#ive said it once and ive said it again: thinking about the timelines gives me a headache so most of the time i just dont VKJSHDFDS
Explore tagged Tumblr posts
Note
hiii, first off im gonna say I love your fics, and I love your analysis of all the NXX boys, it rlly made me wanna learn more about the non-luke characters lol. (plus that one fic of yours that was omega luke going into heat permanently lives inside my head)
I just wanted to say abt the ask that wonders if Rosa knows Luke's illness is chronic - he tells her explicitly that the doctors have told him he has less than three years of life left in story 3 of under the milky way. it's right at the start of story 3, in the letter he sends rosa.
which also leads me to a question about the canonicity? canon-ness? canonnity? of the cards. I'm sorry if I'm just completely out of the loop, I dropped ToT for a bit before coming back and I have a terrible memory. but are all the events in these cards canon? because like the asker said, it rlly would change the dynamic if Rosa thought the illness was just chronic. (also I forgot if he mentioned the 3 year thing elsewhere). post-utmw Rosa knows he only has 3 years left but does regular rosa know?
I think I'm just incoherent and I'm sorry for the long ask haha it was rlly rambly but yeah that's basically what I wanted to ask.
hi anon!! first off oh gosh, thank you for your kind words!!
im so glad you like both my analyses and my fics (especially the omega luke fic gosh, it’s been so long since then, i almost forgot i wrote that HAHA)
now in regards to that ask youre mentioning, i fear there mightve been a misunderstanding! cuz in that ask, we were pertaining to the mc that exists within the Main Story Route. whereas the mc youre describing is the mc that exists within the Luke Personal Story route. forgive me if i misunderstood but to explain, eventually, main story and personal story (aka where all the respective cards, respective personal stories, and probably even the team events in a wibbly wobbly timey wimey way, exist in) diverges
to better visualize this, ive made a chart. but you caught me at a time i was doodling and had my drawing tablet plugged in so we’re all getting a taste of my bad handwriting
so if you look at this, you'll first notice how i forgot the number 6 in main story and then rushed to squeeze it in. but more importantly this is what i mean by diverging
based on what i remember, im pretty sure (....okay semi-pretty sure) that for all of the boys, main stories 1-5 has happened. this is because cards will mention dangerous/busy work (nxx work) and thus mc must be part of the team first for that work to happen. main stories 1-5 also must have happened because thats how she meets/works with (or re-meets, in luke's case) all of the boys one by one. after which, the personal story routes (along with all the cards) happens in a divergent timeline
there are some caveats tho. very very early cards of luke (and for this ask i will focus on luke's divergent personal story route timeline, just for simplicities sake.....should i abbreviate too? Luke's DPSRT = divergent personal story route timeline. Luke's MSRT = main story route timeline. perfect. that totally makes things less confusing!) mention mc not yet knowing where luke was during his 8 year disappearance, meaning that those cards MUST have happened BEFORE main story 5, when he tells the truth about where he went
barring little bits like those though, this divergence generally stands. the biggest proof of the divergence showed up in main story 9 because at that point, mc in Luke's DPRST already Knew about luke's illness. but mc in Luke's MSRT does not, and does not know as much as of the details as well.
another smaller proof that Luke's DPRST and Luke's MSRT are divergent is aaron. in Luke's DPRST, mc meets aaron for the very first time in bloom chapter personal story 4. but in Luke's MSRT, mc meets aaron for the first time in main story 9.
now on canonicity? my answer is yes
on like, everything.
barring the AU cards (like sott and gufeng cards, yknow), everything in all timelines is canon. just NOT at the same time. you can only choose one and---
oh my god wAIT THIS RESPONSE IS ONE I CAN USE TO ANSWER ANOTHER ASK IN MY INBOX, SIT TIGHT ANON 1
CUZ I GOT THIS ASK A FEW DAYS AGO FROM AN ANON I WILL CALL ANON 2:
and my answer to anon 2 over here is
i think the prologue is a dream sequence or some kind of metaphor or some kind of fever dream, yeah, but one that takes place in the Main Story Route Timeline specifically. and that something went wrong. terribly wrong, though idk what yet exactly.
the reason i think this happens in the MSRT in particular is cuz of 1) it's a prologue to main story in particular, i feel + 2) because of what we call "pulls" in this game: we use a Tear (of themis) to receive a pull of a card, which are called Visions.
all the cards of happier romances take place in divergent timelines, and these are visions because maybe it is MSRT mc who is having visions of these different possibilities that couldve happened, if only she werent in this timeline she chose, in the main story timeline where so many horrible things happen.
.....i feel as if ive said the word "timeline" way too many times to be making sense now, but theres my answers, anon 1 and anon 2!!
i hope something in here was useful and/or interesting ;w;
#asks#anon#ive said it once and ive said it again: thinking about the timelines gives me a headache so most of the time i just dont VKJSHDFDS
21 notes
·
View notes
Note
Hey, I am new to ur blog and totally love it!! Definitely my fav one on here & thank u for putting out ur perspective!
So, idk if this has been discussed here before (been here only for the past 2 days.. will deep dive into it🫡) but just wanted get some things off my chest as this blog seems to be a safe place to voice it out.
1. In one of their recent ivs with Kiss fm when asked about how to get out of the friendzone, he agrees to some extent with Nic, but when the interviewer said "just do a me & stay there", L was immediately jumped in to agree and looked visibly nervous, clearing his throat - this solidifies my opinion that he has feelings for her is and is afraid to confront them.
2. I may be reaching with this one, but I think the cast also knows what's up with them? Like Claudia keeps referring to herself as 3rd wheel, Johnny giving a teasing smile to LN when he talks about N and Luke T glancing at them while saying "fear of falling in love" & "oh, personal advice" when LN talked about insecurities.
3. Not to forget in the friendzone or love iv, she raises her brows & hits him with the paddle as of calling him out for sending "mixed message". Also, when she says "don't call me bro, pal or dude if u kiss me" seems to be directed at him. This is the only interview I couldn't get through cause the tension between them was seeping through the screen.
They definitely seem to have some kind of attraction towards each other but holding off for some reason (in some of the interviews they did prior to the promo tour, the ones they did indoors, he keeps giving her googly eyes & scanning her face with his eyes with a smirk & he wasn't like that with claudia. You can see N doing the same to him on some instances). My guess is that N has her guard up as she said she is cynical about love and probably decided to stay friends with him as it could affect their work life (but the maks slips off time and again). I believe that they caught feelings while filming s3 and it might've surprised both of them (remember, his break up with Jade also happened around the same time, she started dating someone else right after breakup so I cant help but notice how the timeline overlaps). He had just then got out of a LT relationship & probably they didn't want to act on his feelings. I am assuming all their bottled up emotions came out with full force once they reached the end of the promo.
From what I understand, they seem to be having an on/off relationship in terms of their feelings, very much like the ross & rachel dynamic he so often keeps mentioning (he said that Polin never get the timing right which is kinda untrue considering once C realised his love he got P, he seems to be talking about Nic & himself). I think the lines were really blurred & at this moment both of them are confused as to what/how they feel.
Now coming to him dating A, I think for him he believes dating A is safer cause he isn't going to lose anything there but with N if it doesnt work out he is going lose their friendship (like it happened with J for him). He really is like Colin & in L's own words, I hope he "gets some vision" & sees "what is right infront of him". For me, it looks he is probably lost right now & acting out cause he doesnt how to deal with his feelings for N.
Apologies for making it so long, I hope u find time to read it, but i had to get it out of my system cause its getting really tiresome to see people calling them disingenuous & questioning their friendship/love they have for each other & labelling it as PR/fake when in reality their dynamic seems too complicated.
First off, thank you and I really appreciate it!
Secondly, thank you for sharing, I pretty much agree with everything you said.
The only point I will add is in Brazil N mentioned that she used to be more cynical about love but that it was changing. Which was apparently a conversation that her and L had.
Then in the KISS interview she said that she loves love.
This is quite the progression. I'm interested to know what caused this change and why now? I have my suspicions...
26 notes
·
View notes
Text
LMAO ZEN (doesnt it happen for everyones routes though? i havent done like another story yet tho)
anyway before i get into talking about jumin (as the route im on rn) i wanted to wonder
yknow how certain things happen but only on someones route?
like zen has the echo girl thing, idk what yoosung has i forgor but i think jaehee had that one project??? that got her interested in like coffee stuff? jumin has the arranged marriage?? and seven has like. well. the hacker stuff.
but it never gets mentioned on someone elses route ? i dont think? i feel like itd be more cooler if it was all happening at once as like little references (but either something they can handle or cant handle outside of the route. just like maybe a vague mention of trouble to interest the player in that route, while still making sense from like a timeline standpoint???)
like. people doing things but its not because youre the one pushing it towards that. i like that more. and im curious how chaotic itd be
anyway
JUMIN. (disclaimer: I dont like him)
WARNING i start venting in this post. theres only one mention of a triggering thing (which is warned before the actual vent part but i dont want to put here to bring the mood down more cause in all honesty im over it. im just kind of projecting.)
i think ive said before how i can understand the liking of possessive partners
but. okay maybe its just that i dont like jumin as much as the others but. this is kinda way too much. or maybe its that i value my own independence a whole lot or maybe its because i really dont like the thing with his cat (and i LIKE cats. so giving me a character who likes cats and making me not like them??? ahgeiudhf)
like 'dont leave or ill go insane and make your face known everywhere so i can find you again' like the fuck no w h y CAN I LEAVE
I want to leave i dont care if i get the bad ending get me out of here 😭 (actually i think the bad ending mightve been if we encouraged being compared to like his cat and like. was willing to stay forever.)
e w NO like CHILL
maybe. im. being too extreme. and im just too on edge. but like. can you not. i am not your property?? i am not an object??
now LISTEN i understand marking. like like yknow biting and so and so as like a claim over your partner. and now that? thats hot and i like that. but thats ONLY for the bedroom there comes a point where too much of a thing is a bad thing
ALSO we've known each other how many days has it been. eight?? WE've known each other EIGHT days dont be horny bonk
g o o d . this is good.
STOP. dont talk like you know whats best for a person. like its some thing that'll happen, not a what if.
AGHHHHHHHHHHHHHH. now if he was being more weird id say go home but hes. OKAY. ish. now. like hes trying. and anyway getting him to not do it takes time. and also this is a game of romance fantasies where creepy shit gets played off as kinky or something. (not a jab towards mysme its just the kind of thing its trying to do which can result in uncomfortable parts if you take off your rose-tinted glasses of wOAH ROmANCE. its expected since ppl think certain things are hot when in reality its kind of very not that great)
…CAN I GO HOME???? like BRUH im not gonna accept you just cause you do so and so
why does this feel like a 'nice guy'. maybe this is my bad because this is making me really want to leave buth gdiuhfuih
trigger warning. i vent. mention of kermit sewer slide but nothing actual.
ive been pushing the 'stay here to help jumin feel more calm' but. i do also need to prioritize my own well being and my well being is not happy here rn 😭 (on a serious note though while its important to be there for your partner, its NOT a good thing to give everything to make sure your partners okay, because y'all are equals and as you help them stand they need to help you stand too or you'll collapse under all that and it really wont be a good time. im telling you its very draining. and why i promote the idea of get your shit together before you get with someone because there comes a point where you can be too dependent on your partner which isnt good for you or for them [and they can feel hesitant to express their feelings because they dont want to hurt you, or hesitant to do anything too stressful because theyre like that support pillar for them, and they dont want to do anything that causes otherwise because they dont want their partner to get hurt. it can also mean they go along with what the other wants even if they dont really want to because they dont want to hurt them. am i projecting? ithink im projecting. cause like. ive been there. and honestly i think it kind of fucked me up cause there was like a power imbalance in that one was significantly more fragile and vulnerable then the other, which made me feel like i should be going along with it because i didnt want them to be hurt when they didnt have anyone else they could rely on but me. [i tried to get them to make more friends cause relying on a single person is very unhealthy but no dice] but that also meant that they didnt respect my boundaries or respect me when i say no and instead just gave off excuses to make me change my mind or made me feel like i had to do what they wanted or theyd deliberately hurt themself. so.. it was a lot. anyway it really fucked me up cause i felt like i was in the wrong for not going along with it. blah blah blah. we split. i genuinely have no idea if it was true or not but they'd started saying things to make me feel bad and just not a fun time at all. they were probably in a really dark time in their life but im gonna be honest. i dont know in what scenario its okay to go 'im gonna kermit sewer slide if you dont [blah blah blah]'. so yknow. and this is not really the same but it still feels the same in walking all over boundaries and lines and is especially why i do not like this character a bit. yay trauma.])
i might actually get a bad ending because i. really dont like this.
#mysme#mystic messenger#thoughts#vent tw#cw vent#personal vent#i kind of got off topic#haha oops#mysme jumin
11 notes
·
View notes
Note
I'm new here so sorry if you've talked about it before, but what's the tea between Austin and Olivia deJonge? a while ago I heard someone say that they had something during the filming of Elvis but that they are no longer close and don't follow each other on Instagram. they also said that Austin was unfaithful to Vanessa with her, but tbh I don't give these rumors about celebrities cheating much credibility unless they are 100% confirmed 😅 thanks!!
oh, my sweet summer child…*pats your head*. this has become a veryyy contentious topic on my blog so i don’t talk about it much anymore but since you’re a new fan looking for info, as was i once, i will do one Final brain dump about it.
he still follows her and her finstas that i don’t think she uses anymore lol, but yes olivia unfollowed him in september. something that is funny (at least to me) within the context that said unfollow was when she went out with sophie turner and taylor swift. like…what did blondie say that pushed you ever the edge girl LOL. then little miss instagram anxiety unfollowed 100 random accounts the next day trying to pretend it wasn’t selective.
this is also a little contentious because there isn’t proof proof in the form of like kissing photos or something (just beach pap photos from nov 2020 where they aren’t touching each other haha). but in my humble opinion they were involved during filming.
timeline gets a little messy at the start, but i do think re: some late december early january gossip about him being seen with olivia that austin and v were broken up a hot minute before it came out publicly on jan 14th 2020 so 🤷🏼♀️. don’t think it was some big affair. they were def broken up before jan 2nd, a day that will leave in infamy lmfao. olivia posted a photo in austin’s shirt, which v fans clocked immediately bc he’d wore in it on vacation with v. and this was jan 2nd, two weeks before the breakup went public. i wasn’t in the fandom for this, but as ive been told it was a real mess. olivia went private briefly, deleted the pics, asked the society fans to take the photos down and it was the beginning of instagram becoming the seemingly anxiety inducing thing for that that it is now.
(ex: after the oscars last year she posted some elvis filming throwbacks on her story as a nice little end of the era thing. one of her and austin she wrote ‘so proud 🥀 @austinbutler’ on. she then deleted that story, reposted it, deleted it again, and reposted it without the text.)
and i mean yeah- big (probably intentional) goof on her part with the shirt thing. but idk. she was 21 at the time, and i’m willing to give 21 year olds a little girl what are you doing grace.
whatever happened between her and austin, the most she’s done re ‘shade’ is liking a comment someone left on her page saying she deserved better when he was seen with lily rose and something got sent to deuxmoi that said he’d cheated on her (imo he didn’t. she was just hurt bc seeing him move on stung, or maybe the door that should have been fully shut wasn’t. lily was august 2021, he left australia march 2021)- and hanging out with v a handful of times mid 2022 (though she herself never posted about it, it was either other people or paps).
a lot of people on here reallyyyy don’t like her, but i’m a fan so that’s my girl. i have a real big soft spot for her, and a while ago when a friend of mine in the fandom at the time told me ‘oh the internet wasn’t nice to her at all’ in the months after the shirt debacle it really hurt my heart.
even with a little smidgeee of shade as explained above ^ i think she’s handled whatever maybe not so positive feelings she has towards him reasonably. they seemed to get a long just fine and happy during elvis press- esp so in toronto which my fav interviews of the two of them are from bc that press tour stop was just them and baz. she’s never said a negative world about him publicly, and i doubt she ever will. the most candid she’s ever been about elvis filming was an interview earlier this year where she said she did ‘a lot of growing up on that job’ and that she sees her life as before and after elvis. i think that’s the most “deep” she’ll ever go down that road, at least for a long while.
between her unfollowing him in sept, turning off her tagged photos in feburary. and recently deleting a comment v left on a post of hers within 30 seconds (i presume bc she knew just like we did that v was doing that for drama/attention, it was right after austin’s esquire interview where he briefly, respectfully talked about her), i think she’s genuinely trying to move on with her life. which can be hard! i never get over anyone! and if my personal read is right that she was a mix between a rebound and the priscilla to his elvis when he was really living in that man’s head that’s even more of an idk…niche heartbreak to have to wrestle with? whether the other party actually did anything wrong or not. i don’t think austin did anything to her or broke her heart with any malicious intent at all. none of the olivia/austin stuff changes how i see him as a fan. he’s a complex human, olivia is a complex human. that’s the gist.
8 notes
·
View notes
Note
where does one get started with lupin i’m curious
i will always recommend the movie Castle of Cagliostro (1979) directed by miyazaki because it is the best lupin media ever in my opinion. BUT. the problem with starting here. is that it's kind of like the magnum opus. which is insane to say because it's the 3rd lupin movie ever made but it's like. ok. it's super good but the lupin characters dont ever have that same amount of depth ever again and it's not really mentioned anywhere because there's no series continuity. it's kind of like a retrospective of the series that would take place near the end of a hypothetical timeline. but there isn't a timeline. no continuity. so Technically you could start anywhere with no issues as long as you know the very basic premise. once you know the main characters you're pretty much set for anything. with varying quality. and trust me it varies a lot. to the point where i don't easily recommend it LOL. um but aside from cagliostro hmm. i really like part 1 even though theres a lot of issues with it because like, it's definitely aged but there's a lot of depth (miyazaki also worked on part 1 lol) and you can see how people became so attatched to these characters. to me its a really good mix of ridiculously silly and seriousness and dread. ok and other than that. uhhh. hm. Fuma Conspiracy is a really good movie (and a shitty rip of it is currently on youtube hehe). oh and animation-wise i'd rec Lupin III: The First (yes the name makes it a pain in the ass to talk about) but the plot is not particularly good and also theres nazis in it. theyre the bad guys but jesus christ its a lot. also disclaimer pretty much everything i listed will have guns + violence and sexism. like Extreme Sexism. i hate this stupid series sometimes. a lot sometimes. cagliostro has the least sexist portrayal of fujiko my best friend fujiko the femme fatale and theres a section on the wikipedia about fans complaining about the lack of sexualization. to give you an idea of where this is at. theres always a ton of other shit going on in the movies n shit too so lmk if you'd like any specific tws for specific medias i listed.
TLDR:
• there's no continuity so all you need to know are the characters who are always being put into situations. MAIN CAST: Lupin III, Jigen, Goemon, Fujiko, and Zenigata. gentleman thief, gunman, samurai, femme fatale, and the detective trying to stop them all. they're all crazy. that's all u need to know. congrats you're set. that being said.
• Start with Castle of Cagliostro. (which is my fav but it's different from a lot of lupin media 💔)
• after that I'd go with Part 1 i guess. it sets up the characterizations extremely well but theres also Problems and Issues.
• Fuma Conspiracy. a solid movie 👍
• Lupin III: The First. amazing animation. plot leaves more to be desired. it follows the general plot beats of cagliostro though. still havent decided how to feel about that but WOW HES 3D!!!
• after this you can do whatever you want but watch out. i dont think ive watched anything else i could rec to a normal person.
#im not kidding about tws like dear lord theres always so much. i think ill have to come up with a list someday. that being said even when#there isnt awful shit in episodes/movies/etc a lot of it is just like. badly written. and i still enjoy it but. i can genuinely only#describe it as cocomelon. its doing something to my brain and its probably harmful. have i mentioned the amount of lupin dreams ive had#where i talk to these fucking characters. or i AM them? unbelievable. i need to be examined.#anis gaymer moments#long post
11 notes
·
View notes
Note
i want to ask for a directors cut on what happened to the feyre that was supposed to be there but i feel like that may be too spoilery. is that something that will be explained later on? :D
oooh!!! yknow, i was going to touch on it a bit in the fic but definitely not to the fully developed scenario that i created in my mind. but considering me, the author, knows/wrote (lol) what happens to the real feyre i can and will definitely explain!!
reader!feyre will likely never know the exact extent of what happens, especially considering that the way i wrote the surial, a walking-talking magic 8 ball, doesn't know about the details either. and no matter what happens, in the high lady universe the mother and the cauldron will never speak straightforwardly, only in circles and riddles. how fun!! 🤪 i love being silly, goofy, and annoying!!
considering reader (being in their mid-late 20s as a human being thrusted into the body of a literal 10 year old feyre), has their wits more about them than the actual child whose body they're inhabiting, i like to think that it all came down to choice. feyre being the youngest child coming of age in a world that certainly does not give a shit if she lives or dies and with a family (from a book perspective) that is so self-centered they cant look past their own narcissistic bubble, she just opted out of life so to speak.
when reader and feyre briefly shared a mind at the moment of convergence, i think that the cauldron/mother gave them both the choice to look to their future and reader said yes, feyre said no. so they swapped bodies. for a 10 year old to witness war with hybern and (the delicious pain im going to commit) scared the shit out of her and she said nope, nope, that's all you! and jumped ship.
reader on the other hand agreed to stay.
once they fully swapped, the cauldron/mother removed their memories of the future so every single choice that is being made is not being done under the influence of a "right timeline" hence why somethings are similar and somethings are WIDELY different.
ive never been particularly silent that reader!feyre is 100% indulgent and is like a self insert of MYSELF if i was feyre which is why she only makes choices i would make if i was in her shoes. i am a sick romantic at heart with a lot of love to give and very little confidence to show it thus, why i have reader being loved by all three illyrian dickheads lol
and that's why reader was like THREE?? sign me up, im volunteering!! and feyre was like NOPE. nu-uh. then later in their swapped lives when feyre's "spirit" gave reader permission to stay and keep that life, it was a final seal of that metaphorical coffin. this was it, there was no going back. for either of them.
im skimming out over finer details but that's kind of the gist of it? again, these kinds of things won't be explained in the fic simply because a) the suriel doesnt know themselves, b) the cauldron/mother are mischievous as fuck, and c) i have a chapter where the entire truth is laid out and i cant possibly imagine the tension to be any more delectable than reader screaming that she doesnt have all the answers. it kinda fucks hard yknow!
thank you sO SO SO SOOOO much for this question, i fucking love that yall are letting me deep dive. im sending you so much love anon oh my gOD 🌹🤍
7 notes
·
View notes
Text
Just a Digimon Adventure 2020 Post about The TaiShiro Moments
(Sub)
I love how Taichi and Koushiro are both shown to think highly of the other. Taichi even brags about how smart koushiro is sometimes, its so wholesome.
Everytime the group gets separated, the first person Taichi tries to call is almost always Koushiro.
and in the first episode Koushiro meets up with the rest of the group in the digital world, Taichi's face immediately lights up.
Like if anything happens ever, Koushiro usually addresses Taichi right away. Between Him and Tentomon, both are the ones checking in on Koushiro and making sure he's doing okay.
Specific moments from episode 36:
"but there's only 20 minutes left"
"that's more than enough"
"we won't know unless we try right?" Taichi believing in his ability.
"but--"
"there's no time left, lets go"
"alright, I'll support you!"
Then
"Let's go, koushiro!"
"R-Right!"
Then
Koushiro, you have to do this!"
"me!? No way! I can support you, but I can't--"
"koushiro"
"I leave it to you."
"Taichi-san..."
"I'm counting on you."
*kou hesitates*
"Right!"
"Go, Kosuhiro!"
AND THEN KOUSHIRO THINKING ABOUT HOW HE HAS ATLURKABUTERIMON, AND THEN SPECIFICALLY THINKS BACK TO WHAT TAICHI SAID TO HIM IN EPISODE 3 BEFORE THINKING OF EVERYONE ELSE TOO-
It was also just great to see Koushiro feeling good about his own ability- especially with this music at the end, damn.
episode 43 was funny.
They call eachother like, every episode to see how it's going.
Episode 59
So when they get that trial wrong, Taichi is taken, and [digimon] says he's gonna undergo surgery to become a digimon.
Taichi just smiles and says "Nah don't worry about me guys, I leave the rest to you Koushiro."
Then Koushiro blames himself for whats gonna happen to taichi.
And whiole all this is going on, we know taichi is worried about how the other is handling it right now, since he's under a lot of stress.
Bro koushiro looked so sad.
and then tentomon always believes in koushiro, always. which is exactly what he needs
EDIT
SO THE ENGLISH DUB JUST CAME OUT A FEW DAYS AGO AND IVE WATCHED (at least the episode with TaiShiro moments) SOME OF IT AND I HAVE MORE THINGS TO SAY
So let’s start from the top once again
(Dub)
Episode 1’s script for the most part is unchanged :)
However, there is the changes to the names.
While in the original Tai was just ‘Tai’, this time his full name is Taichi, and Tai is just a nickname. His last name though has still been changed to Kamiya instead of Yagami.
Koushiro actually does keep his Japanese name in the English dub! But this time ‘Izzy’ is also just a nickname. Of course, he retains his last name ‘Izumi’ like he did in the original English dub.
ANYWAY ANYWAY
one of my favourite bits from episode 1, is when Koushiro is showing Taichi his timeline, and Taichi goes something like:
(I actually posted the clip here)
“Well..I’m really bad at that stuff. You’re awesome, Koushiro!”
And Kou seems surprised and caught off guard by the complement, before quickly turning his attention back to his tablet in embarrassment and saying:
“Y-You can just call me Izzy—!”
And we know later in the dub, that Koushiro prefers being alone, which also suggests he doesn’t have many friends, or doesn’t go out of his way to make any. He doesn’t really like being around people. So we can guess that before Taichi, the only people that call him Izzy are his parents.
