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The North Face Presents Groundwork: Building Community Through Regenerative Rubber from The North Face on Vimeo.
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Apple Pay - Dirty Money // commercial from Christopher Behrmann on Vimeo.
dir. Dominik Ströhle & Sinan Sevinc ep. Yili Baumann
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NBA on ESPN - The Time Is Now from Sam Christian on Vimeo.
Directed by The McGloughlin Brothers Music by Nathan Micay Agency: Arts & Letters Creative Co.
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Waer Waters - Wellness: Pleasure your senses from Waer Waters on Vimeo.
Waer Waters biedt je de quality time, het me- of we-moment waar jij nood aan hebt. Geniet van ontspanning, van sauna gaan, op jouw manier, alleen of liever in gezelschap,in badkleding of zonder. Wij bieden je warmte op koude dagen en verfrissing bij zomerse temperaturen. Geniet van onze eindeloze combinatie aan sauna’s, (zwem)baden, infraroodcabines, natuurlijke zwemvijvers en nog zo veel meer. Onderga het spel van warm, koud & rust en waan je ergens ver van hier.
We relieve tension. We repair your body. We relax your mind.
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Balázs Simon - Bastille 'Thelma and Louise from Blink on Vimeo.
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Smirnoff ~ We Do We from ManvsMachine on Vimeo.
Better Together
Working closely with the team at McCann New York & Smirnoff we designed and directed the launch film, DOOH executions and a suite of social films for their expressive, confident and bold new global campaign 'We Do We'.
Infused with a fresh & colourful energy, the campaign embodies Smirnoff's ethos as 'a brand for everyone', vibrantly championing the power of the collective and celebrating the magic that's created when different people, ingredients and flavours come together.
CREDITS —
Client: Smirnoff
Design, Direction & Animation: ManvsMachine
Production Company: ManvsMachine
Agency: McCann New York
Cinematographer: Jeremy Valender
Movement Director: Benjamin Jonsonn
Production Designer: Simon Davis
Stylist: Taff Williamson
Editor: Amy Dang @ Avenues
Colourist: George Kyriacou @ Black Kite
BTS Photographer: Gregg Houston
Music & Sound Design: Human
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After Light from Vallée Duhamel on Vimeo.
In a surreal journey through the human mind, 'After Light' weaves an exploration of our mutable selves. The film steers viewers into a slightly distorted dreamscape that illuminates our dance with a changing world. Strange characters move in a world where boundaries between reality and artifice are ambiguous. Alongside towering giants, they find their way in this chaos, sculpted by unknown forces. As the narrative unfolds, the protagonists ignite, hinting at a loss that is both beautiful and tragic, yet not all-consuming. In an unexpected playful twist on dystopia, 'After Light' suggests that even though we may be losing parts our intrinsic nature to artificial influences, we are also on the brink of a new kind of existence - one that we are just beginning to grasp.
****
CREDITS Created by Vallée Duhamel
Music: No Loss by Canon Dancers: Maija Knapp, Kimberly Bittner Quinn, Myles Yachts, Darren “Outrage” King, Alex Tazz, Gabrielle Roy
Special thanks to the different directors of photography who participated in some scenes of this project: Simon Duhamel, Christophe Collette, and Austin Schmidt.
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HP_02_Liberty_Letters__PENTAGRAM_ONLY from Pentagram on Vimeo.
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Five Elements of Mauritania from Timelab Pro on Vimeo.
For licensing and collabs: [email protected] Shot on DJI Inspire 3 in 8K 50FPS Prores RAW
We traveled to Mauritania in search of stunning landscapes and beautiful colors, but what we discovered there was something absolutely magical.
Mauritania revealed itself to us like a symphony of nature's elements. When we experienced the raw power of the earth, the gentle touch of the wind, the captivating dance of fire, and soothing embrace of water, it felt like there was an invisible force, a fifth element, giving meaning to everything that surrounded us.
Among the calm sand dunes, we met people who found their peace amidst the shifting sands, while others, along the shore, were braving the ocean. And in between, the wondrous Eye of the Sahara stood as a silent witness. Like a celestial watching over the ever-changing life amid the timeless dunes, quietly keeping the secrets of the past.
Immersed in the nature of Mauritania, we felt wonder and connection to the timeless history.
Author of the project: Andrew Efimov Drone pilot: Artem Chirukhin Drone operator: Andrew Efimov Ground Camera: Vitaly Karpovich CG: Anton Volkov, Jeen Maestro, Aleksey Pershin Colorist: Vitaly Karpovich Edit: Andrew Efimov Music: MelodySheep Mix & sound-design: Artem Zinovyev Recording artist: Julio Cuspinera Design, SMM: Aleksa Geletey Producer: Anastasia Mikhailova, Andrew Efimov
Our magic LUTs & Presets for color grading: luts.timelab.pro/
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Memory of places from Hiroshi Kondo on Vimeo.
With COVID-19, the city was devoid of people. The landscape that the city once possessed has changed completely, becoming silent and eerie. However, the sense of déjà vu and memories that everyone has are still in the place itself. With these memories, the city continues to mark time.
