#its the only way i think i'd enjoy the live action ngl

[llannasvsp]

imagine the ninjago live action was like rated pg13 or something i'd laugh

[infriga]

I convinced my mom to try the live action One Piece, because she's the type to like this style of show even though she isn't into animation and would never read manga, but I didn't think I'd be able to convince my dad because he's usually a stickler for more grounded and realistic stories (his favourite genre is war movies, his favourite movie is Saving Private Ryan, for reference). But, when I brought up with him how I figured it probably wouldn't be his thing because it was fantasy, he mentioned to me that he does enjoy some fantastical stuff if it has like an internal universe logic, like Star Wars, and the more I thought about it, the more I remembered that he also enjoys campy fun action adventure stuff that doesn't take itself too seriously like Indiana Jones or Pirates of the Carribean.

And One Piece has both that internal logic for why people can perform crazy feats (even if it isn't explained right away) which I mentioned to him (just that there is a reason why people can do crazy things in this world), as well as the campy fun action adventure thing going for it, especially in the Live Action (the fight against Morgan's base even has a major Indiana Jones vibes ngl). So I explained that to him and asked if he wanted to try it, and he agreed to watching the first episode with me to decide if he'd watch it with my mom and me.

AND HE ACTUALLY SAID IT WAS INTERESTING SO FAR!! Like, he is NOT the kinda guy to enjoy anime or manga or even western cartoons, always refuses to watch anything anime and doesn't show any interest when I talk about it (I've managed to convince him to watch a few movies like Sword of the Stranger but it's obvious that even when he's not bored or doesn't hate it, it still doesn't catch or keep his interest), and he's really picky about anything fantasy or SciFi, if it like sets off his bullshit meter too much he starts nitpicking the logic behind certain abilities, or decisions, or explanations, etc. I once tried to get him to try Gravity Falls and he wanted to stop after the first episode. He's THAT picky.

So the fact that he actually laughed several times while watching the first episode of OPLA with me, commented about Luffy's character positively several times (he seems to think Luffy is really funny which surprised me cause I thought he'd be the most entertained by Zoro but I mean I can't blame him it is Luffy after all), never cringed or criticised or said anything about how ridiculous it was, means a lot coming from him cause he's always really blunt and honest about his opinion on this sort of stuff (which is fine I don't want him to pretend to enjoy stuff when he doesn't). He actually watched the whole first episode without it losing his attention, and seemed to have fun! And he agreed to watch the rest with my mom and me!

This sort of thing is one of the reasons why I dislike when people just dismiss the idea of live action adaptations entirely. I get that people are jaded with past failures, and don't like when live action is treated like a replacement for or improvement from animation when it isn't. But it is a valid medium just as much as animation or comics or writing are, and can be used to produce some amazing things. And the fact is, there are people who have a hard time connecting with other mediums who will otherwise never engage with this media in its original forms. Live Action, when done well and done right, can reach new audiences and welcome them into the fold in ways the original formats never can.

One Piece didn't need the live action to be popular, obviously, and the live action cannot and will not replace the original, nor should it. But I love that we get to have it alongside the manga and anime. It's just more of what we love, it's the cherry on top of an already stellar multi-layered cake. It complements the original rather than taking anything away from it. And for the first time in over a decade I might be able to share One Piece with my parents, who would only ever have a chance of experiencing it and enjoying it in live action. There's just something so awesome about that for me personally. I just wish more live action adaptations would understand what the One Piece live action understood about the adaptation process, and that's how to keep the heart of the story in-tact, so more people from more fandoms could have a chance to share something they love with more people who it would otherwise not reach.

Anyway, thank you Oda and the OPLA cast and crew for doing live action right for once!