So Koushiro giving Taichi express permission to call him Izzy, especially for Koushiro, is something special and significant, even if Taichi doesn’t know this.
I will absolutely be adding onto this in the future
#digimon#digimon analysis#digimon adventure 2020#digimon adventure#koushiro izumi#taichi yagami#izzy izumi#tai kamiya#taichi x koushiro#TaiShiro#TaiKou#KouTai
14 notes
·
View notes
Text
‘Verse: Resistance Story: Chewtoy AU, co-author @whump-sprite Timeline: The Resistance have rescued Connor from the feds
Fix Him [Prev | Next]
The soft click of the door makes Ariadne jump, and her flinch jostles Connor and makes him twitch. He tries to move his limbs and cries hoarse and Ari pats his cheek and hushes him “Shhh, shh, be still.”
Morgen is back, and dread curdles down the length of Ari’s spine.
Has she done something wrong already? Has she forgotten something? Is it time for the witch to rip what she wants out of Connor’s mind?
If she lets Ari stay with him and try to comfort him through it, she’ll count that as a mercy. She’ll try to count it as a mercy. She’ll swallow the anger bubbling in her throat and fizzing across her tongue because she is grateful, she is.
She eases her aching, cramping leg out from under Connor so that she can get up. He shudders and moans, eyes glassy.
“It’s about time he can have a little more morphine,” Morgen says. “I have a few minutes, so I thought I’d come and check that you’re okay giving it.” “Thank you,” says Ari, because Morgen’s tone suggests that this is a favor she’s doing them.
She’s self-conscious checking the notepad. She doesn’t have her instructions memorized yet. She doesn’t want to get this wrong.
She draws up the drug from the hand-labeled bottle, just like Morgen showed her. As she moves to put it into the IV, the witch steps closer to watch her hands, and Connor sees her. With a sharp, cracked yell he tries to flinch away.
“Shh!” Ari tells him. “Connor, be still. I’m not hurting you.”
Her hands shake a little, but it’s not technically difficult. Morgen nods approval, and Ari hates the sickly way gratitude twists inside her chest.
Connor’s gaze is locked onto Morgen, and his breathing stays ragged and choppy despite the fresh drugs. Ari is reluctantly grateful again when Morgen nods her towards the door to talk outside. It gets the witch out of the room with him.
She follows at Morgen’s heels, obedient, ready to receive orders and just hope it’s nothing that will hurt Connor.
Once the door is closed, Morgen turns to her.
“You see a lot of people like this, Milonas?” Ari swallows, caught off guard. “I used to,” she hedges. Her heart is suddenly racing, trying to break out from behind her sternum. “Not since Connor rescued me.” Rescued feels like a lie but it’s not, it’s not. “Before that I be– I, mh, I was kept in a blacksite, a prison. 17.”
I belonged to a torturer, she almost said.
She’s not meant to think like that. She absolutely doesn’t want to say that, especially not to the Resistance. She nearly did.
Morgen’s gaze is cool and critical, but she inclines her head. Ari looks down at her own feet, at the scuffed toes of her boots. She feels scruffy and dirty and small.
Deep breath in, slow and subtle so it isn’t obvious.
“This…” she falters, “He’s… not gonna get better, from this.”
She’s looked at his hands, his ankles, his feet. If the infection doesn’t kill him, he’ll never walk again. He'll never use his hands.
She drags her gaze up to reluctantly meet Morgen’s eyes. “Can… you fix him?”
She has nothing to offer that she hasn’t already promised them. Nothing that they can’t take with or without her consent if they want it.
“I’ll kill for you, I’ll die for you, anything you want, anything I can.”
She has to try.
“I’m a witch, not a goddess.” For a second Morgen sounds annoyed and Ari is cringing inside, ready to drop to her knees.
Then the witch’s expression softens a fraction. “My brother is a healer,” she says. “He’ll do what he can. It’s not… It’s not like he snaps his fingers and it’s better.” Another frown. “You know that. You’ve seen kept healers.” “Thank you,” Ari breathes. “Thank you so much.”
“Don’t expect the results to be perfect. But… he’s brought people back from this kind of condition before. No need for killing or dying. I can kill perfectly well on my own. And I can’t imagine how your death would do us any good. Besides, he needs you.” “Thank you,” Ari repeats, hating how pathetic she sounds. "Thank you."
“The man who did this,” Morgen says. “Well. The lead interrogator responsible for this.” “Maclauren.” For a second Morgen looks surprised, then her eyes narrow. “How would you know that?” Ariadne quails. “I – I don’t,” she flounders, “I just – the pattern, his ankles, a-and hands, and, Maclauren has a grudge, I just assumed — I shouldn’t have assumed. I don’t know that, it was a guess, I’m sorry.” “Maclauren has a grudge against Thompson? Why?” “Because he took from Maclauren when he saved me.”
Silence. Ari is frozen, naked under Morgen’s scrutiny as if her gaze could pierce her clothes and pick out every scar.
“Well,” the witch allows eventually, “you guessed right. Maclauren wasn’t there when I went in. I’d have liked the chance to kill him. Your Connor isn’t the first he’s hurt.” Not by a long, long way. Shivers race across Ari’s skin. She can scarcely breathe. “Connor isn’t in any state to answer questions yet. So perhaps you can help us.” “Anything,” Ari promises, too fast. “You knew him. I want to know anything that might help me find him.” “O-of course. I, uh, i-it’s all years out of date, I’m sorry, but – of course.”
She knows his full name, and his serial number. She’s written it on enough forms that even after two years, it’s still engraved in her mind. She doesn’t remember the license plate of the car he drove when she was a trainee, but she remembers the make and color.
With every detail she gives, she paints a picture of how close she was to him.
She knows that he likes to go out for drinks after work, especially at the end of the week. She can name some bars he used to frequent, maybe still does.
She can feel the stain of association like a slick of grease across her skin, a filth that she’ll never be rid of. How much can she say before the warlocks understand that she participated in what he does to their kind? Before they decide that she deserves to share in whatever death they have planned for Riven?
It might be worth it, she thinks, so long as he dies too.
She even remembers an address, where he used to live, and that interests Morgen more than any of the rest.
“That, it, was five years ago, no, um, six? He might have moved since then…” “Even an old address might be enough to let me scry him. Thank you, Milonas. When I kill him, I’ll let you know.”
[Next]
12 notes
·
View notes
Text
i just finished totk and a link between wolds and i have thougths.
under the cut. (ill put a little spoiler warning when nessesary)
this ran out of my control so beware a really long post down there
a link between wolds first
ok okokokok. so. this is the greatest game of all time. the concept of link turning unidimensional its the most unique and cool ive seen in a zelda game. the puzzles are so cool and exploring the world(s) its so much fun.
also skyward swords its usually said to be the one that broke the zelda formula but albw also did. you can solve the dungeons in any order you want and get the items for a weird little creature (aka my new favorite character) with rupees at any time in the game.
i also loved the story. spoilers start here
This was my seventh zelda game and its definitely not my favorite story wise. BUT. the concept of it its so interesting. the twisted hyrule aka lourde its great and also hilda aka evil zelda its so interesting as well as ravio aka the weird link its the greatest reveal ive seen in a zelda game. and the twist of hilda being behind all the evil plan also surprised me.
another thing i found really interesting its the fact that the triforce its completed by the end of the game and Link and Zelda get to make a wish. because this is a concept that its been established in a lot of the games ive played but ive never actually seen it happening (i suppose its because of the downfall timeline or whatever).
spoilers end here
ill say the only thing i didnt love about the game is its difficulty. ive only played another 2d zelda game (links awakening) but in comparison this one its too easy. i died a total of 2 times, one of them in the final boss (which is a really cool fight btw). so yeah, kinda easy but not really a complaint.
totk time
man. what do i say about this game.
i didnt love botw and i usually dont like 3d games. but i guess i cannot longer say that because i love totk. its so fun and big (how does it run in the swich).
also playing totk made me appreciate botw more. its so cool how even without the main story both games tell a different story and how besides link being almost and avatar he gets to have so much story, growth and personality. In botw link is almost always alone, literally only accompanied by the ghost of his past. while in totk a lot of npc recognize him, help him and just are there with him. also hyrule tell its own story; in botw its almost a post apocalyptic (ex) kingdom. npcs are always in tiny towns, and the few that leave are scared and in danger. and everything its destroyed, gannon its trapped in the castle and theres no hope for the kingdom. but the in totk they are rebuilding!. i have never been this emotional about a bunch of npcs as i am with totk/botw once. they go out to explore and treasure hunt!. there is a school!, a newspaper!. they know zelda and link and hyrules story!. they let link sleep and gives him weapons and food whenever for free!. im not crying i promise (lie).
and the amount of storytelling that theres is the world alone its insane. i get sad everytime i catch some poes because they are the souls of the fallen hyrule warriors and people from before botw.
now lets talk about link (again) and zelda because they had taken over my mind. link and zelda from botw failed. thats the whole point of the story. they failed the first time, they couldnt save their friends, their kingdom, they didnt defeat ganon, link couldnt defend zelda. so then 100 years latter they have to fix it and save what is left of the kingdom they couldnt protect. botw its so sad. even when they win, the kingdom its still broken and they friends are still gone.
then in totk they do everything they can to help the new hyrule, and when it its in danger again, they fight. in botw, i like to think most of the time link will be running in the wild (dah), camping alone, then go and defeat gannon on his own (the champions help but they are ghost and it was their duty anyways). and then, in totk the very first thing link does after living the sky its go to the fortress (idk its name) where there is people willing to help, then he go and travel finding and helping people on its way. they want link, the hero, to help them fight this monsters, because its gives them hope. he goes to see his friends and they willingly help him. they don't have to risk their lives but zelda asked them to help link and of curse they will. they trust him. he is their friend, and they wont let him be alone.
now a little bit of spoilers
when link goes to the castle, expecting to fight ganandof alone and then the sages show up and deflect the attack i almost cried. then at the end of the game when link loose contact with them and still goes in alone and they show up again. im... ;-;
and zelda!. my girl fought so much and she was alone for so much more i want to give her a hug. when she gets turned back to human and she says she was sure she would be gone (a dragon) forever... ;-;
end spoilers
now lets talk about that final fight.
damn, what a good fight. i was there for so long (my fault for getting there with 3 hearts and no food), but we did it and it was amazing.
ok thats it. in conclusion a link between worlds its almost as good as links awakening but im going to say its my new favorite zelda game because it deserves so much more love that it gets. also cook some food before you go to end game, believe me youll need it.
#sorry that is so much text#if someone read this ily and also sorry for the bad english#red plays games#totk#albw
2 notes
·
View notes
Text
I will now infodump completely random self indulgent thoughts about Halloween and Friday the 13th that i otherwise would have no other opportunity to voice, because I want these thoughts out of my head and into words.
releasing pent up energy lmao
So, Halloween:
I rewatched this for the third time on the 13th because I am a dirty, filthy cheater. The goal was to get extremely high and watch one of the Friday the 13ths (F13 for short) but at around midnight my heart had a very specific craving that only Michael Myers could satisfy.
As I watched it, I recalled how I felt the first time I watched the film a year ago. I had a lot of thoughts then that still hold up to how I feel now, now that its my special interest.
First of all, in 2021 I attempted to get into the slasher genre but I was too weenie to venture very far. I watched the first Halloween and thats it.
And, when I watched it, I distinctively felt unimpressed with the first two acts. It wasn't not entertaining, but I remember being like "I dunno, this is fun and all but it isn't that scary?"
Even some of the first kills, like Judith barely being aimed at, with people's eyes going cross-eyed- it's kind of goofy.
but then
Very subtly, about an hour into the movie, by the start of the final act... something shifts.
When Laurie gets off the phone and walks over to the Wallace house and finds the bodies, from that point to the end I was completely enraptured. The tension mounts and mounts and mounts, and by the time the credits roll I only just realize how hard my heart is racing. In fanfiction terms, i let out a breath I didnt know I was holding. (except, like, actually tho)
and I had the exact same experience when I watched the movie again a few days ago, foolishly thinking Im long past being afraid of silly ole Mikey.
that must be, I feel, why the first Halloween is so spectacularly iconic.
I also remember my jaw dropping at the unmasking moment. It was when you realize- he's not really old, he's not physically deformed or anything like that- hes just a guy. He's practically just a kid himself. (When Loomis says hes 21 in the sequel I even yelled out "HES ONLY 21?!?" even though you can do the math yourself while watching the first movie lmao. in my defense, I watched that a year later, so I forgot how young he was) He almost looks afraid once the mask comes off. He's exposed, in every sense.
that scene really blew my mind.
but, Ive mentioned this before, these films didnt hit Special Interest status until I watched the second one for the first time this past october. I think it was the upped action in the sequel that pushed it over the edge into adoration territory for me.
I really love each timeline the films go through (well, for the most part) for different reasons. They all scratch different itches. And they give my imagination so much to work with. Fanfictions too, its really interesting seeing which interpretations of the characters people decide to expand upon. My favorite is the new Green trilogy (yes, even with some issues I have with Kills. and I unabashedly love Ends) and the Jamie Lloyd trilogy is in 2nd place.
Then, also this year, I had a proposition for my friends. Two friends. We call ourselves Movie Club. Every other sunday or so, we watch something over Discord. Our choices of movies are always incredibly random.
This past October, I was like, "hey, how about we watch some horror movies? I have a whole list I am trying to get through"
and on that list was Friday the 13th. I didn't know anything about it. I barely remembered Jason was the slasher of the franchise until my friends refreshed my memory. 1 friend had already seen it and said that it would be perfect for Movie Club.
And so, we watched it.
First of all, it was everything I wanted it to be when it comes to campy horror. With the screaming teens fumbling over themselves and all.
Second of all, I was SHOCKED. so was my friend who also went in blind. I don't even want to mention why. I am not going to. If all you know is Jason slashing away at teenagers in the woods, then you know just as much as I did, and you should absolutely give it a watch. You know less than you assume.
In fact, I'd go so far as to say that the very first Friday the 13th movie has much more exciting surprises now than it did when it was released.
We, as a Movie Club, said "oh my god. Well, now we have to watch the second one." (by that point, we were all going in blind)
So we did.
it STILL SHOCKED US.
We said "well fuck, we have to watch the third one now"
So we did.
And by then, we were in too deep, we simply had to know how exactly the franchise transitions from that to future titles like "Jason Takes Manhattan." We had to know how he goes to space, and we had to know how he fights Freddy. We were in it for the long haul.
So we watched them all together, and Jason cemented his place in my heart. One day this special interest will pass, but those memories with my friends will be forever.
And now with the new series being made by Bryan Fuller? I dont think we were even halfway through the series before my friend dropped that news, and I was immediately like "oh FUCK yes."
I never drew tons of fanart or anything, but I AM a reasonably large Hannibal fan. and I know how beloved Bryan Fuller is, I love the dude too. I love that he stands up for fangirldom. It's a breath of fresh air.
Ive been following any press he's been releasing for Crystal Lake and I am so fucking immensely excited for it, I have already ranted incessantly about it to two unsuspecting friends of mine. From those interviews, he and I seem to be on the exact same page when it comes to what we find important about the F13 series. Yes, it's really goofy, but there's also a certain heart and tragedy to it, and he seems dedicated to making sure that shines in his series.
I'm so excited about this series that Jason doesnt even have to be in it and I'd probably still love it. (Except he will be in it lmao im just saying)
And now, I am still watching new slasher films. I am almost done watching all the Nightmare on Elm Streets. They're fun, but they dont do it for me quite like Halloween and F13 have. (I'm still glad I'm watching them tho. I must say, Wes Craven's New Nightmare was incredible) Next up i'll probably watch some one-offs before diving into the Texas Chainsaw Massacre films. I have a feeling I will love Bubba once I meet him. I hope so! I want to love more slashers like I love Michael and Jason. We will see tho.
I think thats it for my ramblings. for now.
4 notes
·
View notes
Text
what does it mean to be free?
i think we were meant for just that . i think kurt cobain was right when he said people were evil but some people were just straight up basic. and how that brings others into this weird way of viewing themselves where they’re abstract and have to hide from others the fact that they’re just so abstract. it’s an awkward conversation when you try to bring that to the surface so you might as well just dodge it. i think it’s not just self-wallowing when you find that you’re quirky. but i think i’ll take upon the responsibility to make sure every basic and normal person finds their inner weird and inner abnormal because that’s what i think would make the world a bit more harmonious.
what confines humans to a mortar shell in this prison incel of a society , modern cage of iron - are concepts of money and guilt. that money is something to be afraid of losing, something to keep on gaining. survival is a rat race and fight of the fittest. i was in 7th grade in mr Gouldes science class that i absolutely abhorred with every other class except art and english but i somehow won the game of darwinsim we played as a class. i just know when we came to this earth we were nothing but babes, naked and innocent and afraid. bloodied from our mothers wombs , without social branding of numbers and personal identifications and silly little cell phones that heard us talking to curate more silly little ads. but i don’t think we were meant to live like this —in a robotic like state. and you know what i don’t give a fuck anymore? i don’t give a fuck about the structures and timelines that i ought to succeed here and ought to do the things i ought to do in those certain little ways until i breathe my final breath and just die — because i quite frankly don’t think it would matter. ill die in a rapid and tremendous yet small way and i’ll die in my honesty that i still think we were meant to be free.
free to love , free to nurture , free to do as many as the drugs we want because nature vs nurture couldn’t have prepared us for the amount of fucking bullshit that life herself had devotedly surprised us with … like a gift wrapped in soft pastel tissue paper. i think some of us are too fucked up to live sober and that’s ok. i think some of us won’t ever be able to understand that and that’s ok . i think some of us will stand in the in-between carrying the guilt and the shame from not knowing how to think about sobriety and drugs but the solace in the fact that we could die from medication because we tries to kill the pain. and im utterly convinced once again that nothing matters. and once again, i am convinced nothing matters. but love. and that that’ll be the only reason why i choose to live, for love.
though my inherent values defy this world and call it breaking the law, call it unabiding or even uncivil. just as i am a published writer n i still don’t know how to spell basic words. i write for me. i let my words be for me. i let them mean what they want for me. i will live my life FOR ME.
they tell us not to smoke, not to drink, to be drug free …. but what they don’t tell us is how good it feels to be finally relived. what they wanted from me was to be an adult and by that they meant to take the child out of me. but why take the final parts? im too “immature im too young im too naive.” i think ive heard it all to the point where i interpret it as i kant simply just Be.
. …. i want to live like the kids of nostalgia, summertime sadness and godsent blue where i take risks and impulsive decisions because i really just want to. my therapist says that not all impulsive decisions means you’re self harming. i want to be in the back seat of my moms dodge chevrolet again with my headphones and big frown wrinkling my forehead wondering if ill feel this way forever and hating it but never realizing just how easy it was to just think that was all there was to feel and even that felt like the weight of the entire world. but years go on and you realize not every feeling is like another. and freedom isn’t always living in the wild eating berries n dreaming of electric fans. i think it’s just so funny when i feel the most enlightened when i’m crying and dry heaving after these drug binges but i know i’d miss a lot of things if i werent here today and tomorrow and forever. but i don’t want to live forever, i want to live everyday ….. with the sound of my friends voices vibrating through my ears as my brain comprehends their language to words to meaning to feelings like 8 track memories
i want to make absolutely no absolute promises because i really don’t know when it’ll stand true at the end if i’m honest. i want to live fully freely and safely with no one taking that away from me. i want to be free.
2 notes
·
View notes
Text
#AHHHHHHHH I NEVER REALIZED THIS (bc when i was reading i was imagining painstakingly bruteforcing this solo lol) #AHH…… SOMETHING ONLY NATORI CAN FIND IN THIS FAMILY………………. SOMEONE TO HELP HIM??????? #cause all this time ive been like. why did his uncle say that when it turned out not to be a youkai solution it was just mundanely #mechanical. BWAHHHHHHHH. CAUSE HIS FAMILY SUCKS. GOD (via @joelletwo)
i LOVE this take and i do think natori being able to ask for help and make connections is the point of the story (love when natsume thinks to himself "when he was little...and when he searched this empty house for the first time...there was nobody who saw what he saw. he must've felt all alone." 🥺) but tbh i'm still confused about why uncle natori said this. like it is true, but is it what the uncle was talking about? here's the progression of events:
uncle hides "the box for mitsuru" in the house when shuuichi is a child. source: can't be any later because it has to be before #2. can't be before shuuichi's birth because the box only came about because others in the family were upset about shuuichi being able to see youkai.
child shuuichi tells his uncle (beginning of ch 115) "the weird ghosts. the box for mitsuru. thery're gonna show me where it's hidden." this is how the uncle knows that there were youkai watching him hide the box and they know what it's for.
teen shuuichi (not sure of timeline exactly but this is not present-day shuuichi so i'll say teen for ease of telling them apart) calls his uncle and asks if he can come over to look for exorcism materials. the uncle tells him that there's a secret that only he among the family can find. we get most of this information from the phone call illusion near the end of ch 114, but natori had already given the broad strokes of it (that his uncle told him the house holds a secret that only he could find) near the beginning of the same chapter.
teen shuuichi comes over the next day and his aunt and uncle are gone along with their personal effects. he looks through the house but doesn't find anything. we also get this information from the phone call illusion, so its veracity is questionable. the only thing real!natori says is "i had an opportunity to search once, but i couldn't find anything." (presumably this means no youkai showed up to be like "hey wanna see a secret box?") natsume in the present day notes that the house looks lived in, with furnishings and belongings. so did the aunt and uncle really leave that day and take all their things, or was that part of the phone call illusion a lie? is the house actually furnished in the present day, or is that part of the general illusion on the house? unclear.
at some point during or after that day, teen or adult shuuichi drives the youkai out of his uncle's house and puts up barriers (beginning of ch 114). the operative thing here is that this must have happened after the uncle told natori about the secret, so the uncle probably thought (and incidentally was correct) that there were still youkai in the house at the time he said that. but for some reason they don't approach teen shuuichi, or maybe he drives them out as soon as he gets there, before they can tell him anything.
over time, the barriers he put up are removed by others (natori says this at the beginning of ch 114).
in the near present day, adult shuuichi attempts to exorcise a youkai. she sees into his soul and latches on to his memories of his uncle's house. she takes up residence there and pretends to be his younger cousin (who never existed). he decides to play along with the illusion because it gives him an excuse to go back to the house and look for the secret again. before he goes, he asks natsume to come find him if he's not back in a day.
he ends up getting trapped in the illusion. the next day (the present day), natsume and sensei arrive to snap him out of it. natori tells natsume he's looking for something and natsume decides to stay and help.
as they're walking around getting bombarded with illusions of child shuuichi's memories, he remembers that one of the youkai who told him about the box as a child had a six-eyed mask, and he thinks he's seen that mask on display in the house somewhere. they find the mask and realize it's the only one with an eyehole. natsume looks through the hole, which contains a lens pointed at a specific part of a nearby mural. natori moves his hand over the mural until natsume can see it through the mask, then presses that spot, which opens a hidden compartment containing the secret box.
so i think the uncle probably believed, at the time that he told teen shuuichi to come over and look at the house, that there were youkai present who would lead him to the box. but at what point (and why) did he set up the two-part mask/mural mechanism? as you said, that didn't require any special youkai-seeing ability to operate. anyone in the family could have operated it, as long as there were two of them. so why would shuuichi be the only one able to find the secret? did that mechanism not exist at the time he was talking to shuuichi, and he only set it up later? (doesn't seem likely. when would that have been?) or did he really mean that everyone else in the family is so incapable of working together and asking for help that shuuichi was the only one who could either a) be led there by youkai or b) find a friend who could look through the mask? but again if he thought the youkai would lead shuuichi to it, i don't know why he put the mask/mural thing together at all. and i don't know how he expected anyone to find the mask in the first place. what is your motivation sir!
and this does not even address the (possibly bigger) question of why the uncle wanted shuuichi to find the box at all...uncle natori you are so mysterious!!
[ID adapted from alt: Pages from chapter 115 of the Natsume's Book of Friends manga. Natsume kneels on a ladder to look through a small hole in a mask near the ceiling. Natori asks, "Can you see anything?" Natsume says, "It's fitted with a lens. The perspective is narrow…is it a picture? I see a white camellia flower." Natori, who's standing near a mirror, says, "White camellia…of course! That mirror must be visible from there. And…the mirror reflects the next room over. A wooden tile mural of white camellia on the wall…All the flowers look the same." He touches one of the flowers in the mural. Natsume says, "The eye only sees one. That one!" Natori says, "This flower…" as he pushes on it, and exclaims when it clicks. He says, "It becomes a handle when you push it in. A hidden cubby unique to this house…" /end ID]
so natori on purpose went to his uncle's house and put himself under the thrall of a youkai because he thought that the house held a secret that could possibly help natsume with the book of friends. as a failsafe he asked natsume to come snap him out of it if he wasn't able to break free, which natsume was happy to do. natsume then insisted on staying to help natori look for the house's secret (not knowing what natori wanted it for), and in the end the secret was hidden in such a way that it could only be found by two people working in concert - one to touch the wall, and one to look through the mask and tell them when they were in the right area. aw. the power of friendship! they really have come so far.