Director Hiroshi Kondo(stnw.org)
Sound Design Himuro Yoshiteru(himuro-yoshiteru.com)
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Stickup from Raven Kwok on Vimeo.
ravenkwok.com/stickup/
Stickup is a code-based generative lyrics video I directed and programmed for the track Stickup (itunes.apple.com/us/album/stick-up-feat.-juliette-lewis/id1059843613) by Karma Fields (soundcloud.com/karmafields) & MORTEN (soundcloud.com/mortenofficial) featuring Juliette Lewis (twitter.com/JulietteLewis). The entire lyrics video consists of multiple stages that are programmed and generated using Processing.
The system for generating the visuals is partially derived from the one previously used in Build the Cities (vimeo.com/121096680). Lyrics are parsed, making each layer of quadtree structure subdivide itself to a corresponding pattern. ____________________________________________________________
Oct. 2016, screened at Sapporo International Short Film Festival, Theater KINO, Sapporo, Japan. (no-maps.jp/event/2016_film_special-propgrame_odz_hok) Jun. 2016, screened at Microwave International New Media Arts Festival, Hong Kong City Hall, Central, Hong Kong. (microwavefest.net/festival2016/Screening_Onedotzero.html) May 2016, screened at Vienna Independent Shorts Film Festival – Animation Avantgarde 2016, Stadtkino im Künstlerhaus, Vienna, Austria. Apr. 2016, screened at Resonate 2016, Ilija M. Kolarac Endowment, Belgrade, Serbia. Dec. 2015, featured on Salacious Sound. (salacioussound.com/2015/12/morten-karma-fields-juliette-lewis-stick-up-modestep-remix/) Dec. 2015, featured on Daily Beat. (daily-beat.com/karma-fields-teams-up-with-morten-and-juliette-lewis-for-stickup/) Dec. 2015, featured on We Rave You. (weraveyou.com/2015/12/01/karma-fields-morten-ft-juliette-lewis-stickup/) Dec. 2015, featured on The Creators Project. (thecreatorsproject.vice.com/blog/lyrics-morph-into-code-in-karma-fields-hypnotic-video) Dec. 2015, featured on CreativeApplications.Net. (creativeapplications.net/news/stickup-karma-fields-morten-video-by-raven-kwok/) Nov. 2015, featured on YourEDM. (youredm.com/2015/11/30/karma-fields-morten-stickup-ft-juliette-lewis-monstercat/) Nov. 2015, premiered on Billboard. (billboard.com/articles/news/dance/6777987/karma-fields-morten-actress-juliette-lewis-stickup-monstercat)
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TAKRAR (2023) | تكرار from Waref Abu Quba on Vimeo.
Takrar or Repetition is an experimental film that celebrates the timeless and intricate beauty of ancient craftsmanship. Filmed in Istanbul, the film takes us on a mesmerizing journey into the past, paying homage to Islamic, Ottoman, Greek, and Byzantine art forms.
It's hard to believe that I have finished working on this film, which occupied most of my free time over the past two years. When I first visited Istanbul in 2021, I was captivated by its timeless beauty and decided to capture it through my lens. I shot about 2,900 photos, and after editing and animating them, I created about 270 video scenes. Creating each frame of this film was an utter joy, and every new scene brought unexpected and beautiful surprises.
Collaborating with Alex Story on the music for this film was a profoundly enriching experience. Alex went above and beyond to compose music that perfectly complemented the picture. We worked on the score for over eight months, and we were also very lucky to collaborate with percussionist Robbe Kieckens, whose playing added a magical touch to the film. I couldn't be happier with the result.
After months of hard work, I'm thrilled to call this project complete and share it with you. Takrar is my tribute to ancient arts, and hope you enjoy watching it as much as I enjoyed creating it.
©2023
تكرار هو فيلم فني تجريبي يحتفي بجمالية وروعة الفنون اليدوية القديمة. يأخذنا الفيلم، الذي صوّر في إسطنبول، في رحلة ساحرة إلى الماضي، عن طريق إظهار مجموعة متنوعة من أشكال الفنون القديمة مثل الفن الإسلامي، والعثماني، واليوناني، والبيزنطي وغيرها وإظهارها بإطار جديد عن طريق تقنيات التحريك المختلفة.
شغل العمل على هذا الفيلم معظم أوقات فراغي في السنتين الماضيتين وكان يحمل الكثير من التحديات الفنية والتقنية. عندما زرت اسطنبول لأول مرة في عام 2021، سحرني جمالها وقررت توثيقها من خلال عدستي. صورت ما يقرب من 2900 صورة نتج عنها حوالي 270 مشهد فيديو قمت بمونتاجها ودمجها مع بعض. استمتعت بكل لحظة أثناء العمل على هذا المشروع.
كان التعاون مع أليكس ستوري الذي ألّف موسيقى الفيلم تجربة غنية وعميقة جداً. استطاع أليكس من تأليف موسيقى فريدة من نوعها تدمج التراث والحضارة بالجديد. موسيقى فخمة، مرحة, صوفية, تأملية لكن بنفس الوقت تروي الكثير. موسيقى متناغمة بشكل كامل مع الصورة. عملنا على موسيقى الفيلم لأكثر من ثمان أشهر للوصول إلى صيغتها النهائية. أسعدنا جدًا أيضاً التعاون مع عازف الإيقاع روبيه كيكنز الذي أضافت مشاركته لمسة سحريه على الموسيقى. أنا سعيد وفخور جدًا بالنتيجة التي وصلنا لها.
بالكاد أصدق أني انتهيت من العمل على هذا المشروع بعد أشهر من العمل الشاق. واتمنى أن ينال اعجاكبم.
©2023
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