#its the first story that ever came to me telling me exactly how it wanted to end. and ive already got the final scene written down

[glowingsavepoint]

ok i wasnt going to post anything about this until i finished the entire thing but the side stories are making me really regret not posting the chapters of my fanfic that have been finished because no ones gonna believe i came up with this stuff years before reading them lol

its gonna be a long time til im ready to share the entire story (if ever) but ive realized now i really want at least the opening paragraphs of the first chapter to be read by others, even i never finish the rest... hope u guys like it

Yes… I was certainly called that once upon a time.

_____________

My name was Kim Dokja.

A name pronounced like "reader". A name that meant "only son". Yeah… this name got me into a lot of trouble, didn’t it?

The name felt both foreign and familiar, like a walk down the street of your childhood home after many years away. A backdrop so similar yet never the same, populated by faces you no longer recognize.

It was strange.

I used to be so sure that I hated that name. Hated the body attached to that name. Hated its memories and its thoughts. Hated the very life that was "Kim Dokja".

As far back as I could remember, I had wanted so badly to cast those things away. I would have done anything, to stop being myself.

「But… it was strange.」

It was strange because I had definitely succeeded.

After 28 (or so) years of life, I had finally utterly ceased to be myself. I had become nothing more than a point of awareness. A being with no body, no name, no memories, no thoughts. A being with just a single desire.

「The desire to read.」

And read I did.

I read the stories of many people. An uncountable number of people. They were people like me. Readers to their cores and sick of their own circumstances, desperate to slip into the lives of others and wear them like a new coat.

Well, to be exact… they weren’t just like me.

They were me.

Or perhaps more accurately, I was them. I was them but I wasn’t them. I was the "them" that watched them. I was their subconscious. I was their higher self. I was what they were when they peeled away the layers of their egos, when they peered into the depths of their souls and forgot themselves. I was what told them they were here. I was what told them to keep going. I was their desire to continue, to finish the story, to keep reading, reading, reading.

I was the reader that read their stories, the protagonist that lived their stories, the writer that wrote their stories, and I was what confirmed their very existence.

I had once read that a particle collapsed its wave-function only after being observed.

Early quantum physicists had conducted experiments where they fired particles one by one at two small slits placed in front of a detection wall.

When the slits went unobserved, the particles formed an interference pattern on the wall behind them, as a wave would—behaving as if they had somehow gone through both slits simultaneously. The unwatched particles, astonishingly, seemed to exist in a superposition of all possible states and probabilities. Everywhere and yet nowhere all at once.

Only after a measuring device was placed by the slits (to find out which one the particles had actually gone through) did they collapse into just a single possibility, clearly passing through just one slit and forming a pattern consistent with that observation.

Scientists were stumped, how could a measuring device change the state of matter? It was as if the simple act of observing was somehow essential to determining what had previously seemed unquestionable: reality itself.

「Without someone to witness existence… would anything even exist?」

So I became the sole observer of this existence. I read their stories and I gave the universe its shape. I was the Order that gave context to Chaos. I was the Chaos that gave Order its purpose. I was the One that had become Two. I was the Two that wished to be One. I was the Character singing their tale. I was the Fable they wished to tell.

I was no one.

「I was everyone.」

I was nothing.

「I was everything.」

I was the Universe itself. I existed only to tell others they exist, so that they, in turn, would perpetuate existence.

「And in doing so…」

I had succeeded completely in wiping "myself" out of this existence.

...

So why...? I wondered, in a half awake state.

「Why do I still exist?」

And why—oh god—did that make me so happy...

[tinkerkinkers2]

The Right Decision.

By TinkerKinkers

Based on a true story

“Ugh, where is she…?”

I sat and fidgeted with my phone, desperately hoping it would ding with an update from her. My stomach hit me with another wave of discomfort, reminding me of the desperation of my situation.

As I waited, I thought back on the 12 months prior, and the events that led up to my current predicament. If I had only been more careful… I didn’t know that she was checking my phone after I’d gone to sleep every night. I can’t even imagine the wild things she found on my secret Tumblr account. I just thought she was vanilla, I didn’t think there was any way she’d ever accept the things I only thought about in secret, let alone that she’d want to participate.

But when she came home from work early to surprise me on our one year anniversary, and found me humping a pillow in a thick, full, diaper, everything changed in an instant.

“What’s going on here?!” She said as she stood in our bedroom doorway.

My jaw hit the floor, my stomach met my throat, my ears started ringing. I’m not sure how I didn’t just black out.

“Jake, I’m not going to ask you again, what are you doing? Please explain this to me, RIGHT NOW!”

I don’t even remember those first few minutes or what came out of my mouth, but it must have been mostly gibberish, I just remember how relieved I was when she cut me off.

“Just stop. I’ve seen what you’ve been looking at on your phone, I already know. I just didn’t think this was really something you wanted… I just wish you would have talked to me about this. But here you are, on our anniversary, acting like… I don’t even know.”

She dropped her head into her hands and pulled at her hair, taking a deep breath in.

“Okay, listen to me. We need to talk.” She said, looking up with resolve now. She came and grabbed me by the wrist, pulling me into the living room.

I don’t remember most of the conversation, my nervous system was in full flight mode, but I was somehow glued to the sofa. I wished to be out of my diaper so badly.

“Well if this is what you want, this is what we’re going to do, but it’s going to be by my rules. Got it?” She said, somehow bringing me back into my body.

I didn’t even know what exactly what I was agreeing to, but I swallowed hard enough to finally be able to speak.

“Wait, please, I’m so sorry, you don’t have to do this though, I can stop, I promise!” I said with a tongue that felt like a brick.

“I’ve done enough research to know that that’s unlikely. But I appreciate you saying that. Also, you’ll be calling me ‘Mommy’ until I tell you otherwise. C’mon now.” She snapped back quickly.

With that she led me back into the bedroom…

—————————

“DING” My mind snapped back to the present as I looked down at my phone.

“Hey sweetie! Sorry, work went late today, I’ll be home in 30 minutes or so. How’s your diaper doing little one?”

I furiously texted back; “Mommy! My tummy hurts so bad! Please can I use the potty?!” I was desperate. I knew the rules. I couldn’t ever touch my own diapers. I knew what she would say, but there was so much more at stake today, of all days.

*DING* “Sweetie, you know the rules. Please hold it till I get home. I really do want to have sex with you tonight, especially since it’s our anniversary. But if you mess yourself, that’s definitely not happening. I’m in the car now. See you soon love. Please make the right decision.”

My fingers couldn’t move fast enough, they felt like sticks of concrete against my phone, I knew she was already driving but I had to try;

“Please!!! I don’t think I can make it!”

*Read at 4:33pm*

No response.

I waited. I went upstairs to lay on the bed, hoping to ease some of the pressure in my gut. My tiny penis strained in its cage thinking about her. Every minute drug on for hours. Each wave of pressure in my stomach stronger than the last. It was 4:55pm, and I couldn’t hold it any more. I had a last ditch plan. Maybe if she’s distracted when she gets home she’ll just tell me to jump in the shower and get ready for dinner without even checking my diaper, it wouldn’t have been too far fetched of a scenario, it’s happened a few times before, and we were already cutting it close for our reservation. She would definitely notice if the diaper tapes had been tampered with though, I learned that lesson the hard way. There was no way I was gonna miss my chance to have sex again. It’s been a long and desperate 12 months.

I convinced myself this plan could work. I moved to the floor and squatted in my droopy diaper, I felt a gap between my butt and the soggy padding, a space that I realized was about to be filled. I prayed that the probiotics I’d been taking would minimize the smell, if so, I might have a chance at this plan actually succeeding. My legos were still strewn about on the floor where I was playing earlier, I stepped carefully to avoid the sharp pieces. I grabbed my teddy bear, happy that he still happened to be there for me, holding him somehow gave me some reassurance. Just getting into position started to relieve some of the pressure. I tried to relax and give a slight push. Instantly, it felt like I had released a soft slick submarine into the thick damp diaper around my butt. The padding resisted the push initially but my mess quickly softened and filled every bit of space within my diaper, pushing the padding even further out from my skin. I winced as I felt my shame simultaneously spread from the top of my but to the tip of my cage. Another wave of cramps hit me. I tried to breath through it. I didn’t think my diaper could hold more but I didn’t have a choice at this point, my body gave way and released more soft goo into the back seat of my already full diaper. I finally felt some relief, and exhaled deeply, burying my face further into my teddy bear…

“Oh wow….. well that was quite a show sweetie…” Her voice startled me.

My face flushed instantly at the sound of her, my heart dropped, my ears rang, the false sympathy in her tone lit my face on fire. “Oh no, please no….” I thought, “this can’t be real… How did I not hear the keys in the door?”

“Looks like someone is a stinky boy!” She said with a slightly elevated tone now.

She stepped a few feet inside the doorway and paused, hands on her hips. She saw me still squatting, knees bent, legs apart, hiding my face behind my teddy bear, trying not to move, trying not to worsen the mess I’d already made.

“Uh oh....” Her voice slightly deepening as she slowly walked towards me. I knew she wanted to see my face and make me admit what I did. She never missed an opportunity to turn me all shades of red. As she approached I could feel my pulse intensify. I was ready to say whatever I had to say to get this humiliation over with as quickly as possible. There might still be a chance to be free tonight if I complied.

She gently pushed the stuffy away from my face, taking my chin in her hand, lifting my face to meet hers.

“What happened here sweetie?”She said as she reached her other hand around me to firmly pat my bottom. I cringed and flinched as she used her palm to spread my mess even more. I hoped this would be over soon.

“It, it was an… uuhhh… accident...”

“I can see that baby boy... and smell it too.” She said with a side smile, and wrinkled nose. “Are you sure it was an ‘accident’ though?”

The smirk on her face intensified my shame. She turned and walked a few steps away from me. For a moment I thought my embarrassment was finished, that she’d release me from my stinky shame. But she kneeled down and started clearing some of the legos, making a clear spot on the floor. She lightly patted the spot she’d cleared.

“Do you wanna show me what you were building over here kiddo?” Her smile widening even more.


I was confused, what was she doing? She knows what I did, I needed a diaper change! Why did she care about the stupid legos? The realization of her intentions suddenly hit me and I started to panic a little, as she started walking back towards me. Before I knew it, she held my wrist firmly in her hand and was guiding me over to the spot.

“Come on kiddo! Let’s see what you’ve been building here!” She said as she started to kneel down, my wrist still in her grasp, forcing me to squat. I instinctively dropped to both knees when I was low enough and stabilized myself with the hand that was still holding my teddy.

“Why don’t you sit down and show mommy what you were making huh?”

My ears were ringing, I was so nervous, full panic mode.

“Oh please don’t make me do this!” I thought.

I remember wishing she wasn’t so attractive, I knew she was wearing a low cut top just to drive me even more crazy, and the mini skirt… not much was left to my imagination. I felt my pathetic penis strain against its plastic chastity cage, in spite of my overwhelming shame. By now her smile had turned into a full devilish grin and she was directly in front of me.

“I uhh… I umm… mommy I… mommy can we…”

I couldn’t even form a coherent thought, let alone think of a way to talk myself out of this situation.

“Stop stuttering sweetie, use your words.”

Her eye contact was relentless, I felt like she was looking right through me. It was too much to reciprocate.

“I need a diaper change mommy.” The words dumped out of me, like they came from someone else.

“You’ll get a change when I think you need a change little one, now sit down and show mommy what you’ve been working on mister!”

There was a sternness in her voice now that frightened me a little. I had a feeling she wouldn’t take “no” for an answer, but I had to try, this was just too humiliating to accept, and I knew I’d regret it later if I didn’t at least try something. I began to get off my knees, to get my feet under me, maybe I could stand up and at least distract her.

Before I could fully stand she put her hands on my shoulders and stopped me from getting up any further.

“Sweetie, we’re not going anywhere until you do what I’ve told you to do. Now sit down!”

The tone of her voice was enough to make me realize she was dead serious. Before I could decide for myself how this would happen, I felt her pressing down on my shoulders as I caught myself slightly falling, leaning back on both hands.

My drooping diaper was now inches from the floor, she moved her right hand from my shoulder down to the front of my diaper. In any other situation, I would have expected this to mean some special attention down there, and my hips instinctively thrust into her hand. She responded with a gentle but firm squeeze and pressure, causing my tiny member to throb even harder in its cage, but I realized my bottom was getting closer to the floor as she rubbed me.

She paused just as my diaper made soft contact with the carpet, I whimpered and finally made eye contact while giving my last thrust of resistance, almost as if to say “please no…”

“Shhhh…. it’s okay sweetie, be a good boy for mommy and sit down.” She said as she continued to press down

I wasn’t prepared for what I felt. The mess was much bigger than I thought as it spread even more, slowly outwards towards the front and back of my diaper. Shame washed over me and my face was burning with embarrassment. The thick mush spreading inside was sensory overload, moving into every crevasse of my underside. My tiny penis had now grown to fill all usable space of the already small chastity tube, and was begging for more room. I groaned and whimpered again as mommy’s hand continued to apply pressure to the front of my diaper, which caused me to fully come to rest on my bottom, there was no space in my diaper left uncovered by my mess. I saw the telltale brown stains inside the leg gathers that were now desperately holding on. It felt like I was sitting down but the shifting yuckyness under me made me unsure of my seating.

“Aww there you go baby boy!” She said, her tone finally softening.

I let out a few tears as I brought my teddy up to my face again. Mommy then started to massage where her hand already was on my diaper. She knew I couldn’t help but grind back against her hand in desperation. I heard her giggle a bit, surely relishing in my abject humiliation, which in turn only made me cringe all the more, yet the inner turmoil seemed to only burn hotter as I continued to squirm and thrust.

She moved even closer to me now, I could feel her warmth and smell her perfume, in sharp contrast to my now pungent odor.

She brought her face towards mine as if too kiss me, but shifted and whispered into my ear;

“You are such a good boy sweetie. You made the right decision.”

She kissed my forehead softly before she stood back up. She reached out both hands for me to grasp.

“C’mon up now kiddo! Let’s get another diaper over that one really quick, we don’t wanna be late for dinner!”

[felassan]

David Gaider on Fenris, under a cut for length:

"Fenris. Now, DA2 is a story all on its own but I'm not going to go there other than to sum it up as "we had just over a year and a half to make this". It's why I only wrote one follower, Fenris, and although it'll make his fans mad: I probably shouldn't have. Let me explain. The way we'd approach making the followers is brainstorming a list of concepts covering first the array of gameplay classes (and sub-classes) and then making sure they each have some skin in the game when it came to the story's conflicts - ideally having characters on both sides of the major ones. Why? You can't make a player care about the world, but you can make them care about characters who care about the world. It's the easiest way to provide hooks into a conflict, outside of it knocking on the player's door. Heck, it's probably better than that. Players will burn the world for approval. After that, we'd decide things like romances/sexuality. Then the writers would pick who they'd write. I always let my writers pick first. I figured they do their best work when it's something they're inspired to write... and they got so few chances at ownership, I wanted to give it whenever I could It's why I (reluctantly) let Patrick wrest Cole from my grasp in DAI, a character I'd created in Asunder. It's also why I let Jennifer take Anders in DA2, who I'd started in Awakening. In this instance, it meant I was left with the angry elven warrior character who nobody else appeared to want."

"It should have been my first clue that something was up. The second was how the artists had zero clue what to do with him. The art concepts were all over the place - from mages to crows to... well, even weirder. No matter how hard I tried to explain the idea, the artists simply didn't seem to get it Does this mean he was a bad character? Not exactly. Just an idea that probably deserved some re-examining. You can tell when an idea has a certain spark, and part of that is being easy to communicate. Sadly, there wasn't time for any re-examining even if it'd occurred to me. And it didn't, not yet. If it had, if I had time, maybe I'd have re-booted him as a templar. Someone pro-templar rather than anti-mage, who could give a personal hook into Meredith and give the templars some badly-needed humanity. But this falls into the shoulda-woulda-coulda category. I had a follower to write. Quickly. I struggled, at first. It was hard to get away from "Fenris hates everything, all the time". It felt very one-note, and I didn't know where to take him. My third clue, I guess. I also wasn't sure if I was the right person to write a former slave. I did know that couldn't be the center of his story. I did know trauma, however. How it can eat you up. How the hate and resentment is like drinking poison and hoping the other person dies. How it can infect your relationships. Fenris's trauma isn't my trauma, obviously, but here I dipped into a more personal part of myself than I'd ever done before."

"It gave me the center of his story I was missing, but wow was it uncomfortable. In a good way, maybe. I likely wouldn't have, if I hadn't been so desperate. In a way, I think DA2 had some of our best writing *because* of the timeline. It was raw, with little time to sand down the interesting parts. I wouldn't have done the "Fenris doesn't talk to you for three years" thing if I'd known we were going to cut all the reactivity initially planned for the time jumps. When that call was made, I campaigned to cut the jumps to a year, but there was no time for the revisions it'd need. So, um. Awkward. I used to get asked where the name came from, and I... don't remember? Obviously it's derived from Fenrir, but I don't recall why we picked that. Someone pointed at Fenris the Feared from Joe Abercrombie's books... and I did read them, so maybe the name lodged in my head? Wouldn't be the first time. Casting Fenris turned out to be easy. He was the first time I requested a specific VA and got him. (The other times were Merrill and then Solas, my two "I want these specific Welsh actors, please".) Why? OK, if you must know, I'd played a bit of Final Fantasy XII. I heard Balthier. "Yes, that." 😅 And Gideon Emery was a delight, as it turned out. Consummate professional, and that lovely gravel in his voice... good god. Bite the knuckles. There was a struggle to find the voice at the outset where I did my best not to say "just pls do Balthier" but he found Fenris on his own and it was amazing. Overall, Fenris turned out better than he had any right to, considering the rocky start. He had a lot of soul, a vulnerability forged by pain that struck a chord with a lot of players, and I'm glad. Do I regret anything? Probably having him live in a corpse-filled mansion that would never update. That's a hindsight thing, though, as again the cut to reactivity over the time jumps came late. Outside of that, maybe letting the player give him back to Danarius? Poor shock value and a waste of resources because almost nobody took the option. Good evil options are ones that are tempting to take. And the lyrium tattoos. Interesting concept, but they're probably why you'll never see Fenris in a future DA. He requires a custom body, and the tattoos make that expensive. It's why I put Fenris in my 4th DA novel - the cancelled one. Don't fret, though. He died in it, so this way he lives on. 😉"

[source thread]

User: "Wait wait how does he die in [the cancelled novel]??" David Gaider: "Gloriously, after taking up a cause he didn't believe in at first but then made his own, one that allowed him to rediscover what it meant to be elven." [source] David Gaider: "I’m not sorry about the novel cancellation. I’m the one who cancelled it. I am kinda sad we couldn’t make it work, though. Considering it was after I left the DA team, it would have been my final DA hurrah." [source] David Gaider: "From my perspective, it was kind of "well if you're never going to use him again, let me at least give him a proper send off" and the story required a glorious death... but I get that's not the story his biggest fans would want (which is Hawke + Fenris 4ever), so it's just as well." [source]

User: "You all did some incredible work with such a tight deadline" David Gaider: "I'm of the opinion that even if we'd had only another six months to bake, DA2 would be remembered as a classic and not either a flawed gem or underbaked sequel, depending on who you ask." [source]

David Gaider: "Just to clarify the "they're probably why you'll never see Fenris" thing, as it's spawned commentary: 1. It's the reasoning as was explained to me back then. 2. Obviously, if Bio *really* wanted to, they'd find a way around it. But it was a complication that meant he couldn't be included casually." [source]

[thewadapan]

So why did Transformers One bomb?

Look, I'm just going to say it right off the bat: no, Transformers One is not the best Transformers movie of all time. I am (gritting my teeth) very happy for every single Transformers fan except me, who all seem to have liked it, and most of whom seem to have loved it. I agree that, as a production, it meets some baseline level of technical competence. It's a perfectly fine movie.

It's also the worst-performing Transformers movie Paramount has ever made.

Hopefully, now that its theatrical run has unceremoniously ended, people aren't going to try to rip me to shreds for theoretically threatening this multi-million-dollar film's box office revenue some miniscule amount by sharing a few teensy weensy complaints with my fifty followers.

Because I do just have a few little nitpicks, which I've tried my best to communicate, over the next 17,000 words of this post.

If you're not a Transformers fan, sorry, this essay is mostly written with the assumption that you've seen Transformers One. However, it might still be of some interest as a window into the current state of the franchise. I've written a basic plot summary of the movie to bring you up to speed, in that case. Because Transformers One purports to be the perfect introduction to the story, no homework needed, I've also done you the courtesy of elucidating background context as needed—think of this less as a review, and more as a history lesson, or maybe a "lore explained" YouTube video. After all, that's pretty much all that Transformers One is.

(And if farcically long posts aren't really your thing, you might prefer to listen to the special episode of Our Worlds are in Danger where my pals and I chatted about the film. Many of the hottest takes and silliest bits in this essay are shamelessly stolen from Jo and Umar.)

We've been waiting for Transformers One for a very long time. It's the first animated Transformers film to get a theatrical release since The Transformers: The Movie came out in 1986. It first entered development around a decade ago. Many fandom members I know online got to see it as far back as June. Its US premiere was in September; those of us in the UK had to wait a full extra month before seeing it, for no clear reason. This is a film which purports to show, in broad strokes, for the first time on the big screen, the origin of the Transformers: where they come from, who they are, and why they're fighting.

