#jazzy b songs
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the-alan-price-combo · 8 days ago
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60 years ago - on November 16th, 1964, the Animals recorded "Don't Let Me Be Misunderstood"!! 🐾✨️
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#i have to hold off on posting my art for the time being since i was finishing up school assignments this past week but 👀#in the coming days....... something very cool will be finished....#aNYWAY. I LOVE THIS SONG I LOOOOOVE IT SO MUCH.#such a great cover and really demonstrates the animals' range when it comes to r&b#a great follow-up to 'i'm crying' because the lyrical/melodic progression of both songs are very similar#('boom boom' came out inbetween them BUT THE POINT STILL STANDS)#btw speaking of price-burdon the b-side is 'club a-go-go' by alan price and eric burdon teehee#THANK YOU MICKIE MOST. FOR LETTING THEM USE ONE OF THEIR ORIGINALS ON THE B-SIDE.#also this is The Song i think of when i think about how great of a drummer john is and how his jazzy style permeates through their music#i'M ALWAYS TAPPING ALONG TO JOHN'S BEAT IN THIS SONG#anyway aaAAAAA GONNA WORK ON MY PROJECT ALL DAY TODAY. SCHOOL'S OUT ANIMALS IN. DR PEPPER AND MIGRAINE MEDICATION: TAKEN.#the footage is from 'pop gear'/'go go mania' by the way!!! filmed in early 1965!!#since this song wasn't released until january of 1965 and alan has his SWOOPY BANGS#eric burdon#alan price#hilton valentine#chas chandler#john steel#the animals#classic rock#british rock#british invasion#60s rock#the girl can't help it#ICONIC MOMENTS IN ANIMALS HISTORY that i did NOT forget about this year!!!!!!#i have a running trend of forgetting about November 16th bUT MICKIE MOST HIT ME OVER THE HEAD AND I DIDN'T THIS TIME#alan also had a concert this week which kept me sane 🥹
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fairyofshampgyu · 2 years ago
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HI
I am in love with your account. Can I be your 🐋anon?
What are your favourite txt songs?
Ooh I don’t think I’ve had an emoji anon thing yet !! Yeah ofc you can<3 Why would you ask me such a hard question 😭😭 struggling
I think my top songs would be maze in the mirror, fairy of shampoo(the bass and trumpet solo I just love) , roller coaster (BRO THAT PART IN THE BRIDGE WHERE THERES VOCALS AND THEYRE HARMONISING IDK IT MAKES ME ASCEND), 20cm, new rules, drama, our summer(THE ACOUSTIC VER OMG), nap of a star, tchftg, blue orangeade, lovesong (i think lovesong will always have a chokehold on me I remember when it came out I was awestruck), eternally, ghosting, please stop me I could list their entire discography 😭
I fee like I genuinely can’t rank their songs in terms of favourites or best most of the time bc I literally love all their songs.
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someawesomeamvs · 9 months ago
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Warning: Flashing lights, potential spoilers
Title: Gallan Kardi
Editor: Sammy AMV
Song: Gallan Kardi
Artists: Prem & Hardeep, Jazzy B, Jyotica Tangri, Mumzy Stranger
Anime: Kyoukai no Kanata, Tamako Market, Wotakoi: Love is Hard for an Otaku, Space Dandy, Yuri!!! on Ice, Perfect Blue (film), Angel Beats, Macross Frontier, Tokyo Ghoul, Yuri!!! on Ice x Tokyo Ghoul fan animation
Category: Dance
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lilidawnonthemoon · 2 years ago
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doyoulikethissong-poll · 5 months ago
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DJ Jazzy Jeff & The Fresh Prince - Summertime 1991
Homebase is the fourth studio album released by American hip-hop duo DJ Jazzy Jeff & The Fresh Prince. The album was released on July 23, 1991, reaching number 12 on the Billboard 200 charts and number 5 on the Top R&B/Hip-Hop Albums chart. It was certified Platinum and won an American Music Award for Favorite Rap/Hip-Hop Album in 1992.
"Summertime" was released as the lead single from Homebase. The song was produced by Chicago-based producers Hula and K. Fingers, and it won a Grammy Award for Best Rap Performance by a Duo or Group at the 1992 Grammy Awards. It spent a week at number 1 on the US Hot R&B/Hip-Hop Songs Chart, as well as reaching number 4 on the Billboard Hot 100. It also became the duo's first single to enter the top ten of the UK Singles Chart, peaking at number 8. The song's instrumentation samples "Summer Madness" by Kool & the Gang, particularly the rising F# octaves played on an ARP 2600 synthesizer.
"Summertime" received a total of 55% yes votes.
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goddessofvalyria · 3 months ago
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SKIN | Modern!Aemond Targaryen x fem!oc
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Summary: Aemond only wants to make her girl feels good.
TW: 18+, MINORS DNI, SMUT She/Her pronouns, kissing, sexual themes, dirty talking, oral (f and m receiving), fingering, masturbation (f receiving) tits sucking/play, squirting, sex.
This is a modern Aemond in modern AU, inspired by Mac Miller's song "Skin." Much like the rest of the album, it revolves around Mac’s sexual and emotional relationships. The song is smooth and sexy, both lyrically and sonically and the jazzy and R&B feel is a departure from Mac’s usual style.
English is not my first language, be kind and enjoy the fic <3
Words: 3300
"You hide your skin like ya shy or did somethin' wrong You stylish when you got nothin' on"
— Skin, Mac Miller.
Aemond Targaryen's fingertips glide over her skin like he's tracing constellations, each touch deliberate, as if he's memorizing the map of her body. His room is dimly lit, the soft glow of a single lamp casting shadows that dance across the walls, adding to the intimacy of the moment. The sultry notes of Mac Miller’s "Skin" play softly in the background, setting a slow, seductive rhythm that mirrors their movements.
He leans down, his breath warm against her ear. “I only want to make you feel good,” he murmurs, his voice low and rough, each word like a promise. She shivers beneath him, her back arching in response to the sensation, pressing her body closer to his.
Her hands travel up his chest, feeling the hard planes of his muscles through the thin fabric of his t-shirt. She tugs at it, a silent plea, and he obliges, pulling it over his head and tossing it aside. He grins down at her, his eye dark with desire, the scar across his face only adding to the intensity of his look. “You’re so fucking beautiful,” he whispers, his lips brushing hers as he speaks.
She pulls him into a kiss, deep and needy, her tongue sweeping into his mouth. Aemond groans into her, his hands sliding up her sides, under her shirt. His thumbs brush against her breasts, teasing her nipples through the lace of her bra, and she gasps into his mouth. He swallows her sounds, drinking them in like they’re the sweetest wine.
He breaks the kiss, trailing his lips down her jaw, her neck, sucking and nipping at her skin. She tilts her head back, giving him more access, her breaths coming in short, ragged gasps. “Aemond,” she breathes, her voice trembling with anticipation. “Please…”
He smirks against her throat, his fingers deftly unhooking her bra. “I’ve got you, baby,” he assures her, sliding the straps down her arms and tossing it aside. His mouth moves lower, capturing a nipple between his lips, sucking gently, his tongue swirling around the hardened bud. She moans, her hands tangling in his silver hair, pulling him closer.
Aemond’s free hand travels down her stomach, slipping beneath the waistband of her shorts. His fingers find her wet and ready, and he groans against her skin. “Fuck, you’re so wet for me,” he growls, his fingers teasing her clit in slow, deliberate circles. She cries out, her hips bucking against his hand, seeking more.
He chuckles, dark and throaty. “Patience, love,” he chides softly. “I want to savor you.” He slips a finger inside her, curling it just right, finding that spot that makes her see stars. She gasps, her nails digging into his shoulders, and he adds another finger, pumping them slowly in and out, his thumb brushing against her clit with every stroke.
His lips never leave her skin, kissing down her neck, across her collarbone, and lower still, leaving a trail of heat in their wake. She shivers beneath him, her breath hitching as his fingers slide between her legs, finding her slick and ready.
