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steelbluehome · 4 months

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"Stan signed on years before financing came together . . .“It was a long, arduous process, and to be honest, I just didn’t know if I could do it,”

"It’s such a risky role, and Sebastian is fearless. He just did whatever he had to do to become this person.” - Gabriel Sherman, writer

Vanity Fair

In The Apprentice, Sebastian Stan and Jeremy Strong Peer Into the Dark Heart of Donald Trump (click for article)

Before Trump was Trump, he was a young striver taken under the wing of Roy Cohn. The Apprentice dramatizes their sinister bond: “I think of it as a love story, really,” Strong tells Vanity Fair.

BY DAVID CANFIELD

MAY 16, 2024

After he was cast as Roy Cohn in The Apprentice, Jeremy Strong dove in head first—as he tends to do. The Emmy winner devoured books about the ruthless fixer, watched and read his many colorful interviews, and even listened to raw tapes from a lauded Esquire profile to perfect Cohn’s vocal patterns. He went method on the set—all the better to ad-lib opposite Sebastian Stan’s Donald Trump as the actors traced the nefarious bond that came to shape a city, and maybe a nation. “We did a lot of improvising, which in this case had to be deeply informed,” Strong says. “We had a lot of latitude and freedom to play and take chances.”

All in all, Strong was following his usual process. Yet The Apprentice felt different—unusually difficult to shake off. “I’d go home by myself to the hotel room, and the real-world ramifications of the things that I was espousing and inculcating in Donald Trump really, really shook me,” Strong tells me. “It was a disturbing, upsetting place to be—that heart of darkness.”

Director Ali Abbasi plunges us right into that space in The Apprentice (premiering Monday at the Cannes Film Festival 2024), his provocative examination of the ways Cohn shaped Trump into the infamous politician he would become. But the last thing Abbasi wanted to make was a polemical, election-year warning. The Iranian-born director, best known for critical successes Border and Holy Spider, instead fashioned a gritty, ’70s-New-York-set indie thriller, bringing an outsider’s perspective to iconic—and in many corners, despised—American figures and contextualizing them through a kinetic cinematic lens.

“We wanted to do a punk rock version of a historical movie, which meant that we needed to keep a certain energy, a certain spirit—[not] get too anal about details and what’s right and what’s wrong,” Abbasi says. “America is a country…but it’s also an empire. I was more preoccupied with the empire part of it. For whoever has lived in the Middle East, the whole image of America is someone who meddles and moves peoples and forces and governments around in that region that seems to have unlimited force.”

In other words, America is a lot like Cohn, whom Strong embodies with a brooding, towering menace. Decades after becoming notorious for prosecuting Julius and Ethel Rosenberg—ultimately resulting in their execution—his reputation precedes him. Cohn knows everyone, wins at any cost, bullies his way past any obstacle, and manipulates both the truth and lies as he sees fit. If that sounds a lot like modern-day Trump, well, he had to learn it somewhere.

1970s Trump is far less assured, striving to break out of his father’s shadow and sweatily desperate to mingle in influential circles. When he and Cohn lock eyes for the first time, the film’s score pitches toward high noir. This is fate: theirs, and perhaps, ours. A few scenes later, Cohn has agreed to represent Trump. In real-world terms, it’s hard to overstate the implications of that decision.

“This movie at its core has a Midnight Cowboy arc to it,” Strong says. “I think of it as a love story, really. It’s a chaste love story between a teacher and a pupil—these two men from the boroughs who aspired to Fifth Avenue.” He later considers Cohn within another metaphor: “He’s like a heart-of-darkness heart donor—and the heart got transplanted to Donald Trump.”

Depending on how he chooses to look at it, screenwriter Gabriel Sherman started working on The Apprentice either 20-ish years ago, or around 2017. Sherman, who is now a Vanity Fair special contributor, launched his career as a reporter at the New York Observer in the early 2000s, covering real estate. Trump emerged as a surprisingly reliable source. “It was just amazing that he was supposedly a billionaire, but if I’d call his office, within 10 minutes he would immediately call back,” Sherman tells me.

He continued to cover the man who’d go on to host his own hit TV series, naturally named The Apprentice, up through his defiantly successful presidential campaign. But as Sherman immersed himself in Trumpworld, one particular theme kept coming up in his reporting.

“I kept hearing people who had known Donald since the ’80s say something like, ‘Well, he’s just using all of the things that Roy taught him,’” Sherman says. “All of the phrases: It’s going to be amazing. Believe me. It came to me in a flash.” He wrote a treatment, then script drafts under the supervision of executive producer Amy Baer, but found Hollywood less than eager to jump on a psychologically intense Trump drama so early in his presidency. (In the meantime, Sherman wrote on Showtime’s The Loudest Voice, adapted from his Roger Ailes–focused book of the same name.) So they waited, and pondered the best way to make the movie once its time finally arrived.

“We wanted a non-American director, because non-American filmmakers tend to have an extraordinary lens through which they view American culture,” says Baer, citing Midnight Cowboy as an example. “The first time Ali and I spoke, he cited Stanley Kubrick’s film Barry Lyndon, which I thought was a brilliant and unexpected comp for this movie—a social climber who absorbs the affectations of the people and cultures around him because he himself stands for nothing.”

While writing, Sherman had ’70s New York classics on his mind—Dog Day Afternoon, Taxi Driver, and Network—while Stan says he honed this particular take on Trump through Abbasi’s references to Midnight Cowboy and Boogie Nights. Stan signed on years before financing came together (in a Canadian, Danish, and Irish coproduction). “It was a long, arduous process, and to be honest, I just didn’t know if I could do it,” the actor says. “I just scoured the internet and everything I could find…all around the time period that the movie was taking place. I watched everything.”

There were a million directions Stan could’ve gone in—and that’s also true for both Strong and Oscar nominee Maria Bakalova, who does savvy work in the film as Trump’s first wife, Ivana Trump. As the SAG-AFTRA strike delayed filming—the production eventually secured an interim agreement with the guild—Bakalova started growing and manicuring huge, long red nails. “I usually don’t really wear a lot of makeup,” she cracks. “This changed my personality!”

Abbasi describes their collaboration as constant and thorough. “We were looking at videos of Donald Trump at different ages, talking about his way of walking, talking, speaking, eating—everything.” Stan’s take on Trump, Sherman says, “feels like the person that I know, and it has nothing to do with the person we see on TV…. It’s such a risky role, and Sebastian is fearless. He just did whatever he had to do to become this person.”

“We realized that if we get too close, we’re in Saturday Night Live territory. But if we get too far away, you don’t really feel it,” Abbasi says. They achieved a middle ground by avoiding any biopic gloss: “This is not a movie where people are supposed to look good.” The makeup and hair are meticulous in their glaring imperfections, reinforcing Abbasi’s focus on physical decay and patchwork: “These people are some of the most powerful people in New York society at the time,” says Abbasi. Yet “Roy’s face looks strange, gray, brownish, his eyes are bloodshot, his forehead is shiny. Donald has strange teeth and looks unhealthy.”

Each portrayal has its own curious empathy. Stan charts Trump’s descent into power-driven madness subtly, emphasizing his relative humanity and emotional range before hitting nightmarishly familiar beats later in the film. As he gains influence and emerges as a dominant cultural force, Trump all but abandons Cohn, who’s not-so-secretly dying from HIV-AIDS.

Unlike, say, Al Pacino’s loud, flamboyant take on Cohn in Angels in America, Strong’s approach is mournful. “I’ll say unequivocally that he’s the most fascinating person I’ve ever studied,” Strong says. “I found myself moved by the arc of the character when he got sick. Someone who has lived in denial of so much, suddenly facing the end, and the searing regret and primal pain of that for someone who’s done so much damage. I don’t think he particularly felt much remorse, but he was a person.”

Ivana, meanwhile, acts as the initial wedge between the two men. Bakalova connected with her story, as a headstrong immigrant thrust into a dizzying, at times brutal world of celebrity and wealth. “I wanted to see what she saw in him, why she got impressed by him,” she says. The film doesn’t paint Ivana as a victim, even as it bluntly depicts the darkest moments of her marriage to Trump. “I keep questioning myself: ‘How did she agree to that?’ But maybe she knew what she was stepping into,” Bakalova says. “It’s another side of her being intelligent—somebody that I can, of course, criticize in moments, and also empathize with.”

“People think of Trump as this kind of fully formed tabloid figure—they think of the person they see at the rallies giving all these unhinged speeches,” Sherman says. “But the Trump of the ’70s was a very different person. While he was aggressive and he was ambitious, he did not know how to project power the way he does today. We need to understand how people like Cohn and Trump are able to wield power and manipulate the truth and create their own reality through deception. That’s a universal story.”

This is but one answer to the question looming around The Apprentice: Why make a Trump movie, and why now? He’s been sucking the oxygen out of Hollywood for going on a decade; even now, his fraught reelection campaign is moving forward while he stands criminal trial. But both Sherman and Abbasi emphasize they wanted to “strip politics” from their movie, to craft a dark character study that speaks to a larger, darker system of power in the US.

