#japanese nationals 2018

[figureskatingcostumes]

Kaori Sakamoto performing in the 2017 Japanese Nationals gala.

(Source: sn_figure)

[joshiji-darlingyuyuno]

ㅤ 🪸͟ ָ֢ ’’ 𐙚˙⋆.˚ 𝓶𝓮𝓮𝓽 𝓴𝔀𝓸𝓷 𝓼𝓾𝓲𝓷 ๋࣭ ⭑⚝

kwon suin masterlist

ᯓᡣ𐭩 ࣪. basics ୭ ˚. ᵎ

birth name: kwon suin 권수인

birth date: 1995..14..02

birthplace: goyang, gyeonggi province, south korea

residence: nonhyeon-dong, gangnam-gu, seoul

occupation: celebrity, artist, singer, dancer, producer, founder&director of Darling Entertainment

nationality: korean - greek (dual- nationality)

ethnicity: korean

languages: english, korean, french, greek, italian, japanese, chinese

height: 170cm

weight: 45kg

blood type: O+

partner: doh kyungsoo (exo's D.O)

status: married

mbti: infj

debut: 2007

ᯓᡣ𐭩 ࣪. career ୭ ˚. ᵎ

history:

2007 - duo group 'darling (달링)' with shin ryeonha (신련하)

2012 - debuts as a soloist

2015 - debuts with seventeen

2016 - debuts as an actress in descendants of the sun

position in seventeen: co-leader, main vocalist, producer, lead dancer, visual,

suin's/ 'darling's fandom: dearest (디어에스트)

her emojis: 🐋🪼🪸🪷🍡🌊🪐🎀🧸🫧🖇🩰

social media: @sususuinkw.n

weverse: @sususuinnova

brand ambassador: graff,, patek philippe,, dior,, alexandar mcqueen,, hermès,, van cleef& arpels,, brunello cucinelli,, bottega veneta

ᯓᡣ𐭩 ࣪. trivia ୭ ˚. ᵎ

she is seventeen's co-leader, meaning she shares the leader position with s.coups. this was because she was elected as leader by all the members and the company, but suin felt that s.coups would make a great leader, so they comprimised by having themn both leaders

she is the oldest member in seventeen and is their senior as she debuted in 'darling' in 2007

some of her nicknames include; original visual,, blueprint,, the trend,,original ace,, nation's center,, nation's daughter,, miss korea, korea's voice,,

she is a-list celebrity in hollywood, not just in korea

she was under a company called 'whipser' when she was active in 'darling' and for her solo career, then pledis was bought into her company. but in 2019, suin left whisper and started her own company named 'darling entertainment' after her group.

meaning she is the founder and director of the company

she is the creator of aespa

seventeen, ateez, aespa, btob, day6, and taemin are now under Darling Entertainment

she produces 80% of seventeen's songs alongside woozi, but she produces 100% of her own songs

she is the most credited artist, and the youngest artist to be awarded that title. she has credit for 600+ of her own songs, not included songs she produced for others.

she is the most known and recognized name in the korean industry

"if you don't know kwon suin in korea, you are a spy"

she is the hidden ace of going seventeen, she rivals jeonghan

she bought a multi-million penthouse in korea and she has another penthouse and vacation house in greece

she created the trends in kpop (not including her fashion influence); photocards, lightsticks, fansite, fansigns, fansign calls, fancams, idol content, tiktok challenges, singing osts, random dance, having lore, ending fairy, dance breaks, highlight medley, brand ambassador, dance practice, behind the scene videos, encore, personalised in-ears and mic, western collabs,

she popularized idols appearing in variety shows by appearing on "running man" and boosting their ratings

she was the first idol to have 'pre-releases' and an intro and outro track

she has an emotional support spoon

she was an ivf baby

she was the first idol to be a "new years couple" (when dispatch reveals couples on new years ykyk)

her ears go red when shes shy

she made the name 'carats' for the fandom

she concerts usually lasts for 4-6hrs, but once she had a 9hr concert and still didnt finish her entire discography

locals: "i don't know kpop, but i know suin and bts"

she is unfortunately the female idol that has been in the most danger

her newest nickname is "idol with the most aura"

and yes, suin and kyungsoo are married, they married in 2019, kyungsoo proposed in 2018, and they announced their relationship and engagement in the mv for "only" which even included their proposal video

ㅤㅤ kwon suin masterlist

comment for requests!

[rabidline]

Japanese Skaters' Favorite Shoma Uno Programs and Their Reasons

This was in the Figure Skating Team Japan Fan Book for the 2024-2025 season, which had Shoma on its cover along with both a pretty substantial Shoma interview and Stephane interview about Shoma.

For Shoma's retirement, the magazine made a special column to include the active Japanese skaters (and Satoko) messages to Shoma, as well as their favorite Shoma programs. A friend helped in sharing and translating just the favorite Shoma programs part:

Sota Yamamoto: I love so many programs. Loco is the best for me because it’s unique and cool. Turandot 2.0 (2017-2018), when I had a difficult season because of my injury, this program encouraged me. Stairway To Heaven... brushing his hair upward is so cool. Great Spirit and Dancing On My Own (2019 Nationals) He graduated from Grand Prix Tokai and struggled but he could be National champion. I was so moved and almost cried. I love Bolero. Gravity and Air On The G String, he could perform not only powerful but loss of strength and I could learn from him.

Yuma Kagiyama: I love so many programs. Loco is the best. I love Great Spirit so I chose Believer last season (2022-2024 SP). I watched and watched Great Spirit on YouTube and I can skate its step sequence.

Shun Sato: Of course I love Ladies in Lavender. And Great Spirit.

Kazuki Tomono: I love Legends (2015-2016) so much because it’s first SP as a senior skater. His image as a skater changed a lot and it was impressive.

Koshiro Shimada: I love Loco at Helsinki Worlds (2017) the best. And Everything Everywhere All At Once and Bolero. At first Shoma mentioned about Bolero, “It’s so difficult and I can’t.” Finally he could do great performance and win at Worlds (2022) and it was what Stephane wanted to see I think. I was so moved and I almost got goosebumps.

Kao Miura: I love Loco the best because the balance of powerful and sensitive movements is good. I love Bolero because he seems to reach his limits. Not only jumps but each movement were so great and the last he seems to collapse because he skates so hard. I love it so much.

Nozomu Yoshioka: I love 2019-2020 season Great Spirit and Dancing On My Own. Nobody skates for such a number like Great Spirit and it’s so exciting. I like a stop before step sequence and before 3A and it’s so cool program. He struggled first half of the season so I was so moved to see Dancing On My Own at (2019) Nationals.

Tatsuya Tsuboi: I love Turandot 1.0 the best. When I was novice skater I saw his senior debut GPF (2015) and he got a bronze medal. It was so impressive and I was so moved.

Kaori Sakamoto: I love Moonlight. This season he won 4CC title. Second year 4th place, third year 3rd place, fourth year 2nd place, and finally he got gold medal. He seemed very happy on the podium and both program and costume were great. Everything was perfect.

Mone Chiba: I love the last season’s SP, Everything Everywhere All At Once, because I love the atmosphere. His step sequence expresses powerfulness and gracefulness. It’s great program so I feel it too short.

Rinka Watanabe: I love Moonlight because I’d like to express like that. His skating is like a clear (not hazy) night and it’s great.

Rion Sumiyoshi: I love many programs. I love Air On The G String because I sometimes skate it for skating lessons. It’s a very simple music but he can tell a story and he can bring a joy to audience. His technique is great.

Mai Mihara: I love many programs and each has a charm. If I choose one program, I’ll choose Turandot 2.0. Especially cantilever is really great and I was so moved and I almost got goosebumps. Both skating and expression were great.

Hana Yoshida: I have two programs in my mind. If I choose one program, I’ll choose Bolero. I forget the name… small pattern…Great Spirit? I love the step sequence and I’d like to rewatch it.

Yuna Aoki: Turandot 2.0 is so impressive because I love princely costume and I feel his powerfulness from this program. I love it so much.

Wakaba Higuchi: I love Bolero and Turandot so much. I could see Bolero at ice shows many times and it’s impressive.

Satoko Miyahara: I love Bolero the best. Turandot 2.0 is impressive. I also love gala program Padam Padam and I always think it great.

Rino Matsuike: I love Bolero. I used to skate Moonlight, so It’s so special for me. When Mihoko-sensei choreographed this program, she said “When the music started, audience was so focused on his performance from the first moment. (He could bring audience to his world.) When I am training, I think “I’d like to perform like him.”

[mariacallous]

People often say to me that I wouldn’t personally be affected by a second Donald Trump presidency. After all, I live in a blue city in a blue state, and I’m a married, heterosexual woman who isn’t looking to have any more children. I won’t need medication like mifepristone for a miscarriage (though I do have girls in my family who I assume will someday want to have children), and I don’t personally rely on the federal government for education, because my kids don’t go to public school.

So, again, how would any of this affect me? The most likely answer is that, as a public-facing person, I will continue to be subjected to threats, as many in the mainstream media already are. But attacks on the media could escalate if Trump returns to power, given that he doesn’t hesitate to demonize journalists and call them out before his millions of followers. And given what Trump says on television, he may target American citizens for unfavorable speech.

“I think the bigger problem is the enemy from within,” he told Maria Bartiromo on Fox News on Sunday. “Sick people, radical-left lunatics. And it should be very easily handled by, if necessary, by the National Guard, or, if really necessary, by the military.” The “lunatics” in question could be anyone from protesters to opinion columnists—or even mainstream reporters—he doesn’t agree with. Trump has referred to CBS as a “A FAKE NEWS SCAM” whose operations are “totally illegal,” and has similarly suggested that ABC should lose its broadcast license. 

What would it mean to have a president who, in this fashion, targets what little is left of the free press? It’s hard to fathom, but there’s a world where Trump imitates his strongman friends like Vladimir Putin or Viktor Orbán or Kim Jong Un—all of whom participate in jailing or killing journalists in countries with state-regulated media. He’s already taking a page from Joe McCarthy this election cycle in targeting the “enemies within,” something my family is all too familiar with.

Few aspects of Trump’s second-terms plans are more openly authoritarian than his immigration platform. On Friday, Trump traveled to Aurora, a suburb of Denver, Colorado, where he is shopping “Operation Aurora,” a policy he said would target “every illegal migrant criminal network operating on American soil” by use of the Alien Enemies Act of 1798. According to the Brennan Center, the law is ��a wartime authority that allows the president to detain or deport the natives and citizens of an enemy nation. The law permits the president to target these immigrants without a hearing and based only on their country of birth or citizenship.” The last time the United States used the Alien Enemies Act, it was to put Japanese and Japanese Americans into internment camps during WWII.