[stargirlie-sharon]

I RETURN WITH AN AU where broomstown, or in this case, broomscity, is ruled over by a dictator-like rescue team.

a shadow of your past self

a robocar poli au concept. (tw? dark au)

broomscity is a large city, inhabiting humans, vehicles, and robovehicles. despite its modernized look, a sense of dread can be felt when you step into it.

the rescue team, well, does rescues, but that's more of a side job rather than a main one. their main duty is to keep the city in check, and to make sure no one steps out of bounds and is put in their place should they ever disobey laws. they have the servant class citizens (mostly robovehicles) work for them personally and have them do the dirty work if needed.

poli is the tyrannical and power-hungry leader of the team, greedy for control over those who he sees as inferior to him, and won't hesitate if it means to get that control with force. the once kind and loyal leader had changed his ways for the worse, leaving only but a shadow of what he used to be.

"oh roy, you wouldn't dare to go against your own friends, would you? it'd be such a shame if you did, betraying the people you've spent nearly your entire lives with. you should know better, old friend."

roy is the reckless yet reluctant firefighter. he finds the rescue team's actions to be questionable, however, he's too attached to his beloved friends to go against them. so, he simply complies with orders and goes along with it, regardless of his skepticism. despite this, ironically, he tries not to get too attached to any workers who work under him and the team. knowing that they if end up making too many wrong moves, they might just end up being.. well, never to be seen. don't be surprised if it seems he's distancing himself from you, he just doesn't want to feel the pain of losing a close friend again. the only exception to this is helly.

this man has attachment/abandonment issues someone please give him a hug.

"i-i'm sorry, poli. how could i even begin to think of such a thing? ...this won't happen again."

"good to know you're still on our side, roy~."

sweet and sadistic amber can charm you into following orders from her or the rescue team, and if that fails, she always finds a way to make you. it'd be an understatement to call her just a medic. although she's there fix up and repair robovehicles, amber is also there when you are deserving of punishment. you'll know when you're sent to the infirmary and it's NOT for healing, and you see the array of medical tools, weapons and lethal substances, you know you're screwed.

"your screams and cries won't get you anywhere, it's simply futile. i really didn't want to do this, but i had no choice, you know~? poli's orders, not mine."

helly is the rescue team's faithful little scout. he's aware of how the team can be, so in order to not be not be rejected by poli, shunned by roy, or possibly get dissected by amber, he has to be on his best behavior. he enjoys getting praised by his peers, knowing that he will be given another day of living.

"ah, our little errand boy. he is one of our personal favorites of our servants, and knows how to act and respond to us, unlike some others. quite the attentive one, don't you think?"

☆

i'm very proud of this au ngl... also fun fact i took inspiration from shattered glass ratchet from transformers for amber's bio, haha yesss insane medics go brrrrr (in my tf era currently)

i'm not too sure where to put jin in this au, i know she's affiliated with the rescue team in some way

also, hiya i'm back from my lil break! and i cooked with this au didn't i 🔥🔥🔥🔥

if ya'll have ideas for this au then THAT'D BE AMAZING OMG??? send me your ideas i'd be so happy

[fedoraspooky]

I saw that you got into Felix cartoons lately, and I'm curious: have you watched any of the others besides Twisted Tales? What do you think of them? Also, did you know there used to be a live-action Barney-esque TV show for kids that had Felix and a koala as costumed characters?

Have I??

Oh Anon... sweet Anon. *puts my hand on your shoulder* Trust me, I am fighting the urge to become an unskippable cutscene about this as we speak. I'm losing, by the way.

But yes, I have seen... not all of it, but quite a lot, and I'll try not to write a whole novel! Key word being "try". .w.; You... might regret this actually, I'm sorry.

Starting with the 1920s cartoons: aside from the problems inherent in being a product of its time (*cough*racist caricatures*cough*), these shorts were a fun watch! Lots of surreal humor and visual gags. Felix was a scrappy lil' guy back then- stealing fish, getting into fights and getting drunk on several occasions. He didn't have his magic bag 'til the 50s, so he had to get a lot more crafty in using his environment or his own body parts (stuff like pulling off his tail and using it as a tool) to get out of trouble- and if all else failed he'd throw fists or pull a gun. XD Most importantly, he'd run away on all fours when scared, I just thought that was a cute detail. This is probably my favorite version of the character outside of Twisted Tales!Felix. (and the best part is this version of him is public domain now! Yay, free real estate!)

