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DIRTY MONEY from Sinan Sevinç on Vimeo.
Have you ever thought about what kind of journey a dollar bill makes before landing inside your wallet? In an age of COVID-19 with an intense scrutiny on hygiene, no one seems perturbed about handing another person cash. While the world went into lockdown and screamed at each other to keep their distance inside Walmart, cash still made its rounds from hand to hand, from pocket to pocket, from one insanitary surface to another. DIRTY MONEY tells the story of a freshly printed ten-dollar-bill emerging from an ATM and follow its gradual unhygienic demise through the disgusting scenarios it encounters while changing its owner multiple times. But isn’t there a more hygienic solution to rescue Hamilton’s handsome face from mutilation? There certainly is.
CREDITS
Director: Sinan Sevinç & Dominik Ströhle Cinematography: Christopher Behrmann Film Music: Alexander Wolf David Sounddesign: Marco Dahl, Julian Berg Editing: Bela Adami Animation: Mario Bertsch Visual Artist: Matthias Schaudig Production Design: Marie Becher, Maria Schmid Executive Producer: Elisabeth Yili Baumann Assistant Director: Lennard Fricke, Yelyzaveta Davydenko, Philipp Schaeffer Assistant Cinematographer: Kai Bestek, Kevin Brari, Marco Breidenbach, Sina Diehl, Linus Heinzler, Julian Pfaff, Jakob Sinsel Costume Design: Sarah Heidelberger, Mara Laibacher Gaffer: Philip Henze, Dennis Banemann, Garry Sonneborn Lighting Technician: Nils Ecke, Chris Gruber, Christopher Jess, Hanna Lange, Lina Marzin Colorist: Peter Hacker COVID-19 protocol: Philipp Schaeffer, Britt Abrecht Set Runner / COVID-19 protocol: Andreas Scherlinger Production Driver: René Sebastian Colling Production Company: Filmakademie Baden-Württemberg GmbH
CAST: Alie Kaloloh, Evin Sevinç, Duygu Kelesh, Nils Müller, Marco Nestler, Jessica Stamp, Cathy Fink
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Blood on the Reel (2015) | Johnny Daggers
“A documentary which focuses on Indie Horror Filmmakers from around the world and the perils we're put through to bring your our films.“
#blood on the reel#film#horror#documentary#horror documentary#indie horror#independent horror#underground horror#2010s horror#2010's horror#johnny daggers#genoveva rossi#jessica sonneborn#james blasamo#bianca allaine#nick somers#massimiliano cerchi#jason wright#glen coburn#vito trabucco#luna wolf#glen blalock#michael todd schneider#reyna young#blu de golyer#manoush#jim roberts#shauna tackett#mike o'mahony#anthony edward curry
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The Voices - USA, 2020 - preview
The Voices – USA, 2020 – preview
‘Being alone helps’
The Voices is a 2020 American horror feature film about a troubled young woman seeking sanctuary at a remote family home only to question her own sanity.
Directed and co-produced by Wesley Alley and Bradley Fowler based on a screenplay written by the latter, the Three Tales Productions movie stars Lin Shaye (The Grudge; The Final Wish; Insidiousfranchise; et al), Brendan…
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#2020#Bradley Fowler#Brendan Sexton III#family#film#horror#Jessica Sonneborn#Lin Shaye#movie#paranoid schizophrenia#sanity#The Voices#Wesley Alley
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The Voices official trailer released In The Voices, a young woman seeks sanctuary at a remote family home, where she struggles to cope with her sister's paranoid schizophrenia and her own sanity before it tears them apart. It is directed by Wesley Alley and Bradley Fowler. It stars Lin Shaye, Brendan Sexton III, and Jessica Sonneborn.