By the end of its runtime, Transformers One does not actually answer these questions. Don't get me wrong, it takes great pains trying to answer a lot of different, related questions—just ones which nobody was really asking in the first place: What does the word "Autobots" mean, if not "automobile robots"? What does the word "Decepticons" mean, if they're not actually deceitful? Why is he called "Optimus Prime"? Why is he called "Megatron"? If they were friends, why did they fall out? Why does Starscream sound Like That? Where does Energon come from? If "Prime" is a title, what were the other Primes like? How do Transformers transform?

Writer Eric Pearson, coming onto the project as an outsider to Transformers, describes having to go to Hasbro to ask these kinds of questions:

they had a script that outlined the story that they wanted to tell. I knew Optimus Prime and Megatron and I knew Bumblebee as well, or B. I had to ask about some of the other deeper ones, the mythology, “what exactly is the Matrix of Leadership?” Stuff like that.

See, Hasbro does in fact have the answers written down somewhere. The story as I understand it goes something like this. During the wild west of the '80s and '90s, Transformers "canon" was largely a by-the-seat-of-your-pants consensus-based affair between the freelance writers and copywriters the toy company would bring on to advertise their toys. That changed around the turn of the millennium, when late later-CEO Brian Goldner saw how Hasbro's licensed IP lines (such as Star Wars) were more financially successful and realised they could make more money by aggressively promoting their own in-house IP, which they didn't have to pay licensing fees for. (For the curious, a similar thought process at rival toy company Lego was what led to their creation of BIONICLE.)

The guy basically singlehandedly managing the Transformers brand at the time, Aaron Archer, eventually set to reconciling all the self-contradictory lore surrounding Transformers, an endeavour which dovetailed into the creation of the HasLab internal think-tank (best known for Battleship, the 2012 store-brand Michael Bay knockoff which was a failure critically and commercially but not in my heart) and ultimately the creation of the so-called "Binder of Revelation", an internal story bible which cost over $250,000 to produce and has strongly influenced nigh on every piece of Transformers media released since, but which we hadn't actually seen until it got leaked a week ago. As it turns out, the document itself (compiled mostly by marketers and toy designers) is patently useless to any writer: it's a typo-ridden internally-inconsistent wishy-washy mess that mostly describes the characters in terms of a made-up form of Transformers astrology that has otherwise never seen the light of day.

So although the Binder is the baseline story bible for most modern Transformers media, its influence isn't direct per se; it's more accurate to describe it as being an elaborate game of telephone between high-profile cartoons, comics, and other internal documents, with the Binder itself apparently just sitting in a drawer somewhere at Hasbro; Eric Pearson says that he never received a "binder", with the "script" he mentions either being the earlier draft from Andrew Barrer and Gabriel Ferrari (the guys who originally pitched the story), or some other unseen internal document. Director Josh Cooley, however, definitely seems to have been physically handed the Binder or its mass-market adaptation:

I knew that there was a lot of origin to be told, and when I first started, [Hasbro] gave me the Transformers Bible. I could not believe how big it was. I was like, "This is way more than I ever anticipated."

When trailers first dropped for Transformers One, a lot of my friends who are savvy were immediately like: "Oh, this is a weirdly faithful adaptation of the Binder of Revelation, huh."

I. The One True Origin of the Transformers

Half of the people reading this are Transformers fans, and half of you literally could not give less of a shit about Transformers, so if you're in the 'former group (so to speak), you'll just have to bear with me while I bring the rest of us up to speed.

Before the Transformers' civil war begins, Cybertron is being oppressed by the Quintessons. The Quintessons are a race of five-faced aliens (as in, not Transformers), who execute everyone they come across, first introduced in The Transformers: The Movie, presiding over a kangaroo court on a castaway world. In the followup cartoon five-parter "Five Faces of Darkness", writer Flint Dille established that, gasp, they were actually the original creators of the Transformers! But basically nobody else at the time was particularly compelled by this idea, it seems, with most fans preferring the more mythological origin story conceived by Bri'ish writer Simon Furman for the Marvel comics. I think people kind of just didn't like to think of the Transformers as being robots—mass-produced, a fabrication, programmed—as opposed to an alien race of thinking, feeling beings like us. But because the cartoon was important to many kids, a lot of early-2000s media tried to reconcile the cartoon and comic origin stories by stating that the Quintessons didn't actually create the Transformers; rather, they simply colonised the planet early in its history and pretended to be the Transformers' creators, until the truth came out and they got kicked offworld. This is how the Binder of Revelation ultimately paid lip service to the Quintessons. In Transformers One, the Quintessons are just sort of here, they're these evil aliens secretly skimming Energon from its miners, they don't speak English (or whichever language the film was dubbed into in your market region), they're just these nasty societal parasites.

Energon is Transformers fuel. In the original cartoon, it was these glowing pink cubes the Decepticons were always trying to produce using harebrained Saturday-morning-cartoon energy-stealing devices. There was a Cold War going on, America had just been through an "energy crisis", maybe you're old enough to remember any of that. Transformers are these big, complicated machines, so I guess the idea is they need this hyper-compressed superfuel to run off, and their homeworld has run out. By the time of the Binder of Revelation, the concept had been telephoned to the point where Energon is like the lifeblood of Primus or some shit.

Primus is the Transformers God—but not the kind of God you have "faith" in, rather this actual guy whose existence is objectively known in various ways. He transforms into a planet, that's kind of cool, right? Where does Primus come from? Look, it doesn't matter, he's like, the God of Creation, he was there at the start of time. He created all of the Transformers. All the other species in the galaxy, though, they evolved naturally thanks to "science". Actually wait, didn't that Quintus Prime guy go around the universe seeding all the planets with different kinds of Cybertronian life? That's why they're called Quintessons. See, now you know. Who's Quintus Prime?

Okay, so the Thirteen Original Transformers, or the Primes, are the thirteen original Transformers created by Primus. Most of them correspond to different kinds of Transformer: Nexus Prime is the god of Transformers who can combine, Onyx Prime is the god of Transformers who turn into animals, Micronus Prime is the god of Transformers who are small, and Solus Prime is the god of Transformers who are women. You might remember the Primes from Revenge of the Fallen, although there were only seven of them there for whatever reason.

Honestly, The Fallen was the only one who mattered for a long time. The whole reason there's thirteen of them is because thirteen is kind of an unlucky number, right? Twelve would've been fine. But throw in a thirteenth guy, and he betrays everyone, he's this fucked up evil guy. In the Binder of Revelation, though, the Thirteenth Prime is his own special guy shrouded in mystery, because they kind of liked the idea that Optimus Prime would secretly turn out to have been the Thirteenth Prime all along, and he just forgot or something, because that means he has the divine right of Primes. In IDW's 2010s comic-book reboot, the Thirteenth Prime was called "The Arisen"—in reference to that one line in The Transformers: The Movie, "Arise, Rodimus Prime!" (this margin is too narrow to explain who Rodimus Prime is). Towards the end of his run, writer John Barber did some actually interesting stuff with the concept, playing with the ambiguity over whether-or-not Optimus Prime was actually the chosen one.

All of Optimus Prime's immediate predecessors as Autobot leaders, Sentinel Prime, Zeta Prime, the lineage seen in "Five Faces of Darkness"... they're all false Primes. They're Primes in name only. In fact, IDW had a whole procession of these cartoonishly evil dictators thanks to a few continuity errors leading to the addition of a couple of extra narratively-redundant fuckers. Transformers One tries to simplify it slightly by just saying that Zeta Prime was one of the Primes for real—occupying that thirteenth "free space"—and it was just Sentinel Prime who was only a normal Transformer pretending to be a Prime, then Optimus Prime who's a real boy.

But if he's not a Prime from the start, Optimus Prime needs another name in the meantime. In the '80s cartoon episode "War Dawn", before he was called Optimus Prime, he was called "Orion Pax". Have you noticed that Optimus Prime is kind of an odd-one-out amongst all the straightup-English-word names like "Bumblebee" and "Ratchet" and "Jazz"? That's because his name was one of a tiny handful from very early in the franchise's development, before writer Bob Budiansky came onboard and came up with identities for the vast majority of the toys. Practically everyone Bob Budiansky named is called like, "Bolts" or some shit, long before the characters even know of Earth, which has always just been a contrivance of the setting you're not supposed to think about.

Presumably to create a parallel with Orion Pax's transformation into Optimus Prime, someone at Hasbro in the 2010s came up with a new name for the bot who would become Megatron: "D-16". In real-world terms, this was nothing more than a dorky reference to the Megatron toy's original Japanese release being number 16 in the line ("D" stands for "Destron", which is what they call Decepticons in Japan). But in-universe, the name "D-16" was drawn from the sector of the mine where he worked. I don't get the impression it was originally intended to be part of a broader pattern.

Which is why I'm baffled as to what the hell the reasoning was behind Bumblebee's pre-Earth name, "B-127". There's this bizarre situation in the Bumblebee film, where the name "B-127" first cropped up, where literally every other bot gets a normal cool name with personality like "Cliffjumper" or "Dropkick" except for Bumblebee, who is stuck with this clunky sci-fi name until he makes friends with a human teenager on Earth and she gives him the name Bumblebee. I guess I don't find it confusing that the writers would (correctly) realise it's a bit weird for Bumblebee to be called Bumblebee on an alien planet where bumblebees don't exist. What I find confusing is that they didn't extend that logic to any other character.

So despite everything else in the franchise's direction pointing away from "robot" and towards "alien", Transformers One ends up with this ridiculous situation where two of the most important guys are, for practically the whole movie, simply referred to as "Dee" and "Bee", I guess because the writers correctly realised the numbers sound fucking stupid.

And if you squint, "Elita-1" sorta fits this naming scheme. But the great irony of it is that the very same cartoon episode which coined "Orion Pax" simultaneously established that Elita-1 also used to go by a different name: "Ariel"! Like the Little Mermaid. Y'know, because an "aerial" is a type of electrical component- oh, forget it.

By the time the script made it into Eric Pearson's hands, it's obvious that he simply was not thinking about it that deeply. He describes the genesis of a scene where Bumblebee introduces his imaginary friends, "A-atron, EP 5-0-8, and Steve." A-atron was impov'd by Keegan-Michael Key as a reference to one of his own skits on Key & Peele. Steve ("He's foreign.") was literally just because Pearson thought it would be funny. It's true that Steve is an inherently funny name, and I guess if you're struggling to come up with jokes of your own, it can be handy to fall back on something which is inherently funny.

And again, our silly answers to these silly questions beget yet more questions. If he started out as "D-16", then where did the name "Megatron" come from? And if all the Primes have epic made-up fantasy names, then surely that one guy can't just be called "The Fallen", right? That's not a name, that's an epithet. Unfortunately, someone at Hasbro had the bright idea to answer both these questions at once: The Fallen's real name was "Megatronus". Later, for consistency, they threw on the title, and we get "Megatronus Prime", which sounds like what a thirteen-year-old on deviantART in 2014 would call their Steven Universe fusion of Megatron and Optimus Prime. So you see, Megatron actually named himself after Megatronus Prime, famously the most evil of the Primes. In Transformers One, this is changed slightly so Megatronus is merely the strongest of the Primes, as part of its overall effort to make Megatron not look completely insane.

Which, it must be said, is a tall order. Better stories have tried and failed. Back in 2007, Scottish writer Eric Holmes came up with Megatron Origin, a perfectly-fine comic miniseries which drew heavily from the miners' strikes that took place in the UK from 1984-1985, coinciding with the inception of the Transformers franchise. In that comic, Megatron is a lowly miner who, through a series of chance events, winds up at the head of a dangerous political revolutionary movement.

For some reason—I guess because nobody had ever tried to make Megatron anything other than a bloodthirsty cackling madman before—this take on Megatron as a guy who rose up against a corrupt system became the defining interpretation of the character, copy/pasted pretty much wholesale into the Binder of Revelation. Orion Pax also opposes the system, and bonds with Megatron over it, but they disagree on how to fix it: Pax believes in peaceful reform, Megatron just loves to kill. In Transformers One, the problem everyone has with Megatron is basically "whoa, this guy's a little TOO angry!" and there's a point towards the end of the film where Megatron suddenly starts jonesing to kill literally anyone who stands in his way, because he's irrationally angry.

The core problem here—and it's kind of the Magneto problem, the Killmonger problem, whatever better-known example you care to insert here—is that these guys all fundamentally exist just to be a big villain who loves to kill people and who ultimately gets defeated, but the kids who grew up on this stuff in the '80s are now adults who are no longer satisfied with cardboard cutout villains. People like a complex villain, they like a villain who has a point. They like to root for both sides. And in fact, it's easier to sell more toys to people who are rooting for both sides, if your villain is just another kind of hero. But you don't really need to take the same effort with the good guys: they're good by design, righteous by nature. They don't need to stand for something, they just need to stand against the guy whose whole thing is that he loves to kill people.

But again, we're starting from a place where the evil faction—who half the planet will ultimately align themselves with—are literally called "Decepticons". It's a name you'd only ever call yourself ironically, maybe reclaiming it from your enemies. In this film, there's some tortured logic that implies they're called Decepticons because they were deceived by Sentinel Prime. Like if you met a gang of guys who call themselves "The Robbers", but it turns out to be because they got robbed one time, and they actually have zero intention of stealing from anyone.

The Autobots are easier, of course. "Auto" is a prefix that just means, like, the self, or whatever. And the most agreeably American ideal of all is selfishness the power of the individual, the freedom to seize one's own destiny. Prime's original '80s motto, "Freedom is the right of all sentient beings," is bastardised in Transformers One into the slightly less rolls-out-off-the-tongue "Freedom and autonomy are the rights of all sentient beings," because (I can only assume) they forgot to work the word "autonomy" earlier into the script. If they ever greenlit Transformers Three, I suppose the motto would have ended up as something like "Freedom, autonomy, ruthless efficiency, and an almost fanatical devotion to the Pope are the rights of all sentient beings." Even though bodily autonomy is one of the most salient motifs present in the film—all but referred to by name—I suppose the filmmakers were worried that you might think, when Prime says "freedom", that he actually means something completely different. So now you see! "Autobots" is actually the descriptive name of a political movement which believes in obviously good things. Like "Moms for Liberty".

Okay, so the cannier among you have probably spotted the mean rhetorical trick I'm pulling with this encyclopedia-entry-ass introduction. By sarcastically relitigating all the storytelling choices I dislike from the last 20 years of Transformers lore, I can build up a negative association with Transformers One without even reviewing the movie itself! On a subtextual level, I'm deliberately misattributing these bad ideas to the filmmakers, conveniently ignoring the mountains of evidence to suggest that they were just trying to make the best of whatever Hasbro handed them from on high. If anything—you might think—the filmmakers deserve even more credit, for spinning this shite into something even remotely good on the big screen.

Like, you'd be wrong, but I can see why you might think that.

II. The Spider-Verse of Transformers

Okay, I can see that I've spat in your soup. I'm sorry. There are lots of good bits in Transformers One. I can even think of one or two of them off the top of my head, without really racking my brains.

Maybe halfway through the film, there is one specific moment where the story suddenly promises to get good. You can pinpoint it down to the word, down to the frame even. Our heroes have just discovered that their planet's leader, Sentinel Prime, is a complete fraud who's been secretly exploiting them ever since they were born—and worse, castrated them by removing their transformation cogs. They are all very cross about this. Orion Pax expresses that he wants to come up with a plan to expose Sentinel Prime. Megatron is too angry to listen. Orion Pax asks, "Don't you want to stop him?" And Megatron replies, "No, I want to KILL him!" And there's like, a little tint of red creeping into the glow of his eyes.

Whoa. Chills. Up to this point in the film, Megatron has been kind of surly at times, but he's otherwise a generic kids' movie protagonist. He's often chipper. He makes quips. He has this banter with Orion Pax where he's always complaining. It's literally that one "Optimist Prime"/"Negatron" comic, committed to film. Like I'm not even being facetious, one of the film's few obligatory "emotional moments" has Elita-1 sit Orion Pax down and say, "You know what I love about you? You always see the bright side. Like you're some kind of OPTIMIST or something." And then later completely unrelatedly God gives him the mandate of heaven and says "ARISE, OPTIMUS PRIME!" Y'see, as originally conceived, "Optimus" is the word "Optimum" if it was a name, which is why people sometimes localise his name as "Best #1". But it's genuinely kind of cute to reverse-engineer the etymology as coming from "optimist", I guess. Like, it's stupid, but it's cute.

Argh, I got distracted with naming minutia again! Entirely my bad. That's the last time, I promise. Where was I? Right, we'd just found out that Megatron is kind of scary. Brian Tyree Henry's line delivery as he growls "KILL" is his crowning achievement in this film.

Where Optimus Prime's character arc in this movie sees him change from a funny, rebellious spirit to a complete personality vacuum, Megatron's character arc is kind of the opposite. When we're first introduced to him, it's weirdly hard to get a handle on who he is. He's a fanboy for Megatronus, the strongest and most morally-unremarkable of the Primes. He looks up to Sentinel Prime. He likes sports. He doesn't like breaking the rules. In fact, we get the sense that, were it not for his friendship with Orion Pax, he would be literally indistinguishable from the legion of silent crowd-filling background characters he works with. But the moment he starts to become Megatron, it's like everything starts to click. Gears catch, where once they ground and idled. There is something in this guy that was made to fight, made to kill, made to rule. It's sick.

And the underlying tension in his friendship with Optimus suddenly snaps into focus. Megatron is mad at Sentinel Prime, but Sentinel Prime isn't there, he's somewhere else, far below... and he can't help but turn that anger on the next closest thing to an authority figure he has in his life, which is his peer-pressuring bestie, Orion Pax. There is a part of Megatron that wishes he'd never learned the truth, and he blames Orion Pax for his cursed knowledge, for constantly leading them into predicaments on his stupid flights of fancy. Now that he knows, he can't go back to how he was. He can't stop thinking about it.

I'll be honest, it rules. Obviously it rules. It's complicated and toxic and darker than this movie was marketed to be. In interview, Josh Cooley describes the draft of the script he was presented with when he joined the project as having been far more jokey, light-hearted, glib—and it seems we can credit him for saying "Look, this ain't right, the minute the credits roll these guys are going to be at civil war for millions of years."

So, they started talking about it in — what did you say, 2015? I came on board in 2020, and when I came on board there was the first draft of the script. So I don't think they'd been working on it that entire time, but they'd been thinking about it, for sure. And the script that I read was a little more comical? But it was clear that that wasn't the right tone for this film specifically, because we know there's gonna be a war, civil war on Cybertron, you can't have everybody making jokes and then all of a sudden there's a war. So, um, the stakes were really important for this film. And because our characters at the beginning are a little naive, and just on the younger side, not as experienced, it allowed more freedom for them to be a little looser and have fun really getting to know these characters. But once they realize something's going on and things are getting real, it needs to get real.

Cooley also describes his "in" on the film as being the brotherly relationship between Optimus Prime and Megatron (they're not literally brothers in this film, though they have been in the past), which perhaps explains why Megatron and Optimus Prime get to be characters, instead of just like, guys who are there.

That was always the goal from the beginning and what got me on board. It was this relationship between these two characters that was very human and brotherly. I thought about my relationship with my brother and how I could bring that in. It’s not like we’re enemies, but we grew up together and then went down our different paths, but we’re still brotherly. I became a writer-director and live in a fantasy land, and he became a homicide detective who deals with reality, so we’re two very different mindsets. I have always been fascinated by the idea of two people who come from the same place but end up in different ones. From the very beginning, I was like, ‘That’s something I can relate to.’

Anyway, things I liked, what else. There's that joke at the very start, after the excruciating lore powerpoint, where Orion Pax does a fake-out like he's going to transform, the music briefly swells, and then it just cuts to him legging it down the corridor. In a similar vein, I liked the idea behind the Iacon 5000, where Orion Pax has them run in the race. I felt like the execution of the race left a bit to be desired—the only other participant who matters is Darkwing—but it's still honestly the best big action setpiece in the film. There's also that bit at the end where Megatron and Optimus Prime are both changing into their final forms simultaneously, and it's basically a Homestuck Flash (what would that be, "[S] OPTIMUS PRIME. ARISE."?), so obviously I liked that. Oh, and I really liked the environment design where the planet's landscape is constantly transforming, that's brand-new, someone had an Idea there, and it creates visual interest during the initial Energon-mining scene... even if I wished it had actually paid off in a more meaningful way than "the planet's crust opens as Prime falls to get the Matrix"—like, someone really should've gotten eaten by the planet, that's a cracking Disney death scene and they left it on the table! I also liked getting to see my blorbo, Vector Prime, on the big screen.

I think, as a Transformers fan who's had to sit through a lot of really quite sexist, racist, and plain bad films, you're well within your rights to come out of this one ready to give it a fucking Oscar. You should be ecstatic! It has none of those pesky humans clogging up the frame. It has plenty of robot action. It has jokes which- well I struggle to call many of them "funny", but they're at least trying to be funny in a different way to Michael Bay's films. The film is obviously a massive love letter to... honestly every part of Transformers except the live-action movies. It is an incredibly faithful and earnest adaptation of all the lore and iconography that has randomly accumulated the way it has over the last forty years of bullshit.

