#james elder christie

[lux-vitae]

Dawn by James Elder Christie (c. 1893-94)

[oldpaintings]

Halloween Frolics by James Elder Christie (Scottish, 1847–1914)

[classicdavinci]

James Elder Christie

[1five1two]

'Dawn'. James Elder Christie. 1847-1914.

[wardrobeoftime]

Master Post - A to M

If you notice any show, movie or character missing that I’ve made gifs of, please let me know. Characters are sorted alphabetically by first their last name and then their first name.

Last updated: November 10th, 2024

A

Aladdin [2019] (Princess Jasmine)

Allerleirauh (Princess Friederike | Princess Lotte)

American Song Contest (2022)

Aschenputtel [2010] (Marie/Aschenputtel)

Aschenputtel [2011] (Annabella | Aschenputtel/Cinderella)

Australia [2008] (Sarah Ashley)

B

Barbie (Stereotypical Barbie)

Beauty and the Beast [2017] (Madame de Garderobe | Mrs Potts)

Becoming Elizabeth (Amy Robsart | Mary Tudor)

Blood, Sex & Royalty (Anne Boleyn | Mary Boleyn)

Bridgerton (Tilley Arnold | Lady Berbrooke | Benedict Bridgerton | Daphne Bridgerton | Eloise Bridgerton | Francesca Bridgerton | Hyacinth Bridgerton | Violet Bridgerton | Queen Charlotte | Cressida Cowper | Agatha Danbury | Penelope Featherington | Philippa Featherington | Prudence Featherington | King George III | Siena Rosso | Edwina Sharma | Kathani "Kate" Sharma | Mary Sharma | Tessa | Marina Thompson | Extras)

Britain’s Bloody Crown (Margaret of Anjou | Margaret Beaufort | Elizabeth Woodville)

C

Cinderella [2015] (Anastasia Tremaine | Drisella Tremaine | Ella)

D

Das Adlon (Sonja Schadt)

Die Galoschen des Glücks (Princess Aurora)

Die Kaiserin (Maria Alexandrovna / Marie of Hesse | Elisabeth “Sisi” of Austria | Archduchess Sophie of Austria)

Die Salzprinzessin (Princess Amélie | Princess Eugenia | Princess Isabella)

Die Schöne und das Biest (Elsa)

Disney Live Action (see the individual movies | Extras)

Doctor Who (Ashildr | Cyril Arwell | Lily Arwell | Madge Arwell | Reg Arwell | Rosanna Calvierri | Miss Chandrakala | Agatha Christie | Hugh Curbishley | The Doctor | Twelth Doctor | Clemency Eddison | Jack Harkness | King James I | Katherine | Donna Noble | Madame de Pompadour | Amy Pond | Bill Potts | Robina Redmond | Becka Savage | Willa Twiston | Extras)

Domina (Agrippa | Antonia Major | Antonia “Antonina” Minor | Emperor Augustus | Julia the Elder | Livia Drusilla | Marcella | Octavia Minor)

Downton Abbey (Lucy Branson (née Smith) | Cora Crawley | Edith Crawley | Mary Crawley)

Dynasty [2017] (Kirby Anders | Fallon Carrington)

E

Effie Gray [2014] (Euphemia “Effie” Gray)

Elizabeth Duology (Elizabeth I)

Emerald City (Langwidere of Ev)

Emma [2020] (Isabella Knightley | Emma Woodhouse)

Eurovision Song Contest (1970 | 1974 | 1979 | 1980 | 1982 | 1988 | 1991 | 1992 | 1993 | 1995 | 1996 | 1998 | 2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | 2013 | 2014 | 2015 | 2016 | 2017 | 2018 | 2019 | 2021 | 2022 | 2023 | 2024)

F

Frauen, die Geschichte machten (Catherine the Great)

G

Galavant (Madalena)

Game of Thrones (Myrcella Baratheon | Cersei Lannister | Ellaria Sand | Sansa Stark | Daenerys Targaryen | Margaery Tyrell)

Good Omens (Aziraphale | Crowley)

Grey’s Anatomy (Lexie Grey)

H

Hamilton (Angelica Schuyler | Eliza Schuyler Hamilton)

House of the Dragon (Jeyne Arryn | Alicent Hightower | Mysaria of Lys | Aegon II Targaryen | Baela Targaryen | Helaena Targaryen | Rhaena Targaryen | Rhaenyra Targaryen | Rhaenys Targaryen | Laena Velaryon)

I

J

K

Ku’damm (Helga von Boost)

L

Legacies (Jo Laughlin | Hope Mikaelson | Elizabeth “Lizzie” Saltzman | Josette “Josie” Saltzman)

Les Misérables [2018] (Cosette | Fantine Thibault)

Little Women [2019] (Amy March | Margaret “Meg” March)

Ludwig II [2012] (Elisabeth “Sisi” of Austria | Ludovika, The Duchess in Bavaria | Sophie in Bavaria)

M

Maleficent Duology (Princess Aurora | Queen Ingrith of Ulstead)

Märchenperlen (see the individual movies)

