#jessica elizabeth churchill

[sammys-magical-au]

*one of the Rookies’ earlier missions*

Devin, as Jeremy stares over the railing of the boat at some aquatic creature that Jessie is currently spraying with water: you gonna drop in there and try to have sex with that thing?

Miguel, on his phone: I’M TRYING TO TAKE A VIDEO FOR MY MOM, GUYS!

[mightyflamethrower]

Academic Margaret Noodin Denounced as Racial Impostor

The privileges associated with being marginalized and oppressed are so advantageous that in the realm of unadulterated liberalism that is academia, disfavored Caucasians can’t help themselves. Their ideology is a fraud, so why shouldn’t their racial identity be fraudulent too? More indigenous peoples moonbattery from Milwaukee:

Margaret Noodin, 58, was called a ‘con artist’ after leaving her job as director of the Electa Quinney Institute at the University of Wisconsin-Milwaukee last year amid growing suspicion about her claims to an indigenous identity. The linguist posted a ‘positionality statement’ insisting her family told her she had Native American relatives when she was a child. But fellow academic Doug Kiel of Wisconsin’s Oneida Nation hauled her submissions from an exhibition of indigenous art in Chicago when he read it and denounced her as a fraud. ‘It was really quite rambling babble about, ‘I know a person and I was in a ceremony’,’ he told the Milwaukee Journal Sentinel, ‘And it’s like, no, no, no, no, this is not how this works at all.’

The way it has to work under a race-based caste system like we now have in the USA is you have to take a DNA test to justify the favoritism bestowed upon preferred races — like with Elizabeth “Fauxcahontas” Warren.

As with Warren, a glance at Noodin’s face confirms that she is not an Indian. Also like Warren, she continues to benefit from having portraying herself as one — although in a diminished role for now:

The University of Wisconsin-Milwaukee has begun an investigation into Noodin but she retains a job with the college teaching part-timer online. She did leave her $167,000-a-year role with the university amid the scandal. Meanwhile she has secured a new post in Minnesota as director of a tribal nation’s Head Start program.

Please welcome Professor Noodle to the long list of racial imposters, which includes Buffy Sainte-Marie, Andrea Smith, Kay LeClaire, Elizabeth Hoover, Carrie Bourassa, CV Vitolo-Haddad, Gwen Stefani, Heather Rae, Jessica Krug, Kristen Rosen Gonzalez, Rick Caruso, Kelly Kean Sharp, Rachel Dolezal, Raquel Evita Saraswati, Sacheen Littlefeather, Satchuel Cole, Shaun King, Ward Churchill, and of course, Elizabeth Warren.

On a tip from Ed McAninch.

If minorities are so oppressed why do so many white Americans try to be one of them??

[flawlessredhead]

Some of the things you wouldn’t have without Redheads:

• The telephone (Alexander Graham Bell)

• Kevlar (Stephanie Kwloek)

• Liquid paper (Bette Nesmith Graham)

• The windshield wiper (Mary Anderson)

• The disposable diaper (Marion Donovan)

• Frequency hopping spread spectrum technology (Hedy Lamarr)

• The phonograph (Thomas Edison)

• The motion picture camera (Thomas Edison)

• The television (John Logie Baird)

• The first commercially successful automatic dishwasher (Josephine Cochrane)

• The flat - bottomed paper bag machine (Maragret E.Knight)

• Vulcanised rubber (Charles Goodyear)

• The chocolate chip cookie (Ruth Wakefield)

• The single - wire telegraph system and Morse code (Samuel Morse)

• Contributions to genetics through the work of Gregor Mendel.

• The COBOL programming language (Grace Hopper)

• The radical tire (Sarah Breedlove,also known as Madam C.J. Walker)

• The modern electric refrigerator (Florence Parpart)

[thecrownnet]

One day I’ll tell you what holes [in season 4] were missing 

- Peter Morgan, writer/showrunner The Crown

Peter Morgan had two more weeks of shooting on “The Crown” Season 4 when the pandemic shut down the Netflix series. And he never looked back. As post-production forged ahead, the showrunner and his editors had to figure out how to finish the last episodes.

“One day I’ll tell you what holes were missing,” Morgan said on the phone from London. “Hopefully you won’t notice. I’ve done my best. For the final block, one director [Jessica Hobbs] was filming three separate episodes. A couple of scenes were missing from each one. Having looked at them, we [could] just about get away with it. She will forever rue not being able to shoot them. The price of waiting would have meant to not get the show out on the same schedule. And nobody to whom I’ve shown the episodes can tell what’s missing. I’m really relieved. I was neurotic of course, flapping around not doing anyone any good. Then we had to work harder in the edit.”

The crew was supposed to fly to a ski resort and shoot an avalanche for a week. They weren’t able to get on airplanes. And yet the episode is still called “Avalanche.” “It works metaphorically now,” Morgan said. “It’s less a story about what happens in the Alps and more what happens in the aftermath. We had to be willing to adapt and rethink and complete things. We have to do what have to do, make a meal with five ingredients, not seven. It’s slightly recut. Suddenly we lose that subplot, and slightly retell the story, and focus more on the other subplot, which becomes the main plot, which is no less interesting. We have to do it; we have no alternative. Editing is so much like the writing process.”. 

IndieWire ‘The Crown’: Peter Morgan on Olivia Colman Channeling Commoner ‘Elizabeth Windsor’ in Season 3, August 10, 2020. Photo: Des Willie/NetflixOlivia Colman (centre) on the set of Churchill’s funeral in The Crown season 3 

[helenaveee]

Master Post of all my Fancast Face Claims for ACOTAR and TOG :)

Hi!

This has been requested many times and I just haven’t had the time or interest to do it tbh. Life catches up quick and some of my older interests no longer felt exciting! But for all who still feel the magic of ACOTAR and TOG, here are my Faceclaims! When I started this project of Fancasting, I took a lot of time and consideration in finding the right people to embody the characters. I hope you can all enjoy and see how much time and effort I put into this. Enjoy!