#oh my god it took me so long to put that progression together this arc is soooo confusingggg#and half of it you have to be like okay but did that actually happen! because there's all these illusions going on!#and this is not even to mention WHAT IS THE YOUKAI'S WHOLE DEAL! is her name actually mitsuru?????#i have so many questions. but yeah point is natori shuuichi only natori capable of activating the power of friendship <3#and it's all because natsume showed him friendship was possible#natsume's book of friends#natori shuuichi#other natsuyuu char#natsume yuujinchou#natsuyuu meta#younger cousin arc
45 notes
·
View notes
Note
OHMYGOSH FOR THE VALENTINES SELF SHIP ASK AND FOR LOFFMAN OFC!,!.!: the ship of all time 😌😌 the ship to ever ever ever
Darling, hugs, love letters, and smitten!!! >:3
HEY YOU. i love you. i would do doodles for this but my energy is looooowwww rn so youll just have to go by my descriptions for rn but i will doodle it later hehe :)
~ darling ; what outfits would you both wear on a date? feel free to show pics!
dates in hoffman's mind are "going to a fancy restaurant" or "going to a fancy dance" OR SOMETHING like he always approached dates as ... "they need to be extravagant/big" -- overtime ive shown him that anything can be considered a date......essentially ive shown him the joys of a nice night in,, with fort making and shitty baking ^_^ SO THAT BEING SAID it really just depends what we end up doing for a date night!!!!
when we get all dressed up for something fancy, he is always sure to match with me (i.e. a burgundy tie to match with my burgundy dress) -- it was a trend that started from our first fancy date and it was completely unexpected,, and seeing how much it made me melt,, he never stopped... it definitely stayed an unspoken thing
"...I like that tie." "I like your dress." (cue the knowing smiles + intense eye contact)
for a simpler night in, we just stay in our pajamas :) i am one to wear one of his shirts + shorts or sweats ,, and hes just a sweats guy. yeah he rocks no shirt , his honkers are out for the world to see. sorry abt that
~ hugs ; are you and f/o affectionate / open about your relationship in public?
yeah. we're annoying as fuck im SORRY. im just the type to always be holding on his arm, or his hand --- and hes the type to always have a hand on the small of my back, or an arm across my shoulders, etc etc
he isnt afraid to kiss in public - THAT CAN MAKE ME RLLY EMBARRASSED AND FLUSTERED THO so its him that initiates the face hold + gentle peck just to see me get all red (he chooses his timing w that tho - he is a trickster. a fool if you will.)
~ love letters ; are they good at expressing how they feel? what’s their best way of letting you know they love you?
it took hoffman some time to express any sort of emotion around me. ever since everything that happened with his sister, and ... how he coped with his grief :( ... he learned how to keep his emotions locked away and buried deep, deep down. hence why us falling in love/getting together at all is such a slow burn - bc he tries to bottle all his emotions away AND we start out ...strongly disliking one another (YA LOFFMAN IS ENEMIES TO LOVERS LMAOOOOO he fell first tho. i can talk abt the timeline of this for hours . i will spare yall for now but pls shoot me an ask if ur curious @ anyone who may be reading this)
but over time ... once he finally is in touch with that side of himself again... him expressing his love is very quiet. he speaks more-so through physical touch + acts of service/gift giving,, as hes never been good with words. but ,, he loves taking care of me. whether thats when im sick, or im overwhelmed, or he just simply wants to because he wants to. (he also loves holding me any chance he gets.....hes a very soft person at heart, not that hed want anyone to truly know that tho hehehh)
~ smitten ; was it easy for the people around you and f/o to figure out you liked each other? did they get involved in you getting together at all?
I THINK THAT GREATLY DEPENDS ON WHO IT IS. i think amanda knew first because ... partially its bc shes my twin and knows me as well as she knows herself , and could see through WHAT I THOUGHT WAS my "hatred" for him (that comes with its own drama tho tbh) -- but on the other side of the coin, i dont think kramer/lawrence were quick to realize it at all
ALL THIS TOOK FOREVER FOR ME TO TRY AND EXPLAIN IN A WAY THAT MAKES SENSE IM SO SORRY my brain feels fried rn ......
1 note
·
View note
Text
the colour yellow | jjk
summary: “You once said love manifests the most twisted curses. I never thought of it that way before, but I’m starting to think you’re right.”
WARNINGS: ANGST!! hanahaki disease but not an au, HOSPITALS, DEATH, DESCRIPTIONS OF DISEASE, UNHEALTHY WEIGHT LOSS, pining, unrequited love, complicated feelings, its just sad. there are some light-hearted moments, and happier/softer aspects in the ending but it is generally sad in the ‘what could have been’ department pairing: gojo satoru x fem!reader, past geto suguru x fem!reader, mentions of satosugu word count: 29.9k lmao
a/n: i just needed to get the hanahaki out of my system. it did not work. i took liberties w the timeline because idc about actual jjk canon in this fic thanks.
playlist for this fic
crossposted on ao3 x
Your Innate Technique always gave you a green thumb. Meaning, similarly enough to Yaga, you could plant cursed energy into objects.
Where it deviated, Satoru knows, is the type of object. Plants—trees, leaves, flowers.
Ironic, he thinks numbly as he walks through the hospital. Shoko had told him that at this point it was palliative care until you died—nothing else would work. Cursed energy only fed your sickness, and even her technique could not heal the damage fast enough. Stupid. Idiotic. Cruel.
Cruel. That was the word.
He hadn’t seen it himself but from how his old friend had described it, it could only be cruel.
His footsteps tap along the linoleum floors, urgent, but not too fast. A part of him dreads what he will see—his mind swirls with the possibilities, and of guilt.
Why didn’t he just come sooner? Why did he think it was okay to wait, to dismiss Itadori when he said you’d been checked in for your coughing fits?
“She’s strong. She’ll be fine,” he had said. Itadori’s small frown. “A little feather in her throat isn’t going to knock her down.”
Why? Why? Why? Why did he say that?
Because it had to be serious to put you in the hospital. For fuck’s sake, you were still that teenage girl who stood outside his dorm window in the middle of a thunderstorm to bring Fushiguro a birthday present before you left for a curse expedition a thousand years ago, and the woman who welcomed him into your home unprompted on December 24th, your cheeks dry, lips pressed in a brave smile.
You had held him tight enough he could not see the blood, scrubbed him in a bathtub, ran your fingers through his hair until the sweat and grime was gone. You took care of him because he knows the belief that no one should be left behind to suffer alone has been engrained in you since the day he’s met you.
He should’ve known. A girl abandoned for being cursed had turned into woman with a saviour complex who’d barely even think about telling him you were dying.
Dying, of all things, from a disease no one knows how to cure. And you’re a sorcerer.
He could’ve laughed. The irony is enough to make him smile.
Your room’s in a tiny corner of the hospital, down the hall from a nurse’s station, and as he walks through, he can see the grey sunlight streaming through the window, glaring against his glasses. He lifts them to rub the heel of his hand into his eye.
He doesn’t want you to worry when you see him, and mostly, he needs to stall. His heart is in knots in his chest, and he spots a chair beside the door with your name in the plastic slate, so he sits down. His knees feel gummy and he leans forward, the visitor’s pass clipped to the front of his shirt hanging.
Satoru tugs the glasses off his face, fits his palm over his brow and squeezes his eyes shut. It’s chilling in this dead end, and he swallows tightly. Everything tastes so dry as he looks up and shoves his hand underneath the sanitizer dispenser, rubbing it all over his hands just so he has something to do.
After a few minutes, he gets up and sets a hand on the knob.
It can’t be as bad as he’s imagining. At most, you’re a bit sick, but you’ll still be spritely, warm in the lips and with arms outstretched and, “Satoru, finally!”
He opens the door.
You’re sitting hunched over in bed. Silhouette outlined by the white-grey sunlight from outside your hospital room, you’re trembling as you hold onto a receptacle. An IV is hooked to your arm, a hospital gown is barely hiding anything, and it feels immoral to even look so Satoru doesn’t. Instead, he pauses by the doorframe and closes his eyes for a moment as your gaze flashes to him.
He feels it, to be honest. The heat of your stare until it is wrenched away by a violent cough you instinctually muffle by your palm, blood splattering over your hand, soft, velveteen purple petals falling from your lips and into the receptacle in your lap.
You’re supposed to have a green thumb.
Vines bend to your will if you command it, you can summon forth thorns to impale your opponents, send thick creeping ivy to barricade a doorway. It doesn’t matter if there is no greenery in your immediate area. At the sweep of your hand, the ground could rumble with the sound of trees twisting their gnarled roots into feet to march at your command.
Just as long as they’re within range and you’ve touched them in the past few hours, they’re yours.
So, why can’t you stop this?
Plants are supposed to listen to you, right? As he stares at your shaking body on the bed, curved over the plastic tub, thick globs of bloodied spit drip from your lips and soaked purple blossom petals entwine with your life essence. His heart plummets to his chest. You retch, spit, choke, and every sound stabs him in the chest as he takes a weak step forward, hand stretched out limply.
Your name flutters, barely leaves his lips before you’re looking at him again, a bit of a mortifying image but nonetheless.
Even so, you smile, despite the blood painting your face, the exhaustion morphing your body. You look like you haven’t slept in weeks, and your hands shake around the receptacle. You look battered, bruised along the arms where the needles keeping you filled with antibiotics, medicine you need, had punctured you.
And still, you’re beaming at him. He thinks he’s going to be sick.
“Hi, Satoru.”
His hand falls. Eyes wide, he cannot take another step. You wipe at your lips, tossing the tissue into the trash before pushing the plastic receptacle onto the table and swinging your legs off the bed.
“Don’t—“ he croaks but you don’t listen, sliding your feet into slippers and grabbing your IV stand to take a step towards him. Your knees nearly give in but you stick out a hand before he can rush to catch you. Then, you’re pushing yourself up and walking over to him. It’s more of a shuffle, but Gojo finds he can’t care as you land on his chest, hands pressing into his back.
You’re a bit cold in his arms, and he wraps himself around you, trying to rub the heat back into your skin as you shudder, but your heart is still racing as it always does around him, and you…
You’re the type of person who can shift how the air feels and looks to his Six Eyes with your smile or your tears or your frown, and in that moment, the air bleeds yellow with your joy. It’s so bright in his soul that it makes his heart skip as you shift on your feet against him, hands sliding down so your arms can circle his waist and haul him closer.
“Gojo Satoru turning off his infinity for little ole me,” you murmur, voice raspy, as he closes his eyes, cradling your head. Without another word, he sinks into you. “Talk about the world ending.”
Why didn’t you just call him? Why did you let him stay away for so long? He doesn’t want to ask why it’s happening, or how. He already knows you’ll just lie. But he wants to know if you think so lowly of him that you thought you didn’t matter to him.
After Suguru…
How could you think that? He’s screaming inside his mind as he touches your back, feels the faint protruding ridges along your skin when he pushes down. It makes your spine a bit more pronounced along the knobs, your shoulder blades a bit bumpy, but otherwise, it’s almost normal. One wouldn’t even be able to tell without touching you and actively searching for it. How could you think I don’t care?
This isn’t the work of a cursed spirit, that much he knows. It seems much more seductive, sneaking yet unhurried in its nature. This is agony in effigy. There’s something rotten inside you, but he can’t tell what it is. The energy is everywhere.
You pull back to look up at him with a soft smile, then tap his nose and tell him to join you before turning around and climbing back into bed with energy that betrays your earlier fits. You grab your robe that you’ve left on your bed before getting up again and walking around, shrugging the fabric back onto your shoulders.
He sits down in a visitor’s chair that is still cold.
“It comes and goes,” you explain first with your new, croaky voice, stretching your arms above your head and rubbing your neck. It doesn’t look painful, but you clear your throat a lot to see if it helps. So far, nothing. “So, it’s just like a really bad coughing fit, to be honest.”
“How long has it been going on?” Your hip cracks and you let out a relieved sigh. Satoru arches an eyebrow as you animatedly stretch your face. “What are you doing, silly?”
“It got worse a few weeks ago, enough that Nanami insisted I check myself in around two weeks ago?” you say, after counting on your fingers. Satoru’s heart plummets. “But it’s levelled out since I’ve been moved here and off-campus. And I’m stretching. When I get back out there, I have to remember how to emote.” You flash him a bedazzling grin and a bit of the weight lifts off his shoulders as you swallow down another cough. This time, it’s successful and you only let out a short, raspy breath before shaking it out.
You aren’t even doing that bad.
The blood, the flowers, that must’ve been just a bad bout, but otherwise, you seem quite normal.
That’s what he tells himself, and he believes it.
With relief, he stretches out his legs, leaning his head back on his hands. Your room’s pretty nice—much nicer than an average hospital room. Plants on the windowsills, some get-well-soon cards and a desk in the corner filled books that you look like you haven’t even begun to read, some paintings hanging off the walls.
You wave a hand to grab his attention again.
“Don’t look,” you chastise, tying the robe around your waist. “Some of these are works in progress.”
“So Itadori and Shoko were just exaggerating,” he assumes. You look up at him, quirking an eyebrow. “If you’re attempting to paint, I know all that’s happened is that you’ve lost your mind.”
“Shut up.”
“Well, they made it out as if you were dying. If it’s just a lung issue, they could probably just fix it and we can get back to exorcising curses and making fun of Fushiguro’s teen angst,” he says, crossing his legs at the ankles. You step over them to go to the window and examine your plants, and he eyes you in his peripheral, watching you inspect one of the leaves before looking next at some blooming flowers. You don’t answer, and the grey light makes you look melancholy until you shrug.
“The doctors say I need to rest, save my strength and all that,” you finally say vaguely. “And don’t make fun of Fushiguro.”
“I’d never do that.”
You tilt your head and arch an eyebrow skeptically before flicking his forehead with a sharp donk. “I’m not above slapping the shit out of you.” He opens his mouth to argue and you hold up a finger, shutting him up. “And you can’t hit back as revenge. Ill hospital patient rights.”
“You can’t take the moral stand. Vengeance has no gender bias,” he exclaims, sitting up but you merely smirk, leaning over and shoving your face into his space before turning your head to present your cheek. His eyes widen as you poke your own face tauntingly.
“Do it, then.”
Gawking for a moment, Satoru stares but you only wink and he pushes you away lightly. You stumble a bit and he jumps to his feet to catch you but you manage to right yourself up, shooting him a foul glare. He glares back in response.
“Well, obviously, I wasn’t going to actually slap you,” he says, indignant.
“So you pushed me instead? Gojo, in your words, you are the strongest. You never know how to control the strength you push out.”
“Yes, I do!”
“One time, you patted Megumi on the back and you sent him into the pavement.”
“He was nine.”
“It still happened!” you cry, although an impish smile is already curling at your lips and it isn’t long before it spreads to Satoru, warm bright yellow and enough that it absolves any of the remaining pain in his body as you straighten up, holding onto your IV stand for support. The metal rattles a bit as the wheels roll. Your feet brush the ground. You lift your head up wretchedly.
It’s almost like that weakness sobers you.
The expression that overtakes you frightens Satoru to fucking death.
His face feels like it numbs, staring at the darkness that seeps the light away. You stare at the metal pole your fingers are wrapped so tightly around, and then you look at the bag hanging there, clear and round and soft to your touch as you straighten up.
“Satoru,” you say softly.
“Yeah?” His voice is so quiet he’s not sure he even speaks. He can’t remember the last time you had looked so dispassionate at anything in his life. Even death had left its mark—black frowns, long streaks underneath your eyes.
Your apathy is dark purple, an endless void colour.
“When I die, make sure Shoko’s the one who cuts me open to find out what’s wrong with me.”
Something prickles at his fingertips. He touches your shoulder and half-thinks his fingers will go right through you.
“You’re not going to die,” he insists firmly. “It’s just a bad cough.” You look up at him and blink. Then you touch your lips and shudder down another cough.
“We all die.”
“It’s not your time, yet.” His fingers dig into your shoulder. You don’t even wince even though you’re clenching his jaw but he can’t find it in himself to loosen his hold. It feels like the Jaws of Death. A crocodile’s bite.
So much for not being able to control his own power.
“It’s just a bad cough.” He ignores everything Shoko had said. Sometimes she’s wrong—sometimes, it’s not even that bad. He’d just seen it, hadn’t he? You were stretching, jumping onto your bed, acting like nothing was wrong.
Palliative care? As if you needed it—
You blink, then, and look at him. Stare at him as if you’d never said those words, and he had never reached out.
You jerk your shoulder out of his grip. It stings more than it should.
“Right. But I’m just saying. You know how you always say I’ve got a few screws loose. It just makes sense someone will wanna crack me open to see what was going on up there and I want it to be her.”
You smile, and the yellow cancels out the purple.
Colour theory.
But Satoru doesn’t smile back.
“What about the flowers?” he asks after a while. You’ve climbed back onto bed and he’s sat back down. You’re blowing into a spirometer, and every time, without fail, the ball shoots up to the top, clattering against the plastic. He watches, hoping that the next time, it’ll do the same thing again.
You stop and look at him. “What about them?”
“Is it some optical illusion? Why are they in your throat?”
“That’s a harder nut to crack,” you muse. “I don’t really know. It’s like when you’ve got food in your esophagus and you’re trying to cough it up so it doesn’t feel stuck anymore except it keeps building up. That only started a few days ago, though, so maybe, someone drugged me or something.” He doesn’t laugh and you frown. “Not funny?”
He shakes his head. “It’s freaky.”
.
He sits on the bench on campus.
He’s cancelled classes because he didn’t come up with a standard lesson plan and his students are glad to have a Monday afternoon off, even if they’d never say it to his face. In truth, he’d spent the whole weekend at the hospital until he reeked of antiseptic and pollen.
You coughed up five petals, and without fail, a nurse would come in hourly intervals to collect them. Shoko came once, to check up on you and to collect the samples. If she was surprised Satoru was sitting in the corner on his phone, she didn’t voice it.
“She’s not even doing that bad,” he says to the air, more accusatory than anything. The woman standing by him doesn’t answer and sits down beside him uninvited. Turning to look at her, his eyes narrow behind his blindfold. “You said she needed palliative care until she died. The doctor said she could leave tonight.”
“Those aren’t mutually exclusive concepts,” she informs, not looking at him. Shoko looks a bit out of place in the warm colours of the garden. Half a corpse herself. Waif-like. “The doctor’s letting her relax in the comfort of her own home before she dies. That’s all.”
“She’s not going to die.”
She snorts. “Denial isn’t a good colour on you.” The words could’ve been delivered colder. Satoru is grateful that they weren’t.
Shoko rests her hands on her knees, tilts her head up, and sighs. Her long hair is like warm chocolate in the sunlight, spilling down her arched back from the knot she tied. “If you have any idea on how to fix this, I’m listening with both ears.”
“I don’t even know what it is,” he says. “Coughing and flowers? I’ve never heard of a sickness like that before.”
“Nanami pointed out that it could be a curse someone placed on her. I don’t know why, but it’d be an explanation.” Satoru spreads his legs, plants an elbow on his knee and leans forward to look at the ants travelling along the cobblestone before his shoe. “It manifested on some negative emotion lingering inside her and it’s growing every day, but she won’t budge.” Shoko sighs. Her purple eye bags look worse in the sunlight, but he would never tell her that. “Maybe you’d have a better chance digging into her. With Geto gone, there’s no one else to ask, is there?”
“What about you? What happened to girls and their little secrets?” he jokes, trying to ignore the ache that begins to bloom in his chest. Shoko eyes him wryly.
“I have suspicions, but there are some things girls don’t ask other girls,” she retorts. “It’s never been my business anyway. My job is to treat her, and I’ve given her options. It’s up to her to take them. Grief is a birthing ground for curses, and if she’s letting them feed on her freely, you know what fate is waiting for her.”
With that, she gets up and leaves as quickly as she arrived. Satoru swallows the smell of flowers and feels sick.
.
Monday night, Satoru pulls up his laptop and looks through, searching up words he can string together in a coherent sense to get the answers he wants. As rare as it probably is, some research wouldn’t hurt, would it? Some curses had a trademark affliction—maybe this one does, too.
So he searches up flower coughing to see if there has ever been a record of strange deaths that have made the news. If not, he’ll go to the jujutsu databases, but for now, maybe some publicity could put some answers to this question.
He is surprised when one of the first results is flower coughing disease.
When he hits enter, the white screen blasts into blue irises with numerous results all repeating the same two words.
HANAHAKI DISEASE
And Satoru reads, and reads, and reads. He reads two weeks to three months, he reads unrequited love, and removal, and disappearance of romantic feelings and capacity for romantic love.
He reads fictional disease and wonders how much of it really is fictional.
His phone pings with a text, and he grabs at it, tilts it just enough to get a glimpse of the screen. It’s from you, and he hasn’t read a text from you in so long he almost doesn’t recognize who it’s from except he does because… who else could it be?
[Greenbean] 11:02 PM
hey!!! guess whos finally fucking free oh my god
ugh out of the hospital and forgot how actual air smelled like lol bitch im so hungry i could eat a zoo
Letting his phone clatter, he sighs and rubs his face roughy, squeezing his eyes shut for a moment before snapping his laptop shut and getting up. His phone buzzes again and he reaches for it blindly, the screen lighting up as he goes to bed.
[Greenbean] 11:03 PM
we should get smth to eat!! i wanna go to that new ramen place in ikebukoro
[Satoru] 11:03 PM
fine but you good???? who picked you up from the hospital? still insulted you didnt let me tbh
also what did the doctor say???
[Greenbean] 11:04 PM
bc ur a menace who doesnt know how to drive
he said itd get worse before itd get better so still gotta go for checkups but yeah dont worry and nanami came bc he didnt trust me not to try and walk home lol but he did buy me dinner
wasnt enough though!!!
…
[Greenbean] 11:06 PM
ok but fr does he think im insane
clearly id flash some skin and hitch a ride duh
…
[Greenbean] 11:10 PM
youre just gonna leave me on read? yikes
[Satoru] 11:12 PM
i was getting ready to sleep silly
and yeah ill come pick you up on saturday for lunch?
[Greenbean] 11:15 PM
sorry making instant noodles rn but yeah that sounds fine
wait youre sleeping so early lmfao
[Satoru] 11:16 PM
im old :/
[Greenbean] 11:18 PM
u sure are
(image sent)
look!!! my babies are still alive!!! idk how but miracles do exist im tellin ya
[Satoru] 11:24 PM
inumaki, maki, and fushiguro broke into ur home to water them but dont tell them i told u
[Greenbean] 11:24 PM
wtf
[Satoru] 11:25 PM
yeah idk when but i think u teaching inumaki how to pick locks has opened up too many possibilities but also its really funny thanks
now go to sleep u need to rest
[Greenbean] 11:28 PM
whos gonna make me lol youre not my dad
[Satoru] 11:29 PM
lol
remember how i can teleport
lol so cool
[Greenbean] 11:30 PM
dude
wtf
fine
goodnight hoe </3
[Satoru] 11:31 PM
goodnight knock off poison ivy <3
.
“You’ve looked better,” Shoko says. Satoru raises his head wearily as he pushes off the wall. Shoko’s holding a cup of coffee, her lab coat fresh on her shoulders and eye bags looking more printed on rather than natural swelling. Satoru can’t help but feel the same exhaustion. “Definitely looked worse. What do you want? It’s early.”
“Have you ever heard of Hanahaki disease?” he asks. She shakes her head, and he pulls up the page on his phone and hands it to her. She takes it from him and her eyes scan the screen as he continues, “It’s this fictional disease, something that stems from unrequited love, and I think it could be related to whatever she’s experiencing.”
“I thought you were set on willing her to survive,” she replies dryly, shooting him a quick look and adjusting the coffee in her hand. “But this is definitely one of your stranger theories.”
Satoru ignores that last part. “It’d make sense. With her Cursed Technique, maybe it manifested in a way that links to it.”
She pushes into the office, setting the coffee on her desk and sitting down. Satoru sits down on the exam table closest and leans forward eagerly as she continues to read the page, scrolling down occasionally before scrolling back up and sighing. “This is a stretch. The timeline doesn’t match up to what this is saying.”
“This is a curse. It doesn’t have to follow fiction.” His body feels sore, janky even, everywhere. He barely got a wink of sleep last night and he knows he’s paying for it, now. “Hell knows life rarely does, anyway. But the symptoms matches too well, doesn’t it? The flowers—you’ve done scans, haven’t you?”
She deliberates his words carefully as she looks to the file cabinet and pulls out a binder. Satoru catches a flash of your name on the spine before she moves her coffee and his phone out of the way to flip it open.
“The scans we’ve taken have only just begun to show small growths in her trachea,” she allows, “and we don’t fully understand how cursed energy affects our bodies, so I suppose it could be something like Hanahaki, if the negative energy stemming from December 24th was what brought this on or if these symptoms started when we were still students, but she’s been experiencing shortness of breath a few months before Christmas.” Satoru’s lungs squeeze the last of the air out of them at that, and a cold sweat drops down his spine as she hands his phone back to him. “It only started getting worse Suguru’s death, which meant there had to have been a trigger before that.”
In the back of his head, he hears your voice, light and yellow, saying a few weeks. It got worse a few weeks ago.
“Worse?”
“The first petal fell some time after Christmas. It’s been a slow, but steady progression since then. Sometimes, it’s two or three. When it’s not a good day, there can be as many as seven to ten.” Shoko switches on the lamp on the corner of her desk and adjusting the direction of the white light before flipping the page. “But if we can find the original trigger and alleviate that pressure it’s putting on her, we could buy her more time.”
“So it’s been nearly six months since the first petal,” he says. Shoko nods. Satoru is grateful for the blindfold—she can’t see how blank everything looks on his face. “It said sometimes, the disease can last for eighteen months.”
“As you said, this isn’t a fairytale.” She half-spins on her chair to face him and leans back into it, crossing one leg over the other and jiggling her knee. “I saw that one of the solutions is excise the growths at the cost of the attachment. That was one of the options I gave her when the growths first appeared. She said she wanted more time before she could decide.”
He frowned. “Why?”
“Because she’s smart, and likes to push her damned limits. And if this is truly the basis of the curse”—she gestures to Satoru’s phone. Her expression flickers—“those flowers are feeding off cursed energy. Cutting them out would remove those negative emotions, but at a cost of something else. Maybe whatever feelings she has regarding the trigger.”
Satoru looks down at his phone. It feels heavier than a thousand cinderblocks in his clammy hands. His fingers are numb as his screen dims and finally locks itself. Pressing the button, it illuminates again to reveal a picture of a cactus you gave him for his birthday years ago, blooming with delicate purple petals.
His heart rends. That cactus is long dead now.