Maria Theresia [2017] (Maria Anna of Austria | Empress Maria Theresia |  Mademoiselle de Chartres | Elisa Fritz)

Marie Antoinette [2006] (Marie Antoinette | Empress Maria Theresia | Marie Thérèse Louise of Savoy, Princesse de Lamballe | Extras)

Marie Antoinette [2002] (Marie Antoinette)

Mary Queen of Scots [2013] (Mary Stuart)

Maximilian - Das Spiel von Macht und Liebe / Maximilian and Marie de Burgogne (Mary of Burgundy)

My Fair Lady (Eliza Doolittle)

My Lady Jane (Jane Grey)

Go to N-Z

[cadmusfly]

Non Comprehensive List of the Nice Spanish Paintings That Mysteriously Ended Up in Marshal Soult's Collection

Sourced from the essay Seville's Artistic Heritage during the French Occupation in the book Manet/Velázquez: The French Taste for Spanish Painting, which can be downloaded for free on the Met's website which is frankly awesome but i wish someone OCRed their book

In 1852 at the sale of his collection, there were 109 paintings up for sale - 78 from the Seville School, including 15 Murillos and 15 Zurbaráns.

It's interesting that Soult wanted to legitimize his ownership of these paintings via receipts and official documentation - the biography of him I was machine translating talks about the king questioning his collection and him pulling out receipts for each painting. But, well, the essay puts it like this: "The existence of an official letter can be explained by Soult's desire to dress up in legal or formal terms what was in reality theft or extortion."

I might put excerpts from the essay in a different post, but for now, let's look at the list! Modern locations of the paintings are in parentheses, and I must say, for an essay critical of historical reappropriation of artwork, a lot of these artworks are still extant. Not a dig or anything, just an observation.

I do not condone extorting or stealing priceless Spanish artworks anyway

On with the show!

Murillo The Immaculate Conception (Museo Nacional del Prado, Madrid) Virgin and Child (Walker Art Gallery, Liverpool) Saint Elizabeth of Hungary Nursing the Sick (Church of the Hospital de la Caridad, Seville) Christ Healing the Paralytic at the Pool of Bethesda (National Gallery, London) The Return of the Prodigal Son (National Gallery of Art, Washington, D.C.) Abraham and the Three Angels (National Gallery Of Canada, Ottawa) The Liberation of Saint Peter (State Hermitage Museum, St. Petersburg) Saint Junipero and the Pauper (Musée du Louvre, Paris) Saint Salvador de Horta and the Inquisitor Of Aragon (Musée Bonnat, Bayonne) Brother Julián de Alcalá and the Soul of Philip II (Sterling and Francine Clark Art Institute, Williamstown, Mass.) The Angels' Kitchen (Musée du Louvre, Paris) The Dream Of the Patrician (Museo Nacional del Prado, Madrid) The Patrician John and His Wife (Museo Nacional del Prado, Madrid) The Triumph of the Eucharist (Lord Farringdon Collection, Buscot Park, Farringdon, England) Saint Augustine in Ecstasy [Not sourced from the above book, from a Christies auction actually]

Herrera the Elder The Israelites Receiving Manna (unknown/destroyed?) Moses Striking the Rock (unknown/destroyed?) The Marriage at Cana (unknown/destroyed?) The Multiplication of the Loaves and Fishes (Musée d'Amiens, destroyed in 1918) Last Communion of Saint Bonaventure (Musée du Louvre, Paris) Saint Basil Dictating His Doctrine (Musée du Louvre, Paris)

Zurbarán Saint Apollonia (Musée du Louvre, Paris) Saint Lucy Musée des Beaux-Arts, Chartres Saint Anthony Abbot (private collection, Madrid) Saint Lawrence (State Hermitage, St. Petersburg) Saint Bonaventure at the Council of Lyon (Musée du Louvre, Paris) Saint Bonaventure on His Bier (Musée du Louvre, Paris) The Apotheosis of Saint Thomas Aquinas (Museo de Bellas Artes, Seville) Saints Romanus and Barulas (Art Institute of Chicago) paintings of the archangel Gabriel and Saint Agatha (both Musée de Montpellier)

Cano Saint John with the Poisoned Chalice and Saint James the Apostle (both Musée du Louvre, Paris) Saint John Giving Communion to the Virgin (Palazzo Bianco, Genoa) Saint John's Vision Of God (John and Mable Ringling Museum Of Art, Sarasota) Charity and Faith (present location unknown; 1852 Soult sale) Saint Agnes (destroyed in fire in the Staatliche Museen, Berlin)

Uncertain source, thought to be Murillo at the time A Resting Virgin (usually identified as The Holy Family with the Infant Saint John the Baptist, Wallace Collection London) The Death Of Abel Saint Peter Saint Paul

Other artists in his collection whose specific works weren't named Sebastiån de Llanos Valdés Pedro de Camprobin José Antolinez Sebastiån Gomez

[mermaidenmystic]

The Witch by James Elder Christie (Scottish artist, 1847-1914)

[garudabluffs]

"Trumps Criminal Associates from A to Z”