ACOTAR

Feyre Archeron  : Saoirse Ronan

Rhysand : Tyson Ballou

Nesta Archeron : Elizabeth Debicki

Elain Archeron : Lily James

Lucien Vanserra : Alejandro Brown

Morrigan : Tamsin Egerton

Azriel : Isaac Churchill

Cassian : Marcos Miranda

Amren : Rila Fukushima

Helion Spell Cleaver : Adonis Bosso

Kallias and Viviane : Shaun Ross and Diandra Forrest

Vassa : Rose Leslie

Miryam : Gina Torres

Tamlin : Derek Jaeschke

Thesan : Godfrey Gao -RIP :’( -

Tarquin : Kendrick Sampson

TOG

Aelin : Clara Paget

Rowan : Ed Skrein

Lysandra : Tsunaina

Aedion : Christopher Mason

Nesryn Faliq : Sofia Boutella

Dorian Havilliard : Jamie Wise

Chaol Westfall : Theo James

Nehemia Ytger : Adesuwa Aighewi

Sartaq : Jan Uddin

Yrene Towers : Dani Valenzuela

Manon Blackbeak : Yana Shmaylova

Asterin Blackbeak : Teresa Palmer

Elide Lochan : Jessica Parker Kennedy

Lorcan Salvaterre : Zach McGowan

Gavriel : Charlie Hunnam

Fenrys : Ricky Whittle

There you go ya’ll!

If you want to follow me in IG my link is below :) Enjoy!

P.S- I might do fan casts of Crescent City ;)

instagram.com/Helenaveee

[giffingthecrown]

OFFICIAL LIST OF THE CAST OF THE CROWN SEASON 3

divided into 3 main sections: main, recurring and guest

MAIN

Olivia Colman as Queen Elizabeth II

Tobias Menzies as Prince Philip, Duke of Edinburgh 

Helena Bonham Carter as Princess Margaret, Countess of Snowdon

Ben Daniels as Antony Armstrong-Jones, Earl of Snowdon

Marion Bailey as Queen Elizabeth, The Queen Mother

Jason Watkins as Prime Minister Harold Wilson

Erin Doherty as Princess Anne

Josh O’Connor as Prince Charles, Duke of Cornwall (later Prince of Wales)

Emerald Fennell as Camilla Shand

Charles Dance as Lord Louis Mountbatten

Derek Jacobi as David, Duke of Windsor

Geraldine Chaplin as Wallis, Duchess of Windsor

RECURRING

David Rintoul as Michael Adeane

Charles Edwards as Martin Charteris

Michael Maloney as Edward Heath

Pip Torrens as Tommy Lascelles

GUEST

John Lithgow as Sir Winston Churchill

Samuel West as Sir Anthony Blunt

Jane Lapotaire as Princess Alice of Battenberg (Philip’s mother)

Andrew Buchnan as Andrew Parker-Bowles

Clancy Brown as President Lyndon B. Johnson

David Wilmot as Arthur Scargill (President of the National Union of Mineworkers)

John Hollingworth as Lord Porchester (Porchey)

Jessica De Gouw as Lucy Lindsay-Hogg (Tony’s second wife)

Henry Dimbleby as Richard Dimbleby

Togo Igawa as Hirohito, Emperor of Japan

Harry Treadaway as Roddy Llewellyn

[cinemalerta]

91st ACADEMY AWARDS NOMINEES

BEST PICTURE

Black Panther

BlackKklansman

Bohemian Rhapsody

The Favourite

Green Book

Roma

A Star Is Born

Vice

BEST DIRECTOR

Spike Lee – BlackKklansman

Pawel Pawlikowski – Cold War

Yorgos Lanthimos – The Favourite

Alfonso Cuarón – Roma

Adam McKay – Vice

BEST ACTOR

Christian Bale – Vice as Dick Cheney

Bradley Cooper – A Star Is Born as Jackson “Jack” Maine

Willem Dafoe – At Eternity’s Gate as Vincent Van Gogh

Rami Malek – Bohemian Rhapsody as Freddie Mercury

Viggo Mortensen – Green Book as Frank "Tony Lip" Vallelonga

BEST ACTRESS

Yalitza Aparicio – Roma as Cleodegaria "Cleo" Gutiérrez

Glenn Close – The Wife as Joan Castleman

Olivia Colman – The Favourite as Anne, Queen of Great Britain

Lady Gaga – A Star Is Born as Ally Maine

Melissa McCarthy – Can You Ever Forgive Me? as Lee Israel

BEST SUPPORTING ACTOR

Mahershala Ali – Green Book as Don Shirley

Adam Driver – BlacKkKlansman as Philip "Flip" Zimmerman

Sam Elliott – A Star Is Born as Bobby Maine

Richard E. Grant – Can You Ever Forgive Me? as Jack Hock

Sam Rockwell – Vice as George W. Bush

BEST SUPPORTING ACTRESS

Amy Adams – Vice as Lynne Cheney

Marina de Tavira – Roma as Sofía

Regina King – If Beale Street Could Talk as Sharon Rivers

Emma Stone – The Favourite as Abigail Masham

Rachel Weisz – The Favourite as Sarah Churchill

BEST ORIGINAL SCREENPLAY

The Favourite – Written by Deborah Davis and Tony McNamara

First Reformed – Written by Paul Schrader

Green Book – Written by Nick Vallelonga & Brian Currie & Peter Farrelly

Roma – Written by Alfonso Cuarón

Vice – Written by Adam McKay

BEST ADAPTED SCREENPLAY

The Ballad of Buster Scruggs – Screenplay by Joel Coen & Ethan Coen; based on the short stories All Gold Canyon by Jack London, The Gal Who Got Rattled by Stewart Edward White, and short stories by Joel Coen & Ethan Coen