My main point of contention, then, is with the overriding sentiment I'm seeing from pretty much everyone else in the fandom: that this is not just the best Transformers movie, but that it's a great animated movie period, that it does for Transformers what Into the Spider-Verse did for Spider-Man, what The Last Wish did for Puss in Boots, and what Mutant Mayhem did for Teenage Mutant Ninja Turtles. That, in effect, this film will make you "get it". That it's better-looking, better-written, and more meaningful than a silly toy commercial has any right to be.

I think you can definitely see some loose influence from Spider-Verse in the overall look of the film—particularly in its color grading, and in the design of its main setting, the underground city of Iacon, where the upside-down skyscrapers hanging from the ceiling evoke the iconic "falling upwards" shot from Spider-Verse. Like The Last Wish, it's an animated franchise film that spent much longer than you'd think in development, only for the release of Into the Spider-Verse to have an immediate impact on its visual style... without actually affecting the basic story to the same extent. Both Transformers One and The Last Wish, in many ways, feel like stories concocted using an older formula; in particular, Transformers One bears startling similarities to a similar toy-franchise-prequel, BIONICLE 2: Legends of Metru Nui, which was released twenty years ago! By contrast, Mutant Mayhem—which had a much shorter development period—is a direct reaction to Spider-Verse in both aesthetic and narrative, and it has a much more distinctive creative direction as a result.

If you look at how all these titles have performed in cinemas, I think you can make a pretty strong case that audiences are perfectly willing to go out and see this kind of flick. A glance at Wikipedia tells me that Mutant Mayhem, The Bad Guys, and The Last Wish grossed double, triple, and quadruple their budgets respectively. In terms of the pre-existing cultural cachet they were banking on, we're talking about Teenage Mutant Ninja Turtles, a children's book series I'd never heard of, and fucking Puss in Boots. You cannot tell me that Transformers, as a brand, is on the same level as any of these properties. Meanwhile, Transformers One hardly broke even, while The Wild Robot—another DreamWorks film based on a children's book I've never heard of, which it ended up competing with in theatres—grosses three times its budget. My friends who've seen The Wild Robot say it made them cry.

Face it: Transformers One has not lit the world on fire. I've seen a lot of people cope with this by suggesting that it's to do with the film's staggered release, or even by claiming that the film's marketing was somehow misleading. I'll be honest, upon seeing it, it did not strike me as being at all dissimilar to the trailers. You can maybe say that the trailers undersold the depth of Orion Pax's and Megatron's relationship—which is its best aspect—but honestly, I think if they'd taken a lot of those scenes out of context and put them in early teasers, audiences would've laughed it out of theatres. Like, c'mon, it's toy robots, stop pretending it's Shakespeare. And otherwise, what you see is what you get; it's exactly what it says on the tin.

I wonder how many Transformers fans, on some level, have noticed that even when we're supposedly "eating good", and watching "peak cinema", our films just aren't as good as everyone else's. They're something you'll enjoy if you're already highly predisposed to enjoy them. But otherwise, they're not turning heads. They're not as funny, or as heartfelt, or as complex, or as exciting, or as charming, or as memorable, or as beautiful as these other films. Unlike with Spider-Verse, there's no word-of-mouth amongst normal people to say that this is a film worth seeing.

What I perceive in studios hoping to recreate the flash-in-the-pan success of Spider-Verse is a misunderstanding of what made people go crazy for that movie in the first place. Yes, it changed our conception of what an 3D-animated film could look like. Yes, the multiverse is very cool and all that. Yes, it had a huge IP attached to it. But on a more fundamental level, that movie has a fantastic story underpinning it. The script is razor-sharp. The story is beautifully complex. The vision of New York City it presents is a living, breathing place, populated by real people. It has the kind of craft to it that can only come from truly obsessive creators cultivating an absolutely miserable professional environment for a legion of passionate animators.

In interview, Transformers producer Lorenzo di Bonaventura actually spoke surprisingly candidly about his view on crunch:

I probably shouldn't answer this question, because I'm not exactly PC on my answer. I think the nature of filmmaking is, we're really lucky to work in a business that's about passion. Passion doesn't fit really well into a timeline, so inevitably you come to a crunch time. It's just true in the live action, it's true in every movie, and authors always tell me that about when they're writing their books — it's the same thing happens to them! There's something about the creative process that's not — it's unruly. So, I think if you're enjoying it, you need to recognize that. Like, you know, I don't wanna abuse anybody, and y'know — if you get into that period where people have to really work too hard, you gotta help them in that situation, then. 'Cause it's gonna come. It does on every movie. I've never seen it not come, no matter how well you plan, et cetera. 'Cause it's not a science what we're doing at all, and there's all these discoveries that happen near the end, which makes you go "oh, let's do some more, come on!". We discovered that on this movie, where we're calling ILM going "we've got a few ideas, you know, do you have enough man-hours?". [...] Like, you gotta be conscious of it — in live-action, for instance, there are some studios that are so cheap that when you're on — sort of medium location-distance and you're shooting 'til midnight, they don't pay for a hotel room. It's like, well, no-no-no, you pay for a hotel room. You protect the people.

According to everyone who worked on Transformers One, everyone who worked on Transformers One was very passionate about it. But there are parts of this film where I think you can say, pretty objectively, that it's falling short of its intended effect. So I guess maybe they weren't that passionate. I'm not saying that to be mean! It's just... isn't that better than the alternative—that this was the best they could do?

III. I did not care for The Godfather

At one point in the film, the gang's magic map leads them to a scary cave, which looks like this:

Bumblebee fills the dead air by saying, "A cave, with teeth. Nothing scary about that!" The joke here is that this is a cave that looks like a mouth. But as depicted, it's a cave that looks like a mouth that doesn't look like a cave! I get that this is an alien planet, but stalactites don't grow that way on Earth, so when you see the cave onscreen, your gut reaction isn't "oh my, what a frightening cave!". No, this is a cave that makes you say, "that's not a cave, that's some kind of alien monster".

(It's not like "cave turns out to be a monster" would in any way be a fresh twist. In BIONICLE 2: Legends of Metru Nui, there's a bit where a character swims into a scary cave, and it turns out to be the mouth of a massive sea serpent. In The Empire Strikes Back, the Millennium Falcon briefly hides in an asteroid tunnel which turns out to be a giant space worm. So I'm definitely not saying Transformers One would've been a better film if it had used this stock trope.)

Then once the heroes go inside, we're whisked off to an entirely different set of concept artwork, for this lush organic underground paradise. There's no danger there. The cave itself is reduced to a strange little footnote. Maybe it's only in the story because a concept artist drew it before they'd worked out the finer points of the narrative, and Keegan-Michael Key just ended up ad-libbing the "teeth!" line when he was told to vamp for a few seconds. Or maybe the teeth gag was fully written into the script from the start, and the environment artists just interpreted it way too literally.

Like, I'm sorry, I don't mean to start off on the wrong foot here by harping on about the cave thing—it's not a perfect example anyway—but to me it's a microcosm for my frustration towards what I perceive to be a lack of creative vision in this film. So much of the film feels like it's not there to be entertaining, or meaningful, or narratively load-bearing... it's just obligatory, something they threw in for the sake of having anything at all. It's colors and sounds. When you see the spiky shape onscreen, you think, "ooh, this film was pretty bouba earlier, but now it's more kiki!" They get the comedian to improvise a few one-liners while the characters walk from place to place. And it's like, yes, this is a film for children. Of course the heroes have an adventure map with a big red X on it. In many respects this is a glorified episode of Pocoyo, or the modern equivalent, which I guess is "Baby Shark | Animal Songs For Children".

Nowhere is this sense of "we are obliged to put this in the movie" felt more strongly than in its supporting cast. When you look closely, you notice that Bumblebee and Elita-1—placed prominently in the film's marketing and being technically present for much of its runtime—don't actually do anything of narrative significance. They don't make choices that impact the story; they're just there, and it would not take much rewriting to excise them entirely, so it's just Orion Pax and Megatron on their little adventure. In fact, I'll just come out and say it: I think Transformers One would have been a better movie if Bumblebee and Elita-1 were not in it.

It helps that, from a Doylist perspective, the motivations for their inclusion are perfectly transparent. Firstly, think of the merchandise! Secondly, in Bumblebee's case, it's fucking Bumblebee, he's the whole reason half the kids will be watching, you can't not have him in there. Whenever Bumblebee's not onscreen, all the other characters should be asking, "where's Bumblebee?" Also, I think the creative team felt that they could use Bumblebee tactically to balance some of the darkness in the story.

In the G1 cartoon, Bumblebee just has the default Autobot personality—good-natured, a little sarcastic—with the dial turned a little more towards friendliness. There's this iconic anecdote from the production that cartoon, where writer David Wise found himself in exactly the same situation Transformers writers are finding themselves in forty years later: he was told to write a story about something called "Vector Sigma", and he had no fucking clue what Vector Sigma was supposed to be. So he asked story editor Bryce Malek, who also had no fucking idea. Malek in turn asked Hasbro, and was told that Vector Sigma was "the computer that gave all the Transformers personalities". Upon hearing this, Malek said, "Well, it didn't do a very good job, did it!" Vector Sigma, in case you missed it, does actually appear in Transformers One, as the polygonal shape that transitions into the Matrix of Leadership in the opening powerpoint; I guess they're one and the same now. Some things never change: in Michael Bay's Transformers movies, there is again just a single default personality that every single Autobot shares, a braggadacious action-hero facade over genuine bloodthirst. Who can forget that iconic moment in Revenge of the Fallen where Bumblebee rips out Ravage's spine in grisly slow-mo?

Aside from the fact that he's small and yellow, Bumblebee in Transformers One bears very little resemblance to any incarnation of the character kids might be accustomed to. Instead, he occupies a stock comic-relief archetype, he's a zany guy who goes "Well, that just happened!" If anything, his one joke in the third act—wanton murder—reads like it could maybe be a reference to his many Mortal Kombat fatalities in Bay's films. Beginning in 2007's Transformers Animated, Bumblebee has sometimes possessed deployable "stingers" that flip out from his hands, as a fun action feature for toys. Clearly someone on Transformers One saw this and thought it was the funniest fucking thing that Bumblebee has "knife hands", because the character spends the third act of the movie just shouting "knife hands!" and cutting people in half like a medieval terror.

(In the UK, Bumblebee's lines were re-recorded at the last minute so he says "sword hands" instead. This is because in the UK, we generally aren't able to kill each other using guns, so it's knives that are the big armed-violence boogeyman. Everyone's always talking about how all the kids have knives. And look, I'm not someone to indulge in moral panic, but genuinely, when I look at Bumblebee chasing around people with knives, saying, "I'm gonna cut these guys, watch!", I'm like... what the fuck were they thinking when they wrote that?)

Frankly, whatever is going on with Bumblebee is just an entirely different movie to everything else that's happening. When Bee shanks his twelfth nameless lackey in a row, the movie's like, awww, you're sweet! But when Megatron tries to kill the one (1) evil dictator who's just fucking branded him, who's still lying to his face while his people continue to die to the guy's fuckin' honor guard, Optimus Prime is like, HELLO, HUMAN RESOURCES?

Bumblebee is solely here to be funny, but there's a point in the film where it needs to become a war story, and the best they can think to do with Bumblebee is to have him kill people but in like, a funny way.

As for Elita-1... look, to put it very bluntly, she is in this movie to be a woman. Transformers has had a long, long forty-year history of boys'-club exclusionism, if not outright misogyny, and each new series usually has a token female character, as a kind of fig-leaf for the fact that really, the only fucking thing Hasbro cares about is that the boys are buying the toys. Beginning in the 1986 movie, it was Arcee who got to be "the pink one" for many years of fiction—but not toys, y'see, when parents want to buy something for their beloved young lad, they don't buy "the pink one", no sir. In the 2010s, wow-cool-OC Windblade took over for a stint as leading lady, decked out in a commercially-non-threatening red color scheme. Recently, though, it's been Elita-1—Optimus Prime's girlfriend from the original '80s cartoon—who's been the go-to female character, and she's increasingly allowed to be pink.

There is a lot of love for these characters amongst creatives and fans alike, and especially in the last decade, female Transformers have been both more numerous and better-written than ever. Unfortunately Transformers One, which depicts Elita-1 as an arms-crossing career-obsessed buzzkill, whose arc sees her learn her place in deference to a less-competent man... well let's just say it struck me as a significant step back in this regard.

There's this great interview with Scarlett Johansson, voice of Elita-1, where she's trying to describe what makes her character interesting, and it's like she's drawing blood from a stone. She's like, "yeah, so Elita-1, I would say, she's on her own journey, because at the start of the film it's sort of like she's working at a big company, you know, and she wants to get a promotion, but then later on she learns that she can't, y'know, get a promotion". Look, it's not that Scarlett Johansson does a bad job—in fact, considering the material she's working with, she practically carries Elita-1 entirely on the back of her performance—it's just that I can't shake the impression that the filmmakers would rather pay Scarlett Johansson god knows how many thousands of dollars than try to think of a second actress that they know of.

As I've already complained, Transformers One has a pretty thin cast, but it effectively only has two other female characters who do anything. Airachnid is a secondary antagonist, Sentinel Prime's spymaster/enforcer, and it's clear that some concept artist really fucking popped off when designing her. She has eyes in the back of her head, and it's ten times creepier than that makes it sound. Her spiderlegs also create some visual interest during fight scenes. As a character, Airachnid has zero internality and is not interesting, but she is cool, so you'll get no complaints from me there.

The film's other other female character is Chromia, who wins the Iacon 5000 race at the last moment. She really comes out of nowhere to clinch it. It's funny, because the leaderboards show this one guy, Mirage, hovering near the top of the rankings for almost the whole sequence. And Chromia's character model really looks suspiciously like Mirage's. In fact, there's a different character who stands around in the background a couple of times who looks much more like Chromia. Funnily enough, that background character is even called Chromia in concept art! So if you connect the dots, it really seems that the "Chromia" who is the best racer on Cybertron was originally meant to be Mirage, a guy, until they switched the character's gender at the very last minute, and didn't bother changing the leaderboards to match.

There are two possible explanations for this. The first is that Mirage was the dark horse of Rise of the Beasts, and for some reason they felt like his depiction in Transformers One would've gotten in the way of their plans for the character somehow. It's plausible, I guess. The second, infinitely funnier option, is that at some point someone working on the movie realised that they only put two women in the film, scrambled to look through the feature to find a suitable character to gender-swap, only to discover to their horror that they'd forgotten to put in any characters whatsoever. Fuck it, the racer guy! He can be a girl. Diversity win, the fastest class traitor on Cybertron... is a woman!

In case you were wondering about the Transformers One toyline leaderboards, by my count, Orion Pax has ten new transforming toys currently announced or in stores, Bumblebee and Megatron have six each, Sentinel Prime has four, Alpha Trion has two, Elita-1 has two, Airachnid has one, Starscream has one, Wheeljack has one, and the Quintesson High Commander has one. In fact, one of Elita-1's toys—the collector-oriented high-quality Studio Series release—isn't scheduled for release until some undetermined point later next year, and she was entirely absent from leaked lists of upcoming releases, which to me smacks of "we realised last-minute that it would look really really bad if we didn't bother to release a good toy of the one woman in the film". Oh, and obviously, Chromia has no toys—but there is an "Iacon Race" three-pack consisting of Megatron, Orion Pax... and Mirage. Go figure.

The thing is, all of the stuff I'm grousing about here is pretty much standard fare for kids' films targeted more at boys. Hell, even The Lego Movie—which is basically the gold standard of toy commercials—gave supporting protagonist Wyldstyle a pretty similar arc to the one Elita-1 gets here, which was probably the weakest element of that film. Evidently conscious of this, Lord & Miller redeemed themselves by devoting the entirety of The Lego Movie 2: The Second Part to deconstructing common narratives surrounding gender roles. I guess I just wish the young girls who presumably comprise some portion of Transformers One theatergoers could actually get anything out of Elita-1 as a character. Ah, what do I know, maybe it's still considered countercultural simply to depict a woman punching people.

Still, to give credit where it's due: Transformers One doesn't remotely touch the gender-essentialism prevalent in the Binder of Revelation, treating female Transformers no differently to their male counterparts in lore terms. Solus Prime is, it seems, just a Prime who happened to be a woman, rather than the mythological Eve after whom all women are patterned. There's a scene where our heroes are gifted the Transformation Cogs of the fallen Primes, and the Primes named thankfully bear no particular relation to the characters; in other words, Elita-1 isn't given Solus Prime's cog. As Alpha Trion puts it: "What defines a Transformer is not the cog in his chest, but the spark that resides in their core." Dude really remembered nonbinary people exist halfway through that sentence huh.

(Actually, the bigger mistake would've been with Megatron: if he was given Megatronus Prime's cog from the start, then this would've created the unfortunate implication that his descent into evil was only the result of Megatronus Prime's fucked up and evil cog, rather than a choice Megatron made of his own free will. The film instead has it the other way around: Megatron's radicalisation into a "might makes right" philosophy is what causes him to covet Megatronus Prime's transformation cog, to steal that power from Sentinel Prime, who stole the cogs of both Megatronus and Megatron in the first place. That's cool! This does create a bit of unfortunate narrative dissonance with Alpha Trion's words, alas, as it does seem like Megatronus Prime's cog really is more powerful than the others, because it gives both Sentinel Prime and Megatron a powerup.)

There's just something that I find so dreadfully mercenary about this movie's cast—honestly, everyone except Orion Pax, Megatron, and maybe Sentinel Prime. Take Darkwing, for example. Bro was clearly designed from the ground up to fill this stock character role of "bully who pushes our guys around and later gets his comeuppance". For a more interesting take on that exact same archetype, look no further than Todd Sureblade from Nimona, a bigoted knight who gets a whole damn character arc in the background, which directly complements that film's main themes.

Again, I'm not playing some kind of guessing game here, the authorial evidence is right there: Darkwing didn't even have a name until Hasbro designer Mark Maher was shown a picture of the character and asked, "If this was a Decepticon flyer, who would it be?" This is actually par for the course with ILM; most of their concept art is labelled with very basic descriptions, with the exact trademarks being picked in conjunction with Hasbro at a later point. Darkwing just stands out in Transformers One because he's the only recurring speaking character who's an OC in all but name (unless you count Bumblebee), he's the one guy who's been invented from scratch with total creative freedom, and he's boring as sin. It's like the filmmakers just couldn't conceive of a children's movie without that stock character—and they clearly had no idea what to do with him once they'd invented him, because he disappears entirely from the film at the start of the third act, when Orion Pax throws him into an arcade cabinet, which they have in the mines on Cybertron for some reason.

In a film with as painfully few named speaking characters as Transformers One, there's really no excuse for having this kind of one-dimensionality in their portrayals. Genuinely, I ask—who are Orion Pax and Megatron fighting to liberate? Jazz, one of the biggest personalities from the original G1 cartoon, who gets all of two boilerplate lines here? Cooley seems to think so:

As you’re designing them the background characters are almost like Lego pieces where you put different heads on different bodies just to fill in a crowd. But some of them would be brought forward and be painted specific colors so that it represents a character that I didn’t know was such a big deal. But there was stuff—like Jazz, for example, has a pretty big role. It was important to have a relationship with a character that we know gets to be saved.

To me, the idea that casual cinemagoers would be invested in any of the Transformers as characters is laughable. Michael Bay's characters are famous for being hateful non-entities. In terms of the films, Jazz is best remembered for dying at the end of the first one, seventeen years ago; he looks completely different here. The one breakout character in recent years—Mirage, as played by Pete Davidson in Rise of the Beasts—was, as I've already mentioned, written out so that the movie could reach its girl quota... not that he would've had any lines anyway.

And I just don't buy the idea that the complete dearth of compelling characterisation in this film is just an unfortunate side-effect of its clipped one-hour-thirty runtime—that, given even half an hour longer, the film would suddenly be crowded with rich portrayals of all your Transformers faves. Bumblebee and Elita-1, ostensibly two of the most important characters in the film, are not in this movie because the movie is interested in telling their stories. They are in this movie for the sake of being in this movie. It insists upon itself.

IV. No politics means no politics

In fact, putting aside merchandising considerations, Elita-1 and Bumblebee serve one very specific purpose in narrative terms. The trait Optimus Prime and Megatron have always had in common is that they are both leaders—and what is a leader, without anyone to lead? Without Bumblebee and Elita-1, you'd have this farcical situation where the only person Optimus Prime ever gets to boss around is Megatron, until the very end of the movie when God makes him king of all Cybertron. The High Guard, Starscream's gang of exiles, serve a similar narrative purpose for Megatron; they're a ready-made army who've just been sitting around waiting for him to show up and take charge.

Towards the end, the movie does actually take care to show both Orion Pax and Megatron rallying groups of Cybertronians: in Pax's case, he reveals the truth to his legion of interchangable miner friends, while Megatron riles up the High Guard mob. Again, there's a bit of that narrative sleight-of-hand, a bit of a thematic cop-out, where the question of "how do Optimus Prime and Megatron come to be leaders of their factions?" is answered only in the most literal possible interpretation. Yes, we technically see the exact chain of events that lead to this point—but both characters are portrayed as born leaders. We don't see them grow into the role, except physically. The moment Megatron decides he wants to rule, he's able to take charge. Likewise, Optimus Prime just gets divinely appointed by God. At a key point, Megatron loudly declares "I will never trust a so-called leader ever again", and the movie plays a fucking scare chord like this is supposed to be ominous. Like, oh no! Optimus Prime is a leader! And they're friends! Whatever will Megatron do when he finds out his friend, Optimus Prime, is a leader?