Donald Trump, Melania Trump, Donald Trump Jr., Ivanka Trump, Eric Trump; >>> Greg Abbott, Ali Alexander, Samuel Alito, Rick Allen, Brian Babin, Jim Banks, Steve Bannon, Kathy Barnette, Bill Barr, Tom Barrack, Maria Bartiromo, Glenn Beck, John Bennett, Andy Biggs, Dan Bishop, Christina Bobb, Lauren Boebert, John Bolton, David Bossie, Kevin Brady, Mike Braun, Mo Brooks, Taylor Budowich, Ted Budd, Aileen Cannon, Madison Cawthorn, Tucker Carlson, Matthew Calamari, Kenneth Chesebro, Andrew Clyde, Jeffery Clark, Robert Cheeley, Chris Christie, Chris Collins, Susan Collins, James Comer, Kellyanne Conway, John Cornyn, Thomas Bryant Cotton, Kevin Cramer, Dan Crenshaw, Steven Crowder, Raphael Edward Cruz, Ken Cuccinelli, Warren Davidson, Louis DeJoy, Carlos DeOliveira, Ron DeSantis, Betsy DeVos, Lou Dobbs, Byron Donalds, John Eastman, Larry Elder, Jenna Ellis, Michael Ellis, Tom Emmer, Boris Epshteyn, Julie Jenkins Fancelli, Nigel Farage, Tom Fitton, Harrison Floyd, Michael Flynn, Matt Gaetz, Bob Gibbs, Newt Gingrich, Rudy Giuliani, Louie Gohmert, Sebastian Gorka, Paul Gosar, Trey Gowdy, Lindsey Graham, Charles Grassley, Mark Green, Marjorie Taylor Greene, Ric Grenell, Kimberly Guilfoyle, Alina Habba, Harriet Hageman, Misty Hampton, Liz Harrington, Nikki Haley, Scott Hall, Sean Hannity, Josh Hawley, Jody Hice, Hope Hicks, Thomas Homan, Richard Hudson, Duncan Hunter, Laura Ingraham, Kay Ivey, Ronny Jackson, Jim Jordan, Mike Johnson, Ron Johnson, Alex Jones, Fred Keller, Keith Kellogg, Mike Kelly, Bernard Kerik, Charlie Kirk, Kim Klacik, Kenneth Klukowski, Jared Kushner, Trevian Kutti, Tomi Lahren, Kari Lake, Cathleen Latham, Bill Lee, Mike Lee, Stephen Lee, Mark Levin, Corey Lewandowski, Christopher Liddell, Mike Lindell, Billy Long, Barry Loudermilk, Cynthia Lummis, Nick Luna, Nancy Mace, Paul Manafort, Roger Marshall, Thomas Massie, Douglas Mastriano, Angela McCallum, Kevin McCarthy, Mitch McConnell, Ronna Romney McDaniel, Kayleigh McEnany, Johnny McEntee, Mark Meadows, Molly Michael, Chris Miller, Jason Miller, Stephen Miller, Barry Moore, Steven Mnuchin, Rupert Murdoch, Greg Murphy, Heather Nauret, Waltine Torre Nauta Jr., Peter Navarro, Carl Nichols, Kristi Noem, Ralph Norman, Oliver North, Devin Nunes, Bill O’Reilly, Candace Owens, Stefan Passantino, Kash Patel, Dan Patrick, Rand Paul, Ken Paxton, David Perdue, Scott Perry, Rick Perry, Mike Pence, Judge-Jeanine Ferris Pirro, Mike Pompeo, Erik Prince, Vladimir Putin, Sidney Powell, Kim Reynolds, Karrin Taylor Robson, Michael Roman, Chip Roy, Marco Rubio, Anthony Sabatini, Sarah Huckabee Sanders, George Santos, Steve Scalise, Dan Scavino, Rick Scott, Tim Scott, Jeff Sessions, David Shafer, Ben Shapiro, Bill Shine, Kyrsten Lea Sinema, Ray Smith lll, Victoria Spartz, Sean Spicer, Todd Starnes, Elise Stefanik, William Stepien, Shawn Still, Roger Stone, Jason Sullivan, Clarence Thomas, Virginia (Ginni) Thomas, Tommy Tuberville, Mike Turner, James David (JD) Vance, Herschel Walker, Kelli Ward, Jesse Watters, Allen Weisselberg, Matthew George Whitaker, Susan Wiles, Ben Williamson, Chad Wolf, Lin Wood, Todd Young…Just to name a few. “Vote Blue in November: In numbers too big to rig, in numbers too real to steal….

381 Comments https://www.youtube.com/watch?v=SY8rIL3xUKc

[cnvisualart]

Exhibition | Amacord: Fordham Alumni Exhibit, September 1 - October 12, 2021

Big things are happening at Fordham! To celebrate the grand reopening of the Visual Arts Complex and new thesis studios, Fordham has opened “Amarcord” an exhibition of artworks by Alumni spanning 20 decades. I will be exhibiting my experimental short, Two Miles Deep In La La Land (2007-2012). See you at the opening!