“But, Suguru’s dead.”
“That’s why I asked you to ask her,” Shoko mutters.
Turning to her binder again, she picks up a pen and clicks it, lowering it to the paper before pausing, and Satoru looks up as she stares at whatever words are printed into the page distantly. A strange affliction is on her face, almost tormented, and Satoru is not-so-kindly reminded that before Suguru and Satoru, Shoko was your best friend first.
“Tell her how idiotic she’s being,” she enforces quietly. “The longer it lives, the more permanent damage is inflicted. With the unpredictable nature of curses, that won’t take long and by then, it’ll be too late to consider removing it.”
.
Saturday comes too fast, yet not fast enough. By the end of the week, Satoru is all but finished with teaching, and is waiting outside your apartment, leaning against the car as he scrolls through his phone. He’s done a bit more research on this Hanahaki disease, but even the word makes him shiver with the implications.
“Satoru!” Turning, he catches you loping easily towards him. You’re dressed in billowy, wide-legged dark mint green pants and a pretty white top that makes you look more nymph than human, with a canvas tote bag hanging off your shoulder. You flash him a smile as you fiddle with the fabric tie at the waistband of your pants nervously. “Hi.”
“Hey. Hope you don’t mind I brought Ijichi along for the ride since someone claims I can’t drive.”
“You don’t have your license, sir,” Ijichi says wearily as you bend over to wave through the window. "It would be illegal for you to be on the road in any capacity—oh, hello, ma’am. It’s nice to see you doing so well.”
“Thanks, Ijichi. I think I’m doing better after getting out of there,” you say as Satoru opens the car door for you and he smirks, eyes crinkling behind his sunglasses. You straighten up, looking at him before poking his chest and it’s almost just like the good ole days as you break out into a grin that crinkles your entire face. “What’s with you being a gentleman? It better not be because I was in the hospital.”
“Of course not,” he admonishes. “I wouldn’t dare dream of being polite to you of all people.” Still, he sidesteps and sweeps his arm, gesturing for you to climb in first which you do, exhaling a bit shakily as you settle in and slide over. By the time he’s settled in beside you, you have a fist over your lips and you’re clearing your throat testily.
A worm of unease wriggles into his stomach as he clips in his seatbelt, pulling the lapels of his unbuttoned green shirt free from the strap. Legs spreading, he lets his hands fold in his lap as Ijichi begins to drive them to their destination. You’ve lowered your hand by now, looking out the window, and it’s not bright enough that Satoru can read your expression on the glass.
It’s clear you don’t want to talk about it, but still, that nagging feeling bites at him as he rolls the divider up between the backseat and the front—a mock of privacy.
“The place we’re going to gives me the same vibe as that family-owned restaurant we went to when we were students. The one in Kagurazaka,” you say after a while, turning back to look at him. You’re wearing a bracelet that jangles when you move your hand to adjust the seatbelt across your chest. “I think you’ll like it.”
“Have you been?”
“One time, before I checked in,” you tell him, smiling still. “It was really good. The perfect last meal.” Satoru does well enough to hide his frown at your choice of words as you meet his eyes. “You know, you can ask. I’m not fragile.”
“I don’t have anything to ask,” he lies. “I’m just glad you’re out of the hospital.”
“Me, too. I’ve missed so much and it drove me insane. Yaga-sensei insists that I don’t work until I’m sure I’m feeling better,” you add. “But to be honest, there’s nothing much that can be done to make me feel better.”
“I see. So you’re still coughing up flowers?”
“Petals,” you correct, “and a bit. Don’t worry. It’ll get better soon.” You wave a hand and turn to look out the window and Satoru’s appetite all but vanishes. He doesn’t know why you’re so intent on lying to him about the severity of your condition, but as your knee jiggles relentlessly the whole car ride with unbridled excitement, he wonders if you’re even aware of how sick you could be.
His Six Eyes scan your body for signs of a curse. Normally, those plagued have their little burdens hanging off their shoulders, prying their head open, biting into an arm or leg, but he finds yours lives inside your chest, just barely hidden by the yellow light brimming from your body as you reach forward to lower the divider and talk to Ijichi.
They reach Ikebukuro before they’re dropped off after Satoru insists on walking the rest of the way.
“Give us some privacy, Ijichi! We both know you’ll just eavesdrop for the juicy details,” he exclaims loudly, leading to the man to blush furiously, stuttering that he’d do no such thing, and earning Satoru a smack on the back of his head, knocking his sunglasses askew.
“Thanks for the ride, Ijichi,” you say warmly as if you hadn’t slapped a concussion into Satoru. The Assistant Director dips his head. “See you later!” With that, he drives off and the two sorcerers are left in the busy street. Satoru looks around curiously, but you tug him along up the main road of the district and immediately turn right into one of the smaller streets. A few cyclists race past, as well as cars, but the traffic seems relatively slow despite it being the weekend. There are people walking along the white lines separating the lanes, chatting merrily as you lead him to the restaurant.
“I forgot how actual sunlight felt,” you sigh, stretching your arms high above your head as if to touch the wind breezing through. Inhaling deeply, you close your eyes. Satoru waits for you to begin to cough, and you hold it in, throat tensing a bit.
He looks away, and pretends he doesn’t hear your sharp exhale, the soft cough you try to muffle with your hand. Instead, he looks at their surroundings, traces the green roads, watches a man park his bicycle and take the plastic bags out of the basket before rushing into a store. The air smells faintly of smoke, and Satoru waves in front of his face to see if it’ll help dispel the scent, but it’s so engrained with the hint of meat, honey, sweets, and flowers, that he can’t.
“I saw Suguru here once,” you tell him suddenly. He blinks, head snapping to you, and you’re already regarding him with a faint smile, eyes a bit dimmer. The warm yellow energy has faded to a burnt orange as you look ahead. “A year or two after he left. It’s why I moved closer a few years ago. I guess I had this weird hope that I’d see him again, but I never really did.” A faint grin graces your lips again, as if you’re not even aware you’re smiling. Fondness overtakes you. “I think about him a lot these days.”
“Me, too.”
“Of course,” you chuckle a bit, rubbing at the back of your neck. “I’m being insensitive.”
“No, you’re not. He meant a lot to you, too. I don’t own him, or his memory.”
“I know, but he was still your best friend.” Unbidden, a voice in Satoru’s voice finishes it for you. My one and only.
“Did you guys talk about anything?”
“Not really anything important,” you say, shrugging, but by the way your eyes shift in the light, glimmer differently, he knows you’re lying. He knows it’s none of his business, but a part of him hungers for new parts of Suguru and it’s powerful enough to take control of his tongue.
“Nothing’s not important. He was a wanted criminal.”
“I think we both know somehow that part never mattered to us.” You look at him, and run a thumb under the strap of your bag. “To any of us. But…” You tilt your head to him and your smile grows tender. “…since you asked, we talked about us. He told me about what he wanted, the kind of world he was determined to create. He paid for my dinner, kissed me goodnight like it was normal, and then he was gone. Never saw him again until last December.”
It shouldn’t sting as much as it does.
He remembers that day ten years ago in Shinjuku. The coldness in which Suguru had looked at him. He can’t imagine that same poison directed at you. He couldn’t even imagine Suguru looking at him like that in the first place until he did.
“Are you the strongest because you’re Gojo Satoru or are you Gojo Satoru because you’re the strongest?”
“I used to have nightmares about it,” you continue distantly. “Because I could’ve left with him, but I didn’t. And I could’ve killed him, but I didn’t do that either.”
“If you want to kill me, kill me. There’s meaning in that, too.”
Satoru’s chest tightens. His heart feels rotten to the core. “I didn’t, either, until I did.” You smile a bit more, at the irony. “Would you? Have gone with him, that is.”
“I didn’t, so what’s the point in debating it?” you ask before shrugging thoughtlessly and answering anyway. “I think tackling curses at the source is important. I just didn’t like the way he was doing it. If I thought I could somehow change his mind, just a bit, on his methods, maybe, but by then, he was too far gone.”
Your eyes, chips of glinting sunstone, mellow as a cyclist trills at them with a bell to get out of the way. You step out of the way, away from Satoru for a moment, before returning to him, and when the back of his hand brushes yours, he’s startled at how cold your skin is.
Satoru is quiet as he absorbs all of this. He doesn’t really know what to say, and you don’t prod him for a reaction as they turn the corner again.
“It’s just over there,” you say, pointing to a small restaurant, people milling by the door. There’s a sign hanging over the door, off-white with black kanji painted on and your arm falls. “There’s a line. Huh.”
“We can wait,” Satoru says when they stop at the edge of the crowd. “I don’t mind.”
“Okay. I’ll go put our names in then come back.” You disappear into the crowd for a moment before resurfacing and joining his side again, something in your hand. “It should be, like, fifteen minutes. I said the bar was okay.”
“That’s fine.” Shoving his sunglasses up into his hair, he cracks his knuckles and migrates to the wall. You follow, and he slouches against the concrete pillar. You adjust the tote bag against your body and lean against the other side just around the corner. Their elbows brush, and you tilt your head to look at him, smiling. Your face has caught the sun perfectly, and Satoru can’t help but smile back.
He wonders how to bring up this Hanahaki disease theory. You look so perfect, so happy in this moment where their eyes meet, that he can’t bring it up. Maybe it’s selfish, but it feels like it’s been so long since the two of them even managed to see each other for more than an hour. With how overworked jujutsu sorcerers are, it’s hard to recall the last time they both had downtime at the same time that wasn’t spent catching up on sleep.
You look away, shoulders shaking, as if that’s enough to hide your coughing, and he thinks, Later. There’ll be time for that later.
“Here’s the menu,” you tell him once you’ve calmed down, extending your hand. He takes the paper, unfolding it as you cross your arms and tilt your head back on the concrete. Reading down the list, he keeps an eye on you out of the corner of his vision, and your fingers play at your lips as you swallow. Reaching into your bag, you twist the cap of a water bottle and chug half of it down.
“Do you have any medicine? For your coughing?” he asks casually. You hit your chest with a firm fist, clearing your throat and looking at him in surprise. The water bottle returns to your bag.
“Oh, uh, no. It doesn’t work. Just gotta keep hydrated and avoid any possible triggers,” you inform. You turn up the street as you speak, crossing your legs at the ankles and sinking against the concrete.
“And what are those triggers?”
“And you say Ijichi is the one digging for gossip,” you snort with short, choked huff. Satoru rolls his eyes, but keeps looking at the menu. “Don’t worry about it. I’m avoiding them.”
“That’s reassuring.”
“If I wanted your dry wit, I would’ve gone to the original.”
“I don’t copy off Shoko. I take bits of everyone’s personality and twist it to make it my own.”
You shake your head. “Whatever you say.”
Your name is called a few minutes later and the pair push off the concrete pillar, heading through the crowd and into the small restaurant. It’s not too dimly lit, a bunch of natural light from the street streaming in through the open windows, and the air is rich with the smells of the kitchen as they sit down at the bar.
It’s not long before they’ve ordered, and Satoru has gone through his first bowl and is well into pouring his second into what remains of his broth before he remembers to even check up on how you’re doing. You’d been right—he loves this place. The atmosphere isn’t overly loud, but the mumbling of nearby patrons is enough to make him feel like he isn’t quite alone. It’s sheltered away from the world, and although he’s used to girls staring, no one has gone up to him which is giving him time to his own thoughts and food. Everyone here seems to mind their business—everyone likes to stay in their own bubble.
Here, he isn’t the strongest, or quite so special. It honestly feels kind of nice.
You’re sipping on your broth, tilting the spoon towards your mouth and your lips are pulled into the warmest smile he’s seen since they were kids. The light’s hitting you just perfect again, more cool than warm, but it’s got you on the cheekbone, illuminated your lips. Satoru wonders if you know how to manipulate light, or if that’s just your natural blessing as you tilt your head towards him, eyes squinting from your own joy.
For a moment, another image flashes in his head. Him along the end of their group of four—you and Shoko, Suguru and Satoru. It’s almost poetry how much of a glimpse he can see in your smile. You would always be laughing, and Suguru’s cheeks would always be red, and Shoko would charm the guy over the counter to hand over a bottle of shochu. Satoru would tease his stupid best friend, and pay for their meal because “I’m friends with a bunch of goddamn freeloaders.”
But that moment ends as quickly as it came, and it’s so fucking heartbreaking that Satoru never thought their last meal together would be their last meal together. He would’ve cherished it more—done anything to make them stay in that ramen shop in Kagurazaka.
“Do you like it here?” you ask.
He blinks. You’re studying him behind that smile of yours. Watching. Always watching. “It reminds me of when we were kids,” he replies. When he realizes that didn’t answer the question, he adds, “Yeah. Yeah, I do.”
You grin, delighted. “If I knew how stupid you’d look sucking up these noodles, I would’ve brought my camera like when we were students. I still have it, you know.”
“Next time, then.”
“Yeah, next time.”
Satoru pays. He insists despite your protests, and snatches the bill from you anyway, swiping his card as quickly as he can.
After, they walk slowly around the district, looking at the other restaurants and stores for desserts or souvenirs to bring back, and it makes him so nostalgic, his heart wilts a bit in his chest.
He is saying something about buying some soymilk for Megumi when you stop suddenly, deviating to the side of the road to cough. It grows so intense so quickly that your eyes widen as if you’re surprised, too, and you place a palm flat against your chest as he comes to your side. You wave him back, and he frowns, running a hand down your back as you finally manage to dislodge the petals in your throat and spit them into your palm.
Satoru sighs, staring at the cursed things. The energy emitted from the petals are raw, potent, and his nose wrinkles at the stench that comes from powerful curses as he softly asks, “Do you know what Hanahaki is?”
“Flower vomiting?” you whisper through your raw vocal cords. You shake your head, slamming your sternum with a tight fist and flinging the drenched petals to the ground with a wet slap. “Itadori… said something about it, once. Never really paid attention, I—”
Satoru squeezes the back of your neck gently. “Whatever this curse is, it could be something like that.“
“You don’t want to open that can of worms, Gojo, of what is causing this.” Straightening up, your eyes widen and your cheeks puff up as you choke down another bout. Wobbly, you spit out, “It’s under control. I swear.”
“Are you sure?” His fingers brush your chin to turn your face towards him so he can look at it more clearly, and the instant their eyes meet, you lurch over, slapping his hand away and succumbing to the wracking. Hands shooting out to grab your elbows, Satoru barely eases you to the ground as your legs give in.
You collapse to your knees, hard. A hand is slapped over your mouth but your whole body shakes with the seizing of your lungs. Eyes widening, your cheeks puff up as Satoru grabs your shoulders, falling to his knees beside you.
“Hey! Hey, breathe!” His fingers dig into your shoulders and your nostrils flare, trying to follow his instructions. Bloodshot eyes and blueing lips, your inhales are shaking and incomplete, gasps for air that do not take in any oxygen before you’re kneeling over, hand falling from your lips. Blood splattered over your palm, you let out a low noise of pain. Satoru’s hand glides down your spine, rubbing in soothing circles as red spit falls to the pavement in thick globs.
People all around stop to stare, eyes masked with concern, but he can’t care less at that moment despite the burning scrutiny. He shoves a hand into his pocket, speed-dialling one of the top numbers of his list.
“Ijichi, I need you to take us to the hospital, now!” Letting his phone drop with a clatter, he scoops you close but you slam your bloody hand against his chest, pushing him away. You throw yourself away, hands twisted tight in the fabric of your white shirt and Satoru looks down at the red handprint on his tee before blinking. “What are you doing? We need to get—“
“I’m—I’m fine!” Your voice, broken, is drenched with ice as you continue to wheeze, grasping at your chest as if you could reach and tear out the growths with your own hand. “Gojo, I’m fine!”
“No, you’re not!” Grabbing his phone, he hears a loud car horn, and looks up to see Ijichi leaning out of the driver’s seat, waving his arm frantically. Without another thought, he scoops you up and runs out into the street, ignoring the tires screeching, the cars horns blaring at him and the angry shouts as he jumps into the car and slam the door shut.
Ijichi sets off at a drive, no directions needed. Satoru is sure he’s breaking as many laws as he can as he pushes you back against the seat to buckle you in. Blood dribbles down your lips in bubbles as a thick, gurgling sound begins to grow in your throat and he wipes at your chin with his sleeve, clicking the buckle into place just as you pitch forward. He jerks back just in time as you retch, and, slowly, torturously, you gag out three petals, one after another. Your fingers claw at your own throat, panicking and desperate as you struggle to breathe.
The petals fall in wet pools between your feet, landing on the carpet, and he spares them not even a glance before forcing your head between your knees. You’re still hyperventilating and as Satoru sweeps a hand down your back and up to your neck, his fingers come into contact with something sticky.
Sweat. It drenches through your shirt so suddenly that Satoru reels at the wet marks spreading through your shirt, making the fabric translucent. Your heart is racing, tripping over itself. When you finally stop coughing, you breathe in harsh pants as he keeps your head between your knees.
Your fingers lace at the back of your head and he grabs them firmly, reassuring that he’s still beside you.
.
“She’s stable,” Shoko announces to the waiting Satoru and six students. The latter came when their teacher had told them of what happened, and Itadori still clings to Fushiguro’s arm by an iron hand, fingers clawlike into his friend’s bicep. Kugisaki chews on her thumbnail, a bit paler than usual and there are crescent indents along her forearm where she had dug her nails in. Maki’s hand rests on her shoulder. Inumaki’s on the phone with Panda, and he turns the screen around so he can see the Strongest Sorcerer who does not feel quite so strong.
Satoru’s assurances that you would be fine had done nothing but send them into a quiet that scared even him.
“Is she okay? When can she get out?” the kids demand suddenly.
“We’re waiting for the updates on her scans from the doctors, but she’ll need to stay here under observation.”
Satoru runs a hand through his hair, smiling in a way that doesn’t reach his eyes. “Guess that means she gets a few more days off while the rest of us are working our asses off,” he teases. Maki shoots him a glare and his eyes close in a way he hopes arranges his expression in one of joy as he shrugs helplessly. “Well, that means I have another girl I have to spoil.”
“Aren’t you too busy with the four already blowing up your phone?” Kugisaki mutters sourly. Satoru pretends not to hear. His phone has been silent without your texts, and it’s cold and heavy in his pocket.
“Can we see her?” Fushiguro asks. Shoko nods, but holds up a hand and the kids skid to a stop.
“She’s resting. I’m unsure if you know, but certain topics of conversation or trains of thought can lead to more attacks, so stick to talking about your curriculum. Topics you think are safe.” The woman shifts on her feet, a wisp of brown hair swaying in front of her eye. “It’s unavoidable, but use your judgement.”
“Yes, ma’am.” The students walk off down to the dead-end hallway, and Satoru turns to Shoko who has her arms crossed over her chest. She steps up, scanning him like he’s got contraband, and he raises his eyebrows innocently.
“What?”
“It’s getting worse. I hope you managed to get answers,” she says. At once, Satoru’s facade drops, and a sober sensation overtakes his face.
“No, I didn’t. She’s heard of the disease, at least. We talked about Suguru, but it wasn’t like it was under lock and key.” The brunette shakes her head at his words, gesturing for him to sit down beside her. Doing so, he leans back into the uncomfortable chair as she crosses a leg over the other. “She said she thinks about him a lot.”
“She still loves him,” Shoko says bluntly. “She gets that far-off look when she talks about him. You two should trade secrets some time.” A shake of her head, and she tucks a strand of hair behind her ear. “I healed what damage I could, but I can tell those growths inside are expanding. The attack only seems to have agitated and prompted them to take root.”
“How…” It’s hard to formulate the question. Luckily, Shoko knows him well enough.
“Without seeing the scans, I won’t know. Based on her last ones, I thought at least four months. Now?” Her lips press into a thin line. “She’ll be lucky if she gets two.” Shoko’s eyes flicker down Satoru’s front, and her lips press into a wry line. “And change you shirt. You look like a murder suspect.”
Glancing down, he looks at your dried bloody hand print, stark against white, and he gets up abruptly. Shoko doesn’t stop him.
He walks down to the dead-end hall. He can hear Itadori through your open door cracking jokes, Kugisaki relaying every detail of her shopping trips, and you’re wheezing your laughter despite Maki scolding you to save your strength. Satoru stops just outside your door, out of sight, and rests his head against the frame, content to just listen.
“Tuna mayo.”
“Is that right?” you ask Inumaki. “Lay it on me.”
You sound exhausted, beaten to the bone, but still, when Fushiguro says something too quiet for him to make out, you still have the strength to tease him for worrying.
.
The night is warm, and he sets the last plant back into its place on your window sill before cracking the window a bit at your request. He’s busied himself making this place as homely as possible as quickly as possible, and in the process, had walked in on you staring at your own scans on the lightscreen mounted on your wall.
“Thanks, Satoru,” you say over your shoulder. He joins you by your side to stare at the scans. Granted, Satoru didn’t cheat his way through medschool like others have, so he doesn’t understand much, but he can tell what is and what isn’t supposed to be there. The floral-like growths situated right where the main bronchi meet the trachea, for one.
The roots spreading across your chest like cracks in concrete, for another.
“The doctors want to monitor this,” you explain, pointing at the roots, “to see whether or not it’ll grow around my lungs or continue outward, around the ribs and spine. If it’s the former, I’ll slowly suffocate and die. If it’s the latter, I’ll slowly suffocate, become paralyzed, and die.” You smile grimly. “Not quite a win-win.”
“Exactly the opposite.” He inspects the growths and through the blue-white-black imaging, he spots the tiny stems emerging from the main growth, sprouting into your lungs. He guesses, with time, those will grow into flowers of equal size before sprouting more shoots.
He wonders…
As if sensing his hesitance, you scratch your collarbone and look at the scans with a new glint.
“The doctors say if I avoid another attack like today, I’ll probably have two months, three if I’m blessed, but because of how big the growths have gotten already and its volatile nature, it’ll be impossible, so we’re looking at a month. Maybe a month-and-a-half?” You smile at him, throat bobbing. “Guess it’s good to have a number,” you add shakily, a short puff coming at the end of each breath as you struggle to fight the cough. “Being a sorcerer, too much uncertainty, I think.”
“You should tell Nanami that. Maybe this time, it’ll convince him to stay away,” he retorts, turning away from the scans. They’re burning his eyes and he doesn’t want to look at the real thing for much longer. You turn with him, walking back towards bed and climbing in. “Are you sure you don’t want the operation? Shoko could do it so fast you wouldn’t feel a thing.”
“No, not yet. There are some complications that’ll definitely occur and I don’t want that to happen.”
“But it would save your life,” he argues. “What risks are frightening enough that you’d even consider not having it?” Your gaze flickers as you take another wheezing breath. The strength seems sapped from your limbs—you’re a scarecrow hanging off its pole as you swallow tightly. Satoru leans against your window sill and crosses his arms over his chest so you can’t see the frustrated fists he wants to make. “If this is about Suguru…”
Resolutely: “It isn’t.”
“You’re going to die if you keep going down this road. I don’t understand why you’re hesitating.” In the back of his mind, klaxons begin to scream.
“Satoru, some things are just beyond logical reason.” He jerks his gaze away, pushing his glasses up his nose pointedly. You sigh. “I know it’s hard, but this is my choice. I just want you to be here so you know it’s okay.”
Your hand stretches out. Blue eyes flash to your outstretched fingers and he takes it before he can stop himself. Your fingers curl over his palm, tugging him closer and he lets you, sneakers dragging over the tile until he’s sliding into the chair by your bed. It squeaks against the tile.
“Please don’t be angry with me.” That’s all. That’s all I ask.
A hard, heavy sigh, this time from his end. He tightens his hold on you as you sit there, smiling hopefully. His heart thunders in his chest. “I’m not angry.”
You perk up a bit, and his index finger unfurls to rub your wrist. It feels colder than normal. “Promise?”
He wishes he could lie half as well as you. Either way, he tries his hardest: “Promise.”
By the time it’s quarter past nine, you’re already getting ready to sleep. You have enough pillows to surround your entire body, and he fluffs them up, helps you arrange them until you’re sighing against the white sheets, burrowing in with a sedated smile on your face.
Satoru sits down again on his visitor’s chair and you watch him lazily through the dim orange light stemming from behind your bed.
“You don’t have to stay here and watch me, creep,” you mumble, turning your face away to stare at the ceiling. You cough dryly, but it subsides moments later. Your voice is nothing but a croak as you let out a tired groan, and Satoru smiles to himself, cheek to his fist.
“I feel robbed of our afternoon together. Making up for it now.”
You look at him again incredulously. “We’re not even doing anything.”
“I don’t know when you were told that every second of us being together had to be us doing something,” he huffs. “I like being in here. Isn’t that enough?”
“It’s too much. You’re annoying me.” Even so, your voice turns fond as you roll onto your side, away from him to settle in to sleep and Satoru’s warm gaze lands on your shoulder gently rising and falling as you slowly drift off.
He already knows you’re gone by the time he’s standing up and gathering his jacket. Walking around the bed, he glances at the bathroom to check the light’s off and catches a glimpse of his shirt. A coil wraps around his gut at the muddy red handprint pressed into the fabric and he turns away to look at you instead.
Your face is in perfect peace, half-buried into a pillow you’re hugging into your chest, and he only soaks in those features. His hand twitches, and his infinity wavers as he raises his hand as if to touch you. Your eyelids flutter and he freezes, fearing he might’ve woken you up, but you only mumble incoherently and turn into your pillow.
Satoru watches on silently just as a breeze sweeps into the room and he looks up where the window he had cracked open. The breeze takes hold of the plants, uplifts them until they sway like a tender dance.
His chest begins to hurt. The smell of the antiseptic is starting to sting, so he moves his hand to the light switch instead. Flicking it off, he turns to leave.
.
Every time Satoru walks down to the end of the hallway, a different memory will play in his head until he’s playing a movie over and over every single day. Of the first time he met you, although that one is blurry. Your sixteenth birthday when the four of them had piled into your dorm room to drink themselves stupid.