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DYSTOPIA SCI-FI CON COMES TO LOS ANGELES CONVENTION CENTER FOR INAUGURAL LAUNCH IN NOVEMBER
Three-Day Event Hosts West Coast Edition of The 8th Annual Philip K. Dick Sci-Fi Film Festival
Star Trek Veteran Tim Russ and Oscar-Winning Makeup Artist Barney Burman Among Celebrated Artists and Filmmakers Set To Appear
Beyond belief lies the heart of science fiction and this fall, fans of the genre will assemble at the inaugural Dystopia Sci-Fi Con, a new interactive event featuring a cinematic lineup of sci-fi, cyberpunk, virtual reality, and future noir alongside special guests, panels, exhibitors, and more. The gathering will also host the first half of The 8th Annual Philip K. Dick Science Fiction Film Festival, a thriving platform for independent film in honor of acclaimed novelist Philip K. Dick. A number of celebrated actors, filmmakers, and speakers will appear including David Brin, Barney Burman, Elizabeth Karr, Julianna Robinson, Tim Russ, Saku Sakamoto, M.D. Selig, and John Alan Simon. Held at the Los Angeles Convention Center, the event will run from November 8-10, 2019.
Theorized that science fiction is the science of tomorrow, Dystopia Sci-Fi Con will serve as a captivating observation into the future. “Dystopia refers to a world out of balance where the human spirit is crushed under the weight of monopolistic corporations,” said organizer Daniel Abella. “Our event is a fascinating way of watching how our lives will be affected by what is to come.” With a slate of activities highlighting feature and short films, cosplay, and guests from across the genre’s spectrum, Abella promises an enjoyable and satisfying occasion. “We are brining back the look and sound of traditional sci-fi cons,” he said. “In such a welcoming environment, fans can express their interests and feel more connected to everything they love about sci-fi.” As the West Coast home for The Philip K. Dick Science Fiction Film Festival, screenings will be held as part of its eighth annual outing that continues in New York City in March 2020. “Philip K. Dick created the modern spirit of rebellion through his questioning of a world run by conformity,” said Abella. “His work centered on the plight of humans keeping their dignity in the face of a dehumanized world and more than any other writer, he foresaw what is happening today.” The festival will present a lineup of independent films and a series of panels that explore revolutionary views and Philip K. Dick’s influence on science fiction. The timing of the gathering also honors a key work in the PKD universe with a noteworthy tribute planned. “Blade Runner takes place in L.A. in 2019,” said Abella of the 1982 film based on PKD’s novel Do Androids Dream of Electric Sheep? “For this reason alone, I cannot think of a better time than now to christen our sci-fi con.” Central to the festival’s program are two early official selections including the World Premiere of M.D. Selig's The Gunrunner Billy Kane, which follows a rogue professor in the arms trafficking business who funds scientific experiments to save the life of his dying daughter. Also screening is Wild Boar directed by Oscar-winning makeup artist Barney Burman in his directorial debut. The L.A. Premiere film depicts a hidden colony of mutant wild boars who prey on innocent people in a world where humans are no longer in control. “We are proud to have these films on our schedule because they show us that science fiction is the dress rehearsal of tomorrow,” said Abella. “They both speak of worlds with new and frightening living conditions after the balance between man and nature has been irrevocably lost.” Dystopia Sci-Fi Con will also introduce Deep Interactive Cinematic Experience, otherwise known as “Deep ICE,” where film and theater blend together and communicate insights into the nature of reality. “The audience will get to participate in a cinematic living theater to uncover the mysteries that connect us to some of the most popular sci-fi films of all time,” said Abella of the multimedia method that follows a “Matrix-style” simulation. “A mega-narrative will be weaved before the audience and they will experience something that is nothing short of a personal transformation.” Featured prominently throughout the convention will be a showcase of creative brands heavily influenced by science fiction. “We will have collectibles, graphic novels, comics, and artwork,” said Abella of the plans to have more than 100 businesses participating. “This is an important element because exhibitors being fans themselves are