What would internment camps actually entail in the modern day? Well, Trump has talked about deporting up to 20 million undocumented immigrants—an operation of staggering scale that he freely admits will be “bloody.” (The Department of Homeland Security, in 2018, estimated there were 11.4 million undocumented immigrants; Pew put the number at roughly 11 million in 2022.) It’s impossible to imagine what deporting that many people would really look like; maybe blue-state governors would be strong enough to prevent deportation camps from being built in states like California and New York. Maybe the camps would only be in red states, or maybe they’d be erected on federal land, like national parks. Then there’s the question of who would run these camps. Trump, for his part, has mused about using the National Guard. Who would stop any of this, you might ask? Would a Republican Congress stop it? Who would be the grown-ups in the room.

At least during the first Trump administration, the courts prevented Trump from doing some of the things he wanted to do, like ending DACA. But this time, Trump would be starting out with a 6-3 conservative-majority Supreme Court, featuring three justices he appointed. Last year, we saw the Trump-friendly high court issue two rulings that will pretty much serve as a blank check to an emboldened Trump: The first ended the Chevron deference, which will curb the power of federal agencies and expedite the death of regulatory expertise. The other decision, which is perhaps more worrying, Trump would have a blank check to do whatever he wants if he says it’s in the service of the presidency, essentially granting him blanket immunity against any crimes he commits in office. As Ninth Circuit judge and Ronald Reagan appointee Stephen S. Trott wrote, it means that Richard Nixon could have “legally ordered his plumbers to burgle the office of Daniel Ellsberg’s psychiatrist.”

Trump is telling us all about his potential plans: internment camps, going after his enemies foreign and domestic, including, presumably, journalists. Will I be one of them? Will he clamp down on the free press? Will he take away the licenses from networks he deems insufficiently supportive of his presidency?

On the campaign trail, Trump has recently posed a question of his own when it comes to voting for him, asking the crowd, “What the hell do you have to lose?” Actually, a lot. While we don’t know precisely what a second Trump term will look like, it’ll surely be chaotic and bleak, and could mark the end of something we certainly don’t want to lose: democracy as we know it.

[fatehbaz]

[A]nti-homeless laws [...] rooted in European anti-vagrancy laws were adapted across parts of the Japanese empire [...] at the turn of the 20th century. [...] [C]riminalising ideas transferred from anti-vagrancy statutes into [contemporary] welfare systems. [...] [W]elfare and border control systems - substantively shaped by imperial aversions to racialised ideas of uncivilised vagrants - mutually served as a transnational legal architecture [...] [leading to] [t]oday's modern divides between homeless persons, migrants, and refugees [...].

---

By the Boer Wars (1880–1902), Euro-American powers and settler-colonial governments professed anxieties about White degeneration and the so-called “Yellow Peril” alongside other existential threats to White supremacy [...]. Japan [...] validated the creation of transnational racial hierarchies as it sought to elevate its own global standing [...]. [O]ne key legal instrument for achieving such racialised orders was the vagrancy concept, rooted in vagrancy laws that originated in Europe and proliferated globally through imperial-colonial conquest [...].

[A]nti-vagrancy regulation [...] shaped public thinking around homelessness [...]. Such laws were applied as a “criminal making device” (Kimber 2013:544) and "catch-all detention rationale" (Agee 2018:1659) targeting persons deemed threats for their supposedly transgressive or "wayward interiority" (Nicolazzo 2014:339) measured against raced, gendered, ableist, and classed norms [...]. Through the mid-20th century, vagrancy laws were aggressively used to control migration [and] encourage labour [...]. As vagrancy laws fell out of favour, [...] a "vagrancy concept" nonetheless thrived in welfare systems that similarly meted out punishment for ostensible vagrant-like qualities [...], [which] helps explain why particular discourses about the mobile poor have persisted to date [...].

---

During high imperialism (1870–1914), European, American, and Japanese empires expanded rapidly, aided by technologies like steam and electricity. The Boer Wars and Japan's ascent to Great Power status each profoundly influenced trans-imperial dynamics, hardening Euro-American concerns regarding a perceived deterioration of the White race. [...] Through the 1870s [...] the [Japanese] government introduced modern police forces and a centralised koseki register to monitor spatial movement. The koseki register, which recorded geographic origins, also served as a tool for marking racialised groups including Ainu, Burakumin, Chinese, [...] and Korean subjects across Japan's empire [...]. The 1880 Penal Code contained Japan's first anti-vagrancy statute, based on French models [...]. Tokyo's Governor Matsuda, known for introducing geographic segregation of the rich and poor, expressed concern around 1882 for kichinyado (daily lodgings), which he identified as “den[s] for people without fixed employment or [koseki] registration” [...].

Attention to “vagrant foreigners” (furō-gaikokujin) emerged in Japanese media and politics in the mid-1890s. It stemmed directly from contemporary British debates over immigration restrictions targeting predominantly Jewish “destitute aliens” [...].

The 1896 Landing Regulation for Qing Nationals barred entry of “people without fixed employment” and “Chinese labourers” [...], justified as essential "for maintaining public peace and morals" in legal documents [...]. Notably, prohibitions against Chinese labourers were repeatedly modified at the British consulate's behest through 1899 to ensure more workers for [the British-affiliated plantation] tea industry. [...]

---

Simultaneously, new welfaristic measures emerged alongside such punitive anti-vagrancy statutes. [...] Such border control regulations were eventually standardised in Japan's first immigration law, the 1918 Foreigners’ Entry Order. [...] This turn towards instituting racialised territorial boundaries should be understood in light of empire's concurrent welfarist turn [...]. Japanese administration established a quasi-carceral workhouse system in 1906 [in colonized territory of East Asia] [...] which sentenced [...] vagrants to years in workhouses. This law still treated vagrancy as illegal, but touted its remedy of compulsory labour as welfaristic. [...] This welfarist tum led to a proliferation of state-run programmes [...] connecting [lower classes] to employment. Therein, the vagrancy concept became operative in sorting between subjects deemed deserving, or undeserving, of aid. Effectively, surveillance practices in welfare systems mobilised the vagrancy concept to, firstly, justify supportive assistance and labour protections centring able-bodied, and especially married, Japanese men deemed “willing to work” and, secondly, withhold protections from racialised persons for their perceived waywardness [...] as contemporaneous Burakumin, Korean, and Ainu movements frequently protested [...]. [D]uring the American occupation (1945–1952), not only were anti-vagrancy statutes reinstituted in Japan's 1948 Minor Offences Act, but [...] the 1946 Livelihood Protection Act (Article 2) excluded “people unwilling to work or lazy” from social insurance coverage [...].

---

Imperial expansion relied on not only claiming new markets and territories, but also using borders as places for negotiating legal powers and personhood [...]. Japan [...] integrated Euro-American ideas and practices attached to extraterritorial governance, like exceptionalism and legal immunity, into its legal systems. [...] (Importantly, because supportive systems [welfare], like punitive ones, were racialised to differentially regulate mobilities according to racial-ethic hierarchies, they were not universally beneficial to all eligible subjects.) [...]

At the turn of the century, imperialism and industrial capitalism had co-produced new transnational mobilities [which induced mass movements of poor and newly displaced people seeking income] [...]. These mobilities - unlike those celebrated in imperial travel writing - conflicted with racist imaginaries of who should possess freedom of movement, thereby triggering racialised concerns over vagrancy [...]. In both Euro-American and Japanese contexts, [...] racialised “lawless” Others (readily associated with vagrancy) were treated as threats to “public order” and “public peace and morals”. [...] Early 20th century discourse about vagrants, undesirable aliens, and “vagrant foreigners” [...] produced [...] "new categories of [illegal] people" [...] that cast particular people outside of systems of state aid and protection. [...] [P]ractices of illegalisation impress upon people, “the constant threat of removal, of being coercively forced out and physically removed [...] … an expulsion from life and living itself”.

---

All text above by: Rayna Rusenko. "The Vagrancy Concept, Border Control, and Legal Architectures of Human In/Security". Antipode [A Radical Journal of Geography] Volume 56, Issue 2, pages 628-650. First published 24 October 2023. [Bold emphasis and some paragraph breaks/contractions added by me. Text within brackets added by me for clarity. Presented here for criticism, teaching, commentary purposes.]

[svt-kiki]

( 🖇️ ) PROFILE ⌅ .

───　୨ৎ 　›　𝐁𝐀𝐒𝐈𝐂　𝐈𝐍𝐅𝐎　.　

BIRTH NAME.　kitamura kyoka ( 北村響香 )

STAGE NAME.　kiki ( 기키 )

BIRTHDATE.　july 20, 1995

ETHNICITY.　japanese

BIRTHPLACE.　kyoto, japan ( hometown )

HEIGHT.　170 cm ( 5′ 7″ ) 

───　୨ৎ 　›　𝐋𝐀𝐍𝐆𝐔𝐀𝐆𝐄　.　

FLUENT.　japanese ⋆ korean

IMPROVING.　chinese ⋆ english ⋆ sign languages

───　୨ৎ 　›　𝐂𝐀𝐑𝐄𝐄𝐑　.　

GROUP.　seventeen ( 세븐틴 )

COMPANY.　pledis entertainment

TRAINEE.　since march, 2011 ( 4 years )

DEBUT.　may 29, 2015

POSITION.　main dancer ⋆ lead vocalist ⋆ rapper

SUB UNIT.　performance team ( co-leader ) ⋆ svt leaders

NOTABLE SKILLS.　acting ⋆ video directioning ⋆ editing ⋆ stage directioning

EMOJI.　sunflower ( 🌻 ) lion ( 🦁 )

NICKNAMES.　sunflower fairy ⋆ nation’s noona / eonni ⋆ kit kat ⋆ stage queen ⋆ seventeen’s ( movie ) star

───　୨ৎ 　›　𝐏𝐄𝐑𝐒𝐎𝐍𝐀𝐋𝐈𝐓𝐘　.　