Link: https://fordhamuniversitygalleries.com/home.html

--

Amarcord, named after Federico Fellini’s cinematic classic of the same title, features work by alumni of Fordham's visual arts program spanning 20 decades. The exhibition will coincide with the grand opening celebration of thesis studios in the university's visual arts complex at Lincoln Center. Two Miles Deep in La La Land is a 16mm experimental short that foregrounds the pageantry and gendered performance of the female body within the American urban. The film was shot and directed as an undergraduate student in Fordham's visual arts program. In 2012, the film was updated to include a quote by Alice Walker and the birth dates of influential female figures in my life, past and present. Included within this framework are the birth dates of family members, abolitionists, literary authors, leading figures within the women's liberation movement, and self.

Exhibiting artist include: Alex Jahani, Amie Cunat, Anthony Elder, B.A. Van Sise, Brian Jucas, Caitlin Bury, Carl Gunhouse, Christie Neptune, Emma Kilroy, Erin O’Flynn, Ildiko Butler, James McCracken, James Vanderberg, Jenny Drumgoole, Jill Verzino, Jo Rovegno, John Zahran-Colon, Lauren Portada, Luis Edgar Mejicanos, Luke Momo, Martha Clippinger, Masha Bychkova, Mason Saltarreli, Rory Mulligan, Sam, Robbins, Slav Velkov, Ted Partin, Teresa Baker, Tochi Mgbenwelu, Vincent Stracquadanio, and Xuan Clive Zheng

Amarcord September 1 - October 12, 2021 Featuring Alumni of Fordham's Visual Arts Program Ildiko Butler Gallery, Fordham University Curated by Vincent Stracquadan Opening Reception, September 20, 2024.

[joannerowling]

A non exhaustive list of books we know JKR has definitely read based on interviews, tweets and/or quotes in her books (not citing the most famous authors cause i can't be arsed):

The Iliad

The Bible (beyond the Christian influences in Harry Potter, she once wrote a biblical parody entitled “The visitation of the Corbynites: a festive thread” mocking's the antisemitism of Labour's leader)

More Fruits of Solitude, William Penn (DH's opening quote 1)

The Libation Bearers, Aeschylus (DH's opening quote 2)

The Canterbury Tales (cited as inspiration for the Tales of Beedle the Bard)

Shakespeare's work (cited as what she'd bring to an isolated island, alongside the works of Colette and P. G. Wodehouse) ; Macbeth, Hamlet, and Timon of Athens were specifically cited. Many of her characters have Shakespearian names starting with Hermione

Emma, Pride and Predjudice, Sense and Sensibility (cited in interviews and seen in the backgrounds in her old website; Austen has frequently been named as her favourite writer)

Lolita

The Story of the Treasure Seekers, Edith Nesbit

The Tale of Peter Rabbit and The Tale of Two Bad Mice, Beatrix Potter (the second one cited in her 2006 list of books every children should read for the Royal Society of Literature; also, there's a bit in The Tales of Beetle the Bard which gently parodies Potter's cutesy style, through fictional child lit writer Beatrix Bloxam)

The Wind in the Willows, Kenneth Grahame

The Chronicles of Narnia

Manxmouse, Paul Gallico

The works of civil rights activist and Communist Jessica Mitford (her most influential role model ; Rowling's oldest daughter was named after her)

The Little White Horse

The Sword in the Stone by T.H. White

In the whodunnits genre: Agatha Christie, Ngaio Marsh, Margery Allingham, Dorothy L. Sayers, P. D. James, Bruce Wendell

(Her favourite Christie is The Moving Finger, and her favourite Allingham is The Fashion in Shrouds)

A Tale of Two Cities and David Copperfield (and probably all of Dickens, another extremely obvious influence)

I Capture the Castle, Dodie Smith

Grimble, Clement Freud

Colette's works (cited as one of the three writers whose works she would take to reread on an isolated island)

Roddy Doyle's works, cited as her favourite living writer

Katherine Mansfield's works

Wuthering Heights, Jane Eyre (+ more by the Bröntes, obviously: her film and tv production company is called Brönte)

Charlie and the Chocolate Factory

To Kill a Mockingbird

Animal Farm

The Catcher in the Rye

Catch-22

Robinson Crusoë

Ballet Shoes by Mary Noel Streatfeild

The works of Christina Rossetti (cited in Cuckoo's Calling and The Ink Black Heart; very obviously the influence behind the Goblins in Harry Potter)

The Faerie Queene by Edmund Spenser (all epigraphs in Troubled Blood)

Rosmersholm by Henrik Ibsen (all epigraphs in Lethal White)

The Noble Spanish Soldier and The Honest Whore by Thomas Dekker

The Little French Lawyer and The False One, Francis Beaumont and Philip Massinger

The plays of of William Congreve, including The Double-Dealer, The Old Bachelor, The Way of the World, The False One, Love for Love and The Mourning Bride

