#jô shishido
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Branded to Kill (Seijun Suzuki, 1967).
#koroshi no rakuin#branded to kill#seijun suzuki#jô shishido#kazue nagatsuka#akira suzuki#mutsuo tanji#motozô kawahara
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Films watched in 2021.
194: A Colt Is My Passport (Takashi Nomura, 1967)
★★★★★★☆☆☆☆
“I’m not running away. I’m surviving.”
#films watched in 2021#A Colt Is My Passport#Takashi Nomura#seis#Koruto wa ore no pasupoto#1967#quote#Jô Shishido#jo shishido#action#drama#film noir#yakuza#mafia#Chitose Kobayashi#Jerry Fujio#crime#facepalm#guns#back#smoke#legs#windows
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Jô Shishido (Dec 1933 - Jan 2020)
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Bad movie I have Gate of Flesh 1964
#Gate of Flesh#Nikkatsu#Jô Shishido#Kôji Wada#Yumiko Nogawa#Tomiko Ishii#Kayo Matsuo#Kuniko Kawanishi#Misako Tominaga#Isao Tamagawa#Chico Lourant#Eimei Esumi#Hiroshi Chô#Keisuke Noro#Mikiko Sakai#Terue Shigemori#Kôji Yashiro
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hisho monogatari / tale of sorrow and sadness (jp, suzuki 77)
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Branded to Kill
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Kutabare akutô-domo - Tantei jimusho 23 (Detective Bureau 2-3: Go To Hell Bastards!, 1963)
"Will you help us out of your sense of justice?"
"I'm not in the mood for jokes. It's work, I'll get paid. I need a gun and a fake driver's license."
#kutabare akutô domo tantei jimusho 23#detective bureau 2 3 go to hell bastards#detective bureau 2 3#go to hell bastards#1963#films i done watched#japanese cinema#yakuza film#seijun suzuki#jô shishido#tamio kawaji#reiko sassamori#nobuo kaneko#kinzô shin#naomi hoshi#asao sano#yûko kusunoki#kotoe hatsui#hiroshi hijikata#iwao yamazaki#on paper i suppose this might easily have been a fairly by the numbers yakuza thriller#but its suzuki so of course its much more than that#a colourful stylish thriller full of eccentrics and dark humour. the support characters are great#especially shishido's employees. lots of familiar faces too. it's not as out there as suzuki's late films but#it's not as formal as his early work either. it belongs to a sort of middle ground of lively genre fare#i suppose the turning point might be the very next film he made. youth of the beast is just that bit more avant garde#and that bit more affecting#still this is great fun and certainly one i will revisit im sure
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Youth of the Beast • Director Seijun Suzuki
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The Boy Who Came Back | Seijun Suzuki | 1958
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Koruto wa ore no pasupooto (1967)
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殺しの烙印 - Branded to Kill (1967)
Quotes
#殺しの烙印#branded to kill#movies#japan#crime#hitman#jô shishido#annu mari#quotes#one-liners#drama#booze#women#killer#innocent but flagged
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A Colt Is My Passport (Takashi Nomura, 1967)
#A Colt Is My Passport#Takashi Nomura#Koruto wa ore no pasupoto#1967#hands#guns#black and white#mafia#yakuza#Jô Shishido#bomb#telephone#violence
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Branded to Kill (1967)
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Eddie Muller returns to #NoirCitySeattle today to resume his hosting duties for the rest of the festival. Today's line-up comprises four Japanese classics: 12:30 PM - A Colt is My Passport (Koruto wa Ore no Pasupōto) 3:00 PM - Branded to Kill (Koroshi no rakuin) 6:00 PM - Pale Flower (Kawaita hana) *35mm* 8:30 PM - Rusty Knife (Sabita naifu) Full NOIR CITY line-up and tickets available at http://bit.ly/2OC6HZs All films screen at the SIFF Cinema Egyptian. Sunday, February 16, 2020 12:30 PM A Colt is My Passport (Koruto wa Ore no Pasupōto) Japanese star Jô Shishido, in one of his first leading roles, plays a hit-man trapped between competing yakuza gangs. This combination of gangster picture, film noir, and Spaghetti Western is not only director Takashi Nomura's most famous film, it's the personal favorite of more than 170 films made by Shishido, one of Japan's most unique movie stars. Featuring an experimental score by Harumi Ibe and gorgeous cinematography by Shigeyoshi Mine. Director:Takashi Nomura 1967, Japan. 84 minutes 3:00 PM Branded to Kill (Koroshi no rakuin) Jô Shishido is back, competing to be Hit-Man #1. His tale is told in a non-linear mosaic of absurdly dynamic sequences, assembled in seemingly random order. The head of Nikkatsu, producer of the film, branded it "incomprehensible" and vowed director Seijun Suzuki would never work again, but this colossal car wreck of a movie has become a favorite of style-loving cineastes. Leave logic at the door and deeply inhale a pure hit of cinematic mayhem. Director: Seijin Suzuki Japan, 1967. 91 minutes 6:00 PM PALE FLOWER Kawaita hana An ex-con falls under the spell of a reckless young gambler whose pursuit of danger has no limits. A superbly stylish masterpiece of existential noir. Digital presentation Japanese with English subtitles 1964, Japan. 96 min. Dir. Masahiro Shinoda 8:30 PM RUSTY KNIFE Sabita naifu A young ex-con is enlisted to help bring down a yakuza boss, but he really wants to avenge the murder of his fiancé. Vital Nikkatsu crime–JD hybrid. Digital presentation Japanese with English subtitles 1958, Japan. 90 min. Dir. Toshio Masuda
#noir city#NoirCitySeattle#siff cinema egyptian#a colt is my passport#branded to kill#pale flower#rusty knife#eddie muller#noir alley#tcm party#japanese cinema
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yajû no seishun / youth of the beast (jp, suzuki 63)
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