hey can i have this? it’s outrageous! and caleb can do nothing but stop and stare and have gears turn in his head, until molly goes so… that’s a no? and caleb sputters for a moment and then finds himself saying ja, ja, it is all yours. it is very… you.

after that, it’s a common sight to find molly stitching and repairing the thing, filling in the holes and rips with exotic fabrics and threads he finds around the universe, making it all his (and such, exactly as it looked in caleb’s memory, but cleaner and more whole). caleb doesn’t say anything except prompted-by-jester compliments on what a great job molly is doing with it, and he wonders.

one of the “episodes” in the jester&molly companionship involves molly being Kidnapped! by the tomb takers. or some kind of thing involving lucien coming back to bite him. and caleb almost tries to just escape (because he’s trying to outrun the hurt he’s going to have when molly leaves him for the “first” time and for “later” when he leaves him by dying) and jester is like NO you fucking NUMBNUTS im gonna CRASH THIS SPACESHIP IF U DO THAT! HE’S DEPENDING ON US and caleb is like oh god of course. christ alive what was i thinking i’m the worst. and he does the right thing, because of course, he wouldn’t be caleb if he didn’t eventually do the right thing, no matter how tempted he is by selfish running

molly doesn’t leave right after that but it’s sort of the beginning of the end of the jester&molly era. there’s some more filler and then one more big adventure where molly gets to be the one who saves the day and there’s like… a moment where one of them is knocked out and the other like. strokes their cheek. U Know. or smth like that that indicates the beginning of the blossoming of Real Concrete Feelings.

i think it might be molly who does that to caleb because i think caleb has been having little moments like that throughout the season? because he already had time to see molly being great - to see molly in love with him (i think it’s kind of easier to fall in love with someone when they’re already in love with you (not in a Bad way - you get what i mean)) - while this is molly first seeing caleb and discovering all the things he likes about him. because molly always falls for caleb faster than caleb falls for molly.

oh ok here’s a sample idea - caleb falls in some fashion, molly runs to him, checks he’s still breathing - but The Plot Timer is still ticking so he consciously stops himself from fretting and mutters to himself “time for that later” and kisses caleb on the forehead So sweetly (u know.) and then runs back to the plot

after that, caleb realizes there’s nothing else he can do for the vortex manipulator, and molly is in the console room sewing or embroidering or darning socks or whatever, and caleb clears his throat and says “mr. mollymauk” and molly visibly perks up, and caleb thinks to himself, so fondly, he has never been able to hide it. and then he puts his fondness away and says “i believe i have repaired gustav’s device.”

and molly brightens, and then his face falls for a moment, and then he makes himself smile again and goes over to caleb, who shows him how to make it work, all while molly leans against him and watches.

one of the filler eps yasha appears! caleb and nott met her at some point before molly - caleb didn’t know she and molly were close until molly’s first meeting. i think she has like… uncontrollable space travelling herself. made of stardust or something. weird scifi stuff (handwave). i like the idea of her slowly starting to shimmer like on her hand or something and knowing that soon she’ll sort of dissolve into glitter like she’s being beamed up in star trek.

anyway we get to see a private conversation between them where molly talks about all these Funny Feelings he’s having and how he’s kind of scared of them and how he doesn’t think caleb would be comfortable travelling with him if he knew about them. he’s never felt like this before, and it’s… it’s weird. he doesn’t want his happiness to hinge so much on someone else. despite everything, he has a very strong instinct to flee responsibility and commitment, and that instinct is at war with his affection for his traveling companions.

so yasha offers to travel with him for awhile when caleb finishes fixing gustav’s device, as long as she can - she thinks caleb and jester get into a lot of very serious fun, and does molly even want to get into that many world-shattering ethical dilemmas a month? molly laughs, says yeah, you got me, i’m kind of thinking about splitting off on my own to… sort all this out in myself. and it wasn’t fun to have a target painted on jester and caleb’s backs because of shit lucien did. that’s not their problem.

he thinks that maybe one thing he’ll try to do - as he stumbles across it, of course, he’s not gonna devote his whole life - is stamping out lucien’s bloodstained and corrupted legacy (this is in part because he spent this season being around caleb and learning that like… you should help fix the past, doesn’t have to be atonement, but you should do what you can where you can with what you have to right wrongs). he’s kind of scared of being alone but he’s met so many people on his travels, helped them and made them smile - and he knows

there is always the tardis, somewhere in the universe, with a dear friend inside.

so anyway, yasha sends molly the coordinates of where she is, and caleb gets the tardis to that place, and the four of them hang out for a day or two, one last hurrah. and then … well, time to go! molly likes goodbyes to be easy, doesn’t like drawing them out. “and i’m sure i’ll you see you again someday,” he says, and caleb gives him a crooked smile and replies, in a rare moment of loose lips, “that is very, very likely.”

and molly brightens because he understands by now caleb’s way of talking around his own knowledge, and this goodbye feels easier because it’s not forever. they have a long way ahead of them! how exciting, to know there’s a future, to know the future has friends in it.