It may be difficult for viewers to remove the political context, especially as the movie teases the Trump phenomenon that will emerge out of this period—the absurdist characters now in his orbit who previously circled Cohn, the now groan-inducing catchphrases packaged over decades. At a press conference on Tuesday, Cannes’s jury president Greta Gerwig was asked about her ability to “objectively” assess the film as an American woman, and said, “I try to come to every film that we see with an open mind and an open heart, and willing to be surprised…. I don’t want to make any assumptions about what it is.”

The filmmakers hope general audiences adopt a similar attitude. There are thorny ideas and bold arguments in The Apprentice that will stick with you. The same goes for the characters, who are simultaneously vile and sad and slightly silly. “I’m a very all-or-nothing kind of person when it comes to the work stuff,” Stan says. “It’s hard for me to go with one foot in and one foot out.”

Stan spent much of production wondering what exact tone they’d land on, given the latitude they had with the script. That spontaneity informed the final product. “The shoot was pretty ride-or-die. It was fast. We didn’t have a lot of money,” Strong says. “You can’t imagine a bigger limb to go out on for either of us. I think we both felt that.”

#the apprentice #sebastian stan #jeremy strong #ali abbasi #maria bakalova #donald trump #roy cohn #ivana trump

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a-drought-of-thoughts · 2 years

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no one, and i can't say this sincerely enough, is doing it like him

#he got nice shoes n all too!#not that i personally didnt think the subway surfers ones Weren't a lewk #but #jeremy strong fashion icon 2022 real???#jeremy.jpeg

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voiceless-terror · 3 years

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thinking about what jeremy’s outfit is gonna be for the critics choice. how does he top the pink suit? is he in his electra heart era? will he ever go back to brown? he is the moment

#jeremy strong #fashion ICON #succession #i just wanna see his awards season wardrobe cuz he's the only succession guy serving #i hope snook is at the critics she was sorely missed

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accio-victuuri · 4 years

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Style Guide: Wang Yibo

His personal style through the years. from clothes, shoes and accessories. I will include “concept” styles from his UNIQ days and variety shows. As well as a few from awards show & fan meets he attended. I honestly just want to see how he changed so here it is. plus an excuse to look at his pretty pictures.

I. Early Years and Idol Life

Yibo’s initial style was pretty much divided into his idol life and his personal style. His clothes were leaning more into a blend hip-hop and Korean/contemporary style. He went through various style changes as an Idol with his group, UNIQ and really adapted the KPOP idol style. from changes to his hair color, make up on his performances and elaborate stage clothes. The transition from the innocent/delicate looking blonde to his EOEO look -- he just proves that he can represent any concept well.

II. Solo work as Wang Yibo

Things started to speed up with his popularity from late 2017 to 2018. Juggling his work as a Musician, Actor, Host, Model, Brand ambassador- everything else. Famous brands started to notice him and his magazine covers are coming one after the other. This is the time where you can see him move fully into the skateboard / streetwear brands as his go-to. Airport photos also show him in ripped skinny jeans and his shirt of choice with a matching cap. he went onto say that he choose the clothes carefully, knowing a lot of people are looking even at him even at the Airport.

It’s a stark contrast to how people see him in his Produce 101 mentorship stint. A common favorite among fans, every episode shows him in an interesting style. From the hair to his clothes and accessories -- He would always gain attention. You can ask any fan and they will definitely find it hard to rate all of his looks.

notable brands he loves to wear ( either personally or at events) : off white, stussy, supreme, evisu, wasted youth etc.

III. Rise to Fame

It’s 2019 and Yibo’s name is everywhere, not only in his home country but on international platforms. His transition to an Actor is finally complete. Keeping his other roles still intact but people noticed a few things missing. No earrings. Dark colored hair with no more highlights. However, his style during fan meets show him in very interesting pieces. Yibo’s airport style remains the same with his go-to streetwear brands but the slew of fans following him around definitely dampened the urge to stroll around the airport.

His clothes on red carpets and fan meets were always on point.

IV. The Black Panther

Wang Yibo established himself as a strong player in the entertainment industry with hard work an pure talent. At this point, everything he does and wears is going to be on display for everyone. There is little change to what he prefers to put on during his off time, predictably seen with his favorite brands. sometimes with loose pants on and signature hoodies. No more “instagram” style airport fashion photos as people gathering where he is became a security risk. He was sporting a military cut for his role in BAH most of the time but continued with his laid back style in TTXS episodes.

A real treat for everyone was when he decided to be a Captain in SDOC3. Every weekend, fans were anticipating what style he was gonna wear. Yibo-official also posts photoshoots for every look/episode. This brought us back the highlights, eyeliners and a combination of street and idol look.

Also he can forget this situation with his pants!

HIS STYLE QUIRKS

1. His love for personalized things- his love for one of a kind things is not a secret. from his limited edition Legos and shoes, him, wanting to put his names on things is not new. His collaboration with Evisu launched clothes that have his name on it and Audi even has special edition cars dedicated to him.

2. The earrings - He’s not been wearing one lately as he moved from the “idol” image to being an actor. However, it’s one of the most notable fashion accessory associated with him early on. In his Vogue Film cover last year he was wearing one for his role as a bartender. In an interview, he said he liked the earrings he was wearing.

3. Beekeeper hat - This actually went on trending as netizens did not get this type of style. In an interview, he explains that it is “hip hop style”. we don’t see him with this style anymore but it’s a notable one that gathered attention.

4. Wearing caps - Yibo’s signature accessory ever since, a combination of fashion and to keep his anonymity nowadays. What everyone really likes though is his 85 cap merchandise and hopefully, he release his own line soon.

5. Skateboard - If there is anyone who can make holding a skateboard and having it with you all the time a fashion statement - then it’s Yibo. He is often seen carrying it in airport photos and using it on his breaks. As CHN’s ambassador for it, he truly represents the culture. Yibo is also known to influence the people he works with with trying to skateboards.

BRANDS HE ABSOLUTELY LOVES.

1. Nike - The brand loves him and sends him stuff as their partner, but aside from the shoes--- he definitely influenced his fans in buying his white Nike bag that he always uses. More recently, he started using a black one instead. There is even a joke going around in weibo that people hate it when he wears a specific type of shoes they like, cause it ends up getting sold out.

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2. VLONE- He truly is a trendsetter as he is the first artist in CHN who started wearing this brand. You can see him using it on his personal time as well as in some appearances. It’s a brand by one his favorite artist, Asap Rocky. like him, Asap is a style icon and in an interview said he does not shy way from wearing what he wants even if it’s against the norm ( wearing jeremy scott’s adidas collabs at the time that it was considered not masculine to do so.). The brand stands for “You live alone, you die alone” from this quote 👇🏻

3. PeaceMinusOne - Yibo is a fan of G-dragon and like everyone else, is excited and waiting for what he brings out next. He famously posted this brand’s collab on his social media platform twice. He was seen with a phone case from them. G-dragon goes onto say that this project is an extension of himself ; A utopia that we have not reached. He wants peace, but we are not there yet. These pairs of shoes are very hard to get especially since the competition are from celebrities, collectors and fans.

4. Chanel - Do I even need to explain this? He’s been wearing this brand on numerous events. not to mention his love for his chanel coco crush rings. His recent photoshoot for his single had him decked out in Chanel accessories. He started wearing the Chanel women’s blazers around 2019 and has been rocking it ever since. This just goes to show his unconventional approach in fashion & this is why the brand loves to work with him too.

youtube

5. Palace - This is a London based skateboard and clothes shop that he frequently wears during his off days. Yibo is very into the skateboard culture & it’s a perfect fit for him. I cannot count the number of times I saw him wear this.

6. Rolex - I have a whole collection post about this but what he’s been sporting this from very early on. limited editions mostly.

That’s it for now. This boy’s evolution in his style will continue. He will have more great fashion moments. More brands to collaborate with/ He is sure to bring something interesting every time and his one of a kind choices are always a hit. ヽ(・∀・)ﾉ

#wang yibo #bjyx

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archivingspn · 3 years

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2018: Twitter- pasladeuxieme, battingpractice, and TeamFreeWillBT

Context: After the SPNUK 2018 J2M panel question about eyefucking being a stage direction in scripts between Dean and Cas, several factions began engaging in discussions and arguments about the intent behind the spn writers’ word choice. In response to this, on May 8th 2018, pasladeuxieme tweeted out a series of tweets and screenshots from 8x02′s yellow pages to show where they remembered seeing the use of “eye-fuck” in the script as shorthand for an intense stare for the brothers, Sam and Dean.

pasladeuxieme: “Was telling Bri while I couldn't remember one between Dean and Cas, I could vaguely remember seeing 'eyefuck' in the stage directs of one of the scripts we have - found it :p ‘[image:

"What's Up, Tiger..." Yellow Pages 7/26/12 9. 2 CONTINUED : 12

SAM So things like that don't ever happen again.

Ms. Tran takes that in the pain of Eunis still fresh. Then-- she EYES Kevin.

MS. TRAN Prophet of the lord, huh? (then, a warm smile) That does have a nice ring to it.

A note of approval-- Kevin smiles sweetly...

MS. TRAN I'll get packed. Ms. Tran makes for her bedroom.

Dean turns to Sam--

DEAN We're gonna need a new safe-house, since Crowley's been to the cabin--

MS. TRAN (stopping in her tracks) Safe house? I thought we were going after the tablet?

DEAN We are. You're taking a trip to the demon-free zone.