passionate about their products and services. They collectively represent another dimension of the sci-fi current.” The full schedule will be announced closer to the event. Early Official Selections: The Gunrunner Billy Kane (2019) — WORLD PREMIERE Director: M.D. Selig Run Time/Country: 57 min, USA Synopsis: A rogue professor runs guns to fund dangerous brain experiments that could possibly save his dying daughter. Starring M.D. Selig (Zero Dark Thirty), Mark Arnold(Blade Runner 2049), John Kassir (Jack The Giant Slayer), Imelda Corcoran (Agents of S.H.I.E.L.D.), and Julianna Robinson (Nun). Wild Boar (2019) — L.A. PREMIERE Director: Barney Burman Run Time/Country: 97 min, USA Synopsis: In a world where man is suddenly no longer at the top of the food chain, a group search in the desert for a bounty left by an eccentric billionaire but instead end up being hunted by a mutant boar with an axe to grind. Starring Augie Duke (Burning Kentucky), Daniel Roebuck (The Fugitive), Jessica Sonneborn (The Basement), Douglas Tait(Hellboy), Jim Nieb (I'm Dying Up Here), and Michael Reed (Brides of Satan). Special Guests + Panels: Panels devoted to film screenings, artificial intelligence, classic film and television, dystopian futures, genetic engineering, graphic novels, stem-based applications, time travel, UFO’s, and the legacy of Philip K. Dick will be held. The following attendees have been confirmed ahead of a full guest list slated to be announced at a later date. Tim Russ — Actor/Director/Musician Well known for his impressive roster of film and television credits, Mr. Russ has appeared in Spaceballs (1987), The Highwayman (1987-1988), and The Orville (2019) in addition to his extensive presence throughout the Star Trek franchise that includes Star Trek: The Next Generation (1993), Star Trek Generations (1994), and Star Trek: Voyager (1995-2001). He directed and starred in Star Trek: Of Gods and Men (2007) and Star Trek: Renegades (2015) and is an accomplished musician with albums such as Only a Dream in Rio (1998), Tim Russ (2000), Kushangaza (2001), and Brave New World (2003). David Brin — Writer/Speaker/Futurist As a New York Times best-selling author and winner of Hugo, Locus, Campbell, and Nebula awards, Mr. Brin’s novels include "The Postman" (1985), "Heart of the Comet" (1986), "Kiln People" (2002), and the successful "Uplift Universe" novels which envision galactic issues of sapience and destiny. In addition to his writing career, he is a renowned internet security expert, business and governmental consultant, social media influencer, public speaker, and scientist with a Ph.D. in Physics. Barney Burman — Makeup Artist/Director/Screenwriter Winner of the Academy Award for Best Achievement in Makeup for Star Trek (2009), Mr. Burman is a highly acclaimed special effects makeup artist. He has worked on many notable productions including Body Snatchers (1993), The X-Files (1998), How the Grinch Stole Christmas (2000), Planet of the Apes (2001), and Bird Box (2018). For his directorial debut, his film Wild Boar (2019) will hold its L.A. Premiere at The 8th Annual Philip K. Dick Science Fiction Film Festival in 2019. Elizabeth Karr — Actor/Producer/Teaching Artist As producing partner for Discovery Productions, Ms. Karr has overseen numerous projects including the film adaptation of Philip K. Dick’s novel Radio Free Albemuth (2010). She produced the documentary The Good Breast (2016), which follows the journeys of four women and their surgeon through the course of breast cancer treatment and through her position as an executive member at Women In Film, is an advocate for female representation in cinema. In addition to working as a private acting coach and teaching artist, her acting credits include ER (2005), House (2005), Sleeper Cell (2006), and Women's Murder Club (2007). Julianna Robinson — Actor/Director/Producer/Screenwriter A performer of noted depth, Ms. Robinson’s credits include The Undertakers (2014), The Funeral Guest (2015), Nun (2017), and The Gunrunner Billy Kane (2019). For her work as a director, producer, and screenwriter, she has taken part in the productions of Lucky Penny (2015), The Many Mishaps of Penelope and Ursula (2017), The Party (2019), and Hurricane Forecast (2019). Saku Sakamoto — Animator/Director/Screenwriter Skilled at the techniques of animation, Mr. Sakamoto has directed several short films including Denshinbashira Eremi no koi (2009), Mattsu, Yamma, and Moburi (2014), and Fisshâman (2016). He also created the digital effects for Ghost in the Shell 2: Innocence (2004) and wrote and directed his first