#james coffman

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Head of a Goat by James Coffman

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“PARDONETH INIQUITY… passeth over the transgression”

The great hallmark of the New Covenant lies in the promise of God to forgive the sins of his people, a promise that simply did not pertain to the old covenant (Jeremiah 31:31-35); and, therefore, in this we have a certain indication that the passage is Messianic. Note that the promise of forgiveness here is not to the whole of apostate Israel, but to the “righteous remnant,” the true Israel to be revealed in Christ and from which no person, either Jew or Gentile is excluded. This identification of which Israel would be the recipient of the glorious promises appearing again and again in Micah is the key to understanding the whole prophecy. [James Coffman]

[magnumopusfiant]

Cynthia Lynn Coffman - James Gregory Marlow - Fiant

Source:

ENG: https://en.wikipedia.org/wiki/Cynthia_Coffman_(murderer)

GER: https://murderpedia.org/male.M/m/marlow-james.htm

GER: https://www.yubrain.com/de/geisteswissenschaften/frauen-korredor-tod-kalifornien/

Magnum Opus - Fiant:

https://beacons.ai/magnumopusfiant

[kimtaegis]

stories of three little birds for @jkvjimin ♡

texts & paintings, by first appearance: Die Drei Spatzen (The Three Sparrows), poem by Christian Morgenstern // In einem leeren Haselstrauch (In a bald hazel tree), painting by 6-year-old me // Three Little Birds, song by Bob Marley & The Wailers // three little sparrows, painting by Annemiek Groenhout // Three Birds, poem by Ben Onachila // Birds on a Branch, painting by James Coffman // Birds of a Feather, song by Billie Eilish

[equalvision]

Coheed and Cambria at Furnace Fest '24 - Photo: James Coffman

[plaseabow]

Musings on almost.

All writing is my own

Images in order: Edward Honaker, Untitled; James Coffman, Sun and Moon; Luka Khabelashvii, Multiple Personality

[wisdomfish]

The two Israel's [Isaiah 42:1]

The two Israel's in view here are the blind and deaf and rebellious Israel, and the Holy Christ who is the "True Israel," "the True Israel" of the New Testament. The first Israel is a type of the True Israel which is Christ.

The first Israel came up out of Egypt, being called forth from Egypt by God; Christ the True Israel also was called out of Egypt (See Hosea 11:1 and Matthew 2:15). The birth of the first Israel as a nation was accompanied by a wholesale slaughter of innocent babies by Pharaoh who sought to destroy Israel; and the birth of the True Israel (Christ) was likewise accompanied by the wholesale slaughter of the innocents by Herod the Great. All of the first Israel were descended from Abraham; so was Jesus Christ the True Israel (Matthew 1:1). The first Israel, namely, Jacob, died; and Joseph begged the body of the first Israel from Pharaoh for the purpose of burying it; and when the True Israel (Jesus Christ) died, another Joseph begged the body of Pilate in order to bury it. The old Israel received "bread from heaven" in the form of manna in the wilderness; the New Israel receives Christ as the "bread from heaven," eating of his flesh and of his blood in the symbolical ritual of the Lord's Supper in the "wilderness of the Church's current probation." This is an extensive subject; but these few lines will demonstrate the validity of the type-antitype relationship between the two Israel's.

Note what is said here of the character of "The Servant." God's soul delighteth in him (the prophetic present for the future verb). Could this refer to the "nation" of the Old Israel? Certainly not. Ezekiel stated that the secular nation had become worse than Sodom and Gomorrah (Ezekiel 16). He will bring forth justice to the Gentiles. The Old Israel absolutely refused to do this; and they are still refusing to do it... Only in the Ideal Israel, Jesus Christ our Lord, has justice and salvation ever come to the Gentiles. It was primarily because the physical Israel understood Jesus' intention of saving Gentiles that they rejected him and engineered his crucifixion.

~   Coffman, James Burton. "Commentary on Isaiah 42:1". "Coffman's Commentaries on the Bible".

[maureen-corpse]

Not quite! You're referring to Elaine Duillo and the reblog of a different romance cover post about her. While Duillo did create many beautiful covers, she was not at all the only one! An incomplete list of some illustrators can be found here. Just next to me here at my computer, I have a cover illustrated by Pino Daeni (Joyce Carlow's Defiant Captive), a stepback by James Griffin (Elaine Coffman's If You Love Me), and a cover by Elaine Duillo (Catherine Lyndell's Stolen Dreams).