MBTI.　infj ( 2019 ) esfj ( 2022 )

CHARACTER.　calm ⋆ bright ⋆ smart ⋆ kind ⋆ affectionate ⋆ sweet but willing to burn the world to protect the members and loved ones

LIKE.　cooking ⋆ reading ⋆ old movies ⋆ traveling ⋆ organized place ⋆ calming environment ⋆ morning ⋆ sunshine

DISLIKE.　weird smells ⋆ crowd of people ⋆ big noises ⋆ get angry at someone ⋆ physical pain ⋆ suffering of loved ones

───　୨ৎ 　›　𝐓𝐑𝐈𝐕𝐈𝐀　.　

she lost her parents when she was still a baby, and be raised by her grand parents: the parents of kiki’s father. her mother’s family lives in hokkaido and she visiting there time to time.

her grand parents running the small restaurant in town, and that’s why she is good at cooking.

she belonged to the japanese biggest theater company as a child actor, played young nara in the lion king musical ( that's why she got lion as her icon ) and that made her possible to experience the actual stage performance from such a young age.

she is in charge of stage directioning in both performaces and concerts beside the job as a performance team leader with hoshi

directed some of svt’s music video, such as “thanks”, “fear”, “fallin’ flower”, etc.

lyrics of seventeen’s jp songs were written by her. she also writing korean songs' jp ver lyrics as well.

known as a talented choreographer across the kpop. she made choreo for other groups such as loona, the boyz, iz*one and xg.

she got casted when she was 14 in tokyo while the school trip. after passed the audition, she decided to go to seoul after graduating the junior high school.

she can play basic instruments such as guitar and piano. always wanted to be able to play drums though ⸺ and with woozi’s help, she’s now improving slowly.

her appearance is known as cool and charismatic that sometimes being misunderstood as a cold, scary figure ( can be said as “resting cold face” or smth like that ). in fact kiki has bright personality and smiles a lot enough to be recognized that expression as her trademark.

also known as the most ‘handsome’ female idol. her feature is something that makes people imagine that she would’ve been very handsome if she’d been a man. she’s very sweet and gentle to other female idols: helps in the stairs, lends jackets and cushions if they looks like uncomfortable, etc.

she has quite talented acting skills, and recieved several awards. she’s now working in japan, korea and hollywood in future, maybe...

she appeared in tv programs: hit the stage ( 2016, mnet ) and produce 48 ( 2018, mnet ) as a dance trainer

she has an high physical ability, especially talented at basket ball, archery and running event. even she got banned from the female sprint of isac bc always won the 1st and other idols had no chance to touch the trophy ( lol ). instead she joined the male relay race along with the members as an exception ( then grab the 1st place, AGAIN ). she’s also good at winter sports too. ⛷️

(    📁    )   :   NAVI   :  MASTER LIST     

[asystol]

OFFICIAL PROFILE

         ᯓ FILE 000. — LEE, NICOLE ๋࣭

 ⩨͢  BASIC INFORMATION ⍣

͙͘͡ ★ ◞  BIRTH NAME.     nicole lee

͙͘͡ ★ ◞  KOREAN NAME.     lee nakyung

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀HANGUL.     이나경

͙͘͡ ★ ◞  ALIAS.     nikki ❪ given by julie, origin from her birth name ❫⠀ ⠀collie ❪ ‘ pronounced cole-lee ’ given by belle, origin from her birth name ❫⠀ ⠀nana ❪ given by natty, origin from her korean name ❫⠀ ⠀뿌 ppu ❪ given by haneul, origin is 뿌 is a cute expression like the ‘ 😁 ’ emoji ❫⠀ ⠀naky ❪ given by daniel, origin from her korean name ❫⠀ ⠀ttokki ❪ given by fans, origin from her representative emoji ❫ ⠀ ⠀nakorita ❪ given by haneul, origin from the pokemon chikorita ❫ 

͙͘͡ ★ ◞  DATE OF BIRTH.     april 1st, 2001

͙͘͡ ★ ◞  AGE.     23 years old

͙͘͡ ★ ◞  ZODIAC.     aries

͙͘͡ ★ ◞  CHINESE ZODIAC.     snake

͙͘͡ ★ ◞  PLACE OF BIRTH.     toronto, canada

͙͘͡ ★ ◞  NATIONALITY.     canadian

͙͘͡ ★ ◞  ETHNICITY.     korean

͙͘͡ ★ ◞  RESIDENCE(S).     port hope, ontario, canada ❪ 2001 — 2013 ❫⠀ ⠀chungcheongnam-do, south korea ❪ 2013 — 2015 ❫⠀ ⠀seoul, south korea ❪ 2015 — ❫

͙͘͡ ★ ◞  LANGUAGES.     english ❪ fluent ❫⠀ ⠀korean ❪ near fluent ❫⠀ ⠀spanish ❪ advanced ❫⠀ ⠀japanese ❪ intermediate ❫⠀ ⠀thai ❪ beginner ❫

͙͘͡ ★ ◞  GENDER IDENTITY.     cisgender female

͙͘͡ ★ ◞  PRONOUNS.     she/her

͙͘͡ ★ ◞  SEXUAL ORIENTATION.     bisexual

͙͘͡ ★ ◞  ROMANTIC ORIENTATION.     homoromantic

͙͘͡ ★ ◞  RELATIONSHIP STATUS.     single

͙͘͡ ★ ◞  HEIGHT.     163cm (5’4”)

͙͘͡ ★ ◞  WEIGHT.     —

͙͘͡ ★ ◞  BLOOD TYPE.     a

͙͘͡ ★ ◞  EYE.     brown

͙͘͡ ★ ◞  NATURAL HAIR.     black

͙͘͡ ★ ◞  BODY MODIFICATIONS.     lobe piercing ❪ left and right ❫⠀ ⠀upper lobe piercing ❪ left and right ❫⠀ ⠀industrial piercing ❪ left and right ❫⠀ ⠀helix piercing ❪ left and right ❫⠀ ⠀conch piercing ❪ left and right ❫⠀ ⠀belly button piercing⠀ ⠀‘ i am the somebody ’ tattoo ❪ right rib ❫⠀ ⠀strawberry tattoo ❪ left hip ❫⠀ ⠀koi fish tattoo ❪ behind right ear ❫

͙͘͡ ★ ◞  FACE CLAIM.     nana of wooah

͙͘͡ ★ ◞  SPEAKING CLAIM.     nana of wooah

͙͘͡ ★ ◞  VOCAL CLAIM.     juria of xg

͙͘͡ ★ ◞  DANCE CLAIM.     yuna of itzy

͙͘͡ ★ ◞  RAP CLAIM.     rei of ive

 ⩨͢  CAREER INFORMATION ⍣

͙͘͡ ★ ◞  STAGE NAME.     NAKYUNG (나경)

͙͘͡ ★ ◞  COMPANY.     pledis entertainment ❪ 2015 — 2022 ❫⠀ ⠀off the record entertainment ❪ 2018 — 2021 ❫⠀ ⠀axs entertainment ❪ 2019 — 2021 ❫⠀ ⠀⠀ ⠀swing entertainment ❪ 2020 — 2021 ❫⠀ ⠀s2 entertainment ❪ 2022 — ❫

͙͘͡ ★ ◞  TRAINING PERIOD.     five in total ❪ skipping 2018 — 2021 ❫

͙͘͡ ★ ◞  SURVIVAL SHOWS.     produce 48 ❪ 2018 ❫

͙͘͡ ★ ◞  OCCUPATION.     idol

͙͘͡ ★ ◞  GROUP(S).     IZ*ONE ❪ 2018 — 2021 ❫⠀ ⠀KISS OF LIFE ❪ 2023 — ❫

͙͘͡ ★ ◞  DEBUT DATE(S).     october 29th, 2018 ❪ IZ*ONE ❫⠀ ⠀july 5th, 2023 ❪ KISS OF LIFE ❫

͙͘͡ ★ ◞  DEBUT AGE(S).     17 years old ❪ IZ*ONE ❫⠀ ⠀22 years old ❪ KISS OF LIFE ❫

͙͘͡ ★ ◞  DISBANDMENT DATE.     april 29th, 2021 ❪ IZ*ONE ❫

͙͘͡ ★ ◞  DISBANDMENT AGE.     20 years old ❪ IZ*ONE ❫

͙͘͡ ★ ◞  POSITION(S).     vocalist, sub rapper, visual ❪ IZ*ONE ❫⠀ ⠀vocalist, center ❪ KISS OF LIFE ❫

͙͘͡ ★ ◞  REPRESENTATIVE COLOR(S).     WISTERIA ❪ IZ*ONE ❫⠀ purple ❪ KISS OF LIFE ❫

͙͘͡ ★ ◞  REPRESENTATIVE EMOJI(S).     🦋 butterfly ❪ IZ*ONE ❫⠀ 🐰 bunny ❪ KISS OF LIFE ❫

͙͘͡ ★ ◞  INDIVIDUAL FANDOM NAME.     nakyorita ❪ origin from chikorita + nakyung ❫

͙͘͡ ★ ◞  INSTAGRAM USERNAME.     nicolee ❪ public, 11.4m followers, 14 following ❫

͙͘͡ ★ ◞  DISCOGRAPHY.     

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀COLOR*IZ.     october 29th, 2018

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀Suki to Iwasetai.     february 6th, 2019

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀HEART*IZ.     april 1st, 2019

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀Buenos Aires.     june 21st, 2019

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀Vampire.     september 25th, 2019

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀BLOOM*IZ.     february 17th, 2020

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀Oneiric Diary.     june 15th, 2020

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀Thirteen.     october 21st, 2020

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀One-reeler / ACT IV.     december 7th, 2020

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀D-D-Dance.     january 26th, 2021

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀Stardust love song.     march 6th, 2022

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀KISS OF LIFE.     july 5th, 2023

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀Born to be XX.     november 8th, 2023

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀Officially Cool (with BANG YEDAM).     february 9th, 2024

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀Midas Touch.     april 3rd, 2024

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀Sixth Sense.     may 25th, 2024

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀Sticky.     july 1st, 2024

͙͘͡ ★ ◞  KNOWN FOR.     placing second in produce48, the ‘listener’ for the yapper best friend (julie), her duality, accidentally kissing chaewon during a live, everyone’s parents loving her more than their own kid, the switch in concept between iz*one and kiss of life, her vocals, slapping/patting her members’ butts for no reason, belle recording her crying over the finding nemo movie, being the biggest moomoo, her stable cover of bad news while drunk, openly being a ‘gleek’, affectionately being called a loser in a hot body by fans, her sanrio themed room

 ⩨͢  PERSONAL INFORMATION ⍣

͙͘͡ ★ ◞  MBTI TYPE.     intj-a ❪ assertive architect ❫ 

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀ANALYZING.     an assertative architect tends to have more self confidence than a turbulent architect, particularly when handling life’s ups and downs. if things do go the way they expect, an intj-a is not likely to second guess their initial actions or experience regret.