as jester says goodbye to yasha, molly tugs caleb away and thanks him for everything, and caleb thanks him for everything - and there’s that look in caleb’s eyes again, like he’s drinking him in like a man headed into a desert, and molly doesn’t quite understand why caleb has always looked at him that but he know it excites him, emboldens him - emboldens him so much that he darts in and kisses caleb, right on the corner of his mouth, closed and chaste but still a kiss.

then he turns to skip away, saying “i look forward to meeting up with you, mr caleb,” trying to make this not a big deal so caleb doesn’t feel pressured or uncomfortable (kind of cursing himself for being an impulsive bastard when he shouldn’t have been), when caleb catches his wrist or arm or whatever, and he says “you too, mr mollymauk,” and he leans in and kisses molly on the cheek. and molly’s giddy and caleb’s a little embarrassed and they’re both just standing there, smiling a little stupidly and just… excited about this Thing between them.

and then jester’s hollering KISS! KISS! KISS! DO A REAL KISS!!!!!! WITH TONGUE!!!!!!!!!!!! and molly’s hollering back YOU HAVE TO PAY FOR A SHOW and caleb’s laughing softly, and oh, he’ll miss this, but there’s so much he knows he hasn’t seen yet, and right now he feels like he can cope with the grief always hanging over him.

#chirps #robcr #widomauk #mothedmen

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sparkadreama · 5 years ago

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List of all my current threads and their status. This is not meant to rush replies but merely serve for organization (in other words my own sanity) and as a reminder of sorts as well! If you know we have a thread and it is not listed here then let me know as I may have forgotten it! Also let me know if anything has been mislabeled (like something marked as Waiting On has already been replied to) or if you’d like to drop any of the threads here! No reason needed! If you’re not feeling it anymore let me know!

Total: 84 Questioning: 0 Dropping: 0 My Turn/Continue Pending/Starter Pending: 18 Waiting On: 43 On Hold: 21

***A bold x has a link to latest reply. Will add/fix other links later!

@1stclasszackfair (ALL ON HOLD)

Lost Devil [x] - Lucifer & Zack (Waiting On)

Kiss From An Angel [x] - Adam & Zack (Waiting On)

Wings Of A Monster Angel [x] - Adam & Zack (My Turn - In Drafts)

A Time To Finally Relax [x] - Adam & Zack (My Turn - In Drafts)

Comfort After A Bad Day [x] - Adam & Zack (Waiting On)

Mistakes [x] - Adam & Zack (My Turn - In Drafts)

Soulmate AU [x] - Adam & Zack (Continue to be Posted)

Taking It All In [x] - Sisora & Zack (Waiting On)

@amourfeint

Reunion in Auradon [x] - Snow White & Evie (Waiting On)

Another Day in Gotham [x] - Dodger & Gabriel (Waiting On)

TBA [x] - Damon & Trevor (My Turn - In Drafts)

No Biting [x] - Damon & Gabe (Waiting On)

Cold Case Number….Who Knows [x] - Damon & Gabe (Waiting On)

New Singer [x] - Izayah & Astra (Waiting On)

Halloween Shopping [x] - Veillios & Sombra (My Turn - In Drafts)

@atonings

Do You Deserve Mercy? [x] - Mercy & Lohgain (Waiting On)

@awreckageofstarss

Another thief in Corona [x] - Dodger & Varian (Starter Posted)

@ciirquemagique

A Carnival of Demons [x] - Jack & Primavera (Waiting On)

@crcwnedjewels

Escape [x] - Jasmine & Sofia (My Turn - In Drafts)

@dakilain

TBA [x] - Adam & Zachraiel (Waiting On)

@deadmenanddemons

Death at the Graveyard [x] - Death & Undertaker (My Turn - In Drafts)

@diamcndclaws

Inspection [x] - Dodger & Selina (Waiting On)

Lost Again [x] - Kirara & Selina (My Turn - In Drafts)

@disgusstful

Emotions at the End [x] - Death & Disgust (My Turn - In Drafts)

@escxpetoskullshores (ALL ON HOLD)

Cats And Bunnies [x] - Fluttershy & Andy (Waiting On)

@fairestfall

Stranger [x] - Khojin & Snow (Waiting On)

@ghaisgeach

Adjusting To The City [x] - Cerise & Bigby (Waiting On)

Hunting The Spider Queen [x] - Annabelle & Hiro (My Turn - In Drafts)

Darkness From Another Realm [x] - Adam & Shida (My Turn - In Drafts)

Not Much Of A Break [x] - Sophie & Mako (Waiting On)

Royal Inn [x] -Snow White & Naofumi (Waiting On)

@goofymuses

Light in the Dark [x] - Unicorn & Darkness (Waiting On)

Fairies and Toys [x] - Zarina & Jester (My Turn - In Drafts)

@hcwlingwind (ALL ON HOLD)

Confronting Father [x] - Khojin & Shan Yu (My Turn - In Drafts)

@hoodlegacy

The Aftermath [x] - Snow & Cerise (Waiting On)

@inheritedxvanity

Demon From Another Realm [x] - Lucifer & Adriana (Waiting On)

Wolves & Demons [x] - Cerise & Adriana (My Turn - In Drafts)

Power Practice [x] - Sisora & Adriana (Starter Posted)