He teases her, his fingers brushing lightly against her clit, eliciting a gasp from her lips. He smirks at her reaction, his eyes dark with desire. “I want to make you feel good” he murmurs, his voice low and husky. “I want to see you come undone for me.”
Without waiting for a response, he slides agin two fingers inside her, curling them just right, hitting that spot that makes her cry out. His thumb presses against her clit, moving in slow, deliberate circles, building her pleasure. She grips his shoulders, her nails digging into his skin, her hips bucking against his hand.
“Oh, Aemond” she gasps, her voice breathless, her head falling back against the pillows. He watches her, his gaze hungry, his fingers moving faster, thrusting in and out of her with a steady rhythm. She feels the tension building inside her, the coil tightening with every stroke, every flick of his thumb.
He leans in, his lips brushing against her ear. “Come for me,” he whispers, his breath hot against her skin. “I want to feel you come on my fingers.”
His words push her closer to the edge, her body trembling, her breath coming in short, shallow gasps. He keeps up the pressure, his fingers curling inside her, his thumb rubbing her clit in just the right way. She’s so close, teetering on the brink, her body tensing, her mind going blank with pleasure.
And then she’s there, the wave crashing over her, her body convulsing as she squirts soaking the sheets, the release so intense it takes her breath away. Aemond groans at the sight, his fingers never stopping, coaxing every last bit of pleasure from her. She’s shaking, her body spent, her heart racing. He cuts her off with a deep kiss, swallowing her moans as her orgasm crashes over her, her walls tightening around his fingers. He keeps moving, drawing out her pleasure, not stopping until she’s a shaking, breathless mess beneath him.
He pulls back, his lips swollen and slick from her kiss, his fingers glistening with her arousal. He brings them to his mouth, sucking them clean with a groan, his gaze locked on hers. “You taste so fucking good” he murmurs, and she feels a new wave of heat flood through her at his words, her body already aching for more.
He doesn’t make her wait long. He stands, shedding the rest of his clothes, and she can’t help but admire the sight of him—tall, lean, his body a masterpiece of strength and grace. He looks down at her with a predatory hunger that sends a thrill through her.
“Your turn” he says, his voice a low growl, and she doesn’t hesitate. She sits up naked, reaching for his hips, her mouth watering at the sight of his hard length. She licks her lips, her eyes meeting his as she takes him in her hand, stroking him slowly. He hisses, his head falling back, his fingers tangling in her hair as she leans in, her tongue flicking out to taste him.
She takes his fat cook into her mouth, hollowing her cheeks as she sucks him in deep. Aemond groans, his grip tightening in her hair, his hips thrusting forward slightly. “Fuck, just like that,” he mutters, his voice rough with pleasure. “You’re so good at this, baby.”
She hums around him, the vibrations making him curse under his breath. She works him with her mouth and hand, taking him deeper and deeper until he’s panting, his muscles tensing. He pulls her off of him suddenly, his eyes wild, his chest heaving. “If you keep going, I’m not gonna last” he admits, his voice strained.
She smiles, wiping her lips with the back of her hand. “That’s the idea” she teases, but he shakes his head, pulling her up to her feet.
“Not yet,” he says, his voice low and commanding. “I want to feel you.” He guides her back to the bed, laying her down gently. He positions himself between her thighs, his hands gripping her hips as he slides into her slowly, inch by inch, filling her completely.
They both moan at the sensation, the heat, the tightness. Aemond starts moving, his thrusts slow and deep, each one hitting that perfect spot inside her. She wraps her legs around his waist, pulling him closer, needing him deeper. “Aemond… please...” she begs, her nails digging into his back.
He grins down at her, his eye dark and hungry. “I’ve got you” he repeats, his thrusts speeding up, growing harder, more desperate. “I’m gonna make you feel so fucking good.”
And he does.
He drives into her relentlessly, his pace punishing, his grip on her hips almost bruising. She’s a mess beneath him, writhing and crying out, her body taut with pleasure. “Aemond… I’m—”
“Cum for me” he commands, his voice a rough growl, and she shatters, her orgasm ripping through her like a storm. He follows her over the edge, spilling into her with a guttural moan, his body trembling with the force of his release.
They collapse together, tangled and breathless, their bodies slick with sweat. Aemond pulls her close, kissing her forehead, her cheeks, her lips. “I love you” he whispers, his voice soft, tender.
She smiles up at him, her eyes heavy with exhaustion and contentment. “I love you too” she murmurs, snuggling into his chest.
They lay there, wrapped in each other’s arms, the music still playing softly in the background, their bodies humming with the aftermath of their passion. And as they drift off to sleep, Aemond knows he’s done what he set out to do—he’s made his girl feel good.
But... how they did got together?
Aemond Targaryen was always the smartest boy in school, the one who could solve complex equations in his head and recite entire passages from memory. But his intelligence made him a target. Aemond was a bit of a nerd, always seen with his nose buried in a book or lost in thought, and that was enough to draw the attention of the bullies.
He was just 11 when they cornered him one day after school, dragging him behind the gym where no one would see. He tried to fight back, but there were too many of them, and they were too strong. They jeered and taunted him, calling him names, saying he thought he was better than them. Aemond didn’t understand why they hated him so much.
Then one of them, the leader, said something about putting out his eyes, like they were going to take away the only thing that made him special. Aemond tried to escape, but they held him down, and the sharp pain of a knife slicing across his face made him scream. Blood poured from his wound, and he fell to the ground, clutching his face, blinded by the searing pain.
The bullies ran off, laughing, leaving him there, broken and bleeding. He didn't know how long he lay there, his cries echoing in the empty courtyard.
It was then that she found him. His classmate, the girl who sat two rows over in their history class. She was just passing by when she saw him, crumpled and crying, his face covered in blood. Without thinking, she ran to him, kneeling beside him, her hands shaking as she reached for her phone to call for help.
"Hold on, Aemond" she whispered, her voice trembling but kind. "I'm here. I’ve got you."
She stayed with him and the teacher until the ambulance arrived, holding his hand and wiping the blood from his face with the hem of her shirt. He was in too much pain to speak, but her presence was a comfort, a light in the darkness. Aemond never forgot how she stayed with him when everyone else had turned away.
From that day on, he became attached to her. She was his safe place, the one person who didn’t see him as just the “nerdy kid” or the “boy with the scar.” She saw him, the real him. They grew up together, side by side, through every awkward teenage phase and high school drama.
Their first kiss happened on a cool autumn evening when they were both 15. They had decided to go for a walk after dinner, a habit they’d fallen into over the years. Aemond loved these walks—they were quiet, private, and it was during these moments that he felt closest to her.
The leaves crunched under their feet as they walked down the empty street, their breath visible in the chilly night air. She walked close beside him, her arm occasionally brushing against his. They talked about everything and nothing, sharing stories and laughing easily, the way they always did. But tonight felt different. There was a certain tension in the air, a kind of electricity that neither of them could ignore.
The moon hung high in the sky, casting a soft, silver glow over everything. They reached a small park, its playground empty, the swings swaying slightly in the breeze. She pulled him toward the swings, and they sat down, side by side, their feet barely touching the ground.
For a moment, they just sat there in silence, listening to the rustling of the leaves and the distant hum of the city. Aemond could feel his heart pounding in his chest, a nervous excitement building inside him. He glanced over at her, taking in the way the moonlight illuminated her face, her eyes sparkling with a light all their own.
“What are you thinking about?” she asked softly, turning to look at him.
He hesitated for a moment, his breath hitching in his throat. He wanted to tell her everything—how much she meant to him, how he couldn’t imagine his life without her, how her presence had saved him in more ways than one. But the words caught in his throat.
Instead, he simply said: “You.”
Her eyes softened, a small smile playing at her lips. “Good things, I hope” she teased, though there was a hint of something more in her voice.
He nodded, feeling a surge of courage. “Always” he replied, his voice barely more than a whisper.
