#jessica niles

[littleeliza-lotte]

Got to see the SIX tour!! They were so lovely.

I was sat front and center in my Boleyn outfit (it was the best I could do lol) and I got a wink from Jennifer (Boleyn) and a lot of looks from Casey (Seymour)!

Best part.

I got called to stand up and dance during Get Down and everyone cheered omfg it was amazing. And when I saw Jessica (Cleeves) at stagedoor she saw me and said oh you were my dancer!

[sixthemusicalextras]

Jack Marian on YouTube, 23 April 2023

Farewell, queens!

[sixcostumerefs]

Performance Stats: 2022-23 UK Tour

As always: - There are likely some mistakes. I only have limited information from social media. - If you use this information, please credit and tag. sixcostumerefs here, six.costume.refs on Insta. Chlöe Hart: 370 performances - 349 in the UK and Ireland - 21 in South Korea

Jennifer Caldwell: 384 performances - 361 in the UK and Ireland - 21 in South Korea - 2 performances on the West End

Casey Al-Shaqsy: 352 performances - 328 in the UK and Ireland - 21 in South Korea - 3 performances on the West End

Aiesha Naomi Pease: 7 performances - 7 performances

Jessica Niles: 312 performances - 291 in the UK and Ireland - 21 in South Korea

Jaina Brock-Patel: 110 performances - 110 performances

Rebecca Wickes: 168 performances - 147 in the UK and Ireland - 21 in South Korea

Alana M Robinson: 346 performances - 333 in the UK and Ireland - 13 in South Korea Harriet Caplan-Dean: 88 performances - 85 in the UK and Ireland: 11 A, 9 B, 17 S, 8 C, 20 H, 20 P - 1 in South Korea (Parr) - 2 as E/C on the West End (Parr) - Total: 11 A, 9 B, 17 S, 8 C, 20 H, 23 P

Grace Melville: 181 performances - 115 as a regular alternate in the UK and Ireland: 64 A, 4 B, 46 C, 1 P - 4 in South Korea: 2 Aragon, 2 Cleves - 60 performances as T/R (Cleves) - 2 as E/C on the West End (Cleves) - Total: 66 A, 4 B, 110 C, 1 P

Leesa Tulley: 221 performances - 160 as a regular alternate in the UK and Ireland: 2 A, 51 B, 11 S, 1 C, 93 H, 2 P - 4 in South Korea: 2 Boleyn, 2 Howard - 57 Howard performances as T/R - Total: 2 A, 53 B, 11 S, 1 C, 152 H, 2 P

Natalie Pilkington: 174 performances - 157 as a regular alternate in the UK and Ireland: 2 A, 3 B, 72 S, 12 C, 1 H, 67 P - 11 in South Korea: 2 Seymour, 9 Parr - 6 as E/C on the West End (2 A, 1 S, 3 P; this only includes the E/C shows performed during the 22-23 UKT performance period) - Total: 4 A, 3 B, 75 S, 12 C, 1 H, 79 P  Emergency Covers: Elena Gyasi: 5 performances (Parr) Harriet Watson: 3 performances (Cleves) Roxanne Couch was also on standby for 7 performances but did not perform 

[unwrittenemmy]

Day one hundred and ten of posting every six queen

DAY ONE HUNDRED TEN - JESSICA NILES - ANNE OF CLEVES

[janedances]

at last… the tour poster

[newwavesylviaplath]

normally i don't share photos of the art i do cuz im scared im gonna seem like one of those girls in middle school that were always like "im artist hehe u wouldn't understand..." and then they show u what they drew and it's a goddamn eyeball BUT everyone was so nice to me yesterday so here are some of the things i drew like about eleven months back when i got covid and got super into drawing and painting

anyways!! everybody on here is such a sweetheart u guys all made me feel insanely confident abt my drawing thank u all so much from the very bottom of my heart

lana doodles

other lana doodle

[addiemilfgomery]

you know a ship is good when character a has a near-death experience and character b immediately acts like a widow

[waffle-bubbles]

Learning about the different roles of actors is wild.

What do you mean TK from 911: Lone Star is married to Max from Black Sails?? How did I not know this before??

What do you mean Yasmina from JWCC and Cleo from MH are the same person??

[ostruka]

I just love Kit, and I love who Niles (briefly) becomes under Kit's influence.

06x23-24 Shutout in Seattle

[stanely-marsh10]

HPD Headcanons

[littleeliza-lotte]

Saw SIX again yesterday!

Might be watching a dress rehearsal if it tomorrow…

[sixthemusicalextras]

@/paigeleigh_photograpy on Instagram, 25 April 2023

Okay this is the last one I swear lol

[boomgers]

En Nueva York, el mercado inmobiliario es despiadado… “Dueños De Manhattan”

El reality abre las puertas al glamoroso sector inmobiliario de lujo de Nueva York de la mano del célebre CEO y agente de bienes raíces Ryan Serhant, que hace hasta lo imposible para comercializar las propiedades más exclusivas de la ciudad.