MS. TRAN And risk letting Kevin fall into the hands of this Crowley, again? (then, firm) I don't think so.

Sam and Dean exchange an EYEFUCK-- here we go.

SAM Ma'am, Dean's right. Crowley-- he's not just a killer. He trades in torment. And if he can find a way to separate you from your soul? He'll take it to Hell and roast it 'til there's nothing but black smoke...]’”- 9:19 PM May 8, 2018

[source]

pasladeuxieme: “So many EXPRESSIONS being swapped between these hunter sibs. 5 dollars says Dabb wrote these stage directions with a thesaurus at hand ‘[image: "What's Up, Tiger..." Yellow Pages 7/26/12 10. CONTINUED: (2) 12

MS. TRAN So, a soul is more valuable than a life?

SAM Ma'am, a soul is forever. Your life is just a vessel... (then) It would really be best if you left this to us.

Ms. Tran takes a good long beat to consider that. Then--

MS. TRAN I understand. (then) But it's not my soul I'm worried about-- it's my son's.

She's STRONG. Sam and Dean trade an OMINOUS LOOK-- fearing the worst. Then turn to Kevin.

DEAN Gonna back us up here, Kev? (then) We came all the way out here to pull her ass out of the fire and now she wants to jump back in.

KEVIN Like I can tell her what to do.

Sam and Dean exchange a KNOWING NOD.

DEAN Coming with has conditions. Hex bags to keep you off the bad guys' radar. And you're gonna have to ink up.

KEVIN Do what now?

SAM You too, short stop--]’” - 9:24 PM May 8, 2018

[source]

battingpractice: “wait i found it ‘[image: (then) Sunshine and sandy beaches.

Satisfied, Dean goes all-in for the PIB. Kevin processen that for a beat-- watching Dean take a fork to the pie.

KEVIN Dean. My Mom's all alone-- And surrounded by Demons. (then) Can you really not understand why I want to make sure she's okay?

That stops Dean COLD-- fork hovering by his mouth. Dean looks over to Sam-- remembering his own Mother. Sam gives him a slight shrug, knowing the kid's right.

Dean eyes his pie, perched beautifully on the end of his fork-- he wants that bite so badly.

DEAN Son of a bitch.

Dean STABS his fork into the PIE, moving out of the BOOTH. Kevin SMILES, victorious, and we're on the move--]’“ - 9:26 PM May 8, 2018

[source]

pasladeuxieme: “Here's an eyefuck involving everyone's favorite King of Hell ‘[image: SAM all good-- just need to come up with a Plan B.

Then-- a familiar VOICE from off-camera.

CROWLEY (O.S.) what, pray-tell, could possibly have been Plan A?

The boys BURN-- and TURN to see CROWLEY. Standing smug.

CROWLEY Bring the prophet to the most dangerous place on earth, memorize the tablet and then-- va-moose?

That one's pointed at Sam-- a weary eye-fuck from the boys.

CROWLEY Oh, and salutations, by the way.

BLACKOUT.

END OF ACT TWO]’”- 9:27 PM May 8, 2018

[source]

battingpractice: “Meanwhile, the same episode's direction for D-C is "Dean locks eyes with Cas, FIRM" which ends up as an actual eye f-u-ck but was not actually spelled out that way in the script ‘[image:

DEAN No. (then, to Cass) Cass, we're getting outta here. We're going home.

That word hits Cass hard-- something about it makes him visibly ANXIOUS.

CASTIEL Dean, I can't--

DEAN Yeah, we can. Tell him.

He's talking to Benny. The monster shrugs.

BENNY Purgatory's got an escape hatch, but I got no idea if it's angel friendly.

Dean locks eyes with Cass, FIRM.

DEAN We'll make it work. (then) I need you, Cass. And if the Chompers wanna take a shot, I say let 'em. We ganked those bitches]’”- 9:32 PM May 8, 2018

[source]

pasladeuxieme: “Not an eyefuck but here are some Destiel-y stage directions around the iconic "too much heart was always Castiel's problem" 😢 ‘[image:

what's Up, Tiger..." Yellow Pages 7/26/12 28. CONTINUED: (3) 25

ALFIE You know, there are some in Heaven who still believe that, despite mistakes, Castiel's heart was always in the right place.

DEAN You one of 'em?

ALFIE I think... too much heart was always Castiel's problem.

Alfie moves off and we hold on Dean-- the angel's words hitting home. CUT TO--

EXT. CLEARING - PURGATORY - DAY (FLASHBACK)]’“- 9:49 PM May 8, 2018

[source]

pasladeuxieme: “No textusl eyefucks in 9x23, but check out the stage directions for Cas reacting to Metatron advising Dean is dead - "Castiel reacts - stunned" got turned into everything Misha did there.... ‘[image:

"Do You Believe in Miracles?" Pink Pages 4/16/14 39. 44 CONTINUED: 44

METATRON Ah. So, Gadreel bites the dust, the Angel Tablet, arguably the most powerful instrument in the history of the universe, is in pieces... And for what, now? That's right. To save Dean Winchester. (then) That was your cause wasn't it? You draped yourself in the flag of Heaven but, ultimately, this was all to save a human, wasn't it? Well, guess what? He's dead too.

Castiel reacts, stunned, as-- CHUNK! His arms are suddenly CUFFED to the chair.

METATRON And you're sitting in my chair.

45 INT. ABANDONED PLANT - NIGHT 45

Dean bleeds out on the ground. Alive, but barely. Sam tears up bits of his shirt to fashion a tourniquet. All business.]’“ - 2:48 AM May 9, 2018

[source]

Context: Three years afterwards, May 20 2021, TeamFreeWillBT made a different thread on three additional instances of eyefucking plus the ones found in 8x02:

TeamFreeWillBT: “Eyef*cks in the Supernatural scripts 8.02 What's Up, Tiger Mommy? 13.08 The Scorpion and the Frog 13.21 Beat the Devil ‘[image:

A note of approval-- Kevin smiles sweetly...

MS. TRAN I'll get packed. Ms. Tran makes for her bedroom.

Dean turns to Sam--

DEAN We're gonna need a new safe-house, since Crowley's been to the cabin--

MS. TRAN (stopping in her tracks) Safe house? I thought we were going after the tablet?

DEAN We are. You're taking a trip to the demon-free zone.

MS. TRAN And risk letting Kevin fall into the hands of this Crowley, again? (then, firm) I don't think so.

Sam and Dean exchange an EYEFUCK-- here we go.

[image: SAM all good-- just need to come up with a Plan B.

Then-- a familiar VOICE from off-camera.

CROWLEY (O.S.) what, pray-tell, could possibly have been Plan A?

The boys BURN-- and TURN to see CROWLEY. Standing smug.

CROWLEY Bring the prophet to the most dangerous place on earth, memorize the tablet and then-- va-moose?

That one's pointed at Sam-- a weary eye-fuck from the boys.

CROWLEY Oh, and salutations, by the way.BLACKOUT.END OF ACT TWO]

[image: As Dean turns the key in the lock-- it opens with A CLICK to REVEAL-- BONES. A WHOLE DUSTY SKELETON'S WORTH.

SHRIKE Bart's bones. You burn them, he dies too. THAT'S my leverage. (then) You're on the wrong side of this, boys-- (a loaded beat) Just gotta ask yourselves if you can live with that.

The boys eye-fuck. Can they?

BART (O.S.) He's right, those ARE my bones.

Sam, Dean and Smash look up-- THERE'S BART! Standing next to Shrike.]

[image:

GABRIEL My tank's a little low right now. Getting vengeance took a lot out of me, and even on a good day, I-- (sheepish, defensive) I have a long refractory window, okay? (then, confident) But archangel grace? It's like, the Four Loko of angelic emissions. It'll be more than enough to get the job done.

Off Gabe's confidence, our heroes eyefuck. It's go time.

QUICK CUTS:

--Our heroes LOAD UP for battle, dressing/ARMING themselves for Apocalypse World. Angel blades, knives, guns. Apocalypse World-appropriate clothing.

INT--MEN OF LETTERS - LIBRARY MOMENTS LATER 4]’“- 7:39 PM May 20, 2021

[source]

TeamFreeWillBT: “9.05 Dog Dean Afternoon ‘[image:

DYLAN --and it's not like we could go to the cops--

OLIVIA --so now we look like total douche bags *cause we have to wear sunglasses inside.

Olivia and Dylan removes their sunglasses to reveal... puffy, bloodshot eyes, surrounded by dead tissue? It looks like textbook gangrene. As Sam and Dean eyefuck--

DEAN (PRE LAP) Necrosis?

INT. MOTEL - DAY

Sam sits in front of his laptop. Dean looks over his shoulder, bottle o’ beer in hand.]’”- 7:39 PM May 20, 2021

[source]

8.02 What's Up, Tiger Mommy?

Written by: Andrew Dabb and Daniel Loflin

9.05 Dog Dean Afternoon

Written by: Eric Charmelo and Nicole Snyder

9.23 Do You Believe in Miracles?

Written by: Jeremy Carver

13.08 The Scorpion and the Frog

Written by: Meredith Glynn

13.21 Beat the Devil

Written by: Robert Berens

#2018-May #2018:May8 #*destiel #*eyefucking #*spn 8x02 #*spn 9x05 #*spn 9x23 #*spn 13x08 #*spn 13x21 #writer: Andrew Dabb #writer: Daniel Loflin #writer: Eric Charmelo #writer: Nicole Snyder #writer: Jeremy Carver #writer: Meredith Glynn #writer: Robert Berens #Twitter #*scripts

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beebeetheclown · 3 months

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IM IN LOVE WITH THE BROWN CORDUROY PANTS!