One-and-a-half weeks go by before he realizes that he only replays the moments where you feature. Like his brain is preparing him, reminding him. For what, he doesn’t know.
He can’t come every day—considering the low number of sorcerers has been taken down by one more, it means besides teaching, he still has to work for the Higher Ups as well as his own personal agenda—but when he does make it, he always makes sure that he soaks in every second. Even the horrible parts. Maybe, especially the horrible parts.
You have scans taken every other day to monitor your progress, so when he arrives at an empty room, he isn’t surprised. It’s when there’s movement in the bathroom that sends his nerves prickling until he catches a slab of golden hair and reading glasses flashing in the sunlight.
“Nanami,” he greets.
“Good afternoon.” His jacket’s off and his sleeves are rolled up. With a quick sweep of the room, Satoru notes that the windows are cracked open and the aforementioned jacket is folded over a chair sat in a square of sunlight.
“Do we need to be so formal?” he complains, bypassing the bathroom and searching for another chair. The one Nanami’s taken by the plants is still warm and Satoru isn’t keen on the idea of sweating so soon. During his search, he stops by the windowsill and his eyebrows rise curiously at the new plants and trash bin pressed up right underneath. “What’s happening here?”
“We were planting new seeds when she had to be taken for her scans. She insisted I finish potting the plants.” Noting the empty terracotta, Satoru bends over and prods at the moist dirt. “I have to go soon, though. I had hoped it wouldn’t take as long as it did and she would be back by now.”
“They started taking MRI scans when the branches continued to grow outward rather than inward,” Satoru informs. “It takes around forty-five minutes, on top of the CT scans they’re taking, too. That’s if she doesn’t start coughing in the middle of it.”
“I’m guessing she does.” Nanami adjusts the glasses on his nose, wiping at his hands free of the last of whatever dirt might’ve been clinging to his hands.
“Yup.”
“I see.” Satoru looks at the plants again. The blond man across the room throws the towel into the dirty clothes basket.“Has she… spoken to you of what to do with her effects?”
Gaze hardening, he doesn’t move at the question. Of course, he’s thought about it, but those bouts of weakness have never been longer than a few minutes. There’s no use in wasting time on a reality that won’t come until it does.
Hopefully, it never does.
“I’m so sick of everyone talking like she’s signed a death sentence,” Satoru murmurs, turning around to look at the blond man at the door to the washroom. “She still has time. Not a lot. It’s not convenient, but it should be enough.”
“She’s already considered the benefits of taking the surgery, and yet she actively decides to postpone it. You know she’s stalling,” comes the steady reply.
“And what about you?” Satoru asks. His words are biting, icy, but Nanami seems unfazed as he begins to loop the tie around his neck. “Would you do it?” Blue eyes meet a stoic face, and the coldness seeps into Satoru’s body. Nanami sighs.
A part of Satoru wonders why he even bothered asking. He already knows the answer—
“No.” Eyebrows shoot up. His mouth drops open and a strangled noise escapes his throat. Nanami merely continues on, quiet as death. “Perhaps it’s because I’m willing to accept my death, but, to be honest, I don’t know how to let any part of Haibara go. I’ve accepted it, but he’s still in my heart and my head.” Lips parting, Satoru takes a step forward as Nanami slants his body away, continuing to fold the fabric into a tie. He looks statuesque, unmovable, and something tightens in Satoru’s throat at the stone-like mask taking over his face. “I’m unwilling to do anything to taint that memory.”
Wordlessly, the blond walks over to Satoru to take his jacket from the chair, rolling down his sleeves and slapping his watch back onto his wrist. Standing less than two feet apart, the two men finally meet eyes.
“Gojo,” Nanami murmurs. “I can’t say I understand your burden, but I am by your side. I do not always agree with your choices, but I still respect them. As your kouhai and as your colleague.” His lips pull in a facsimile of a wry smile and there’s an understanding Satoru doesn’t understand haunting his handsome face. “However, she is your friend before mine. I think your opinion matters much more than mine. Don’t abuse that power.”
Satoru’s eyes nearly reflect in the lenses of Nanami’s glasses. He wishes his friend would take the damn pair off.
In truth, the reason he’s so irritated is because he knows. If he insists enough, begs enough, there will always be a chance that he can convince you. That you will give in, not because you are selfless, but maybe because you’re too selfish to let him stay mad at you.
An unstoppable force meets an immovable object, and sometimes, the force wins.
But he’d promised, hadn’t he? To not be angry with the choices you’ve made?
“Jeez, it’s somber in here. Who died?” you tease as Shoko pushes the wheelchair in after you. Both men look away from each other. You’re still walking steadily, but an IV is hooked into your chest now, and it’s so obvious you’ve lost unhealthy weight that looking at you is hard sometimes. Satoru does, anyway.
Noting Nanami, you straighten up. Surprised, but pleased: “You’re still here.”
“I was just leaving,” he says. You frown, but don’t protest. A jujutsu sorcerer’s work is never finished until one stops breathing. “I finished planting the seeds you asked me to, and watered them.”
“Thank you.” He dips his head to you, then to Shoko, before departing, and you watch him go for a moment before your eyes land on Satoru and you smile. The air around you shifts immediately to a vibrant yellow.
“You’re early, Satoru.” You head towards the bed as Shoko parks the wheelchair by the door. “It took way longer than I thought.”
“That’s because you threw up pistils today,” Shoko replies dryly. Satoru straightens up and looks at Shoko more carefully. Placid lookimg—usual for his mortician friend in the jujutsu world—but there’s a blanching in her knuckles that isn’t usual. “The CT wasn’t good. You know that.”
“Well, it’s still more time than I could’ve asked for, you know.” Shoko shakes her head, and meets his eyes before leaving the room, presumably to talk to your doctors. “Party pooper.”
“First day knowing Shoko?”
You laugh sarcastically, adjusting the hospital gown on your body before climbing into bed slowly, as if your joints ache. Satoru’s feet shift on the tile when he realizes his body moves to help and he freezes. You’re breathing audibly by the time you settle in and you meet his eyes, wondering if he’s noticed.
Of course he has, he wants to tell you. He notices everything about you.
Then, you sigh, and the yellow energy around you flickers into something darker, something grey, something that reminds him of summer thunderstorms.
“The roots have reached the edge of my rib cage and are encroaching on my stomach now,” you inform bluntly. “I probably won’t be able to keep food down in the next couple of days so they’re going to up the ante on this thing.” You gesture to the catheter by your clavicle. “So that’s not really fun. And, they want to start taking scans every single day because the growth is increasing exponentially. The doctors think something triggered the flowers to begin blooming in earnest. Like spring has come to my body, and I’m having the worst fucking time of my life.”
Despite your admission, your smile only falters in that it no longer reaches your eyes. Satoru shoves his hands in his pockets because he doesn’t know what else to do.
The word Hanahaki still burns, whispers coyly in his ear. It teases the tip of his tongue as he watches you look to your windowsill where your new plants are and get up, walking over to inspect your friend’s work.
He wonders if he can bring it up again. If he can insist that there’s a way to save you—
But Nanami’s words linger, too, and he bites his tongue until he tastes iron.
“Oh, look.” He blinks at your voice, turning to look. Your fingers sink into one of the pots and before he can ask, blue energy flares up around your hand and into the soil and a shoot breaks through the dirt, unfurling as it grows higher and higher into the air.
“What is it?” Petals are beginning to form, the shade of a warm, gentle red that fades in shade as it reaches the stem. Satoru comes up next to you as the first flower blooms and his eyebrows rise. “Tulips. Huh.”
“I used to love them,” you tell him, picking it off and extending it to him. Eyebrows furrowing in surprise, he takes it as you sink your fingers deeper into the soil, sending more cursed energy into the seeds. More stems to replace the one you had picked continue to grow and you pull your hand out, wiping at your fingers with a towel.
Satoru tilts the flower towards his nose, taking a whiff.
“Used to?” he repeats, and you nod.
“Trees and flowers have their own language.” Your eyes do not meet his as you watch the plant continue to grow. Your muscles go slack, and your fingers touch the petals, mind not quite aware of how you’re moving. “Red tulips mean eternal love, and fame.”
Blinking, he looks down at his own bloom.
Suguru. He hears you say his name, even in the silence, and remembers years ago, walking through Tokyo. A neighbourhood he doesn’t remember, his best friend looking at the florist’s shop and immediately perking up to head inside and buy a bouquet after something had caught his eye.
“For a girl,” he had admitted sheepishly.
“Only one?” Satoru asked, horrified. “You can’t settle down! We’re meant for so many more women than just one!”
A sharp nudge to the ribs. Raucous laughter. “Shut up!”
Quietly, Satoru’s fingers tighten around the stalk as you tilt your head to the sun, inspecting something he won’t understand. He doesn’t have a green thumb, and although you say you aren’t the smartest, he’s seen you grow the college’s gardens in a way that has amplified the beauty already lingering on the grounds. You had dismissed it as a little side project, but seeing you water your plants dutifully, spread feed and root out weeds, makes him wonder if you know how to put half-efforts into anything.
When you garden, you never take the easy route. You labour for the satisfaction, and pour sweat and tears into the soil.
When you love, you love with all of yourself and more.
It’s what makes whatever he wants impossible.
Because he is the same, and they will never change.
When Satoru goes home, he places the tulip in a vase and the cursed energy prickles at his fingertips.
.
You get worse and worse with every visit.
Each day brings him another raw wound, salt on blood. You slowly grow more and more ragged, even though you stay in the hospital, confined to your room.
There are days Satoru walks into your room to you hunched over the toilet, spitting blood and flowers into the bowl and vomiting all you ate the night or day or hour before and he already knows what he has to do. A cold, damp rag to your forehead, a crouching stance beside you as your grip on the toilet seat becomes rigid like steel.
Other days, you’re still asleep because the night before, you’d been hacking up half a lung and half a bouquet. Sometimes, you’re curled around a plastic receptacle already full of your half-attempts to dislodge the pressure building in your chest.
Or, you’re crying into your hands, breath coming in rapid bursts as you try to force your head between your knees to stop the world from spinning and Satoru holds you when you beg him to, and stands in the corner of the room when you push him away.
Afterwards, you always grab onto his sleeves, his arms, and sink against him, shivering. For hours after, he’ll curl around you on your hospital bed, no matter how much his body cramps, until you insist you’re fine.
“It’s a little like touching death,” you told him once, voice raw and fatigued. “When it’s a pretty bad day, and I think I’m going to die alone, it happens, so all I have to do is not think about it.”
There’s a flawed logic there, but Satoru was too busy pressing his nose into your hair and feeling the warmth of your body to reply any more than, “I’ll be there. I promise.”
Two weeks pass (fourteen sets of scans, a different pair hanging from the lightscreen every day tell him that) and Satoru watches as the branches spread through your body, past the reaches of your ribs, and the flowers have spread to your lungs so quickly he’s sure the time for you to decide is running out.
You’re near-passed out against him on the bathroom floor one evening, and although it’s not closet-sized, it doens’t make the arrangement any less awkward. He’s up against the bathtub, legs sprawled all around you as he holds you in his arms. On the edge of the tub, there is a bar of bodysoap and a bottle of lotion he recognizes as the same one Shoko used to buy when they still had time. Your sink counter is filled with your toothbrush and cup, handsoap and a microfibre towel hanging off the edge smeared with lipstick, foundation, and black streaks of who knows what.
Shoko must have spent the night while he was out hunting a curse in Sendai. Good. He doesn’t like the nights when you’re alone and he can’t be there.
His fingers brush over your shoulder blade, and he travels over something rigid cloaked by your skin. Your eyes are closed, and you’re nearly asleep as you curl deeper against him. Looking down at you, he presses curious fingers into your shoulder blade only for you to let out a soft groan.
“Did that hurt?”
“No. It just feels like you pressed down on a big sore muscle,” you mumble slowly. He trails his fingers over, feels the bumps of the roots curling around your bones before following it towards your spine. It disappears the closer it reaches the trail of knobs that go down your back, and he moves back to your shoulder again. “Doesn’t hurt, though.”
“Does anything?”
“Mostly my stomach,” you tell him. “I’m so hungry all the time, but I can’t eat.” He glances at the IV stand, the only other witness to the events in this bathroom. It leads down through your gown and past your clavicle. Monitored every day in case the growths dislodge it, it’s one of the only things keeping you alive. “And my throat. It feels like I’ve scratched it out until it’s bleeding.”
He tilts his head. His lips barely brush your sweaty scalp despite how cold you feel in his arms “No surgery?”
You shake your head, what remains of your strength slowly coming back. “They say the flowers and roots have taken up sixty-five percent of my chest cavity. It’s not only inhibiting my lungs, but my heart and stomach, too, so it’d be kind of hard to get rid of it all. Not impossible, but it’s really risky. That, on top of the already-present consequences—”
“So let’s say we start with the lungs,” he cuts off, trying to not sound too desperate but these past few weeks have worn him down to the bone. Although he thinks he’s managed to hide it from his students, Shoko has offered multiple times to prescribe him sleeping pills just so he can shut his mind down.
He said no every time.
Your legs draw up and he squeezes your shoulder carefully, looking down. “Are you ready to get up?”
You nod. “I think so.” He wipes at your lips with the rag he left on the counter and you roll your eyes as he makes sure no blood is left on your face before throwing it back up and carefully adjusting you against him.
“Do you want my help?”
“My answer does not matter to you,” you shoot back teasingly and he lets you pull away from him before reaching up with one hand to push yourself up. Your arm wobbles, your feet kicking back underneath you and slowly finding theirselves on the floor. Satoru withdraws, ducking underneath and back up so he can stand, hands floating around your body as you draw the IV stand towards yourself and grab on. When he’s sure your knees might give in, he grabs your elbow, but you shake your head. “I think I’m okay.”
“You sure?”
“Yeah. Yeah, I’m okay,” you breathe, raising your head to look at him. Your lips curl in a soft smile, and you clasp his shoulder. “Thank you.”
“I didn’t even do anything this time,” he says.
“Not everyone stays for the pathetic girl on the floor of the bathroom floor,” you quip. Turning around, you begin to head back to bed and he trails behind you carefully.
“If the girl’s you, then I think exceptions can be made.”
“Hospital bonus.”
“It adds that you’re in the hospital, too,” he agrees. “My morals are just.”
“Isn’t that a relief?”
It is. It is a relief that you still have the strength to joke with him.
You climb back into bed. Satoru returns to the bathroom to make sure the bathroom is flushed and it’s clean before returning and perching on the edge of your bed. Pulling out his phone, he shuffles his shoes off and tucks his legs to his chest, leaning against the foot of your bed and scrolling through his messages.
Not much to miss, to be honest.
“There’s supposed to be a lunar eclipse on the morning of the 28th,” you say suddenly. Satoru looks up. You’re leaning back on the mountain of pillows, exhaling and inhaling measuredly in a way he now knows is your way of fighting off another bout. Squinting against the orange glow of the sunset, there’s a longing in your gaze. “I want to see it. Outside and everything.”
“You’re not supposed to leave the hospital.”
You don’t miss a beat. “Oh, we’re abiding by rules, now?”
“If it keeps you around, yes, we are.”
“When did my best friend turn into such a party pooper?” Looking at him, an impish glint lives in your eyes. He balks.
“Don’t you dare insinuate that I’m not fun.”
“Then… take me to see the eclipse.”
“No. There’s nothing to even see.”
“I want to see the moon disappear, Gojo,” you declare. “And if you won’t take me, I will definitely sneak out.”
It paints a pretty pathetic picture, and he can’t help but arch his eyebrows at your determination. The air purifier drones on. The nurse turned it on after dinner, he guesses, and he has the strange urge to kick it as you fix him with a fierce stare.
“You probably won’t be able to walk by then,” he says.
“That won’t stop me.” He knows it won’t. The corner of his lips pulls into a slight smile as you continue, “I just want to go outside one last time. Is that really too much to ask?” Your words are tinged with a fine dusting of humour, and he shakes his head.
“You’re incorrigible.”
“Big word for you, Satoru.”
“I still mean it.”
“And I learned that from you.”
He rolls his eyes and sighs. “Fine,” he caves. Your face lights up, and he sets down his phone, legs unfolding to brush the floor as he leans over to flick your forehead. Your eyes squeeze shut at the contact and you slap his arm away sluggishly before he soothes the smarting spot over with a smear of his thumb. “I’ll come by, and we’ll sneak out.”
You beam and he slips his feet back into his shoes and pockets his phone so he can focus his attention on you.
When visiting hours end, the nurses offer to set up the cot for him like they always do. You pretend not to look at him out of the corner of his eye, awaiting his answer behind your laptop screen, and he spares you a quick glance before saying yes.
“She likes you,” you tell him after one particular nurse with dyed purple hair who always wears a fishtail bids them goodnight. Satoru fluffs up his pillow ceremoniously, having shed his jacket and taken off his jeans to hide underneath the blankets. The fabric is cold against his bare chest, and he pulls his glasses off, sets them on the stand right behind him.
The black frame holding up his mattress rattles a bit as he punches his pillow one last time and lies down. He turns on his side and looks at you. You’re turned on your side, too, and your brow is furrowed as you fight the sleepiness.
“Is that so?” he asks carefully. “What do you think about it?”
“I think if you wanted someone with a hectic schedule, you could pick someone else,” you say vaguely.
He raises an eyebrow. “Does she have a bad attitude or something?”
“I dunno.” There’s a subtle fire igniting in your words. You look a bit more awake, and your eyes are shifting the air into a smouldering red. He squints up. Your face is shadowed, but you’re still silhouetted by the orange light behind your bed as your shoulders rise and fall greatly in staggering, weighty breaths. “She wouldn’t understand. I guess.”
He hums. “So I should find someone who understands me but can’t be there for me? Sounds like the set up to every tragic love story ever.”
You laugh, and it’s the saddest sound in the world.
.
Friday, July 27th arrives in clouds.
Satoru scouted a spot before where they can watch the eclipse. He settles on one of the highest buildings on campus with a balcony where they can sit against the railing and watch the moon disappear. You can’t eat, but he still buys your favourite food from all over Japan, travelling to different prefectures in hopes that they still have your favourite dessert or drink that you mentioned once—he even gets you a new polaroid camera. He doesn’t know exactly how well the eclipse will show up on it, but, memories, right?
Maki makes a dry remark about how much he’s running around lately, probably to make amends to a girl he’s scorned. Satoru deflects and says he’s actually trying to impress one this time.
It’s been a five days since his promise to bring you. You lost your ability to walk steadily two days ago and to speak effortlessly only yesterday. The roots have extended through your body, pushing the muscle of your back and shoulders, and it’s made even moving painful, so he intends to carry you everywhere he can, holding your IV bags if he needs to.
The doctors say eighty-five percent of your chest is now occupied with foreign growth. Satoru wishes they’d just tell it how it is—you’ll probably be dead by next week.
He arrives at the hospital and walks the path he’s walked so often over the past few weeks that he is sure he could do it with his eyes closed. The nurse’s station, and there’ll be the purple-haired one and the one with a double helix piercing on call at this time. Then, twenty-five steps to the end of the hall where the window often lets a lot of natural light in. Today, it’s grey and not much, but it’s enough to cast his shadow long and blurry.
He stops in front of your door to sanitize his hands when he hears voices within and hesitates.
Your door is closed, which means you don’t want people to interrupt, and he moves away from the rectangular window, back pressing against the tiny slab of wall between the frame and the corner of the hallway. Glasses slipping down his nose, he tries not to listen but he can’t help of himself.
“Are you sure?”
“Of course I’m sure,” you say weakly. You sound awful. Satoru wonders if he’s missed one of your panic attacks and curses himself. “If I don’t sound sure, it’s because I’m dying… and sounding like a fragile piece of shit… comes with the territory.” Your words are coarse, and a harsh anger grates his ears as you cough violently, a terrible retching sound ending with a splat following right after.
“I wasn’t doubting you,” Nanami replies calmly. “But this could be done in so many other ways.”
“Look, Nanami. I’m not… brave enough to say any of it. Now, sit down. Your standing… it’s making me nervous… Thank you.” Satoru’s legs feel numb as he sinks down to the floor, tilting his head just enough to listen clearer through the sliver underneath the door. Resting his elbows on his knees, he runs a hand through shaggy white hair. It feels dry and lifeless.
He can’t remember the last time he took a shower that was longer than ten minutes and more than ice-cold bordering on just beginning to warm.
“Take care of him for me,” you croak and his fingers tighten against his scalp. Nanami doesn’t answer, and you let out a sound that can only be described as pure agony as another bout grasps you tightly. You’re wheezing by the end of it, gasping painfully for air, and the monitors start beeping rapidly, a dinging that echoes in his head as Nanami’s low voice soothes you, tells you gently to calm down. “I’m—I’m sorry.”
“Breathe with me,” Nanami orders, and everything falls silent. Satoru stares at his lap. His head is beginning to pulse with the monitors when the beeping finally starts to fade. “Good. No sense to waste your strength.”
Wobbly, spitting: “I’m sorry.”
“Don’t be.” A pause. “It’s not your fault.”
You laugh, as if Nanami’s cracked a funny joke, and it’s gut-wrenching. “Remember how… we can curse each other? Ourselves? True curses.”
Faintly amused, immeasurably strained: “I thought it was still a hypothesis regarding those who don’t have the correct bloodline and the ability to curse through their own will.”
“No…Not a hypothesis. Real, Nanami. Real. No one knows how cursed energy affects us. Not really. Since, in my opinion, it’s entirely based on how we process things… it’s so difficult to say but when you know someone…” You break off to clear your throat. “The curse of adulthood… some of us got that too early… but we can survive that and even if it’s not a curse by… definition, we still feel it, right?”
Satoru clasps his hands together just so he doesn’t rip the door open at the hinges.
“Right.”
“And… knowledge… can be a curse. Even if we can’t see it.” A ragged breath. Then, another laugh too loud for the grey light outside, too bright, a spark before it fizzles into, again, pained choking. “Nanami, remember last year… the job out in Yama… Yamaguchi?”
“Yes.”
“And we came back… Okkotsu was beginning his first year at the college… what I—what I told you?”
“…Yes.” A beat passes. A chair shifts on the linoleum floor and Nanami clears his throat. “I see.”
“I don’t want him to be so alone. I know I was never the strongest or the smartest or the most talented but I liked to think he let me in because I was there. Not because I understood. Maybe… Maybe because I didn’t. Nanami, please… he always try to stay so far away from the people he thinks he can’t love. Tell him… tell him—“
You break off and Nanami assures you with a steadfastness Satoru has counted on so many times before: “I will.”
“…thank you.”
Eyes shutting tight, Satoru rests his brow against the heel of his hand. His head is aching, and a hard fist grabs his chest, squeezes his heart until it feels like it’ll burst. So this is how you’re really feeling. When you’re not smiling, this is what you are. Angry at the world, and heartbroken.
So terribly heartbroken.
And you couldn’t trust him with it? Because you thought he couldn’t handle it?
He can take it. It’ll be okay because he’s the strongest. He has to be.
I’m the strongest. I should be okay. I’m the strongest.
I’m the Strongest.
The headache gets worse so he gets up from that corner in the dead-end hallway, all the while three words replay in his head like a goddamn gramophone.
Nanami doesn’t come out of the room for a while. When he does, Satoru walks down the hall with takeout and a smile plastered on his face as if he had heard nothing at all.
.
At just past one-thirty AM, Satoru sits up from his cot and rubs at his eyes. After dinner, the both of them had forced themselves to go to sleep in order to have enough energy for their little late night excursion. He glances at you, a slumbering shape on the bed, and gets up, slowly sliding on the lights. They burn a dim orange, glowing on your face, and your eyebrows furrow as he touches your cheek.
“What?” you mumble, vexed, and he smiles.
“Are you ready?” he asks. A backpack is situated at the end of his bedframe and he reaches for it, unzipping it carefully as you crack your eyes open. “We’re going to go see the eclipse, remember?” Pulling out clothes he robbed from your room in the staff facility from when you used to work full time, he grabs your shoulder and shakes you gently. The gnarled roots under your skin feel strange against his fingers as you groan weakly. “Do you want five more minutes, Sleeping Beauty?”
You don’t answer, burying your face into your pillow and he shakes his head to himself. It’s going to be all right, he thinks. I planned for this setback.
Slipping into a dark long-sleeve, he parts the black-out curtains to let light come in. He checks his reflection in the bathroom mirror before running a hand through his hair and washing his hands with a cold stream of water. By the time he leaves the bathroom, you’re sitting up already, heel of your hand rubbing against your brow as you groan. In your other hand in your lap, there’s a splash of blood and a lone petal, and he rushes to your side instantly.
“I’m sorry. I didn’t even hear—“
“It came out easy,” you assure as he grabs a tissue to pick it off your hand and throw it into the receptacle at the table just beyond the foot of your bed. Wiping at your mouth roughly, he hears your complaints and your hand shoves against his shoulder to tell him to quit it. “Ah, I can do it myself!”
“Shh! Do you want every nurse storming in here while we conduct our super secret getaway?” he whispers, and your eyes fix on his. Dark circles mark your face like bruises, but that light is still the same—glimmering, bright, like twin suns and just as warm. Making sure your hands are clean, he wipes the invisible streaks of blood just to be sure before grabbing your clothes and setting them at the end of the bed.
You glance around the place sluggishly, at the paintings you never got to finish, and the books you haven’t finished reading, before settling on him. “What are we going to do about the… about the machines? And my IV…”
“Oh, trust me. I may have bribed a nurse or two,” he confesses and you send him a scandalized look. He shrugs. “What? You told me a woman liked me and I couldn’t help but turn on my natural charm.”
“You’re awful,” you say without meaning it and he smiles as he moves your bed into a sitting position. You cough lightly, but sit up straighter as he carefully unhooks the huge bag and pump from your stand and gently slides it into the pocket in the backpack, resisting the urge to squish the pouch a bit. Strapping the pump in, he makes sure it’s secure as you peer around him to catch what he’s doing. “Is this… safe for me, you—you know, medically-speaking?”