I don't think the movie has given any real thought to what a leader actually is. It seems to take a stance that power cannot be taken, i.e. through violent action, as Sentinel Prime and Megatron do. That one scene with Elita-1 suggests the most important trait for a leader to have, above and beyond any particular competency, is simply hope and optimism. What I just can't wrap my head around is the fact that the counterpoint the movie presents to Megatron, in the form of Orion Pax becoming Optimus Prime, does not support a belief in collective action or basic democracy—rather, it's a boring sword-in-the-stone divine-right-of-kings fantasy.

Except I do have a theory for why the film is like this. Let's look again at that interview with Eric Pearson, who came onboard in the "late middle" of production:

One of the first things that I did was a big pass on Sentinel Prime. I just felt like he was too obviously telegraphing his wickedness in previous versions, and I felt like, “No, he’s a carnival barker.” He’s got to be a big salesman. He’s a bullshitter, honestly is what he is.

(Honestly, if this is Sentinel after a "big pass" to make his villainy more of a twist, I shudder to think what the earlier drafts were like.)

Now, let's see how WIRED introduces their interview with Josh Cooley, titled "Transformers One Isn't as Silly as It Looks":

He liked the script, which traces how Optimus Prime (Chris Hemsworth) and Megatron (Brian Tyree Henry) went from friends to enemies. But as the world went into lockdown as Covid-19 spread, Cooley found his story changing, if only slightly. Trump was still in office when Cooley started working on the film, and he was having meetings with the producers and they’d “start these meetings off on Zoom just going, like, ‘Holy crap what is going on in this world?’” he says. Ultimately, the infighting they were seeing between Democrats and Republicans in the same family became an undercurrent in the film’s friends-to-enemies storyline, “because that’s what Transformers is.”

So it's like, oh, this is a 2016 election thing. This is just that one election that broke everyone's brains. Of course this movie about a made-up political struggle on an alien planet being developed from 2015-2020 wouldn't be like, hey, you know what might fix our society's problems, is if we had an election. Of course the main villain is a "big salesman" "bullshitter" who says things like "The truth is what I make it!". Wow, guys, your film is so-o-o politically-conscious, and very pretty.

The fantasy is more or less that Donald Trump's army of reactionaries is marching on Washington to seize power through violent means, and on the way he drops Joe Biden into the Grand Canyon, but just before Joe hits the ground a giant fucking bald eagle swoops in to catch him and squawks, "God finds you worthy! Arise, President Biden!"

In our escapist little morality play, our best friend slash allegorical dad gets made king of the planet, and we all get jobs in the government. As in, one of the funniest lines in the movie is straightup Bumblebee exulting, "This is the greatest day of my life. I get to work for the government!" When Prime met Bumblebee—an hour ago—the dude was talking to imaginary friends, and honestly the only fucking skill he's demonstrated since then is cold-blooded murder. We have this dissonance in the storytelling, where it's mostly a story about four friends going on an adventure (are they even friends? Most of them hate each other!), but it's also a founding-fathers political origin story, which means there comes a point where our hero just suddenly starts bossing his friends around in a deep voice, and they're like, "Yes, sir!" It creates this unhinged situation where the "good" faction on Cybertron is ruled by the biblical chosen one and his nepotism buddies.

Per that quote from WIRED (or are they just putting words in Cooley's mouth? I can't help but notice they don't give an exact quote!), the film is ultimately sympathetic to the bad guys (the Republicans, I guess). It deliberately suggests that there is really nothing that should divide the Autobots and the Decepticons: their political goals, it claims, are identical, and they only disagree on the means by which to achieve them. The Decepticons, who are angry and hateful, have simply been misled by a power-hungry liar with charisma—first Sentinel, then Megatron—and so the tragedy is that they are artificially pushed into conflict with their fellow men, when really they should be uniting to stand against their common enemy, the foreigner illuminati trying to steal Cybertron's wealth.

Now, I know I've just handed you a get-out-of-jail-free card. My political allegory here is chock full of holes. What, are Sentinel Prime and Megatron both Donald Trump? Get a grip. Obviously any real-world commentary in Transformers One was only intended in the loosest sense imaginable: things like, "people should be free to change into whatever they want!" I'm being unfair, I'm reading too much into it, this is a cartoon movie for children, and if I want politics, I should start reading some fucking books. Also, come to mention it, my whole argument about that cave earlier really didn't hold water, and- I know, alright? I know.

V. Place / Place, Cybertron

I'm not mad at this toy commercial because its politics don't quite align with mine. I'm not mad at it for having a boring-ass supporting cast. I'm not mad at it for reheating a bunch of half-baked lore I didn't care for from the early 2010s. I've actually spent a lot of time mad about Transformers media that I've thought was bad. There's Transformers: Armada, where the English translators are fully asleep at the wheel and render even the most basic cartoon plots incomprehensible though constant mistranslations. There's Transformers: Micromasters, where two white guys wrote a downtrodden race of tiny Cybertronians who greet each other like "Wattup, my micro!". There's the recent series of Transformers: EarthSpark, where there's an episode that I can only describe as "the Wonka Experience but it's an episode of a children's cartoon", with a plotline that mostly revolves around our child heroes straightup robbing a Onceler-looking businessman of his most valuable possession. There's Transformers: Age of Extinction, with that one scene, and also the rest of that movie. In fact, I would go so far as to say that most Transformers fiction is some combination of bad, offensive, and offensively bad.

So even though I've just spent thousands of words whinging and moaning about how I didn't like Transformers One, the truth is that I had a perfectly nice time at the cinema. I got to go see it with five of my pals who love Transformers just as much as I do, and we had a blast. It is easily in the top 50% of all Transformers fiction.

Unfortunately, for whatever reason, I guess I've always given a lot of thought to what Transformers looks like from the outside. Maybe it's that I'm compelled to spend so much time and money on it, that it somehow compels me to vomit up these kinds of essays, and all I want is to be able to make it make sense to anyone in my life. It would be so, so nice if I could just sit down in the cinema with a friend or family member for a couple of hours, and at the end of it, they'd be able to walk out and say, "Okay, I guess I see what you get out of it." Rise of the Beasts was kind of that movie for me, but Rise of the Beasts is also the seventh instalment in a blockbuster franchise. It kind of takes for granted everything about Transformers.

It doesn't answer, "what the fuck is a Transformer anyway?"

For many years now, fans have noticed a marked aversion to using the word "transform" as a verb, or even as a noun. Optimus Prime no longer says, "Autobots, transform and roll out!", he just says, "Roll out!". Transformers no longer transform, they "convert". In fact, Transformers are no longer Transformers at all: they are "Transformers bots", the italics here serving to distinguish a registered trademark. This is because the worms in suits at Hasbro are worried that, if they continue to use the word "transform" by its dictionary definition—that is, to change—then rival toy companies will be able to make the case that anything that transforms can legally be described as a Transformer. It will become a generic trademark, like Velcro, or Band-Aid, or Dumpster.

Yet in Transformers One, "Transformers" is not just the noun by which the characters are referred to—rather, it's used in a descriptive sense to specifically mean "Cybertronians who can transform"! Characters are constantly talking about whether they can or can't transform. Prime gets to say his catchphrase in full. It's a miracle. Not only that, characters even get to say the word "kill" instead of "defeat" or "destroy".

Transformers One has a level of unrestricted creative freedom not seen since the 1986 animated film. This is a film unconstrained by location shooting, or licensing deals, or uncooperative actors; through the magic of CGI, for every single frame of its one-hour-thirty runtime, the filmmakers can put literally whatever they want on the screen. They were given the assignment, "Make an animated prequel set on Cybertron telling the origin story of Optimus Prime and Megatron", handed an estimated $147 million and a blank page, and told to go nuts. Like those born with transformation cogs, Transformers One had the power to become anything it wanted to be.

The 1986 animated film took that carte blanche to do whatever the fuck it wanted, and basically singlehandedly defined the direction of the franchise ever since. On a lore level, in terms of tone, I would say that Transformers owes practically everything to The Transformers: The Movie. Cartoons, comics, films, and video games have adapted every single one of its scenes countless times over. I'm not necessarily saying that it's a good film, or even that it's a particularly original film—much of it is ripped off from Star Wars—just that it took the franchise somewhere it hadn't gone before. It was looking to the future. As in, literally, it was set in 2005, at the time two decades into the future.

What gets me down about Transformers One is that—like most major franchise media released since The Force Awakens—all it can do is think about the past. Swathes of it are devoted to painstakingly recreating or setting up the various bits of iconography which have arbitrarily come to define the franchise. Even when it appears to be taking things in a new direction, it's not long before it course-corrects back into familiar territory: Steve Buscemi invents a surprisingly fresh take on Starscream's voice, and then Megatron half-strangles him to death, saddling him with a post-produced rasp to emulate Chris Latta's iconic performance from forty years ago.

The very title of the film, Transformers One, is an allusion to the line, "Till all are one," which originates in The Transformers: The Movie. In an early script for that '80s feature, it was actually "Till all life sparks are one", referring to a literal metaphysical process in that draft whereby one Transformer's life force could be passed on to another, presumably with the belief that they would all eventually be merged into a single afterlife. In the finalized story, it's just this kind of mystical phrase vaguely evoking concepts of togetherness and unity.

Transformers One brushes up against the phrase a couple of times. Alpha Trion almost says it at one point, when passing on his dead siblings' transformation cogs: "They were one. You are one. All are one!" Whatever that means. Later, Orion Pax starts a chant amongst the miners: "Together as one!" And finally, at the very end of the movie, during his obligatory film-ending monologue, Optimus Prime again goes: "And now, we stand here together... as one." (Half of Cybertron has just been banished to the surface forever.) "[...] Here, all are truly... Autobots." (Again, half of Cybertron- Optimus, what the fuck are you talking about?) Regardless, this is inexplicably the one instance where the movie doesn't twist itself up into knots trying to nail the exact phrasing.

Actually, there is one other sideways reference like this I can think of. Early in the film, Orion Pax is chatting up Elita, and he remarks, "Feel like I have enough power in my to drill down and touch Primus himself." To which Elita replies, "You don't have the touch or the power." This is kind of a nonsensical retort unless you know that in the 1986 movie, one of the most iconic songs on the soundtrack was "The Touch" by Stan Bush, which had the chorus line: "You got the touch! You got the power!" It's a banger. Anyway, remember when I said Darkwing gets chucked through an arcade cabinet? Well, here's Cooley revealing why that arcade cabinet is in the film:

I actually wrote [that exchange between Orion Pax and Elita] because I love that song. [...] And we had this one version where D-16 and Orion were playing a video game, like a stand-up old arcade game—it was inspired to look like that, but a Cybertonian version of that. They’re playing that together like friends and the song, like the 8-bit song that’s playing is ["The Touch"]. But that scene got nixed. And so I wanted to work it in there somewhere. And I just felt like a natural place for it. But that was one where I’m like, "I just love that song and those lyrics and that’s Transformers to me so I want to get that in there."

(I've had to amend that quote to fill in the blanks where the article has redacted "spoilers" for the movie. Spoiler culture is an absolute pox, I swear. Can't have the audiences knowing about one (1) mid joke in advance—the movie barely has enough jokes to fill a "Transformers One Funny Moments" compilation as it is!)

This actually isn't the first time Hasbro has "nixed" a reference to "The Touch" in major Transformers media. In the Transformers: Cyberverse episode "The Alliance", a character references "The Touch" right before a training montage which is clearly supposed to have the track playing, except instead it's been replaced by a generic rock instrumental, presumably because they couldn't afford the license. And in Daniel Warren Johnson's Eisner-award-winning bestselling comic run, there's one panel where he clearly wanted to include the song's lyrics as a sound effect, but wasn't allowed, so the final sound effect famously reads "YOU KNOW THE SONG". But that's a random episode of a bargain-bin cartoon, and an indie-darling comic series—not a $147 million blockbuster. You really have to wonder if it came down to money, or if it was something else. God knows Transformers One would not actually be improved for having a chiptune remix of "The Touch" in it, anyway.

The most egregious misplaced bit of fanwank in the film isn't even in dialogue. In the 1986 film, there's this one iconic moment when Optimus Prime arrives at the besieged Autobot City, drives through a crowd of Decepticons in truck mode, then fires some afterburners, launching his cab up into the air, where he transforms mid-leap, drawing his blaster to shoot a couple of Decepticons before hitting the ground. It's a fantastic bit of original animation. It's the Akira slide of Transformers. And, surprise surprise, it crops up in Transformers One. In the climactic final fight, Orion Pax shows up to save Megatron, and he does the thing.

But the problem is... he's not in truck mode! The film just cuts to him standing there in the middle of some anonymous mooks, then he does a standing jump into the air, the movie momentarily goes into extreme slow-mo like he's doing a fucking quick-time event, then he shoots a couple of guys and drops to the ground. There's no momentum. It exists purely to create that simulacrum, to take the single most iconic frame from that bit of 1986 animation, and stretch that one frame into infinity. The context is discarded, irrelevant. All that matters is that brief moment of recognition: "I know what that iiis!" God knows Transformers One has precious little in the way of impactful fight animation of its own; the choreography is stiff and uninspired, while the shots themselves are nauseatingly cluttered. Often, the best it can do is pilfer from older, better stories.

"Did you clap at any of the new moments and memorable characters?" "Were there any?"

Look, I get it. Transformers One is a prequel. By definition, it can't change the future. It has to play with the characters that are already in the toybox. But I do think it had this really special opportunity: to show theatregoers where the Transformers come from. To show us Cybertron not as a distant star or a barren scrapyard, but as a living, thriving alien world, unlike Earth, something special and worth protecting in its own right. Something new and memorable. In Rise of the Beasts—probably the best Transformers movie by default—when Optimus Prime is at his lowest, he wants nothing more to return home... but home is something we've only ever seen as a cold dystopia, ruled by Decepticons. The version of Transformers One I had hoped to see was one that would have imbued Optimus' homesickness with greater meaning. I wanted to feel his loss, and to hope that one day the war will end, and Cybertron can be restored.

I think Transformers One sincerely tries to achieve this effect. The concept artists have clearly put a great deal of time and thought into Cybertron as an environment. When the artbook comes out, I'm keen to see how much stuff didn't make it into the finished film. You have to assume most of it got cut, because there's next to nothing left!

At the end of the film, battle lines are drawn, the civil war is about to start... but strangely, the movie's setting does not convey the sense that anything beautiful is being lost. Nobody is unwillingly turned to violence, innocence-lost; they're all too eager to get to killing, friggin' Bumblebee is gleeful about it. There's no beautiful, iconic landmark, which gets tragically destroyed, like in some kind of Transformers 9/11—"What have we done! Where will this war take us!". There's no part of Cybertron's natural ecological environment to be ruined by the war, because the surface world is already turbofucked by the Quintessons to begin with. No, rather, we have the total opposite: Optimus Prime finding the Matrix (which was just, like, hanging out in the core of Cybertron or whatever) actually restores Energon to the planet, removing the unnatural scarcity which was the entire impetus behind the film's dystopia. He made Cybertron great again. So again, Transformers One fails to answer one of the most fundamental questions one might expect of a Transformers prequel: "When did things on Cybertron get so bad?" The movie ends with the planet in better shape to how it started!

The big original idea that Transformers One has is that Cybertron, the planet itself, should be in a constant state of transformation. I've already talked about the beautiful shapeshifting landscapes, but it's also the moving buildings, the complicated mechanisms, the roads and rails that magically lay themselves between the vehicles and their destinations. I've already mentioned how odd I find it that none of these environmental transformations have any significance to the story; the closest it comes to some sort of payoff is when Orion Pax falls into the hole that makes you king.

What I find most perplexing are the deer. When the gang makes it to the surface, the idea is to show the natural beauty of the surface, which the cogless have been denied their whole lives. The mountains glisten as they move. Nebulae glow in the night sky. The surface is blanketed in organic (?) plantlife, like a watering can forgotten in a garden. And, most strikingly, there are deer: mechanical animals, just like those found on Earth, being hunted for sport by the evil Quintessons. When the cruisers near, their glowing horns turn red with alarm, and they prance around in fear.

I'm reminded of a brief gag from the third season of Transformers: Cyberverse—one of very few shows to have devoted any serious effort to Cybertronian worldbuilding—in the episode "Thunderhowl". Bumblebee and Chromia stumble across a "singlehorn" (read: unicorn), and when it senses danger, it neighs, transforms into a rocket, and blasts out of frame. And apart from being really cute and funny, it's like, oh, of course that's what animals are like on Cybertron! Everything on this planet transforms. Why not the animals?

For whatever reason, the deer in Transformers One are like the one thing that don't transform. Why the hell not? If Cyberverse could find the budget for its split-second sight gag, surely this blockbuster could, I don't know, have them turn into dirt bikes with antler-handlebars. That would've been something, right? If not, then at least could we maybe see some other animals on Cybertron, to really get across that alien biodiversity? Of course not. See, the deer exist to communicate one very specific story beat: a single moment of trepidation, where the heroes know there's danger nearby, but they don't know what. And all you need for that is a single kind of prey animal, with some kind of warning light to let you know, hey, there's danger! Once this purpose is fulfilled, the deer have no further significance to the story.

We need only look to BIONICLE 2: Legends of Metru Nui to see this exact same beat play out with a modicum of competence and creative flair. Also in the second act—in fact, at practically the exact same timestamp—our heroes, the Toa, have a run-in with the bad guys, and they're nearly captured... but then there's this sudden rumble of danger approaching, we don't know what. It turns out to be a herd of giant Kikanalo! They send the bad guys packing, except they nearly trample our heroes too! But then, Toa Nokama's mask begins to glow, and she discovers that her mask grants her the ability to talk to animals. They learn some vital information from the Kikanalo, and are able to ride the creatures for the next stage of their adventure. Finally, when they can go no further, the Kikanalo cave in the passage behind the heroes to ensure they won't be pursued. Holy shit, that's like, five different story beats with just that one type of creature!

It's not just that Transformers One struggles with that kind of basic narrative flow, where a single element serves multiple purposes. It's that often, it wastes precious time creating redundant setups to achieve the same effect twice.

For example, Megatronus Prime's face happens to look exactly like (what we know will be) the Decepticon insignia. At the beginning of the movie, Orion Pax mollifies Megatron by giving him a rare decal of Megatronus Prime's face. Traditionally, Megatron wears his insignia in the middle of his chest—but in this film, nearly every character has a big hole in the middle of their chest, where their missing transformation cog should go. So Megatron sticks the decal on his shoulder instead.

Later, he gets a cog, and the hole in his chest is filled. When Sentinel Prime captures Megatron, he notices the Megatronus sticker, and rips it off. Then, he re-applies it on Megatron's chest—purely so it's in the "right" place for the iconography. And then, he uses his gun to crudely brand Megatron with a tracing of Megatronus' face, inadvertently creating the Decepticon symbol. Finally, in a post-credits scene, Megatron has fashioned a proper Decepticon brand with which to brand himself and his followers. So in effect, there are four separate moments where Megatron gets the symbol! Orion sticking it on his shoulder, Sentinel moving it to his chest, Sentinel mutilating him, and finally Megatron branding himself. You can make an argument that the symbol starts out meaning one thing, but ends up meaning another thing, which has a kind of tragic significance—but I think you would struggle to distinguish subtle shades of meaning from all four of these brandings. Considering the movie only has an hour and a half to work with, I find this lack of narrative economy to be honestly embarrassing.

(My friend Jo also points out what a misstep it is to just have Megatronus Prime's face perfectly resemble the Decepticon symbol from the start. Had it been a looser, more stylised—that is to say, original—design, the moment where Sentinel Prime roughly carves it into Megatron's chest could be a shocking reveal, as the basic outlines are abstracted and simplified. Gasp, that's the origin of the Decepticon symbol! Instead, from the very moment that sticker first shows up, it's like... oh, well, there it is I guess.)

In a similar vein, both Optimus Prime and Megatron undergo two different transformations at different points in the movie: first, when Alpha Trion gives them transformation cogs, and second, when respectively they obtain the Matrix of Leadership/Megatronus' cog. The gun that sprouts from Megatron's arm in his intermediary form bears a much closer to resemblance to his iconic "fusion cannon" than the triple-barrelled cannon he ends up with in his final form. Again, in such a short film, can we really say whatever subtlety this brings to Megatron's arc is worth all this fanfare? Now, Redditors ask: "What is the EXACT moment D-16 became Megatron?"

In fact, probably the only point of criticism I've seen levied at Transformer One from within the Transformers fandom at large is that Megatron's arc is maybe a little "rushed". He starts out being best bros forever with Orion Pax, and by the end of the film, he's ready to drop the guy into a bottomless pit. The film takes a lot of time to justify his anger at Sentinel Prime, but the deterioration of his friendship with Orion goes much more unspoken, and is framed more as a point of irrationality: psychologically, Megatron comes to conflate his bossy friend with his oppressive ruler. I liked this, personally. I liked that it's as if a switch gets flipped in Megatron's head. But you do just kind of have to buy into it. The film itself does not put in the work to really sell you on the friendship souring, because again, it's too busy fucking around with two (2) magical girl transformation sequences for each of them.