She looked at him for a long moment, her smile fading into something more serious, more intense. Aemond’s heart was racing now, his palms suddenly clammy. She was so close—close enough that he could see the small freckles dusting her cheeks, close enough that he could feel her breath on his skin.
And then, before he could overthink it, she leaned in, her lips brushing against his in the softest, most tentative kiss. It was a light touch, barely there, but it sent a jolt of electricity through him, his entire body coming alive with the sensation.
For a moment, he didn’t move, stunned by the suddenness of it, by the realization that this was happening—that she was kissing him. But then he leaned into her, his hand coming up to cup her cheek, deepening the kiss. It was sweet and soft and perfect, everything he had ever imagined it would be.
When they finally pulled away, they were both breathless, their faces flushed with a mix of cold and excitement. She smiled at him, her eyes bright and happy, and he couldn’t help but smile back, his heart feeling light and free in a way it never had before.
“Wow” she whispered, her voice filled with awe and a hint of laughter.
“Yeah” he agreed, still trying to catch his breath. “Wow.”
They stayed there for a while, their foreheads touching, the world around them forgotten. In that moment, under the light of the moon, Aemond realized that he wanted nothing more than to spend the rest of his life making her smile like that. And as they walked home, their hands intertwined, he knew that this was just the beginning of something beautiful.
By the time they were 17, Aemond knew he wanted more. His feelings for her had deepened into something stronger, something he couldn’t ignore. He’d never been brave when it came to matters of the heart, but for her, he found the courage. One warm spring afternoon, he asked her out on a date, his heart racing in his chest as he waited for her answer.
She smiled at him, that same kind smile she’d given him all those years ago when she found him bleeding and broken. “I’d love to” she said, and his heart soared.
From that moment on, they were inseparable.
Now, years later they are in their 20s, his girl—his love—lays in his bed, and Aemond knows there’s nowhere else in the world he’d rather be than right here, with her.
As they lay in bed, wrapped in the soft glow of the moonlight filtering through the curtains, Aemond runs his fingers gently through her hair, savoring the warmth of her body pressed against his. The room is quiet, filled with only the soft sounds of their breathing and the steady beat of their hearts. She looks up at him, a playful smile dancing on her lips.
“Do you remember my 18th birthday?” she asks, her voice soft, her eyes shimmering with a teasing light.
Aemond chuckles, his hand coming to rest on her cheek, his thumb brushing across her skin. “How could I forget?” he replies, his voice low and full of warmth. “I remember everything about that night.”
She smiles, her gaze turning thoughtful. “It was the first time we made love” she says softly, her eyes never leaving his.
Aemond’s smile deepens at the memory. He remembers how nervous he was, how much he wanted everything to be perfect for her. They had been together for a while by then, but this felt different—more intimate, more significant. It was her 18th birthday, a milestone, and he wanted to give her something special, something that would stay with her forever.
“You were so beautiful” he murmurs, his voice filled with affection. “You still are.”
She laughs lightly, her cheeks flushing with a soft blush. “I was so nervous” she admits, her fingers tracing small patterns on his chest. “I remember thinking… what if I’m not good enough? What if you don’t like it?”
Aemond shakes his head, his expression tender. “I was the one who was nervous” he confesses. “I wanted it to be perfect for you. I wanted to make sure you felt safe and loved. It was my first time too.”
She smiles, her eyes misting over with emotion. “You did” she whispers. “I remember the way you looked at me, like I was the most precious thing in the world. You were so gentle, so patient. You made me feel… cherished.”
He leans down, pressing a soft kiss to her forehead. “Because you are” he says quietly. “You always have been.”
She closes her eyes, relishing the warmth of his lips against her skin, the sincerity in his words. “I remember the way you touched me” she continues, her voice barely more than a whisper. “Every touch felt like fire and ice all at once. It was like… like you were showing me how much you loved me without even saying a word.”
Aemond smiles, his heart swelling with affection. “I was” he admits. “I wanted you to feel it, to know it deep in your bones. I wanted you to know that I’d always be there for you, no matter what.”
She looks up at him, her eyes soft and filled with love. “And I did” she says. “I still do.”
They fall silent for a moment, lost in the memory of that night. He remembers the way she trembled beneath him, her breath hitching in her throat as he kissed her slowly, deeply. He remembers the way her hands clutched at his shoulders, her nails digging into his skin as he moved inside her, their bodies fitting together perfectly, as if they were made for each other.
“I don’t think I’ve ever felt that… alive.” she says, breaking the silence, her voice filled with a soft laugh.
Aemond chuckles, his hand sliding down to rest on her hip, pulling her closer.
She smiles, her heart full, and leans up to press her lips against his in a soft, lingering kiss. “I love you” she whispers against his lips, her eyes fluttering closed.
“I love you too,” Aemond replies, his voice a low rumble in his chest. “Always.”
And as they lay there, still naked wrapped in each other’s arms, they both know that no matter how much time passes, no matter what the future holds, they will always have each other.
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jamiepaige · 12 days ago
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Constant Companions Closeup #2: NOT QUITE THERE
(also on spotify!)
b-b-back once again
Round two of the Constant Companions Closeups - a series of in-depth dives into the songs off of my latest album, Constant Companions! Yesterday was track one, Dyad - today is track two, Not Quite There, featuring the incomparable telebasher!
This one's a bit of a dark horse relative to the rest of the album, but it may very well be my personal favorite song on the entire thing so dammit let's Yap
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For the uninitiated, this song pulls heavily from a song off my previous album called Gummyworm, both in vibe and by very directly quoting its synth motif.
Both of these songs deal with two sides of the same emotional coin. I actually don't want to go into too much detail about it - I feel like the lyrics spell things out clearly enough - but I will say this:
When it's all you know, it's easy to believe that a love that isolates you, a love that doesn't respect you, a love that hurts is better than no love at all.
You deserve better. There are always people who genuinely want what's best for you, who want you to feel truly loved. It certainly isn't always easy - it's genuinely good if your interpersonal relationships have a little friction sometimes - but love should make your life brighter.
You deserve a love that's fair.
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The original version of this song was actually intended to be on Bittersweet alongside Gummyworm. The original concept for that album had a whole heady concept involving duality, songs reflecting each other, the two halves basically being reprisals of each other... Ultimately, I'm glad I scrapped that idea, because it was waaaaaay too much for me to manage after a couple years of barely making music. Maybe I'll revisit it someday though?
The drums on this song are sampled from an Instagram post by Louis Cole, where he's doing this crazy one-handed hi-hat blast by holding a drumstick sideways. I'm a drummer and that shit genuinely scares me a little like i dont know how he does half the things he does its fucked BUT. I bring this up because he's one of my biggest inspirations as a musician! I'm really big on jazz in general, in case my love for spicy chords wasn't enough of an indication, but his specific brand of freaky hyperactive bullshit just does it for me.
Seriously, go watch his band KNOWER play their song Overtime. Absolutely insane performances across the board. also Clown Core
This whole song is really just my attempt at matching some of that hectic jazzy energy with my own style of music, so I figured it only made sense to make it another collab with another musician making delightfully frantic jazz bullshit - the legend herself, telebasher! I really am such a massive fan of her work, and I struggle to think of anyone who plays guitar quite like she does. We previously worked together on another Bittersweet track, Asemic Speech, and her guitar work is a major reason why that song is still one of my favorite I've ever released!! She's just built different like listen to this oh my god!!!!
Lastly, since this song was one of the first written for this entire project... it is admittedly a case of me shoehorning the album's leitmotif in after the fact. It's a little forced when it shows up in the backing vocals! But, the choir of vocal synths during the guitar solo served an additional purpose - my own voice doesn't show up on the album again for another four entire songs, and this would've otherwise been the only song on the entire album that didn't feature any vocal synths. Thus did I attempt to bridge the gap, as it were. Hopefully it makes the final product feel more natural!!