BlacKkKlansman – Screenplay by Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee; based on the book by Ron Stallworth

Can You Ever Forgive Me? – Screenplay by Nicole Holofcener and Jeff Whitty; based on the book by Lee Israel

If Beale Street Could Talk – Screenplay by Barry Jenkins; based on the book by James Baldwin

A Star Is Born – Screenplay by Eric Roth, Bradley Cooper & Will Fetters; based on the 1954 screenplay by Moss Hart and the 1976 screenplay by Joan Didion, John Gregory Dunne & Frank Pierson; based on a story by Robert Carson & William A. Wellman

BEST FOREIGN LANGUAGE FILM

Capernaum – Nadine Labaki – Lebanon

Cold War – Paweł Pawlikowski – Poland

Never Look Away –Florian Henckel von Donnersmarck – Germany

Roma – Alfonso Cuarón – Mexico

Shoplifters – Hirokazu Kore-eda - Japan

BEST ANIMATED FEATURE FILM

Incredibles 2 – Brad Bird, John Walker and Nicole Paradis Grindle

Isle of Dogs – Wes Anderson, Scott Rudin, Steven Rales and Jeremy Dawson

Mirai – Mamoru Hosoda and Yūichirō Saitō

Ralph Breaks the Internet – Rich Moore, Phil Johnston and Clark Spencer

Spider-Man: Into the Spider-Verse – Bob Persichetti, Peter Ramsey, Rodney Rothman, Phil Lord and Christopher Miller

BEST DOCUMENTARY FEATURE

Free Solo – Elizabeth Chai Vasarhelyi, Jimmy Chin, Evan Hayes and Shannon Dill

Hale County This Morning, This Evening – RaMell Ross, Joslyn Barnes and Su Kim

Minding the Gap – Bing Liu and Diane Quon

Of Fathers and Sons – Talal Derki, Ansgar Frerich, Eva Kemme and Tobias N. Siebert

RBG – Betsy West and Julie Cohen

BEST CINEMATOGRAPHY

Cold War – Łukasz Żal

The Favourite – Robbie Ryan

Never Look Away – Caleb Deschanel

Roma – Alfonso Cuarón

A Star Is Born – Matthew Libatique

BEST EDITING

Cold War – Łukasz Żal

The Favourite – Robbie Ryan

Never Look Away – Caleb Deschanel

Roma – Alfonso Cuarón

A Star Is Born – Matthew Libatique

BEST PRODUCTION DESIGN

Black Panther – Production Design: Hannah Beachler; Set Decoration: Jay Hart

The Favourite – Production Design: Fiona Crombie; Set Decoration: Alice Felton

First Man – Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

Mary Poppins Returns – Production Design: John Myhre; Set Decoration: Gordon Sim

Roma – Production Design: Eugenio Caballero; Set Decoration: Bárbara Enríquez

BEST COSTUME DESIGN

The Ballad of Buster Scruggs – Mary Zophres

Black Panther – Ruth E. Carter

The Favourite – Sandy Powell

Mary Poppins Returns – Sandy Powell

Mary Queen of Scots – Alexandra Byrne

BEST MAKEUP AND HAIRSTYLING

Border – Göran Lundström and Pamela Goldammer

Mary Queen of Scots – Jenny Shircore, Marc Pilcher and Jessica Brooks

Vice – Greg Cannom, Kate Biscoe and Patricia Dehaney

BEST VISUAL EFFECTS

Avengers: Infinity War – Dan DeLeeuw, Kelly Port, Russell Earl and Dan Sudick

Christopher Robin – Christopher Lawrence, Michael Eames, Theo Jones and Chris Corbould

First Man – Paul Lambert, Ian Hunter, Tristan Myles and J. D. Schwalm

Ready Player One – Roger Guyett, Grady Cofer, Matthew E. Butler and David Shirk

Solo: A Star Wars Story – Rob Bredow, Patrick Tubach, Neal Scanlan and Dominic Tuohy

BEST ORIGINAL SCORE

Black Panther – Ludwig Göransson

BlacKkKlansman – Terence Blanchard

If Beale Street Could Talk – Nicholas Britell

Isle of Dogs – Alexandre Desplat

Mary Poppins Returns – Marc Shaiman

BEST ORIGINAL SONG

"All the Stars" from Black Panther – Music by Mark Spears, Kendrick Lamar Duckworth and Anthony Tiffith; Lyrics by Kendrick Lamar Duckworth, Anthony Tiffith and Solána Rowe

"I'll Fight" from RBG – Music and Lyrics by Diane Warren

"The Place Where Lost Things Go" from Mary Poppins Returns – Music by Marc Shaiman; Lyrics by Marc Shaiman and Scott Wittman

"Shallow" from A Star Is Born – Music and Lyrics by Lady Gaga, Mark Ronson, Anthony Rossomando and Andrew Wyatt

"When a Cowboy Trades His Spurs for Wings" from The Ballad of Buster Scruggs – Music and Lyrics by David Rawlings and Gillian Welch