feature film ARAGNE: Sign of Vermillion (2018), an official selection at The 7th Annual Philip K. Dick Science Fiction Film Festival in 2019. M.D. Selig — Actor/Director/Producer/Screenwriter Having served in the U.S. Marines, Mr. Selig is a decorated combat veteran of Desert Storm. His first feature film Southern Justice (2006), for which he wrote, directed, produced and starred appeared on all major video outlets and is currently streaming on Netflix. He has been associated with several projects including Zero Dark Thirty (2012) and his production of The Gunrunner Billy Kane (2019), which will hold its World Premiere at The 8th Annual Philip K. Dick Science Fiction Film Festival in 2019. John Alan Simon — Director/Producer/Screenwriter A highly successful director, producer, and screenwriter, Mr. Simon serves as the president and CEO of Discovery Productions. He is noted for the film adaptation of Philip K. Dick’s novel Radio Free Albemuth (2010), which won Best Science Fiction Feature at The Inaugural Philip K. Dick Science Fiction Film Festival in 2012. Over the course of his career, he has been involved in the financing, production, sales, and marketing of films including The Haunting of Julia (1977), Out of the Blue (1980), Howling II: Your Sister Is a Werewolf(1985), and The Wicker Man (2001). Event Dates and Location: Dystopia Sci-Fi Con will take place November 8-10, 2019 at the Los Angeles Convention Center (1201 South Figueroa Street, Los Angeles, CA 90015). For more information visit, https://www.dystopiasci-ficon.com and https://www.lacclink.com/events/detail/dystopia-sci-fi-con. Event Passes: Passes are available at https://www.eventbrite.com/e/dystopia-sci-fi-con-tickets-63888970631.
#events#film festivals#science fiction and fantasy#dystopian sci-fi#The Philip K. Dick Science Fiction Film Festival#sci-fi#scifigeneration live
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DIRTY MONEY from Sinan Sevinç on Vimeo.
Have you ever thought about what kind of journey a dollar bill makes before landing inside your wallet? In an age of COVID-19 with an intense scrutiny on hygiene, no one seems perturbed about handing another person cash. While the world went into lockdown and screamed at each other to keep their distance inside Walmart, cash still made its rounds from hand to hand, from pocket to pocket, from one insanitary surface to another. DIRTY MONEY tells the story of a freshly printed ten-dollar-bill emerging from an ATM and follow its gradual unhygienic demise through the disgusting scenarios it encounters while changing its owner multiple times. But isn’t there a more hygienic solution to rescue Hamilton’s handsome face from mutilation? There certainly is.
CREDITS
Director: Sinan Sevinç & Dominik Ströhle Cinematography: Christopher Behrmann Film Music: Alexander Wolf David Sounddesign: Marco Dahl, Julian Berg Editing: Bela Adami Animation: Mario Bertsch Visual Artist: Matthias Schaudig Production Design: Marie Becher, Maria Schmid Executive Producer: Elisabeth Yili Baumann Assistant Director: Lennard Fricke, Yelyzaveta Davydenko, Philipp Schaeffer Assistant Cinematographer: Kai Bestek, Kevin Brari, Marco Breidenbach, Sina Diehl, Linus Heinzler, Julian Pfaff, Jakob Sinsel Costume Design: Sarah Heidelberger, Mara Laibacher Gaffer: Philip Henze, Dennis Banemann, Garry Sonneborn Lighting Technician: Nils Ecke, Chris Gruber, Christopher Jess, Hanna Lange, Lina Marzin Colorist: Peter Hacker COVID-19 protocol: Philipp Schaeffer, Britt Abrecht Set Runner / COVID-19 protocol: Andreas Scherlinger Production Driver: René Sebastian Colling Production Company: Filmakademie Baden-Württemberg GmbH
CAST: Alie Kaloloh, Evin Sevinç, Duygu Kelesh, Nils Müller, Marco Nestler, Jessica Stamp, Cathy Fink
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DIRTY MONEY from Sinan Sevinç on Vimeo.
Have you ever thought about what kind of journey a dollar bill makes before landing inside your wallet? In an age of COVID-19 with an intense scrutiny on hygiene, no one seems perturbed about handing another person cash. While the world went into lockdown and screamed at each other to keep their distance inside Walmart, cash still made its rounds from hand to hand, from pocket to pocket, from one insanitary surface to another. DIRTY MONEY tells the story of a freshly printed ten-dollar-bill emerging from an ATM and follow its gradual unhygienic demise through the disgusting scenarios it encounters while changing its owner multiple times. But isn’t there a more hygienic solution to rescue Hamilton’s handsome face from mutilation? There certainly is.