@kindcstguardian

Palace Monkey [x] - Jasmine & Abu (Waiting On)

Angel’s Lab [x] - Veillios & Mercy (Waiting On)

Stranger in the Tower [x] - Zel & Ayden (My Turn - In Drafts)

@lifespentinadream

The Dragon Catches the Princess [x] - Izayah & Briar (Waiting On)

Lost Item Found, the Reward? A Kiss From a Dragon [x] - Izayah & Briar (Continue to be Posted)

Hair Care [x] - Veillios & Briar (Waiting On)

@mayourheartsbeourguidingkey (ALL ON HOLD)

A Gift [x] - Merlin & Terra (My Turn - In Drafts)

Two Hearts Touched By Darkness [x] - Veillios & Riku (My Turn - In Drafts)

Dealing With A Headache [x] - Veillios & Vanitas (Waiting On)

Soulmate AU [x] - Veillios & Riku (Continue to be Posted)

Soulmate AU [x] - Veillios & Vanitas (Continue to be Posted)

A Bit Lost [x] - Veillios & Riku (Waiting On)

Get Some Rest [x] - Veillios & Riku (My Turn - In Drafts)

@morningstaroflux

Finding the Boss Man [x] - Annabelle & Lucifer (Waiting On)

@myfatherthetraitor

Highlander vs Hun [x] - Khojin & Ebony (My Turn - In Drafts)

What? How? [x] - Diamond & Ebony (Waiting On)

Destiny Troubles [x] - Merlin & Ebony (Waiting On)

@muzaixnoxasashin

Bar Fight! [x] - Mirra & Akuma (Stater Posted)

Within the Forest [x] - Lucifer & Akuma (Waiting On)

@mwynagun

Lost [x] - ??? & Amnestria (My Turn - In Drafts)

@nxghtprincess

Waking The Moon [x] - Tempest & Luna (Waiting On)

@pluslesmuses

Not In Salem Anymore [x] - Kitty & Cleo (My Turn - In Drafts)

@rollingsnowsmasher

Unwelcome Escort Mission [x] - Inuyasha & Itsuki (My Turn - In Drafts)

@saccharineflora

Failed Test [x] - Veillios & Moira (Waiting On)

An Actual Compliment [x] - Bruce & Lois (My Turn - In Drafts)

@snxckersnxckisms

Old Words [x] - Veillios & Mal (Waiting On)

Traveler [x] - Emily & Mal (Waiting On)

Wrong Turn Down the Rabbit Hole [x] - Nizsm & Mal (My Turn - In Drafts)

On The Run [x] - Veillios & Mal (Starter Posted)

Another Day [x] - Nizsm & Mal (Waiting On)

@starsweepers

Street Cats [x] - Dodger & Mira (Waiting On)

@starryburglar

Lost Nekomata [x] - Kirara & Angel (Waiting On)

Near Escape [x] - Veillios & Brigitte (Waiting On)

@strcngered

A Change Of Perspective [x] - Lucifer & Carrie (Waiting On)

Place To Rest [x] - Entei & Mewtwo (My Turn - In Drafts)

What’s That Smell? [x] - Minty & Trevor (Starter Posted)

More or Less Alive [x] - Death & Hector (Waiting On)

Trying to Understand [x] - Death & Hector (Waiting On)

They Always Return [x] - Death & Hector (Waiting On)

@we-thefairfolk

Withering Forest [x] - Death & Cadence (Waiting On)

Bog Frog Hunting [x] - Merlin & Enya (Stater Posted)

TBA [x] - Misto & Tugger (Starter Posted)

A Failure… [x] - Lucifer & God (Waiting On)

@withinyourimagination (ALL ON HOLD)

Spirit of the Inn [x] - Snow White & Dezel (My Turn - In Drafts)

What’s A Pick-Up Line? [x] - Zel & Sylvain (Waiting On)

Offer Of A Date [x] - Jack & Prompto (Waiting On)

Soulmate AU [x] - Jack & Prompto (Continue Posted)

#thread tracker tag tba #I probably forgot something and pretty sure my count is off but eh

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ladyshadowsblog · 2 months ago

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@jesterlovescookies Dinner is served.

-------------------⋆☾⋆⁺₊ ₊⁺⋆☼⋆-----------------

Ja Panels 1 & 2 redrawn in my style ✨

-------------------⋆☼⋆⁺₊ ₊⁺⋆☾⋆-----------------

Both of these took 3 hours the 2nd panel I actually did first while unable to sleep and near the end was exhausted. Panel 1 was done this evening and was worked on while I was eating dinner (ate some banger meatballs)

#jester's atonement au #shadowmilk cookie #pure vanilla cookie #Cookie Run Kingdom

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diedeutschestunde · 6 years ago

