#jacky murda

[tilde44]

Sean Paul - Gimme Da Light (Chopstick Bloodclat Mix)

[da-ill-spot]

Today, March 25! Concrete Jungle LA Rooftop Sessions

We on y’all! First time back at the Fox Theater Pomona Rooftop in over a decade! Come catch a vibe with our Concrete Jungle LA fam today! 💥

TIX!

[banffcentrelibraryandarchives]

MARCH ARTIST BOOK DISPLAY

Tales From the Farm. Jeff Lemire. [Ontario] : Ashtray Press, 2006.

Knock On Any Door (A Revised History): Art and Social Engagement in Calgary, 1912-2012. Eric Moschopedis, Mis Rushton. [Calgary] : Department of Forgotten Histories, 2013.

Sheffield International Artist's Book Prize: 2015 catalogue. [Sheffield, UK] : Bank Street Arts Editions, 2015.

Drawings of David Smith's Sculpture. Wesley Mulvin. [Vancouver] : Perro Verlag, 2006.

Hyena Subpoena: 7 Poems with Soundscapes. Catherine Kidd, Jacky Murda. [Montréal] : Popolo Press, 2014.

Irma Boom: The Architecture of the Book: Books in reverse chronological order, 2013-1986, with comments here and there. Irma Boom. [Eindhoven, Netherlands] : Lecturis, 2013.

Stan Lee is Richard Petty. Secret Headquarters. [Los Angeles, CA] : SHQ, 2016.

Kai Althoff: Vancouver Art Gallery, November 8, 2008 to February 15, 2009. Kathleen S. Bartels, Jennifer M. Volland, curators. [Vancouver] : Vancouver Art Gallery, 2008.

The Apocryphal Codex of Resolutions Transmitted from Planet Coelan to Frances Zorn, August, 1947. Frances Zorn. [Mayne Island, British Columbia] : Perro Verlag, 2008

Róża Selawiska. Maria Jolanta Rozwora, ed. [New York] : Whitchappel Press, 2011.

[happyzyx]

[ARTICLE] Lay Zhang Signs With Range MEdia (EXCLUSIVE)

Range Media Partners has signed Chinese actor, singer-songwriter, dancer and fashion icon Lay Zhang and will represent him globally across all areas. 

The 31-year-old star, who operates under multiple pseudonyms including Lay and Little Sheep, rose to fame as a former member of K-Pop boyband EXO before launching a solo career, already is a household name in Asia, boasting more than 80 million followers across social media.

As an actor, he stars under his full name Zhang Yixing in the Chinese box office smash “No More Bets,” which has earned more than $527 million in China to date, becoming the country’s biggest hit of the summer. Zhang is now the youngest and fifth-ever Chinese actor to reach this box office milestone. “No More Bets” also received a limited release in the U.S. on Sept. 1. 

Next year, he will be seen starring opposite Jackie Chan in the film “A Legend.” His other film credits include films “The Island” and “Kung Fu Yoga,” and he has also appeared on the TV series “Go Fighting!” and “Idol Producer,” serving as a judge and host on the latter.

Since his rise as a core member of EXO, he embarked on a solo career, with his debut EP “Lose Control” hitting No. 4 on Billboard’s U.S. World Albums chart. He is the first Chinese solo artist to hit the Top 25 on the Billboard 200 and the first Chinese solo artist to hit Top 5 on the Worldwide iTunes Album Chart. 

In August, Zhang’s “Grand Line Tour” concerts in Shenzhen and Beijing immediately sold out, with more than 30,000 tickets purchased within seconds of going on pre-sale, leading to additional concerts being added in Shanghai, Nanjing and Chongqing.

As a global brand ambassador, Zhang is currently working with Hublot, Sprite, Fila and Bang & Olufsen. He was Calvin Klein’s first Chinese global spokesperson for their underwear and jean lines and the first Valentino, Converse, Perrier, MAC and Daniel Wellington spokesperson in China. 

“Lay Zhang is exactly the type of artist Range was built for. He’s a true multihyphenate with global appeal,” said Range Music managing partner Cory Litwin and Range co-founder and CEO Peter Micelli in a joint statement. “With the recent breakthrough success of his latest film, ‘No More Bets,’ his presence onscreen shows big box office potential.”