His eyes are so pretty oh my goshhhhhh eeeeekkkkk. The third picture!!!! So PRETTY!!!

The chest hair sneak peek you guys ahhhhhhhhgg

Tee shirt Jeremy I love youuu. Spring outfit Jeremy I love youuu. I need to fly all the way back there just to tell him how much I am in love with his fashion sense.

His smile you guys… oh my grrahhhhh! He’s so precious. He’s so lovely I love him help me.

A chain bracelet?! Yes! Hooray for the chain bracelet that’s so hot. Omg he should start putting little charms on it! Or if not, it’s cutesy and hot either way.

Hot guy on summer vacation type thing.

Please please pleaseeeeee I want to have a long conversation with him in a coffee/music/book shop so badly help me help me! We order coffee and croissants and talk about writing and fashion.

I admire him from afar every single day. I will admire him up close again someday! That’s my goal in life: “admire Jeremy Strong up close for a second time”

#jeremy strong #I love himmmmmm #you know what I need to post more about his fashion because I can’t hold in my love for it anymore #jeremy strong is a fashion icon #eeeek #an enemy of the people #fashion

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citrucentric · 4 years

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Cranberry

The ideal Holmes is tall and dark with sharp edges and an intelligent look to him, but also posh and with a sense that you could fold him into origami if you really tried. Dresses well, but wouldn’t look out of place sprawled dramatically over a couch in a dressing gown with a pipe and surrounded by drug paraphernalia. Once made a pillow fort and sat in it to think. Caught somewhere between handsome, pretty, and weird looking. Emphasis can be on any of the three. CANNOT have facial hair.

Holmes Adaptations

S-Tier

Miss Sherlock (Yuko Takeuchi) - 95%

You’ll notice, of course, that nowhere in the earlier description did I say Holmes needed to be white, a man, or even human. None of those qualifiers or the lack-thereof prevent someone from looking the part -- it simply becomes necessary to compare them to the characters around them. And when I picture a female Sherlock Holmes, Yuko Takeuchi embodies the exact image in my mind. Her sharp edges, piercing eyes, and impeccable fashion, along with the powerful weird energy she brings to the role, fit Sherlock perfectly. She does look more than a bit like she could kick my ass, but more in the manner she dominates the room, which is perfect for the character.

Sherlock Holmes (Jeremy Brett) - 85%

I haven’t watched this adaptation, though I’ve been meaning to get around to it. So this ranking is based solely on screenshots and promotional images. And honestly, as ugly as i find this guy, he totally nails it. He even kind of looks like the illustrations in the stories. I won’t give him a perfect score because his hair could be darker and his face is a little small, and there’s just barely something missing. But as far as “canon” Holmes adaptations go, he’s the cream of the crop.

A-Tier

Sherlock: The Abominable Bride (Benedict Cumberbatch) - 80%

Definitely the more accurate of the two Cumberbatch Holmes designs, the sleek fashion and slicked back hair complement Cumberbatch’s angular build and “somewhere between pretty and just weird” face. He’s tall, dark, and posh. If there’s anything holding him back it’s simply that even dressed up properly, there’s something still a bit modern looking about him.

Fate/Grand Order - 78%

Given that his design and presentation are a direct reference to both Brett and Cumberbatch’s portrayals, it’s a given he’d place so highly. It’s really hard to nail down a 2D Holmes, especially in the anime style this game employs, since it has a tendency to prettify characters by default. True to form, FGO Holmes is far neater and more precise than I’d like. But he’s by no means a bad design, and depending on the image he can really hit the spot for me; he’s definitely a chart topper in the realm of 2D Holmes.

Sherlock Holmes: The Furtive Festivity (Gregory Johnstone) - 75%

There aren’t many Holmes that we only get to see as an old man, in no small part due to the ACD estate’s notoriously malicious copyright practices. Johnstone ranks so highly not due necessarily to the details of his look, but the overall feel he embodies. This Holmes is soft, affectionate, more than a little floppy. His hair and costume portray a man well grown into his eccentric life, and his face is sharp and mature enough to suggest the brains underneath; even if that’s more wisdom than intelligence in this particular story. This is a Holmes designed by someone who really loves Sherlock Holmes, and it definitely shows.

BBC Sherlock (Benedict Cumberbatch) - 75%

Cumberbatch’s features still naturally suit Holmes well, and he’s tall and striking enough to cover the rest. But this isn’t a rating of his acting performance aside from the visuals it supplies; it’s hard to modernize Holmes, especially since it makes perfect sense for Holmes to gel well with the changing times; he was always a man ahead of his era. BBC Holmes’s trademark trenchcoat and curly locks aren’t traditional Holmes, but they suit him well enough.

Yuukoku no Moriarty - 73%

The long hair is an unorthodox take, but I'm certainly not complaining. YnM's Holmes definitely nails the youthful scientific exuberance of an early Holmes. It's clear they were going for a sort of BBC/ACD mix, but with their own spin. Pretty -- he is an anime boy, after all -- but all sharp edges and full of energy. Decent, way better than most anime Holmes designs manage.

B-Tier

Basil of Baker Street [The Great Mouse Detective] - 70%

Comparing the character to those around them is especially important when it comes to non-human characters, who naturally don’t have the same features. Putting Basil next to Dawson makes this abundantly clear, as they make a perfect portrait of Holmes and Watson. For a mouse, he’s thin, angular, even a little ratlike; all decisions that suit Holmes well. I have some complaints about his ensemble, though; while the dressing gown suits him well, his normal brown coat and hat don’t work so well with his fur; the monochrome look makes him come off a bit scruffy and unrefined.

A Study in Black - 68%

Rules are made to be broken, they say; here’s a Holmes with well maintained facial hair and who’s shorter than Watson, and yet I can without question say they were the right decisions. This Holmes takes a very different design approach than any other on this list, even the other modern takes, but he embodies the spirit of Holmes much more than if he’d tried to match every detail. Holmes is still gaunt and striking, eccentric and fashionable. He looks absolutely great.

The Private Life of Sherlock Holmes (Robert Stephens) - 62%

Stephens in this role is, I have to say, far too soft. But he’s playing a different sort of Holmes, and I can’t resist keeping him here. There are some parts of the look he has down; he certainly looks high class, and the softer elements of Holmes’ character look good on him. Holmes’ traditional costume, the hat and coat, look out of place on him. But that suits the message of the film, and may very well have been intentional.

C-Tier

Dai Gyakuten Saiban - 58%

Not the only blond Holmes on this list, but it doesn’t suit him as poorly. From a character design standpoint, it looks very good. As a Holmes, it’s unorthodox. He’s not gonna be a chart topper with it, but I wouldn’t rule it out. This Holmes’ real problem isn’t his coloration, merely that he’s much too conventionally attractive. His jaw is a bit too wide, curls a bit too lovely, the peek of lavender under his coat a bit too rich, and I can’t look at him for too long without blushing. Do some cocaine and get back to me.

Sherlock Holmes (Basil Rathbone) - 55%

Now, this one might be controversial. I don’t think Rathbone Holmes looks very good. I can’t put my finger on why; his head is the right shape, his nose very sharp, though his face looks very smooth and he seems overall vaguely packed in. Like he was plucked out of the sky just before walking on set. The shapes are all right, it just seems off to me. I guess what I’m getting is that his look is too obviously produced. He looks too much like an actor portraying Holmes, rather than Holmes. But I know he’s gonna be the guy a lot of people swear by, so I won’t defend this placement too hard.

Sherlock Hound - 45%

Really, what is up with the monochrome design on some of these cartoons. Sherlock Hound has the darker hat to make up for it, though, so it’s a little better. Applying the same rubric as Basil to him... doesn’t get the same results. As far as I can tell, this just looks like a normal dog. And a scruffy light-furred one, at that. There’s a contrast between him and Watson, sure, but it could’ve been pushed further. At the end of the day this is an average guy dressed as Sherlock.

D-Tier

Herlock Sholmes [Code: Realize] - 40%

This is a very pretty anime boy. I’d pick him first in whatever dating sim this is. ...Wait, this is supposed to be Holmes? How can you tell? Look, I know it’s hard to make an anime boy Holmes. Holmes’ key design elements aren’t his costume or his hair, they’re the things that make him unpolished. And anime dating sim boys don’t like to be unpolished. But really, this is just a steampunk boy who likes tea. Nothing here reads as Holmes to me.

Sherlock Holmes (Robert Downey Jr.) - 35%

Now, I love this movie. RDJ got me back into Sherlock Holmes when I was younger. And as this character, he has a very specific and well designed look. ...Does that look gel with canon Holmes? I don’t think so. He’s rough, he’s scruffy, he’s short and wide and strong-jawed, and he refuses to go for a clean shave. I like him a lot, but he’s not very Holmesian. He does, however, nail the eccentricity and his costume design works for him well. I do like a messy Holmes. So I won’t go any lower than this.