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DIE WIEDERHOLUNG

Wie gehdsn so? (Wie geht es ihnen?)(Die sächsische Sprache) DIE DEUTSCHE STUNDE FOLKLORE TÄNZE AUS ALLER WELT: Die traditionelle Tracht in Grönland 1.A https://www.google.com.ar/search?q=traditionelle+Tracht+aus++groenland&rlz=1C1CHBF_esAR807AR807&tbm=isch&tbo=u&source=univ&sa=X&ved=2ahUKEwjg6Mfmw6zdAhXIFJAKHcl1C4QQsAR6BAgBEAE&biw=1280&bih=918 1.B https://blog.zeitraeume-reisen.de/2015/03/groenlands-kultur-und-seine-menschen-tradition-und-moderne/ 2- Kinder aus Schleching/ Chiemgau/ Bayern tanzen und singen "Bauernmadl" https://youtu.be/j8O_Duk-vIM vía @YouTube ---------------------------------------------- DIE OPER Arnold Schoenberg Moses und Aron https://youtu.be/NKm_cdlodLQ vía @YouTube DER SÄNGER: ARNOLD SCHÖNBERG ( 1874-1951) Gurrelieder https://youtu.be/9O6dvqXsaEM vía @YouTube Melanie Diener - soprano, Iris Vermillion - mezzo soprano, Thomas Moser - tenor, Philip Langridge - tenor, Ralf Lukas - baritone, Werner Hollweg - speaker. WDR Rundfunkchor Köln/ NDR Choir/ Czech Philharmonic Choir/ Beethoven Orchestra, Bonn/ Roman Kofman. DIE BIOGRAPHIE: Gurre-Lieder ist eine massive Kantate für fünf Gesangssolisten, Sprecher, Chor und großes Orchester, komponiert von Arnold Schönberg , nach Gedichten von der dänischen Romancier Jens Peter Jacobsen (aus dem Dänischen ins Deutsche übersetzt von Robert Franz Arnold). Der Titel bedeutet Songs von Gurre, die sich auf Gurre Schloss in Dänemark, Szene des mittelalterlichen Liebestragödie (bezogen in Jacobsens Gedichte) rund um die dänische nationale Legende von der Liebe des dänischen Königs Valdemar Atterdag(Valdemar IV, 1320-1375, Waldemar von Schönberg geschrieben) für seine Geliebte Tove, und ihre anschließende Ermordung von Waldemars neidisch Königin Helvig (eine Legende , die historisch ist wahrscheinlich mit seinem Vorfahren verbunden Valdemar I ). Zusammensetzung Im Jahr 1900 begann Schönberg das Werk als Komponieren Liederzyklus für Sopran , Tenor und Klavier für einen Wettbewerb des Wiener Tonkünstler-Verein (Wien Komponistenbund) ausgeführt werden . Es wurde in einem üppigen, spätromantischen Stil stark beeinflusst durch schriftliche Richard Wagner . Nach Schönberg, aber er "fertig ihnen eine halbe Woche zu spät für den Wettbewerb, und dies über das Schicksal der Arbeit entschieden." [1] Später in diesem Jahr er seine ursprüngliche Konzeption radikal erweitert, Verbindungen zwischen den ersten neun Songs komponieren sowie ein Vorspiel Hinzufügen der Waldtaube Lied, und das ganze Teile zwei und drei. Er arbeitete an dieser Version sporadisch , bis um 1903, als er die Mammutaufgabe aufgegeben , die Arbeit von zu orchestrieren und wechselte zu anderen Projekten. Als er auf das Stück im Jahr 1910 zurückkehrte, hatte er bereits seine erste anerkannte geschrieben atonal Werke, wie dieDrei Stücke für Klavier , Op. 11, Fünf Stücke für Orchester , Op. 16 und Erwartung , Op.17. Er hatte auch in den Bann kommen Gustav Mahler , den er im Jahre 1903 und deren Einfluss kann sein , erkennbar in der Orchestrierung der letzteren Teile der Gurre-Lieder kennengelernt hatte. Während Teile eins und zwei in der Konzeption und Ausführung deutlich Wagnerianer sind, bietet Teil drei die abgespeckte Orchestertexturen und kaleidoskopischen Verschiebungen zwischen kleinen Gruppen von Mahler favorisierten Instrumente in seinen späteren Sinfonien. In Des Sommerwindes wilde Jagd, Schönberg führte auch die erste Verwendung von Sprechgesang (oder Sprechstimme), eine Technik würde er ausführlicher in erkunden Pierrot Lunaire von 1912. [2] Die Orchestrierung wurde schließlich im November abgeschlossen 1911. [3] Premieren Franz Schreker dirigierte die Uraufführung des Werkes in Wien am 23. Februar 1913. Zu diesem Zeitpunkt war Schönberg mit dem Stil und Charakter des Stückes entzaubert und war sogar abweisend seiner positiven Empfang und sagte : "Ich war ziemlich gleichgültig, wenn nicht sogar ein wenig verärgert. sah ich, dass dieser Erfolg keinen Einfluss auf das Schicksal meiner späteren Arbeiten haben würde. ich hatte während dieser 13 Jahre entwickelte sich mein Stil in einer solchen Weise, dass in keinem Verhältnis zu