Zhang, who is fluent in Mandarin, Korean and English, joins a Range Music roster that has made impressive strides since its inception two years ago. The division launched its own label in partnership with Capitol Music Group and Virgin Music & Artist Label Services and represents a wide range of talent including Jack Harlow, Saweetie, Justin Tranter, Cordae, Midland, Murda Beatz and Nicky Romero. The division earned seven Grammy nominations this year, with Nova Wav nabbing two awards for its production and songwriting work on Beyonce’s “Renaissance.”

[rubber-starfish]

Violet: Yeah, skrrt

Violet: M-M-M-Murda

Jenny: Motorsport, yeah, put that thing in sports (skrrt, skrrt)

Jenny: Shawty bad (bad), pop her like a cork (pop it)

Jenny: You a dork, never been a sport (dork, yeah)

Jenny: Pull up (woo, woo), jumpin' out the court (court, jump)

Jenny: Cotton candy (drink), my cup tastes like the fair (cotton)

Jenny: Straight up there (where?) we didn't take the stairs (where?)

Jenny: Faced my fears (fears), gave my mama tears (mama)

Jenny: Shiftin' gears (shift), on the Nawf, get serious (serious)

Violet: Face all your fears, then get at me

Violet: Hit so many donuts on them backstreets

Violet: Sit so high in the nosebleeds (yeah)

Violet: Feel like I can fly, yeah

Kari: Xans, Perky, check (yeah), Bill Belichick

Kari: Take the air out the ball, just so I can flex

Kari: Take the air out the mall, walkin' with the sacks

Kari: Take the air out your broad (hey), now she can't go back

Kari: Xans, Perky, check (yeah), Bill Belichick

Kari: Take the air out the ball (yeah), just so I can flex

Kari: Take the air out the mall (hey, walk in with the sacks)

Kari: Take the air out your broad (woo, woo, woo, E)

Kari: Offset

Jenny: The coupe came imported (hey)

Jenny: This season's Off-White come in snorted (white)

Jenny: Green Lamborghini a tortoise (Lambo)

Jenny: No human being, I'm immortal (no)

Jenny: Patek and A.P. full of water (Patek)

Jenny: Hundred K, I spend on my señora (racks)

Jenny: My pinky on margarine, butter (margarine)

Jenny: And my ears got McDonald's nuggets (ayy)

Jenny: Soon, as I land on the Leer (whew)

Jenny: Piguets, they wet, tears ('guets)

Jenny: 488, hit the gears (488)

Jenny: Suicide doors, Britney Spears

Jenny: I'm boujee, so, bitch, don't get near (boujee)

Jenny: Criss Angel, make dope disappear (voila)

Jenny: Hit the gas, it got flames out the rears (skrrt)

Jenny: It's a race to the bag, get the mills (hey)

Kari: Ride the dick like a BMX

Kari: No nigga wanna be my ex (no)

Kari: I love, when he go on tour

Kari: 'Cause he cums more, when I see him less

Kari: I get upset off, I turn Offset on

Kari: I told him the other day

Kari: Man, we should sell that porn

Kari: Yeah, Cardi B, I'm back, bitches

Kari: I don't wanna hear I'm actin' different

Kari: Same lips that be talkin' 'bout me

Kari: Is the same lips that be ass kissin'

Kari: These hoes ain't, what they say they are

Kari: And their pussy stank, they're catfishin'

Kari: Same hoes, that was sendin' shots

Kari: They reachin' out like their back itchin'

Kari: Why would I hop in some beef (why?)

Kari: When I could just hop in a Porsche?

Kari: You heard she gon' do what from who?

Kari: That's not a reliable source, no

Kari: So tell me, have you seen her?

Kari: Let me wrap my weave up

Kari: I'm the trap Selena

Kari: Dame más gasolina (skrrt)

Jenny: Motorsport, yeah, put that thing in sports (skrrt, skrrt)

Jenny: Shawty bad (bad), pop her like a cork (pop it)

Jenny: You a dork, never been a sport (dork, yeah)

Jenny: Pull up (woo, woo), jumpin' out the court (court, jump)

Kari: Uh, yo, watch your man, then you should watch your mouth

Kari: Bitches is pressed, administer mouth to mouth

Kari: You see them stats, you know, what I am about

Kari: I am the champ, I'm Iron Mike in a bout

Kari: Attention, I'ma need you to face front

Kari: You don't want smoke with me, this is a laced blunt

Kari: Rap's Jackie Chan, we ain't pullin' them fake stunts

Kari: My crown won't fit on your bum ass lace fronts (uh)