“Nope.” He adjusts the tubing to avoid any kinks. “But, Purple gave me this backpack and she will come as soon as we come back to make sure you aren’t dying. And, if anything goes wrong, I promised her I’d come back as soon as possible.”
“Promised her?” you echo “I see. So that’s what Purple… was doing before my afternoon nap. I thought you guys traded suspicious looks.”
“Yeah. I’m pulling big strings. Now, c’mon, silly. Let’s get you dressed.”
You roll your eyes with a whistling breath. “Watch the tube… and c’mere, then, Gojo.”
He grabs the jacket first and does exactly as you order. Wrapping it around you, he helps you thread your arms through before zipping you up carefully as your shoulders begin to shake. Bending over, you reach blindly for the receptacle at the end of the bed and he hands it over to you.
A wad of saliva mixed with blood slips between your lips and you let out a low noise before forcing yourself to cough harshly again and again. Satoru watches. No matter how many times he sees you rip your throat up just to breathe with a bit less pressure in your chest, it doesn’t get any easier.
You manage to get up a whole magenta blossom. It blooms from your mouth like something out of a horror movie and lands in the receptacle before he’s wiping your mouth.
“Sorry.”
“Don’t apologize.”
They continue on.
Coat, next, zipped up, and a scarf, then he’s scooping up your legs to help you twist on the mattress until your feet are dangling off the edge. He weaves your legs through the sweat pants, careful not to let his gaze avert from his task even as the hospital gown trails up your legs. You shiver at the exposed skin and gooseflesh pimples your thighs as you lift up your hips to help with the effort. He pulls the hospital gown free from the waistband and lets it fall over the hem so you’re completely covered before falling back.
In a crouch, he pats your knees and makes the mistake of looking up only to find your eyes already on him, searching, nearly mystified. Satoru’s throat tightens. The faint light streaming from the window catches half of your face, as if half-divine. There’s a curiosity there, lingering, and the way you look at him makes him freeze in his spot.
Is this how Suguru saw you a thousand times before, a thousand lifetimes ago? Is this what he felt?
Did he see the way your pupils dilate, the flare of your nostrils as you exhaled so quietly that it felt like a feather against his lips despite the distance between them? Did he see galaxies in your irises, home in the softness of your stare? Is that why he kissed you the last time he saw you? To memorialize their love for himself, to remember what it looked like when you loved him?
Did he feel like he could fight dragons, crush demons, rip their world apart at the seams and rebuild it again with bloodied nails if it meant you would never cry again? Is that part of why he did it? So you would never be lonely again?
Because if so, Satoru understands.
Because if so, Satoru would do the same.
Because he always saw you as just pretty, because you had always been just his friend, and then his best friend’s girlfriend, and then his best friend, so there were always lines drawn in salt, scuffed and distorted over the years, but…
But in the light, tired and lost in his gaze, you’re nearly ethereal. The only reason he knows you’re not a goddess is because he’s still touching your knees, and your breath quivers, as if you’re just as disconnected from the world as he is in this moment.
Lips pressing together, he looks away, and the moment’s gone.
He glances at the clock.
How long has it been since he moved? It feels like hours.
Twenty-seven seconds.
Twenty-seven seconds of temptation, and then Satoru turned away.
He slants to grab a pair of thick woolly socks to give himself something to do. You’re still watching him, head tilted down just so, and he carefully takes hold of your ankle.
He focuses on the little things: the iciness of your skin, the way you pick at the fabric of your sweatpants absently as you watch him work, the way you shiver a bit when he touches you.
He rubs heat back into the arch of your foot as you reach into your jacket slowly to carefully remove the nodes monitoring your vitals. You seem stiff to the bone, and your fingers are rigid with anticipated pain as you peel off the stickers. In the back of his mind, he remembers the days that feel like yesterday when you weren’t hooked up to so many machines to assure both you and him that you’re still alive.
Removing the cap for the oximeter from your finger, you shake yourself out a bit, clearing your throat. He slides one sock on, and then the other.
“How’re you feeling?” he finally utters.
It takes you a moment to answer. “Bottom half feels tingly. Usual these days. My body feels like a big giant bruise,” you inform quietly. Your voice is nothing more than a rasp. “Very warm and toasty, though… Thank you.”
“Just gotta get the shoes on and then we’ll teleport there.”
“Okay.” He helps you slip your feet in, something straight out of Cinderella, and then he stands up to take your hands. Your fingers slip into his palms, and he holds you so tightly as you slide off the bed. The instant your feet hit the floor, your grip intensifies and your head snaps down to the floor. You find your footing after a moment, and he lets go to crack open your window. Moving your plants aside, he climbs out to glance around.
The air is crisp and cold, but not too bad for him. Even so, he’ll probably slip on a hoodie before they leave and he ducks back in to your room to do so, tugging it down his waist before grabbing the backpack.
“Arms through,” he instructs, slipping the backpack onto your shoulders. Guiding you closer, he helps you shuffle as close as possible towards him before turning around and bending over. “Alright, climb on. We’re going.”
Your arms touch his shoulders, his hands shoot out behind him, and you fall.
Fingers hooking on your thighs, he boosts you up and your arms wrap around him, your own fingers wrapped so tightly around his collar that it nearly chokes him. Haphazardly stepping through the windows, his fingers sink into the fabric of your sweats. Your breath is warm against the shell of his ear, and he can feel your heart pulsing against his back as he turns to look at you.
He smiles. “How’s it feel?”
“I’m still not sure if you’re going to let me die.” You press your face closer to his head and your arms tighten. “But the wind feels so good. So, so good.”
“That’d be too undignified,” he teases, and then he jumps. Time seems to slow as it always does when he’s about to teleport. He imagines the staff facility on the campus, quiet as a cemetery at this time of night, and his heart lurches forward. For a moment, his senses leave him all at once. He can’t taste or feel or see anything for a fraction of a second, then it comes to him in blinding speed. His hearing, as always, is first, then his eyes, smell and then touch and smell.
His foot lands on stone, as if he’s just finished a small skip, and he grins as he sweeps the courtyard. No one, as planned. The building’s to his immediate right, and he climbs the steps, using your knee to nudge the door open.
“That was fun,” you comment. “Convenient, too. Blink of an eye, and you’re somewhere else.”
“You can’t even begin to imagine how many lines I’ve skipped because of it,” he comments. The lights are all off, and he heads for the kitchen immediately to grab all the food he’s bought. Setting you down on the kitchen counter, he takes out another canvas bag and stuffs all of the food in.
Daifuku with of all kinds of fillings in the fridge, fresh dorayaki, canned coffee and aloe drinks, sweet soymilk and other wagashi they used to feast on when they were younger. Mostly because Satoru would buy enough to feed a kingdom so he always had something on hand for his overactive brain. You watch him with wide eyes as he moves around with such purpose one could think he was preparing to fight an army, but as soon as he finishes, he flashes you a smile.
“I think you’re going to like where we’re going a lot, silly.”
“Didn’t have to buy stuff,” you mutter, fingers playing with the tube leading into your backpack for a moment.
“You haven’t eaten in weeks. I thought maybe we could at least try. Maybe not now, but at the end of the night, before we go back. Just in case.”
“I can’t eat, though.”
“Don’t know until I stuff it down your throat,” he replies cheerily, and you smile at him so brightly it’s almost like you aren’t sick. Then, that smile turns into a cough, a fist in front of your lips, and your expression is frozen into one of exasperation before it flickers into strained. He sets down his bag, already knowing what comes next.
You make a hacking sound, deep in your throat, and he shifts you closer to the sink so you can lean over and throw up. Gagging, it comes in red and clear torrents, the cursed energy spilling out of your body nearly making it incinerating to even touch you as you clutch the edge of the sink basin.
You fall to your elbows, and Satoru eases you off the counter so he can hold you up instead of the cramping body contortion you sink into. Cupping the juncture of your shoulder and neck, his thumb sweeps soothingly over your root-invested spine, tossing the ends of the scarf over your shoulder and out of the way.
Settling a hand on your hip, he presses you against the countertop so you don’t fall, and hopes your legs can hold you up long enough for him to reach for the hand towel. You spit just as he manages to grab it, snapping back into position and peering over your shoulder to inspect how much you’ve coughed up. You shudder and a tortured moan wrenches out of your throat as you sink, forehead against the cool metal.
You’re scorching to touch, but he tightens his hold on you anyway, setting the towel aside for just a moment. Carefully, he pulls you back up and you let out an drained whine, but he shushes you quietly, turning you around and guiding your head over his shoulder so you don’t stare at the rot any longer.
Satoru knows you would, even if you pretend like you aren’t plagued with morbid, self-destructive curiosity.
Looking into the sink, he counts a few petals and three whole flowers, and you’re quivering against him as he wraps his arm around you.
“Alright, lean back for me,” he whispers into your ear, and you obey. His arm around you crooks so he supports your head, the other grabbing the towel again. Exhaustion seems to have sluiced through you, and your eyes are nearly unfocused as he dabs at your mouth carefully. His blue eyes focus on the gentle curve of your lips, and your cheeks puff up before you swallow tightly and let out a shaking breath.
“You’re really close,” you mumble in that exhale. He tilts your chin to the light to make sure he hasn’t missed a spot, and your eyelids flutter as the corners of his lips quirk up. His Six Eyes pick up a muted yellow emanating from you, and it’s so warm against his skin that he can’t help but relish in the feeling. “You smell nice.”
“Good. I took a shower before I came today. Well, yesterday,” he amends softly. “Alright, let’s go before you hack up your other lung.”
“Funny.” Nonetheless, he scoops you back up onto his back and he rinses down the sink as you rest your head against his. He feels you breathing steadily, much easier now than before. Red swirls down the drains, and he watches the magenta petals slowly reveal their true colours. There’s a flash of white in the center of each one, and he wonders silently what flower it is and what it means.
Maybe he’ll find out some day.
When the kitchen’s back to the state they entered, he grabs the bag of food and holds onto your legs tightly as your arms around his neck shift and pull him closer.
This time, when he teleports, it’s not as jarring. Walking around the balcony, he makes sure no one’s in the area before checking that the door to the roof is locked and heading back out into the night air, towards where they can see the moon clearest.
“Hey, open your eyes,” he whispers over his ear, and your head shifts.
“Hm? Oh!” He feels you wriggle, but he doesn’t let you go as he walks closer to the spot he’s set up. Near the railing, a blanket surrounded by pillows is laid out surrounded by a few space heaters. The moon is hanging perfectly in front of them, and the light illuminates the forests in silver as a gentle wind whistles through. Tranquil, the only sound is his footsteps on wood as you manage to pull your legs free with a harsh twist of your torso. Your hand slaps against the railing and he whirls around to hold you up but you grit your teeth. “I can do it.”
Breathing in deeply, you pull yourself past him using mostly your arms. Your feet drag as if they’re not really attached to a living body but you still move steady onward, and he walks ahead to turn on the heaters and set the food down as far away as he can so it doesn’t spoil too quickly.
“Satoru,” you breathe as if for the first time,” it’s so fucking beautiful up here.” Looking up, his heartstrings twinge. Your face is bathed almost entirely in silver, and it drapes down your body like silk, illuminating the cord of your throat he can see above the scarf, the strength of your hands. A smile brighter than even the most blinding sun rays comes across your face and he finds that the moon pales in comparison as your knees begin to give.
Reaching forward, he helps you sink down slowly, and then sit down, legs hanging off the edge and then you’re leaning to rest your elbows on the middle bar of the wooden railing. You can’t stop staring at the moon, and Satoru can’t stop staring at you as he opens the box of daifuku and pops one into his mouth.
“The eclipse should be starting in a few minutes,” he says, checking his watch. 2:10. Four minutes to go. You finally tear your eyes away from the moon to look at him.
“I forgot…” you muse. “I forgot how bright… the moon was.”
He settles in beside you and offers a canned coffee, but you shake your head. He cracks it open for himself.
“We’re about to watch the moon change,” he notes. “But I read that it’ll last six hours.”
“Really?” Excited, you look up at the moon again. The lunar rays outline your already-pronounced eye bags but it also makes you look more beatific. “That’s just proof… our time here on Earth is so inconsequential in the grand scheme of things. It really makes you—makes you think how much we really matter. Which doesn’t seem like a lot, compared to things like a… fucking lunar eclipse.”
The moon’s opinion doesn’t matter more than mine, he thinks. “Well, while we’re waiting for your next epiphany to hit you,” he says instead, “you never answered my question.”
You smile, intrigued. “What’s that?”
“What if we removed the flowers bit by bit, rather than all at once?” he asks. Your gaze snaps to him, but he only regards you honestly. “That gives you a fighting chance.” Your eyes widen imperceptibly, and he grabs another mochi ball and takes a bite.
“The roots and flowers are too entangled in my chest to be removed safely. It’s either they remove my lungs completely, or not at all, and finding a… match for one lung is hard enough, much less two perfect lungs…” You trail off and shrug. “Well, that’d take forever… and I wouldn’t get much… longer, anyway. I’m a sorcerer. I always knew… I was going to die, so why not die on my own t-terms?”
He frowns. “Why not try?”
“Give me your phone.”
He does so, and watches you type in a query you must’ve typed before with how quick your lethargic fingers fly over the screen before you’re shoving it back towards him and leaning forward on the railing, chin to your forearms. You don’t even look at him, as if you don’t want to watch him crumble.
He reads: The first year after the transplant is the most critical period wrought with surgical complications, chances of rejection, and infection… Although there are some reports of some people living for 20 years post-transplant, many people do not make it past 10 years and only half make it past 5…
His stomach curdles. “Five years is better than nothing.”
“Five years worrying when my lungs are going to… kick it,” you correct. “Besides, my ribs are mangled by the roots. And my heart. My stomach. My spine. I’m undernourished, exhausted, and everything in here”—you gesture slowly around your abdomen—“is doing overtime. My body’s too weak to handle any kind of surgery that wouldn’t heal me… immediately.”
Your eyes find his, and it’s as if lightning strikes through him like a spear—piercing cold and electrifying. You’re beginning to blue in the lips like you’re freezing to death, but he’s sweating under the blast of the heaters.
Pulling off his hoodie, he drapes it around your shoulders. You don’t react anymore than: “Sucks, but that’s how it is.”
A few more minutes pass by in silence. Their knees knock into one another, and Satoru can’t stop looking at you as you breathe in the home you left months ago, head lifted to the inky universe.
“You know I can tell when you’re—when you’re angry with me,” you utter, not looking at him. “No matter how much you smile at me, you’re still too passive aggressive to cover it up.”
The words spill out of his mouth as you lower your gaze to him. “I’m sorry.” No sense in lying.
“That’s okay.” You smile for a moment, like he hasn’t said something worth ruining a night over, but when you look up at the stars, it fades. Wistful, you cock your head at the moon that hasn’t gone away just yet and lower your chin to your arms again. “It’s not really something that was… fair of me to ask anyway.”
.
Just as the moon turns yellow, he remembers something. Bending back to root through your backpack, he excuses himself. You frown. “What are you—“
“I got a camera for this occasion,” he announces, withdrawing the camera and a plastic bag, leaning back to snap a quick picture of you. You squint at the flash, mouth opened in an incredulous smile and face half-turned away, before the photo rolls out. “Like the one you used to carry around.”
“Some memories to hold on to, huh.” You reach for the camera and your fingers wrap around it, aiming it right at him. A flash and two peace signs later, another image joins the one of you Satoru slides into the plastic zip bag. “Hold on. I want to take another one.”
“We should do one of both of us.”
“Ugh, fine… I don’t look good at all, though.“
“Too late.” He snatches the camera from you and sticks out his hand, dragging an arm around your shoulders and you lean into him, temple against his cheek as he snaps another photo, and then another of him making a stupid face. Another of you mid-laugh. You’re wheezing for air as he keeps grabbing the polaroids as fast as he can with the arm that’s around your shoulder, leading to a bunch of jostling that has you in stitches at his frantic panic whenever the new photo chugs out of the slit.
When he’s had his fill of making you laugh, Satoru leaves you alone to look at the moon. He can’t stop grinning stupidly with every photo and while you watch the moon slowly descent into the earth’s shadow, he shuffles through the photos he just took of them together, trying to brand them to memory.
The way he looks at you in these photos makes him believe in something. In something that could’ve been there if they had more time, and he could convince you to open your heart up to a new possibility.
.
Another hour passes. The moon hangs a strange transition between black and blood red and a paler peach orange. A glimmering yellow dot sparkles below it, and he wonders if that’s Mars.
The forests seem almost hauntingly quiet, and no one has spoken in the darkness. You regard the moon, so enraptured, and more photos have joined the zip bag, but they’re mostly of you. He’s managed to sneak them in by turning off the flash and upping the brightness settings so it’d still be visible, and he hopes you never realize that he’s got them.
Satoru has never been interested in astronomy, but the stars in your eyes are changing his mind.
He’s dug his hand into the bag of dorayaki already. He remembers it’s supposed to be for you, too, but his hands are too empty without the camera, his brain going a mile a minute and the air absolutely quiet with nothing.
Twenty minutes ago, you asked him to help you take off your coat so you can pull on his hoodie, and haven’t moved since zipping yourself back up. The air smells only of canned coffee and the stinging wind carrying the scent of cedar. Feet swinging, he drapes his arms over the railing and looks up at the red moon.
It is pretty. Magnificent, and ominous, almost. The night is so much darker without the moon. Sheesh, colder, too. I wonder if you’re feeling okay. Maybe I should check, but you don’t seem to be shaking. Worst comes to worst, I could up the level on the space heaters…
“I don’t think I ever got to hear his last words,” you muse quietly, voice cracking, rousing him from his monologue. His head swings to you. Your eyes are barely open as you rest your cheek against your forearm, and you don’t look at Satoru despite your head turned towards him. Instead, he can watch the pieces of you fall apart without your scrutiny. “I used to think… that I didn’t care.”
“Do you want me to tell you?” he asks slowly as you continue to stare blankly over his ear. Your chest stutters in its inhale and the exhale is just as shaky as you smile a bit to yourself. He takes that as answer, and as he speaks, he sees Suguru’s smile—bright against the darkness of the alleyway, and a reminder of a simpler time. Satoru’s heart quickens from the memory “‘At least curse me a little at the very end.’”
You’re quiet for a moment, as if soaking that in. Then, you draw yourself up and sigh. “That sounds like him.”
You say it fighting off a laugh, even though it wracks your body with such intense pain you can barely breathe. You begin to wheeze not even a second in, and still, your face is cracked into an agonizing smile as you blink, tears slipping down your cheeks. Your eyes squeeze shut and your body goes stiff as you cough, hands flying over your lips. Your shoulders shake so uncontrollably it’s like an earthquake in your body, but Satoru cannot find it in him to calm you down as you hunch over yourself.
It comes in its own course, until you’re nothing but a gasping body, crying into bloodied palms cupping purple flowers, and the low sobs that spill and stutter out of your throat makes Satoru wish he never told you.
“‘At least curse me a little at the very end,’” you repeat to yourself, voice raw and iron-like, and your eyes finally rise to meet his. Nothing but hollow purple pierces through him once more. “Yeah… Yeah, that sounds like him.”
An apology bubbles at his lips, but you continue before he can even begin. Your hands fall to to your laps, and you look at the decaying flowers, thumbs stroking the petals. “I could never make him truly happy… could I? Just like he said… nothing would’ve been good enough for him while we lived in this kind of world. No matter how many times I sat by him while he swallowed… swallowed those curses, held his hand, held him, I would have never been… enough to make him laugh from his heart.” Your tears cast dark shadows. “I held him, Satoru, with all my might… and I still felt him slip away between my fingers.”
That’s how Satoru learns you were there that day, December 24th, not a snowflake in sight. Just a few metres away, you stood for only a moment before you walked away from the man you loved so he could die without any regret, at the cost of your own guilt eating you alive.
No one speaks after that. Satoru cleans your hands slowly, carefully, giving attention to each finger, before swiping your lips, and then he wipes your tears away but you’re not crying anymore.
You just look up at the moon emptily and he scoots closer in hopes to keep your returning trembling at bay.
“Ten years is a very… long time to love someone.” You break the silence. He doesn’t know how long it’s been. Fifteen, thirty minutes? He looks at you, and your lips press into a thin smile. He lifts his arm so you can scoot up close next to him. Your eyes never leave his face, regarding him with new clarity. “I just… realized.”
“Ten years is a very long time for anything,” he replies quietly, their faces very close. Their noses brush, and a warmth spreads through his cheeks as he presses the tip of your nose against his. You don’t pull away. Instead, you almost lean closer. Your nose is cold against his hot face, and he rubs it slowly with his own, trying to send heat back into your skin.
“A very long time to… wait.” Your eyes flutter shut, and your breath is warm over his lips as you slowly tilt your head so their foreheads meet. His hand squeezes your waist. You smell like the hospital, but there’s still the fragrance of the fresh-cut grass and herbs clinging to your skin as he moves his head just to the side so his nose presses into your frozen cheek. Your arm moves as if dragging through honey until it’s wrapped around his neck, palm flat against his shoulder, just as their brows press against one another.
Something ignites inside his chest, incinerating the rot that seems to grow inside his own chest—it’s his dread, he realizes a moment later. An ugly knot of dread for what’s to come, the guilt, the cold grief that’s just out of reach.
It’ll unfurl soon, he knows, but for now, he welcomes the relief you bring him.
In this moment, you are his, and he is yours, and that is all that matters.
His eyes close. His cheeks are burning hotter than the heaters surrounding them, and he feels a smile pulling at his lips as your fingers curl against the back of his neck.
“When will people… stop waiting?” you ask him, hushed like a secret.
Eyes opening, he answers you in the same soft voice, “Probably when they die.”
Your eyes crack open once more and he catches a sliver between your heavy lids. You’re so close he sees every detail of your irises, the pores of your eye bags, the way memories flicker through your pupils like fish in a river.
Your exhausted smile grows more genuine—something inside you seems to rear its bright little head, but it’s sad, and he realizes, then, what you must’ve been thinking. Words fumble at his mouth, but he doesn’t let anything slip as you lift your face away to rest your head against his shoulder.
.
You’re dozing against him. Satoru is staring up at the moon in your stead. It’s nearly fully that famous shade of dark blood red, but not quite. He can’t hear anything except the buzz of the space heaters and your breathing. His arm is still wrapped tight around you, holding you flush against him. He’s wished he’d done it so many times before that now, he doesn’t quite know what to do with himself.
You’re dying. Even as you rest against him, he feels it. The weakness in your body, the way you’ve turned ghost-like. The strength of your Cursed Energy has become more prominent now that you don’t have the energy to channel it properly, and it’s centred so strongly in your chest that he can feel it poking curiously at him, leaving little marks, a souvenir for when you’re gone.
His fingers dig into your side. You let out a noise, head shifting, and he rips his gaze away away from the sky as your hand falls away from where it had rested around his neck into his lap.
“Satoru?” you whisper brokenly, and he nods, smiling. He pulls you closer, but their bodies are so pressed against each other that it only serves to make you huff a bit.
“Hey. You’re still with us, don’t worry,”
“Not worried,” you mumble, lifting your head with difficulty. “Just glad you’re here.” You tilt your face to the moon. “It’s still… red, huh…” You shake, your hand at the hem of his shirt twisting tightly. He reaches to squeeze your arm and hopes it’ll be enough now. “Pretty.” Throat dry, he does not answer. His white hair falls into his eyes as you look up at him, and he decays at the vulnerability in your gaze. “Aren’t you glad… that we saw the eclipse?”
Jaw clenching, he nods and tries his best to smile. Your hand lets go of his shirt and you shuffle up close enough that your other arm sneaks around his waist. Touching his chin with trembling fingers, your eyes glitter in the darkness of his shadow.
“I’m going to miss this. The moon, stars, how… fucking short… ’n’ beautiful life is,” you finally whisper, throat tight. “Makes shit worth living for. Maybe… won’t miss it… the most… but, top three.”
“Top three?” he echoes. “Top three sounds pretty good to me.”
“And, y’know what, Satoru?” you continue in the same low, husky tone, as if you’re about to change his world one more time.
He drops to the lowest, quietest voice he can manage and moves his head closer. Their noses nearly bump into each other again, and you smile as he quirks an eyebrow. “What’s that?”
“You’re… going to miss me… more.”
Your hand on his waist travels up his shoulder and he feels the last of your strength in your muscles as you pull him towards you. Letting you, his arms wrap around your waist as your other arm shoots around his neck, clinging on so hard that he’s sure his spine might break.
Flattening his palms against your uneven back, he closes his eyes and slides a hand to cradle your head close.
“And promise… me something,” you breathe into his ear. Your lips brush the shell of his ear, and a shiver shoots down his spine.
“Anything.”
“When I kick it,” you whisper, “take my body, and bury me… yourself.”
Throat swelling shut, Satoru’s glad you can’t see the way the blood drains from his face as he nods and holds you tighter. “I will.”
.
“One more photo for the road?” he asks. You lift your head from his chest, and he looks as you reach to sweep his lips with cold, trembling fingers. He smiles, his hand on your thigh squeezing meaningfully even though you can barely feel it now. Your arms are bundled between your chest and his, and he hauls your legs on his thighs more securely up his lap, arm tightening around your torso.
“Satoru,” you murmur, tilting your head to him. His eyes never move from yours as he picks up the camera, and your hand falls from his lips. “I’m glad… that it was you.”
He snaps the shot and the only sound that fills the silence is the camera chugging out the polaroid. Your eyes are dark, murky and unfocused, and he feels your stammering inhale in his very lungs as he presses his forehead against yours.
“I’m happy it was you, too,” he whispers. You search his gaze for only a moment, and then turn your head to the moon once more.