F-Tier

Basil [Blush Blush] - 28%

So, he’s got the outfit. There’s that. But otherwise... This is just some soft ugly anime boy cosplaying Sherlock Holmes. He doesn’t have a single trait that works in his favor. On top of that, he’s got the same problem the other Basil on this list had -- the all monochrome light brown just looks weird, and not Holmesian at all. And this boy doesn’t have the excuse of literally being a mouse. This is just an ugly design.

Elementary (Jonny Lee Miller) - 25%

Now, I've only watched a few scattered episodes of Elementary. Partially because I'm morally opposed to shows that only gender-flip half of the duo, partially because I’m absolutely outraged by the travesty they made Moriarty. But this isn’t a bad character, per-se.

But, like, this is just some dude. This isn't Holmes.

Sherlock Holmes [Clue] - 23%

I love Clue so much. That probably doesn’t surprise anyone. I have the season pass in this game, which automatically gives me every DLC character they add for free. So I was super excited to hear there was gonna be a Sherlock crossover. ...But this is just ugly. Another light haired square-jawed monochrome asshole pretending to be my favorite character. There’s nothing Holmes about this. (The rest of the designs in the pack are no better, but this isn’t about them.)

Skylar Holmes [Blossom Detective Holmes] - 20%

Now, Blossom Detective is a show that I famously disliked so much I immediately sat down and screenwrote my own Holmes cartoon on the spot. And Skylar certainly feels like she should be in the “part 2″ of this list, but a Holmes she is.

She's cute and she accessorizes well, but she's just not Sherlock Holmes by any stretch.

Sherlock Shellingford [Milky Holmes] - 10%

Now, look how cute she is! Sherlock Shellingford, present and accounted for. She’s got TWO Sherlock names so you know she’s the real deal. Now, this is just an objectively good design. She's exactly what she needs to be to serve the role she plays!

And that isn't Sherlock Holmes. Sorry.

Holmes & Watson (Will Ferrell) - 0%

Get out of my house.

Holmes Archetypes

Not all Holmes’ are meant to be the Canonical Sherlock Holmes, of course; some are just neat references, or characters who naturally fit into his role whether the author intended it or not. Let’s address them here, and remember that not looking the part doesn’t really reflect negatively on these ones as they’re stand-alone.

S-Tier

Dylan Reinhart [Instinct] (Alan Cumming) - 90%

Dylan is so point for point Sherlock Holmes that it’s hard to call him an archetype and not a straight adaptation, or possibly a rip-off if I’m being harsh. But I’m not supposed to be rating him by portrayal, just looks - and he’s really good. He’s the exact right blend of weird looking, though not as angular as he should be. His sharp eyebrows and nose and high hairline work fantastic, and he wears a suit very well. He’s a perfect little bundle of posh and nerves, and though he’s not perfect the fact that this isn’t actually supposed to be canon Sherlock Holmes makes this placement very unsurprising. He wouldn’t look out of place on the other list.

Hubert von Vestra [Fire Emblem: Three Houses] - 85%

Oh? What’s that? You don’t think Hubert von Vestra is a Sherlock Holmes archetype? Okay, then explain to me why he uses the word “sentiment” exactly twice in his supports. Atheists 1, Church of Seiros 0. Anyway. Let’s start with the obvious. Hubert looks like Benedict Cumberbatch. But, he looks like a vampire Benedict Cumberbatch who did a lot more cocaine. And if you don’t think Sherlock Holmes should look like a vampire, youre lying.

A-Tier

None yet. Please submit your Holmes and I will add them.

B-Tier

Heinwald [Dragalia Lost] - 67%

I would never look at this design and think "well, that's Sherlock Holmes". Heinwald looks more like a zombie or the bride of Frankenstein, very Halloween. His look being so specific does come at the expense of his Holmesness, but he's still got more than a few traits down and he’s an absolute treat.

L Lawliet [Death Note] - 65%

This is a very, very weird looking man. Key points: dark hair and eyes. gaunt, sharp, and mostly angular (though with a softer face). Extremely foldable. This man could 100% pass for Holmes, if someone else was dressing him. Put him in a suit, comb his hair? Yeah. It’d really work. But until then, he’s just most of the way there.

Kyoko Kirigiri [Danganronpa] - 63%

Kirigiri really gets jilted here, because she could be much higher. Unfortunately, she has to be part of a series that with only a few exceptions just reuses the same face and body for most of its female characters. Kirigiri definitely has the sharp and focused feel she needs to pass for Holmes, and she dresses well. The white hair is the opposite of the dark he usually touts, but it’s striking. Unfortunately, put her next to any other character in her series, and she blends back in.

Miles Edgeworth [Ace Attorney] - 60%

Feels a little weird to put Edgeworth on here when the actual Sherlock Holmes is in his game, but he fits the character much better if not the narrative role. So let’s go over the looks. His jaw is a bit wide, but he’s very pointy, and I certainly have never gotten the impression he’s a physically strong man. He’s very fashionable, and with his big cravat and sharp hair he makes a cutting silhouette. I’d say he needs a bit more to really nail the look, though.

C-Tier

Will Graham [Hannibal] (Hugh Dancy) - 45%

Despite being a noted Hannibal Lecter fan and possible homosexual, I still haven’t watched Hannibal. I’m taking people at their word that Will is a Sherlock; I definitely would have assumed otherwise looking at him. He reminds me deeply of BBC’s John Watson, and it’s hard to see anything else. But I don’t hate his look; he reads as clever, he looks good in darks, and I wouldn’t complain to see him cast as Holmes. He’s better than some of the lower-tiered canon Holmes actors, anyway.

Ranpo Edogawa [Bungo Stray Dogs] - 40%

This is another submission, and I don’t know who this boy is. I really doubt he’s actually a Holmes, given that he’s named after a real non-Doyle writer, but I was begged to include him. Let’s go. I really like his outfit. He’s got an aesthetic I like. Is it Holmes’? No. This kid looks like he’d fit way better as a Baker Street Irregular; maybe he should audition.

D-Tier

Gregory House (Hugh Laurie) - 35%

Take everything I said for Robert Downey Jr, and just mess up his hair a bit more. House is scruffy, poorly put together, and not wearing anything that costs over $100. As a Holmes, he’d work as one of his disguises; I wouldn’t be super surprised if this guy suddenly cleaned up and looked the part -- but it would take a lot of cleaning. I love his look, though -- again, he isn’t trying to be canon. House is an explicit Holmes parallel, but he’s still his own character.

F-Tier

Walnut Cookie [Cookie Run] - 20%

Given how much “Holmes costume” and “Detective costume” are conflated, it’s possible this gingerbread baby isn’t even supposed to be a Holmes reference, but I’ll take her. She’s an excellent design - but a standalone one. Shes too soft, warm, and curly looking to pull off canon Holmes.

#cranberry #fruit #sherlock holmes #the holmes scale

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artsy-alice · 6 years

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How about comics/graphic novel recs?

Off the top of my head, the ones I’ve read and loved are–

Saga (Fiona Staples, Brian K. Vaughan) - an adult sci-fi fantasy space opera with a set of diverse lovable characters and an exciting arc. Saga’s storytelling is amazing, combining galactic war hijinks with domestic and heartwarming family moments on top of great art. Seriously - THE ART IS GOALS. Trigger warning though, it’s rated M and can get quite graphic in terms of language, sex and violence..

Lumberjanes (Noelle Stevenson, Grace Ellis and co.) - Five super cute and rad and awesome girls have summer camp adventures. Also addresses issues like sexuality and gender identity in a positive way, never feeling too heavy. It’s wholesome fun and just an over-all feel-good story. I LOVE LUMBERJANES SO MUCH..

The Wicked + The Divine (Gillen and McKelvie) - problematic teens awaken as reincarnations of various gods and become even more problematic celebrities. But also they’re all destined to die in 2 years. Of course everything goes smoothly. This has a good ensemble of characters that you’d either love or hate, and an interesting story that takes its own pace, and of course delicious spins on mythology. Good commentary on fame, relationships and mortality..

Princeless & Raven: The Pirate Princess (Jeremy Whitley) - Princeless follows a princess who gets tired of waiting in her tower, befriends her dragon and goes on an adventure of her own, rescuing other princesses on the way. Raven The Pirate Princess is a spin-off which follows Raven, princess of pirates, supreme badass, and her all-female crew. Both stories are A+..

Monstress (Marjorie Lu and Sana Takeda) - i picked this up because the art was breath-taking??? But the story also turned out to be amazing. It’s steampunk and fantasy, in an Asian-inspired setting, with priestesses and cats and half-humans and gods and demigods and cthulhu… The world is just so rich in detail, like the art! And the MC is a badass disabled asian woman. READ MONSTRESS..

Sandman (Neil Gaiman) - I faithfully collected all volumes of this series as soon as I started on my first job. This one’s kinda old, and a hella long read but it’s also hella good. It’s by my dude Neil Gaiman, and it’s about Dream of the Endless and his siblings Death, Destiny, Desire, Despair, Destruction and Delirium. Who are… metaphysical entities. It’s a story about stories. And about uhhh… existence and dreaming and death and… stories? Y’know, Neil Gaiman stuff..