Estreno: 28 de junio de 2024 en Netflix.

Ryan Serhant y su equipo conformado por Tricia Lee, Jessica Taylor, Jessica Markowski, Chloe Tucker Caine, Genesis Suero, Jade Shenker, Savannah Gowarty, Nile Lundgren, Jeffrey St. Arromand, Jordan Hurt, Jordan March y Jonathan Frank Nørmølle, trabajan incansablemente para convertirse en el mejor grupo inmobiliario del mundo.

Los Agentes Inmobiliarios

[books-and-ivy]

Introducing the Jekyll Estate staff

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- Mrs. Jessica ‘Harpy’ Harpshire is Jekyll’s tightly wound and stiff-lipped housekeeper. Hired shortly after Poole, Mrs. Harpshire has been well acquainted with the Jekyll family since Henry’s boyhood. She has seen it all, and subsequently knows how to keep things in order… even without the presence of her beloved husband John. Deemed ‘the Harpy’ by Bradshaw, she is respected and feared by nearly all of the staff (Poole being the only exception).

- Mr. Steven Poole is the eldest and most tenured member of the staff. Poole has performed many roles within the house over his twenty years of service as head butler and valet to Dr. Jekyll and his father. Loyal to a fault, Poole will see to it that his master’s house and reputation is kept in perfect condition, come any trial that may arise.

- Mrs. Lillian Davies is Jekyll’s cook and head laundress. After severely injuring her leg in an east end wash house, Mrs. Davies found herself and her three children in desperate need for work and shelter. Enter Dr. Jekyll. When she is not in the kitchen preparing for lavish dinner parties or ensuring the master does not starve himself to death, Mrs. Davies spends her time instilling her values of hard work and integrity to her children.

- Mr. Niles Bradshaw serves as Jekyll’s footman and unofficial jester (much to everyone’s dismay). Jovial and charismatic, Bradshaw ensures that the house is never entirely quiet. His good looks are readily used to incite the attention of any woman he encounters, but unfortunately for him, never quite seem to catch the eye of the one person he actually wants to notice him…

- Ms. Valentine Davies is the youngest member of the staff at 15 years old, but her age is hardly noticed in the wake of her shining character and determination. After working several years under her mother’s tutorage as a scullery maid, Valentine worked herself through the ranks to become one of Jekyll’s housemaids. Kindhearted and empathic, Valentine is quick to endear herself to nearly everyone she encounters.

- Ms. Emily Waller is Jekyll’s infamously levelheaded chambermaid. Having come from several houses prior to working at No. 28 Leicester Sq, Emily has learned how to thrive in the cutthroat world of service, even if it is to her detriment. She is quiet, wise beyond her years, and knows far more than she would ever dare to say aloud, even to her friend and coworker Valentine.

[janedances]

new uk tour photos! 💜

📷: Manuel Harlan

[mpchev]

You like reading fanfics? How about reading about fanfics? 😏

Here’s what I've read so far (or am currently getting through) for my dissertation on fanfiction bookbinding! I'll be updating it as I go until the end of July. If you have any recs to add to the towering pile or any questions/opinions about something on there, I’m all ears!

on fan studies & ficbinding ✔

Alexander, Julia, ‘Making fanfiction beautiful enough for a bookshelf’, The Verge, 9 March 2021 <https://www.theverge.com/22311788/fanfiction-bookbinding-tiktok-diy-star-wars-harry-potter-twitter-fandom> [accessed 12 June 2024]

Buchsbaum, Shira Belén, ‘Binding fan fiction and reexamining book production models’, Transformative Works and Cultures, 37 (2022)

Dym, Brianna, and Casey Fiesler, ‘Ethical and privacy considerations for research using online fandom data’, Transformative Works and Cultures, 33 (2020)

Jenkins, Henry, Textual Pochers: Television Fans and Participatory Culture (New York: Routeledge, 1992)

Jenkins, Henry, ‘Transmedia Storytelling 101’, Pop Junctions, 21 March 2007 <http://henryjenkins.org/2007/03/transmedia_storytelling_101.html#sthash.gSETwxQX.dpuf> [accessed 12 June 2024]

Hellekson, Karen, ‘Making Use Of: The Gift, Commerce, and Fans’, Cinema Journal, 54, no. 3 (2015), 125–131

Kennedy, Kimberly, ‘Fan binding as a method of fan work preservation’, Transformative Works and Cultures, 37 (2022)

Minkel, Elizabeth, ‘Before “Fans,” There Were “Kranks,” “Longhairs,” and “Lions”: How Do Fandom Gain Their Names?’, Atlas Obscura, 30 May 2024 <https://www.atlasobscura.com/articles/fandom-names> [accessed 12 June 2024]