The White Devil and The Duchess of Malfi by John Webster

Every Man in His Humour and Epicoene, or The Silent Woman by Ben Jonson

Endymion: or, the Man in the Moon by John Lyly

Orlando Furioso by Robert Greene

The Revenge of Bussy d’Ambois by George Chapman

The Spanish Tragedie by Thomas Kyd

The Bloody Brother by John Fletcher

Telephus by Lucius Accius

De Consolatione Philosophiae by Boethius

The works of Virgil

The works of Horace

Historia Naturalis by Pliny the Elder (shows up in The Silkworm's epigraphs, but before that was probably a huge influence and well of resources for the writing of Harry Potter)

The I Ching, or Book of Changes (all epigraphs in The Running Grave)

Team of Rivals : The Political Genius of Abraham Lincoln, by Doris Kearns Goodwin

The Collected Works of P. G. Wodehouse

The Diaries of Auberon Waugh

Little Women

Poverty Safari : Understanding the Anger of Britain's Underclass, by Darren McGarvey

Justice : What's the Right Thing to Do?, by Michael J. Sandel

The Origins of Totalitarianism by Hannah Arendt

Black Beauty

The Song of Achilles by Madeline Miller

Culpepper's Complete Herbal, cited as a favourite amongst what Rowling calls "reference books". I can't find all the titles, but books like this one inspired the titles and content of the study books in Harry Potter like Fantastic Beasts and Where to Find Them ; for example, A General History of Drugs by Pierre Pomet was shown at the British Library's exhibition Harry Potter: A History of Magic. Equally, an undetermined amount of books on British and world tales which you can guess the influence throughout her books - Cormoran Strike was named after the Cornish giant Cormoran in Jack the Giant Killer, etc.

Suicide and The Division of Labour in Society by Emile Durkheim

Engels and Marx almost certainly (based on tweets)

Again, somebody helps me with the titles cause at this point i'm exhausted xD but JKR has read books written about cults which showed up in The Running Grave and possibly in The Ink Black Heart

And again, several books written by trans people which she said she read while doing research on the topic, cited in the Witch Trials of JK Rowling podcast

Sources : x x x x x + my own memory

Bonus: list of people not appearing in the above list and officially died butthurt about it:

Ursula K. Leguin

Terry Pratchett

😑😑😑😑😑😑😑😑😑😑😑😑😑

[coltonwbrown]

The Talking Fish James Elder Christie

[huariqueje]

Ophelia   -     James Elder Christie 

Scottish, 1847–1914

Oil on canvas,  46 x 31 cm. (18.1 x 12.2 in.)

[simena]

JAMES ELDER CHRISTIE

[oldpainting]

James Elder Christie - Vanity Fair by Irina

[silent-era-of-cinema]

Dorothy Elizabeth Gish (March 11, 1898 – June 4, 1968) was an American actress of the screen and stage, as well as a director and writer. Dorothy and her older sister Lillian Gish were major movie stars of the silent era. Dorothy also had great success on the stage, and was inducted into the American Theater Hall of Fame. Dorothy Gish was noted as a fine comedian, and many of her films were comedies.

Dorothy Gish was born in Dayton, Ohio. She had an older sister, Lillian. The Gish sisters' mother, Mary Robinson McConnell Gish, supported the family after her husband James Leigh Gish, a traveling salesman, abandoned the family in New York. Mary Gish, who was "a former actor and department store clerk", moved with her daughters to Indiana, where she opened a candy and catering business. In 1902, at the age of four, Dorothy made her stage debut portraying the character "Little Willie" in East Lynne, an adaptation of the 1861 English novel by Ellen Wood.

In 1910, she heard from her husband's brother, Grant Gish, who lived in Shawnee, Oklahoma and informed her that James was ill. He was in a hospital in nearby Norman, Oklahoma, so Mary sent 17-year-old Lillian to visit him. At first, Lillian wrote back to her 12-year-old sister Dorothy that she planned to stay in Oklahoma and continue her education, but after seeing her father she admitted she missed her mother and sister. So, after a few months away from them, in the spring of 1912, she traveled back. Soon afterward, their childhood friend, actress Mary Pickford, introduced the sisters to director D. W. Griffith, and they began performing as extras at the Biograph Studios in New York at salaries of 50 dollars a week. During his initial work with the sisters, Griffith found it difficult to distinguish one from the other, so he had Lillian wear a blue ribbon in her hair and Dorothy a red one. The girls, especially Lillian, impressed the director, so he included them in the entourage of cast and crew he took to California to produce films there.

Dorothy and her sister both debuted in Griffith's 1912 production An Unseen Enemy. She would ultimately perform in over 100 short films and features, many times with Lillian. Throughout her own career, however, Dorothy had to contend with ongoing comparisons to her elder or "big" sister by film critics, fellow actors, studio executives, and by other insiders in the motion picture industry. Such comparisons began even from the outset of the sisters' work for Biograph. Linda Arvidson, Griffith's first wife, recalls their initial work for the studio in her autobiography When The Movies Were Young:

Lillian and Dorothy just melted right into the studio atmosphere without causing a ripple. For quite a long time they merely did extra work in and out of pictures. Especially Dorothy, as Mr. Griffith paid her no attention whatsoever and she kept on crying and trailed along. She also continued to play in many one and two reel Biograph films, learning the difficult technique of silent film acting, and preparing for opportunity when it came. Dorothy was still a person of insignificance, but she was a good sport about it; a likable kid, a bit too perky to interest the big director, so her talents blushed unnoticed by Mr. Griffith. In 'The Unseen Enemy' the sisters made their first joint appearance. Lillian regarded Dorothy with all the superior airs and graces of her rank. At a rehearsal of 'The Wife', of Belasco and DeMille fame, in which picture I played the lead, and Dorothy the ingénue, Lillian was one day an interested spectator. She was watching intently, for Dorothy had had so few opportunities, and now was doing so well, Lillian was unable to contain her surprise, and as she left the scene she said: 'Why, Dorothy is good; she's almost as good as I am.' Many more than myself thought Dorothy was better.