BEST SOUND EDITING

Black Panther – Benjamin A. Burtt and Steve Boeddeker

Bohemian Rhapsody – John Warhurst and Nina Hartstone

First Man – Ai-Ling Lee and Mildred Iatrou Morgan

A Quiet Place – Ethan Van der Ryn and Erik Aadahl

Roma – Sergio Díaz and Skip Lievsay

BEST SOUND MIXING

Black Panther – Steve Boeddeker, Brandon Proctor and Peter J. Devlin

Bohemian Rhapsody – Paul Massey, Tim Cavagin and John Casali

First Man – Jon Taylor, Frank A. Montaño, Ai-Ling Lee and Mary H. Ellis

Roma – Skip Lievsay, Craig Henighan and José Antonio Garcia

A Star Is Born – Tom Ozanich, Dean Zupancic, Jason Ruder and Steve A. Morrow

BEST DOCUMENTARY – SHORT

Black Sheep – Ed Perkins and Jonathan Chinn

End Game – Rob Epstein and Jeffrey Friedman

Lifeboat – Skye Fitzgerald and Bryn Mooser

A Night at the Garden – Marshall Curry

Period. End of Sentence. – Rayka Zehtabchi and Melissa Berton

BEST LIVE ACTION SHORT FILM

Detainment – Vincent Lambe and Darren Mahon

Fauve – Jérémy Comte and Maria Gracia Turgeon

Marguerite – Marianne Farley and Marie-Hélène Panisset

Mother – Rodrigo Sorogoyen and María del Puy Alvarado

Skin – Guy Nattiv and Jaime Ray Newman

BEST ANIMATED SHORT FILM

Animal Behaviour – Alison Snowden and David Fine

Bao – Domee Shi and Becky Neiman-Cobb

Late Afternoon – Louise Bagnall and Nuria González Blanco

One Small Step – Andrew Chesworth and Bobby Pontillas

Weekends – Trevor Jimenez

[bongaboi]

2019 Academy Awards - The List.

Best Picture

Green Book – Jim Burke, Charles B. Wessler, Brian Currie, Peter Farrelly and Nick Vallelonga

Black Panther – Kevin Feige

BlacKkKlansman – Sean McKittrick, Jason Blum, Raymond Mansfield, Jordan Peele and Spike Lee

Bohemian Rhapsody – Graham King

The Favourite – Ceci Dempsey, Ed Guiney, Lee Magiday and Yorgos Lanthimos

Roma – Gabriela Rodríguez and Alfonso Cuarón

A Star Is Born – Bill Gerber, Bradley Cooper and Lynette Howell Taylor

Vice – Dede Gardner, Jeremy Kleiner, Adam McKay and Kevin J. Messick

Best Director

Spike Lee – a

Spik

Paweł Pawlikowski – Cold War

Yorgos Lanthimos – The Favourite

Adam McKay – Vice

Best Actor

Rami Malek – Bohemian Rhapsody as Freddie Mercury

Christian Bale – Vice as Dick Cheney

Bradley Cooper – A Star Is Born as Jackson "Jack" Maine

Willem Dafoe – At Eternity's Gate as Vincent van Gogh

Viggo Mortensen – Green Book as Frank "Tony Lip" Vallelonga

Best Actress

Olivia Colman – The Favourite as Anne, Queen of Great Britain

Yalitza Aparicio – Roma as Cleodegaria "Cleo" Gutiérrez

Glenn Close – The Wife as Joan Castleman

Lady Gaga – A Star Is Born as Ally Maine

Melissa McCarthy – Can You Ever Forgive Me? as Lee Israel

Best Supporting Actor

Mahershala Ali – Green Book as Don Shirley

Adam Driver – BlacKkKlansman as Philip "Flip" Zimmerman

Sam Elliott – A Star Is Born as Bobby Maine

Richard E. Grant – Can You Ever Forgive Me? as Jack Hock

Sam Rockwell – Vice as George W. Bush

Best Supporting Actress

Regina King – If Beale Street Could Talk as Sharon Rivers

Amy Adams – Vice as Lynne Cheney

Marina de Tavira – Roma as Sofía

Emma Stone – The Favourite as Abigail Masham

Rachel Weisz – The Favourite as Sarah Churchill

Best Original Screenplay

Green Book – Written by Nick Vallelonga, Brian Currie & Peter Farrelly

The Favourite – Written by Deborah Davis and Tony McNamara

First Reformed – Written by Paul Schrader

Roma – Written by Alfonso Cuarón

Vice – Written by Adam McKay

Best Adapted Screenplay

BlacKkKlansman – Screenplay by Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee; based on the book by Ron Stallworth

The Ballad of Buster Scruggs – Screenplay by Joel Coen & Ethan Coen; based on the short stories All Gold Canyon by Jack London, The Gal Who Got Rattled by Stewart Edward White, and short stories by Joel Coen & Ethan Coen

Can You Ever Forgive Me? – Screenplay by Nicole Holofcener and Jeff Whitty; based on the book by Lee Israel

If Beale Street Could Talk – Screenplay by Barry Jenkins; based on the book by James Baldwin

A Star Is Born – Screenplay by Eric Roth, Bradley Cooper & Will Fetters; based on the 1954 screenplay by Moss Hart and the 1976 screenplay by Joan Didion, John Gregory Dunne & Frank Pierson; based on a story by Robert Carson & William A. Wellman

Best Animated Feature Film

Spider-Man: Into the Spider-Verse – Bob Persichetti, Peter Ramsey, Rodney Rothman, Phil Lord and Christopher Miller

Incredibles 2 – Brad Bird, John Walker and Nicole Paradis Grindle

Isle of Dogs – Wes Anderson, Scott Rudin, Steven Rales and Jeremy Dawson

Mirai – Mamoru Hosoda and Yūichirō Saitō

Ralph Breaks the Internet – Rich Moore, Phil Johnston and Clark Spencer

Best Foreign Language Film

Roma (Mexico) in Spanish and Mixtec – Directed by Alfonso Cuarón

Capernaum (Lebanon) in Arabic – Directed by Nadine Labaki

Cold War (Poland) in Polish and French – Directed by Paweł Pawlikowski

Never Look Away (Germany) in German – Directed by Florian Henckel von Donnersmarck

Shoplifters (Japan) in Japanese – Directed by Hirokazu Kore-eda

Best Documentary – Feature

Free Solo – Elizabeth Chai Vasarhelyi, Jimmy Chin, Evan Hayes and Shannon Dill

Hale County This Morning, This Evening – RaMell Ross, Joslyn Barnes and Su Kim

Minding the Gap – Bing Liu and Diane Quon

Of Fathers and Sons – Talal Derki, Ansgar Frerich, Eva Kemme and Tobias N. Siebert