tragen zu dem gewöhnlichen Konzertbesucher würde es scheinen, . alle vorhergehenden Musik hatte ich für jede neue Arbeit zu kämpfen, und ich hatte in der wildesten Art und Weise durch die Kritik beleidigt, ich Freunde verloren hatte, und ich in dem Urteil von Freunden jeden Glauben völlig verloren hatte, und ich stand allein gegen eine Welt von. Feinde ". [4] Bei der Premiere, Schönberg , die Mitglieder des Publikums, von denen viele waren heftige Kritik an seinem , die neu von der Arbeit wurden gewonnen Gesicht nicht einmal; Stattdessen beugte er den Musikern, aber immer mit dem Rücken zur jubelnde Menge geworden. Violinist Francis Aranyi nannte es "das seltsamste Sache , dass ein Mann , der vor dieser Art von hysterischer hat anbeteten mob jemals getan." [5] Es wäre falsch , anzunehmen , dass Schönberg Gurre-Lieder mit einer Zusammensetzung von keinem Verdienst betrachtet, jedoch. Ein paar Monate nach der Premiere er schrieb Wassily Kandinsky , "Ich sehe mit Sicherheit nicht auf diese Arbeit ab, wie die Journalisten immer annehmen. Denn obwohl ich sicherlich seit jenen Tagen sehr viel entwickelt habe, habe ich nicht verbessert, aber mein Stil hat einfach besser geworden ... ich halte es für wichtig , dass die Menschen Glauben an die Elemente in dieser Arbeit geben , die ich später zurückgehalten. " [6] Schönbergs Meister und ehemaliger Sch��ler, der BBC Programmplaner Edward Clark , lud den Komponisten nach London die erste britische Performance am 27. Januar 1928 durchzuführen [7] [8] Clark versucht hatte , im vergangenen Jahr die Premiere zu haben, am 14. April 1927, aber diese Pläne fiel durch. [9] Leopold Stokowski leitete die amerikanische Premiere am 8. April 1932 mit dem Philadelphia Orchestra , Solisten und Chor. Erste Aufnahme Stokowski Aufführungen am 9. April und 11. 1932 wurden aufgezeichnet "live" von RCA (siehe unten). Das Unternehmen gab den 11. April Performance auf siebenundzwanzig 78er Seiten, und dies blieb die einzige Aufnahme der Arbeiten im Katalog bis zum Aufkommen der LP; es wurde auf LP und CD schließlich neu aufgelegt. Bell Laboratories hatte in dem Philadelphia Orchestra experimentell Aufnahme High Fidelity und Stereo - Ton ; RCA verwendet , um die neue Technologie die Leistung auf 33 1/3 Umdrehungen pro Minute Meister aufzunehmen. [ Bearbeiten ] Andere Aufführungen Eine Leistung von Gurre-Lieder ohne Unterbrechung läuft über eine Stunde und eine Hälfte. Riccardo Chailly von 1990Decca - Aufnahme, zum Beispiel, dauert mehr als 100 Minuten und bringt zwei Compact Discs. [10] Im Jahr 2014 dieniederländische National Opera in Amsterdam war das erste Unternehmen , das Gurre-Lieder auf die Bühne, in einer Produktion der Regie von Pierre Audi . [11] Struktur Die Kantate ist in drei Teile gegliedert. Während die ersten beiden Teile nur für Solostimmen und Orchester erzielt werden, stellt der dritte Teil zwei weitere Solisten, einen Erzähler, drei Vierteil sowie ein komplettes gemischten Chor Männerchöre. Im ersten Teil der Arbeit, die Liebe von Waldemar Tove und das Thema des Unglücks und bevorstehenden Tod sind in neun Lieder für Sopran und Tenor mit Orchesterbegleitung erzählt. Eine lange Orchesterzwischenspiel führt zumWaldtaube Lied , das von Tove Tod und Waldemar Trauer erzählt. Das kurze zweite Teil besteht aus nur einem Lied, in dem die beraubte und verstört Waldemar Gott der Grausamkeit beschuldigt. Im dritten Teil, ruft Waldemar seinen toten Vasallen aus ihren Gräbern. Die Untoten unruhig Roaming und wilde Jagd rund um die Burg in der Nacht durch den Männerchor donnernd dargestellt, bis die Horde, durch den Glanz des Sonnenaufgangs getrieben, tritt zurück zurück in den Schlaf des Todes. Währenddessen singt ein Bauer von seiner Angst vor dem unheimlichen Armee und es ist eine humorvolle Zwischenspiel in der grotesken Lied des Narren Klaus, der mit dem makabren Wirt zu reiten gezwungen wird, wenn er nicht in seinem Grab ruhen würde. Eine sanfte Orchesterzwischenspiel das Licht der Morgendämmerung führt in das Melodram The Summer Wind Wild Hunt, eine Erzählung über den Morgenwind darstellt, die in den gemischten Chor-Abschluss fließt Seht Sonne sterben! ( "See the Sun!"). Erster Teil