Kari: You bitches catchin' a fade, shout out my nigga Lil Boosie

Kari: All of your friends'll be dead, you can get hit with that Uzi

Kari: I call him Ricky, he say he love me like Lucy

Kari: Get you a straw nigga, you know this pussy is juicy

Kari: This Givenchy is custom made, now you can't get it at Saks though

Kari: I don't work in no office, but they copyin' and that's facts though

Kari: I ain't tryna be violent, but if Nicki on it, it slaps, ho

Kari: Get you lined for that paper like a loose leaf when that strap blow

Kari: I'm with a couple bad bitches that'll rip the party

Kari: Quavo the QB, I'm Nick Lombardi

Kari: Pull up in the space coupe, I done linked with Marty

Kari: I can actually afford to get a pink Bugatti

Kari: Yo Nick, didn't you just do a hit with Gotti?

Kari: That too, but my niggas send hits like Gotti

Kari: It's a wrap, like the things on the head of a Saudi

Kari: Bitch, you my son, go and sit on the potty (rrrr)

Jenny: Brand new Chanels (Chanels)

Jenny: I stepped on runnin' from 12 (12)

Jenny: Ain't make no commitment with none of you bitches

Jenny: 'Cause money is treatin' me well (uh uh)

Jenny: If Nicki should show me her titty

Jenny: Right hand on the Bible, I swear I won't tell (swear)

Jenny: If I get to play with that kitty

Jenny: I wonder how many platinums we gon' sell (albums)

Jenny: Pop a Perc and catch a feel (I pop one)

Jenny: Now I cannot feel the wheel (woah)

Jenny: My chest bad, give me chills

Jenny: And the left hand on Richard Mille (ice)

Jenny: Not the watch, but the price on the ice

Jenny: If you don't know what that is (huh)

Jenny: Motorsport, motorville

Jenny: Abort the mission, that's a kill (pew, pew, brrr)

Jenny: Motorsport, yeah, put that thing in sports (skrrt, skrrt)

Jenny: Shawty bad (bad), pop her like a cork (pop it)

Jenny: You a dork, never been a sport (dork, yeah)

Jenny: Pull up (woo, woo), jumpin' out the court (court, jump)

Jenny: Cotton candy (drink), my cup tastes like the fair (cotton)

Jenny: Straight up there (where?) we didn't take the stairs (where?)

Jenny: Faced my fears (fears), gave my mama tears (mama)

Jenny: Shiftin' gears (shift), on the Nawf, get serious (serious)

Kari: Girl, yeah, yeah, I wish my grandma could see me (Grandma)

Kari: Take away pain, ain't easy (Pain)

Kari: That's why I fire up a bleezy (Fire)

Kari: Niggas not cappin' this season

[newlabdakos]

Regular and Recurring LGBTQIA+ Characters in series on TV & Streaming Video

These are characters who have first appeared or been revealed as LGBTQIA+ during the 2020/21 season, or whom I’ve recently learned about or whom I hadn’t mentioned in previous posts of this type (that is, on my old blog). Needless to say, this list is also highly arbitrary and incomplete.

Amazon Prime

The Boys

Queen Maeve / Maggie Shaw (portrayed by Dominique McElligott)

Elena (portrayed by Nicola Correia-Damude)

Ezekiel (portrayed by Shaun Benson)

Hunters

Millie Morris (portrayed by Jerrika Hinton)

Maria De La Ruiz (portrayed by Julissa Bermudez)

Starz

Hightown

Jackie Quinones (portrayed by Monica Raymund)

Devonne Wilson (portrayed by Gia Crovatin)

P-Valley

Uncle Clifford (portrayed by Nicco Annan)

Lil Murda (portrayed by J. Alphonse Nicholson)

Continuing the tradition from my old blog (which has been unceremoniously deleted by tumblr without much of an explanation why) I’m doing daily posts during June to celebrate LGBTQIA+ pride by showcasing openly LGBTQIA+ celebrities and various content about or created by LGBTQIA+ people such as music videos, characters on TV shows, movie trailers, ...