Dorothy Gish's budding film career almost ended on a street in Los Angeles on Thanksgiving Day in 1914. On Friday, November 26, the 16-year-old actress was struck and nearly killed by a "racing automobile". Newspapers and film-industry publications at the time reported the event and described the severe injuries Gish sustained. The near-fatal accident occurred as Dorothy was walking with Lillian at the intersection of Vermont and Prospect avenues. According to news reports, after the car struck her, it dragged her along the street for 40 to 50 feet. Other movie personnel who were standing together on a nearby sidewalk, including D. W. Griffith, witnessed Dorothy being hit. The following day, the Los Angeles Times informed its readers about the accident:

...Miss Dorothy Gish, a moving picture actress, was seriously injured yesterday afternoon. Picked up unconscious, she was taken to the office of Dr. Tryon at number 4767 Hollywood boulevard, where it was found her injuries consisted of a crushed right foot, a deep cut in the right side, and bruises on all parts of her body. She was later removed to the home of her mother at LaBelle apartments, Fourth and Hope streets. The automobile that ran her down is owned by T. B. Loreno of No. 6636 Selma avenue, also of the moving picture game.

Subsequent news reports also describe the reaction of other pedestrians at the scene. The Chicago Sunday Tribune and trade papers reported that Dorothy's "horrified friends" rushed to her aid, with Griffith being among those who lifted the unconscious teenager into an ambulance and reportedly rode with her in the emergency vehicle. In addition to Gish's initial examination by the doctor identified by the Los Angeles Times, the Chicago newspaper and Motion Picture News stated that she was rushed to the hospital, where surgeons mended her "very badly torn" left side with "many stitches" and treated the area where one of her toes had been "cut off", presumably a toe from her badly damaged right foot. At the time of the accident, Gish was completing a two-reel romantic comedy with actor W. E. Lawrence. The film, How Hazel Got Even, had already been delayed once at Reliance-Majestic Studios due to director Donald Crisp's bout with pneumonia. Completion of the short was postponed yet again, for over a month, while Gish recuperated. Originally scheduled for release on December 27, 1914, How Hazel Got Even was not distributed to theaters until mid-February 1915.

After recovering from the 1914 accident, Gish resumed her screen career the following year, performing in a series of two- and three-reel shorts as well as in longer, more complex films such as the five-reel productions Old Heidelberg, directed by John Emerson, and Jordan Is a Hard Road, once again under D. W. Griffith's direction. Increasingly, Dorothy's appeal to both producers and audiences continued to grow in 1915, leading W. E. Keefe in the June issue of Motion Picture Magazine to recognize her as "one of the most popular film stars on the Motion Picture screen". In an article about Gish in the cited issue, Keefe also recognizes that Dorothy, career-wise, was finally emerging from her sister's shadow:

A year ago she was known as Lillian's little sister. A year's growth has changed this. Today she is taller and weighs more than her "big" sister, and is known as Dorothy Gish without always being identified as "Lillian's sister."

In 1916 and 1917, Dorothy continued to expand her acting credentials by starring in a variety of five-reelers for Fine Arts Film Company or "Griffith's studio", which was a subsidiary of Triangle Film Corporation. Her work in those years required filming on locations in New York and on the West Coast.

In the 1918 release Hearts of the World, a film about World War I and the devastation of France, Dorothy found her first cinematic foothold in comedy, striking a personal hit in a role that captured the essence of her sense of humor. As the "little disturber", a street singer, her performance was the highlight of the film, and her characterization on screen catapulted her into a career as a star of comedy films.

Griffith did not use Dorothy in any of his earliest epics, but while he spent months working on The Birth of a Nation and Intolerance, Dorothy was featured in many feature-length films made under the banner of Triangle and Mutual releases. They were directed by young Griffith protégés such as Donald Crisp, James Kirkwood, and Christy Cabanne. Elmer Clifton directed a series of seven Paramount-Artcraft comedies with Dorothy that were so successful and popular that the tremendous revenue they raked in helped to pay the cost of Griffith’s expensive epics. These films were wildly popular with the public and the critics. She specialised in pantomime and light comedy, while her sister appeared in tragic roles. Dorothy became famous in this long series of Griffith-supervised films for the Triangle-Fine Arts and Paramount companies from 1918 through 1920, comedies that put her in the front ranks of film comedians. Almost all of these films are now considered to be lost films.