Penley, Constance, Nasa / Trek: Popular Science and Sex in America (London: Verso, 1997)

Price, Ludi, ‘Fanfiction, Self-Publishing, and the Materiality of the Book: A Fan Writer’s Autoethnography’, Humanities, 11, no. 100 (2022), 1–20

Schiller, Melanie, ‘Transmedia Storytelling: New Practices and Audiences’, in Stories: Screen Narrative in the Digital Era, ed. by Ian Christie and Annie van den Oever (Amsterdam: Amsterdam University Press, 2018), 99–107

on folklore, the internet, other background reading ✔

Barthes, Roland, ‘La mort de l’auteur’ in Le Bruissement de la langue: Essais critiques IV (Paris: Éditions du Seuil, 1984)

Blank, Trevor J., Folklore and the Internet: Vernacular Expression in a Digital World (Logan, Utah: Utah State University Press, 2009)

Mauss, Marcel, ‘Essai sur le don. Forme et raison de l’échange dans les sociétés archaïques.’, L’année sociologique, 1923–1924; digital edition by Jean-Marie Tremblay, Les classiques des sciences sociales, 17 February 2002, <http://classiques.uqac.ca/classiques/mauss_marcel/socio_et_anthropo/2_essai_sur_le_don/essai_sur_le_don.html> [accessed 10 June 2024]

McCulloch, Gretchen, Because Internet: Understanding How Language is Changing (Random House, 2019)

Niles, John D., Homo Narrans: The Poetics and Anthropology of Oral Literature (University of Pennsylvania Press: Philadelphia, 1999)

hopefully coming up next (haven't started yet)

A Companion to Media Fandom and Fan Studies, ed. by Paul Booth (Hoboken: John Wiley & Sons, Inc., 2018)

A Fan Studies Primer: Method, Research, Ethics, ed. by Paul Booth and Rebecca Williams (Iowa City: University of Iowa Press, 2021)

Dietz, Laura, ‘Showing the scars: A short case study of de-enhancement of hypertext works for circulation via fan binding or Kindle Direct Publishing’, 34th ACM Conference on Hypertext and Social Media (HT ‘23), September 4–8, 2023, Rome Italy (ACM: New York, 2023)

Fathallah, Judith May, Fanfiction and the Author: How Fanfic Changes Popular Cultural Texts (Amsterdam: Amsterdam University Press, 2017)

Finn, Kavita Mudan, and Jessica McCall, ‘Exit, pursued by a fan: Shakespeare, Fandom, and the Lure of the Alternate Universe’, Critical Survey, 28, no. 2 (2016), 27–38

Hjorth, Larissa et al., eds. The Routledge Companion to Digital Ethnography (New York: Routledge Taylor & Francis Group, 2017)

Jacobs, Naomi, and JSA Lowe, ‘The Design of Printed Fanfiction: A Case Study of Down to Agincourt Fanbinding’, Proceedings from the Document Academy, 9, issue 1, article 5

Jenkins, Henry, Convergence Culture: Where Old and New Media Collide (New York: New York University Press, 2006)

Jenkins, Henry, Spreadable Media: Creating Value and Meaning In A Networked Culture (New York: New York University Press, 2013)

Kennedy, Kimberly, and Shira Buchsbaum, ‘Reframing Monetization: Compensatory Practices and Generating a Hybrid Economy in Fanbinding Commissions’, Humanities, 11, no. 67 (2022), 1–18

Kirby, Abby, ‘Examining Collaborative Fanfiction: New Practices in Hyperdiegesis and Poaching’, Humanities, 11, no. 87 (2002), 1–9

Kustritz, Anne, Identity, Community, and Sexuality in Slash Fan Fiction (New Work: Routeledge, 2024)

Lamerichs, Nicolle, Productive Fandom: Intermediality and Affecive Reception in Fan Cultures, (Amsterdam: Amsterdam Universtiy Press, 2018)

Popova, Milena, ‘Follow the trope: A digital (auto)ethnography for fan studies’, Transformative Works and Cultures, 33 (2020)

Rosenblatt, Betsy, and Rebecca Tushnet, ‘Transformative Works: Young Women’s Voices on Fandom and Fair Use’, in eGirls, eCitizens: Putting Technology, Theory and Policy into Dialogue with Girls’ and Young Women’s Voices, ed. by Jane Bailey and Valerie Steeves

Soller, Bettina, ‘Filing off the Serial Numbers: Fanfiction and its Adaptation to the Book Market’, in Adaptation in the Age of Media Convergence, ed. by Johannes Fehrle, Werner Schäfke-Zell (Amsterdam: Amsterdam University Press, 2019), 58–85