͙͘͡ ★ ◞  POSITIVE.     

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀rational.     

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀ambitious.     

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀self-assured.     

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀adventurous. 

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀observant. 

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀efficient. 

͙͘͡ ★ ◞  NEGATIVE.     

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀arrogant. 

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀impulsive. 

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀impatient. 

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀nosy. 

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀withdrawn. 

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀rigid.

͙͘͡ ★ ◞  FAMILY.     

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀joshua lee ❪ father ❫ 

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀angie lee ❪ mother ❫  † ❪ 1975 — 2021 ❫

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀daniel lee ❪ brother ❫ 

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀ciara lee ❪ sister ❫ 

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀kim seoyoung ❪ maternal grandmother ❫ † ❪ 1955 — 2018 ❫

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀park hojin ❪ maternal grandfather ❫ 

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀park jaewoo ❪ maternal uncle ❫ 

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀park sooyoung ❪ maternal aunt ❫ 

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀lee jihyuk ❪ paternal grandfather ❫ † ❪ 1950 — 1994 ❫

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀jung yeonhee ❪ paternal grandmother ❫ † ❪ 1954 — 2011 ❫

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀lee eunbyul ❪ paternal aunt ❫ 

͙͘͡ ★ ◞  HISTORY.    

 ⠀⠀  ⠀nakyung was born on april 1st, 2001 as nicole lee in toronto, canada. she grew up in port hope, ontario, canada with her older brother, daniel, and younger sister, ciara. her mother, angie, worked as a middle school music teacher and her father, joshua, was a construction worker.

 ⠀⠀  ⠀she became interested in music early on, her mother teaching her how to play guitar and piano as soon as she was old enough. when nakyung wanted to be a singer “just like stevie nicks” at eight-years-old, angie put her in vocal lessons.

 ⠀⠀  ⠀after being persuaded by her best friend, she joins the free ballet classes at her school with her. she starts to take dance and her vocals more seriously, finding it more fun than instruments. 

 ⠀⠀  ⠀when she’s thirteen, her parents tell her and her siblings that her mother was diagnosed with ovarian cancer the year before. they wanted to wait to see if chemotherapy would help. angie had gotten laid off from her job, leaving joshua the only financial support. 

 ⠀⠀  ⠀for more financial stability and emotions support, the lee family moved from canada to south korea to stay with angie’s parents. nicole didn’t even have time to say goodbye to her friends.

 ⠀⠀  ⠀nicole, now going by nakyung, didn’t make very much friends in her new school and kept mostly to herself. she got a job under the table as a waitress to help her parents with bills, telling her family she was at a dance studio by her school.

 ⠀⠀  ⠀while working, she was scouted by pledis entertainment. despite her parents thinking it was sketchy and cult-like, she auditioned and was accepted. as her brother was going to seoul national university, she moved to seoul with him to train at pledis.

 ⠀⠀  ⠀in 2016, nakyung’s parents announced that angie was in remission. she started working as a teacher again after becoming healthier.

 ⠀⠀  ⠀nakyung was in the final line-up for pledis’ upcoming girl group, but was pulled out due to ‘not being ready’. she almost left the company until her mother convinced her to stay and become better.

 ⠀⠀  ⠀with no news of a new pledis girl group, nakyung volunteered herself to join mnet’s survival show, produce 48. she would end up placing second in the last episode and debuting in temporary girl group, IZ*ONE, in 2018.

 ⠀⠀  ⠀in 2020, nakyung’s parents announced that angie’s cancer had came back— being part of the 10-20 percentage of ovarian cancer recurrence. angie would not try chemotherapy again, wanting to be with her family and go to new zealand. due to the pandemic, the family would ultimately stay in korea and not fulfill angie’s wish.

 ⠀⠀  ⠀in 2021, her mother dies and IZ*ONE disbands. nakyung is not seen for a long time, not even by her IZ*ONE members until her OST song for kdrama ‘twenty-five twenty-one’, stardust love song, was announced. she would, again, disappear.

 ⠀⠀  ⠀in 2022, it is assumed nakyung left pledis around this time as she later joins S2 entertainment after lee haein offered her a spot in ber upcoming girl group.

͙͘͡ ★ ◞  FATHER.     joshua lee was born march 13th, 1973 in daegu, south korea as lee jaehyun. the day he turned eighteen, he left his house and moved to canada with his best friend and legally changed his name to joshua lee. he met angela park in 1994 and would go on to have three children with her. the first being daniel in 1997, nicole in 2001, and ciara in 2004. he doesn’t want to be in korea when they have to move but does it for his wife. when angie dies in 2021, he completely barricades himself in their room. one day, his number is changed and all of his belongings are gone. we never find out what happened to him but he either killed himself or changed his name again and started a new life. he is referred to as ‘dad’ or ‘deadbeat’. (non affectionately)

͙͘͡ ★ ◞  MOTHER.     angela ‘angie’ lee was born on october 29th, 1975 in jeju, south korea as park jangmi. she goes by angela or angie now because she likes the name. she was studying abroad in canada when she met joshua. in 2012, she is diagnosed with ovarian cancer. together, they decide to bare the news on their shoulders alone and decide not to tell anyone unless chemotherapy doesn’t work. it begins to work, but it’s too expensive and she’s laid off. they have to move to seoul to be near her family for help. she hates the person she is while on chemo, and turns to god in her sickness and health, even when she’s in remission in 2016. she begins working again. in 2020, the cancer come back, but angie doesn’t want to be on chemo again. she wants to be with her family, in new zealand. but then they can’t go and she dies in korea. she is referred to as ‘mom’.

͙͘͡ ★ ◞  BROTHER.     daniel lee was born on august 15th, 1997 in toronto, canada. he grew up teasing his younger sisters, ever so mean to them during puberty but there for them when they were upset. his relationship with his parents wasn’t so great, always noting a difference in the way they brought him up compared to his sisters. when he was eighteen, he left for seoul national university in 2015 with his sister. he now works as a cyber security engineer. he is referred to as ‘daniel’, ‘danny’ or ‘dumbass’. (affectionately)

͙͘͡ ★ ◞  SISTER.     ciara lee was born on november 3rd, 2004 in ontario, canada. she grew up wanting to be everything like her sister, wanting to be around her constantly. she slightly grew up in nakyung’s shadow, but that didn’t matter to her— it just made her want to be her even more. she wants to become an idol just like her older sister— and she will. she currently lives with their aunt, sooyoung, and her girlfriend, bora, in busan, south korea. she is referred to as ‘chaeyoung’ or ‘cee’ or ‘ciara’.

͙͘͡ ★ ◞  MATERNAL GRANDMOTHER.     park seoyoung was born on january 19th, 1955 in busan, south korea. she met lee hojin in 1972 and shortly married him a few months later the same year. they would go on to have three children, one boy, two girls. in 1996, seoyoung and hojin moved to chungnam, south korea and settled there for the rest of their lives. in 2017, her health begins to decline. in 2018, she dies in her sleep peacefully. she is referred to as ‘할머니’ (halmoni).

͙͘͡ ★ ◞  MATERNAL GRANDFATHER.     park hojin was born on may 12th, 1949 in ulsan, south korea. after his father died during the korean war, his mother moved them to busan. he met seoyoung in 1972, marrying her and having three children with her. in 1996, he and seoyoung moved to chungnam. in 2001, he suffered from a heart attack. he is currently retired, but used to work as a contractor.

͙͘͡ ★ ◞  MATERNAL UNCLE.     park jaewoo was born on february 21st, 1973. he is currently a businessman, living in new york.

͙͘͡ ★ ◞  MATERNAL AUNT.      park sooyoung was born on september 27th, 1977. she is currently living in busan with her girlfriend, bora, and her niece, chaeyoung/ciara. she works as a hotel secretary.

͙͘͡ ★ ◞  PATERNAL GRANDFATHER.     lee jihyuk was born in 1950. he was verbally and physically abusive to his son, jaehyun, which was one of the leading factors of why jaehyun left forever at eighteen. he died in 1994 of a heart attack.

͙͘͡ ★ ◞  PATERNAL GRANDMOTHER.     jung yeonhee was born on july 1st, 1954. she never tried to protect her son from her husband, but joshua was soft on her and it took a lot of him to leave her behind. after jihyuk died in 1994, she tried to find jaehyun, as she knew him, but failed. she later settled in jeju, south korea in 2000 and died of a car accident in 2011. 

͙͘͡ ★ ◞  PATERNAL AUNT.     lee eunbyul was born on december 28th, 1981. her brother was nine years older than her and never cared enough to talk to her, despite the two having more in common than he thought. she was relieved when their brother left and then her father died. when her mother tried to look for her brother who never even wanted them, she grew angry and began to resent her mother and her brother even more. 

 ⩨͢  TRIVIAL INFORMATION ⍣

͙͘͡ ★ ◞  HABITS & MANNERISMS.     

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀making sound effects, making sweater paws, switching from english to korean in a sentence, constantly organizing and reorganizing things, talking in aegyo, sleep talking, mumbling to herself, makes up lies about random, unimportant things for no reason, pouting or puckering her lips, sleeping in late, using ‘like’ constantly in a conversation, gesturing while talking, checking her phone, laughing in serious situations, poking haneul’s cheeks, slapping/patting her members’ butts for no reason, talking about stars, getting overstimulated with too much noise under stress, bursting into songs and choreo, being jumpy.

͙͘͡ ★ ◞  HOBBIES & SKILLS.     

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀singing, writing, playing the piano, playing the guitar, watching old and new cartoons, gardening, seeing how far she can push her members, vlogging, watching tiktoks/being on her phone, sleeping, shopping, collecting her bias’ photocards, journaling, collecting rubber ducks, doing mindf*ck games.

͙͘͡ ★ ◞  LIKES.     

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀sleeping, music, shopping, reading, strawberries, rubber ducks, learning, butter pecan ice cream, astrology, stars, science, organizing, candles, dramas, the season fall, color purple, swimming, gentle rain, night time, puzzles, talking about her mother, ice skating, museums.

͙͘͡ ★ ◞  DISLIKES.     

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀alcohol, the color orange, loud noises, hot weather, clowns, thunderstorms, liars, mint flavor, horror movies, assumptions, being vulnerable, repeating herself, being active besides dancing, chronically late people, wasting time, camping, cemeteries, family dinners, waiting, dirty fingernails, sundays, cheese, cleaning, world ending conspiracy theories/far stretched conspiracy theories.