Everything in the film is like this. They go into the cave and meet Alpha Trion, then leave the cave so they can watch a FMV cutscene with Sentinel Prime and the Quintessons, who've coincidentally arrived at that exact moment, basically just to rehash what they've just been told... and then they go back into the cave so Alpha Trion can resume his infodump, and then they end up clashing with Sentinel Prime's forces once that's done. At the beginning of the movie, they're at the very bottom in the mines, then they get banished to an even lower level, then they banish themselves all the way up to the surface, then they return to Iacon, and then Megatron gets banished to the surface again so he can be mesmerized by the beauty of the world and/or get gunched by Quintessons depending on what the film wanted me to take away from this. Compare to Minecraft but I survive in PARKOUR CIVILIZATION [FULL MOVIE], where the theme of class struggle is pretty efficiently depicted in the vertically-stratified setting.

I just find it so wasteful. Outside of the one scene where they're introduced, the Quintessons—ostensibly the true architects of Cybertron's oppressive status quo—may as well not exist. If not for Orion Pax addressing his closing remarks to the Quintessons, almost as an afterthought, I'd assume the film wants us to forget about them entirely, as it knows full well that its paltry runtime does not give it time for a second action-climax against the aliens. Even as sequel bait, it feels halfhearted at best; Josh Cooley is clearly already bored of Transformers, and seems unlikely to come back for another round unless the money is really really good (which *glances at the box office* it's not). So what the fuck are the Quintessons here for? Was the idea that Sentinel might just have pulled off his coup singlehandedly really so hard to stomach? Could the conspiracy not have been simplified to just involve Sentinel and his Transformer cronies? Hang on, are all the Transformers seen at the start of the film in on it, or just some of them? How's it decided who keeps their cogs and who doesn't?

VI. Into nothing

Why does this movie, where the main selling point is ostensibly that we're getting to see Transformers civilization for the first time, mostly focus on all these guys who can't fucking transform? Surely the entire thing that makes the setting fun is the Zootopia angle of, look, they're all different animals! Or the Elemental angle of, look, they're all different elements! Or the Emoji Movie angle of, look, they're all different emoji! Or the Cars angle of, look, they're all different cars! This is a Transformers film which features several significant sequences involving these cool trains, and there is absolutely zero indication that these trains are themselves Transformers. This is a Transformers film which extensively focuses on miners, and none of them transform into mining vehicles; they're holding, friggin', space jackhammers. Even the premise of "isn't it sad that these ones can't transform" is kind of undercut by the fact that all the miners get to wear fucking jetpacks, which is a frankly much cooler and more effective method of locomotion than driving.

I'm just sick of Transformers stories having zero interest in the basic premise of Transformers, which is to say, they transform into something. I also think this is the biggest dissonance between casual audiences, who think "oh yeah, Optimus Prime, that guy who turns into a truck", and Transformers fans, who think, "oh yeah, Optimus Prime, the messiah or something". Normal people love to know what the Transformers turn into. They ask, "Wait, is there a Transformer that turns into [insert silly vehicle here]?" Of course people are interested in that angle! Vehicles are such a huge part of our daily lives—honestly, for those of us living in cities, more so than animals, the classical elements, or emoji—but the closest Transformers One comes to engaging with this lens is that aforementioned Iacon 5000 race sequence. By and large, it presents a world which is made for standing up and walking around. And personally I do think that's an insane approach to take?

Is the excuse that cars can't emote? Nonsense. If you've ever seen a traffic jam, you'll know that cars can sure as hell emote. Pixar, where Josh Cooley cut his teeth, famously spent a lot of time working out how to put a facial expression on a car. No, the problem dates back to the very start of the franchise.

In the 1980s, two main people were responsible for writing the comic stories: American writer Bob Budiansky, and British writer Simon Furman. Budiansky approached the premise of the franchise from an external, human perspective, writing about culture clash, and taking delight in the Transformers' mechanical alien nature as "robots in disguise". Meanwhile, Furman wrote the Transformers as giant people: he focused on their own internal conflicts and motivations, and the grand history of their war. Pretty much every Transformers story ever told can be boiled down to one of these schools of thought: Budianskian, or Furmanist.

Budiansky quit the comic after fifty issues, allowing Furman to take the reigns as sole writer, and Furman basically got the final word on what the Transformers are. They did not evolve from naturally-occurring gears, levers and pulleys. They were not designed by a supercomputer, or built by an alien race. They are the chosen sons of God. The Thirteen are, of course, an invention of Furman's. And Transformers One is perhaps the most Furmanist story ever told. It's the culmination of years and years of lore building up, ossifying into something you can no longer describe as the history of a universe—no, this is a mythology. It's the most perfect form of brand alignment imaginable: this is not an origin story, this is the origin story. It's been the origin story for a better part of the decade—and now that everyone's seen it in theatres, it will be the origin story forever.

It's not just the fiction, either, by the way. These days, if you go into the store to buy a Transformers toy, chances are it'll turn into some misshapen made-up futuristic concept car with unpainted windows and wheels that don't even roll—and that's terrible.

There's truly a lot to hate about Michael Bay's Transformers films, but with each new entry that's released following his departure from the franchise, I feel like I only find myself appreciating them more. In the 2007 Transformers movie, we see the Transformers crash-landing on Earth in their "protoforms", and their movements are animated like they're shy, like they're naked until they scan an Earth vehicle and adopt a disguise. The visual impact of Megatron, meanwhile, is that he doesn't adopt a disguise in that movie: he's a horrible metal skeleton that turns into a jet made of knives. It's weird and alien and it rules.

In the 1980s Transformers cartoon, and in the last-minute Cybertron-set prologue added to Bumblebee, and now in Transformers One, the Transformers look basically the same on Cybertron as they eventually do upon their arrival to Earth. Optimus Prime turns, unmistakably, into a truck. He has windows on his chest, and smokestacks on his arms. He doesn't have these features because he disguises himself as an Earth truck. He has those details because that's just what Optimus Prime looks like. They're his "essential brand elements", or "trademark details", which "identify the must-have elements in character design to be carried across all creative expressions". Prime may take any form he wishes, so long as it looks exactly like himself. A mask of my own face—I'd wear that.

What I find fucked up about the reception towards Transformers One is that a lot of people seemed very invested in its success—and not its popular success, certainly not its artistic success, but rather its commercial success. They wanted this to be the first film to make one bumblebillion dollars. They wanted Hasbro to line its fucking pockets and make movies like this forever. So if you express any kind of negativity towards this film online, which might theoretically affect some other person's decision of whether or not to go and see it, which might theoretically affect the profit it makes at the cinema, which might theoretically affect the future of the franchise in some unknown way, then you're some sort of fandom traitor who oughta be executed.

If you're so worried about the future of the franchise, the fandom really isn't where you should be looking. Like, c'mon, the Transformers fandom has been good as gold, we buy so many toys. Meanwhile, Hasbro just got finished laying off around 100 employees with no warning to make their books look a bit better. Transformers designer John Warden—who'd worked at Hasbro for 25 years, is widely credited with inventing the modern paradigm of Transformers toylines, and ultimately became the creative director of both Transformers and G.I. Joe—was on assignment to a convention in the UK with the rest of the Transformers team when he heard the news. Suffice to say, he did not end up making a public appearance at the convention. With his work's health insurance snatched away without notice, he's had to resort to crowdfunding to pay his family's medical bills. As a well-known figure in the toy industry, he will presumably find a new job and land on his feet, but the same cannot be said for all 99 of the remaining employees we're told have been unceremoniously dumped.

The Binder of Revelation, which has been something of a holy grail of behind-the-scenes material for over a decade, has finally been leaked—presumably by one of these guys, presumably out of spite.

Now, I'm not going to pretend to have been paying particularly close attention to Hasbro's financials, but from where I'm sitting, it sure seems that ever since the sudden death of then-CEO Brian Goldner in 2021—credited for saving the company in 2000, and overseeing the explosive growth of its intellectual property ever since then—his replacement, Chris P. Cocks (or "Crispy Cocks", as we're all now calling him), has been dead set on gutting the company for all it's worth. The Power Rangers franchise, which the company acquired for $522 million in 2018, is dead in the water, with huge quantities of physical assets being flogged at auction for quick cash. In 2019, they acquired the entertainment company eOne for $4.0 billion, and now they're selling off the whole shebang (except the cash-printing Peppa Pig franchise) for just $500 million. I guess maybe they just fucked it big style?

Because now, Crispy Cocks has proudly announced that Hasbro is going to stop financing movies altogether.

I'm sure that in the wake of this announcement, many of those aforementioned fandom pundits will be drawing a correlation between this announcement, and the box-office figures for Transformers One, and the fact that you personally failed to convince your Mom to go see it with you or whatever. "Ah, you see! They didn't make enough of their money back, and now they're consolidating. Simple economic cause and effect. Market forces." And look, I'm not going to sit here and claim these things are wholly unrelated. Of course they're very related. But I am going to make the case that, in truth, nobody at Hasbro really cared how Transformers One did. Unless it turned out to be some pie-in-the-sky runaway hit, I don't think the future of the Transformers film franchise would've been particularly different if only the film had done better.

With Paramount, Hasbro has been making these movies and having them underperform ever since 2017's The Last Knight—which apparently lost Paramount $100 million—and that's because at the end of the day, what they're most interested in isn't making movies. It's making toy commercials. And on that level, the Transformers films have clearly been a success so far.

Now, Crispy Cocks' skinsuit fashions itself as a gamer, so he can personify Hasbro's hardcore pivot towards digital and tabletop gaming. While we await the release of the assuredly-dogshit, assuredly-hell-to-have-worked-on, assuredly-never-coming-out Transformers: Reactivate, the brand has been whored out to a procession of mobile games you've never heard of, glorified gambling machines designed to hack the monkey part of your brain with bright colors and Things You Recognize. The exact content of these games is irrelevant; all that matters is the announcement, on every single pop culture news outlet simultaneously (naturally—they're all owned by the same company, talk about Monopoly), of New Collaboration Between Transformers And Goon Warriors Free To Download Now. Your daily, weekly, bi-annual reminder to think about that thing you can buy.

That's all any of this stuff is.

All these words spilled about what a good movie Transformers One is, and how bad it is, and why the marketing failed it, and what the next one might be like, and- none of it mattered! It does not matter. From the beginning, this movie was always going to be too preoccupied with its own mercenary interests to be something anyone would ever be able to seriously talk about as a work of art, even corporate art. The actual content of the movie is irrelevant; I've spent very little of this review talking about it, because there's nothing there to talk about. It is the mere fact of the movie's existence that serves its purpose. Like the Optimus Prime Fortnite skin, it's enough for it to occupy our attention.

Maybe that's why they staggered the film's release date: because some marketing exec watched the rough cut and realised, if everyone saw it at once, we'd be done talking about it within a fortnight. And in ten years' time, after it has been paraded around whichever streaming services survive 'til then, and nearly every last cent of revenue has been squeezed out of it, the kids will be able to watch it on YouTube with ad breaks, and decide what they want for Christmas.

To the Transformers fans reading this, I am begging you, unless you happen to own shares in Hasbro for some fucking reason, to disabuse yourself of the feeling that you owe any kind of loyalty to a toy franchise. It shouldn't matter to you one jot how Transformers One did in theatres. The people who actually make the product you care about, the friendly faces paraded before you on livestreams and press tours, don't see this money anyway—they too are merely assets, who can be fired and replaced with cheaper, inferior equivalents.

I'm sure many of you will have, from the very start, seen this review for the foolish endeavour it is. I've wasted all this time criticising Transformers One for its lack of artistic vision, when the truth is, Transformers One is playing an entirely different game. Like the Disney Channel running "Fishy Facts!" segments to subliminally get kids interested in fish a full year and a half before the release of Finding Nemo, this is not a product—it's an ad for a product.

...

Okay I'll be honest, I don't entirely love where this review has ended up. It ends on kind of a "bummer note", I guess you could say. Flashing back to sections I. and II., I feel like things started out so fun. We had that whole bit at the start where I was telling you about the Transformers, remember that? We learned so much together. And there were even a few moments where I was able to express some kind of sincere joy and appreciation over this thing that I supposedly adore so much. Sure, I did a lot of complaining, but it was fun complaining, right? It had like, a sarcastic edge to it, sort of.

What happened? Why am I suddenly talking like I want to cut someone's head off? As I grow more bitter, I type this essay with increasing difficulty. The massive gun that's sprouted from my forearm keeps colliding with my monitor.

Hasbro descends from on high to reward @TFHypeGuy, a grown-ass adult who has spent untold unpaid hours fearlessly replying to every single viral tweet to tell people to go see the film, somehow netting himself 80,000 followers in the process, with a crate of toys, which was probably his end goal from the start. He and I duel. We trade blow after blow. Finally, he clobbers me with a Walmart-exclusive light-up Ultimate Energon Optimus Prime figure. "It didn't have to end this way," he says. Then he banishes me to the surface world to think on my sins.

VII. The Wrong Trousers 👖 | Train Chase Scene 🚂 | Wallace & Gromit

When Eric Pearson came onto the project,

It was late middle of the game. They had a script that had the outline of the story, which is still very much the structural bones of the story now. But what I found interesting about animation is there are certain things that were far along in the process. The train escape to the surface was very far along, so that was just kind of locked. Maybe you could change a line here or there. Meanwhile, the opening, the whole first 10 minutes, was all storyboards and sketches, which changed a bunch of times.

And I do think that's a really difficult position for a scriptwriter to be in. Sure, the parts of the screenplay I feel able to attribute to Pearson, I wasn't particularly impressed by. But I think this anecdote goes to show how unnatural the constraints can be on a story like this. When you think of like, a scene that's key to Transformers One, you're probably imagining something like the Megatron/Optimus fight, or the scene in the mine—not the train scene, which is basically a bit of arbitrary connective tissue bridging the two main locations in the film.

Josh Cooley, the film's director, the face of the film on the press circuit from a creative standpoint, came onboard after five years of previous development work was already done. Writers Andrew Barrer and Gabriel Ferrari, who originally pitched the film and presumably wrote the early drafts of the story, might have already left the project by that point. Aaron Archer and Rik Alvarez, the creative forces behind the Binder of Revelation, left Hasbro years before the film was even pitched. It's no wonder to me that the final result feels incoherent, disjointed, and oddly stilted. It's certainly no wonder that nobody at Hasbro today really seems to care about the film; it's not their baby. If any of the people credited with bringing the project to completion had been given full creative freedom to make whatever Transformers movie they wanted, it would've looked completely different.

Luckily, there are still plenty of areas of the franchise where creators have just been allowed to go ham. Over in Japan, TRIGGER has taken a modest budget for a music-video and produced one of the most visually-striking bits of animation in the franchise, a true love-letter to all the weird parts of its forty-year history. And in America, comic creator Daniel Warren Johnson is halfway through his Eisner-winning new run on the title, which is the kind of thing I would basically recommend to anyone without caveats as being a phenomenal story, period. If that comic can be said to be an advert for anything, it's for Skybound's other, nowhere-near-as-good comic series, or for the unofficial unlicensed copyright-infringing Magic Square Optimus Prime toy Daniel Warren Johnson apparently used as reference the whole time.

I dunno, maybe Hasbro stepping back from financing these films is a good thing, in the long run. Maybe we can do without Transformers movies for a while. And however many years down the line, maybe Paramount or some other studio will put together a new team of talent, and they'll get to do whatever it is they want. And maybe the movie they make will be the one that knocks everyone's socks off.

Truly, I don't know where the road leads from here. It hasn't been built yet. It could turn out to go anywhere.

If you made it this far, I hope some of what I've said has been entertaining or interesting. Thanks for reading!

Time to for me to come clean. There is one other reason why I've waited so long to release this review... and that's because I have a special announcement to make. Last month I set myself a little challenge: to write something that's at least as long as this review, but which isn't another negative-nancy tirade. It's a story.

The working title is "Ice Road Transformers". It's like an episode of that one reality TV show about Canadians driving trucks across frozen lakes—except the truck is Optimus Prime.

Early reviews say it's good! It'll be going through several rounds of revisions, to turn it into a well-oiled machine, hopefully in time for a seasonally-appropriate wide release in February. I'm very excited for you to be able to read it. You can follow me here or on Bluesky to be the first to find out when it's ready!

I'd like to thank my friends Jo and Umar for their work interviewing Cooley and di Bonaventura during the film's press circuit, along with Viv, Callum, and Omar for allowing me to enjoy this film much more than I otherwise might have. I wouldn't have been able to express many of my feelings about this movie nearly so cogently if not for the conversations I had with them. Additional thanks go to Chris McFeely, as his Transformers: The Basics videos (linked throughout this essay) refreshed my memory on a lot of the Aligned stuff, sparing me from having to read The Covenant of Primus again.

[conundrumoftime]

One of the fun things about shipping Haladriel and about Galadriel's story in Rings of Power, for me, is that we know exactly where this is going to end up. And I wanted to babble for a bit about where that place is because I have seen so many people view it as "she is retired to some woods to be a passive wife-and-mother who can do magic but in a mystical New Age-y way", and: no! No.

So a quick overview of where she will end up by LOTR:

Very much not removed from the war against Sauron.

She is constantly mind-battling against Sauron: One of the lines that inspired McKay and Payne's whole show was her talking about this: "I say to you, Frodo, that even as I speak to you, I perceive the Dark Lord and know his mind, or all of his mind that concerns the Elves. And he gropes ever to see me and my thought." In one of the versions of the Annatar story in Unfinished Tales, Sauron immediately realises she will be his 'chief adversary', and has apparently not changed that assessment 3500 years later.

She co-ordinates joint efforts against Sauron: The White Council that Elrond talks about in LOTR, the combined force of Ring-bearers, wizards and elf-lords that first drives Sauron out of Dol Guldur - she's not just on that, she founded it.

She gets Gandalf back after Moria and the Balrog: Galadriel learns what's happened to Gandalf from the Fellowship when they arrive in Lothlórien. The the Fellowship are sad; the elves of Lothlórien mourn; Celeborn loses it a bit and says Gandalf 'fell into folly'; but Galadriel sends Gwaihir the eagle to get him, returns him to health, updates him on the situation with Boromir, gives him some messages to take to the others, and sends him back on his way.

She is possibly in Lothlórien because of its position of strategic importance: from Unfinished Tales here, she 'saw that Lórien would be a stronghold and point of power to prevent the Shadow from crossing the Anduin in the war that must inevitably come' and that's why she and Celeborn go there. (There are other versions as with almost everything else in Tolkien, but this is one of them.) She's not there to hide away from Events.

2. Calmer than in TROP, but not all-wise and all-sweet and still pretty scary.

She is still tempted by power and world domination: "I do not deny that my heart has greatly desired to ask what you offer [...] In place of the Dark Lord you will set up a Queen. And I shall not be dark, but beautiful and terrible as the morning and the night!"

And, she doesn't just turn down the One Ring because it's abstractly eeeevil. She turns it down because she knows what she, specifically, would do with it. Sam sees a vision of the Shire, and tells her "I wish you'd take his Ring. You'd put things to rights. You'd stop them digging up the Gaffer and turning him adrift. You'd make some folk pay for their dirty work," to which she says that yes, she would: "That is how it would begin. But it would not stop with that, alas! We will not speak more of it."

And saying she wants to rule the world here is not me joking about! This is Tolkien describing that moment in LOTR:

It was not until two long ages more had passed, when at last all that she had desired in her youth came to her hand, the Ring of Power and the dominion of Middle-earth of which she had dreamed, that her wisdom was full-grown and she rejected it

People are scared of her: The only scary moment we directly see is the Ring temptation, but she does other unsettling things. When she meets the Fellowship she tests them by reading their minds and offering something they really want to see if it would make them "turn aside from the road and leave the Quest and the war against Sauron to others." (She offers Sam a garden; the One Ring later on tempts him with the same thing.) Even the hobbits are a bit disturbed by this and Boromir, who's already said he doesn't want to go into Lothlórien because people who do that never leave again, absolutely does not trust her.

Éomer, a few chapters later:

'Then there is a Lady in the Golden Wood, as old tales tell!' he said. 'Few escape her nets, they say. These are strange days! But if you have her favour, then you are also net-weavers and sorcerers, maybe.'

She's scary! She's ancient and powerful and people are scared of her.

3. Married, but not in the character-limiting way the nerdbros want it to be and would have you believe it is.

I am not telling anyone they should ship Galadriel/Celeborn or even find it interesting just because I do, but, the angry nerdbros fancasting Celeborn as Henry Cavill and talking about how he'll come back to tame her and tidy her neatly out of the narrative are writing their own little AU headcanons because that is not what's in the text.

She's the more powerful one. Partly because she's one of the 'High Elves' - she's Noldor and has lived in Valinor seen the light of the Trees - which for various reasons about the way Tolkien's elves work just makes her more powerful, partly because she has a Ring of Power and Celeborn doesn't. It's her Mirror; she's the one reading people's minds; she's the one locked in endless mental battles with Sauron; she's the one the Rohirrim (whose lands border Lothlorien's) tell each other scary stories about. Celeborn at no point ever seems to have an issue with this, and calls her his 'treasure'.