Orchestervorspiel Nun dampft sterben Dämm'rung (Tenor = Waldemar) O, WENN des Mondes Strahlen- (Sopran = Tove) Ross! Mein Ross! (Waldemar) Sterne jubeln (Tove) So tanzen sterben Engel vor Gottes Thron nicht (Waldemar) Nun sag ich dir zum Ersten Mal (Tove) Es Ist Mitternachtszeit (Waldemar) Du sendest mir einen Liebesblick (Tove) Du wunderliche Tove! (Waldemar) Orchestral Interlude Tauben von Gurre! (Mezzosopran = Waldtaube) Zweiter Teil [ Bearbeiten ] Herrgott, weißt du, was du tatest (Waldemar) Teil drei [ Bearbeiten ] Erwacht, König Waldemars Mannen wert! (Waldemar) Deckel des Sarges klappert (Bass-Bariton = Bauer, Männerchor) Gegrüsst, o König (Männerchor = Waldemar Männer) Mit Toves Stimme flüstert der Wald (Waldemar) Ein seltsamer Vogel ist so'n Aal (Klaus die Jester) Du Strenger Richter droben (Waldemar) Der Hahn Erhebt den Kopf zur kräht (Männerchor) Des Sommerwindes wilde Jagd / Die wilde Jagd Summer Wind Orchestervorspiel Herr Gänsefuß, Frau Gänsekraut (Lautsprecher) Seht die Sonne! (Gemischter Chor) Besetzung [ Bearbeiten ] Gurre-Lieder für ein ungewöhnlich großes Ensemble hat aus den folgenden Kräfte (ca. 150 Instrumentalisten und 200 Sänger): Holzbläser 4 Piccolos (Verdoppelung Fl. 5-8) 4 Flöten 3 Oboen 2 Englisch Hörner (Verdoppelung Ob. 4, 5) 3 Klarinetten in B-Dur, A 2 Klarinetten in Es Dur (Verdoppelung A Kl. 4, 5) 2 Baßklarinetten (Verdoppelung A Kl. 6, 7) 3 Fagotte 2 Kontra Messing 10 Horns (Hns. 7-10 Verdoppelung Wagnertuben in B-Dur und F) 6 Trompeten in F, B-flat & C Bass Trompete in Es -Dur Altposaune 4 Tenorposaunen Bassposaune Kontrabassposaune Tuba Schlagzeug 6 Timpani Tenor Trommel Kleine Trommel Schlagzeug Cymbals Dreieck Ratsche GroßeEisenketten TamTam Glockenspiel Xylophon Keyboards Celesta ------------------------------------------------------------ DIE GEDICHTE:Jens Peter Jacobsen (1847 - 1885) 1-So stockte auch da So stockte auch da jenes Blutes Strom, Das einst gewohnt war zu rinnen, So bebten auch die Nerven zur Ruh, Und Nacht ward's alle den Sinnen. Und Herz und Hirn müssen stille sein: Bist Staub und lebloser Ton allein. Ach Ewigkeit-Sehnsucht, du wundersame! Da ist nur Staub, eine Tat und ein Name. Denn jeder gute Gedanke Stirbt nimmermehr so lang, Bis nicht aus seinem Keime Ein beßrer noch entsprang. Licht übers Land Licht übers Land, – Das ist's, was wir wollen. 2-Namenlos Eines Abends denk' ich vor allen, Denke seiner genau, wehmütig-stolz Und in jubelnder Demut – Stille war's im Gemach, Singendes Schweigen; Der Schein der Lampe fiel so klar und mild Über die feinen schönen Züge; Und ich sah – doch nicht, daß das Licht Über die feinen, schönen Züge fiel – Nein! es war, als wiegte meine Seele In schaffender Macht das Antlitz Hervor aus des Lichtes schauerndem Strom. Und die Augen sahen auf mich so sehnsuchtsmilde, Daß mein Gedanke in seltsamem Mute raunte, Ich sei wert zu besitzen ... Dann traten die Züge in den Schatten. Kein Wort ward gesprochen, Worte waren zu schwer für meine Gedanken; Und kein Handdruck gewechselt, Denn ich wußte mir nicht, daß ich da war. Und doch weiß ich, wir zwei, wir gehören zusammen, Daß nichts uns jemals scheiden kann, War jene Sekunde auch unsere letzte Begegnung. 3-Und ward dem Tag Und ward dem Tag all seine Qual Und weint' er sie aus in Tau, So öffnet die Nacht den Himmelssaal Mit ewiger Sehnsucht stummer Qual, Und eins und eins Und zwei und zwei Zieht ferner Welten Genienchor Aus dunkler Himmelstiefe vor, Und hoch ob der Erde Freuden und Schmerzen, In Händen hoch die Sternenkerzen, Schreiten sie langsam den Himmel dahin Und wie sie gehen, Den Sinn voll Trauer, Seltsamlich wehen In des Raumes eisigem Schauer Der Sternenkerzen flackernde Flammen. 4-Traum Bleib, o bleib in deiner Träume Welt, Such nicht des Lebens wirkliches Sein! Es hat nur dunkle oder grelle Farben, Der Traum nur hat der Morgensonne Schein; Stirbst du lebend, bist du tot noch des Lebens, Kehren wird dein Geist zu der Erde zurück; Stirbst du als Träumer, kannst du ruhig sterben, Mit dir verbleicht auch dein ewiges Glück. 