͙͘͡ ★ ◞  PHOBIAS.     

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀heights, blood.

͙͘͡ ★ ◞  FAVORITE COLOR(S).     

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀lavender and pink.

͙͘͡ ★ ◞  FAVORITE SEASON.   

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀fall.

͙͘͡ ★ ◞  FAVORITE ANIMAL(S).     

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀bunnies, dogs.

͙͘͡ ★ ◞  FAVORITE NUMBER.     

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀seven.

͙͘͡ ★ ◞  PERSONAL PLAYLIST.

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀anywhere but home, seulgi. gibson girl, ethel cain. rhiannon, fleetwood mac. spring day, bts. teeth, enhypen. out of the woods, taylor swift. take a bite, beabadoobee. liquid smooth, mitski. bye my neverland, kiss of life. left alone, fiona apple. black madonna, cage the elephant. you know i’m no good, amy winehouse. 

͙͘͡ ★ ◞  CLOSE FRIENDS.   

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀former iz*one members. ryujin and chaeryeong, itzy. aespa. yunjin, le sserafim. miyeon and shuhua, (g)i-dle. nagyung, fromis_9. gaeul, ive. heeseung, enhypen. mark, chenle, haechan and jaemin, nct. sungchan, riize. yiren, everglow. yeonjun, txt. chuu. keeho, p1harmony. tsuki, billlie. soojin. matthew, zerobaseone. lily and haewon, nmixx. isa, stayc. park jihoon.

inspo from @m3loria

[en-eunhee]

─── 𝑾𝐇𝐎 𝓲𝘀 𝓢𝗛𝗘 ! ⠀𓈒 ◌⠀⠀ 𓍼 ⠀𝅅⠀

STAGE NAME : eunhee BIRTH NAME : kim eunhee NICKNAMES : kpop's all-rounder, fourth gen royal princess, standard of kpop, kitty, eun, sunshine BIRTHDAY : may 17, 2004 ZODIAC SIGN : gemini BIRTH PLACE : los angeles, california NATIONALITY : korean-american FAMILY : younger brother, mom , step-dad LANGUAGES SPOKEN : english (native), korean (native), japanese (82%), spanish (60%), chinese (40%)

𝑷𝐇𝐘𝓢𝓲𝐂𝑨𝐋 ֺ ✦۫   ִ 　·　　 ̮ ̮　

HEIGHT : 167cm (5'7'') BLOOD TYPE : A FACE CLAIM : seulgi from red velvet VOICE CLAIM : seulgi from red velvet DANCE CLAIM : seulgi from red velvet RAP CLAIM: chiquita from babymonster

𓂃𓆩⠀⠀ ⊹𓈒⠀ 𝓟𝐄𝐑𝓢𝐎𝐍𝐀𝐋𝓲𝐓𝐘

MBTI : enfj MBTI TYPE : ENFJ personality type are often described as warm, outgoing, loyal, and sensitive. POSITIVE TRAITS : caring, social butterfly, enthusiastic, positive, open-minded, friendly, funny NEGATIVE TRAITS : too trusting, overwhelmed easily, pretty sensitive

୨୧ㅤִㅤׄ 𝓗𝓲𝐒𝐓𝑶𝑹𝓨 ⠀݃⠀ ✣ ⠀۪

STAGE NAME : eunhee AGENCY : SM ENTERTAINMENT (2017-2018) BE-LIFT ENTERTAINMENT (2018-NOW) GROUP : enhypen DEBUT DATE : 30 november 2020 POSITION(S) : lead vocalist, lead dancer INDIVIDUAL FANDOM : angels REPRESENTATIVE EMOJI : 🐱 OCCUPATION(S) : singer, dancer, model, composer, lyricist, producer TRAINING PERIOD : 4 years and 2 months SIGNATURE :

𝓣𝐑𝐈𝐕𝓲𝐀 𓈒 ♡  ۫ ۪ ⟡ ⌢  ꒱

eunhee participated in musical theater and dance in the u.s. from a young age, which gave her early exposure to performing on stage.

she taught herself how to play guitar as a teenager, often writing her own songs and performing them at small school events.

her parents divorced during her time in i-land, a difficult moment for her, but it pushed her to work even harder to achieve her dreams.

eunhee’s first acting gig was a cereal commercial when she was just 7 years old, and she still laughs about how she had to pretend to love raisins.

in i-land, eunhee was ranked second with 1,229,204 votes

eunhee is known for picking up new choreography faster than the other members, often becoming the "unofficial dance captain" during rehearsals.

eunhee is the second member of the group that has perfect pitch along side heeseung

BEHIND THE SCENES WITH EUNHEE

[nctxlight]

˖ ࣪ . 🌱 ࿐ ♡ ˚ .  NCT XLIGHT, pronounced as NCT BLACKLIGHT, is a seven-member fictional unit of NCT. They debuted on March 23rd, 2018 under SM ENTERTAINMENT as the fourth and only female sub-unit of the unlimited member concept group NCT. Multiple members debuted within separate units under NCT before making their debut in XLIGHT during the group's NCT 2018 EMPATHY era. 

The individual members of the group faced heavy amounts of backlash when they made their original debuts in NCT, but when the first all female unit was announced in 2018, both fans and the general public were excited for the debut. Due to XLIGHT debuting during NCT 2018, they didn't see too much success with their debut song 'P!NK' despite the song being well enjoyed by the public. The girls began to gain notable traction when they had their first comeback in 2018 and became considered a monster rookie group after being nominated for multiple Rookie of the Year awards.

In the early months of 2019, SM confirmed that XLIGHT's lineup will be expanding with new members throughout the years. Since the group's debut in 2018, they have gained only three members and there are no foreseeable plans to add any more members.

Over the years, XLIGHT has been known to have their own distinct music style that sits somewhere between the style of 127 and Dream. They have been praised for having such diverse concepts each comeback but still managing to keep their unique but recognizable sound. XLIGHT is considered the most popular NCT unit in the eyes of the general public but according to the fans, the girls are the third most popular unit.

˖ ࣪ ˚ . GROUP NAME ⇁ NCT XLIGHT

˖ ࣪ ˚ . MEMBER NICKNAME ⇁ The Neos

˖ ࣪ ˚ . FANDOM NAME ⇁ NCTzens / Lightzens

˖ ࣪ ˚ . FANDOM COLORS ⇁ #bbf604 #df0095

˖ ࣪ ˚ . COMPANY ⇁ SM Entertainment 

˖ ࣪ ˚ . DEBUT DATE ⇁ March 23rd, 2018

˖ ࣪ ˚ . DEBUT SONG ⇁ P!NK

˖ ࣪ ˚ . GREETING ⇁ "To the world, this is NCT! Hello, we are NCT XLIGHT!"

˖ ࣪ . 🌱 ࿐ ♡ ˚ . MEET THE NEOS!

˖ ࣪ . 🍒 ࿐ ♡ ˚ .  HEO DURI professionally known as DEDE was born in 1996 in Daegu, South Korea. She is the oldest of the group and was placed into the lineup in late 2019 after previously debuting in 127 with Regular. She made her debut in U during NCT 2020 with the release of from home. DEDE was introduced as a SM Rookie on July 17th, 2014 alongside Haechan. She was given the title of Mom of NCT by both the girls and boys due to her very motherly personality and for being the oldest female member.

˖ ࣪ ˚ . FULL NAME ⇁ Heo Duri

˖ ࣪ ˚ . BIRTHDAY ⇁ May 17th, 1996

˖ ࣪ ˚ . BIRTHPLACE ⇁ Daegu, South Korea

˖ ࣪ ˚ . POSITION ⇁ Main Vocalist, Lead Dancer, Visual

˖ ࣪ ˚ . UNITS⇁ XLIGHT, 127, U

˖ ࣪ ˚ . HEIGHT ⇁ 163cm

˖ ࣪ ˚ . ETHNICITY ⇁ Korean

˖ ࣪ ˚ . NATIONALITY ⇁ Korean

˖ ࣪ ˚ . FACECLAIM ⇁ Im Nayeon

˖ ࣪ . 🦋 ࿐ ♡ ˚ .  YOSHIDA HANABI professionally known as NABI was born in 1997 in Yokohama, Japan. She is an original member of XLIGHT but didn't make her debut in NCT until the NCT 2018 Empathy era, when she debuted in U with boss. NABI was introduced as a SM Rookie on July 9th, 2015 alongside Koeun, Hina, and Herin. She was the 2nd Japanese member to debut and is highly popular over in Japan.

˖ ࣪ ˚ . FULL NAME ⇁ Yoshida Hanabi

˖ ࣪ ˚ . BIRTHDAY ⇁ April 5th, 1997

˖ ࣪ ˚ . BIRTHPLACE ⇁ Yokohama, Japan

˖ ࣪ ˚ . POSITION ⇁ Main Dancer, Lead Vocalist

˖ ࣪ ˚ . UNITS⇁ XLIGHT, U

˖ ࣪ ˚ . HEIGHT ⇁ 166cm

˖ ࣪ ˚ . ETHNICITY ⇁ Japanese

˖ ࣪ ˚ . NATIONALITY ⇁ Japanese

˖ ࣪ ˚ . FACECLAIM ⇁ Hirai Momo

˖ ࣪ . 🌤️ ࿐ ♡ ˚ .  BYUN NOEUL professionally known as NOEUL was born in 1998 in Incheon, South Korea. She was the first female member to debut in NCT, turning the group into a coed group with her debut in U with the release of without u. She then made her debut in 127 with firetruck, and then became an original member of XLIGHT. NOEUL was introduced as a SM Rookie on December 9th, 2013 alongside Irene, Jaehyun, and Lami. She was given the position of leader due to her training the longest and being the group's founding member.

˖ ࣪ ˚ . FULL NAME ⇁ Byun Noeul

˖ ࣪ ˚ . BIRTHDAY ⇁ December 31st, 1998

˖ ࣪ ˚ . BIRTHPLACE ⇁ Incheon, South Korea

˖ ࣪ ˚ . POSITION ⇁ Leader, Main Vocalist, Lead Dancer

˖ ࣪ ˚ . UNITS⇁ XLIGHT, 127, U

˖ ࣪ ˚ . HEIGHT ⇁ 165cm

˖ ࣪ ˚ . ETHNICITY ⇁ Korean

˖ ࣪ ˚ . NATIONALITY ⇁ Korean

˖ ࣪ ˚ . FACECLAIM ⇁ Hwang Eunbi

˖ ࣪ . 🐼 ࿐ ♡ ˚ .  AHN ISEUL professionally known as ISEUL was born in 1999 in Seoul, South Korea. She is the first added member to the lineup and made her debut in the unit in early 2019 after previously debuting in U with Yestoday. ISEUL was introduced as a SM Rookie on December 23rd, 2013 alongside Johnny, Ten, and Yuta. She also debuted as a member of project girl group Girls on Top. ISEUL is one of the group's main producers and has credits to her name for other major groups as well.