They work together. Even in a big-action-sequences sense: after Sauron's defeat, Celeborn 'led the host of Lorien over Anduin in many boats' to Dol Guldur, where Galadriel 'threw down its walls and laid bare its pits'. But the rest of the time, too: she says of him that 'together through ages of the world we have fought the long defeat'.

You really get the sense that they have been married for a loooooong time. An actual sequence of events in LOTR, somewhat condensed:

The Fellowship reveal there's a Balrog in Moria;

Celeborn goes "!!!!", complains about dwarves waking it up and says he'd never have let Gimli into Lothlorien if he'd known that;

Galadriel smacks Celeborn down for being rude to their guest;

Celeborn apologises to Gimli;

Galadriel tells the Fellowship that Celeborn is accounted the wisest of elves;

Boromir says something about "old wives' tales";

Celeborn, whose wife is one of the oldest beings in Middle-earth, tells Boromir not to be so dismissive because "old wives keep in memory word of things that once were needful for the wise to know";

Galadriel hands Celeborn a drink.

Whatever is going on here is clearly something that works for them, is what I'm saying! And you don't have to find their marriage interesting just because I do, of course; but what it's not is some trad fantasy of domestic subservient-wife anything.

So where her TROP story ends up is ultimately with LOTR Galadriel: powerful, important, tempted to rule the world, a bit calmer than in TROP, a bit happier than in TROP, co-ordinating big strategic efforts in the war, married to someone who's got her back and adores her and they fall out a bit sometimes but generally work pretty well together, and still having Sauron constantly trying to get into her head. I am fine with this! I am more than fine with this.

[metamorphesque]

Short Story: "Why do flowers die so soon?", Vardges Petrosyan

(translated from Armenian by Tathev Simonyan)

…I remember the last days of my life, which were unlike any that had come before. To the world, I seemed so happy: I had brothers, a sister, a family, a child who was a bell and a brook’s murmur. What else could one need for happiness? And yet, something was missing, for I was not happy. And then, out of nowhere, she poured into my life.

Has it ever happened that, on a hot summer day, while you’re standing there, dazed by the sun and dreams, someone playfully poured cold water on your neck? At first, you might startle, maybe even scold the one who did it, but then you suddenly feel that’s exactly what you’d been standing in the sun for, perhaps you’d been standing your whole life just for that.

That’s how she poured into my life—wild and astounding, asking for nothing, careless as could be. Now I can’t even recall if she was beautiful. In her eyes, there was an inquisitive sadness, a sliver of sky, and a bit of rustling. It felt as though those eyes were always gazing at life, asking, “Why...?” She came uninvited, wrapped herself around my days like a grapevine curling up its wooden stakes, offering me all the clusters of her youth—everything she had. And she asked for nothing. Nothing at all. Until the very end, I couldn’t convince her that I loved her too. Perhaps I didn’t truly believe it then, for I kept reminding myself every moment: I have no right to love her. And maybe that’s why, when she laid her whole life at my feet, I kept glancing at my watch; she brought me the full nakedness of her youth, while I closed the curtains and turned off the light. I never went out in public with her, and the world never found out that I was finally happy. Our love was akin to a fire we tried to cover with our hands, though the flame was scorching and uncontainable.

I’m afraid my beginning is dragging on too long.

I was ill before I died. All day long, my mother, my brothers, and my wife—sorrowful and pale—remained by my side, though in those last days, we no longer understood or recognized one another. Only she was missing, the one I waited for and loved most. She couldn’t come to our house. My brothers knew I would die; the doctor had told them so. They believed it, perhaps even expected it—sad and resigned. Only my mother didn’t believe it, though not because she was unaware of what the doctor had said…

Perhaps it’s best if I tell you about my last day. By then, I already knew I would die that very day. That’s why I wanted to laugh when the doctor tried to give me an injection, examined my stomach, and then prescribed some medicine: “Give him this twice a day for a week.” I didn’t blame him—this calm, warm-handed man; he just didn’t understand me, and no doctor understands that people only die when they’re truly exhausted. Someone might grow tired at eighteen, and another at seventy. I was tired. But I wasn’t sad. My bookshelf was in front of me, though I didn’t think about the fact that my fingers would no longer touch those books. I knew that other fingers would, and for books, it makes no difference. Books are a bit like gossipers—they reveal their secrets to anyone, so I knew that they’d share them with someone else, too. With sadness I only looked at the acacia tree rustling below my window and at the sky in the distance. I wished I could take with me, to that place beneath the ground, just a bit of that rustling and a sliver of sky. But I knew it was impossible.

“I’ll go grab some cigarettes,” I suddenly heard my older brother say, even though I knew he didn’t smoke. He was either heading out to send a telegram to our relatives or he simply didn’t want to see me pass. I understood and said goodbye with a glance, knowing we would never meet again in this world. He left. I asked my wife to take our child outside for some fresh air. “I’ll take him,” she replied, not realizing she’d never hear my voice again. I also said something to my mother, but she didn’t leave. This saddened me deeply, and I slowly closed my eyes. I don’t know how much time passed, only that I suddenly heard my mother’s gut-wrenching scream and knew I had already died. Through my closed eyelids, I saw everyone come rushing in, saw them carry my mother out—the first to sense my death, though the only one who hadn’t believed it was near.

After that, everything unfolded as it always does.

For two days, people gathered around me, and I saw many familiar faces I hadn’t seen in years. They cried or stood somber and silent, then left. Sometimes, those sounds or that silence wore me out, and I wanted to ask them to talk or be quiet. But there was such calm within me that I didn’t dare to open my eyes. With a strange sense of wonder I began to observe people—many of whom I thought I knew well. Not knowing I was watching, they felt no need to pretend. I recalled what I used to think of them when I was alive, and, truthfully, at times, I felt embarrassed by those old thoughts and judgments. But that wasn’t what preoccupied me the most; every day, I searched for the one who never came. I knew she couldn’t simply come and stand quietly by my side like the others. I knew that as soon as she entered, everyone would know. My heart ached with longing; I missed her deeply, even thought of asking my mother to call her, but I was too worn out to open my eyes. I was so tired, and for the first time, I could think of her in peace, knowing no one would interrupt—not with a phone call, nor a glance, nor love, nor hate. I thought of her even when they carried me down my street, the street where I’d grown up, loved, and grown weary.

The street was full of sunlight, but for the first time, I didn’t feel hot; instead, I wanted even more of the sun, bigger and warmer. I looked at my street: trams, cars, people stood with a kind of sadness that wore my heart out. I didn’t want to be the reason behind anyone’s sadness; thus, I didn’t feel bad at all when I saw a boy and girl under a tree, holding hands and smiling into each other’s eyes. At first, I thought they hadn’t noticed the procession, but then the girl looked directly at me and smiled again. The boy looked too, with kind and happy eyes. I wanted to smile back, maybe even wave, but I was too tired, and besides, if I lifted my hand, the flowers would fall.

Then we walked into the cemetery, and that’s when I saw her. I saw her and smiled—or rather, that smile had been there on my face the whole time because I’d been thinking of her in my final moments. For two days, through my closed eyelids, I saw that no one understood that smile; some even looked at it strangely and confused. But at the graveside, she understood; I even saw her smile back at me. Then her figure was obscured from my view by my relatives, my loved ones, and I remembered our last night together…

We were walking through the darkness. Only in darkness could we love each other freely in the open world, which is why we despised not just electric lights but even the stars when they shone too brightly. We were walking through the dark, and she wanted me to say that she was the one I loved most in the world. I was silent, perhaps already sensing that I was too tired of keeping that sentence unsaid, one I longed to cry out through all the speakers of the world. I was tired—tired of this darkness, of the lights, of everything—yet she waited. And later, under the ground, I deeply regretted that I hadn’t said those words meant only for her, belonging only to her, but it was already too late.

As I reminisced about our last night together, they started to lower me into the ground. I caught a final glimpse of her between my relatives' feet and heard her gaze. "Should I come with you?" she asked. "Should I?" That’s how I used to hear her voice through the receiver back then. In that final moment, I realized that if I just nodded, she would come, but she was only twenty-one, so I replied, "Stay." She heard my gaze, heard silently, just as she always had. Soon, she was obscured from view, and I realized I was already beneath the ground. After that, I heard the familiar sounds of stones and soil. And then, nothing more; only the thick fragrance of flowers lingered, frozen between me and the earth, then, thinking of her, I grew numb: I tried to recall the date and the day, but could only keep track of the calendar for a week or two.

Thus, days turned into months, and perhaps years went by. And I remember the words I never said to her, to the world, which is why I began to murmur this belated confession from beneath the earth. I began to exist through those unsaid words. Each day, I tried to remember how long our love lasted. A few... months? days? years?…

One day, I looked up and saw the sky once more; they had torn down our cemetery and replaced it with a garden of grasses and flowers. I had become a flower. I looked around in excitement, eager to find her and give her the words that were meant for her, belonged only to her... But she was not there; all around me were unfamiliar flowers that I did not recognize. I realized I must have been beneath the earth for perhaps an entire century, and she, too, might now be a flower, a blade of grass, or a handful of grain—who knows where in all the fields of the world... I was ready to search the globe for her, but I was just a flower, and I died as soon as I tried to lift my feet from the soil. I died for the last time. When I once more turned into soil, only then did I understand why flowers die so soon: all flowers might once have been people who rose from the earth in search of that someone, only to not find them and wither away, dying one last time. I realized that nothing in this world can be found twice, and I longed to cry out with all my floral voice, “Don’t let go, people, don’t lose what you have!”

[allmylifemyseasons]

Goodnight and Go~ Choi Yeonjun

synopsis: Yeonjun hates parting at night or... peeks of y/n's and yeonjun's relationship underneath the night sky.

pairing: College student! Choi Yeonjun x afab! reader

song: Goodnight and Go - Imogen heap (lost the plot halfway through, but point is, they are DOWN BAD for each other, Yeonjun more, and they are sickly sweet which the song is too, so... a win is a win.)

warnings- none? not really a plot... just moments of the relationship... mostly fluff/comfort, CHEESINESS (SELF INDLUGING), yeonjun being head over heel for you, just sickly sweet im telling ya... mentions of sexual acts but none performed (not there yet sadly)

( AND PROBABLY BAD WRITING BUT WE FINISHED A STORY SO?????? I WIN), OH FORGOT TO SAY.... it's also unedited....

Word count: 4.8k (ha...)

A/N: Hello! this is my first work on here, and honestly its a bit of a mess, but I made a new years resolution that id start writing more and posting it, and I just spent a couple of hours writing non stop... Please give me constructive criticism, I need rejection therapy LMAO, no but really, I want to be good so bad...

Yeonjun rubs his hands together and blows his hot breath in between them, trying to defrost his frozen fingers, and it works but only for a bit. He watches that same air crystalize in front of him as he thinks of what else to say. You both stood by your door now, the front yard light was dim but shined brightly enough to see the blush across both of your faces. He was desperate for the night to continue, he wanted to hear you talk until the end of time, be around you until the sun came up, but he notices the shiver your body does everytime the wind blows. 

Yeonjun had seen you around before asking you on a date. It was one of those weird moments in cheesy rom coms, where you just wouldn't stop spawning everywhere he went. All throughout campus, you would appear, with the brightest smile he'd ever seen. You were always laughing, always smiling, always speaking with such enthusiasm in a conversation. When he finally put a voice to the smile, after sitting in the only chair left available in a class you shared, Yeonjun understood why those around you carried the same smile around, even after parting from you. Yeonjun had never felt as listened to as much as he did in the first conversation you had and the ones following it. He wondered just exactly how you did it, to make any person that spoke to you, the most important person in the world.You were addicting to be around, a source of comfort and laughter. When he finally got the courage to ask you out, a day before fall semester ended, he felt the clouds push back as you smiled softly, for the first time looking nervously everywhere else before saying yes, a twinkle shined in your eye, like a disney movie and he felt absolutely captivated from there on. 

“Um, anyways, thanks for dinner tonight,” You say looking directly up at him, your eyes shined with hope as if you were expecting something. You clear your throat before continuing, “and thanks for the jacket.” 

You begin to peel it off your shoulders: 

“Now, please put it on before your future cold gets worse,”

“Pfft, what cold? Ill be fine~”He smirks confidently, waving a dismissive hand as he bunches up his jacket to prove a point. 

“I can't wait to say I told you so.” you tease. 

“You wish, in fact I'm gonna be so fine, I'm hoping I can see you again? Maybe before the weekend ends? Friday? There's that new spiderman movie… ” Anything. He thinks to himself. He doesn't worry about looking too desperate, it truly doesn't bother him to show you that he wants you, bad, because he really does. 

“Hmm… okay let's make a deal. If you're feeling fine by this Friday, you get to pick the movie. If youre sick, I pick it…” A win-win. He smirks, “...after you get better…” His smile drops. 

“Ugh..” He rolls his eyes playfully before sticking his hand out, “...deal.” He makes a mental note to take vitamins before heading to bed. 

You shake his hand as a giggle falls from your lips. 

You're surrounded by an awkward silence again, you're no longer looking at him but literally anywhere else. He knows what you're waiting for, and honestly he wants it too. Your lips, that were tinted and glossed, had been distracting him all night, but he was nervous. Yeonjun had always been someone who moved fast, always quick to jump the rope. In the past, he would have walked right on in on the first date and would've stayed the night, and the relationships themselves would move quickly to the point that things would get messy and things were not fully thought through. He didn't want to do that with you, he didn't want to ruin this. But was a kiss considered slow? Fast? He didn't have enough time to mull it over. 

“Um, so yeah let me know…” You chuckle awkwardly, reaching back for the handle of the door. There's still hope in your eyes until he speaks up. 

“I will, thanks for coming out with me tonight, y/n” Yeonjun steps backwards, feeling regret rush through his body. He thinks it might overcome him before he catches a genuine smile on your face, “Goodnight, Jun.” 

“Goodnight.” He watches you walk in before walking back to his car, where he dwells on the sweet image of your smile. 

Your lips. God, your lips.

 He should've done it, what's fast about a kiss? The look you gave him replays in his mind, flutters breaking out in his stomach over and over again each time. The regret is making him move ten times slower and distracts him well enough that he doesn't notice the moving figure circling around his car to the driver's side window. 

The knock makes him jump. He rolls his window down, looking awfully confused because here you were, kneeling down to his level, with a nervous look. 

“Y/N? Are you okay? Did you forget something?” 

You stare at him for a bit, “Um, yeah, j-just this…” You lean forward hesitant before landing a quick peck on his lips. It happened so fast Yeonjun barely had time to feel your lips pressed on his, but he felt them, they were on there. He notices the nervous look as you wait patiently for his reaction and it makes him break into a smile. Who knew being on the same page felt so good? 

He reaches your face with both of his hands to bring you back to him, this time keeping your lips on his for longer than a peck, and they feel much softer than they looked, and he was able to taste the leftover sweetness of the slice of cake you shared, he can't believe he said goodnight before doing this. He can't believe he lived a whole life before your lips.

The wind picks up and he feels you shiver once again, and he remembers that its winter and you ran out in your dress and a thin cardigan. He lets go, not before pecking your lips once more, and smiles up at you, the blush on your cheeks were his doing and he's feeling really good about that. 

“Okay, for real now, goodnight.” You giggle before tightening your cardigan and running back inside. 

He watches you scurry in, and he drives off, the faint feeling of your lips are as present as the permanent smile on his lips that night. 

——- 

“Are you sure there’s nothing more I can help you with, Mrs. L/N?” Yeonjun stands by the open door, leaning against the wall, using it as support as he fits his foot in his shoe. The table was cleared and the dishes were washed, yet he felt like he could stay longer if needed. 

Yeonjun loved your family home. Everything reminded him of you, from the smell to the style to every single picture on the wall having either a call back to stories he remembers you telling him or a younger version of you in them. It made it feel like you, and it was hard to leave every time. 

“You've done more than enough, sweetie. Thank you.” Your mother replies leaning to give him a tight hug and an affectionate squeeze on the cheek before heading to the living room. 

“Y/N, dont forget to lock the door once youre back inside.” 

“Got it!” You respond back, closing the door behind you as you both step out to the refreshing breeze of a summer night. The buzzing of the insects filled the silence as Yeonjun turned back to you. 

“Thank you, sweetie.” you tease, wrapping your arms around his waist. 

“Oo, someone jealous~” 

“Am not!” 

“Its okay, baby. I won't steal your mom.” He ruffles the top of your head before leaning into your embrace. 

“You wouldn't succeed anyways~” It came out muffled that he could barely understand it, making him chuckle lightly. 

He knew he had to leave soon, you both had class in the morning. Yet in your warmth, it made it so hard to care about anything other than the feeling of your head in his chest. 

“Dont go.” You say softly. Once again, it's like you were in his head.

“Mmm, We have class tomorrow though, and you have that exam, i'm only gonna distract you.” He hated to be the responsible one in these circumstances but you had been nervous about this class and he knew better than to fall for the temptation of staying and not allowing you to study. 

“Ugh.. Please dont remind me.” You rub your face on his chest before stepping back and he looks at you with an amused face. 

“Are you picking me up tomorrow?” 

“Duh.” 

“Okay. Can we go to that one cafe with the fluffy cheesecakes after?” 

He nods before pulling on your fingers, leaning in for a kiss. 

“Goodnight, Baby~” He says in between kisses.

“Night, Junie~” You turn to go, your hand being the last thing lingering on him, before you feel back. He grabs your face gently bringing you in for a second kiss. 

“Goodnight, Baby~” He says again, a small smile playing on his lips as he pecks you twice. 

This brings a small laugh out of you. 

“Goodnight, Junie~” You drag out before turning around again, only to again feel a pull back, this time his hands slip and pull your long sleeve instead. 

“Yeonjun!” You laugh out, his lips once again attaching themselves to you. 

“Okay, okay, forreal goodnight” He laughs too, his hands closing in behind your head, bringing you in for what should have been the final kiss of the night. He feels your smiles in the kiss fade as he keeps you in the kiss for a bit, he can feel the soft sigh you let out and he feels dizzy from it. Yeonjun breaks the kiss, landing pecks before leaning back slightly, your head still in his hands. The warmth spreads across his face, down to his chest and he can't tell if the buzzing is coming from the insects anymore or from his heart.  What he can tell, is that you're feeling it too as he watches how your half lidded eyes continue to stare at him, so full of adoration and love he almost feels shy by them. 

“I love you” He whispers, watching you carefully for any sign of a reaction. He thinks he might have read the room wrong, until he watches your eyes widen and sparkle cartoonishly, a smile breaking wide on your face. 

“I love you too.” He takes a moment to process your response before leaning down to touch foreheads and Yeonjun feels an explosion of emotions in him, like fireworks being set off all over his body. 

“Good.” He says trying to play it off as not a big deal. But he can't play off the crack in his voice. You giggle. 

“Shut up,” You push him gently and Yeonjun can't help but just stare at you, “Goodnight, Baby. I love you~” He loves the enjoyment in your eyes as you say it.

“I love you too. Good night~” And just like the night of your first date, and almost every week since it happened 6 months ago, he watches you walk towards the door. 

“Okay! Goodnight! Go already!” You laugh from the door. “Text me when you're home!”

———

Yeonjun watches you from the corner of his eye at the way you run a hand through your hair, standing across from him, your arms crossed. Your parents weren't home, and they wouldn't be for the whole weekend, something that was often celebrated between the two of you, spent in each other’s arms, in each other's beds, but right now Yeonjun sat slumped on the couch. He spent the past five minutes in silence trying to figure out how to direct the conversation, but he felt like you were both losing patience with each other, and he hated the feeling. 

“Y/N. Can you please just sit with me?” 

He watches you stand there for a moment before walking towards him. Arguments weren’t common enough to know how to have a healthy one. Words and accusations have been thrown, and Yeonjun wants to put an end to it before it gets worse. 

It started with a light stray, just a small comment from you that caught him off guard. 

“You can go, I don't mind staying home.” you lean facing the island as you watch the water of the sink hit the drain, steam rising up makes you turn the faucet handle the other direction before Yeonjun puts his hands in boiling water. 

“What? No, come on, it'll be fun.” he rubs your back as he stacks the dishes in the sink. 

“Right, because being stuck in a corner is fun.” From the look on your face, the soft chuckle that escapes your lips, he knew you didn't mean anything provoking about it, but he couldn't help but believe there was deeper meaning behind it. 

“What's that supposed to mean?” He no longer focused on the dishes. 

“Huh? Nothing? I just mean like sometimes your friends' parties aren't fun. ” 

“But we already said we’d go? I don't want to back out now.” 

“Then go, baby. We don't both have to be there. I'm sure they won't even notice I'm not there.” 

“Of course they'll notice! Chaewon and Soob are gonna be so bummed you're not there. I'm gonna be bummed you're not there” 

“Jun, I really don't want to spend the one weekend having the house to myself, at someone else's house. I'm tired, I'm on my period and the last thing I want to do is drink and have the bass booming in my ears. If you really wanna go, it's fine. You should go.” You were getting frustrated, he could tell but the feeling was throwing him out on a loop. 