[aviatrixdj]

(aviatrix)

Tracks: Mezigue - Hangar Vortex (Bet de Break Playlist) Tom & Jerry - Maximum Style Goldie - Kemistry Addison Groove & Sam Binga - Rzor Jacky Murda & Rcola - Jungle Teng Photek - Into the 90s The Orb - Little Fluffy Clouds Photek - UFO (J-Majik Remix) WK7 - The Avalanche Vatican Shadow - Church of All Images (Regis remix) Decoder - Fog Dillinja - Hard Noize Ed Rush - What's Up Optical - Moving 808s Source Direct - Riotous Dillinja - Weapon of Choice DJ Shadow - Circular Logic (Front to Back)

[theweirdkidinside03]

5 Seconds of Summer spends another week on top; Ariana Grande still holds the most number of entries on this week’s top 40

The top 40 songs of August 11, 2018 are:

1. Youngblood - 5 Seconds of Summer

2. Jump (feat. Trippie Redd) - Julia Michaels

3. Nervous - Shawn Mendes

4. In My Feelings - Drake

5. Born To Be Yours - Kygo & Imagine Dragons

6. Ocean (feat. Khalid) - Martin Garrix

7. Fake Love - BTS

8. Boo’d Up - Ella Mai

9. I Like It (feat. Bad Bunny & J Balvin) - Cardi B

10. Girls Like You (feat. Cardi B) - Maroon 5

11. Only You - Cheat Codes & Little Mix

12. God Is A Woman - Ariana Grande

13. Growing Pains - Alessia Cara

14. Back To You - Selena Gomez

15. Babe (feat. Taylor Swift) - Sugarland

16. No Brainer (feat. Justin Bieber, Chance the Rapper & Quavo) - DJ Khaled

17. Just My Type - The Vamps

18. Rise (feat. Jack & Jack) - Jonas Blue

19. Jumpsuit - twenty one pilots

20. the light is coming (feat. Nicki Minaj) - Ariana Grande

21. The Way I Am - Charlie Puth

22. Girls (feat. Cardi B, Bebe Rexha & Charli XCX) - Rita Ora

23. Bed (feat. Ariana Grande) - Nicki Minaj

24. I’m A Mess - Bebe Rexha

25. FEFE (feat. Nicki Minaj & Murda Beatz) - 6ix9ine

26.  Strangers (feat. Lauren Jauregui) - Halsey

27. Dance To This (feat. Ariana Grande) - Troye Sivan

28. I’m Upset - Drake

29. Too Much (feat. Timbaland) - ZAYN

30. Almost Love - Sabrina Carpenter

31. Solo (feat. Demi Lovato) - Clean Bandit

32. Jackie Chan (feat. Preme & Post Malone) - Tiesto & Dzeko

33. Hey Look Ma, I Made It - Panic! At The Disco

34. Colour (feat. Hailee Steinfeld) - MNEK

35. Entertainer - ZAYN

36. I’ll Be There - Jess Glynne

37. Darkside (feat. Au/Ra & Tomine Harket) - Alan Walker

38. Start Again (feat. Logic) - OneRepublic

39. 5 in the Morning - Charli XCX

40. Hair Too Long - The Vamps

[swl2ton]

Chopstick Dubplate - Bloodclot Dub ft Future Fambo, Jacky Murda and Congo Natty via YouTube https://youtu.be/wGxitxR0J3U

[deadcactuswalking]

REVIEWING THE CHARTS: 12th August 2018

Top 10

Yep, we still have the same top two here, in fact the top five has stayed mostly still overall. “In My Feelings” by Drake featuring City Girls has stayed on top due to the video and streaming power, and I don’t see it stumbling for quite a few weeks.

Right behind it is “Shotgun” by George Ezra, still at the runner-up spot.

“No Brainer” by DJ Khaled featuring Justin Bieber, Quavo and Chance the Rapper is up a spot to number-three, swapping places with...

“Rise” by Jonas Blue featuring Jack & Jack, which is down a single position to number-four.

“Youngblood” by 5 Seconds of Summer is steady at number-five. Funnily enough, I recall saying these guys had their five seconds of fame back when I reviewed “Want You Back”, so don’t rely on me for predicting anything.

Also staying stable is “Jackie Chan” by Tiesto and Dzeko featuring Preme and Post Malone at number-six.