˖ ࣪ ˚ . FULL NAME ⇁ Ahn Iseul

˖ ࣪ ˚ . BIRTHDAY ⇁ September 4th, 1999

˖ ࣪ ˚ . BIRTHPLACE ⇁ Seoul, South Korea

˖ ࣪ ˚ . POSITION ⇁ Main Rapper, Lead Dancer, Vocalist

˖ ࣪ ˚ . UNITS⇁ XLIGHT, U

˖ ࣪ ˚ . HEIGHT ⇁ 162cm

˖ ࣪ ˚ . ETHNICITY ⇁ Korean

˖ ࣪ ˚ . NATIONALITY ⇁ Korean

˖ ࣪ ˚ . FACECLAIM ⇁ Lee Saerom 

˖ ࣪ . 🐺 ࿐ ♡ ˚ .  JUNG YOUNGHA professionally known as LIBBY was born in 2000 in Daegu, South Korea. She is an original member of XLIGHT and was the second female member ever announced. She made her debut in Dream and NCT with the release of chewing gum, then 127 with limitless and finally in U with make a wish. LIBBY was introduced as a SM Rookie on December 3rd, 2013 alongside Seulgi, Jeno, and Taeyong. She was given the nickname of Miss Neo due to her being considered the most neo female member in the group.

˖ ࣪ ˚ . FULL NAME ⇁ Jung Youngha

˖ ࣪ ˚ . BIRTHDAY ⇁ August 17th, 2000

˖ ࣪ ˚ . BIRTHPLACE ⇁ Daegu, South Korea

˖ ࣪ ˚ . POSITION ⇁ Main Rapper, Main Dancer, Vocalist, Center

˖ ࣪ ˚ . UNITS⇁ XLIGHT, Dream, 127, U

˖ ࣪ ˚ . HEIGHT ⇁ 169cm

˖ ࣪ ˚ . ETHNICITY ⇁ Korean

˖ ࣪ ˚ . NATIONALITY ⇁ Korean-American

˖ ࣪ ˚ . FACECLAIM ⇁ Hwang Yeji

˖ ࣪ . 🌸 ࿐ ♡ ˚ .  ZHOU MEILI professionally known as LILI was born in 2001 in Beijing, China. She was the last member to join the group and was placed into the lineup in 2021 after previously debuting in WayV with Regular. She made her debut in U during NCT 2020 with the release of 90s love. LILI was introduced as a SM Rookie on July 17th, 2018 alongside Xiaojun, Hendery, and Yangyang. She is well known as China's Flower due to her ethereal visuals and sweet personality.

˖ ࣪ ˚ . FULL NAME ⇁ Zhou Meili

˖ ࣪ ˚ . BIRTHDAY ⇁ June 30th, 2001

˖ ࣪ ˚ . BIRTHPLACE ⇁ Beijing, China

˖ ࣪ ˚ . POSITION ⇁ Lead Dancer, Vocalist, Visual

˖ ࣪ ˚ . UNITS⇁ XLIGHT, WayV, U

˖ ࣪ ˚ . HEIGHT ⇁ 170cm

˖ ࣪ ˚ . ETHNICITY ⇁ Chinese

˖ ࣪ ˚ . NATIONALITY ⇁ Chinese

˖ ࣪ ˚ . FACECLAIM ⇁ Shen Xiaoting

˖ ࣪ . 🐣 ࿐ ♡ ˚ .  MCKENZIE LEE professionally known as ZIE was born in 2003 in Canberra, Australia. She is an original member of XLIGHT and was the third female member ever announced. She made her debut in Dream and NCT with the release of chewing gum, then later in U with 90s love. ZIE was introduced as a SM Rookie on December 16th, 2013 alongside Mark, Hansol, and Jisung. She also debuted as a member of project girl group Girls on Top. ZIE was given the nickname of Giant Baby due to being the tallest female member but the youngest overall member.

˖ ࣪ ˚ . FULL NAME ⇁ McKenzie Minjung Lee

˖ ࣪ ˚ . BIRTHDAY ⇁ May 5th, 2003

˖ ࣪ ˚ . BIRTHPLACE ⇁ Canberra, Australia

˖ ࣪ ˚ . POSITION ⇁ Lead Rapper, Lead Dancer, Vocalist, Visual, Maknae

˖ ࣪ ˚ . UNITS⇁ XLIGHT, Dream, U

˖ ࣪ ˚ . HEIGHT ⇁ 178cm

˖ ࣪ ˚ . ETHNICITY ⇁ Korean

˖ ࣪ ˚ . NATIONALITY ⇁ Australian

˖ ࣪ ˚ . FACECLAIM ⇁ Lee Chaeyoung

layout insp. by myah! ( @venusvity​ )

[cduuvubjb]

09. I’M YOUR CORAZÓN | SKZ

─── ᯓᡣ𐭩 ───

.° ༘ BIRTH NAME : corazón miguel basteri

.° ༘ NICKNAMES : cora, luis miguel of kpop,

.° ༘ BIRTH DATE : january 26, 2002

.° ༘ BIRTHPLACE : morelia, michoacán, mexico

.° ༘ AGE : 22 ( international ) 23 ( korean )

.° ༘ ZODIAC SIGN : aquarius

.° ༘ NATIONALITY : mexican

.° ༘ HOMETOWN : veracruz, mexico

.° ༘ ETHNICITY : mexican-japanese

.° ༘ LANGUAGES —

-ˏˋ spanish : 100%

-ˏˋ korean : 100%

-ˏˋ english : 100%

-ˏˋ japanese : 95%

.° ༘ HEIGHT : 167cm ( 5’6ft )

.° ༘ WEIGHT : 49kg ( 109 lbs )

.° ༘ BLOOD TYPE : O

.° ༘ HAIR COLOR : brown ( natural ) dark brown ( currently )

.° ༘ CLAIMS —

-ˏˋface : serena motola

-ˏˋ vocal tone : joy ( red velvet )

-ˏˋ vocal range : wendy ( red velvet )

-ˏˋ dance : chaeryeong ( itzy )

.° ༘ GENDER : female

SKZ CARRER..!

.° ༘ STAGE NAME : corazón

.° ༘ HANGUL : 코라존

.° ༘ COMPANY : jyp entertainment

.° ༘ TRAINEE PERIOD : 6 years ( 2012 - 2018 )

.° ༘ DEBUT AGE : 16 ( international ) 17 ( korean )

.° ༘ UNIT : vocalracha

.° ༘ LINES —

-ˏˋ vocal line : seungmin, i.n, corazón

-ˏˋ foreigner line : bang chan, felix, corazón

-ˏˋ dance line : lee know, hyunjin, felix, corazón

SKZ PERSONAL..!

.° ༘ MBTI : INTP-logican

.° ༘ DESCRIPTION : INTP personalities often lose themselves in thought – which isn’t necessarily a bad thing. People with this personality type hardly ever stop thinking. From the moment they wake up, their mind buzzes with ideas, questions, and insights. At times, they may even find themselves conducting full-fledged debates in their own heads. And it’s not uncommon for them to drift off during conversations. Their mind simply executes a detour to uncharted territories of thought where new ideas are constantly being born.

INTPs cherish their independence and often find themselves most productive during the late evening hours when distractions are kept to a minimum. Even so, it would be a mistake to think that these personalities are unfriendly or uptight. When they connect with someone who can match their mental energy, INTPs absolutely light up, leaping from one thought to another. Few things energize them like the opportunity to swap ideas or enjoy a lively debate with another curious, inquiring soul.

From the outside, INTPs may seem to live in a never-ending daydream. They have a reputation for being pensive, detached, and a bit reserved. That is, until they actively try to direct all of their mental energy on the moment or the person at hand. But regardless of which mode they’re in, INTPs are Introverts and tend to get tired out by extensive socializing. After a long day, they crave time alone to consult their own thoughts.

.° ༘ STRENGTHS : open-minded, curious, honest, analytical, generous

.° ༘ WEAKNESSES : overthinking, impatient, disconnected, insensitive

[figureskatingcostumes]

Ayumi Kagotani's free skate costume at the 2018 Japanese Championships.

(Source: sn_figure)

[princesssarisa]

Opera on YouTube, Part 2

Le Nozze di Figaro (The Marriage of Figaro)

Glyndebourne Festival Opera, 1973 (Knut Skram, Ileana Cotrubas, Kiri Te Kanawa, Benjamin Luxon; conducted by John Pritchard; English subtitles)

Jean-Pierre Ponnelle studio film, 1976 (Hermann Prey, Mirella Freni, Kiri Te Kanawa, Dietrich Fischer-Dieskau; conducted by Karl Böhm; English subtitles) – Acts I and II, Acts III and IV

Tokyo National Theatre, 1980 (Hermann Prey, Lucia Popp, Gundula Janowitz, Bernd Weikl; conducted by Karl Böhm; Japanese subtitles)

Théâtre du Châtelet, 1993 (Bryn Terfel, Alison Hagley, Hillevi Martinpelto, Rodney Gilfry; conducted by John Eliot Gardiner; Italian subtitles)

Glyndebourne Festival Opera, 1994 (Gerald Finley, Alison Hagley, Renée Fleming, Andreas Schmidt; conducted by Bernard Haitink; English subtitles)

Zürich Opera House, 1996 (Carlos Chaussón, Isabel Rey, Eva Mei, Rodney Gilfry; conducted by Nikolaus Harnoncourt; English subtitles)

Berlin State Opera, 2005 (Lauri Vasar, Anna Prohaska, Dorothea Röschmann, Ildebrando d'Arcangelo; conducted by Gustavo Dudamel; French subtitles)

Salzburg Festival, 2006 (Ildebrando d'Arcangelo, Anna Netrebko, Dorothea Röschmann, Bo Skovhus; conducted by Nikolas Harnoncourt; English subtitles) – Acts I and II, Acts III and IV

Teatro all Scala, 2006 (Ildebrando d'Arcangelo, Diana Damrau, Marcella Orasatti Talamanca, Pietro Spagnoli; conducted by Gérard Korsten; English and Italian subtitles)