Yeonjun felt like something was off. Have you always felt this way about the parties you’d go to? Had it had something to do with his friends? With him? 

“Come on, I always go to your parties, come to mine.” It hadn't occurred to him how pushy he sounded, but the idea of leaving you home alone didn't sit right with him. 

“No one asks you to go though.” 

“You don't have to ask me, I do things without needing to be begged.” it hits him. He's saying the wrong things, but it's too late, because you're giving him a look of total shock. 

“You don't have to beg me. I don't want to go. And even more so now that I'm being forced out of guilt.” 

“I didn't mean it like that.” 

“It doesn't matter what you meant. It's how it came out.” 

The argument only escalated from there. What started out as a simple rejection evolved to a yelling match and ended with Yeonjun slamming the door on his way out. No ‘goodnight’, no goodnight kiss, just the fall wind making it hard to walk out into the night. 

Yeonjun thinks he might have been overdoing things, overestimating the meaning behind your words, but it was hard to be sure, when you always hid behind them. Yeonjun couldn't shake off the feeling that there was more to it. And now leaving you alone in an empty house sent a wave of regret and sadness throughout his bones. Yeonjun hated saying goodnight to you, hated  that he had to settle on kissing you, settle on the faint ghosting feeling of your lips on his before he went to bed, but preferred it over this feeling anyday and now he royally fucked it up for the night and had to suffer through it. 

He wouldn't be able to even enjoy the party with the thought of you angry at him. He wouldn't be able to focus on the conversations nor enjoy the drinks with the memory of your furrowed eyebrows playing in a loop. 

He only made it two blocks away before he turned back, and headed back to you. He found you in the kitchen with teary eyes and soapy foam on your hands. The water running filled the dead air around you.

When Yeonjun finally makes his presence known, you're quick to look back down.

The silence that surrounds you now, as he gets you to sit beside him, has him questioning how he can fix this. 

His hand is hesitant in reaching for yours, and you move it closer to him to reassure him that it was okay to grab it. Thank god. He thought. 

“I'm sorry for everything I've said,” He rubs your palm looking at you focus on your hand, “I shouldn't be forcing you to do anything you don't want to do, it's not a big deal if you miss a couple of my friends parties, we don't have to go to every single one, i'm sorry i wasn't thinking about you. I like having you there and being around me and when you hangout with my friends I feel good, like all my favorite people are in one room. I think that just made me become a little selfish.” He joins you in watching how his thumb presses into your skin. You nod. 

Silence overcomes the both of you again, before you break it next. 

“I'm sorry too. I don't mean to be mean, I think my words just come out that way before I can think them through and I really need to work on that. You're not selfish for wanting that, but sometimes I just get tired of going out all the time.” He feels you holding back again, not being able to voice what was bothering you.

“Is it the ‘going out’ that's really bothering you? Or might it be something else?” It dawns on him that he can just ask. The tension had been disappearing by the minute, you pulled your hand away from him and hid your face. 

“I dont want to sound clingy…” 

“Hey, you won't. I swear.” 

You rub your hand over your face. Yeonjun hopes that the hand he places on your back soothes you at least a bit. 

“Sometimes you just feel really dismissive at parties. Like yeah we showed up together and you've introduced me to your friends and they know me and they're so nice, but in the first 10 minutes, you're like gone. I just start to feel abandoned. You don't have to babysit me, it's not what I'm saying you know? It's just like I feel left out, and maybe it's on me, maybe I just have to put myself out there and put in the effort to be friends with your friends, but youre kinda like my way in ya know? I was lucky that Soobin and Chaewon are in some of my classes for the semester, and we got closer that way. But once they leave, it's so hard to get close to you or keep up with you.  I'm sorry if this sounds annoying, I know its sou-” 

Yeonjun was dumbfounded. How could he have made you feel that way and never noticed? 

Right, because being stuck in a corner is fun. How stupid could he have possibly been. 

He felt his throat closing in. He cuts off your apologetic rant. 

“No. You have nothing to be sorry for. I'm so sorry I never noticed I would do that, I can't believe I didn't. You're right. I'm so sorry, y/n. Please forgive me. I hadn't realized that's what you meant. I won't be doing that ever again. I swear. Believe me.” he doesn't know what else to do other than spur out apologies. 

“Its okay. Really. I guess I know you get so caught up in having fun..” 

“Stop. Please don't justify it. I love you. I'm so sorry.” he grabs your hand and kisses your palm. 

“It's okay, thank you for listening. I love you too~” You chuckle a bit, your eyes no longer teary as they are replaced by a look of amusement. 

“We're pretty good at this argument and resolution thing, no?” You say after another small moment of silence. Yeonjun laughs. The tension is gone, chests are feeling lighter and the air is no longer still around you as Yeonjun wraps his arms around your waist, pulling you back to rest on the cushions. He's already thinking of all the ways he can make up for his mistake.

“Definitely not, but we got time to work on it.” He kisses your head. 

“It's a good start, atleast~” You laugh, leaning into his arms. 

The heater turns on, and the position you're both in feels so comfortable neither of you want to move. Especially Yeonjun as he catches a glance at the clock, 11:40pm.

“So… Do I have to say ‘goodnight’ tonight?” In his head, he knows the answer. Yet, he still asks, wanting to feel reassured, feeling an invisible new boundary he wants only you to break. 

“Dont be dumb.” You respond snuggling further into him and the couch. He can tell from the way you respond, that you're falling asleep, and with that thought his own eyes begin to droop. 

“Oh, jun?” Barely above a whisper that Yeonjun barely catches it. 

“Yeah?” With his eyes close and heavy he doesn't notice your finger raising to his forehead level before giving it a stinging flick.

“Ouch!” 

“Never walk out like that again.” 

—--

“Please tell me that was the last of the boxes.” You force out in a big puff of air. Summer had just started, yet the heat felt marinated into the spring and only got worse. 

Yeonjun nods as he climbs the last two steps of the stairs. Curse this elevator-less building.

Yeonjun had recently moved out of the dorms into a college-assigned apartment complex. He saved money from his multiple jobs, and pulled out the biggest loan in mankind just to gain what he called the biggest privilege in all of college history: Privacy. 

Soobin and Beomgyu had shed some fake tears before vowing to visit everyday, something Yeonjun did not laugh at. You, on the other hand, couldn't keep your laugh in as you watched the frown on Yeonjun’s face grow deeper as the boys pretended to console what they thought was a sad and lonely man. 

“At least you guys can finally do it in peace.” Beomgyu announces as he drops the box by the corner of the empty room. He swipes the sweat off his forehead, quirking his eyebrow, earning a smack at the back of the head from Yeonjun. 

“Idiot.” Soobin says, fanning himself with a random piece of flimsy paper. 

“He's not wrong though…” Yeonjun whispers as he wraps his arms around your waist, his chin resting on your shoulder. You smack his arm, your cheeks turning red. 

After the boys helped move the mattress in, they left, not before complaining about getting kicked out so soon. Yeonjun just wanted to spend time with you, alone, in what is now the space of his own home. 

“I feel used.” Beomgyu wiped a fake tear, “thrown away, even. Y/N treat him well, he no longer needs us.” 

“This is so sad,” You say, patting his head, looking at Yeonjun.

“If I give you 30 bucks for dinner, will you both leave us alone?” 

“Deal.” 

Once they were gone, you both moved the mattress towards the center of the living area, the carpet making you both struggle and groan. Yeonjun lands face flat on the queen mattress, heaving. 

“Ill order the pizza, can you get my laptop? I brought some drinks and snacks from home so we don't have to buy those.” 

Yeonjun watches as you rummage through the bag filled with home goods. You had brought whatever you thought would be useful to him; soap, shampoo, towels, some dishes, canned foods, homemade dishes that were able to be frozen, anything really that could save him time and money. Yeonjun’s heart almost exploded at the sight of you carrying the pink duffle bag, smiling so wide as you excitedly showed him what you were able to snatch.

 He could tell the idea of a new apartment excited you too. Earlier in the year, he had imagined himself asking you to move in with him, to maybe take that chance. He had no reason not to. You had been together for a while now, and things were getting serious with each passing day. He couldn't imagine seeing the relationship ending…ever. He had been so serious about you since day one and he could tell you saw him as the sure thing too, and when the opportunity came up, of renting his own space, it was waking up to you that was the first thought in his head. But… he was nervous. He had heard from friends that some relationships don't last the ‘living together’ stage. Those arguments about different ways of living can become bigger ones, ones that question if the pairing ever made sense. It scared him, what if he was too messy? What if you didn't like the way he had late night snacks at night, or the fact that he would stay at the dance studio for long periods of time? Most of these things you knew already, but you didn't have to deal with it really at your own house. He questioned if the fear of losing you was bigger than the want of spending every waking moment he could with you, he knew the answer but was just scared to make the realization. 

“Pizza is ordered!” You plop next to Yeonjun, now on his back, on the mattress, “which one?” you hold up two drinks for him to pick, he takes one from your hand and places it nearby before nudging at your hips to lift. He places you on his stomach, your legs straddling his sides. 

“You don't have curtains yet.” You whispered, red tint spreading from your face down to your neck. 

He laughs, “What are you thinking in that head of yours? I just wanted to be near you.” 

“Whatever! I was just reminding you!” You squeak, covering your face with your hands. He laughs again, rubbing his hands up and down from your thighs to your waist, thinking about it again. It could be like this everyday, not having to worry about roommates or parents barging in, no moments of awkwardness, no disruptions, just the look in your eyes as you stare at him in the comfortable silence that settles between the two of you.

“What do you think about a coffee table? I know you said your furnishing budget was short and I was at the thrift store the other day and they had this really nice antique…” 

If you do say yes, what would it mean? Was it too soon for him to think about the next year with you? The next five? Ten? He can imagine it all. He wanted it all. 

“Will you move in with me?” He says, catching you off guard. 

“Huh?” 

“...Moving in… would you move in with, um, with me? You don't have to, it was just like a thought-” 

“You want to live with me?” Your eyes, that were practically popped out in shock as you looked down at him, softened. 

“I want to do everything with you.” Yeonjun knows your face mirrors his in redness. 

Your eyes water, and you try to stop yourself from smiling. “You're so cheesy…”

“I would love to.” You whisper. you're now leaning in closer, and Yeonjun, with a heart so heavy and ready to spill, feels impatient that he must meet you halfway, folding his elbows behind him to lean on. He connects your lips immediately, and his heart sighs and yours must too the way he feels you relax above him, bringing your hands to his hair, your nails raking through his scalp. He would never say this to you, in fear of maybe scaring you off, but he saw your future in this specific kiss, where you both experience moments of success, of happiness, of sadness and tragedy, but you were experiencing it together, and he couldn't imagine it with anybody else. 

That night as the movie played, with no actual audience, Yeonjun felt relieved that his parting days were over. He wouldn't have to say goodnight to you, wouldn't have to detach himself from your lips, your arms, leaving him cold and wanting more. You could be the first thing he sees in the morning and the last thing he would see at night, and to him, that was all he could ever really want.

A/N: You made it! Thank you so much for giving it a chance! Its not my strongest but she my first finished baby in a long time... Please tell me your thoughts!! tell me you hate it, tell me you love it, anything im open to suggestions, tips, im a crier tho fair warning, but I won't tell you I cried (A win for you!)

[jessejaredstories]

One Last Adventure

“Did you find anyone yet?”

“Not yet babe, I’m still looking.”

I flipped through the pages of my old high school yearbook while my boyfriend Jack was pacing around our bedroom. He was supposed to be searching through Grindr and Tinder for potential targets, but I knew he was getting frustrated and decided not to push it. My boyfriend has always been the impatient type, but I could understand why he was getting extra antsy tonight. 

About a month ago, my boyfriend and I made a deal with a witch. In exchange for five years off of each of our lifespans, the witch would grant us the supernatural ability to take over other people’s bodies. As you can imagine, Jack and I have been generously using our new powers ever since we got them. We’ve been using them to do whatever we want as whoever we want! Getting easy access to anything we want, getting payback on anyone who’s wronged us, and probably the most fun, fucking as whoever we want. Pretty sweet ability right? 

But of course, an extraordinary power like this doesn’t come without its cost. On top of paying the witch with literal years off of our lives, there were also two conditions we needed to follow. The first condition was the time limit. We got exactly 30 days before our powers expire. Once time’s up, that’s it. No more body hopping fun. The second condition was more of a restriction than anything else. The witch said that we couldn’t just take over anyone’s body. We could only choose people both Jack and I have met in-person before. That condition really limited our options, but even so, that didn’t stop us from having as much fun as possible. 

“Hey, what about these two?” I handed Jack the yearbook with an open page. Unfortunately though, it took him less than a second to shake his head no.

“No good. I knew them but I never actually met them.”

I sighed as I took back the yearbook. Not gonna lie, I was starting to get frustrated too. We just couldn’t find any new bodies to possess! Normally, we wouldn’t get so worked over it, but tonight was different. It was our last day before our powers expired for good. Obviously we couldn’t just let our powers die out without one last body hopping escapade! But after hours of searching, it was not looking good for us…

Or so I thought. I started half-assedly looking through all the faces of our former high school classmates. It was then that two faces stuck out to me. Akshay Khan and Kabir Patel. 

“How about these two? Remember them? The Indian bros?” I asked Jack.

“Oh yeah, I remember them. Can’t say I remember much though,”

“Neither can I.”

Akshay and Kabir were known for being inseparable best friends, but that was it really. They never got involved in any school activities. That’s why they each only had one photo in the yearbook. Easy to miss, but they were still an option nonetheless. 

“C’mon, let’s check out what they’ve been up to,” I said as I pulled out my phone. 

Jack joined me on the couch. He laid against me as I typed in Akshay’s name. Luckily that was all I needed to get a hit on Instagram. His profile came up and surely enough, it was him. He had recently posted on his story too. I clicked on it and up came a picture of him and Kabir working out at some gym together.

“Whoa, they’ve really glowed up since high school. The gym’s been kind to them!” Jack let out a fox whistle when he saw the picture. I turned my head slightly to watch him checking out the goods. I could tell by the hungry look in his eyes that we just found our next targets.

“What do you say bro?” I said while lowering my voice. “You down to hit the showers after we hit this last set?” I caught Jack off guard with my bad Akshay impression, but he caught on right away. We exchanged a knowing look, then proceeded to get ready for the takeover. 

We both laid down on the ground and took deep breaths. We had body possession down to a science with how many times we’ve done it. All that was left to do was to go through steps again. I cleared my mind of all thoughts then I focused on imagining my soul leaving my body, all while maintaining my breathing. Soon enough, I could feel myself becoming lighter as my soul left my physical body. Once I was no longer a slave to the laws of physics, I flew straight to the gym where Akshay and Kabir were. They made the big mistake of tagging their location on social media, which made Jack and I’s job a whole lot easier! 

Thanks to my spirit form, I made it to their location within minutes. I phased through the walls and looked around for the bros. The gym was pretty empty that night for some reason. After some searching, I found Akshay in the locker room area checking himself out in the mirror. He was by himself in there. I crept up behind him, ready to strike while he was distracted! 

“Nrghh… What the fuck?” Akshay exclaimed. He hunched over while holding his stomach. I hesitated jumping into him, then abandoned the idea altogether when I realized what was happening. Jack had beaten me to the punch, he had already begun possessing Akshay.

I decided to stay back a moment and watch as my boyfriend possessed the gym rat. Akshay was groaning loudly. He tried keeping his balance but ended up falling to the ground on all fours. Sweat beads were forming on his face as he began breathing heavily. He then swung his head back with his mouth wide open. I could see his eyes roll back to the back of his head until I only saw the veiny whites of his eyeballs. Akshay then let out a loud, eerie groan. His cheeks and chest puffed up as Jack's soul slithered down his throat. I could see Akshay's Adam's apple bob up and down too! This lasted for a few seconds, then Akshay swallowed the last of Jack's essence in one final gulp. Once it was done, Akshay's eyes went back to normal and he stood up with a cocky grin on his face. 

"Ahh yeahhh... That's the good stuff..." Akshay said while caressing his massive pecs and rock hard abs. Except I knew that wasn't Akshay anymore, that was my loving boyfriend checking out his new body in the mirror. 

I watched as my boyfriend admired his newly obtained muscles in front of the mirror. I couldn't help but smile as Jack flexed his cannons for arms and made his pecs pop. To be honest, I was slightly jealous of him. Akshay was jacked! I wanted to have that body for myself, but no matter, there was still another body up for grabs anyway. 

I turned around and began searching for Kabir. I looked throughout the gym and eventually found him near the dumbbells. Kabir was busy putting some weights back on the rack. He wasn't perfectly alone like Akshay was, but the sight of his plump butt sticking out as he was bent over was too tempting to ignore. I just had to take the risk and dive right in! 

I steadied my aim first and then charged in as fast as I could. Thanks to my spirit form, I was able to phase right through his gym shorts and go straight into his asshole. 

"Ow!! What the fuck!?" Kabir yelped out, presumably from me penetrating him by surprise. The impact of me entering him made Kabir fall onto the ground on his stomach. He grabbed onto his ass cheeks while squirming around on the ground. Unfortunately I wasn't able to possess him in one smooth motion, but it didn't matter. I was already halfway in, and there was nothing Kabir could do to stop a pro like me.

I started wiggling my way up his ass. The deeper I went inside him, the more I could feel through his body as the body takeover process started. 

"Aaargh fuckk!! Ahh!!" 

Kabir was moaning and thrashing around like a madman! I couldn't blame him though, I could feel the stimulation I was giving him by entering through his ass. I bet I was hitting all the right pleasure spots as I slithered up him! 

"Mmmm... yeahh that's the spot..." I purred using Kabir's voice. I was in full control now, and hearing his accent come out of my mouth was making me hard! I stood up and brushed off any dirt on me. I took a moment to admire my newly possessed body. Jack might have gotten the more muscular body, but Kabir was taller and with a well-toned physique too. He was hot— No, I was hot! 

“Hey bro, you good?” 

I felt a hand pat me on the shoulder. Shit! Someone must’ve spotted Kabir thrashing around on the floor! I slowly turned around, but thankfully my worries were for nothing. It was just Jack.

“Yeah man, I’m chilling, all good here,” I answered. Jack shook his head. 

“You sure, Kabir? Looked like you had a pretty ass cramp just now… You don’t need a massage to help ease the pain?”

Getting called “Kabir” threw me off for a moment. Although I quickly caught on when I saw “Akshay” wink at me.

“Actually, you’re right, I could use a massage right now! Think you can lend me a hand bro?” I replied with a smirk. Akshay returned my gesture with a grin. It was moments like this that made me love taking over other people’s bodies with my boyfriend. Nobody but us knew that these two gym rats just got possessed by two other men, and that secret just made it even more fun.

Akshay and I wasted no time in getting to the locker rooms. Luckily for us, there was still nobody back there. We took off our clothes and hopped into one of the shower stalls together. Akshay turned on the water, and then proceeded to pin me to the wall behind me. He planted a big fat kiss on my lips. It was aggressive, but I loved it! 

We made out in the stall with our tongues fighting for dominance while the running water helped cover up our loud kisses and moans. Naturally, our dicks got hard while we kissed. I could feel Akshay’s dick rub against me as we pressed and interlocked our wet bodies against one another. It was strange. Normally when we possess straight men, we could feel their dormant souls try to resist against us having fun with their bodies. I expected Kabir and Akshay to do the same, but they never did! It was almost as if their bodies were enthusiastic about us having our fun. Perhaps, they’ve already done what we were doing?

Whatever. It doesn’t matter. All that mattered was that Akshay had a hand around my neck, choking me while keeping me pressed against the shower wall. I opened my mouth and Akshay spit in my mouth. I swallowed it like a good boy, then I jumped onto Akshay. He held me up while we resumed kissing. Then, while our lips were locked together, he began to lower me down onto his cock. I could feel his dick tap against my hole, then it slid right in.

“OHH FUCKK!!!” I couldn’t hold back my moans. The pleasure of having Akshay’s whole length inside me… My hole expanding to accommodate his girth was too much to hold back!

“You like that? You want this big, brown cock inside you?”

“Fuck yeah! Fuck me!!” 

“Beg for it then.” He started teasing me by thrusting himself into me slowly. 

“Please bro! Please fuck me hard!! I want you… I need you… Arghh!!”

Akshay started picking up the pace of his thrusts. I thought I saw stars with every deep stroke he gave me. We were probably making a lot of noise between my moans and his grunts, but we didn’t care. We fucked like animals with our new jock bodies and we weren’t ashamed of it! 

It only took us another few minutes of fucking before we were both close. Akshay pulled out and let me down to the ground. We then started tugging our dicks together until we covered both ourselves and the shower stall with our cum. We were both panting as we shot load after load of our sweet spunk out. We then made out again one last time while we were still covered with each other’s cum before the shower washed it away. It was hot, and it was definitely the last body hopping adventure we needed before our powers expired for good. 