Lowering the camera to the floor, he sneaks his other arm around you and rests his chin atop of your head, eyes sliding shut.
.
Nanami, Yaga, and Ijichi approach, dress shoes tapping against linoleum floors. Satoru and Shoko say nothing to them as they join in watching through the glass doors.
Satoru doesn’t like the room they’ve moved you to. It’s too full of machines, too open to passersby who could just look in if the curtains aren’t drawn, and even then…
It smells too clinical here. Too full of artificial light. The ICU is a mechanical sort of silence than the quiet peace of the dead-end hallway. There is no warmth, no books, no paintings. Your plants have been removed, and Nanami has taken all of them into his apartment except the red tulips which rest on the dinner table in Satoru’s kitchen.
You stopped being able to breathe on your own only a day after the eclipse. That was two days ago, and the ventilator is doing nothing more than prolonging your agony. Soon, the growths will block your lungs entirely, suffocating you from the inside out.
The doctors have stopped taking scans.
“It’s only a matter of time, now,” Shoko had said. “Her directive says we let her go as soon as she can’t come back.” Quieter: “Her pulse ox has been dropping. It won’t be long.”
Ijichi’s face is stony. Satoru doesn’t know why he focuses on him out of everyone. Leaning against the nurse’s station, he stares blankly at the Assistant Director’s. Maybe because he thought he’d be a wreck. Out of all of them, Ijichi’s the most emotional, but his lips are set firm from where he stands between Nanami and their principal.
Maybe Satoru’s just looking for permission to fall apart, but that’d be stupid.
I’m the strongest. I’ll be fine.
“I’m going to go in,” he announces. No one protests. Nanami sits down and crosses one leg over the other, fingers steepled and eyes indecipherable. Shoko sits beside him. There’s the faint scent of smoke clinging to her lab coat.
Ijichi dips his head, but doesn’t sit and Yaga excuses himself to talk to the nurse about your condition.
Satoru sanitizes his hands, approaches the door, and pulls it open before stepping in and sliding it shut behind him.
Click. Hiss.
The sound of the ventilator is the only thing that occupies the room. That and the monitors. It’s very dark, despite it being the middle of the day. Mostly because you can’t open your eyes wide enough to withstand the sun anymore, so Satoru had asked the nurses to bring the same blackout curtains from your room here. The lights are dimmed until it’s only an orange glow right behind your bed.
Click. Hiss.
Sitting down, he doesn’t take hold of your hand just in case you’re sleeping. The intubation tube rests on a pile of towels on your chest, and it takes a long time before your eyes open and your head tilts just enough to look. Your hand twists on top of the covers until your palm is tilted open.
He slips fingers in, takes hold. The feel of your skin making everything worse. You’re colder than you should be—it’s sweltering in this room, enough that Satoru is already beginning to sweat even through his short-sleeve—and your fingers just barely twitch against the back of his hand, tracing strange shapes.
You blink, tapping his knuckle, and he frowns.
“What’s up?” Withdrawing, he feels your nail scrape against his flesh and he looks down. Curiously, he takes your hand and places it on top of his so your fingers can touch the lines of his palm. “Are you spelling something out?” he asks, amused, glancing up again.
Another blink, slower this time.
He leans forward on his elbow to touch your cheek before resting his cheek against his fist.
“Alright, give it your best shot.”
Your eyelids flutter, lips trembling in a weak smile. Your index finger begins to trace shapes, kanji, into his palm. Your chest rises and fall slowly, pumped full of air by a machine hooked to your lungs, forcing breath into you as your writing grows sloppy by the passing second but you still persist.
ANGRY?
“Angry?” he repeats, and you blink slowly again, fingers insistent on grabbing his palm. Folding his fingers over yours, he arches his eyebrows. “If I was angry at a terminally ill patient, that’d make me the asshole here.” Your eyes squeeze shut, eyebrows rearranging in what he recognizes as your laugh in silence. More seriously, his hold on you tightens and he lifts his head to brush his fingers over your brow. You tilt your head more to him, gaze murky warm. “How’re you feeling?”
It takes a while, but he feels your hand shuffle back to trace your answer on his hand.
BETTER
“Better. Yeah?”
Another lethargic blink. Yes.
“It’s because of me, right? I knew it. I knew it. We should tell Shoko—I’m the newest medical innovation in town,” he proclaims, and his smile begs to slip off his face but he only forces it back on, shoves it into place. Your eyebrows move again, like you’re struggling to hold back your laugh. Your eyes slip shut and do not open again.
Your face goes lax a moment later, and your fingers loosen a bit, but he doesn’t let go. He just wants to touch your face and trace the lines into his memory.
Satoru stretches his thumb along the swell of your bottom lip while carefully avoiding the tube. He runs his knuckles down your cheek. His fingers brush your pulse point along your neck, and he feels the slow, weak beat.
Click. Hiss.
He thinks you’re asleep for a while, until your finger drags over the flesh of his palm and he looks down, hand lifting from your face.
“Hey, I’m still here,” he whispers, and your face turns towards him slightly, the tube in your mouth shuffling. He reaches forward, cupping your face and holding you still. “Hey. Don’t move. Your lungs are weaker than the rest of you and I’m not about to watch you die.” Something grabs onto the front of his shirt near his stomach and he looks down to see your fingers hooking on the cotton of his tee, twisting it weakly. “Oh, sorry.”
He draws back and slips his palm back into yours. Your index finger taps against the heel of his hand before your nail drags deliberately. One stroke. Then another, and another. Gojo wishes your eyes were open, because then he would be able to determine what the rest of the sentence could spell out before you’re done, but he’s patient.
HERE
“Here?” You tap on his hand. Yes. “What’s here?”
YOU AND ME
“You and me,” he repeats thoughtfully. “Yeah, I get that. At least… now you can see Suguru again, right?” Your hand goes still and he looks at your face, reaching to touch your cheek again. You’re placid—doll-like, eyes shut, living dead. “I’m a bit jealous of that, but you should rest easy. It’s been a hard few months, hasn’t it?”
Another weak twitch of your finger on his hand.
“No matter what happens, don’t think I’m angry at you, or the choices you’ve made,” he continues. “As long as you let me stay here, I won’t waste a single second of it, okay?” Tap. He squeezes your hand so tightly your eyebrows twitch, even as you slip away from him. “For all your saying that you’re weaker than me, I never thought that. Not really.” Satoru raises your hand to his lips and he closes his eyes. “Being the strongest is pretty lonely. Used to be so fucking cocky about it, huh. Thought no one could touch me or the people I cared about because everyone would be too scared.”
Your fingers curl against his palm and he lowers his head to press your knuckles against his brow.
“I was wrong. I’d give anything to have you both back, but I can’t, and I hate it. You’re supposed to be with me at the top. I don’t want to be alone again.” His eyes are burning from the strain of keeping them open, but he refuses to miss a second of you being alive when the time is trickling like sand in an hourglass. He feels it like a heavy stare on his back, wondering if this next breath will be the last one before your brain finally decides to shut down. Your organs have been shutting down for nearly weeks now. He knows it’s out of pure selfishness that they’re dragging precious moments into agonizing hours.
He knows you’re exhausted.
Resting his chin on your fingers, he swallows. “I don’t know how to let you go. I wished I’d come sooner. I was careless. I know that. We could’ve had more time…”
Your fingers squeeze his as tight as you can before letting go. Somehow, he hears your voice in his ear. Something about being grateful for the time they did have.
“You were right, silly.” He chuckles to himself, bitter, anguished, and lowers your hand back to the bed, not letting go yet. “Ten years is a long time to wait. I let you down, but I’ll make sure you go easy. I promise.”
Satoru lays his head down on his forearm and he swears he catches your lips pull into the faintest smile. He stays there for hours, watching your face, stretching up to touch your unmoving face. The only sound is his steady breaths, the beep of your monitors and the click-hiss of your ventilator.
It’s 1:04 PM when he falls asleep to the sleepy circles you trace into his wrist
It’s 6:22 PM when only one of them wakes up.
.
At 11:00 AM the next morning, during one of the hourly tests, they declare you brain-dead. With the announcement of your directive being honoured by your chosen proxy, Satoru himself, classes are cancelled and they are scheduled to take you off life support at six.
Ijichi brings them lunch and dinner. Satoru doesn’t eat. Only sits by your side, leaned back into the chair and looking at you while he still can until the clock ticks and ticks and ticks towards doomsday. The kids come to say final goodbyes while he watches on. Inumaki, as always, brings Panda through his phone, and Satoru wishes there could’ve been some way to sneak Panda into a high-class hospital just so their last moments together aren’t cheapened by a screen.
Shoko enters five minutes before it’s time, hand finding his shoulder and he looks up just long enough to catch her blank stare resting on your face.
She doesn’t say anything, only moves to the other side of the bed and sits down in the other chair.
The doctor pumps you full of sedation drugs, so you won’t feel any of the pain, unhooks the machines, and extubates you, explaining all the while what he’s doing just to fill the silence. As he pulls the tube from your throat, something in Satoru turns icy when a purple petal is plastered to the side of the plastic, but the doctor does not acknowledge it any more than murmuring that he will give them privacy.
Your rattling breaths echo in his ears as he watches the numbers slowly drop, but even your inhales fade to nothing more than soft, slight wheezes. The tape has left a strange mark around your mouth, and you’re unmoving otherwise. Shoko gently reaches and touches the eye bags that are, for once, worse than hers before shaking her head and pulling back. Everyone else waits outside.
Hours pass by in torturous years.
Satoru wears the same stony expression the whole while, finally surrendering into his desire to hold your hand.
His heart hardens. He goes completely still. Shoko talks but he can’t really hear anything except the slow beeps of your monitor once you pass certain thresholds.
There are nurses waiting outside. They’ve grown used to the company, he thinks. He thinks one or two are crying. Soon enough, they’ll come in to turn off the machines tracking your vitals so the sounds don’t drive them crazy, banging in home that you’re dead, dead, dead.
After a while, Satoru realizes you aren’t quite breathing, although your chest moves. Sometimes, there’s a gasping sound, like someone surprised the breath out of you and you’re inhaling sharply to replace it, and he imagines your fingers twitching against his hand one last time.
It’s very slow. Much slower than he imagined it to be. Maybe you’re still fighting. Maybe you don’t want to go.
Satoru can’t imagine why. Where you’re going, there’s no pain, or exhaustion, or blood. Where you’re going, Suguru waits.
He leans against his hand, elbow on the slight incline of your bed. Letting go of your hand, he touches your face, feels the soft puff of your breath, the curve of your jaw. You’ve lost so much weight from the sickness you barely look like yourself, but you’re still you. The cursed energy is still yours. His Six Eyes sees it. His soul feels it.
It tangles with his own where he touches you, and a wave of exhaustion washes over him.
He wants to sleep, let time pass, and wake up to you dead.
It seems a much better alternative to watching you slip away, but he’s always been selfish when it came to personal affairs.
.
You die two hours later.
Shoko closes her eyes and leans back into her chair as the nurse comes in to turn off the droning monitor. Her face is dry and she takes long, measured breaths as if trying to temper something swirling inside her. Satoru’s hard heart cracks as he squeezes your hand to see if you’ll wake up. It doesn’t quite sink in, even though he can hear someone crying outside, and when your limp hand doesn’t react at all, he shakes his head and gets up, pulling his sunglasses off the collar of his shirt and sliding them back onto his face.
He shoves his hands into his pockets and rakes his face over your body, your face.
He’s seen a dozen dead bodies before, maybe more. You look just like he did on December 24th. At peace, younger. Like you’re glad the suffering is over, and Satoru turns his face away sharply and leaves the room. He doesn’t know what to say and he’s not sure if his voice is still here.
Everything feels dry and dull and grey.
“Sensei,” Itadori whispers wetly, reaching out a hand, making him stop. The students are all sitting in a small area, but they stand upon seeing him leave the room, and he gives them a plastic smile that makes all of them flinch. Maki is scowling furiously at the ground as Inumaki takes hold of her bicep but she flings the hand off and stalks away, hiding her red face.
“It’s going to be okay,” he tells them as Kugisaki runs after Maki. He watches the two go before turning his attention back on the students. “The important thing is that she didn’t suffer. Arrangements will be made, but there won’t be any rush, alright?” The words feel lacking, but he still manages to smile. “It’s been a long day. Go home. Rest, shower, eat. Let’s remember that she doesn’t want us to be here, slumping around looking like idiots. She wants you to all to take care of yourselves.” He arches his eyebrows insistently at his students, but they don’t seem to hear him.
They’re only looking through the glass doors at your coolling corpse, at Shoko who stands, and speaks to the doctor when he comes back in.
Fushiguro is the only one really looking at him, and the teenager has a silent question in his stare.
Satoru shakes his head, and Megumi nods.
“Classes are cancelled for the rest of the week,” Yaga adds. “Ijichi will drive you all back to the college in thirty minutes. Make sure you tell the girls.” He directs this to Inumaki, who nods.
“Salmon.”
Later, Megumi finds him smoking a cigarette leaning against Shoko’s car. Satoru’s never liked the taste of the stuff so he doesn’t really know why he’s smoking other than the fact he doesn’t know what to do.
Up is down, left is right, and you’re dead.
Nothing seems right, but Megumi gives him a good excuse to stop. Flinging the cig to the ground, he stomps out the ember and re-arranges his expression into that shielded smile of his, but it feels a bit weaker. Sharp, janky, wrong.
“Why haven’t you gone home yet? Ijichi should’ve taken you all back by now,” Satoru says wearily as Fushiguro stops before him, hands shoved in his pockets.
“I stayed behind to look for you,” informs Megumi. He looks a bit fractured, but the boy’s never been one to wear his heart on his sleeve. Satoru makes a mental note to dig into his psyche at a later date, and stretches an arm out to wrangle the boy into a hug against his side.
For all of his complaints and mumbles and scowls, Megumi’s body still relaxes a bit against his, and even though he doesn’t hug him back, when he tells him, “You should go home and get some sleep, too. These past few months haven’t been easy on you, either,” Satoru feels a part of his old self raise its bloody head.
Glancing down at a head of spiky hair, he knocks his knuckles into his student’s skull. “Have you been keeping an eye on me?”
Megumi crosses his arms, glares over Satoru’s elbow, but even his voice is quieter. “You need to take care of yourself.”
Satoru smiles again. It doesn’t reach his eyes. “But you’re not worried about me, are you, Fushiguro?”
Megumi ducks his head and doesn’t answer any more than, “Someone has to pick up the slack, now.”
.
“Thanks, Ijichi,” Satoru says with a huff, digging the shovel into the ground and stepping on the metal edge. “Not every day you help me carry a dead body and dig a grave, huh.”
“No, sir,” Ijichi replies. He sounds a bit hoarse and tired as he wipes at his brow.
It’s been two days since you’ve died. The college grounds feels a lot less lively. He took a walk in the gardens yesterday, and saw Yaga planting new flowers. He had strode past and ignored the tears on his sensei’s face, and absently wonders now why he hasn’t cried yet as he grabs the shovel and yanks it out of the dirt, tossing it to Ijichi.
It feels kind of stupid, but despite how eviscerated everything inside him feels, he just can’t.
Either way, he’ll deal with it when it becomes a problem.
Satoru wipes at his brow, too, with a heavy sigh, and heads to where a cloth-covered shape is resting on the ground. Your corpse is light in his arms as he bridal carries you to the hole he’s just dug into the grass. It looks suspicious as hell, but it’d probably be even worse if he’d been walking around with a dead body over his shoulder, stitched back together after an autopsy by your best friend.
Good thing they’re only in the forests outside the college campus. There won’t be any civilians for miles.
“You can go,” he says over his shoulder, setting you down by the hole they’ve dug. He takes in a deep breath to calm himself and Ijichi’s footsteps hesitate before beginning and fading away moments later. Falling to his knees, Satoru begins to carefully unfold the cloth just enough that he can see your face and chest.
He squints behind his blindfold at the ripples of energy still seeping from the stitches along your chest. Sinking his hands into the lush, cold grass, he twists the blades with rigid fingers at the stench of rot coming from the curse before he draws back.
Hands on his lap, he stares at your face. You look frozen in time, eyes closed, skin clean, and there’s that unnatural stillness about you that only comes with the dead. It’s strange. He probably couldn’t have imagined someone so vivacious could be so motionless if he hadn’t seen it first with Suguru.
He had asked not to hear the results of your autopsy. Not now, maybe not ever. It’d be fresh lemon juice in a weeping wound. All he knows is that the curse clings to your corpse, and Shoko could only remove the growths that were no longer being fed for examination.
“Weird that this is where we’ve found ourselves,” he begins humourlessly. “With how we were living, Suguru always said I’d die first. Doing something stupid, being too cocky.” He slides a hand into his pocket and withdraws something he’d snipped this morning from the last plant you had grown with your Technique. A red tulip with a short stem that’s a bit crushed, and beginning to decay, but… everything can’t be perfect.
“I never thought I’d outlive you.”
Reaching forward, he places the tulip gently on your chest, takes your cold arms that are just beginning to loosen up again from rigor mortis, and folds your hands over the stem.
“Eternal love, and fame,” he repeats to himself. The energy nearly swallows up the tulip, but as it radiates from your chest, flickers in the slight breeze, Satoru sees flashes of red and green, much brighter than everything else around him, and knows that it won’t be consumed. Sitting down, he hugs his legs to his chest and stares at your dead body blankly, chin on his knees.
He had had a plan. He was going to just… put the flower there, exorcise the curse inside you, and bury you so you could finally rest. He wouldn’t hesitate because this is something you entrusted him to do.
But this is the first time in months he hasn’t had a cloud hanging over his head, and his body feels so much ligher without the burden of your disease hanging off his shoulders, that he can’t help but relish in it. Speak to you without worrying about saying the wrong thing, of people overhearing. He’s finally… free.
It feels fucking awful.
“You were right, by the way.” His voice is dull, resonating deep in his chest. There is no August sun breaking through the trees above, only from behind him, and the golden beams touch your chin, down your throat and chest. It sets the red of the tulip on fire. “I miss you. And I wish I could’ve said so many things, but we ran out of time.” A faint smile. “No matter what you think, Suguru loved you. It’s why he came to see you one last time. I knew him better than I knew myself, and I know he was happiest knowing you were at his side.” Closing his eyes, the ache in his heart swells as he utters out, “So was I.”
Burying his his face in his forearms, a cup inside him seems to tip over and everything feels too hot for him to breathe in. Ripping his blindfold off and tossing it away from him blindly, his eyes snap open wide as he tries to breathe. His ribs constrict his lungs, and he presses his eyes into his arms, hands shaking as he sinks his nails into his biceps.
Harsh pants puff against his face as he tries to reign in his shuddering, but he can’t. The knot in his heart twists until he thinks he might die, and distantly, he hears soft footsteps so faint he’s not sure if he imagines it. Gritting his teeth, he stifles the bruising feeling welling up in his throat.
Gentle hands brush down his shoulders soothingly, sending a wave of nausea through his body, and he jerks away.
“Damn it, Ijichi, leave me alone!” Wrenching his head up, his eyes widen at the figure crouched in front of him.
Arms falling lax to the grass and his knees widening, his jaw drops as a thumb teases his parted lips. You step between his legs and crouch down, limber and strong. You look healthy again, bright eyes and full cheeks, young like spring, and when you smile, it fills him utterly with light. In your hands is his blindfold, and you ruffle his hair, tilting your head curiously.
“I’m not Ijichi, but… do you really want me to go so soon?” you ask as he rakes his gaze up and down your body. There is still a purple shell encasing your legs, but as you shift your weight on your feet, it falls like fragile eggshells to the ground and sinks into the dirt, disappearing for good. Peering around you, his eyes widen when he sees shards of a purple shell in shatters all over your corpse.
He’d only seen this once before, eight months ago, with a certain student of his and the cursed spirit of the girl he loved and who loved him.
Face burning, his gaze snaps back to you as you poke his cheek and continue to grin. Leaning back on his hands, he tries to stop the intense shattering of his walls by clenching his jaw, but the shudders overtake his body, his chest, his throat until he’s letting out an ugly sound and blinking hard as if that’ll hide it away from you. Something devastatingly warm immediately shoots down his cheeks. Covering his mouth with the crook of his elbow, he turns his face away but your warm hands cradle him carefully, thumbs brushing underneath his eyes.
“Yuuta, you’re right. Rika isn’t cursing you.”
“No,” he whispers, arm falling. His fingers sink into his shoulder as if that would be enough to wake him from this nightmare. “No. I can’t—Did I—Did I kill you?” You squint studiously, not letting go of his face as he lifts the hand from his shoulder and reaches to touch you. It shakes, and he snaps it into a fist to stop it, looking at his fingers that have done so much harm—shed so much blood. “Did I do this to you?”
“You cursed Rika.”
You chuckle fondly, like he’s said something silly, and set a hand on his fist, pushing it down firmly. “You can’t control how other people react to your words, Satoru.” Your voice changes, and your eyebrows draw together in something bittersweet. “And you can’t change something you didn’t know. The chances of you cursing me and me cursing myself are irrelevant. It doesn’t change anything about where we are, now.”
Satoru watches you, lips parted, as you tie the blindfold around his neck. You feel so real, so close, and as you slide your hands down his shoulders, to his chest, he jerks his head down to stare at your shoes in the grass.
So he did.
“I see,” he murmurs.
That’s it, then.
“Satoru, please look at me,” you whisper, fingers stretching to his chin. With the gentlest of pressures, you prompt him up and he finds your face, your smile, where all colours begin and end. For a moment, the world seems to inhale all of its life back into its core—the leaves whistle, the sun is warm and golden, and he lifts his hand to touch you again, but you pull back before he can.
“I can only thank you for being my friend. For staying with me until the very end.” You laugh quietly to yourself and lift your hand from his face. “I would make a joke about a curse, but I know it still hurts, so I’ll save it for when I see you on the other side, okay? When it heals a bit more.”
“It’s never going to hurt less,” he croaks. “Don’t pretend like you don’t know how much you mean to me.”
Your smile softens. Satoru tries to eternalize that expression forever. “I’m honoured, but, I hope it does heal. I don’t want you to learn how to carry so much pain around. I don’t want you to be numb.” You touch his cheek again, as if you’re trying to soak in as much of him as you can, too.
“Do you have any last words?” he manages to ask raspily, and you chuckle, tilting your head and running your hand through his hair again. His eyes flutter shut at the scratch, the sensation of your nails against his scalp, and then there’s your hand at his jaw, holding him all together. He wants to hold you so badly he thinks his muscles might cramp into stone at the desire.
“What does it matter?” you ask curiously. “You already know how I feel. That will never change. And if you ever want to know what I think, or what I’d do, you can just ask Shoko and think about it yourself. You know me well enough to not need me nagging about it.”
“But, it won’t be enough.”
“It never will be,” you agree. “But isn’t it wonderful that we even got to know each other at all?” You lean forward, and his eyes flutter shut as you hold him to your chest. He can’t hear your heartbeat anymore, but your warmth is almost the same. The echo of your voice rumbles in his head as you speak, and maybe that is enough. “If you want my last words, you already have them.”
You draw him back, and give him one last smile. The air shifts golden yellow to his Six Eyes, for the last time.
“Until we meet again, my Satoru.”
You fade without giving him a chance to answer, taking all the colour with you.
Staring at the empty air where you had been just a moment before with wide, burning blues, he whispers your name brokenly before burying his hands in the dirt, squeezing his eyes shut, and letting boiling tears scald his face red.
.
“If you want my last words, you already have them.”
Spinning the key ring on his finger, Satoru looks dully at the door knob he had just unlocked. There’s no one in the hall, and he debates whether or not he should turn around, but Shoko had insisted. There’d been something left for him in your old apartment, and according to her, it would be spoiled soon if he didn’t go.
“Oh, what the hell,” he mutters, catching the key in his palm and shoving it into his long coat. Tugging it tighter around himself, he twists the knob and pushes it open. He can’t remember the last time he was in here. Maybe five or six months ago, when they both had a day off that didn’t need to be spent at the college.
There aren’t any plants anymore. He supposes Nanami, Ijichi, maybe even Yaga have taken them. He swears he’s seen a few in the gardens lately, but who is he to say? Toeing off his shoes, he makes his way down the hall.
Everything is just as you left it, with clean counters and empty tables. The curtains are spread, letting in so much September sunlight. It hits random display pedestals of different sizes, all the surfaces big enough to fit a pot on. Your watering can sits by the sink. There are photos hanging on the walls, propped up on the desk, on your shelves, polaroids taped to the walls.
Reminders that someone did live here. That there is a whole life unknown to strangers but evidence enough that whoever used to be here, they had people who would miss them.
Walking up to the counter, he drags his fingers along the surface, feeling the dust collect up to a square of pale light. A clean circle is all that’s left as a clue that there used to be something there, and his heart twists.
Who knew he could miss fucking plants of all things?
Sweeping his gaze around, he brushes off the dust on his jacket and hooks a thumb on his blindfold, sweeping the area with an eccentric eye. The TV is off, your bookshelves are in their usual untidy state, but even the reaching vines of the bean plant is gone from the highest shelf.
“They really scooped this place dry,” he muses dryly to no one. He can still hear the music you’d play for late nights, the smell of dumpling soup. He walks down the hall and still remembers how many steps it takes to reach the bathroom that guests would use.
He had hunched over that bath on December 25th, and let water soak through his hair as strong fingers worked the sweat from his scalp and skin.
Four more steps to the guest best room on the right, and another three to the end of the hall where a door leads to your room. It’s already open, and he steps in easily, tugging his blindfold all the way down off his face. Hair falling over his eyes, he sweeps it aside and surveys the room. The walls are still that pretty shade of cream, and your bed is made carefully, dark olive blankets resting atop your white sheets. He smiles to himself, despite the twang in his chest.
Walking deeper, he approaches the cabinet by your bathroom, and picks up the photo you have by your jewelry stand.