Salzburg Festival, 2015 (Adam Plachetka, Martina Janková, Anett Fritsch, Luca Pisaroni; conducted by Dan Ettinger; no subtitles)

Tosca

Carmine Gallone studio film, 1956 (Franca Duval dubbed by Maria Caniglia, Franco Corelli, Afro Poli dubbed by Giangiacomo Guelfi; conducted by Oliviero de Fabritiis; no subtitles)

Gianfranco de Bosio film, 1976 (Raina Kabaivanska, Plácido Domingo, Sherrill Milnes; conducted by Bruno Bartoletti; English subtitles)

Metropolitan Opera, 1978 (Shirley Verrett, Luciano Pavarotti, Cornell MacNeil; conducted by James Conlon; no subtitles)

Arena di Verona, 1984 (Eva Marton, Jaume Aragall, Ingvar Wixell; conducted by Daniel Oren; no subtitles)

Teatro Real de Madrid, 2004 (Daniela Dessí, Fabio Armiliato, Ruggero Raimondi; conducted by Maurizio Benini; English subtitles)

Royal Opera House, Covent Garden, 2011 (Angela Gheorghiu, Jonas Kaufmann, Bryn Terfel; conducted by Antonio Pappano; English subtitles)

Finnish National Opera, 2018 (Ausrinė Stundytė, Andrea Carè, Tuomas Pursio; conducted by Patrick Fournillier; English subtitles)

Teatro alla Scala 2019 (Anna Netrebko, Francesco Meli, Luca Salsi; conducted by Riccardo Chailly; Hungarian subtitles)

Vienna State Opera, 2019 (Sondra Radvanovsky, Piotr Beczala, Thomas Hampson; conducted by Marco Armiliato; English subtitles)

Ópera de las Palmas, 2024 (Erika Grimaldi, Piotr Beczala, George Gagnidze; conducted by Ramón Tebar; no subtitles)

Don Giovanni

Salzburg Festival, 1954 (Cesare Siepi, Otto Edelmann, Elisabeth Grümmer, Lisa della Casa; conducted by Wilhelm Furtwängler; English subtitles)

Giacomo Vaccari studio film, 1960 (Mario Petri, Sesto Bruscantini, Teresa Stich-Randall, Leyla Gencer; conducted by Francesco Molinari-Pradelli; no subtitles)

Salzburg Festival, 1987 (Samuel Ramey, Ferruccio Furlanetto, Anna Tomowa-Sintow, Julia Varady; conducted by Herbert von Karajan; no subtitles)

Teatro alla Scala, 1987 (Thomas Allen, Claudio Desderi, Edita Gruberova, Ann Murray; conducted by Riccardo Muti; English subtitles)

Peter Sellars studio film, 1990 (Eugene Perry, Herbert Perry, Dominique Labelle, Lorraine Hunt Lieberson; conducted by Craig Smith; English subtitles)

Teatro Comunale di Ferrara, 1997 (Simon Keenlyside, Bryn Terfel, Carmela Remigio, Anna Caterina Antonacci; conducted by Claudio Abbado; no subtitles) – Act I, Act II

Zürich Opera, 2000 (Rodney Gilfry, László Polgár, Isabel Rey, Cecilia Bartoli; conducted by Nikolaus Harnoncourt; English subtitles)

Festival Aix-en-Provence, 2002 (Peter Mattei, Gilles Cachemaille, Alexandra Deshorties, Mirielle Delunsch; conducted by Daniel Harding; no subtitles)

Teatro Real de Madrid, 2006 (Carlos Álvarez, Lorenzo Regazzo, Maria Bayo, Sonia Ganassi; conducted by Victor Pablo Pérez; English subtitles)

Festival Aix-en-Provence, 2017 (Philippe Sly, Nahuel de Pierro, Eleonora Burratto, Isabel Leonard; conducted by Jérémie Rohrer; English subtitles)

Madama Butterfly

Mario Lanfranchi studio film, 1956 (Anna Moffo, Renato Cioni; conducted by Oliviero de Fabritiis; no subtitles)

Jean-Pierre Ponnelle studio film, 1974 (Mirella Freni, Plácido Domingo; conducted by Herbert von Karajan; English subtitles)

New York City Opera, 1982 (Judith Haddon, Jerry Hadley; conducted by Christopher Keene; English subtitles)

Frédéric Mitterand film, 1995 (Ying Huang, Richard Troxell; conducted by James Conlon; English subtitles)

Arena di Verona, 2004 (Fiorenza Cedolins, Marcello Giordani; conducted by Daniel Oren; Spanish subtitles)

Sferisterio Opera Festival, 2009 (Raffaela Angeletti, Massimiliano Pisapia; conducted by Daniele Callegari; no subtitles)

Vienna State Opera, 2017 (Maria José Siri, Murat Karahan; conducted by Jonathan Darlington; no subtitles)

Wichita Grand Opera, 2017 (Yunnie Park, Kirk Dougherty; conducted by Martin Mazik; English subtitles)

Teatro San Carlo, 2019 (Evgenia Muraveva, Saimir Pirgu; conducted by Gabriele Ferro; no subtitles)

Rennes Opera House, 2022 (Karah Son, Angelo Villari; conducted by Rudolf Piehlmayer; French subtitles)

[bittersbloom]

𝑰. ── ㅤBASICS. 

BIRTH NAME. cheryl lee

KOREAN NAME. lee chaerin

NICKNAMES. cher, rin, bangtan’s barbie, cherry bomb, the bitter one, kkoch, colorful lee, chaeprincess

BIRTHDATE. april 20, 1996

ZODIAC. taurus & rat

BLOOD TYPE. a+

BIRTHPLACE. san francisco, california

HOMETOWN. san francisco, california

ETHNICITY. korean

NATIONALITY. korean-american

LANGUAGES. english, korean, japanese

FAMILY. hannah yang (mother), lee yohan (father), charlotte lee (younger sister; deceased) 

SEXUAL ORIENTATION. unknown 

RELATIONSHIP STATUS. in a relationship

𝑰𝑰. ── PHYSICAL. 

FACE CLAIM. joy of red velvet

HEIGHT. 5’6” / 168cm

BODY MODIFICATIONS.

 double lobe piercing (both), orbital (right), helix (both), tragus (left)

cherry tattoo (back of left arm), ‘j’ (left wrist), ‘444’ (inner right arm), angel wings (nape), infinity (left pinkie finger), lotus flower (front of right shoulder), two koi fish (spine)

𝑰𝑰𝑰. ── CAREER. 

STAGE NAME. cheri

COMPANY. big hit music (2010-2020), chromatic creative (current)

POSITIONS. main vocalist, lead dancer, sub rapper, face of the group

REPRESENTATIVE EMOJI. 🐶 / 🍒

𝑰𝑽. ── PERSONA. 

MBTI. ENFP-A

people with the ENFP personality type (campaigners) are true free spirits – outgoing, openhearted, and open-minded. With their lively, upbeat approach to life, ENFPs stand out in any crowd. but even though they can be the life of the party, they don’t just care about having a good time. these personalities have profound depths that are fueled by their intense desire for meaningful, emotional connections with others.

ENNEAGRAM. type 3 – the achiever

STRENGTHS. good-natured, fun-loving, confident, charming, hard-working

WEAKNESSES. petty, hot-headed, overly sensitive, nosy, naive, competitive

𝑽. ── TRIVIA.

HABITS. sitting criss-cross in any seat, repeating words back, leaving sticky notes to keep track of objects, always wearing socks, crying out of anger or frustration, counting beats without music playing, mixing languages in conversation, chronically undersharing

LIKES. gossip, watercolor painting, pottery, the ocean, yoga, 90s-00s music, flower arrangements, perfume, songwriting, watching sports, christmas time

DISLIKES. messiness, insects, overly salted foods, strong liquor, invasion of privacy, hospitals, wearing glasses, mornings, being bored, cooking, being alone

PHOBIAS. astraphobia (fear thunder & lightning), nosocomephobia (fear of hospitals)

MEDICAL CONDITIONS. vasovagal syncope, chronic post-traumatic arthritis, ankylosing spondylitis, generalized anxiety disorder, anorexia nervosa 

ALLERGIES. shellfish (mollusks, specifically), coconut, pineapple, latex, wool

𝑽𝑰. ── FACTS. 

cheri was initially a member of a group called GPOP alongside gfriend’s sinb and eunha. after the failure of the company’s girl groups, cheri was handpicked by RM to be a member of BTS. everyone has always had doubts about having a girl in the group, and this has caused many issues for cheri personally and as an artist. 

she was homeschooled until she moved to korea. she attended hanlim arts school in the applied music department and graduated in 2015. in 2016, she began online courses at USC and graduated in 2020 with a BA in music. she would like to work for a master’s degree. 

her younger sister had epilepsy and passed away in her sleep after a seizure. charlotte’s death was incredibly difficult for cheri to get over and she considered giving up training and moving back to california. she was talked out of quitting, and decided her stage name would be ‘cheri’ because that was charlotte’s nickname for her. 

cheri opened a youtube channel in late 2019 and was incredibly active in 2020 posting vlogs, covers, and unreleased songs. people started being weird online and she has posted rarely since then. 

she did not renew her contract with big hit in 2018: she was on hiatus and was unsure if she’d go back to idol life after the year she’d had. she stuck with it until 2020, and after negotiating for months, she did not renew. she officially left big hit in january of 2021 and signed with CHROMATIC CREATIVE. although she remains a member of BTS, cheri has not been active with the group since 2020. 

since her private instagram account was leaked, cheri has spoken about her privacy and has made it very clear that she’s not afraid to take legal action. she loves her fans, but at the end of the day she just wants to make music and wants to keep what little privacy she has private.

in 2019, big hit music and pledis entertainment confirmed cheri and seventeen’s joshua were in a relationship after speculation of cheri being in a relationship with exo’s baekhyun. in 2024, cheri seemingly confirmed her engagement to joshua on instagram.

[boxboxblog]

Driver Profiles: Yuki Tsunoda

Updated December 2024

Name: Yuki Tsunoda

Age: 24

Nationality: Japanese

Years in F1: 4 (AlphaTauri/VCARB 2021-Present)

Number: 22

WDCs: N/A

Driving Style: One of the newest drivers on track, Tsunoda is known for his aggression, raw speed, and temper. He drives in an extremely modern way, compared to many of the older drivers who still drive with traces of more classic styles. He tends to pull bold overtakes and does a lot of late-braking maneuvers, and this allows him to be very assertive in wheel-to-wheel situations. On the negative side, Tsunoda's temper and aggression leads him make mistakes, and he has been criticized for his lack of consistency. This aggression also means he pushes the car very hard, and wears out his tires fast.