5-Was narrt mich immer das Leben! Was narrt mich immer das Leben, Sobald ich mich vorwärts richte, Wenn müde ich bin zu verweilen Im lustigen Heim der Gesichte? Bin ich denn ein Fremder hier unten Nicht für die Erde geboren, Hat auf dem Weg zu den Sternen Ein Engel hier mich verloren? Nein! Nein, ich fühle hier drinnen: Der Erde gehöre ich, Das glühende Leben hier unten Ist grade ein Leben für mich; Und alle Gaben des Lebens Umfass ich in meiner Brust, Sowohl den bittersten Schmerz, Wie auch die herrlichste Lust. O! hätte ich Macht wie Willen Und Willen dazu wie Lust, Untergehn würde die Welt Bei Flammen in meiner Brust! ---------------------------------------------------------- 1 HÖRBUCH UND 1 HÖRSPIEL 1 HÖRBUCH Sagen und Legenden aus Niedersachsen „Die Eule zu Peine" https://youtu.be/TUjYezC6Lho vía @YouTube 1 HÖRSPIEL Einstein Vision - das Universum und die Zeit (Doku Hörspiel) https://youtu.be/3BU04n3AQlM vía @YouTube ------------------------------------------------------------- 1 BIOGRAPHIE: ROBERTTO ARLT Roberto Arlt Roberto Arlt Geboren 2. April 1900 Buenos Aires , Argentinien Gestorben 26. Juli 1942 ( im Alter von 42) Buenos Aires , Argentinien Ruheplatz Asche verstreut in Paraná-Fluss Beruf Romancier, Dramatiker und Journalist Sprache Spanisch Staatsangehörigkeit Argentinien Fach argentinische Literatur Ehepartner Carmen Antinucci (starb 1940); Elizabeth Glanz Kinder Mirta Electra, Roberto Roberto Arlt (1900-1942) war ein argentinischer Schriftsteller. Biographie Er war Roberto Godofredo Christoph Arlt in geboren Buenos Aires am 2. April 1900. Seine Eltern waren beide Einwanderer: sein Vater Karl Arlt war ein preußischer aus Posen (heute Posen im heutigen Polen) und seine Mutter war Ekatherine Iobstraibitzer, gebürtig aus Triest und italienischsprachigen. Deutsch war die Sprache häufig in ihrem Haus verwendet. Seine Beziehung zu seinem Vater war stressig, wie Karl Arlt eine sehr schwere und strenger Mann war, von Arlt eigene Rechnung. Die Erinnerung an seine bedrückende Vater würde in mehreren seiner Schriften erscheinen. Zum Beispiel Remo Erdosain (ein Zeichen zumindest teilweise basierend auf Arlt das eigene Leben) oft erinnert sich an seine gewalttätigen Vater und wie wenig oder gar keine Unterstützung, die er würde ihm geben. Nach dem von der Schule von acht im Alter vertrieben wird, wurde Arlt Autodidakt und arbeitete an allen möglichen verschiedenen Gelegenheitsjobs bevor er einen Job landen bei einer lokalen Zeitung auf: als Angestellter in einer Buchhandlung, Lehrling bei einem Klempner, Maler, Mechaniker, Schweißer , Manager in einer Ziegelfabrik und Hafenarbeiter. Sein erster Roman, El juguete rabioso (1926) ( " Mad Toy "), war die halbautobiografische Geschichte von Silvio, ein Aussteiger, der durch eine Reihe von Abenteuern geht versuchen , zu sein "jemand." Berichtet von Silvio älteren Selbst, spiegelt der Roman die Energie und das Chaos des frühen 20. Jahrhunderts in Buenos Aires. Die Erzählers literarisch und manchmal poetische Sprache steht in scharfem Kontrast mit dem Straßenniveau Slang von Mad Toy 's vielen bunten Zeichen. Arlt zweiter Roman, die beliebten Los siete locos (Die sieben Irren) war rau, brutal, Umgangs- und surreal, ein vollständiger Bruch mit der höflichen, bürgerliche Literatur typischer argentinischer Literatur. Los lanzallamas (Die Flammenwerfern) war der Fortsetzung, und diese beiden Romane zusammen von vielen gedacht werden, sein größtes Werk zu sein. Was folgte, waren eine Reihe von Kurzgeschichten und Theaterstücke, in denen Arlt seine Vision von bizarren, halb verrückt, entfremdeten Zeichen verfolgt verrückt Aufgaben in einer Landschaft des städtischen Chaos zu verfolgen. Im Jahr 1932 veröffentlichte er El amor brujo . Im Laufe seines Lebens wurde jedoch Arlt am besten bekannt für seine "Aguafuertes" ( "Radierungen"), das Ergebnis seiner Beiträge als Kolumnist - zwischen 1928 und 1942 - zum Buenos Aires Tageszeitung " El Mundo ". Arlt verwendet, um diese Spalten zu kommentieren, in seiner charakteristisch unverblümt und unprätentiösen Stil, auf die Besonderheiten, Heucheleien, Fremdheit und Schönheit des täglichen Lebens in der argentinischen Hauptstadt. Diese Artikel enthalten gelegentliche Exposés der öffentlichen Institutionen, wie zum Beispiel der Jugendgerichtsbarkeit ( "Escuela Primaria de delincuencia", 26-29 