A smile curls his mouth. He remembers this one. First year, their first September. All four of them had gone together to Sapporo for the autumn festival.
He sets the photo back down and looks into the bathroom. Your toiletries are all lined up, waiting for their next use, and he swallows as he raises his gaze up to the mirror. His blue eyes look a big too big on his face from the past month alone, and there are red-purple half moons printed onto his face that have only just started to fade. He swears it only looks worse because of how much pale light is streaming in from the windows, and he tugs at his collar uncomfortably, clearing his throat.
Turning around, he looks at the offenders for making him look so awful, and finds a medium-sized pot sitting on the window seat. It’s the only thing sitting on the flat, wooden surface, in partial shade and almost unfurling before his very eyes.
Satoru frowns, walking around your bed to inspect the plant.
The flowers are a warm magenta colour, and his eyes widen at the flash of white he can see leading to the center of each bloom. Brushing a thumb over the petals, his jaw sets as he tilts his head to get a better look at the plant. So this is what was growing inside of you. Huh.
There’s another slip of white near the dirt, and his eyebrows furrow, fingers seeking the thing. It crinkles when he touches it, and his frown deepens as he manages to grasp it, pulling it free underneath the leaves and stems of the plants. Sitting down beside the pot, he dusts off the dirt clinging to the paper, and reads his name along the front in your print before flipping the envelope around. There’s something sticking out of it, a sloping shape that’s hard but not too big.
Curiosity peaked, he tears the envelope open carefully and peers inside. A binder clip is inside, holding something together, and he flips it upside down, letting everything fall. The letter slides out first, followed by whatever the binder clip is holding together and he squeezes his thighs together so it doesn’t fall to the floor.
Setting the letter aside, he picks the bundle up.
Polaroids.
They’re polaroids of different sizes that have him smiling despite the heavy sorrow twisting his entire chest.
Various pictures of Satoru, Suguru, Shoko, and you together, and he finds most of them are of him and you. Pictures of him hiding behind plants of various sizes, a picture of him drinking soju, because Suguru liked it the most and insisted he try, while leaning against Shoko who was knocking back a shot of tequila. There is a shot of Suguru, wet with mud and smiling like sunshine, while a drenched Satoru was in the background, flipping the camera off in the middle of a storm.
More and more pictures, enough to spill out of his lap, and he picks up each one, desperate to remember when or where you took them.
And, sometimes, he can’t. Sometimes, they are just moments that he’s lost because he never thought they’d be important, and now moments he’d give anything to remember.
There are pictures of a fern he had named their first year, little annotations on the bottom of some others. Dates, but with no context otherwise. Names scribbled in black ink.
You’re in a lot of them, your smile timeless, your joy infectious even through film.
Arms slung around Suguru, face smushed against his, artfully blurry perhaps on accident, and annotated with scrawl that read: I call this masterpiece “Dumb Sweethearts” by Gojo Satoru :)
A picture of him and Shoko and Suguru, of them in one of Tokyo’s night markets, you behind the camera, the lights flashing and warm and pink, making them all look like they’ve transported to some other kind of cyberpunk world.
You and Shoko lounging in the gardens, having a tiny picnic at your insistence, and in Suguru’s handwriting in black: JUST GIRLS BEING PALS
Satoru stares at Suguru’s writing the longest, not even at his words, just the strokes of his pen. This is a new part of him Satoru thought had been destroyed, and he starves for it. It’s like his one and only lives and breathes in the ink, in those snapshots of him caught in eternal youth. When they’d been happy and unaware and not innocent, but cocky enough to think they could rule the world.
It’s hungry, the way he goes through each photo, searching for another glimpse of you, of him, of them together, until Satoru is all out of moments to feed on, and still, he feels empty, flicking through the last few photos.
You in a pool, arms wrapped around Shoko and beaming like the sun.
A shot of Satoru and Suguru climbing trees shot from below, your eyes and skeptically raised eyebrows in frame, captioned big dumb monkeys
And the last one…
He holds it to the sunlight and his gaze softens.
A selfie of you kissing Suguru on the cheek. It’s mostly dark, but they were definitely in the bathroom, and the flash made Suguru’s outstretched arm look pale as a ghost, but even so, there’s no mistaking the happiness captured there. He was sticking out his tongue, winking, and red as a beet so he was either drunk or you had said something or both. Your arms were wrapped around his neck, nose squished against his cheek, eyes squeezed tight as he took the shot.
Turning it over, Satoru’s heart plummets into his chest. In Suguru’s clean, blocky writing:
THE GIRL IM GOING TO MARRY ONE DAY <3
And crossed out is your reply followed by a little note:
dummy doesnt have the nerve to propose SHHH!!!! ONE DAY C:
One day.
It sounds so much emptier now.
He lowers the photo back to his lap, and glances around him, at all these scattered moments captured forever. Gathering them up again, he relives them all over again, looking at each photo for longer to see if he’s missed anything, but mostly his stare lingers on your face, and on Suguru’s, and his own, too, because he can’t remember what it felt like back then, but he is sure it feels so much better than now.
The polaroids come together a neat stack and he is careful not to scratch any of them when he clips them together. The top photo is of you with your arms wrangled around Suguru and Satoru, your face split in a maniacal laugh, their mouths open in shock, eyes bulging in how you must’ve scared them witless.
Shoko’s messy writing at the bottom, for it must’ve been her who had taken the photo: BREAKING NEWS: Japan’s Strongest Conquered by a Woman.
A smile cracks his weary face and he runs a thumb over their faces before sliding the photos back into the envelope for safe-keeping.
Then, he grabs the letter. His name is written again on the first flap, and he reads it three times over before unfolding the paper, not quite ready but also not sure if he ever will be.
Immediately, a faint, herbal-like scent slashed with antiseptic flows from the page and his stomach curdles as your script pours down the page.
Swallowing, Satoru shifts and leans against the wall, hiking a foot up onto the seat and holding your inked characters to the light. There’s a date inscribed at the top.
Thursday.
The first Thursday after you had been released from the hospital. Your last Thursday before you were back in for good.
“Shit.”
He folds the letter again and tilts his head back against the wall, staring at the ceiling.
Does he want to read this? Does he really want to fucking read this?
Taking a deep breath, he clears his throat and lowers his gaze to stare determinedly ahead of him. The purple flowers greet him warmly and he shakes the shiver out of his body before tightening his grip on your letter and unfolding it again, forcing his eyes on the page.
My Satoru,
I sent all the pictures I had of Shoko to her, and she has some of Suguru, too. Now that I’m gone, there’s no use if I keep them. Maybe you two could share some time, laugh it up over these old memories. I know she says she can’t stand you, but to be honest, who else is there that will remember us now? Who else is there to remember Suguru for more than his bloody hands and me as more than that girl too sick to do anything but die?
Some legacy we said we’d leave, huh.
I don’t think I told you this, but with this disease catching up to me, it’s hard not to form hypotheses on why it’s happening or how. I have quite a few theories, and, unfortunately, none of them are pleasant or unriddled with angst. By now, you’ve probably figured out it’s a curse, and if you’re smart enough to ignore how much I’ll probably deny it, that it’s some love bullshit. If you didn’t know, now you do.
I know it’s weird. Suguru is dead. It shouldn’t be happening, right?
That’s what I thought, too
You once said love manifests the most twisted curses. I never thought of it that way before, but I’m starting to think you’re right. I don’t want to curse you by dying, but I can’t help but wonder if we can control who we curse. If I hadn’t heard you say that, would I still be here? Healthy? Okay?
I don’t know. I can’t predict alternate timelines, because I got to live one life, and that’s more than most people get. But, because I know you, you want me to entertain you. I’m sighing as I write this.
Look, I know the pain would still be there. I know I still wouldn’t be able to forgive myself for what I did, even if it was what had to be done. I know I would still miss him. I know that I would still long for the day I didn’t feel guilty for loving someone else.
If you didn’t curse me, I cursed myself. It drives me crazy that this is how the die was cast, even now, even after months where I could’ve accepted this, but at least this physical manifestation almost makes me… calm. Like seeing what this life has done to me makes me brave enough to fight it. If anything at all, the curse brought me a greater understanding of how powerful our world is in comparison to people who… are normal. The people we have to protect.
I’m sorry. Reading this back, it sounds like I’m the one cursing you now; telling you all this knowledge that can only bring you more anguish. I promise, this isn’t what it is. I just want you to understand. You couldn’t have saved me, Satoru. I couldn’t have given you the absolution you wanted, and if that’s how it is, then I just hope that one day you can look back on this and it won’t hurt anymore.
It’s always been so complicated between us, after what happened to Suguru, and after what he did, even ten years ago. What we couldn’t stop and what we had to do that day. There was always a line that I thought I couldn’t cross, or a line you didn’t want to cross, and it was shaped a lot like him. I don’t know if it was just in my head, but there was something holding us back, and I was fine dancing around it because I saw how you felt about him and I understood. Your eyes always changed when you looked at him. When you spoke of him. Even after.
Always after.
Don’t think I’m angry. I’m not blind. I know how much you two meant to each other, and I could never be angry that Suguru is so cherished. Missed. It makes everything so much harder, so much more painful.
Look, in the end, I loved him, and you did, too. And if we both still do, that’s okay. He deserved love.
I guess it just feels like a stab in the back that it wasn’t enough.
But life isn’t a fairytale. None of it really matters. To be honest, I wouldn’t trade any of it for a second, and I hope you wouldn’t either.
Maybe life isn’t supposed to be lived happily, but lived contently. And I did. I am satisfied with what I’ve done, even if I wanted to do so much more.
I’m so grateful to have known you, to have had you by my side. I hope you can say the same.
Don’t regret my death. Remember how much fun we had when we were stupid kids, and smile. Because I don’t want you to think your best years are behind you. I want you to be happy, even if I can’t be there to see it. I want you to be excited for your future, even if I can’t be in it.
I’ll always be watching over you, so smile for me every once in a while. Even if it seems like you’ll never feel anything again. One day, I promise you will, and it won’t feel so bad.
Yours forever and ever and ever,
(Name)
.
Throat crushed, he reads one line over and over the most. He’s memorized your letter heart, but he still carries it around with him, anyway.
“I know that I would still long for the day I didn’t feel guilty for loving someone else.”
Sometimes, he just wants to imagine your hand whispering over the page, the pen tapping against your chin, your face as you wrote, the sigh that you said you heaved. Because he’ll never hear you laugh again, see your smile. Your voice will never tease his ear, your fingers will never touch his face. There is no more laugh-wrinkles set in a face always perfectly hit by sunlight, and this is all he has left. His memory, and what you’ve left behind.
It makes him laugh how almost lovestruck stupid he’s being, but… he doubts anyone blames him. As long as he’s still doing his job, as long as he’s still the Strongest, what does it matter if he carries a dead woman’s letter in his pocket everywhere?
“Warm weather, even in the evenings. That’s a bit unusual,” Nanami observes, startling Satoru and he looks up at the blond who stops by him in the gardens. The man is wearing his grey suit, as always, and his watch glimmers in the fading gold light. “How are you?”
Satoru’s fingers tighten around the letter in his hands. As usual, the urge to crumple it up, throw it into the garbage to never see it again, has reared its head after his latest re-read, but he’ll stave it off. He always manages to.
“Fine,” he replies, glancing at the startling blood red and burnt orange leaves casually. Colours seem a bit brighter, and Satoru still squints a bit against them, despite the soft light of the sunset. He doesn’t know when his Six Eyes got so sensitive to that kind of stuff, but it almost feels good to be distracted by something so trivial as sensitive eyesight. “It is a bit warm for October.”
Nanami hums. “How are your plants doing?”
“Mine are doing good,” he says, smiling. “The tulips have gone dormant, so nothing to worry about there. The one with purple flowers, though. It’s a tough one. It took me a while to figure out what it liked, but it didn’t go dormant or anything as long as I gave it enough water and paid attention to it.”
“That’s good.” Nanami adjusts his green lenses and sighs like he’s bracing himself for something difficult. “Gojo,” he begins, but Satoru merely folds your letter up and slides it into his breast pocket, holding up a hand.
“Whatever you’re going to say, Nanami, I don’t need to hear it.”
“Are you sure?” he asks skeptically, gaze following as Satoru stands, patting his jacket. Adjusting the lapel, he turns to his friend and when he grins, it feels like it reaches his eyes behind his sunglasses for the first time in two months.
“I’ve done this before, Nanami. I’ll be fine.” He waves it away. Nanami frowns. “I’m gonna get some dinner, though. Care to join? There’s a real good ramen place in Ikebukuro that you have to try.” The blond man observes him for a moment, before shaking his head, saying he had dinner already. “Suit yourself. Next time, I’m treating you, though.”
Lips puckered in a whistle, Satoru turns around and begins to walk away.
A breeze sweeps through the gardens, rustling the leaves in a discordant harmony, and sneaking into his jacket, sending a slight shiver up his spine as Nanami’s voice follows after him.
“The flower she left you is the sakurasou.” Satoru stops, hands in his pockets, but he doesn’t turn around as Nanami continues, “I wasn’t certain if if you knew.”
“Nope, I didn’t. Thanks for the info.” Lifting a hand, he barely looks over his shoulder before saluting with two fingers and smiling cheekily. It’s not as forced as it used to be. In fact, it comes quite easy as he reaches into his pocket for his phone. He knows what he has to find out now. “See ya later, Nanami.”
“Good evening,” he replies, and in a blink of an eye, Satoru is gone.
On the windowsill of his empty apartment, the sakurasou soaks in the last remnants of the day before wilting against two photos.
One of four students, arms entangled, and faces framed in eternal youth.
And another immortalizing what could’ve been longer than a few shaky months if someone had been just a bit braver.
a/n: satoru’s google search result: the meaning of sakurasou - desire and long-lasting love.
and yes, there was an actual lunar eclipse on july 27th, 2018 (28th in japan time). it was very pretty. i researched a bit about both the lunar eclipse and the medical stuff, but excuse any inaccuracies! tis but a work of fiction <3 also, fun fact: the polaroid camera is supposed to be the instax mini 90 but ive never used it so excuse those inaccuracies as well SKNDALSDKN
ngl i did wanna write an alternative ending, but i can’t see this ending any other way. this is it. this is the canon, and we got a bit of happy feelies at the end as a treat. thank you for reading!
#fic: the colour yellow#gojo satoru#gojo satoru x you#gojo satoru x reader#gojou satoru#gojou satoru x reader#gojo x reader#gojo x you#gojou x reader#gojou x you#jjk#jjk x reader#jujutsu kaisen#jujutsu kaisen x you#jujutsu kaisen x reader#jujutsu kaisen fic#jjk writing#jujutsu kaisen writing#jujutsu kaisen gojo#my writing
1K notes
·
View notes
Text
for today i offer you me talking about xchara's character development but it sounds kinda half assed / out dated because this was from weeks and weeks ago
im a big nerd so it's not surprising im talking about it, anyways
(warning really long post)
in the start XChara was depicted as a bright and happy kid along with XFrisk, with him getting upset over XGaster saying he's gonna end it all maybe it's safe to say he was happy being with XGaster and his works despite XGaster being underwhelmed with himself and his creations. And then Ink came right? Yeah it was all fun and games until XGaster decided to kill off Asriel
on the first overwrite XChara did nothing to stop it and just stood there.
on the second timeline he started growing upset and kept reminiscing about his past with Asriel, until Asgore became the big guy here and cheered him up. So like he got into a sad state but got cheered up in hopes for a better future, until XGaster deemed this timeline was too boring so he killed both the supports of XChara and XFrisk (Asgore and Sans (rip babygirl)) and that got XChara ANGRY
for once XChara stood up and tried to defend what's left in the timeline, but after XGaster's stiff "just let me work" he let go and just stood there bracing for impact again.
There was a part on timeline III where XChara called out XGaster for being insecure, so uhh his hate for him was like, starting to arise up now.
In Timeline IV it was shown the XChara locked himself in his room waiting for everything to end in the timeline, so yeah so he hits rock bottom in this timeline and his v v upset n all, and all that changed when XGaster took XFrisk to make him do genocide n stuff and XChara was like oohhh shit ohhh ooohhhhh and then like XALPHYS GIVES XMUFFET A CODIGO SAYING WHATS GOING AWN and then he stops XFrisk from stabbing XChara and told him thaf "he never cared about you" anx "you should stand up for yourself, stop him now" smn smn smn so XChara took that and rebelled against XGaster and punched him in the balls then resets the timeline
WHICH XGASTER FOUND RUDE so he sent off the twins to a timeline wherein no one knows them and XChara and XFrisk HATED everyone so they like planned to kill XGaster (i think) and then targetted XAlphys to like tell them where XGaster is and XUndyne butts in and beats the livinf shit out of them so like yeah yeah XChara hes so pissed rn so they took a moment to just unwind
then like XUndyne goes and offered the twins trainings, basically XUndyne gave them hope that they'd be a able to beat the shit out pf XGaster to which XChara took because he BELIEVED theres still hope, atp XFrisk already gave up
so like yada yada yada yeahh XChara went ti trainings and then they ambush XGaster n all n stuff and XUndyne fucking dies and XChara gets his half soul fragment stolen now he's sharing a soul with XGaster (which mind you, at this point the person he hates the most)
now, in XChara's timeline he's like,,, he killed XFrisk multiple times as commanded by XGaster (i THINK)
since they share a soul now XChara changed drastically, he probably judt submitted to XGaster n all (orrr that thing warped his perception of everythknf or smn like that)
then XChara says he wants XFrisk back, SOMETHING TO NOTE HERE is that throughout the whole series XChara still cares for his brother, XFrisk, even if it seems off putting, no matter what. and thats what i find endearing
so like yeah XGaster just said FUCK IT then revives XFrisk and prolly merge their souls so now XChara is this ghost that gpes around w XFrisk
take note XGaster said "2 masterminds in 1 body" or something similar,this is probably unimportant but this part was the whole theme for the X-Event (will be talking abt X-Event in another message)
In the next timelines, XChara can be described as someone with the brains, an ASSHOLE, a PIECE OF SHIT and someone who lacks boldness when going without a plan, a sadist and yada yada yada
now heres what makes me relate to him, through timeline IX (or Papyrus, i forgot my roman numerals) instead of reacting as happy and cheerful to a new crowd he now reacts to it with disgust
much like how XGaster would, in Papyrus' timeline he started acting much like XGaster would, in short he's becoming the person he hated the most.
now
TIMELINE X
AUUGHHH MY FAVORITE AAUUUGGHHHHHHH
in this episode it like shows how devoted and determined he is into ending it all
despite him growing like XGaster he still sticks to his original goals, props to him
so like YEAH but at this point it looks like his care for XFrisk is deteriorating, it's like all he cares about now is his goals and not his brother (but his goal is literally to end XGaster to stop the suffering so....,, slay ig?)
he started forgetting why he even stuck around with him brother, he didn't care what it takes he didn't care what will happen to XFrisk when he makes him do all these crazy shit all he cared about was his plan
he always strived for a better future, so much he forgot about everyone else
he basically turned into a manipulative piece of shit 😍
so like yada yada yada stuff he tells XFrisk to make Cross (aka my husband <3) kill him
the difference between XFrisk and XChara on this timeline is that XFrisk still cares, XChara lacked empathy at this point
oh yeaj did i mentioned XChara also threatened Cross to KILL XFrisk because that's how determined he is
and when he found advantage knowing XGaster's half soul wasn't with him and it'd be easy to kill him off and take the soul he took it and used it
his second plan to kill XGaster was to give everyone back their memories of the previous timelines so they're mad n all
but since Cross refused to cooperate on his first plan he decided to tell XFrisk to tell everyone to just kill him off or leave him alone
now this, this is the part where they thought they reached victory but nope, Cross comes in and kills everyone then takes XFrisk's soul and then BOOM the world is deleted and his whole plan goes in shambles
he was quick to planning, he tried to kill Cross to be free from his body and go back to his originsl host (XFrisk) so they could still overwrite but noooo Cross kills XFrisk too 💀
so like there
hes stranded, so he chose to try and manipulate Cross (he was successful)
so basically he poured his soul, life, time and XCharussy into putting XGaster down which just failed in the end :(
the thing to alwaye remember about XChara is that no matter whay happens that hoe never backs down #SlayXChara
from his happy and cheerful picture he slowly turns into this sadistic piece of shit wjo seems bad but really just have a good intention and just wants everything back to the way it was without the overwrites
i feel bad for him:(
thinking abt this makes me kin him even more, like im not an asshole but .. some days i catch myself lacking
AND AND most of this is a copy paste btw like, a REALLY long copy paste, im talking 4 discord messages worth of copy pastes— plus i was typing all thiz in a friends server and got this message, i got alot of this but im too lazy to ss all of them messages
much love to mim mwuah shes so great
20 notes
·
View notes
Text
to give a little more info without spoiling it, it's about a foundation employee who was caught for espionage and was given the choice between termination (which in SCP world means death) or joining the Surrealistics Department, and he chose the latter. so now we follow him going through his first day on the new job!:))))! and i should clarify, you may be able to get it w/o the post, i def wasnt tho so jic lol
some other rapid fire faves, declassified recommended or not:
there is no antimemetics division - this one is an entire story arc but i can't not list it, its about anomalies whose whole thing is making people be unable to remember them and it rewired my brain. if you only want one sample chunk though, "introductory antimemetics" stands entirely on its own and is sosososo good
3519 - a highly transmissible disease that makes people believe the world will end on may 5th, and suicide beforehand would be better. you might feel confused by the wall of containment updates before the description and timeline but i promise its important to read it in order, just take it slow and really try to parse what these containment updates must mean about how the disease is progressing
3449 - a highly transmissible disease that makes people make typos. its way more than it sounds but literally anything else would be spoiling it so ¯\_(ツ)_/¯ just whenever you think youve reached the end keep clicking the next iteration button
1733 - a recording of a football game, the inhabitants of which are alive and are aware they are stuck inside an inescapable loop, and get more and more freaked out every time the tape is replayed. gets very graphic jsyk
1459 - well its. you see what it is. what this one does is it generates a puppy. and then. it uh. it. well you see. it. hm. you'll see. just, also very graphic. the ten mile long experiment log takes it from horrifying to ridiculously funny, i still feel bad for recommending it though
1346 - scary hallway
073 & 076 - IM SO SORRY TO ANYONE WHO BELIEVED ME WHEN I SAID TO START PROJECT PARAGON WITH 072 AND 073 i got the numbers wrong:((( but anyways. cain and abel. read these then go to the project paragon hub. or if you need more to hook you in, do 343 then 4840 then 6666 THEN hit up the hub. oh and scp 1000 is an important part too. and REDACTED PER PROTOCOL 4000-ESHU (you'll understand why its named different dw. irl it also goes by scp 4000). im pretty sure all of those are linked in the hub in one way or another tho so dw
4514 - knife that kills people (pay close attention to everything in the experiment logs)
2922 - ahhhh corbenic. very interesting (afaik incomplete) arc about where humans go when we die. after this you go to the project galahad hub to continue, also hit up 3922 it is extremely funny. from what i remember 1346... might? be linked to this somehow? but i could never find more about it, maybe ill stumble into it later tho thats how it tends to go
5935 - another one that i think needs the declassified post after to really get it and can't really be explained without spoiling it, its v cool though.
3288 - haha dude how fucked up would the hapsburgs get if they went underground and kept Doing Their Thing for like. hundreds of years? pretty fucked up right? (so fucking graphic dude. listen to every single one of those tws it puts up they are not jokes)
835 - scary human vore coral (also so fucking graphic, once again listen to the tws)
033 - Secret Undiscovered Number that breaks things if you use it because our tech is all based on the Wrong Math
2718 - GO BACK AND READ 4514 IM SERIOUS. DON'T LET YOUR EYES DRIFT DOWN AND READ THE NEXT BIT FIRST or do if you want, personally spoilers dont ruin things for me usually so you don't have to. it will however be way better that way around i pinky promise
lalalalalalalalalalala
anyways 2718 is death. like, death itself. one of the least graphic but by far most unsettling versions imo, and ive seen a lot of people say the same, like. its one of those ones that you stumble on and go ohhhh right this is a HORROR horror site. if you like it tho, definitely follow it up with the End Of Death (you see now?) canon. this one is super graphic though jsyk. i dont remember if theyre supposed to be linked or if i just happened to read them right next to each other and mistook them as the same canon but w/e both are excellent and they mesh very well thematically even if they aren't. but for real though, that first one WILL stick with you forever so if you're even a little queasy about death and Unsure About The AfterWards i would recommend skipping these, your brain does not need extra ammunition to scare you with abt that lol
4051 - MAJORLY fucking sad one about a kid who can make portals. if youre confused by the 350-PROMETHEAN notes and the therapy session notes search up the declassified post. not directly graphic but. its absence makes its shape visible regardless
6113 - scp of trans your gender. has false endings, youll know youve made it once you see a "handwritten" note followed by 3 pictures of a lake
2316 - everyones heard "you do not recognize the bodies in the water," but did you know theres more past that? start at Not Fade Away and click the link at the bottom to come back to 2316, click every superscript¹ < like that, and once you hit ⁶, highlight /everything/ past that, especially the blank parts. or if youre on pc just ctrl+a. you'll figure it out from there
lily's proposal - i mentioned this in the tags of another post but the scp-001 spot is kept open so that different writers can use it as they need for their individual canons, and this proposal is really cool and gentle
that's all the ones i can think of right now 👍 if you read these because of this post you should tell me what you thought of them
also if anyone wants an example of an INSANELY good scp that you almost certainly cannot understand without reading the declassified post, 5145 is so fuckin cool
#i only started keeping a list of the ones ive seen with keywords recently so Most of the ones ive read have been lost to the void#/tw suicide mention#do um. do the hapsburgs need tagged? or i guess just#/tw incest mention#should cover it yeah?#oh another one i kind of liked was When Day Breaks#it kind of fizzles out tho imo#oh one more#/long post#scp
3 notes
·
View notes