The 30's cartoons: There were only three of these. Idk, I don't have much to say other than they were cute and I enjoyed them. He's deffo more Mickey Mouse-like here, personality-wise.

The 50s cartoon series: This is probs the version of Felix most people seem familiar with- it introduces the magic bag (mostly as a time-saving measure since this show is DEFFO on a budget) and most of the supporting cast that have appeared in stuff since then (the Professor, Rock Bottom, Poindexter, etc). I didn't think I'd like it that much going in, but it kinda grew on me a little bit- primarily due to how janky the animation is, the stilted voice acting, and how out of left field the plots tend to get... It has a lot of what I like to call "naturally occurring shitpost moments". Ngl I've been tempted to make a compilation for funsies, much like I did with 80s Astro Boy... XD That said, it has its charm. Just a warning though, this WAS made in the 50s so be prepared for more "product of its time" moments in some episodes. .w.;

Felix the Cat: The Movie (1988): WHOOO IS THE BOSS? THE DUKE OF ZILL, OF COURSE~ Okay so, this movie? Idk if I'd call it a good movie, but it's definitely strange and entertaining. I watched the hell out of it as a kid and this was the very first animated Felix thing I had ever seen, so I can't really be impartial due to how nostalgia-poisoned I am about it. XD I liked the songs- even the ones that had no reason to be there, like the one that's about the foxes that only show up to piss on Felix and leave. We have a strange attempt at rebooting Master Cylinder as an invention of a bad guy from another dimension instead of being an evil robot guy from space? Felix laughs at the skeleton of someone who got crushed to death in a gold mine and blows a raspberry at it. There's... gyrating lady fish, and a swamp monster that shouts Marlon Brando quotes. The movie starts and ends with a giant disembodied floating 3D felix head... He saves a princess?? I guess??? There's just a lot that happens here.

Twisted Tales of Felix the Cat (90s): This one is obvs my favorite of the whole bunch. I know, I know, blazing hot take. It does a good job mixing in the fun surrealness of the 20s cartoons, and he goes back to doing stuff like taking the top of his head off like a hat and using body parts as tools instead of just solving everything with the magic bag (in fact it lampshades that a lot in season 2). It has more humor than just puns (Stares ominously at Felix Saves Christmas) though it does have some of those too (he even gets arrested for it at one point), and most of all it gives him an actual personality aside from "good boy Mickey Mouse clone but also kinda sassy sometimes" (once again staring ominously at Felix Saves Christmas I will get to you later!!). If you only have time to ever watch one Felix cartoon series in your whole life, make it this one.

Baby Felix (2000s) - I'll be real with ya chief I haven't watched this one aside from like one episode. From what I saw... eh, it was okay. I'm not usually a fan of the trend of cartoons having series of the baby/kid versions of themselves outside of a few exceptions (like A Pup Named Scooby and Muppet Babies, but idk that might just be nostalgia talkin'). Apparently he shows up as an adult sometimes in this show and helps out his baby self, which somehow doesn't cause a horrible time paradox? Idk I might watch more of it later, it CANT be worse than the next one, which is... sigh...

Felix Saves Christmas (2004) - This movie is not good. I went in expecting it not to be, and it met my expectations. Is it horrible? I kinda wish it was, so it would've been more entertaining that way at least. Mostly, it's just kinda boring. The humor is puns, and sometimes signs that say a goofy thing on it. It's got music, including a four and a half minute long song that just repeats the lyrics "Snow kids rock, snow kids rule, snow kids... are cool" while said snow kids do extreme sports in looping animations. Most of this movie feels like it's just padding for time so it can be marketed as a movie- if you edited out everything that wasn't relevant to the plot or the main characters, you'd probably have a 20 minute special. Idk it's just sad that this is the last animated felix media we've had in 20 years, since it doesn't look like dreamworks/universal is gonna do anything with him- they're just kinda sitting on the rights. There WAS a comic that came out since then, but I haven't been able to get my hands on it to read it. Maybe one day when I have money. XD ;

ALSO YES, I actually saw that live action show you were talking about! It's not a cartoon, but heck with it i'll throw in my thoughts anyway since we're already here.