The styles are actually noticeably different from each other, and someone who really looks at book covers all the time can tell them apart without finding a signature or a credit inside (I've seen the person who runs Daily Clinch say before that the artist of a cover is uncredited but it looks like Pino, or it looks like Victor Gadino, and so on. Sometimes they crowdsource the artist!). However, they all are beautifully painted, and they are what I long for.

You can even find John Ennis posting some of his cover paintings on Instagram (and you can inquire about making a purchase!).

It is worth pointing out: romance novels are not the only book covers that have ever been painted. A while ago, I saw someone compare a the cover of a Baby-Sitters Club book to the cover of a Harlequin that had been released in the same year. In fact, I'll show you those covers now:

Now, that person was making a point about the vibe--these are basically the same painted style but you can easily tell that they're different books because of things like the color palettes and the positioning of the figures. We can get into that sometime, but my point here is: BSC books were painted. Mysteries were painted. Gothic novels were painted. Elaine Duillo wasn't painting all of those herself--many, many artists were creating couples embracing, women running away from houses, baby-sitters inventing capitalism, and all sorts of things on book covers. And now? Well, the book cover fights are never won; they just change shape.

Following the Daily Clinch twitter account has really made me realize that due to the tragedy of timing (queers in, romance novel covers I’m nostalgic for out) we have been ROBBED of beautifully painted lesbian clinch covers on mainstream romances. Where are the dramatic seascapes almost entirely blocked out by two embracing women, hair blowing in the wind, tits as out as permissible for a book cover? Where are the ladies beginning a tryst in a field of wildflowers, their bosoms (two sets!) heaving, while a road or a fence or a country house waits in the distance? WHERE ARE THE STYLIZED AND DARE I SAY IT (WITH AFFECTION) DATED CURLICUE TITLE FONTS.

[unatestadellidra]

James Gregory Marlow & Cynthia Lynn Coffman - AFFINITA' DIABOLICA

[lovenoni22]

Check out this listing I just added to my Poshmark closet: Zara/James Coffman Graphic Tee S.

[lowkeynando]

Belief in ghosts is found in all cultures around the world, and thus ghost stories may be passed down orally or in written form. [1]

The campfire story, a form of oral storytelling, often involves recounting ghost stories, or other scary stories. [4] Some of the stories are decades old, with varying versions across multiple cultures. [5] Many schools and educational institutions encourage ghost storytelling as part of literature. [6]

In 1929, five key features of the English ghost story were identified in "Some Remarks on Ghost Stories" by M. R. James. As summarized by Frank Coffman for a course in popular imaginative literature, they were: [7] There is widespread belief in ghosts in English-speaking cultures, where ghosts are manifestations of the spirits of the dead. The beliefs may date back to animism or ancestor worship before Christianization. The concept is a perennial theme in the literature and arts of English-speaking countries. The English word ghost continues Old English gast, from a hypothetical Common Germanic *gaistaz. It is common to West Germanic, but lacking in North and East Germanic (the equivalent word in Gothic is ahma, Old Norse has andi m., önd f.).

The pre-Germanic form was *ghoisdo-s, apparently from a root denoting "fury, anger" reflected in Old Norse geisa "to rage." The Germanic word is recorded as masculine onlys, CLONES

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by James Coffman

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Cheyne compared Jesus and Job, noting that, “Whereas Job, the type of a righteous man, shrinks in terror from the issue (of terrible suffering), the Servant, human and yet superhuman in nature, has no doubt as to a favorable result.”Ibid., p 27. He set his face like a flint to do God’s will. Luke, especially, was impressed with this trait in our Lord’s personality. See Luke 9:51, “When the days were approaching for His ascension, He was determined to go to Jerusalem.’ ~ James Coffman

[rhianna]

Manual of the Enumeration by C. J. Coffman 

https://www.gutenberg.org/ebooks/35998

Author

Coffman, C. J. (Casper James), 1885-

LoC No.

28008765

Title:    Manual of the Enumeration

A Text Book on the Sciences of the Enumeration, Book one

Language   English

LoC Class

BF: Philosophy, Psychology, Religion: Psychology, Philosophy, Psychoanalysis

Subject

Astrology

Subject

Symbolism of numbers

Category   Text

EBook-No.35998

Release Date  Apr 30, 2011

Copyright Status   Public domain in the USA.

[emmaklee]

James Coffman | Eruption No. 3

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Coheed and Cambria at Furnace Fest '24 - Photo: James Coffman