Either way, that's all for today's post.... i think.... which means that tomorrow.... we're gonna rot.... for clout
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two-dolla-bills · 1 year ago
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Top 10 mechanisms songs that you can get away with playing at a retailers without too many side eyes
I got a job in retail and I felt inspired lol
Disclaimer: this is not a list of the best mechanisms songs/the ones I think deserve to go "mainstream", they're just the ones that would blend in the best
1. Sirens
This song is probably the mechanisms' least "centered" song. It doesn't mention any characters, it has no narration, and out of context it just sounds like A Song that you might hear on the radio. Sirens is to the mechanisms as you're the one that I want is to grease, you know?
2. Trial by song
THIS one. It's in the same category to me as Sirens; you can listen to it by itself and not suspect much. Unlike Sirens which can be completely separated and still make sense, this one is more like a whole new world from Aladdin. There are parts that make it obvious that it's from a larger whole, but if you just so happen to catch the "safe" parts you won't suspect much.
Points were deducted due to Mr. Soldier's unique vocals. (Unique as in not very common in mainstream music)
3. Empty trail
This is no offense to Dr. La Cognizzi, but sometimes when she sings it's hard to make out what she's saying, which works in her favor in these circumstances. It sounds country/rock, which help it blend in with some dad rock songs. If I remember correctly, the melody was actually taken from a Led Zeppelin song, so if you aren't paying attention to what's ACTUALLY being said you can get away with claiming it's a cover.
4. Ties that bind
Although this one does mention many plot points, many fans have stated that they had no idea what the fuck was being said until the have looked for the lyrics (myself included) this, combined with it's jazzy rythm, make it able to blend in with other songs, similarly to empty trail
5. Odin
The most "normal" song out of the entirety of The Bifrost Incident. This song made it to the top five because it has similarities with Roam by the B-52's, but had points deducted due to it clearly being about an awesome space train
6. Lost in the cosmos
This might just be personal opinion, but it sounds like a church song. You can pull off the effect of it being about earth Jesus and not space robot Jesus if you have particularly bad quality speakers and a busy store w/lots of noise. Again, the lyrics kinda give it away as to not being entirely main stream
7. Stranger
Look it's a banger, ok? Many of the lyrics could be taken as just being metaphors, but I feel like you have to squint to "see" it. Pay too much attention and shit gets a little weird. Also, points deducted because it's two men singing together and not a man and a woman, which throws a wrench into the works. At kohl's it might raise some eyebrows but in like hot topic it'll blend in a little better
8. Redeath
You would think a song about a sphoenix (space phoenix) would be lower on the list but you'd be wrong. It's a really pretty song with a good original melody, and it's something that can be drowned out by a particularly rowdy crowd. Like Stranger, it would blend in better at a hot topic than at kohl's, but only slightly.
9. Elysian Fields
The melody in Elysian Fields is taken directly from the song wayfaring stranger, which has been coverd by Jonny Cash, Ed Sheeran, Poor Man's Poison, and The Longest Johns, AS WELL HAS having been featured in the movie 1917 and in the video game The Last of Us II, which make it very recognizable. Because of this recognizability, people who know the original song may be caught off guard by hearing it in a Walmart with completely different lyrics. It was originally in 7th place, but the popularity of the original takes off many points
10. Once and future king
It's a banger, don't get me wrong, but it also very heavily and clearly mentions plot points from the album, which itself is heavily base on Aurtharian mythology; something very well known in the western world (also the names are not common at all and most haven't been in fashion in centuries). In a crowded, busy space with not very good quality speakers it could potentially blend in, but one or two names might sneak out. The only reason it's on the list is because of the instrumental outro, which sounds normal enough
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aquareegia · 1 year ago
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Transcript of Will Ramos' essay on Sleep Token for Rock Sound magazine
I might play in a metal band as part of my job, but I don't listen to much metal music anymore.
A few years ago though, I remember one of my friends saying to me, "Dude, you've got to check out this band Sleep Token… They're pretty cool".
I'd never heard the name before, but I'd listened to 'Hypnosis' and a couple of other songs from the band's second album, 'This Place Will Become Your Tomb', to see what they were like.
Hitting play for the first time, I was caught off guard. You hear the guitar and these slamming instrumentals and instantly you think, 'This is about to fucking kick ass'. You're so sure that the vocalist is about to come in with some gnarly screaming, but then you hear this man singing, and he's singing so beautifully. I didn't see it coming at all, and as soon as I heard it, I knew that it was exactly what I needed to hear.
At the start of a long drive that I had to make on my own, I hit play on 'This Place Will Become Your Tomb' from the beginning for the first time. As the record began with 'Atlantic', I was vibing to the sound of the music, but as it rolled through each track I started to get more and more caught up in this incredible sonic journey. By the time it was over, I realised that I'd been on this emotional roller coaster of love, pain, happiness, sadness and nostalgia.
Boom, that was it - I was hooked on that album. Every single song on that record was so freaking incredible to me, and I needed to know more about Sleep Token. Believing that my friend and I were the only people in on this hype, I spoke about it to my band one day, and they said to me, "You need to listen to 'Sundowning'!" I was so mad that they knew about this band the whole time, and nobody ever told me, but I went back and listened to Sleep Token's first album like they suggested.
I remember thinking it was very different. It's not as polished, but it's very dynamic and so beautiful. I think it definitely says something when you can see the progression of a band from just their first and second albums. From then, I knew they were onto something incredible.
It feels like more and more people have been catching onto that hype over the last year, and now it seems as though their name is impossible to ignore. I remember when they released 'The Summoning' at the start of 2023, the day after they'd released 'Chokehold', it felt like it all went crazy. They had something like 4-million hits on that song in just two days, and now, it's got over 70-million plays on Spotify. It was the beginning of a huge explosion for Sleep Token, and the first time I heard it, I was genuinely confused by it. It's so ridiculously versatile, and on my first few listens I felt like the super jazzy outro didn't fit at all, but the more I listened the more it began to click. I remember at the time I showed it to Elizabeth Zharoff, a vocal coach from The Charismatic Voice, and the outro was immediately one of her favourite parts.
She's from a completely other world of music, so to hear her approval showed me how capable Sleep Token were of reaching people outside of the metal scene.
I might not listen to metal music anymore, but Sleep Token are revitalising heavy metal. It brings back the nostalgia that I felt when I was a little kid listening to this type of music for the first time and being like, 'Holy shit, what is this? This is so cool'. I had started to lose that feeling over the years, but every time I listen to these songs, all those emotions come flooding back. In my opinion, there's no band out there that sounds like them - and that's a truly impressive feat.
Merging metal with pop, R&B, and rap influences, and bridging all these different gaps that many artists have historically been afraid to explore, there's something here for so many types of music fans. For a long time, metal bands have been putting themselves in a box. There's been this idea that a metal band needs to be heavy, that you need to have a breakdown in every song, and that you need to tick all the boxes in order to succeed. It's been so refreshing to see the evolution of the genre over the last few years, and to see bands like Sleep Token bring all these different sounds to the forefront of metal.
It brings a whole bunch of unique people into the fold. People love to say that metal is dying, but it's music like this that keeps it alive. It doesn't just move the scene forward, it expands it.
Now, there are all these people who didn't listen to metal before listening to Sleep Token. R&B and pop fans are coming into this as fans of Vessel's singing voice and hearing all these metal influences along the way. The second verse of 'Take Me Back To Eden' has this great rap-inspired singing part, and it's these little things that speak to different people in different ways. All of this feeds into our community in some crazy way, shape, or form. It's welcoming people into a genre that they may never have been exposed to otherwise, and I think that s a beautiful thing.
As a vocalist, one thing in particular that draws me to Sleep Token is Vessel's voice. I have always been a screamer, but I've always wanted to be a singer at the same time. I always practise on the side of Lorna Shore, but in my mind I'm like, 'This isn't very good. My voice is not fit for metal at all, as far as singing goes'. When I first heard Sleep Token though, one of the first things I noticed was that Vessel and I have a very similar range. Hearing him lay down all of these incredible parts, it makes me realise that I can actually sing metal vocals.