The Umbrella Academy (Gerard Way and Gabriel Ba) - This one’s getting a Netflix adaptation real soon and I’m excited~ :D Anyways it’s a fun two-volume romp about a dysfunctional family of superheroes. First volume is great family action-drama. Second volume reads like a swag-filled Doctor Who episode. The narrative voice is very… Gerard Way-ish. Has some lines you’ll swear you’ve heard on an MCR song..

Space Battle Lunchtime (Natalie Riess) - A COOKING SHOW! IN SPACE! WITH ALIENS! A CUTE GIRL! WITH A CYBORG GIRLFRIEND! AND ALIEN FRIENDS! IT’S SO CUTE! AND FUN! READ SPACE BATTLE LUNCHTIME!.

Legend of Korra: Turf Wars (Michael Dante DiMartino & Irene Koh) - C’MON IT’S AVATAR KORRA AND HER GIRLFRIEND ASAMI AND THEIR FRIENDS AND FAMILY ON ANOTHER GREAT STORY.

Marvel titles that are my faves:

Angela: Queen of Hel

Ms. Marvel

Runaways

Young Avengers

Moon Girl and Devil Dinosaur

Patsy Walker AKA Hellcat

Loki: Agent of Asgard.

Backstagers (James Tynion IV & Rian Sygh) - queer theater nerds, where you at? I’ve seen this described as the male equivalent of Lumberjanes, and I have to agree. It’s wholesome fun adventures of a bunch of nerdy theater kids who discover weird supernatural stuff in the basement. With many theater and anime references! There’s a character basically described by the authors as their “Momiji” and of course he was the best character. Fun!.

Hopeless Savages (Jen Van Meter) - two 70′s punk rock icons got together, settled down and had four children. Plot twist: THEY WERE GOOD AT IT. This is a family drama-comedy with quirky lovable characters getting thrown (and sometimes running headfirst) into ridiculous plots. The message of family resilience and defying expectations is great. I loved everything about this series..

Nimona (Noelle Stevenson) - shapeshifting girl employs herself to be an evil villain’s sidekick so they can take down a great hero. My copy of this at home is now worn out because it’s been borrowed by countless younger siblings, cousins and siblings’ friends..

The Prince and the Dressmaker (Jen Wang) - strong ambitious dressmaker gets hired by a crossdressing prince to make him dresses. Prince’s dress-wearing alter-ego becomes a fashion icon. Cue drama and coming of age. THIS IS SUCH A SWEET AND GREAT READ GUYS I’M IN LOVE WITH IT..

Daytripper (Fabio Moon and Gabriel Ba) - this one is a profound story about an obituary writer, who reflects on his life’s possibilities - how things could have gone differently had he made different choices, and how it might change how he’s remembered (or not) after his own death. It’s hard to describe exactly, but it’s a very cathartic read..

Sunstone (Stjepan Sejic) - whenever someone asks me what I think of 50 Shades of Grey, I always go “50 what? I’ve read Sunstone. Nothing can come close to that.” So. Yeah. Sunstone is a funny, sexy and sweeet romance story between two women done superbly. Plus, seriously, the bdsm community rep here is great. Thanks Mr. Sejic, it’s what they deserve.

Special Mention:

Mythspace ( Studio Salimbal ) - because HELLS YEAH, Space Opera, Filipino Style! I supported this series back when it came as individually self-published issues in the local comic cons, and I was so proud when they got picked out by a publisher and I saw a bound volume on bookstore shelves. - Anyways, it’s a kid and a bunch of Filipino mythological creatures in space battles and other standalone adventures set in the same universe. It’s published in English, and you can check it out in Tapas or buy issues in gumroad!

#books you should read #graphic novels #book rec #comic rec #personal #comics #(ask)#anonymous #long post #ali recs shit

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fst-critique · 3 years

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The Spring 2022 Menswear season was one of the strongest in recent memory. Taking place between Milan and Paris, the seasonal shows concluded within roughly 15 days. Exhibiting a sense of optimism, designers who chose to show their Spring-Summer sets during the traditional calendar season carried the burning fashion torch onward with an attitude ripe for surprise and enjoyment. Though the venture took place alongside the ongoing Covid-19 pandemic, attention to the viral disease was ignored as a focus on dressing for a less constrained future took place over the fear and anguish delt to society over the last 18 months. This summer saw beachside havens, quiet metropolitan stages, and city landscapes used as the perfect backdrop for which many a lively fashion film and few in-person events took place. The minimal scenes and airy atmospheres reflect comfort and promise that simpler times are indeed ahead. Timelessness and modernity were abandoned as themes of exuberance and living in the moment represented a transformation to showcasing personality. Both time and fashion must move forward. Those involved in leading the art post-Covid did so with fervor and an opportunistic sensibility. This season’s most popular trends are appreciating the natural body, unfettered suiting, and animated colorways. For styles, a revival of streetwear, upscale take on workwear, and exploration of Western wear transpired neatly. Expect next year’s Spring Summer styles to be full of life, adventure, and a new appreciation for the undomesticated world ahead.

TRENDS

The overarching trend of Spring-Summer 2022 was a shift to embracing the natural. Displaying a sense of confidence and vitality, menswear designers across Western Europe tapped into the zeitgeist’s desires to show themselves unabashedly. Strutting alongside a utopian- or dystopian in the case of Rick Owens- beach, owning and touting the body with all its flaws and glory was the focus as fashion seeks to define appeal and sensuality for the present-day man. Going to great lengths to reveal the chest, shoulders, back, and legs, designers from the Prada duo to Rick Owens boasted their models' agile bodies by highlighting the male figure in all its beauty. Raf and Miuccia underwent an exploration of a new identity for their Prada man with light rompers and revealing skorts, while Rick Owens kept to his unisex aesthetic with an organic strategy centered on soft lace tank tops. Stepping outside their full-throttle sex-appeal image for just a second, Stefano Gabbana and Domenico Dolce took to show a subtler side of their brand with a mesh top embroidered with colorful jewels. For his Y/Project presentation, Glenn Martens handy patterns crept into a realm of versatility. Allowing wearers to transform their garments, wool knits included a neckline full of twisted and braided straps that revealed the upper chest and traps seductively. Riccardo Tisci exalted the macho-man through the use of sleeveless gaberdine wool trench vests, as Matthew Williams elected to counter such aggression with lean, slim trousers. For Fendi, Kim Jones highlighted the waist with cropped blazers that New York’s Peter Do would snatch up in a second. Designers want the men of the future to feel comfortable in their skin. Independent of styles that showed restraint, those leading life in such pieces post-lockdown will feel free and jubilant knowing their willingness to escape conventional male dress codes has finally transpired and been accepted.

Breathable, composed suiting is the tailoring of the moment. No excess padding, dramatic variations, or elongated shapes. Instead, ideas played into the ongoing wait-and-see narrative plaguing society at large. In the meantime, as life returns to some level of normalcy, baggy trousers and shapeless jackets offer some reprieve to the lived-in t-shirt and sweatpant pandemic uniform. Prada’s blazers were cut casually with wide sleeves and a slight slope of the shoulder. Bruno’s taste for Lanvin dipped into an oversized look complete with rounded shoulders. His wide notch lapels encouraged an image of 1980’s suiting, as did the jackets mid-thigh cut. Christophe Lemaire and Sarah Lin Tran added to the style with variations that hung loose and away from the body. Shown in an empty carnival at night, Alexandre Mattiussi’s kept to the trend of the oversized suit by including sleeves that extended well past the wrist bone. Dior Men’s Kim Jones and the Meier’s for Jil Sander showed classic styles that were long and representative of a double-breasted fold. Lose and flowing trousers continue to remain in vogue, though the elastic waistband is finally meeting its end. A constant dating back three seasons now, this loose cut of pants is continuing to show a presence. Distancing themselves from any notion of the slim-cut pant, both Lemaire and The Row- in typical fashion- provided a most appealing version with trousers that were wide around the hip yet tapered in at the ankle. Keeping to this shape though done in a less intense version was Véronique Nichanian’s variant styled with a rolled cuff as to show a casual demeanor. The hybrid suite has long been a topic for discussion since the onset of the pandemic. Those looking to abandon the ship of suits once and for all may after all be brought back into exploring the toned-down variations of the season. Cut with an essential purpose and with movement in mind, the non-confirming suit is a trend that will undoubtedly cement itself in menswear for decades to come.

The color scheme most representative of Spring-Summer 2022 is enthused vibrancy. For the moment, minimalism has no place in fashion post-Covid. After months, now bordering years, of isolation and staring at the same grey and beige curtains, colorists are being celebrated by those trapped inside for their approach to redefining life as a place where joy will flourish. Best showcased by Jonathan Anderson's appreciation for the pop of color- bright red, ultramarine blue, and bubble-gum pink- the British designer alleviated boredom with hues that are reminiscent of childhood bliss. Jeremy Scott’s sequined Canadian tuxedo was done in a shiny blue that will be perfect for any Studio 54 disco-themed party. For a more traditional offer, Walter Van Beirendonck opened his collection with three single-breasted suits done up in bright, lush hues of orange, pink, and green. Jil Sander continued the use of the monochromatic with a green trouser and jacket combination. Diversifying their offering with playful separates took shape with a color-blocked jumper, a red, turquoise, white, and black prints played second fiddle to an eclectic silk yellow foulard- maybe Luke and Lucie Meier are colorists after all! Dries Van Noten continued on the usage of color blocking with typography set in tones of faded yellow, burgundy, and blue as shown in his opening long parka look. Infusions of neon orange and green in sporty jackets added to Noten’s energy. In total, much of the tones found throughout the season harken a mood similar to that of the 1960s London “Youth Quake”. One could easily picture teens across London’s hip Chelsea neighborhood flaunting such outrageously fun styles. As was the mindset back then, these respective color patterns will help consumers express themselves as individuality will continue to hold relevance come Springtime next year.