Felix the Cat Live (70s): So I found this on youtube while poking around, and I gave a few episodes a watch because I was surprised by the novelty of this even being a thing that existed. Felix doesn't really act like any prior versions of himself here, he's just kind of a nice friendly kid show host who gives the kid characters advice about stuff. The costume itself isn't too bad, though his body's kinda lacking shape- it's kinda just black jammies with a big ol head on top. Interestingly they gave him a red bow tie with white polka dots and his eyes always look a lil sleepy because they're partially-lidded- probably to give him a 'softer' appearance. Also the koala is kind of like a weird proto-Rosco? At least personality-wise. I don't know if he's in anything else. Over all a strange watch, deffo the most obscure thing on this list.

...

So anyway! That's all my thoughts, Anon, I hope this was everything you ever wanted and that you don't wish you never asked me about the funni rubberhose cat. XD ;;

[itsclydebitches]

ngl voyager gets a whole lot of very disproportional hate from the fandom and i'd hazard a guess that a lot of that is just garden-variety misogyny (and probably racism mixed in, considering how many of the most prominent characters are women, poc, or both). like, is voyager perfect? absolutely not. and no spoilers but there was a lot of executive meddling that wound up leading to the finale/conclusion being lacking and there's a lot of reasonable dissatisfaction with that--but again that was largely thanks to the execs fucking the show over and i recommend looking into that if you can once you've finished the show. but overall? voyager is trek right to its very core--it has heart, it's about family, and it never loses sight of that imo, even if some episodes are weaker or just duds (but, like, would it be a trek series without some episodes that just kinda suck but are still fun to watch???)

anyway, i absolutely love that you're getting into voyager, it is my all-time favorite trek series to this day for a lot of reasons, and i hope that ppl like that anon dont put you off bc i'd love to continue to see your thoughts as you watch the series!

Oh, it would take a whole lot more than some anons being salty that others enjoy things to turn me off :D 

Thus far (I lost internet last night so I’m still only on Episode 7 of Season 2), Voyager is the Trekiest Trek I’ve watched. Which is a weird sentence, but I mean it in the way you said it’s “trek right to its very core.” What is Star Trek, if we strip the intent of the story down to its basics? It’s about exploration, discovery, that “wagon train to the stars,” wrapped up in the argument that life is fundamentally good. We have problems, but we can work past them. We have differences, but they strengthen us. Diversity is the lifeblood of the universe and the future will continue to improve so long as we embrace that. 

Voyager is (again, from what I’ve seen so far!) basically a love song to that premise. I didn’t do too deep a dive because I’m trying to avoid spoilers, but I did look at a couple threads discussing why Voyager is so hated. Again and again I saw the same reason pop up: wasted potential. Now, a lot of fans left it at that (as if the answer to what potential Voyager apparently missed out on is self-evident. It’s not), but those who did expand on the idea consistently claimed that the show needed to be darker than it was, even if they rarely said it like that. Why aren’t the Federation and the Marquis at each other’s throats? Why isn’t the crew going crazy under these circumstances? Why aren’t characters getting killed off left and right in hostile space? “Anything could have happened out there and they played it safe!” but the “anything” here is always... awful. There’s this very pervasive idea that the world is inherently cruel, people are inherently divisive, that when pushed to the brink everything will fall apart... and that (while making for one kind of great story) is very much not Star Trek. 

See, Voyager created an unimaginable scenario--lost in space, 75 years from home, forced to live indefinitely with strangers--and their answer to the question of “What happens?” is “People make it work.” They learn to respect one another, they uphold their ideals, they maintain a love of life and discovery, and they create a family. And that’s fucking fantastic. That’s Star Trek! I’m not going to pretend there aren’t problems with the show, with plenty more to come, I’m sure, but I don’t think this is one of them. Why do so many viewers think that hatred, horror, death, and growing jaded is the only potential here? Why would they expect that in a Star Trek show whose premise is the very antithesis of those things? 