At number-seven, up a space from last week, is “Girls Like You” by Maroon 5 featuring Cardi B.

Meanwhile, at number-eight, we have an 11-space gain straight to number-eight for “Body” by Loud Luxury and brando. I didn’t think this would be as popular as it ended up being, to be completely honest, and I’m very surprised at how fast this has gotten into the top 10.

Then we have our highest debut from Travis Scott’s ASTROWORLD, which has landed an album bomb of sorts – three songs, as is the limit on the UK Singles Chart. That debut, unsurprisingly, is “SICKO MODE” featuring uncredited vocals from Swae Lee and Drake, at number-nine.

Also, we have Tyga and Offset creeping into the top 10 via a one-space jump to number-ten, with “Taste”, and that rounds off our top 10 quite nicely.

Climbers

Now for the climbers and, honestly, despite the album “bomb”, not much happened of interest on the charts other than those three songs, in fact, barely anything has really happened. The only notable gain out of three non-top 10 gains is the 11-spot leap for “Eastside” by benny blanco, Khalid and Halsey, which is now at #12. The other gains are only single-space increases so it’s pointless noting them.

Fallers

The fallers, however, are a bit of a different story. A lot of pop girls struggled this week, including Ariana Grande with “God is a woman” down three spots to #13 and her feature on Nicki Minaj’s “Bed”, which has dropped seven spaces to #38. Speaking of Nicki Minaj, “FEFE” with 6ix9ine and Murda Beatz whimpered down four spots to #21, and the other female rapper on the charts right now, Cardi B, hasn’t exactly been gaining either, as “I Like It” featuring Bad Bunny and J Balvin is down five spaces to #14. Anne-Marie’s “2002” is down six spots to #32, Jess Glynne’s “I’ll be There” got hit identically down to #36, while “This is Me” by Keala Settle and The Greatest Showman Ensemble is down seven spots to #40. Drake had it particularly rough as well, with “Nonstop” down two to #30 while “Don’t Matter to Me” with Michael Jackson is down six to #19. The biggest fall, however, is definitely “If You’re Over Me” by Years & Years, falling a whopping 21 positions straight to #28. How much of this is due to Travis Scott? I’m not exactly sure.

Dropouts

“Ay Caramba” by Stay Free Get Lizzy Presents Fredo and Young T & Bugsey, or whatever on earth that title credit was, is unsurprisingly out straight from the debut at #38, while “Paradise” by George Ezra is also out from #39 – it had a good run. “Leave a Light On” by Tom Walker is also out from #36, but that’s it, so let’s run through the Ed Sheeran Update!

The Ed Sheeran Update

“Perfect” is down three spaces to #60, while “Shape of You” stays at #77. Not much to see here.

Well, that was quick. No returning entries so let’s go right into our new arrivals.

NEW ARRIVALS

#37 – “Best Life” – Hardy Caprio featuring One Acen

Okay, so before Travis Scott, we have a song that been bubbling under the top 40 for quite a long time, and to be honest, I was dreading the day Hardy Caprio returns with another hit, because, God, is he boring? At least now he has a guest star to maybe improve or diversify things but has that really helped at all? No, because it’s still the same faux-dancehall faux-grime stuff to expect. I call it that but it’s really just desaturated trap with some shrill synths and keys that make a just listenable beat for the two rappers to spit over, however the song is mostly the singing chorus, assumingly by One Acen, who also sings during the post-chorus, and he doesn’t have a bad voice so I’m not complaining at all, but maybe I wanted something more interesting to combat Hardy on the first verse biting a Lil Baby flow from “Yes Indeed”, because, out of all the songs to copy, you had to copy the worst possible trap-rap song you could find on the Hot 100? Okay, Hardy... To be fair, this isn’t awful and they both ride the beat well, even if the rapping is actually quite brief. It’s just more of the same, more of the same. In fact, I think I’m going to coin a name for this. Damhall – it’s watered down dancehall with grime-ish lyrics and trap percussion, as well as autotuned vocals, rapping often with melodic, R&B-inspired flows. It’s not the best name in the world, but it’ll be better than saying “faux-dancehall faux-grime schlock” week after week. Not feeling this damhall genre to be perfectly honest. Now let’s take a ride down to ASTROWORLD.

#29 – “CAROUSEL” – Travis Scott featuring Frank Ocean and Big Tuck?