Back when I first discovered them, I wanted to cover their songs in the hopes that more people would hear them. Now, I just want to cover them so that I can sing something that is in my range.
Obviously though, his voice is much more dynamic than mine because he's been polishing it for a very long time. He does a crazy vibrato and can switch between his head voice and chest voice super easily. It's crazy stuff, and as someone who has been a vocalist for so long, I can appreciate the techniques he's using. I love to hear the different ways he's able to blend his voice into the genre.
Another thing that makes his voice so unique is that it's so emotional. When I hear Vessel sing, I can truly feel the emotion behind his words. He might be this otherworldly figure singing about an ancient deity, but there's a distinct humanity to his vocals. You can sense his sadness and pain, and whether people realise it or not that draws a lot of people to Sleep Token's music. They're the band that you can listen to at two o'clock in the morning when you're driving down the road alone. They're the perfect companion for those moments where you're upset about something, and you just need to listen to something that feels like a release.
That's a beautiful thing, because when you write music, you want people to feel the same emotions that you're feeling when you're writing it. The way that Vessel translates all of that is so incredible, and it's arguably my favourite thing about the band. Between his vocals and the instrumentation behind them, you feel exactly what they want you to feel. Even before thinking about what I knew about Sleep Token, when we were thinking about what we wanted to do with Lorna Shore, that was the goal. We wanted to bring a little bit more emotion into heavy metal music, and now they've done that and brought the singing into it too. Metal's now even more emotional because of the way he uses his beautiful voice, and I think that's what this genre has needed for a long time.
The truth is, from the moment I first heard Sleep Token, I knew they were one of those bands. Between their studio quality, their musical skill, and their ability to conjure up their own lore to incorporate into the music, I could see that they had the potential to be something truly special, they just needed that little push.
As soon as they got that with 'The Summoning', that was it - they were taking over.
First impressions are a big thing, and I think 'This Place Will Become Your Tomb' will always be my favourite album because of the way I first connected with it, but 'Take Me Back To Eden' is phenomenal. They have been able to get all of their emotion out in so many new ways on those songs because there's even more happening from a musical perspective. They've managed to strike the balance between heaviness and beauty perfectly and that's what we strive to create with albums. The goal is to create an album you can sit with, front to back, and feel the waves of emotion. A record to let yourself feel those things, and an opportunity to sit in isolation whilst you experience that journey.
It's a feeling that's amplified within Sleep Token's live shows, and I was able to catch them at Blue Ridge Rock Festival in Virginia. Lorna Shore were also playing, and we had a meet and greet scheduled for that day. It was scheduled to take place from 7pm until 7:30pm, and Sleep Token's set started at 7:30pm. I was a little antsy, because I know that meet and greets always overrun by half an hour or so, and they were the band I was most desperate to catch.
I was sitting there, it was 7:29pm, and the meet and greet line was still as long as it had been when we'd started. I started to hear 'Chokehold' playing in the distance, and I felt so sad.
People online were messaging me to tell me that Sleep Token were playing, and I was like, 'I know! I can hear them, but I'm stuck here!'
That's where it started to set in how freaking massive Sleep Token were becoming. They're one of the biggest metal bands that I'm aware of right now, and there were so many people watching that set. They refer to their live shows as rituals, their fans are the congregation, and the stage as a place of worship. It's something that could easily seem tacky if a band did it with little consideration for the details, but they're so committed to what they do.
After about three minutes, as I heard 'Chokehold' coming to an end, I stood up and said, 'Alright everybody, I've got to go. I'm so sorry, but if you know me, you'll understand'. The people who come to our meet and greets know how much I love Sleep Token, so they were like, 'Dude, go!' I sprinted out of there, leaving the rest of the band still doing the meet and greet, and made my way over to the stage. I thought I was the only one who wanted to see their set, but ten seconds into running I turned around and saw Of Mice & Men's singer, Aaron Pauley, following me. We started running through this huge crowd together, and everybody was so excited. I'm not the type of guy to leave a meet and greet early, but I needed to witness that set. It was an act of true love!
Even when they post on Instagram after shows, the captions are always like, 'The ritual has been completed in Copenhagen'. They totally absorb themselves in the spiritual aspect, physically, visually, and sonically. It's a brand, and they completely own that brand. They've made it exactly what it is, and they stick to it.
When I saw them, they had four people onstage doing harmonies with them, and they just stood there in their cloaks.
They didn't move throughout the entire set, and I began to picture it as a church choir at the side of the ritual. The whole experience does feel super spiritual, and they don't just give 50 per cent to the theming, it's 100 per cent. People feel the emotion, see the way they embody this ideal, and hear this incredible music - and I think that's why people are so ready to absolve themselves in this spiritual moment.
Everybody has a different connection to every song because of the different things everyone goes through in life, but they get to experience all of that in a place where everybody else is feeling something too.
Vessel's vocals translate into their live experience so perfectly, too. His screams are even better live than they are in the studio, and he still sings beautifully, which is so impressive. I was genuinely doubtful that he was going to be able to hit all of those vibratos and do all the other crazy vocal work he does on the albums, but he hit every note. Sometimes, he doesn't even hit the notes that he does on the studio versions, but he hits another note that is equally as stunning. He's a true performer.
You can tell a lot about a band from their live performance, but as a band in the modern age you also have to put a lot of thought into your promotion. The way you come across on social media is important, and the way that people perceive you is largely down to how you come across online. That's why I've always been fascinated by Sleep Token choosing to keep the identities of their band members a secret, refusing to do interviews and placing the focus on their visual identity.
I definitely think that's played a part in their success, because it's allowed the music to take centre stage. I remember when I was first talking to the rest of Lorna Shore about Sleep Token, they told me about the lore behind the band and that the members are all anonymous. That was before 'The Summoning' came out, but since people have caught on there have been some serious investigative deep dives, so l'm pretty sure the internet has found out who Vessel is.
I didn't look that up though, because personally for me, I always really appreciated the fact that they were totally anonymous. I like the feeling that Vessel is just a voice in the ether. You can hear it, but you can't classify it as being the voice of any one person, it's just this intriguing mystery. I've heard a lot of people say that it reminds them of when they first got into Slipknot because when a lot of people I know first listened to that band, nobody knew who was behind the masks. They were just a bunch of dudes making music with no outside perceptions, but then obviously people found out. I think that Sleep Token have that similar allure for a whole new generation, but sadly for me that mystery was shattered when I met them after a show.
It was great to meet them, but I also really didn't want to know who they were. I loved not knowing and I think that the anonymous aspect of what they do plays such an important role in the impact they're having on the heavy metal world.
It's a bit of a double-edged sword because everyone wants to know their identities, but once you do know - you miss the anonymity.
There's something special about the way they're putting their music out into the world with no need for individual validation, and I think it takes a lot of guts and confidence in what you're creating to do what Sleep Token are doing.
Usually, you almost want everyone to know who's in the band, because often that helps push you forwards. If you have someone in your line-up who's been in a well-known band before, you want to use that name to get yourselves out into the scene more. Sleep Token aren't anybody, and that takes a lot of courage and humbleness to do. There's no predisposed idea of what their music is supposed to be or what it's going to be, and that's part of the magic.
It's something that also comes out in the lore, the symbolism, and the cryptic clues that Sleep Token scatter throughout everything they do. There are Reddit threads dissecting every single word in the songs and analysing each pixel within their visuals, but it's not something I've had the chance to fall into just yet.
When I first listened to 'This Place Will Become Your Tomb', I could only find one or two articles about Sleep Token online.
They were basic articles explaining the idea of the band and what they were trying to do, which I thought were cool, but I never really looked it up again.
Over the last year or so, it seems that these conversations have spiralled. People are coming up with these different ideas about the band's story, and there are all these hints appearing constantly. I don't know any of the Easter eggs yet. I'm still just fascinated by the music and their wicked aesthetics, but I love that they've got people talking. It's become this kind of community around the band, and as someone who grew up in this scene, seeing artists who are able to foster that feeling amongst fellow music fans is such an incredible thing.