CREDITS
Director: Sinan Sevinç & Dominik Ströhle Cinematography: Christopher Behrmann Film Music: Alexander Wolf David Sounddesign: Marco Dahl, Julian Berg Editing: Bela Adami Animation: Mario Bertsch Visual Artist: Matthias Schaudig Production Design: Marie Becher, Maria Schmid Executive Producer: Elisabeth Yili Baumann Assistant Director: Lennard Fricke, Yelyzaveta Davydenko, Philipp Schaeffer Assistant Cinematographer: Kai Bestek, Kevin Brari, Marco Breidenbach, Sina Diehl, Linus Heinzler, Julian Pfaff, Jakob Sinsel Costume Design: Sarah Heidelberger, Mara Laibacher Gaffer: Philip Henze, Dennis Banemann, Garry Sonneborn Lighting Technician: Nils Ecke, Chris Gruber, Christopher Jess, Hanna Lange, Lina Marzin Colorist: Peter Hacker COVID-19 protocol: Philipp Schaeffer, Britt Abrecht Set Runner / COVID-19 protocol: Andreas Scherlinger Production Driver: René Sebastian Colling Production Company: Filmakademie Baden-Württemberg GmbH
CAST: Alie Kaloloh, Evin Sevinç, Duygu Kelesh, Nils Müller, Marco Nestler, Jessica Stamp, Cathy Fink
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DIRTY MONEY from Sinan Sevinç on Vimeo.
Have you ever thought about what kind of journey a dollar bill makes before landing inside your wallet? In an age of COVID-19 with an intense scrutiny on hygiene, no one seems perturbed about handing another person cash. While the world went into lockdown and screamed at each other to keep their distance inside Walmart, cash still made its rounds from hand to hand, from pocket to pocket, from one insanitary surface to another. DIRTY MONEY tells the story of a freshly printed ten-dollar-bill emerging from an ATM and follow its gradual unhygienic demise through the disgusting scenarios it encounters while changing its owner multiple times. But isn’t there a more hygienic solution to rescue Hamilton’s handsome face from mutilation? There certainly is.
CREDITS
Director: Sinan Sevinç & Dominik Ströhle Cinematography: Christopher Behrmann Film Music: Alexander Wolf David Sounddesign: Marco Dahl, Julian Berg Editing: Bela Adami Animation: Mario Bertsch Visual Artist: Matthias Schaudig Production Design: Marie Becher, Maria Schmid Executive Producer: Elisabeth Yili Baumann Assistant Director: Lennard Fricke, Yelyzaveta Davydenko, Philipp Schaeffer Assistant Cinematographer: Kai Bestek, Kevin Brari, Marco Breidenbach, Sina Diehl, Linus Heinzler, Julian Pfaff, Jakob Sinsel Costume Design: Sarah Heidelberger, Mara Laibacher Gaffer: Philip Henze, Dennis Banemann, Garry Sonneborn Lighting Technician: Nils Ecke, Chris Gruber, Christopher Jess, Hanna Lange, Lina Marzin Colorist: Peter Hacker COVID-19 protocol: Philipp Schaeffer, Britt Abrecht Set Runner / COVID-19 protocol: Andreas Scherlinger Production Driver: René Sebastian Colling Production Company: Filmakademie Baden-Württemberg GmbH
CAST: Alie Kaloloh, Evin Sevinç, Duygu Kelesh, Nils Müller, Marco Nestler, Jessica Stamp, Cathy Fink
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Long Beach Comic Con 2018 Review
By Roxy Tart
Mirror Mirror was it a yawn,
Spending the weekend at Long Beach Comic Con?
This past weekend I found myself at Long Beach comic con, and while it wasn’t the biggest, or creepiest con I’ve been to, it was still plenty of fun.
Saturday was a full day of vendors, artists, and cosplay. The nice thing about LBCC is it’s not over crowded, so you really do get a chance to see everything you wanna see, at a comfortable pace. I spent plenty of time checking out the stuff to buy, and got a chance to really talk to a lot of the artists and vendors about their work. SpooksieBoo (www.spooksieboo.com), Nitecrawlher (www.nitecrawlher.com), Kat Hudson (www.katillustrations.com), and Greg Luzniak (www.gregluzniak.com) were a few of my favorites. The cosplayers were as top notch as you’d see at a bigger con, but with less crowds it was easy to get up close and really see some of the finer details. Not a whole lotta creepy or scary, but quite a few good looking Disney outfits.