We start with the second track on the album, “CAROUSEL” featuring uncredited vocals from... Frank Ocean? Damn, Frank doesn’t seem like the guy to be doing pop features as often, so Travis and the beat must be something special that made Frank want to lend his immense vocal talent.

Not really. I do like the beat, however, it’s pretty cool how it’s just constant gang vocals going from the left to the right channel as a backdrop behind your typical trap-rap production, which makes it have a party-ish aesthetic that I really like and think fits Travis’ flow really well. Frank, on the other hand, on the hook, sounds asleep and bored, and he does throughout most of the song until his verse where he starts straining his voice very forcefully and frankly, it sounds pretty terrible over a club-ready beat. Come on, Frank, the bored flow at least works for stuff like this, you didn’t need to put any effort or emotion into this performance, yet, you do for some of it and it just doesn’t sound good at all. Stick to sounding like you’re on half a Xan during your guest features, it works much better. Oh, yeah, and this song is barely three minutes and ends very abruptly. It’s just kind of sloppy if anything, mostly because of, unfortunately, Frank Ocean. The song’s serviceable, I suppose, and I know why it charted – it’s catchy, it’s at the start of the album, yet I’d have much preferred “NO BYSTANDERS”, “SKELETONS”, “R.I.P. SCREW” or even “STOP TRYING TO BE GOD” to chart instead of this and the next few tracks, although this next one I’m not necessarily complaining about.

#15 – “STARGAZING” – Travis Scott

Ah, the opening track to ASTROWORLD, and one of the few songs that doesn’t have features as well as actually being somewhat astro-themed, as it’s very psychedelic and trippy yet does feel like a theme park ride in its structure. Let me elaborate.

It starts with some slow, eerie chords with some beautifully autotuned singing throughout, before you get a drop – the bass and the rollercoaster – which starts initially with some pretty disjointed drum patterns, as your mindset would be during a ride, as Travis says, “going crazy” and “rolling”, quite similarly to the effect of psychedelics. He has some pretty... interesting falsetto vocals here, as well as the classic ad-libs we know him for crowding the catchy hook, before the drums start to collapse briefly and we get a moment of peace, of build-up, with some sweet guitar and extra keys, which sound really pretty, especially with all the sound effects of people screaming and having fun on Astroworld building the atmosphere. It then comes to a sudden stop and you’ve gone down the biggest slope in the rollercoaster, so you’re calmer but the ride hasn’t stopped. The beat switches and now you’re going through maddening keyboard loops whilst a slick trap beat plays, allowing Travis to spit some surprisingly impressive bars here, with a simple flow but some funny lines like about how it’s not a moshpit without injuries and how Kylie’s jumping off him like Moby – you figure it out – while a faint “alright, alright” vocal sample plays, and then it just comes to an abrupt stop. Your ride has finished, but it’s only the first track so you’re ready for the unimpressive mediocrity of the other rides in the theme park that you only go on because you have younger siblings with you.

#9 – “SICKO MODE” – Travis Scott featuring Drake and Swae Lee

Speak of the devil.

Alright, so this track is three songs, and the only reason why this absolute mess of a song was the biggest hit is because of Drake, but you know that already. Let’s analyse each part of this five-minute trap-rap trilogy.

We start with a fantastic sample, and one of the best moments on the album as Drake just sings over one of the best beats I’ve heard this year, God, I love that sample so much, but then the percussion comes in and he starts rapping, for one bar. Yep, the last line (the title) echoes and we go into a completely different song with a serviceable beat, where Travis Scott starts rapping with a flow I feel we’ve heard from him a few times before, with some extra classic hip-hop samples acting as ad-libs to his rapping, as well as some pitch-shifted chopped-up Big Hawk samples acting as bridges while Swae Lee just repeats one line in the background, but then after two verses, that one transitions too, pretty abruptly, into a boring Tay Keith beat for Drake to go all “Nonstop” on. Drake does half a Xan on a plane and is out like a light (like a light, ayy, yeah, what), and it tells. Over a Memphis-influenced instrumental, Drake delivers a decent enough verse but really, neither him nor Travis have enough charisma and energy to carry this. I appreciate how the beat goes all DJ Screw on us by the end, leading into the next song on the album, “R.I.P. SCREW”, but really, isn’t this just a huge waste of money for Travis? Sure, he’s probably getting it back and more, but a huge feature in the form of Drake, two guest vocalists (Swae Lee and Sheck Wes) hired purely for ad-libs, at least three samples, two of which are short clips that really aren’t worth the royalties he and his label probably had to pay, can’t be cheap, especially considering the four to six producers probably involved in this that had to get their paycheck too, even though knowing the industry, they probably won’t be getting them at all.