I think that's one of the reasons why Sleep Token have been able to find success on such a wide level so quickly, because there's a constant conversation about them. If people aren't talking about their music, they're talking about the lore and the stories behind it, or they're talking about the potential identities of the band members. They have this perfect package in place that lends itself to a world class metal band, but they're achieving it at such an incredible speed.
They thought out every single element of this band before they even started, from how the melodies work with the vocals, to the emotion and the quality of the sound. A lot of people put out music that sounds like they're hitting a trash can, and whilst they might have really good singing over the top of it, you can't ignore that trash can. Sleep Token have got incredible production value though, which is even more impressive when you consider how versatile their sound is.
It's so well thought out that you hear new things in each song on every listen. If you listen to 'Take Me Back To Eden', the title track of their third album, there's an allusion to a particular part of 'Chokehold', and it's details like that which make their production so unique. They wanted to make sure that it came out perfect, and maybe - like all musicians I know - they think they could have made certain parts of it better in retrospect, but I honestly can't imagine how.
Between the versatility, the emotion that people feel when they listen to it, the heaviness, the quality, and the songwriting, Sleep Token don't cut any corners anywhere. That's why they're already playing these huge, career defining shows, and putting out music that's changing people's perception of heavy music as a whole. It's so exciting to be a Sleep Token fan, and I just want them to write even more mind-blowing music and play even bigger places because they truly deserve it.
The bigger the places that they play, the better they're going to sound live. They're already playing arenas over in the UK, and with the size of those venues I just know they're going to sound absolutely incredible. They're reaching heights much higher than most metal bands that I know, and the bigger they get, the better their production value is going to be all round.
'Take Me Back To Eden' only came out earlier this year, but I already can't wait to hear them put out more music. lf what we heard on album three is the direction that they're going in, I'm very optimistic to see what the future holds for Sleep Token. I imagine at one point, they're going to make it on the radio - and honestly it could happen sooner rather than later. I knew it when I first heard them, and I'm even more certain of it now - they're going to be huge.
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oceans-goddess · 3 months ago
Text
Derry Girls-- James Maguire SFW Alphabet
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This is the sweetest boy I have ever come across, so I thought it would be fitting to write some fluffy headcannons about him <3
I tried making the reader gender neutral for this post, but please let me know if I should tweak anything that I might not have noticed!
Contains: fluff, brief mention of injury, no smut
Also WARNING: Possible spoilers!!
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A-- Affection (How affectionate are they? How do they show affection?)
James is a pretty nervous boy, and he doesn't have a lot of experience in relationships, so I think he would do a lot of pining instead of being outright with his affection. This doesn't mean that it goes unnoticed, though: you always catch him staring, and he blushes when you make eye contact with him.
He's full of smiles, and any time he's speaking with you, he can't seem to keep from grinning at you.
When you two are alone, he is comfortable holding your hand, and rarely lets it go, which you find to be the cutest thing in the world.
He also often "forgets" his sweaters and jackets at your house in hopes that you'll wear them, which you do, and his head spins when he sees what you look like wearing his clothes.
B-- Best Friend (What would they be like as a best friend?)
We all know James is a Derry girl just like the rest of them, and they get up to some seriously fucked up shit, but I imagine that James is not always on board with the plans the other girls come up with (let's not forget the time they made him fist fight a guy over concert tickets). With that in mind, I think that he would voice his concerns, get shut down by one of the girls (probably Michelle), and wait until the two of you are in private to talk about how ridiculous things can get.
He also just enjoys confiding in you in general, finding you to be a more level-headed and accepting member of the group. He tells you a lot about his struggles with his mom, his trouble as the only boy at school, and feeling like he's caught between his Irish and English identities.
He's also an incredible listener, and often sits quietly with you while you tell him about your own problems. The two of you have built up a lot of trust while confiding in each other.
C-- Cuddling (Do you ever cuddle? What is it like?)
Like I said before, James is more into pining after what he wants than asking for it, so you're usually the one who initiates any physical contact that isn't hand holding. But once you two are touching, he gets a little more comfortable with the situation. He usually pulls you into a sort of loose bear hug, and sometimes he uses one hand to stroke your hair or rub your back.
I'm honestly surprised I'm saying this, but I think he enjoys being the big spoon more than being the little spoon.
He also really enjoys laying his head in your lap and letting you play with his hair.
D-- Dance (Do you ever dance together? How?)
I'd say the Derry Girls are a fairly dance-y group, so you'll catch James dancing all the time in social settings, but if it were just the two of you, there is no doubt in my mind that you two would slow dance to When You're Gone by the The Cranberries (so cute!!!).
Any slow, jazzy or bluesy song would absolutely make him want to dance with you, but only in the safety of your bedroom or his.
He really likes to make you twirl around, and you both collapse in a fit of giggles whenever you try to twirl him back.
E-- Energy (How much energy do they put into the relationship?)
This boy would die for you, I'm sure of it. He's such a sweetheart, and I think he would try so hard to make you happy.
James knows he isn't very suave, but he always tries to compliment you anyway-- he honestly can't hold back from telling you how great you look.
He's a real gift-giver, and he saves up all his money to try and buy things for you. He especially likes bringing you flowers, and his ears are always beet red whenever you open the door to let him in so he can replace the last bouquet he put in your room.
He walks you all the way home from school every day, despite him and Michelle normally splitting off from the rest of the group about half-way between your house and school. For a while, Michelle gave him a lot of shit for it, but now nobody really seems to mind.
F-- Fight (How often do you fight? What do you fight over? How is it usually resolved?)
The two of you rarely fight, but when you do, it never really ends with any yelling. James is a quiet communicator at heart, and he doesn't really like the idea of yelling at you.
Most of your fighting comes from you trying to push James to stand up for himself more, as it can sometimes bother you that he doesn't assert himself. In your mind, he's an equal member of the friend group and doesn't need to put up with anyone's bullshit. But when you push him, he says that he doesn't need help and that he can assert himself whenever he wants, he just chooses to go with the flow.
The spats usually get resolved after a few hours; for example, if something happens in the evening, you both usually just need the night to cool off, and things are fairly back to normal by the time he walks you to school in the morning. Anything longer than that, and one of you shows up to the other's house to apologize.
G-- Gentle (How gentle are they, emotionally and physically?)
MY SWEET BABY JAMES IS THE MOST GENTLE SOUL IN ALL OF DERRY. No but seriously, he moves around very quietly, careful not to stomp or bump into things, and he touches you gently as well. All of his kisses are slow and soft, never harsh or aggressive.
He is soft spoken, and he chooses his words carefully so that you know he cares for you. When he gets frustrated or overwhelmed, he tries to talk things out calmly instead of letting his emotions build into anger.
H-- Happy (What makes them happy? How do they show it?)
James loves receiving attention from you. Any time you give him a smile or compliment his new shirt or something, he can't keep a smile off his face.
I also think he would show his happiness by being a little more chatty. He gets excited talking to you, and he could hold a conversation with you for hours without running out of things to talk about.
I-- Injured (How would they act if you got injured or sick?)
I think if you got sick, James would worry, but he would ultimately know that you are gonna be just fine. He would definitely show up to your house with a can of soup or some chocolate or something once he finds out you're sick. And he would find an excuse to sit in your room and fiddle with your things while the two of you chat, despite you telling him to leave because you don't want him to get sick.
When you're injured, it's a whole different story. Anything bigger than a scrape or a bruise and he's practically lost his mind. If you broke a bone or had a concussion or needed surgery or anything like that, I think he'd be hyperventilating in the hospital waiting room, and you'd never be allowed to go anywhere or do anything alone again. He'd open every door, insist you take the elevator instead of the stairs, etc etc.
J--Jealousy: (How jealous do they get? What do they do when they’re jealous?) 