The highlight of my weekend though was on Sunday. I attended the Women of Indie Horror panel and just listening to the stories and experiences of the ladies of the panel was inspiring. It was moderated by Esther Goldstein, and Jessica Cameron, Sarah Nichlin, Kathleen Behun, and Jessica Sonneborn were all on the panel. They talked about the ‘Me Too’ movement, how you should always take any type of abuse seriously and to the top, and double standards on set. After, I got to spend some time with the ladies talking and sharing stories. It was a blast.
All in all LBCC is a fun time with fun people, and I had a good time.
SpooksieBoo
Greg Luzniak
Nitecrawlher
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DIRTY MONEY from Sinan Sevinç on Vimeo.
Have you ever thought about what kind of journey a dollar bill makes before landing inside your wallet? In an age of COVID-19 with an intense scrutiny on hygiene, no one seems perturbed about handing another person cash. While the world went into lockdown and screamed at each other to keep their distance inside Walmart, cash still made its rounds from hand to hand, from pocket to pocket, from one insanitary surface to another. DIRTY MONEY tells the story of a freshly printed ten-dollar-bill emerging from an ATM and follow its gradual unhygienic demise through the disgusting scenarios it encounters while changing its owner multiple times. But isn’t there a more hygienic solution to rescue Hamilton’s handsome face from mutilation? There certainly is.
CREDITS
Director: Sinan Sevinç & Dominik Ströhle Cinematography: Christopher Behrmann Film Music: Alexander Wolf David Sounddesign: Marco Dahl, Julian Berg Editing: Bela Adami Animation: Mario Bertsch Visual Artist: Matthias Schaudig Production Design: Marie Becher, Maria Schmid Executive Producer: Elisabeth Yili Baumann Assistant Director: Lennard Fricke, Yelyzaveta Davydenko, Philipp Schaeffer Assistant Cinematographer: Kai Bestek, Kevin Brari, Marco Breidenbach, Sina Diehl, Linus Heinzler, Julian Pfaff, Jakob Sinsel Costume Design: Sarah Heidelberger, Mara Laibacher Gaffer: Philip Henze, Dennis Banemann, Garry Sonneborn Lighting Technician: Nils Ecke, Chris Gruber, Christopher Jess, Hanna Lange, Lina Marzin Colorist: Peter Hacker COVID-19 protocol: Philipp Schaeffer, Britt Abrecht Set Runner / COVID-19 protocol: Andreas Scherlinger Production Driver: René Sebastian Colling Production Company: Filmakademie Baden-Württemberg GmbH
CAST: Alie Kaloloh, Evin Sevinç, Duygu Kelesh, Nils Müller, Marco Nestler, Jessica Stamp, Cathy Fink
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DIRTY MONEY from Sinan Sevinç on Vimeo.
Have you ever thought about what kind of journey a dollar bill makes before landing inside your wallet? In an age of COVID-19 with an intense scrutiny on hygiene, no one seems perturbed about handing another person cash. While the world went into lockdown and screamed at each other to keep their distance inside Walmart, cash still made its rounds from hand to hand, from pocket to pocket, from one insanitary surface to another. DIRTY MONEY tells the story of a freshly printed ten-dollar-bill emerging from an ATM and follow its gradual unhygienic demise through the disgusting scenarios it encounters while changing its owner multiple times. But isn’t there a more hygienic solution to rescue Hamilton’s handsome face from mutilation? There certainly is.