STYLES

Beginning around 2005 and lasting until 2017, a new type of sportswear was widely adopted and offered as an alternative mode of dress that captured a wide demographic across cities from Moscow to Los Angeles. Oversized t-shirts, high-top sneakers, icon-riddled hoodies, and distressed trousers provided a way for cities youth to embrace a concept of nonconformity. Rising from the previous hip-hop, punk, and rock-and-roll eras of fashion, the gritty, new silhouettes and flashy outfits of urbanites seeped far enough into the mainstream to welcome a contemporary statement known officially as Streetwear. Hood by Air’s Shayne Oliver, Alyx creative director Matthew Williams, and Off-White founder Virgil Abloh played crucial roles in established this scene with offerings that accompanied a combined aesthetic of athleisure and skate-wear. Over the past few years, this style of representation has declined dramatically as the consumer's age and taste grew up all in the same. Such the novel concept of getting dressed up by dressing down introduced the idea of risk-taking to the menswear market that paved a path for a more pertinent display of rebellion. The return and reflection of how to reintroduce and revamp streetwear heading into 2022 was a task undertaken by the most seasoned designers throughout Paris and Milan.

The ease and comfortability factor of the style made a strong case for even some of the most outlandish streetwear variations this Summer. With lockdowns ending, such a need to define a new look has come as the desire to dress up is equally matched with a proposal to remain dressed down. Virgil Abloh paired his recent menswear endeavor with another collaboration with Nike and his label Off-White. Low-top Air Force 1’s had a makeover as the monogrammed LV logo wrapped around the sneaker's leather exterior. Continuing to embrace his now-iconic concept of scribbling descriptors on products, the terms “Lacet” and “AIR” were printed on his new Louis trainers. The yellow, green, and blue kicks come just months after the designer recently announced his “Dear Summer” project with the American sportswear giant Nike. A confidant and dear friend of Abloh, Kim Jones furthered the re-emerged streetwear style with his Dior Menswear campaign. A joint effort with Houston rapper Travis Scott, Jones and his musical muse fermented on a plan to coincide formal tailoring with graphic, original sketches from the rapper. The work, more doodle’s than fine art, was felt most in a paint-splattered t-shirt whose broad and slightly cropped cut allows for ease of layering. No stranger to the street movement of the mid-2000s, Riccardo Tisci insisted upon adding to the democratic scheme with his Burberry set. Large and in charge, XL tops with prints representing that of a conceptual camouflage will do anything but hide the wearer. Wrestler-inspired high tops sneakers and bondage trousers completed a new city uniform and should they be adopted by Londonite’s, will help to re-establish the Italian as a leading figure in the movement that he helped define decades ago. Opposed to delivering the tacky, overpriced pieces that contributed to the decline of streetwear in the first place, such improvised, practical ideas will aid in the resurrection of the movement in which teens and young adults will find hard to resist.

With a constant presence across runways every season, workwear products have provided a foundation for menswear designers to build upon dating back decades. Dickie’s overalls, Levi’s 501 jeans, and Martin Margiela’s tabi boots all evolved from the practical functionalities of such historic designs. Utilizing a contemporary vision, textile’s and authentic versions of such hard-scrabbled attire met a softer, fashion-forward interpretation that saw a deeper dive into the meaning of labor-intensive products unfold. Martin Rose, Thebetsile Magugu, and Glenn Martens advanced into an aesthetic of up-scale workwear with their modernized versions of double-knee trousers. Neil Barrett’s pocket-laden jackets will have any fashionable carpenter vying to get their weathered hands on such a useful piece. Virgil Abloh’s PVC jacket and trousers would be a pleasant surprise for Niagara Falls attendants braving the wet majestic mist, though his colorful hockey gloves may suit Canada’s Winter Olympic team more realistically come the 2022 Winter Olympics. Études creative directors and founders Aurélien Arbet, Jérémie Egry, and José Lamali take care of the truckers across major highways with tailored denim trucker jackets that would be digested by even the most unfashionable journeymen. As the world prepares to once again begin the foray back into the office, designers made sure to represent the pride behind the many blue-collar industries that supported the masses during the most intense moments of the pandemic.

Back in the 19th century when cowboys tended to buffalos and wrangled with outlaws in taverns, little did they know just how great of an influence their appearance would have on high fashion nearly two centuries later. Somewhat mythological, these figures represented a time when the United States was undergoing an expansion to the western part of the country that with it brought a whole new look seen through pointy heels, fringed jackets, and loose cotton shirts. The idea that the proverbial lone-wolf traveled on horseback with leather trousers and rhinestone vests is merely a falsity brought on by exited film directors and their inaccurate depictions of history as shown in the 1960s Spaghetti Western movie craze. Thanks to admirers of this lifestyle like Ralph Lauren, the freedom and rugged aesthetic of the cowboy has long been altered to fit a stereotypical metropolitan look supported with calf-high cowboy boots, cow print trousers, and of course, the suede fringed jacket that has gone on to become an easily identifiable staple of any western-loving fashionista’s wardrobe. Drawing a line between escapism and utility, many provided an updated product to accompany the restart of normal life. In many ways, venturing into the post-COVID world mirrors the undertaking of the first pioneers who ventured into the vast wilderness unaware of the challenges and beauty that would accompany the journey. The American western style is back in fashion. Enticing versions of the classic silhouettes and the introduction of more abstract takes define a new period of what it means to be a present-day pioneer.

Dwindled to just two of the four fashion capital cities holding a menswear week, the allotted period felt much shorter than years past. Concluding just a week before the Haute Couture presentations were shown in Paris, those who went on to exhibit and introduce their concepts for the upcoming Spring and Summer seasons did so with an ambitious mindset that allowed for many a rememberable moment. Of such trends and styles, breaking conventionality with exposing the natural body took home the grand prize for daring to reveal the pure human form. Cropped blazers, shorter cuts, and tangible lines introduced a sense of rawness and visibility to how men will and should dress next year. Much in the same way was the soft tailoring that arrived alongside this rise to escaping conformity. Curved trousers, natural shoulders, and oversized jackets avoid restriction and allow for a taste of freedom. Inspiring and spirited, the mod color pallets of the season play their part in exercising the ability for consumers to dream of an easier, joyous life ahead. As far as styles go, the updated streetwear takes, luxury utilitarian forms, and re-imagined western apparel and accessories are set to provide wearers with fashionable looks that will accompany their expeditions from their 300 square foot apartments back into civilization. Menswear is currently one of the fastest-growing and most-watched markets in the scope of the fashion industry. These Spring-Summer 2022 trends and styles will ensure this growth remains constant.

#Fultonstcritique #menswear

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voiceless-terror · 3 years

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Literally Jeremy Strong is a fashion icon so glad to see the media acknowledge it

#your fave would never #Jeremy strong #succession #USHER IN THE JEREMY STRONG PINK ERA

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loadacademy575 · 3 years

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The Elder Scrolls III: Morrowind Soundtrack Download

00:00 - A Land Of War And Poetry 04:01 - Currents Of The Odai 09:13 - Magnus Smiles on Suran 14:25 - Vvardenfell Vista 15:27 - Ascadian Idyll 20:24 - Shadow. Most tracks were given a title on the soundtrack CD ('Original Title') included in the Collector's Edition of Morrowind, and later another title ('Remastered Title') when Jeremy Soule released a remastered version of the Morrowind soundtrack on DirectSong. The Original Title also corresponds to the 15-track CD seen on some sites. 1 day ago Each one is iconic. That's why ESO Morrowind looked at ES III for music inspiration. The soundtrack of ES III-V had strong identity and atmosphere and alot of the vague track in eso (imo) lacks the atmosphere of the single player games #26. The best Elder Scrolls music for me is the Forgotten Vale theme from.

Beyond a Steel Sky (Video Game 2020) SoundTracks on IMDb: Memorable quotes and exchanges from movies, TV series and more. Beyond a steel sky soundtrack. Beyond a Steel Sky Soundtrack This is additional content for Beyond a Steel Sky, but does not include the base game. Beneath A Steel Sky Soundtrack The Beneath A Steel Sky soundtrack can be downloaded here. Before using this support area be sure to check you are running on or above the recommended system requirements located at the bottom of this page. Listen to Beyond A Steel Sky (Original Soundtrack) on Spotify. Alistair Kerley Album 2020 46 songs.

Overview

There was a time when the Elder Scrolls franchise wasn't one of the biggest names in the RPG genre. That all changed in 2002 with The Elder Scrolls III: Morrowind, the first Elder Scrolls game to be released on both computers and consoles (Xbox). The game continued the franchise's fascination with open-ended gameplay that placed few restrictions on the gamer's actions — you might choose to follow Morrowind's main plot or lose yourself in exploring the game's vast world and its myriad sidequests. One of the consequences of this approach was that, probably involuntarily, Morrowind came to embody the difference between more non-linear Western RPGs and the traditionally story-driven JRPGs. With more than four million copies of the game sold, very strong reviews and a slew of end-of-the-year awards, Morrowind remains one of the cornerstones of Western RPGs.