James can definitely get anxious seeing you around other people he thinks you might be compatible with. He never says anything about it because he trusts you and believes you would never cheat on him, but he's got insecurities about people leaving him because of him mom, and he worries that you'll feel like he isn't important enough to keep around. The feeling never lasts long, though, because as soon as you smile at him or peck him on the cheek, he realizes how secure he feels being with you.
K-- Kisses (Do you ever kiss? How?)
Like I said before, James is very soft and gentle when the two of you kiss, and he never really takes the lead when you two are being intimate in that way. He lets you do what you want and sort of follows along, and he is breathless and blushing the whole time.
Aside from your lips, I think his favorite places to kiss you would be on the forehead or your shoulders while he hugs you.
Though he would never vocalize this, his favorite place for you to kiss him would definitely be the neck. He is super sensitive there, and he immediately starts stuttering and breathing harder when you press your lips there.
L-- Love Language (What is their love language? If their giving different from their receiving?)
I've covered this a little bit in the sections above, but his love language when it comes to giving is gift-giving. You mean a lot to him, and though he is often too embarrassed to say this aloud, his little gifts show you that you are always on his mind.
When it comes to receiving love, I think James enjoys words of affirmation the most. People talk down to him a lot in his life, so hearing someone treat him with kindness and gentleness and respect is a big deal for him. He also loves the reassurance that comes with hearing what you think of him in your own words.
M-- Meeting (How did the two of you meet?)
You were already friends with Michelle and the others when James arrived in Derry, so the introduction came soon enough. The girls were quite judgmental of him in the beginning, but you were very welcoming, so he really relaxed around you, and the two of you became close very quickly.
N-- Night Out (What do y'all do when you go on dates?)
You two are very casual when it comes to dates. Grabbing food, going on walks, seeing a movie, stuff like that is sort of the norm for the both of you. James prefers to do sort of calm, quiet stuff, and he enjoys being somewhere away from a lot of people, so you guys usually end up sitting at the park in the dark, chatting about life.
O-- Oasis (Where is "your" place, the place for just to two of you?)
His bedroom is usually where the two of you end up when you want to be alone. Michelle and her mom are always out of the house, so its usually very quiet, and it's a good place to sort of decompress. His room is full of cds and books, and his bed is extremely comfy, so the two of you cuddle there often.
P-- Protection (how protective are they over you?)
I know I said before that he can be a little jealous sometimes and often gets nervous when you're injured, but other than that, he's not an extremely protective guy.
The only time you see him become more protective is when you're in social settings: if people approach you, he likes to grab your hand or put his hand around your shoulders to send a clear message. He doesn't want to seem possessive because he doesn't want to scare you off, but he wants to be sure that people know you two are together without saying it aloud.
Q-- Quiz (How much do they remember about you?)
He remembers all the important stuff, like your birthday, your parents' names, your middle name, your anniversary, your favorite color, your favorite foods, etc.
He also always makes sure that when you are coming over for dinner, his aunt is cooking something he knows you will like.
He likes to keep track of things you say you like by writing them down when he gets home. For example, you once told him that you wished you had enough money to buy a new bike, and he wrote it down so that he'd remember when your birthday came around.
R-- Rainy Day (What do you guys do when it's raining outside?)
He actually loves when it is raining out, because it gives him an excuse to make you change into his dry clothes after walking to his house in the rain. He insists that you should wear his softest sweaters and a pair of his sweatpants to get warmed up again.
Rainy days are also when the two of you curl up in bed and read, or play games, or watch tv. He thinks you always look so cozy and cute on his rug with a blanket over your lap and a mug of tea in your hands.
S-- Song (What song best represents the relationship the two of you have?)
I already mentioned a song by The Cranberries earlier, which I feel is pretty fitting, but I also think that Kiss Me by Sixpence None The Richer is also a perfect match for the relationship you two share.
There are fast paced parts of the song, which match well with the energy you both have when you're hanging out together with friends, but at the end of the song, there is a very gentle melody, mirroring that at the end of the day, when it's just the two of you, it's a very sweet, soft, and loving feeling. You two just have a quiet and comforting relationship.
T-- Telepathy (Do you guys think alike/agree on most things?)
You two are pretty much always on the same page, and it pisses Michelle off more than anything. You side with him all the time, mostly because her ideas can be bat shit crazy and you want no part of them.
You guys also always want the same two things on the menu when you go to restaurants, so you each order one thing and split both plates. He always leaves you the last bite-- what a sweetheart.
You guys have pretty much the same taste in music and movies, so you never argue about what to listen to or watch.
You can both always tell when the other is a bit down or upset, and you gravitate towards each other to give each other silent support until you are both ready to talk about what is bothering you.
In a way, you truly do kind of have a telepathic connection with each other.
U-- Ugh (What are some bad habits of theirs? Some bad habits of yours that they don't like?)
James can be kind of whiny at times. For good reason, to be sure-- he's often dealing with annoying situations. But, in truth, you feel he could be assertive and solve the problem instead of letting things happen and complaining about the problem.
He can get frustrated with you at times because you are never letting yourself get enough sleep. You never complain about being tired, but he can see on your face in class that you're exhausted, whether it's because you prioritized your homework over sleep or stayed up too late reading or watching tv, he hates to see you not taking care of yourself. Whenever you feel under the weather, he is always the first to remind you that you'd probably feel a lot better if you had slept enough the night before.
V-- Vacation (Where would you two travel together if you got the chance?)
James would absolutely love to take you to England with him for a tour of where he grew up. He knows that people in Ireland are particularly resentful of the English (and for good reason), but his childhood was a good one, and he wants you to see for yourself what it was like. I also think spending a rainy weekend in London with him would be the most romantic thing in the world, just a chance to be very cozy and find lots of book shops and cafes and things like that.
W-- Words (What do the two of say to show that you care? Any nicknames? Any Phrases?)
James absolutely adores when you call him Jamie or Jamesy or Gem, really any nickname. He was never shown a ton of affection, so getting it from you is very validating.
He calls you by your name in public, but in private he'll call you "babe" or "love" (what an Englishman, bwahahaha). Sometimes you tease him for using such an English term of endearment, but deep down you really like that he uses it on you.
X-- Xerox (are there any traits or habits of theirs that you’ve picked up by accident?)
James runs his hands through his hair and tugs at his curls a lot when he's stressed, a habit that has sort of extended to you. You constantly pull at your hair without meaning to, something you never used to do before.
He's also got a different accent than you, so sometimes you accidentally say things in a half-English accent just because you've heard James say it so many times. When he picks up on it, he finds it to be one of his favorite things about you, and he hopes you never stop.
Y-- Yuck: (What are some things they don't like in terms of a relationship?)
In all honesty, despite being proud that you two are together, James hates telling people outright that the two of you are a couple because he worries about letting other people influence your relationship. Couples always seem to experience trouble when other people get involved and start judging when they don't really understand. He'd rather just keep things between the two of you and let people find out naturally instead of saying anything.
Z-- Zzzz (A sleep habit of theirs?)
That boy must fall asleep touching you in some way. He prefers his classic bear hug cuddle or spooning, but if you all fall asleep watching a movie at Erin and Orla's for example, he's ok falling asleep while just holding your hand.
He always wakes up earlier than you. Sometimes, if he's early enough, he can have a cup of tea or hot chocolate ready when you wake up, but he usually just sits in bed and plays with your hair.
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Author's Note: Ugh this was so fun to write, please let me know if I should do an alphabet for another character in any fandom!
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inkk-ubus · 2 months ago
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I couldn’t get singer Connor being like a siren to Hank out of my head🎶⭐️
I’m curious, what do u guys imagine Connor’s singing voice to sound like? I feel like he’d have that breathy, smooth, jazzy/r&b sound. Similar to Sade and maybe some Jeff Buckley songs🤭
Inspired by this fic!!
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omniuravity · 10 months ago
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I'm gonna rate all the songs in Hazbin Hotel in order from my least favorite to my favorite.