September 1932) oder das öffentliche Gesundheitssystem. Einige der "Aguafuertes" wurden in zwei Bänden unter dem Titel Secretos femeninos gesammelt. Aguafuertes inéditas und Tratado de delincuencia. Aguafuertes inéditas , die von bearbeitet wurden Sergio Olguín und veröffentlicht von Ediciones 12 und Página / 12 im Jahr 1996. Zwischen März und Mai 1930 schrieb Arlt eine Reihe von "Aguafuertes" als Korrespondent zu "El Mundo" in Rio de Janeiro. Im Jahr 1935 verbrachte er fast ein Jahr lang zu schreiben, wie er in ganz Spanien und Nordafrika, am Vorabend des spanischen Bürgerkrieges reiste. Zum Zeitpunkt seines Todes hatte gehofft, Arlt als Korrespondent in die USA geschickt werden. Verschlissene und erschöpft nach einem Leben voller Entbehrungen, er starb an einem Schlaganfall am 26. Juli 1942. Sein Sarg aus seiner Wohnung von einem betriebenen Kran abgesenkt wurde, eine ironische Ende, wenn man bedenkt seine skurrilen Geschichten. Arlt hat auf der lateinamerikanischen Literatur massiv einflussreich gewesen, darunter den 1960er Jahren "Boom" Generation von Autoren wie Gabriel García Márquez. "Sagen wir, bescheiden, dass Arlt Jesus Christus ist" , propounded Roberto Bolaño . [1] Analogen in der englischen Literatur sind diejenigen , die literarischen "Ehrbarkeit" vermeiden , indem sie sich über die schlechte Schreiben, die Verbrecher und die mad: Schriftsteller wie William Burroughs , Eisberg Schlank und Irvine Welsh . Arlt, datierte jedoch alle. Er ist weithin als einer der Gründer des modernen argentinischen Romans betrachtet; unter den zeitgenössischen Autoren , die von Arlt beeinflusst worden zu sein Anspruch sind Abelardo Castillo , Ricardo Piglia und César Aira . Mindestens zwei argentinische Filme wurden auf der Grundlage seiner Romane, Los siete locos (1974) und El juguete rabioso (1985). Referenzen Jump up ^ "Die sieben Irren" . New York Review Books. Abgerufen 2015.12.16. Aynesworth, Michele Mckay . Mad Spielzeug, Übersetzung von Roberto Arlt El juguete rabioso, mit Einleitung und Anmerkungen. Duke UP, 2002. ISBN 0-8223-2940-9 . Romane El diario de un morfinómano (1920) (Tagebuch eines Morphimaniac) El juguete rabioso (1926) (Mad Spielzeug) Los siete locos (1929) (Seven Madmen) Los lanzallamas (1931) (Die Flammenwerfern) El amor brujo (1932) (Bezaubernde Liebe) Spielt El humillado (1930) 22222 millones (1932) Prueba de amor (1932) Escenas de un grotesco (1934) Saverio el Cruel (1936) El fabric de fantasmas (1936) La isla desierta (1937) Separación feroz (1938) África (1938) La fiesta del hierro (1940) El Desierto entra a la ciudad (1952) (posthum) La cabeza del separada tronco (1964) (posthum) El amor brujo (1971) (posthum) Sammlungen von Kurzgeschichten [ Bearbeiten ] El jorobadito (1933) (Der kleine Glöckner) El criador de Gorilas (1941) (Der Gorilla Handler) Journalistik Aguafuertes Porteñas (1933) (Radierungen von Buenos Aires) Aguafuertes espa��olas (1936) (Radierungen aus Spanien) Nuevas aguafuertes españolas (1960) (New Radierungen aus Spanien) Secretos femeninos. Aguafuertes inéditas (1996) (Female Secrets. Nicht veröffentlichte Radierungen) Tratado de delincuencia. Aguafuertes inéditas (1996) (Treatise on Delinquenz. Nicht veröffentlichte Radierungen) Externe Links Wikimedia Common hat die Mittel im Zusammenhang mit Roberto Arlt . Spanisch Wikisource hat Originaltext mit diesem Artikel: Roberto Arlt Ein Gemälde von einem Mann auf einer Leiter in einem großen Bücherregal stehen Wikilivres hat Original-Medien oder Text zu diesem Artikel: Roberto Arlt Biographie von Roberto Arlt bei Biblioteca Virtuelle Miguel de Cervantes (Spanisch) Roberto Arlt bei suchen Grave ROBERTO ARLT UND ALFRED DÖBLIN MODERNE IN DEN METROPOLEN https://books.google.de/books?id=Q8GEwL2gxm8C&pg=PA5&hl=de&source=gbs_selected_pages&cad=2#v=onepage&q&f=false ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- 2 REZEPTE: 1- Rezept - Wirsing-Hack-Rouladen (Red Kitchen - Folge 161) https://youtu.be/npjlAg_ZL-s vía @YouTube 2- Cabanossi - Eintopf mit Bauchspeck und Kidney Bohnen Schritt-für-Schritt Anleitung: http://www.esterkocht.com/cabanossi-sausage-pork-belly-and-bean-stew/

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