"And So I Am a Comedienne", an article published in Ladies Home Journal in July 1925, gave Dorothy a chance to recall her public persona: “And so I am a comedienne, though I, too, once wanted to do heroic and tragic things. Today my objection to playing comedy is that it is so often misunderstood by the audiences, both in the theater and in the picture houses. It is so often thought to be a lesser art and something which comes to one naturally, a haphazard talent like the amateur clowning of some cut-up who is so often thought to be ‘the life of the party’. In the eyes of so many persons comedy is not only the absence of studied effect and acting, but it is not considered an art.”

She made a film in England Nell Gwynn which led to three more films. Gish earned £41,000 for these movies.

When the film industry converted to talking pictures, Dorothy made one in 1930, the British crime drama Wolves. Earlier, in 1928 and 1929, her performances in the Broadway play Young Love and her work with director George Cukor renewed her interest in stagecraft and in the immediacy of performing live again. The light comedy had proven to be popular with critics and audiences in New York, in performances on the road in the United States, as well overseas in a London production. Those successes convinced her to take a respite from film-making.

In 1939, both Dorothy and Lillian Gish found the stage role of a lifetime. “Dorothy and I went to see the New York production of Life With Father, starring Howard Lindsay and Dorothy Stickney,” Lillian wrote in her autobiography. “After the performance I said: ‘This is the play we’ve been waiting for to take through America.’” Lillian predicted the popular play would be a perfect showcase for all the people who had seen the hundreds of films featuring Mary Pickford, Dorothy, and herself. She was introduced to Lindsay backstage, and immediately surprised the producers with her enthusiastic desire to head the first company to go on the road, with Dorothy taking the same part for the second road company, and the movie rights for Mary Pickford. Pickford did not make the film version, but the Gish sisters took the two road companies on extensive tours. Another stage success later in Gish's career was The Magnificent Yankee, which ran on Broadway at the Royale Theatre during the first half of 1946. Lillian in her pictorial book Dorothy and Lillian Gish repeats John Chapman's comments about her sister's work in that production: "'Miss [Dorothy] Gish and Mr. Calhern give the finest performances I have ever seen them in. She is a delight and a darling.'"

Television in the 1950s offered many stage and film actors the opportunity to perform in plays broadcast live. Dorothy ventured into the new medium, appearing on NBC's Lux Video Theatre on the evening of November 24, 1955, in a production of Miss Susie Slagle's. She and Lillian had previously performed that play together on screen, in Paramount Pictures' 1945 film adaptation.

"The truth is, that she did not know what she really wanted to do," wrote her sister, Lillian, in her autobiography. "She had always had trouble making decisions and assuming responsibilities, in some ways she had never grown up. She was such a witty and enchanting child that we enjoyed indulging her. First Mother and I spoiled her and later Reba, her friend, and her husband Jim. Reba called Dorothy 'Baby' and so did Jim. With the best intentions in the world, we all helped to keep her a child."

From 1930 until her death, she only performed in five more movies, including Our Hearts Were Young and Gay (1944), which was a hit for Paramount. Director Otto Preminger cast Dorothy in his 1946 film, Centennial Summer, and Mae Marsh appears in the film in one of her many bit parts. In the 1951 release The Whistle at Eaton Falls, a film noir drama film produced by Louis de Rochemont, Dorothy portrays the widow of a mill owner. On television during this period, she also made several appearances in anthology television series. Her final film role was in 1963 in another Otto Preminger production, The Cardinal, in which she plays the mother of the title character.

Dorothy Gish married only once, to James Malachi Rennie (1890–1965), a Canadian-born actor who co-starred with her in two productions in 1920: Remodeling Her Husband, directed by sister Lillian, and in the comedy Flying Pat. In December 1920, the couple eloped to Greenwich, Connecticut, where they wed in a double ceremony in which Gish's friend, actress Constance Talmadge, also married Greek businessman John Pialoglou. Gish and Rennie remained together until their divorce in 1935. Dorothy never married again

Gish died aged 70 in 1968 from bronchial pneumonia at a clinic in Rapallo, Italy, where she had been a patient for two years to treat hardening arteries. Her sister Lillian, who was filming in Rome, was at her bedside. The New York Times reported the day after her death that the United States consulate in Genoa was making arrangements to cremate "Miss Gish's body" for return to the United States. The ashes were later entombed in Saint Bartholomew's Episcopal Church in New York City in the columbarium in the undercroft of the church. Lillian, who died in 1993, was interred beside her.

In recognition of her contributions to the motion picture industry, in 1960 Dorothy Gish was awarded a star on the Hollywood Walk of Fame at 6385 Hollywood Boulevard in Los Angeles.

The (since renamed) Gish Film Theatre and Gallery of Bowling Green State University's Department of Theatre and Film was named for Lillian and Dorothy Gish and was dedicated on that campus in 1976.