RBG – Betsy West and Julie Cohen

Best Documentary – Short Subject

Period. End of Sentence. – Rayka Zehtabchi and Melissa Berton

Black Sheep – Ed Perkins and Jonathan Chinn

End Game – Rob Epstein and Jeffrey Friedman

Lifeboat – Skye Fitzgerald and Bryn Mooser

A Night at the Garden – Marshall Curry

Best Live Action Short Film

Skin – Guy Nattiv and Jaime Ray Newman

Detainment – Vincent Lambe and Darren Mahon

Fauve – Jérémy Comte and Maria Gracia Turgeon

Marguerite – Marianne Farley and Marie-Hélène Panisset

Mother – Rodrigo Sorogoyen and María del Puy Alvarado

Best Animated Short Film

Bao – Domee Shi and Becky Neiman-Cobb

Animal Behaviour – Alison Snowden and David Fine

Late Afternoon – Louise Bagnall and Nuria González Blanco

One Small Step – Andrew Chesworth and Bobby Pontillas

Weekends – Trevor Jimenez

Best Original Score

Black Panther – Ludwig Göransson

BlacKkKlansman – Terence Blanchard

If Beale Street Could Talk – Nicholas Britell

Isle of Dogs – Alexandre Desplat

Mary Poppins Returns – Marc Shaiman

Best Original Song

"Shallow" from A Star Is Born – Music and Lyrics by Lady Gaga, Mark Ronson, Anthony Rossomando and Andrew Wyatt

"All the Stars" from Black Panther – Music by Mark Spears, Kendrick Lamar Duckworth and Anthony Tiffith; Lyrics by Kendrick Lamar Duckworth, Anthony Tiffith and Solána Rowe

"I'll Fight" from RBG – Music and Lyrics by Diane Warren

"The Place Where Lost Things Go" from Mary Poppins Returns – Music by Marc Shaiman; Lyrics by Marc Shaiman and Scott Wittman

"When a Cowboy Trades His Spurs for Wings" from The Ballad of Buster Scruggs – Music and Lyrics by David Rawlings and Gillian Welch

Best Sound Editing

Bohemian Rhapsody – John Warhurst and Nina Hartstone

Black Panther – Benjamin A. Burtt and Steve Boeddeker

First Man – Ai-Ling Lee and Mildred Iatrou Morgan

A Quiet Place – Ethan Van der Ryn and Erik Aadahl

Roma – Sergio Díaz and Skip Lievsay

Best Sound Mixing

Bohemian Rhapsody – Paul Massey, Tim Cavagin and John Casali

Black Panther – Steve Boeddeker, Brandon Proctor and Peter J. Devlin

First Man – Jon Taylor, Frank A. Montaño, Ai-Ling Lee and Mary H. Ellis

Roma – Skip Lievsay, Craig Henighan and José Antonio Garcia

A Star Is Born – Tom Ozanich, Dean Zupancic, Jason Ruder and Steve A. Morrow

Best Production Design

Black Panther – Hannah Beachler (production design); Jay Hart (set decoration)

The Favourite – Fiona Crombie (production design); Alice Felton (set decoration)

First Man – Nathan Crowley (production design); Kathy Lucas (set decoration)

Mary Poppins Returns – John Myhre (production design); Gordon Sim (set decoration)

Roma – Eugenio Caballero (production design); Bárbara Enríquez (set decoration)

Best Cinematography

Roma – Alfonso Cuarón

Cold War – Łukasz Żal

The Favourite – Robbie Ryan

Never Look Away – Caleb Deschanel

A Star Is Born – Matthew Libatique

Best Makeup and Hairstyling

Vice – Greg Cannom, Kate Biscoe and Patricia Dehaney

Border – Göran Lundström and Pamela Goldammer

Mary Queen of Scots – Jenny Shircore, Marc Pilcher and Jessica Brooks

Best Costume Design

Black Panther – Ruth E. Carter

The Ballad of Buster Scruggs – Mary Zophres

The Favourite – Sandy Powell

Mary Poppins Returns – Sandy Powell

Mary Queen of Scots – Alexandra Byrne

Best Film Editing

Bohemian Rhapsody – John Ottman

BlacKkKlansman – Barry Alexander Brown

The Favourite – Yorgos Mavropsaridis

Green Book – Patrick J. Don Vito

Vice – Hank Corwin

Best Visual Effects

First Man – Paul Lambert, Ian Hunter, Tristan Myles and J. D. Schwalm

Avengers: Infinity War – Dan DeLeeuw, Kelly Port, Russell Earl and Dan Sudick

Christopher Robin – Christopher Lawrence, Michael Eames, Theo Jones and Chris Corbould

Ready Player One – Roger Guyett, Grady Cofer, Matthew E. Butler and David Shirk

Solo: A Star Wars Story – Rob Bredow, Patrick Tubach, Neal Scanlan and Dominic Tuohy