“But they don’t do enough with those things, even if they have happy outcomes.” They do plenty, they just do it in an episodic rather than serialized nature. I can point to multiple episodes where the replicator rations or Maquis differences are driving the characters’ actions. “But without that horror there’s no conflict.” There’s plenty of conflict. Hostile aliens aside, I just watched an episode where Tuvok and Chakotay are pissed as hell at one another because they fundamentally disagree over how to handle problems, but--because they’re adults with a well-tested respect for one another--they apologize and work through it. “But the characters don’t develop at all.” You mean they don’t grow harder. That’s not the same thing as no development. Tuvok is figuring out how to be more flexible, Chakotay is becoming more willing to accept cultures he doesn’t agree with, Harry is growing more confident now that he’s far from home, the Doctor is learning to see himself as a person, Paris is grabbing his second chance with both hands by making strong ties, and Janeway is learning to command and care for her crew simultaneously. I honestly believe that a lot of people think of “character development” as the character becoming a fundamentally different person, unrecognizable from where they started out. But  characters can also grow into the people they wanted to be in the first place. “We’re far from home, in hostile territory, tempted to do horrific things to survive... but no. Right now at least, we’re holding onto who we are. We’re scientists, so we’re going to explore and learn. We’re peaceful, so we’re going to make friends with as many species as we can. We’re members of a society that teaches acceptance, so we’re going to form a family on this spaceship.” That’s incredible!! Did fans miss why Seska was an antagonist in the episode she was unmasked? Because she was trying to convince them to give up everything they believe in in the name of survival, an ends justify the means argument. And the crew said no, we will not give up what we believe in just to make it through. I legit saw a ton of fans saying some version of, “I can’t believe they were that far from home and actually followed Starfleet’s rulebook.” It’s because those rules don’t exist for the hell of it. Overlooking their practical function, they’re a philosophy that the characters believe in, and they’re figuring out how important that part of their identity is to them under these circumstances. Am I willing to steal a specie’s technology if it gets us home? Am I willing to die to help another uphold their own philosophy? (Chakotay in “Imitations”). What regulations should we bend or change to accommodate our new situation? The first two things Janeway does are a) giving the guy who just came out of a penal colony a rank and b) deciding that she needs to be more familiar with her crew than is normally encouraged for a captain because she’s essentially their mom now. Developing doesn’t have to mean characters do a 180 on their initial personality, or characters getting killed off when stuff gets “boring” so that others can do edgy things in response. 

Voyager upholds Trek’s premise and runs it to its logical conclusion: 

Voyager has the most literal trek--a trek back home. 

Voyager has the most diverse crew--a woman Captain, Native American First officer, black Vulcan, Asian-American communications officer, and a White Dude pilot that realizes he wants to be soft and kind towards those who took a chance on him because Toxic Masculinity who? 

Voyager has the most literal family--not just a 5+ year mission, but a crew who expects to raise the next generation. They have no choice but to work together, so they indeed come together rather than pulling apart

Except they do, of course, have a choice. In “The 37′s” the crew is allowed to stay on the Earth-like planet with a city of other humans and Janeway is convinced that a sizable number will choose that. After all, they may never get home and this is a safer, kinder future for them. In fact, the real question is whether so many will stay that they can no longer run the ship... but Janeway would never dictate her crew’s choices in that manner. So she swallows her worry down, opens the door... 

... and finds that not a single person decided to stay behind. And the show has ensured we understand that this is not just because they all have some unshakable belief that they’ll get home (many don’t), but because this is their family now. This is home. 

And fans want to toss that out for a generic, gritty, sci-fi adventure where hope is scarce, the universe is cruel, and people need to be pushed to the limit just to admit that they maybe, sort of, like each other?? Obviously like what you like, but that’s a hard pass for me. I’ll take the bridge crew comforting each other in “Twisted,” thanks. Besides, we already have shows like that. And we already have DS9 which grapples with many of those dark, pessimistic themes. Voyager feels like a breath of fresh air, even within the breath of fresh air that is Star Trek as a franchise. It’s a show that says, “Yes, when everything goes wrong people will come together. They will love each other. They will make it through.” 

What’s more Star Trek than that?