This song, as it is, is just a five minute slog, especially considering only the first minute is worth listening to. If someone has a separate track of just that Drake intro, I’d appreciate a link.

Conclusion

Yeah, Best of the Week goes to Travis Scott for “STARGAZING”, who also bags Worst of the Week for “CAROUSEL” with Frank Ocean and one of the two Dishonourable Mentions for “SICKO MODE” with Drake and Swae Lee, with the other going to Hardy Caprio and One Acen for just being void of anything interesting in “Best Life”. See you next week.

L

[da-ill-spot]

March 25 | Rooftop Sessions | Fox Theater | Pomona, CA | Tickets

[zeropaper]

"MS016 - Jacky Murda & Tuffist vs Levi Roots & Mikal Rose - Cool Me Off / Chopstick Dubplate Remix" by Moonshine Recordings

[spookykittiesinspace]

Cool me off

y o u k n o w e x a c t l y w h a t I m e a n

[diabeticgirl4]

Multiples of 8 for any of your OCs?

aaaaaAAAAAAA BLESS U ANON SO MUCH

I doubt anyone remembers my OCs heck I barely do OTL since they’re way severely underdeveloped and I never mention them ever whoops BUT I’M GONNA DO IT ANYWAYS THANK U FOR THIS OPPORTUNITY

(OC Refresher bcause heavens knows I need it:)

Jackie Evans- the silent protag for my Blue nuzlocke……. which I promise I will start soon….. eventually…… OTL

Murdae Odemus - an old fantroll that was originally for a fansession that… didn’t rly last long, so she doesn’t have a setting/story, she’s more of just a standalone character. also she’s a STRONG nerd lol I like to call her troll spencer reid

Questions~

8) Has your character ever fired a gun? If so, what was their first target?

Jackie: nah, typically she solves violence w pokemon fights. :U BUT if not for pokemon she’d prolly have a gun specifically for self-defense. If she were in an absolute life-or-death situation she wouldn’t hesitate to shoot, but more often she just prefers to show it off in a threatening manner than actually use it lol.

Murdae: yeah, but first she’d completely dismantle it, study it inside out, put it back together, and almost accidentally shoot herself in the face lmao. She’s kinda disappointed that human guns aren’t too different than troll guns, but it still makes her uneasy (she uses penknifekind) so she wouldn’t directly shoot at anyone.

16) Which does your character idealize most: happiness or success?

Jackie: success. Ever since she watched Lance become the New Kanto Champion live on tv when she was super young, her life goal’s been to fight Lance herself. Add Gary to the competition……… she would have a super hard time living with herself if she lost. :U

Murdae: kinda both? Mainly success, but she’s more chill about it than Jackie lol. She just wants to learn ALL the things, and learning new things makes her happy, so it works out.

32) Describe a scenario in which your character feels most uncomfortable.

Jackie: When she’s stuck in a position where she specifically needs to communicate to someone and doesn’t have a psychic pokemon to translate/the person doesn’t understand asl. which is unfortunately often. 

Murdae: mmmm she doesn’t particularly feel uncomfortable v often? Closest thing is when she’s infodumping on something and she can tell someone’s irritated with her/wants her to just get to the point already, but she just? can’t stop? she loves infodumping.

40) How does your character treat people in service jobs?

Jackie: Since she can’t speak, she knows it can’t be easy for those ppl to deal with her, so she tries to be extra polite and gentle. Usually one of her pokemon speaks for her, and since they’re usually not as polite (pokemon typically aren’t treated on the same level as humans, so most pokemon have their own ways of dealing with that) Jackie has to be extra apologetic ^^;

Murdae: do trolls have regular service jobs? :o fjksdf Murdae would drive them crazy with questions about every little thing and answers that lead to infodumping. I’m so sorry for anyone who has to deal with her OTL

…….is that it? :D aaa that was fun, thank u again anon!!!!

[jackyclouds]

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