[delaneydiaries]

celebrity sun 🌞 + moon 🌛 | part ii

Scorpio/Aries - Meg Ryan + Bill Gates

Scorpio/Taurus - Kathy Griffin + Joe Biden

Scorpio/Gemini - Rachel mcadams + future

Scorpio/cancer : drake + lil peep

Scorpio / Leo - Julia Roberts + Tyga

Scorpio/Virgo - Lorde + Gordon Ramsay

Scorpio/Libra - Leonardo DiCaprio + Emma Stone

Scorpio/ Scorpio - Seth MacFarlane + Brittany Murphy

Scorpio/sag - picasso + Anthony Keidis

Scorpio/aqua - Charles Manson + Caitlyn Jenner

Scorpio / cap - frank ocean + Ryan gosling

Scorpio/Pisces - winona Ryder + shailene woodley

Sag/ Aries - mark twain + Pablo Escobar

Sag/Taurus : Christina Aguilera + Jim Morrison

Sag/Gemini : Jake Gyllenhaal + Alyssa Milano

Sag/ Cancer - Jimi Hendrix + Chrissy Teigan

Sag/Leo - Winston Churchill + Amy Lee

Sag/Virgo - Nicki Minaj + Katherine Heigl

Sag/ Libra - Walt Disney + Jay-Z

Sag/Scorpio - Miley cyrus + Scarlett Johansson

Sag/sag - Beethoven + Ted Bundy

Sag/cap - ozzy Osbourne + brad Pitt

Sag/aqua : Sarah Paulson + Pope Francis

Sag/Pisces - Rita ora + Frank Sinatra

Cap/Aries - Jared Leto + Al Capone

Cap/Taurus - Howard Stern + Ryan Seacrest

Cap/Gemini - Jim Carrey + Louis Pasteur

Cap/Cancer - Kate Middleton (duchess of cambridge) + Janis Joplin

Cap/Leo - David Bowie + Marilyn Manson

Cap/ Virgo - Stephen hawking + Betty White

Cap/Libra - Christian louboutin + Patrick Dempsey

Cap/Scorpio - Kate Moss + Orlando bloom

Cap/sag - Dave Grohl + Ellie Goulding

Cap/cap - Zooey Deschanel + Paul deen

Cap/aqua - Nina dobrev + denzel washington

Cap/ Pisces - Martin Luther king Jr. + Elvis Presley

Aqua/Aries: Ellen Degeneres + Ed Sheeran

Aqua/Taurus - Mariska Hargitay + Ronald Reagan

Aqua/Gemini - Jane Seymour + Wayne Gretsky

Aqua/cancer - Griselda Blanco + Elizabeth Olsen

Aqua/Leo - Khalid + Joseph Gordon Levitt

Aqua/virgo - john Travolta + Johnny Rotten

Aqua/Libra - Harry Styles + Evan Peters

Aqua/Scorpio - bob Marley + James Dean/the weeknd

Aqua/sag - mozart + Logic

Aqua/cap - abe Lincoln + Charles Darwin

Aqua/aqua - Van Halen + Ashton Kutcher

Aqua/Pisces - Isla Fisher

Pisces/Aries - rihanna / ansel elgort

Pisces/Taurus - Floyd Mayweather + Rob Lowe

Pisces/Gemini - Olivia Wilde + Jessica Biel

Pisces/cancer - Kurt cobain + drew Barrymore

Pisces/Leo - Dakota Fanning + E.L James

Pisces/Virgo - Dr Seuss + rebel Wilson

Pisces / Libra - Justin bieber + thora birch

Pisces / scorpio: Tyler, the creator + Johnny cash

Pisces /sag : Albert Einstein + Jensen Ackles

Pisces/cap - Jennifer Love Hewitt + George Washington

Pisces/aqua - Jesus + Victoria Justice

Pisces/Pisces - Jhene Aiko + Michelangelo

[sammys-magical-au]

*the Rookies trying to bond*

Devin: yeah, because every single person comes out of their mother’s pussy naked.

Miguel: I was wearin’ a hat! Actually, I had a scarf on! It was my umbilical cord wrapped around my neck, I almost died!

Jeremy: *gaping*

Jessie: *cackling*

Miguel: scarf, bitch!

Devin: … I’m sorry that you didn’t die?

Jessie: *wheeze*

[mightyflamethrower]

Singer Buffy Sainte-Marie Exposed as Racial Imposter

Although the fetishization of non-Caucasians has reached extremes unimaginable only a few years ago, the racial imposter scam has been going on for some time. Folk singer Buffy Sainte-Marie’s career as an Indian began in Greenwich Village back in the early 1960s.

From the early days of her career, Sainte-Marie has claimed to be a Cree woman, born in Canada. She has also allowed herself to be celebrated as an Indigenous icon and success story.

A success story to be sure. The liberal establishment made her a deity.

Her birth certificate indicates she was born not to Cree Indians in Canada but to white parents in Stoneham, Massachusetts — and yet:

Sainte-Marie has been named a companion of the Order of Canada, the country’s highest civilian honour. In addition, her website says she has been awarded honorary doctorates from at least a dozen universities. Recently, there has been a resurgence of interest in Sainte-Marie. In 2021, she appeared on a Canadian stamp. Last year, she was the subject of a travelling exhibit featured at Ottawa’s National Arts Centre. She was also the focus of a five-part CBC podcast about her life and legacy and a one-hour concert televised on CBC that celebrated her leadership in Indigenous music.

Now the jig is up:

Late last year, CBC received a tip that Sainte-Marie is not of Cree ancestry but, in fact, has European roots. She is the latest high-profile public figure whose ancestry story has been contradicted by genealogical documentation, including her own birth certificate, historical research and personal accounts — the latest chapter in the complex and growing debate around Indigenous identity in Canada.

Since CBC moonbats consider the issue “complex,” let’s boil it down for them. Stone Age savages were replaced by Europeans. The Europeans were so successful that they eventually became soft and spoiled, so that moonbattery set in. Out of self-hatred, they worship descendants of the savages they displaced. This provides opportunities for racial imposters who wish to enjoy the obsequious favoritism afforded to nonwhites — thereby giving the lie to the liberal dogma that whites are privileged and nonwhites are oppressed.

Watch this Fauxcahontas forerunner lie to the kids on Sesame Street about how real she is back in 1975:

Buffy joins a growing list of racial imposters that also includes Andrea Smith, Kay LeClaire, Elizabeth Hoover, Carrie Bourassa, CV Vitolo-Haddad, Gwen Stefani, Heather Rae, Jessica Krug, Kristen Rosen Gonzalez, Rick Caruso, Kelly Kean Sharp, Rachel Dolezal, Raquel Evita Saraswati, Sacheen Littlefeather, Satchuel Cole, Shaun King, Ward Churchill, and Elizabeth Warren.