[timeless-hollywood-classics]

Francis Phillip Wuppermann (June 1, 1890 – September 18, 1949), known professionally as Frank Morgan, was an American character actor on radio, stage and film. He was best known for his appearances in films starting in the silent era in 1916, and then numerous sound films throughout the 1930s and 1940s, with a career spanning 35 years mostly as a contract player at Metro-Goldwyn-Mayer, with his most celebrated performance playing the title role in The Wizard of Oz (1939). He was also briefly billed early in his career as Frank Wupperman and Francis Morgan.

Morgan was born in New York City, to Josephine Wright and George Diogracia Wuppermann. He was the youngest of 11 children, and had five brothers and five sisters. The elder Mr. Wuppermann was born in Venezuela, but was brought up in Hamburg, Germany, and was of German and Spanish ancestry. His mother was born in the United States, of English ancestry. His brother, Ralph Morgan, was also an actor of stage and screen. The family earned their wealth distributing Angostura bitters, allowing Wuppermann to attend Cornell University and join Phi Kappa Psi fraternity and the Glee Club.

Morgan starred with John Barrymore in Raffles, the Amateur Cracksman (1917), an independent film produced in and about New York City. His career expanded when talkies began, his most stereotypical role being that of a befuddled but good hearted middle-aged man. By the mid-1930s, Metro-Goldwyn-Mayer had been so impressed by Morgan that they signed him to a lifetime contract. Morgan is best remembered for his performance in The Wizard of Oz (1939) where he played the Wizard and five other roles: the carnival huckster "Professor Marvel", the gatekeeper at the Emerald City, the coachman of the carriage drawn by "The Horse of a Different Color", the Emerald City guard (who initially refuses to let Dorothy and her friends in to see the Wizard), and the Wizard's scary face projection. Morgan was cast in the role on September 22, 1938. W. C. Fields was originally chosen for the role of the Wizard, but the studio ran out of patience after protracted haggling over his fee. An actor with a wide range, Morgan was equally effective playing comical, befuddled men such as Jesse Kiffmeyer in Saratoga (1937) and Mr. Ferris in Casanova Brown (1944), as he was with more serious, troubled characters like Hugo Matuschek in The Shop Around the Corner (1940), Professor Roth in The Mortal Storm (1940) and Willie Grogan in The Human Comedy (1943). MGM's comedy film The Great Morgan (1946), was written with the story centering on the latter.

In 1936 Morgan played alongside Shirley Temple as Professor Appleby in Dimples. In the 1940s, Morgan co-starred with Fanny Brice in one version (of several different series) of the radio program Maxwell House Coffee Time, aka The Frank Morgan-Fanny Brice Show. During the first half of the show Morgan would tell increasingly outlandish tall tales about his life adventures, much to the dismay of his fellow cast members. After the Morgan segment there was a song, followed by Brice as 'Baby Snooks' for the last half of the show. When Brice left to star in her own program in 1944, Morgan continued solo for a year with The Frank Morgan Show. In 1947, Morgan starred as the title character in the radio series The Fabulous Dr. Tweedy. He also recorded a number of children's records, including the popular Gossamer Wump, released in 1949 by Capitol Records. Like most popular character actors of the studio era, Morgan was sought out for numerous supporting roles. He played Barney Wile in The Stratton Story (1949), which follows a baseball player (James Stewart), who makes a comeback after having his leg amputated due to a hunting accident. His final film, Key to the City (1950), was released posthumously.

Morgan married Alma Muller (1895–1970) in 1914; they had one son, George (1916–2003). They were married until Frank's death in 1949. Morgan was widely known to have been an alcoholic, according to several who worked with him, including Margaret Hamilton and Aljean Harmetz. Morgan sometimes carried a black briefcase to work fully equipped with a small mini-bar. Morgan's niece Claudia Morgan was a stage and film actress, most notable for playing the role of Vera Claythorne in the first Broadway production of Agatha Christie's And Then There Were None. Morgan was also a brother of playwright Carlos Wuppermann (1887–1919, stage/pen names Carlyle Morgan and Carlos Wupperman), who was killed in the Rhineland in 1919 while on duty there with the Army of Occupation. Wuppermann had only one play produced on Broadway, The Triumph of X which opened at the Comedy Theater in New York City on August 24, 1921,[8] but ran for only 30 performances. The production starred Morgan, and also featured Helen Menken as the female lead. Also in the production for his first Broadway outing was Robert Keith, father of actor Brian Keith and one-time husband of Theater Guild actress Peg Entwistle.

Morgan died of a heart attack on September 18, 1949, while filming Annie Get Your Gun. He was replaced by Louis Calhern for the film. His death came before the 1956 premiere televised broadcast on CBS of The Wizard of Oz, which made him the only major cast member from the film who did not live to see the film's revived popularity and how it would become an annual American television institution. Morgan is buried in Green-Wood Cemetery in Brooklyn. His tombstone carries his real name, Wuppermann, as well as his stage name.

Morgan was nominated for two Academy Awards, one for Best Actor in The Affairs of Cellini (1934) and one for Best Supporting Actor in Tortilla Flat (1942). He has two stars dedicated to him on the Hollywood Walk of Fame in Hollywood, California: one for his films at 1708 Vine Street and one for his work in radio at 6700 Hollywood Boulevard. Both were dedicated on February 8, 1960.