History:

Tsunoda was born to a racing family, with a father racing in the Gymkhana Car Competition in Japan. He grew up around the track, and started karting when he was 5 years old. In 2006 he won the series championship at the Nakai Inner Circuit, where he had watched his father race. He started professional carting in 2010, joining the JAF Junior Karting Championship, before moving to the regional class in 2013 (winning that series) and to the national class in 2014. In 2015 he placed second in the All Japan Karting Championship FS125 Class.

(Young Tsunoda in his karting days)

In 2016, Tsunoda graduated from Honda's Suzuka Circuit Racing School in the advanced formula class and became a member of the Honda Formula Dream Project. In the same year he made his single-seater debut in the F4 Japanese Championship  in a one-off event in Suzuka. At this race he earned his 1st podium. 2017 was when he started his first full season in the F4 Japanese Championship while also competing in the regional championship. He would go on to get 1st in the regional and 3rd in the national championship. 2018 Tsunoda would continue in Japanese F4, and win the championship with 7 race wins.

(Tsunonda in the F4 Japanese Championship series)

2018 Tsunoda would join the Red Bull Junior program after Honda became engine suppliers for the F1 team. He joined the FIA Formula 3 Championship that year, winning one race in Monza and achieving 9th in the standings. Tsunoda also competed in the Euroformula Open Championship during this time, and finished 4th in the standings. Early 2020 it was announced that Tsunoda would be moving up to Formula 2 for the 2020 season. Before that, he competed in the 2020 Toyota Racing Series and placed 4th.

(Tsunoda on top step of podium during F3, along with future RB teammate Liam Lawson, left)

His 2020 F2 debut was a relatively positive for a rookie, with some high points finishes and podiums, but also a few races where he scored very low. He finished his season in 3rd. During that season he test drove his first F1 car, for Toro Rosso/AlphaTauri. He would go on to be announced for the 2021 AlphaTauri lineup.

(Tsunoda during F2 days)

His first year at AlphaTauri was a mix between good and bad. While he had some fantastic results (highest being 4th) he also had some very poor ones, often finishing outside of points and being our paced by his teammate Pierre Gasly. However, he was near universally praised for his rookie season, with the F1 Technical Director calling it the best rookie season he had seen in a few. 2022, however, was a difficult year for Tsunoda, usually finishing outside of points position. His best finish was 10th, and this race ended a streak of zero points finishes. He was outpaced by his teammate once again, and would finish 17th in the championship

(Tsunoda and Gasly in their AlphaTauri's)

He would be retained by AlphaTauri for 2023, partnering Nyck de Vries (who would be replaced by Daniel Riccardo halfway), and would have another difficult year. He would score low points a handful of times throughout the season. the most positive moment for Tsunoda was in Abu Dhabi, where he led the race for a short time, his first lead ever. Unfortunately he would drop down to 8th, but still showed improvement.

In 2024 AlphaTauri rebranded to RB (often called VCARB) and Tsunoda was retained. He has had a more positive year, outpacing teammate Daniel Riccardo (who was replaced by Liam Lawson after the Singapore GP), but still regularly ends up outside of the points. In the 2024 Japanese GP he would happily finish in 10th, becoming the first Japanese driver since 2012 to score points on home soil. The most positive aspect of that year for Tsunoda is that his qualifying pace has been stellar, regularly making it into Q3. He finished the season 12th in the standings.

He is set to remain with RB for the 2025 season.

(Tsunoda with the 2024 VCARB car)

Major Races:

2021 Bahrain GP - His debut race in F1, he finished in 9th scoring some points for his team. He made some fantastic overtakes during the race, including a memorable last-lap one on Lance Stroll. It was an impressively confident race despite his inexperience.

2021 Abu Dhabi - His highest finish ever of 4th, he took advantage of the chaos, overtaking on his teammate to take the higher finish of the two AlphaTauri's.

2022 Emilia Romagna GP - One of his strongest race performances yet, he finished in 7th after multiple bold, yet crafty, overtakes. He showed his evolving race craft and willingness to push the limit in a lesser car.

2022 Spanish GP - While his finish was not fantastic (only 10th) he showed remarkably improved composure compared to previous races. This displayed how Tsunoda was evolving as a racer, and how he overcomes his main weakness to make his race craft better.

2024 Japanese GP - A happy race for Japan after Tsunoda became the first points scorer on home soil since 2012. While he did finish just inside the points (10th), it was a monumental day for Japanese fans and Tsunoda.

Cheers,

-B

[kim-areum]

╰┈➤ ENHYPEN (엔하이픈) is the final 8 members of the survival show I-LAND under BE:LIFT Lab, a subsidiary label under HYBE. The group consists of Heeseung, Jay, Jake, Sunghoon, Areum, Sunoo, Jungwon, and Ni-ki. They debuted on November 30th, 2020 with the mini album, “BORDER: DAY ONE“. The group made their Japanese debut on July 6th, 2021.

╰┈➤ Group Name Explanation: ENHYPEN is a mix of an en dash and a hyphen that connects different words to create new meaning, members of ENHYPEN will connect, discover each other, and grow together.

ENHYPEN Dorm Arrangements: Dorm 1: Heeseung, Jay, Sunghoon, & Ni-ki

Dorm 2: Jake, Sunoo, Areum, & Jungwon

All of the members have their own solo rooms

STAGE NAME: areum (아름) (a•room)

NAME: Kim areum (김아름)

BIRTHDAY: January 2 2003

ENGLISH NAME: Celestia

JAPNESE NAME: izumi (いずみ) (i•zoom•e)

POSITIONS: Face of the group, Visual, All Rounder

ZODIAC SIGN: Capricorn

CHINESE ZODIAC: Rat

REAL HEIGHT : 176 cm (5’9”)

OFFICIAL HEIGHT: 174 (5’8.5”)

WEIGHT: 51 kg

NATIONALITY : Japanese-Korean

MBTI: ISTJ (previous ESFJ)

EMOTICON: 🪼

FACTS:

Training period: 2016-2020

She ranked in 5th in the final episode of iland

Her microphone is pink

Her name areum means beauty

charming point: her 2 moles on her right cheek, voice, eyes (self-revised profile), nose, neck(?)

she is into archery 🏹

Habits: Sticking her tongue out, smiling with closed eyes, spacing out, side eyeing, flipping her hair, crossing her legs, touching her collarbones, touching her necklace (self-revised profile)

Aerum’s favorite color are pink and black

she has her own instagram and twitter @/areumdawo0 @/ENHYPEN_AREUM

According to Jungwon she is the most calm and easy going in the group and listens to him the most

she auditioned for JYP entertainment but she was rejected

she was scouted in SM in (2016-2017) while she was eating in a restaurant with her father

she left SM entertainment to be in bighit and trained there (2018-2019)

According to her members she’s the tallest girl they have ever met

Nicknames: pretty girl, princess, areumie, reumi, princess swan, mierum (Self-Revised profile)

Areum and jungwon met in SM (mentioned in ILAND)

she wrote Enhypen’s Blossom Blind Chaconne Le sserafim’s blue flame and swan song, impurities

Likes: sour candies, mint chocolate, sleeping, listening to music, Niki, enhypen, coffee cakes, skinship (Self-revised profile)

She helped Choreographed Le sserafim's smart and their song Still Monster

Dislikes: Mud, sasaengs, people who bash her members, messy tables, dusty floors (Self-revised profile)

She is close friends with IVE’s rei Le Sserafim Members BOYNEXTDOOR’s Jaehyun &Team’s Harua NMIXX’s sullyoon ZEROSBASEONE gyuvin and ricky TXT’s beomgyu ILLIT’s wonhee

She was chosen as #1 visual in iland a tie between her and sunghoon

Her role model is Twice’s Chaeyoung mentioned in ILAND

her favorite quote is “don’t let others bring you down with simple criticism, in the end it only benefits them”

FACE CLAIM: Nakyoung (triple s) and Karina (aespa) Bang Jeemin (Izna)

VOCAL CLAIM: jiwoo (RUN contestant ) Yunjin (Le sserafim)

DANCE CLAIM: sujung (ILAND 2 contestant)

RAP CLAIM: Chanelle (RUN contestant) and koko (ILAND 2 contestant )

border creds: @/saradika

[mizldrizl]

Some pieces of information -- mostly about Dong Sik and Joo Won -- I've learned from the scriptbook.

(Note: The content of the scriptbook might not be 100% same with the canon facts.)

- Dong Sik was born on May 30, 1981 at 7 AM in Manyang. Joo Won was born on August 13, 1994 at 7 AM in Seoul.

- Dong Sik is good at Taekwondo and boxing.

- Dong Sik started his military service in November, 2000, shortly after Yu Yeon went missing. He was still serving when his father died. Dong Sik received a special leave to arrange his funeral.

- Dong Sik started working as a police officer at Munju Station in November, 2007. He was transferred to RIU of Seoul Metropolitan Police Agency in May, 2015 and worked there till October, 2017. He was on leave for the whole year of 2018 before he started working at Manyang Substation in January, 2019.

- Dong Sik killed Song Ji Oh, the murderer of Lee Sang Yeop, at the scene. He told this to the EMT and later in his report, but Nam Sang Bae got rid of the statement from the official documents and took the responsibility himself. As a punishment, Nam Sang Bae, who was soon to be promoted to be a Unit Leader, transferred from Seoul to Manyang and became the Chief of the substation.

- Joo Won's apartment is in Mapo-gu, Seoul. The room number is 2701, which means his place is on the 27th floor.

- Joo Won graduated from Westminster Under School and Eton College. He finished high school in Korea.

- Joo Won was exempted from military service as he got admitted to Korean National Police University. (He got into the university in 2013. For that year, the number of places was 120 and 7,641 people applied, which makes the admission rate approximately 1.57%.)

- Joo Won started working at Seoul Metropolitan Police Agency in March, 2017. (Meaning, he and Dong Sik technically worked in the same building for about eight months.)

- Joo Won speaks Korean, English, Chinese and Japanese. He is also good at Judo and Kendo.

- Manyang Garden (만양가든) was a kalbi (갈비) restaurant.

- Chief Nam was alive when he was attacked in the junkyard, all the way to the port. In the trunk of Lee Chang Jin's car, he sang, almost whispered, the song to himself. "I feel lonely leaving without you, I feel so lonely... Don't cry, don't cry tonight..."