[blogcolumbus375]

Marc Jacobs Sketches

Bags: Inside Out is the UK's most comprehensive exhibition dedicated to the ultimate accessory. With an exclusive look inside the world of the factory and atelier, this exhibition explores our longstanding fascination with the bag, from designer handbags to despatch boxes, vanity cases to military rucksacks.

Elie saab drawings. Bags project bold statements to the outside world whilst concealing our most treasured belongings. Featuring around 300 objects, varying in scale from tiny purses held on a fingertip to luxurious travel trunks, the exhibition explores the function, status and craftsmanship of these highly covetable objects from the 16th century to today.

This site uses cookies to help us provide you with the best Marc Jacobs shopping experience. If you continue to browse our site, you consent to receive cookies as further described here. You must be over 18, a resident of the U.S. And meet additional eligibility criteria to qualify. This site uses cookies to help us provide you with the best Marc Jacobs shopping experience. If you continue to browse our site, you consent to receive cookies as further described here. You must be over 18, a resident of the U.S. And meet additional eligibility criteria to qualify. Late fees may apply. Mar 22, 2017 - Explore Du's board 'Perfume bottle sketch/concept/design' on Pinterest. See more ideas about perfume, perfume bottles, perfume bottle design.

The first section of the exhibition examines bags as practical objects designed to hold our belongings – from holiday outfits to confidential documents, make-up to money and even gas masks. Rare exhibits on show include a large embroidered burse used to protect Elizabeth I's Great Seal of England, a gas mask bag owned by HRH Queen Mary during the Second World War, Winston Churchill's red despatch box and Vivien Leigh's attaché case, as well as a striking Louis Vuitton trunk from the early 1900s.

Titled Status and Identity, the second of the exhibition sections looks at the central role of the bag in celebrity culture as well as its notoriety amongst the political and societal elite. Featuring a Hermès 'Kelly' named in honour of Grace Kelly, a 'Lady Dior' handbag named after Princess Diana, the Fendi 'Baguette' bag worn by and stolen from Sarah Jessica Parker in one of Sex and the City's most famous scenes and a gold Louis Vuitton 'Monogram Miroir' Speedy bag by Marc Jacobs popularised by Paris Hilton and Kim Kardashian. The first-ever made Hermès Birkin bag, owned by Jane Birkin, and Mulberry handbags worn by Kate Moss and Alexa Chung also feature.

The use of bags as a blank canvas for slogans, personal statements and political messages and their role as a public platform to share beliefs and convictions is represented through objects including an anti-slavery reticule bag from 1825, the 'I am NOT a Plastic Bag' tote by Anya Hindmarch and a 'My Body My Business' handbag by artist and activist Michele Pred.

Marc Jacobs Sketches Collection

Marc Jacobs Sketches Rose

The final section of the show will look at the Design and Making process from sketch to sample, sewing to selling. A 'maker's table' will allow visitors to get up close with bag making processes and materials, alongside newly commissioned interviews with designers and makers. Sketches, samples and prototypes from international fashion houses and the UK luxury brand Mulberry will show the innovative early stages of the design process.

A hotbed for collaboration, the bag offers an opportunity for experimentation and statement designs. A 17th-century purse in the shape of a frog, Thom Browne's handbag in the form of his dog Hector and a Chanel bag transformed into a milk carton will explore the surrealism and humour evoked through accessories.

Marc Jacobs Sketches Perfume

The exhibition finishes with designers experimenting with innovative and environmentally sustainable materials, including a Stella McCartney backpack made from recycled ocean plastic waste and a bag crafted from decommissioned fire hoses by Elvis and Kresse.

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[esonetwork]

Timestamp #211: The Beast Below

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Timestamp #211: The Beast Below

Doctor Who: The Beast Below (1 episode, s05e02, 2010)

It’s no disc on four elephants on a turtle, but it’s still home.

Behind-the scenes: Because Series Five started a franchise trend of related mini-episodes and prequels for certain stories, I’ll start including them where appropriate.

Meanwhile in the TARDIS, Part I

Shortly after departing Leadworth, Amy bombards the Doctor with a stream of non-stop questions. How does the TARDIS retain its air supply? Why did he label a time machine “police box”? Where are the other windows which are on the exterior of the TARDIS? What is a police box and is the Doctor a policeman? Has he seen his haircut? Does he ever need to change the bulb on top the TARDIS?

She also considers the bow tie to be a cry for help.

The Doctor answers most of the questions, which Amy follows with one more question: Is the Doctor an alien? He tells her that she’s the alien and that this is what he really looks like. He also opens the doors and shows her the depths of space.

When she says that they look more like a Hollywood special effects display, he throws her into the dark.

The Beast Below

On the Starship UK, children sit in class waiting to be graded by their instructor, a Smiler. A boy named Timmy doesn’t want to join, but when he does, he gets graded as a failure. Students who have a zero grade aren’t allowed to take the Vator lift with their classmates. Not wanting to take the stairs to the London deck, he sneaks onto the other elevator car, but this car takes him to Level 0 and a bottomless chasm into which the Smiler tosses him with an evil sneer.

Back at the TARDIS, Amy is floating in space with the Doctor holding her by a single ankle. He has extended the air shield so they can breathe while watching the cosmos. He spots the Starship UK, a refuge for humanity after the Earth was burned by solar flares, and sets a course.

While Amy watches the monitor, the Doctor appears on the screen and beckons her to join him. She’s surprised, but exits the TARDIS and wanders the starship in her nightgown. The Doctor takes a glass of water and sets it on the deck, proclaims that he’s looking for an escaped fish, and tells Amy to keep an eye open for secrets, shadows, and lives lived in fear.