CREDITS
Director: Sinan Sevinç & Dominik Ströhle Cinematography: Christopher Behrmann Film Music: Alexander Wolf David Sounddesign: Marco Dahl, Julian Berg Editing: Bela Adami Animation: Mario Bertsch Visual Artist: Matthias Schaudig Production Design: Marie Becher, Maria Schmid Executive Producer: Elisabeth Yili Baumann Assistant Director: Lennard Fricke, Yelyzaveta Davydenko, Philipp Schaeffer Assistant Cinematographer: Kai Bestek, Kevin Brari, Marco Breidenbach, Sina Diehl, Linus Heinzler, Julian Pfaff, Jakob Sinsel Costume Design: Sarah Heidelberger, Mara Laibacher Gaffer: Philip Henze, Dennis Banemann, Garry Sonneborn Lighting Technician: Nils Ecke, Chris Gruber, Christopher Jess, Hanna Lange, Lina Marzin Colorist: Peter Hacker COVID-19 protocol: Philipp Schaeffer, Britt Abrecht Set Runner / COVID-19 protocol: Andreas Scherlinger Production Driver: René Sebastian Colling Production Company: Filmakademie Baden-Württemberg GmbH
CAST: Alie Kaloloh, Evin Sevinç, Duygu Kelesh, Nils Müller, Marco Nestler, Jessica Stamp, Cathy Fink
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DIRTY MONEY from Sinan Sevinç on Vimeo.
Have you ever thought about what kind of journey a dollar bill makes before landing inside your wallet? In an age of COVID-19 with an intense scrutiny on hygiene, no one seems perturbed about handing another person cash. While the world went into lockdown and screamed at each other to keep their distance inside Walmart, cash still made its rounds from hand to hand, from pocket to pocket, from one insanitary surface to another. DIRTY MONEY tells the story of a freshly printed ten-dollar-bill emerging from an ATM and follow its gradual unhygienic demise through the disgusting scenarios it encounters while changing its owner multiple times. But isn’t there a more hygienic solution to rescue Hamilton’s handsome face from mutilation? There certainly is.
CREDITS
Director: Sinan Sevinç & Dominik Ströhle Cinematography: Christopher Behrmann Film Music: Alexander Wolf David Sounddesign: Marco Dahl, Julian Berg Editing: Bela Adami Animation: Mario Bertsch Visual Artist: Matthias Schaudig Production Design: Marie Becher, Maria Schmid Executive Producer: Elisabeth Yili Baumann Assistant Director: Lennard Fricke, Yelyzaveta Davydenko, Philipp Schaeffer Assistant Cinematographer: Kai Bestek, Kevin Brari, Marco Breidenbach, Sina Diehl, Linus Heinzler, Julian Pfaff, Jakob Sinsel Costume Design: Sarah Heidelberger, Mara Laibacher Gaffer: Philip Henze, Dennis Banemann, Garry Sonneborn Lighting Technician: Nils Ecke, Chris Gruber, Christopher Jess, Hanna Lange, Lina Marzin Colorist: Peter Hacker COVID-19 protocol: Philipp Schaeffer, Britt Abrecht Set Runner / COVID-19 protocol: Andreas Scherlinger Production Driver: René Sebastian Colling Production Company: Filmakademie Baden-Württemberg GmbH
CAST: Alie Kaloloh, Evin Sevinç, Duygu Kelesh, Nils Müller, Marco Nestler, Jessica Stamp, Cathy Fink
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Have you ever thought about what kind of journey a dollar bill makes before landing inside your wallet? In an age of COVID-19 with an intense scrutiny on hygiene, no one seems perturbed about handing another person cash. While the world went into lockdown and screamed at each other to keep their distance inside Walmart, cash still made its rounds from hand to hand, from pocket to pocket, from one insanitary surface to another. DIRTY MONEY tells the story of a freshly printed ten-dollar-bill emerging from an ATM and follow its gradual unhygienic demise through the disgusting scenarios it encounters while changing its owner multiple times. But isn’t there a more hygienic solution to rescue Hamilton’s handsome face from mutilation? There certainly is. CREDITS Director: Sinan Sevinç & Dominik Ströhle Cinematography: Christopher Behrmann Film Music: Alexander Wolf David Sounddesign: Marco Dahl, Julian Berg Editing: Bela Adami Animation: Mario Bertsch Visual Artist: Matthias Schaudig Production Design: Marie Becher, Maria Schmid Executive Producer: Elisabeth Yili Baumann Assistant Director: Lennard Fricke, Yelyzaveta Davydenko, Philipp Schaeffer Assistant Cinematographer: Kai Bestek, Kevin Brari, Marco Breidenbach, Sina Diehl, Linus Heinzler, Julian Pfaff, Jakob Sinsel Costume Design: Sarah Heidelberger, Mara Laibacher Gaffer: Philip Henze, Dennis Banemann, Garry Sonneborn Lighting Technician: Nils Ecke, Chris Gruber, Christopher Jess, Hanna Lange, Lina Marzin Colorist: Peter Hacker COVID-19 protocol: Philipp Schaeffer, Britt Abrecht Set Runner / COVID-19 protocol: Andreas Scherlinger Production Driver: René Sebastian Colling Production Company: Filmakademie Baden-Württemberg GmbH CAST: Alie Kaloloh, Evin Sevinç, Duygu Kelesh, Nils Müller, Marco Nestler, Jessica Stamp, Cathy Fink