@bloodypeachblog @fatgumsurpremacy-remastered
12. It Starts With Sorry (Episode 2)
This song isn't bad, I just hate how sappy it is. It doesn't help that it's in the same episode as Stayed Gone which is one of my favorites.
11. Whatever It Takes (Episode 3)
Again, I don't hate it I just don't think it's as strong as the rest of the songs. I personally wasn't a fan of the songs in Episode 3, they just weren't as strong as the rest.
10. Welcome To Heaven (Episode 6)
It's not nearly as strong as the other song in the episode. It's pretty good though and reminds me of Happy Day In Hell, which I think was the point.
9. You Didn't Know (Episode 6)
This song is super emotional, but it has way too many story beats within the song and takes me for a ride. It is a powerful song towards the end, but idk it just doesn't hit as hard.
8. Happy Day In Hell (Episode 1)
It's a pretty good first song for the show. I'm just not a fan 🤷🏻‍♀️
7. Respectless (Episode 3)
It sounds like something I'd hear on the radio, which sometimes work but I just wasn't a fan. The only reason this song is so high is because I like Velvette's singing voice.
6. Hell's Greatest Dad (Episode 5)
This episode has two strong songs, and this one is definitely one of my favorites. I love the banter between Lucifer and Alastor. Personally the only thing I dislike about this song is Mimzy's entrance at the end, but I suppose it ends the song.
5. Hell Is Forever (Episode 1)
I love that it's a reprise of Happy Day In Hell, but also Alex Brightman is great at rock musical theatre. It's honestly just a bop. Guitar solo, fuck yeah!
4. Poison (Episode 4)
In my opinion this song is like Addict the sequel. This song is so passionate and strong that it just has to be one of my favorites. This is a reflection of not only Angel Dust as a character, but also the industry he works in.
3. Stayed Gone (Episode 2)
It's so good! It's a double villain song (even though Alastor is technically a protagonist). I am a sucker for a good villain song. Also, as someone who is studying music the A B B A format works really well for me. It's also super jazzy which fits both Vox and Alastor.
2. More Than Anything (Episode 5)
This song made me cry. This song is a testament to Lucifer as a character, as well as his love for his daughter. I am a SUCKER for emotional songs, and this one hit me in the gut.
1. Loser, Baby (Episode 4)
I LOVE Keith David's singing voice especially since I grew up with Princess and the Frog. Not only that, but it's a good start to the slow burn that HuskerDust is supposed to be. I also love that Husk calling "baby" is derogatory and as the song progresses it becomes friendly and loving.
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starcanwrecked-confessions · 4 months ago
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every song in Honey Queen slaps so hard
Honey Queen? cool, very nice. Nibbly Ditty? Fun and just the right amount of creepy imo. Queen B? SO cool and the music video is just 10/10. Latte Hatte? Jazzy and fun and SO good omg
~~~
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cosmicsundust · 1 year ago
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My thoughts on some randomly chosen Will Wood songs
Yes, to Err is Human, So Don't Be One: Had a really cool opening then got funky
You're Body, My Temple: Sick guitar rift immediately followed by clown music
Skeleton Appreciation Day in Vestal, NY (Bones): Tasty old piano and love the sentiment
The Main Character: Sounds like I'd hear it in a movie like Megamind but not Megamind itself
Laplace’s Angel (Hurt People? Hurt People!): I feel like I could listen to it on a lot of occasions if I don't actually listen to the lyrics
...well, better than the alternative: Upbeat jazzy sad
Cicada Days: Nice and oddly calm for Will Wood but then he rocks out at the end
Half-Decade Hangover: Sounds a little churchy but in a positive way also he curses like he doesn't want to
Big Fat Bitchie’s Blueberry Pie, Christmas Tree, and Recreational Jell-o Emporium a.k.a. “Mr. Boy is on the Roof Again” (Feat. Pasta by Sneakers McSqueakers) [From the Motion Picture ”B.F.B.’s B-Sides: Bagel Batches, Marshmallows, and Barsh-mallows]: Nice name wish the song was as long as it
Against the Kitchen Floor: It's a song I want to share but don't know how I could
White Noise: So close to being a song you could fall asleep to but he just couldn't hold himself back long enough
Red Moon: idk it's just good in the way that made me go "ooo that's nice"
And I can't leave out my sister's comment on the original post
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neocatharsis · 1 year ago
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Track 'Interlude : Oasis' included in NCT's 4th album 'Golden Age' is a medium tempo R&B song which has a dreamy sound and message of stepping forward to the golden future. Member Yuta, Jaehyun, Winwin, Jaemin and Chenle participated in the song.
'The BAT' is a hyper pop genre song where Taeil, Johnny, Yuta, Jungwoo, Hendery, Jeno and Jisung shows their chemistry, the lyrics, which describe a black car crossing the night by comparing it to Batman's bat car, and powerful chant and the fast rapping maximize the intensity.
Moreover 'Kangaroo' where you can encounter the harmony of Taeil, Kun, Renjun, Yangyang, Chenle and Jisung, is a medium tempo pop song with rhythmical guitar and piano sound that has a fresh yet jazzy feeling. The witty lyrics of them living a lighthearted and free life as if every day is a birthday is pictured/compared to kangaroos, drawing attention.
© captainuwu
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zinphandel · 5 days ago
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A Seat At The Table- Solange Knowles
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hello gorgeous gorgeous girls and gays and welcome BACK to kate rates Dan's favourite albums. apologies for the absence, i 365 party girled too close to the sun this weekend and have been Feeeeeeeling the Repercussions (3 day hangover, serotonin is shot lol) but we are BACK! with A seat at the table by Solange Knowles
Initial thoughts?
I’m gonna be soooo honest. I’m going into this one completely blind. i have never listened to Solange before. I'm assuming we are in for some fun r and b? but honestly I have no idea
Is this a first-time full album listen-through?
yessssss. I’ve never heard a single Solange song before. this is alllllll new to me! excited 2 get into this!
Listen through:
Having not listened to the Solange before I can't wait to see what this album has in store for me
the vocals are gorgeous, the production seems to be minimal yet feels bold and fits the songs well.
veryyyyyyyy funk and neosoul as well as the r and b I was expecting, super pretty and feels like a bubble bath for the ears! super pretty and soothing.
Cranes in the sky was the single from this album, and I can see why, it's such a pretty song, defo the best on the album so far
I LOVE an album with a fun little interlude. makes the album feel like a complete project in my opinion
this album feels like a breath of fresh air!
I'm never gonna be mad at a lil Wayne feature!
'Don't Touch My Hair' has these gorgeous little 80s synths in the background then amazing jazzy trumpets and sampha sounds fabulous on this track! wow!
I mean I obviously should have guessed that Solange's voice would be gorgeous but it's even nicer than I could have imagined. the tone is so lovely. really enjoying this album.
maybe I should have listened to this on my hangover because this is the type of music that cures your soul! i feel shiny and brand new after listening to this record.
the opening of 'where do we go' reminds me so much of super rich kids/benny and the jets lmao
id love to hear some of the songs from this album remixed into a lofi jazz set. u know the ones in gorgeous wooden rooms covered in plants? too niche maybe?
Borderline is fabulous!
I'm enjoying this much more than I thought I would. I thought it would be more mainstream rnb which is hit or miss for me instead it's jazzy and sexy and soulful. dan never lets me down! (apart from that dogshit drake album)
such a unique album- reminds me of blood orange (heart eyes)
throbs and chugs at all the best moments. an electro-funk masterpiece. can't wait to listen to this in the shower
Favourite song(s)?
Mad, Borderline, Scales, Don't touch my hair
Least favourite song?
I actually really enjoyed them all!
Would i listen again?
yes i would. I cant wait to get really high and listen to this in a really hot shower.
Do i recommend?
defo! so happily surprised by this. Especially if you love some funky soul- this album is for u!
What would I rank it out of 10?
8.5/10!
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