As they wander, a cloaked figure calls a man named Hawthorne, who then relays the information about the Doctor’s presence to a woman surrounded by glasses of water. Meanwhile, the Doctor explains that they’re looking for a girl named Mandy, points out the Smilers as peculiar, and leaves Amy to pursue Mandy (Timmy’s friend) while he tries to stay out of trouble.

Amy finds Mandy, who tells her that they’re path is blocked by a hole at Magpie Electricals. Amy tries to pick the lock guarding the hole while talking to Mandy about herself. When Amy takes a peek inside, a nearby Smiler turns to the evil face as Amy finds a tentacle with a stinger on the end. When she leaves the tent, she’s surrounded by cloaked figures who gas her.

The Doctor descends into the engine room and finds the mysterious cloaked woman and a glass of water. When pressed, he explains that an engine the size of that needed to propel the ship would cause ripples in the water, but the surface is still. Additionally, there are no couplings in the electrical boxes and no engine whatsoever. The woman, Liz Ten, asks for his help before providing him with Amy’s whereabouts and vanishing.

Amy regains consciousness in a booth where her name (Amelia Jessica Pond), age (1,306), and marital status (unknown) are displayed before she’s offered the truth about the starship and two options: Protest or Forget. Should only one percent of the population protest, the project will be discontinued with consequences for all. She views the video and presses Forget, but then sees a video from herself begging her to find the Doctor and get off the ship immediately.

The Doctor opens the booth with Mandy on his heels and reveals that her recent memories were erased. They discuss the similarities between Time Lords and humans, as well as the remnants of his people. The Doctor decides to bring down the government by slamming the Protest button. The deck opens to the chasm below and he and Amy are dropped into a slimy pit full of biological refuse.

It turns out that it’s a mouth, as pipes have been surgically implanted they can use the normal path to escape, but the mouth is closed. To prevent being swallowed, the Doctor triggers the vomit reflex and the pair land in an overspill pipe. They find a Forget button, but when they refuse to press it, two Smilers approach menacingly. A maskless Liz Ten bursts in with Mandy and shoots the robots, but when they start repairing themselves, the group moves on.

Liz Ten muses about the Doctor and his history with royalty, revealing that she is Elizabeth the Tenth, the Queen. They spot more of the roots (the tentacles) behind barriers and retreat to Liz’s quarters. The Doctor muses to Amy that they shouldn’t be here. They are interrupted by the cloaked figures, Winders who are half-human and half-Smiler, and taken to the dungeons (the Tower) to meet with Hawthorne.

In the Tower, they find evidence that the starship is being propelled by a large, captive creature that is being tortured to keep them moving. Liz Ten demands that they release the creature with her authority, but Hawthorne doesn’t budge. The Doctor shows her the mask that she wears, noting that it’s an antique, and proving that her body clock has been slowed. She’s been on the throne for hundreds of years, forced over time to either Forget or Abdicate.

She watches a pre-recorded video of herself explaining that they lacked the resources to build a suitable ship, but they found the last of the star whales and decided to ride it to safety. Despite being heartbreaking, the choice saved them all. To abdicate would mean destroying the ship and killing humanity to save the creature.

This is what Amy chose to forget, a choice that makes the Doctor furious.

The Doctor is faced with three options: Leave the star whale in captivity, kill all of humanity, or turn the creature into a vegetable to save them all. The Doctor starts setting up option three while Amy sees Mandy reunited with Timmy (who doesn’t recognize her) and then caress one the tentacles like a pet.

Amy decides to force Liz to abdicate, but instead of destroying the ship, the vessel speeds up. Amy recognized that the creature had volunteered to save the children of humanity, comparing the star whale to the Doctor. Later, the Doctor gazes out at the stars as Amy arrives with Liz’s mask. There will be no more secrets on Starship UK, and the Doctor and Amy make amends to each other.

They return to the TARDIS, and Amy starts to reveal the reason that she needs to get back tomorrow morning, but they are interrupted by the console phone. On the other end is British Prime Minister Winston Churchill, asking for help as the shadow of a Dalek is cast on the wall of his office.

The Doctor sets a course, leaving the star whale and her wards to sail the stars, unaware of a glowing crack on the hull similar to the one that graced Amy’s wall at home.

We see an evolution of the Doctor in his first outing in this incarnation. Growing from the trauma of the Time War, we finally see hints of acceptance and resolve to never be cowardly or cruel, to never give up, and to never give in. In fact, when the resolution to this story seems to be the mental death of a magnificent creature to save everyone, he is ready to sacrifice the name of Doctor as a result.

In a similar story twist as The Doctor Dances, doing the thing that was supposed to end the world actually saves it. It was so good to see Amy take command of the situation based on what she’s observed. Smart companions are a winner with me. It’s also an extension of The Runaway Bride as a companion pleads with the Doctor to find another solution. In this case, the companion is successful.

Steven Moffat does take a serious shortcut here with easy entry points for the franchise: This story echoes The End of the World with a new Doctor taking a new companion to the distant future where they muse about the fall of Earth, the future of humanity, and talk about mothers while standing in front of large windows staring into space. Is it cheap? Sure, but it works.

We’ve also seen the hijacked brain story and clockwork androids before in the revival era.

I did love the rapid fire rush through the history of the Doctor and the monarchy, from Queen Victoria to Queen Elizabeth II and even a bit more of the story about a marriage to Queen Elizabeth I. I also got a kick out of some current events getting a nod with a discussion of Scottish independence, and I’m amused by the Doctor’s personality as he tries to be hip and modern. It’s very much “How do you do, fellow kids?”.

All of these things combined made for an exciting adventure that showcases the strength and abilities of Amy as a companion.

Rating: 5/5 – “Fantastic!”

UP NEXT – Doctor Who: Victory of the Daleks

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.