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A? Online The Voices '2020' WELCOME!. Watch
A? Online The Voices '2020' WELCOME!. Watch The Voices ^2020 DOWNLOAD: https://thrill.bestmoviehd.net/movie/639250/the-voices.html SYNOPSIS: Angry and upset after a sudden breakup with her fiancé, Grace Crawford seeks sanctuary at the remote home of her sister, Catherine. It becomes clear that Catherine is suffering from paranoid schizophrenia, much like their late mother, who had taken her own life. While coming to terms with this heavy realization, Grace also uncovers another terrible little secret that has her struggling to maintain her own sanity and ultimately scurrying to save herself and her family from further harm. CAST: Amanda Markowitz, Victoria Matlock, Brendan Sexton III, Lin Shaye, Juliana Sada, Jessica Sonneborn, Bradley Fowler, Sharon Roggio GENRE: Horror, Thriller PRODUCTION: Three Tales Productions KEYWORD: RATING: 3/10 by 2 users Trailer: THE VOICES Trailer (2020) Psycho Horror [HD] WATCH: https://thrill.bestmoviehd.net/movie/639250/the-voices.html How can I even explain this movie other than the WORST horror movie I have ever seen. The plot was so confusing and so boring it makes no sense at all. It makes you wonder if the main character is crazy or her sister is crazy. Or it's just ghosts haunting them. Throughout the movie I was actually wishing it would be ghosts because it would make more sense than this pointless and meaningless garbage. I got half way thought the movie and I kept waiting for something to happen. And nothing happened at all. I was extremely disappointed because this movie could have been so much better. Please do me a favor and don't watch this movie. Such a stupid waste of time and complete poor excuse for a horror movie I have ever seen!! If I could give a zero I would! The Voices ^2020 CLICK HERE To Watch The Voices '2020' NOW! Watch: The Voices (2020) HD 1080p Watch! The Voices (2020) ONLINE. FULL. MOVIE. HD. Watch The Voices (2020) Watch, "The Voices , ".2020, ".Online.Watch, "The Voices , ".2020, ".:, ".Online, ""Watch, "The Voices , ".Online, ".Free, ""The Voices , ".2020, ".Online, ""The Voices , ".Online, ""Watch, "The Voices , ".Streaming, ""Watch, "The Voices , ".Online"".Watch, "The Voices , ".Prayer, ".For, ".the, ".Dying, ""Watch, "The Voices , ".Streaming, Watch: The Voices (2020) Full Movie Streaming Free Films to Watch Online including Series Trailers and Series Clips. The Voices (2020), FONTE » movies film cinema altri articoli dalla categoria Video online
fonte https://diggita.com/v.php?id=1655847
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New trailer released for The Voices In The Voices, a young woman seeks sanctuary at a remote family home, where she struggles to cope with her sister’s paranoid schizophrenia and her own sanity before it tears them apart. It is directed by Wesley Alley and Bradley Fowler. It stars Lin Shaye, Brendan Sexton III, and Jessica Sonneborn.
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Behind the Curtain with Jessica Sonneborn
Behind the Curtain with Jessica Sonneborn
If you do not know who Jessica Sonneborn is, you have missed some incredible performances. She is one of those performers that once you see them on screen, you want to see more. From her start in 2004, she has continued to impress with her performances of strong women. She brings a realism to her acting that can only be found in those who are truly passionate about their craft. her performances…
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