To score Morrowind's soundtrack, developer Bethesda Softworks called upon the services of one of Western game music's biggest names, Jeremy Soule. Although still a relatively young composer at the time, Soule had already proven himself an expert at writing music for fantasy games with his work on the Harry Potter and Icewind Dale games, as well for Baldur's Gate: Dark Alliance and Dungeon Siege. Morrowind would prove to be another steppingstone for Soule on his way to becoming one of the foremost composers for this genre of games. In a press release, Soule emphasised that the 'stunning epic quality of the Elder Scrolls series is particularly compatible with the grand, orchestral style of music I enjoy composing the most.' At the same time however, Soule was aware that due to Morrowind's free-wheeling nature, gamers might spend hours roaming a particular area in the game, similar to an MMORPG. Soule then chose to create a soft and minimalist soundtrack that wouldn't be too dominant during these long stretches of exploration, so the music wouldn't wear out its welcome.

This approach yielded mixed results, at least according to various game reviewers, who commented on the soundtrack's limited scope and on its overreliance on its main theme. Complaints were also levelled at the ambient, non-adaptive nature of the music, which failed to reflect the gamer's actions and current situation. Despite such criticism, Morrowind's soundtrack was nominated for 'Outstanding Achievement in Original Music Composition' at the Annual Academy of Interactive Arts & Sciences's Interactive Achievement Awards in 2003, where it lost out to Michael Giacchino's Medal of Honor: Frontline.

On album, Morrowind's music was first made available on a 40-minute bonus CD that came with the game's Collector's Edition. Soundtrack collectors eager to find out how well Morrowind's music played outside of the game were later given an easier way to satisfy their curiosity. In 2006, Soule released Morrowind's soundtrack via his online music store DirectSong. This new release presented the music in remastered form and added six minutes to the difficult-to-find physical album, effectively superseding it. This review refers to the original physical release.

Body

So, are Soule's efforts for Morrowind as difficult to enjoy on album as during the in-game experience? Short answer: no. Fortunately, this is one of those rare cases where the soundtrack actually plays better outside of the game. First case in point: Morrowind's main theme. It's first presented on opening track 'Nerevar Rising' in obvious fashion. The track is effectively a series of presentations of the main theme, increasing in volume and scope as the melody is being passed from harp and flute to the celli, before a climactic finish on violins and full brass caps off the piece's development. It's to Soule's credit that the theme — essentially a simple three-note motif extended by two different secondary phrases — adapts well to all these different instrumental settings. The melody communicates lyricism just as much as an optimistic spirit of adventure once the orchestra cranks up the volume. This mellifluous quality comes to benefit the easily recognisable theme and helps it to adapt to other tracks' atmospheres, instead of blatantly putting its stamp on these compositions. 'Peaceful Waters' quotes the main theme briefly on flute and teases out its reflective character, while 'The Road Most Travelled' incorporates a rendition of the theme on solo cello into its lush textures. The melody plays equally well in the more energetic setting of Morrowind's battle cues, where the theme appears on flowing violins on 'Bright Spears, Dark Blood' and subtly referenced in the background of the second half of 'Dance of Swords.'

All these quotations of the main theme are fashioned intelligently and are inserted seamlessly into the flow of the compositions. It's a shame then that the theme only occurs regularly during the album's first half and then disappears — for good actually on the original physical album. If there's any issue with the main theme and Soule's use of it then, it's that the theme is actually underused and doesn't tie the soundtrack's second half together as well as the first half. Next to the main theme, there's a number of secondary themes which are specific to particular cues as a lightly-sprung but determined melody that's heard in various disguises throughout 'The Road Most Travelled'.

And what about the soundtrack's soft and minimalist nature? Good news here as well: Morrowind's music is anything but background droning. Instead, it's a rich score with pieces that develop formidably within their limited running times — ultimately the title's biggest strength. The album's compositions showcase fluid and expertly layered orchestrations that give every instrument section of the synth orchestra an opportunity to shine. Stylistically, it never goes beyond that classical fantasy sound that's been a mainstay of many games, with its rhapsodic and heroic strains. But on Morrowind, Soule applies this formula with an assured hand and the results are thoroughly convincing.

The album alternates battle tracks with more expansive compositions that seem to describe a scenery rather than actions. Its on these cues that the soundtrack develops a spellbinding pull and occasionally even a sense of grandeur that's most befitting for a world as large at that of Morrowind. Tracks like 'Blessing of Vivec', 'Silt Sunrise' and 'Shed Your Travails' are a well of soulful string melodies that don't fail to tug at the heartstrings, yet never sacrifice their noble air. Soule's talent for creating colourful, ever-changing orchestral layers is in full force on these pieces. The opening string melody of 'Silt Sunrise' is backed by increasingly complex orchestrations before calming down for a serene melodic statement, which in turn leads to a splendid conclusion over busy string ostinati and brass interjections. 'Shed Your Travails' and 'Caprice' calm down in their middle sections to include an ethereal female choir that instils the music with a real sense of wonder. On 'Shed Your Travails', this episode leads into an appropriately otherwordly, peaceful finish over glistening violin tremoli and a dying flute melody. 'Caprice', on the other hand, frames its spiritual interlude with light-hearted string ostinati and effortlessly segues from one musical extreme into the other. 'Blessing of Vivec' is just as beautiful and emotionally gripping as these cues, but remains more austere through its jagged solo cello lead whose cautiously ascending notes are a lot less flowing than most string writing on the album. While none of these tracks run longer than three-and-a-half minutes, they pack more development and symphonic drama into their running times than other compositions twice their length.

Morrowind's action material doesn't quite reach the same lofty heights, but it's convincing enough in its own right. Again, it's standard fantasy stuff: bold brass, driving strings and dramatic percussion. But Soule uses these familiar ingredients skilfully and presents them in well-composed shape. And his ear for details ensures these tracks merit repeat listens to tease out their intricacies, such as the rapidly descending violin ostinato figures on 'Dance of Swords' and 'Ambush!' Instead of using them to simply increase the tracks' rhythmic power, Soule places the cascading motifs between beats to create ear-catching, syncopated counterrhythms. Soule's penchant for constantly changing textures benefits the action tracks as well, even though their instrumentations are less colourful than those of Morrowind's slower tracks. Frequently, Soule casts his battle cues in an ABA structure that sees these compositions calming down in their middle section after a dynamic start, before ramping up the volume again towards the end. This change in tempo and texture is quite transparent, but helps to pace these cues and avoid monotony. And Soule makes sure that tension never sags during these quieter passages through the inclusion of lighter rhythmic elements such string pizzicati, hand percussion and tinkling piano notes.

All these positive qualities help to overcome the biggest criticism one could level at the battle cues: that their sound isn't powerful enough to allow them make their full impact. To a degree, this ties in with Soule's declared approach of not trying to overwhelm the listener with his music in-game. And make no mistake, the majority of Morrowind's action tracks are energy-laden enough to satisfy, even though you sometimes wish the percussion elements would have greater presence. But it's only once Soule's strips back the many layers of his compositions and focuses on the primal qualities of repetitive rhythms that things start to sound less promising, for example on 'Drumbeat of the Dunmer' and 'Stormclouds on the Battlefield'. The only thing that the minimalist rhythms of 'Drumbeat of the Dunmer' could have going for them is a resonant, forceful sound, and Morrowind fails to provide this. Tyranny bastard's wound ending. In general, the album sounds somewhat dull and compressed, with the effect that the detailed orchestral textures, particularly on the colourful slower tracks, aren't always rendered with a desirable level of clarity. Orchestral climaxes that should soar occasionally have their wings clipped, and the sustained double bass chords on 'Over the Next Hill' have way too much presence and muddy the soundscape. Sure, this is a synthesised soundtrack from 2002, but there are enough better-sounding albums around from the same time to suggest that Morrowind's acoustic appearance is hardly reference quality.

Summary

With The Elder Scrolls III -Morrowind- Special Edition Soundtrack, Soule further cemented his elevated standing among Western game music composers. The album impressively displays why Soule would come to be regarded as a specialist for scoring fantasy games. Particularly the more measured tracks on Morrowind are beautifully orchestrated and splendidly developed, to the degree that they sometimes feel like mini-epics convincingly compressed into three minutes. To a slightly lesser degree goes for the soundtrack's battle tunes, which are nicely varied in their textures and filled with intricacies, particularly when it comes to their rhythms. All the way through, Morrowind exudes that wondrous, yet bold feeling of high adventure that's so indispensable for a fantasy score of this character, captured in the score's strong but slightly under-used main theme.

Unless you insist on listening to your scores in a lossless format, the physical release of Morrowind's score is superseded by the digital version. The disc lacks the remastering and bonus tracks of the digital version, and ends particularly underwhelmingly with 'Drumbeat of the Dunmer'. That all said, fantasy score enthusiasts should not hesitate to purchase a version of this soundtrack.

7/10

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The Elder Scrolls Iii Morrowind Soundtrack

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