Once we finished having our fun, Jack and I were ready to leave. We never bothered cleaning up, we just depossessed the bodies and let them take care of it. Jack and I shared one last loving look as Akshay and Kabir before leaving. However, when we tried forcing our souls out of their bodies, we couldn’t! No matter how hard or how much we tried, we just couldn’t leave! We ended up having to clean up after ourselves for once. We did that quickly, then got dressed and left the gym as fast as we could. We had no idea what was going on! But then I caught a glimpse of the time. It was already 1:30AM! It was already the next day! It was supposed to be a quickie, but I guess Jack and I got a little carried away…

All this happened two years ago. We’ve been living as Akshay and Kabir ever since then. Even to this day, neither of us know what could’ve happened that we’d end up trapped in these bodies. If I had to take a guess, I’d wager that when the witch said that our powers would expire permanently, she meant it way more seriously than Jack and I expected. Without those powers, we couldn’t even return to our original bodies! I don’t know, but honestly, I don’t care anymore. If anything, we’ve been blessed to have Akshay and Kabir’s lives as our own. Sure, Akshay’s new family is super traditional and they’re already setting him up for a bride, but that doesn’t matter to us. We still meet up in secret when nobody’s around. No matter who we are, we are lovers and nothing will ever take that away from us. 

We’re not sure how exactly we’re gonna get past an arranged family, but as long as Akshay is by my side, we can overcome anything.

[burningcheese-merchant]

"I'm Sorry" - BurningCheese Short #9

Gonna be traveling somewhere soon, probably won't be back here for a few days. Wanted to leave you all with a story before I go. (I wrote it sometime ago, I've just been waiting for a good time to drop it. I guess now will do haha)

Plan on answering asks and posting BurningCheese kids when I get back (I have almost 100 asks in my inbox and I feel really bad for leaving them there. I'm genuinely sorry to you all, I actually am reading what you send me, I promise I won't leave you hanging forever. I answered a couple today and I'll keep it up soon). In the meantime, eat this short story where we see our favorite couple take an important step together, and Burning Spice take an important step himself

"I'm sorry."

Golden Cheese blinked. "I... Pardon?"

"I'm sorry," Burning Spice said again.

"You're sorry?" she echoed. "Sorry for... what?"

He paused for a long while before he answered. "For Beast-Yeast."

"For Beast-Yeast?" Slowly, she turned to face him, eyeing him critically. "And where is this coming from, exactly?"

"Why does it matter?" Burning Spice asked, keeping his gaze trained on the bustling city far below. "I am sorry. That is all I have to say."

She narrowed her eyes at him. "And... what? You think that means anything? You think one, single apology will change the past? You think it's enough to atone for all of your heinous crimes?"

"No."

"Then what audacity is this? Why even say it?"

"Because I want to," he said. "It's as simple as that."

Another long pause, longer than the last, came and went before Golden Cheese spoke up again. "Why should I even believe you when you say such words?" she asked. "What reason do I have to think you're being sincere?"

"Someone such as I saying it at all ought to be reason enough. You think I'd ever utter something so soft and pathetic to anyone else, for any reason? Even under penalty of death?"

"...Hmph."

A third pause came - shorter than the first two, because Golden Cheese couldn't bring herself to wait any longer than that.

"And what makes you think I forgive you? Or that I would ever even consider doing so?"

"You allowed me into your kingdom," he said, still refusing to look at her. "Into your palace, even. Here we stand together, watching your subjects from afar. You snuck me in so no one would see or notice me. Perhaps you don't forgive me at all... but you've let go enough that you've allowed yourself to do this much. Haven't you?"

"I..."

The fourth pause made itself known, hanging over the two of them as they stared down into the busy streets of the Golden Cheese Kingdom. It showed itself out when, at last, Burning Spice turned to look at Golden Cheese.

"I'm sorry," he told her one more time. His voice was soft. Quiet. In his eyes and on his face were emotions that only he himself would know how to read.

Golden Cheese looked right back at him, her eyebrows knit and mouth set in a slight frown. She said nothing, instead only nodding slowly, tentatively - unsure of how to acknowledge him, but willing to do so nevertheless.

When the fifth pause came, it weighed down on them both terribly, though who felt its burden worse was hard to tell. The silence was thick, tense, awkward. Granting cover to all the words Golden Cheese couldn't bring herself to say. Making up for all the words Burning Spice didn't have left to give.

Everlasting, like the city bathed in gold and neon lights waiting beyond the balcony railing and stretching on endlessly into the horizon.

--------------------------------

I will let you all decide for yourselves what led to this moment, and what happened afterwards.

[milswrites]

To the stars who listen

~Rhysand X Fem!Reader

Summary: Looking upon the stars for the first time since leaving the mountain, Rhysand makes a wish. Only to be surprised when his dreams are actually answered.

Warnings: Mentions of what happened to Rhys under the mountain. (otherwise the only way I could describe this is as fluffy angst?)

Fic for @starfallweek

Prompt: Character A is a fallen star. Character B finds them.

The world was full of dreamers.

Humans, Fae and Faeries alike. The power of the night sky knew no bounds. All were welcome to look up to the heavens and all were able to wish upon the astral beings to their hearts content.

The stars knew nothing of discrimination, shining for all should they only choose to look up.

They were infinite. Unyielding.

Having centuries of experience when it comes to lighting up the night sky.

A patient guide, a willing listener, a teller of stories.

To Rhysand, stars were just as important as the air he breathed.

Which is why he found himself here, on his first night of freedom after escaping the mountain, sat alone on his balcony at the House of Wind. His violet eyes, dulled after half a century of pain by Amarantha's hand, locked onto the sky above him.

Fifty years.

That was how long the High Lord had been deprived from watching the stars. Fifty long years without their comforting presence to whisper to. Unable to share his dreams, his prayers for the future. Hidden from the golden twinkle which told him they heard him, storing away his wishes, holding them safe until they came true.

So here he was, staring longingly at the night sky. Searching his mind for what he wanted to say. Wondering exactly how he would greet them again.

It was a beautiful night for it.

Not a single cloud hovered overhead. Allowing the stars to shimmer brightly in all their majesty. Rhysand couldn't recall a time where he had ever seen the stars gleam with this intensity.

Heart twinging with hope, he imagined their vivid illumination was for him. That it was their way of saying hello to an old friend they had missed. Their way of showing him they were listening.

So Rhysand spoke.

A soft breath from his lips as he whispered to the brightest star in the sky, the reflection of its almighty glory danced in his soulless eyes.

"I wish I felt like me again."

His own eyes watered at his confession, throat turning dry as his mind never failed to stop playing out the horrors of which he had endured under the mountain. Each blink of his eyes brought along the flashes of deep red hair and rouge painted claws.

Rhysand no longer considered himself a dreamer. Not as long as these nightmares plagued his thoughts.

He was a broken man.

A cracked mirror. Only he couldn't figure out how to piece himself back together again. How to move on from the trauma of his past which had settled in his bones.

So he repeated his wish, his words floating into the cool night air like a prayer. Desperate eyes searching the glowing stars, begging for an answer. Begging for some instruction as to how he could move on, how he could be Rhysand again.

But there was nothing.

The stars were silent.

There was no shimmer of acknowledgment. No sign that they had heard the broken call from the male. They stayed unchanging, staring back at him with no acknowledgement of his wish.

Disheartened, Rhysand cast his bitter eyes to the ground. Cursing himself for being so foolish as to believe that the stories his mother used to tell him held truth.

Perhaps that's all they ever were. Just stars. And Rhysand was just the fool who had hoped that they could be something more.

Sullen, he made to move inside. Disappointment welling in his system at the knowledge that sleep most likely won't come to him. That dark-eyed and exhausted tomorrow, he would have to pretend to his family that all was ok. That he was ok.

For one last time he cast his violet eyes back to the sky in despair. Taking turns to stare at each glistening orb. Forcing himself to look for something he no longer believed was there.

Then, just as he was about to give up and retire to his room, there was a flash from the corner of his eyes.

It was only small, the white light which had crept into his vision. But it was definitely there. A streak across the inky black sky. Breaking the darkness as it barreled over Velaris and towards the forest-cloaked mountain in the distance.

Rhysand was driven by pure instinct.

He leapt from the balcony. Large wings growing from his back until they began to powerfully beat against the gravity pulling him down, carrying him upwards towards the mountain. Towards the mysterious light which was still barreling through the sky, gaining momentum as it was moved downwards. Almost appearing as though if it was falling.

This stirred the male to act faster. To urge his wings to close the difference between himself and the light quicker. Beating them and beating them until a dull ache had settled in his muscles.

But he had to get there.

The white light disappeared between the trees, its intense aura had dimmed to a low glow. It's flickering energy enough for Rhysand to still follow the trail as he flew down to the ground in order to land. Curiously threading in-between the tree's as he made his way towards the source.

His eyes squinted as he neared the fallen light, heart pounding as he was able to make out the shape of a figure from inside the glowing orb.

The ethereal being walked towards him as the brightness dimmed, allowing Rhysand to drop the hand which he had lifted to shield his eyes. Though whilst the orb of light had faded, the skin of this otherworldly being still glowed strongly.

"Who are you?" He questioned weakly, unable to don the mask of an all-powerful High-Lord because he knew whoever this was, whatever they were, he would be no match for them.

"I think you already know the answer to that."

Their voice was soft, angelic, as though the words they were speaking came from the melody of a song. The gentle tone reverberated in the quiet forest, clinging to the air as it failed to fully disappear. Hovering closely by like an inextinguishable echo.

"No. . .no. It's impossible. You're not real" his head shook in disbelief, violet eyes wide in shock. There had to be another explanation to this. To who this strange being was.

"You called, Rhysand. So I came."

"But- but how? Am I dreaming?"

An amused smile crossed her face, soft pink lips lifting into a gracious curve, "Is that what you think this is? A dream?"

His brows furrowed as he considered the star's words.

"No" he concluded, heart sinking at his realization, "This is real. I haven't had a dream in fifty years."

"And why is that?" she questioned, her siren's song attempting to draw the words out from his lips, even though Rhysand had the unsettling feeling that she already knew the answer. That she probably already knew everything about him.

The thought of which churned his stomach in an unpleasant way. Had she been able to see everything that happened under the mountain, even though Rhysand couldn't see her? His rising anxiety over this prospect rendered him unable to speak.

"You've asked me who I am," she started attempting to soothe his rising worries by giving him something else to think about, "But who are you Rhysand? You want to feel like you again so badly? Who is that?"

"I. . . I don't know. I don't know who I am" he cried, searching eyes boring into the star's as if her silver orbs would hold the answer that he's looking for. But they remained untelling, instead they only willed him to continue speaking.

"What I do know. . . Is that I'm not the same man who entered that mountain."

Her unwavering smile remained, its presence pouring through Rhysand, relaxing him until it reached his very soul.

"And why do you have to be?" she asked, moving closer to the male so he could absorb some of her calming energy.

"Because it's what's expected of me?" he meant to say it as a statement, make the point that his court and his family were relying on his council now he had returned, yet his words came out more as a question, seeking truth from the empathetic features of the star.

"Expected of you? From your court? From your friends and family? Or is it just yourself telling you that."

She was right of course. Her piercing eyes already knowing the truth about the male before he did. Yet, where he usually would have found it annoying, there was something rejuvenating at the way she was able to understand him.

At the way she was able to peel apart the layers of his swirling thoughts, unstick the pages of the book who made him who he was. Mend the broken edges and the cracked spine. Her words acting as the hands which where smoothing the pages back to normal.

She turned her face to the sky, eyes casting beyond the overhanging canopy to meet the night sky. Silvery eyes lovingly looking upon her family.

"We never stopped waiting for you Rhysand. Fifty years we looked down to that mountain. Waiting for when the day would come that you returned from its depths."

His heart ached sweetly at the knowledge. A sad smile creeping onto his face at the awareness that the stars had longed for his return.

That whilst he had been trapped within the shadows of the mountain thinking of them, they had kept their eyes on his prison, waiting for him to return.

"You're not broken Rhys" she confided, "You're still the same man who went under the mountain, if not an even stronger one. You stared death in the face and you lived. You're here. Allow yourself to feel the pain. Give yourself the time to heal. There is light on the other side."

"But what if I can't find it?" Rhysand worried, "What if I get lost?"

"You never will. We will guide you Rhys, just as we always have."

She began to glow with more ferocity, Rhysand having to squint his eyes once more from the force of the light she emitted. Fear sparking inside his chest at the realization that she was leaving, that her time here was drawing to a close.

"No, you can't go! I need you!" he begged, doing his best to desperately stare into the light so she knew just how serious he was being.

"I'm always there Rhys. I'll watch over you every night, all you have to do is look up."

By this point the sheer brightness of her presence was too overwhelming, Rhysand having to turn around to avoid being blinded. His violet eyes turned to the ground where they locked onto the shadow of his figure. Onto him. Not the fractured male he had assumed crawled out from the mountain. But Rhysand, High Lord of the night court.

"We're always listening Rhysand, and every dream you send to us shall be answered. All you have to do is ask."

The light behind him vanished. Leaving the male standing in the dark solitude of the forest. But he wasn't alone. He knew that now as he turned his glistening eyes to the night sky.

Lips upturned in a peaceful smile.

"Thank you" He whispered gratefully to the stars.

And Rhysand could have sworn that the stars smiled back.

[physics-of-one-piece]

Oh gosh thank you for the tag physics, I'll make a post about my wips too, all art of course, but before I do that I need to know more aboit this one:

"I’ll build castles for you, my love (look at me, not my brother)"

All of the wips sound lovely, can't wait for them🫶

Aaaaa, @skullfacedlady I can't wait to see what you're working on! 💕🫶🏻❤️

Oh, "I'll build castles for you, my love (look at me not my brother)"

(sighs wistfully)

This is my baby. The original. The LEGEND. The one that started it all with the Rosinante's Wife!Reader trope. Where to even start with this one? First, I'd like to link all the posts I've made up until now about this fic, it includes scenes, as well, if you want to read them.

Snippets of Doflamingo x Reader in the fic ie first ever post of the fic, the og, the LEGEND

Things Doflamingo does & says in "I’ll build castles for you, my love"

Things Rosinante does/says in the fic + Rosinante’s thoughts before he dies scene snippet

Rosinante’s Crew (Crow Corps), scenes with them + scene of Doflamingo interacting with them after Rosi’s death

More scenes from the fic, including Rosinante x Reader Scene, Rosinante & Law Scene, Doflamingo x Reader Scene

Another Doflamingo x Reader scene from the fic

How Doffy shows acts of care for Reader by providing financially for her in the fic (though this is overall for his character)

Now, let's start on explaining some more about it. The title is inspired by that thought I had when I looked at these two Donquixotes side-by-side. Like. Reaaally looked. They look very similar to each other. Their faces are nearly exactly the same at FIRST GLANCE (they have distinctive differences but a normal person wouldn't notice that from a simple glance). Usually people would say Rosinante looks like Doflamingo, except here, you meet Rosinante first.

So to you, Doflamingo resembles Rosinante when his hair is down. It's only a second, but your eyes completely change for that split moment when you think he's Rosinante. And Doflamingo notices this - it's very easily noticeable. And it fckn... Annoys him. A lot 🤣. Bcs Doflamingo was never told "oh you look like your brother" it was Rosinante who always experienced that sentence. So it's a real punch in the gut for Doffy, including his pride. Especially as he falls in love with Reader. Reader has (understandably) preconceptions about Doflamingo. So Doflamingo needs to break that preconcepted image Reader has of him so she can truly see him. It's a new experience for him.

The fic, originally, at its first outline, was only Doflamingo x Reader. But then I wanted to flesh out the entire story and Rosinante & Law happened, and they became their own chapters, and fit into the story so well, and it was my first attempt at Rosinante x Reader and damn it pulled on my heartstrings.

The Doflamingo in this fic is the Dressrosa Takeover Doflamingo (he hasn't taken over Dressrosa yet at all when he meets Reader, he simply cuts his hair short and changes his entire style after entering the Grand Line in this fic)

Why?

BECAUSE I ADORE HIM. He is HANDSOME AS HELL. WOW. JUST. WOW. And I needed to write sth with him and the idea just came. He still has a bit of his upward spikes, so when they go down they cover his forehead probably exactly like Rosinante's. And that fucks up your mind. It's an absolute mindfuck.

The story can be separated in 4 Arcs, which are for now the chapter titles.

The Marine - Chapter 1

Rosinante x Reader - it spans throughs years of Rosinante's life in the marines + meeting Reader & getting married, ends with him going on the Donquixote Pirates Mission

The Sick Boy - Chapter 2

There are 3 weeks of emptiness between when Doflamingo tells Rosinante about the Op-Op Fruit and Minion Island. These three weeks are all in Chapter 2, where Rosinante takes Law to you so you two can care for him and keep him alive. It focuses on Law, Rosinante's death (the only Minion Island scene for now), and Law's journey back to you to tell you the truth of what happened - with a polar bear and two boys sneaking into the submarine with him on the way 🤣. It ends with Rosinante's funeral and Law officially forming the Heart Pirates. ❤️‍🔥

The Warlord - Chapter 3

Doflamingo x Reader - This one is finally very much Reader's POV focused, with a bit of Doflamingo's POV as well. This part covers the next nine months of Reader's pregnancy, and Doflamingo's visits to Marineford during the weekends. There are so many things here — fluff, angst, hurt/comfort, domestic life, humor, Doflamingo singing while he cooks in a pink apron with a flamingo drawn on it with "Kiss the flamingo 🦩"... Doflamingo knocking on your window drenched like a pink cat and stripping naked while your back is turned, Doflamingo being an absolute demon you should not mess with (but you do) but also a soft three meter meow meow 🥺. Also the best support during pregnancy. Seriously. He's great at that part. Also. Doflamingo's charming smiles. Doflamingo's puppy eyes. Doflamingo's. Fucking. Puppy eyes. Damn him (I say lovingly)

The King - Chapter 4

Doflamingo x Reader - Follows post-childbirth after Reader & Rosinante's child is born, and the next two years of Doflamingo & Reader raising the child and eventually the fall of Dressrosa and Doflamingo becoming its king... I can't say too much for this one cus I don't want to spoil it too much, but... It's good. So good. And is the last chapter of the story with a Happy Ending for Doflamingo x Reader. Also, 100% will try to write some smut for this chap, bcs I neeeed it at this point. 😩

Here is the summary I made for Doflamingo's Part ie The Warlord Part when I first thought this would just be a one-shot (ha, fool!)

Summary: To Donquixote Doflamingo, family is everything. A month after Rosinante’s death, Vergo delivers him damning information after he’d ordered a full deep dive into Rosinante’s fourteen years of absence — his brother had gotten married years ago. And not only that, his brother’s wife is pregnant. Doflamingo does something both impertinent and bold, just as any pirate — he enters the Grand Line with one goal — become a warlord, meet you, and be there for you during your pregnancy. He makes history, stealing and robbing Heavenly Tributes almost every few days, conquering the Grand Line and its underworld — and is made a warlord the next month.

As the pink flowers on the single pink cherry blossom tree in Marineford sway in the wind, so do the pink feathers of Doflamingo’s coat as he steps foot on Marineford a few days later to attend a meeting with the higher-ups — and meet you.

You don't need the curse of his protection or his blood money, or want him in your child’s life — your husband would roll in his grave. However, as a former Celestial Dragon and now a warlord, Doflamingo gains permission to visit you on weekends in Marineford, and not even Fleet Admiral Sengoku can do anything about him as the orders come from "up high". The newly appointed warlord is just as your husband described him as - stubborn, sadistic, enjoys mocking people, laughs at their suffering, and a manipulating schemer. As the warlord forces you to spend more time with him, you realise there is more to the older Donquixote than your late husband told you.

I'm trying to figure out which scene to send...

How about... The first meeting?

Excerpt:

You were about to tell Tsuru they brought the wrong pirate to meet you, but then, your gaze reached his face. You inhaled sharply, the thought coming before you could stop it because of the eerie similarity of the chin and cheeks, and for a split second you thought it was…

Rosinante.

But his skin was tanned, a bronze colour. And his smile... It was all wrong.

That wasn’t your husband’s smile. It was too sharp, too wide, too wicked.

Doflamingo was taller than Rosinante, but gangly and long-limbed like him. He was bigger than on his wanted poster. His hair was no longer long and uplifted like a dragon’s head, but instead the spikes were shortened, sticking upward.

Your heart picked up its beat, dread spreading in your stomach.

Evil emanated from every fibre of his being.

“There you are.” said Doflamingo victoriously, smiling all the way.

***

For what song would fit the fic... (Giggles evilly)

This one, Doffy is thinking this one 24/7

I don’t want to let your body go 🎶

Be my queen, I'll be your king 🎶

We'll be rulers I'll give you everything 🎶

I'll be your king, you'll be my queen 🎶

Unbelievers get down on your knees 🎶

We can rule the world 🎶

So be my girl 🎶

Thank you for the ask! Can't wait to see what you're working on! ❤️❤️❤️

Taglist: @fanaticsnail @queenmimi2817 @daydreamer-in-training

[cobaltperun]

Lost (19) - Where I belong

Tara Carpenter x female Reader

Summary: To anyone on the outside, and to Tara’s friends, you were Tara’s fierce protector, the MMA fighter who’d take anyone on for Tara. The Guard Dog, as Amber called you. You had no idea you’d have to protect her from people who claimed they loved her. It didn’t matter. As long as you and Tara had one another there was nothing you wouldn’t be able to survive.

Story warnings: Scream violence, family issues, trauma, angst, certain sensitive topics

Word count: 4.1k

Story masterlist / First part / Previous part / Next part

-So take my slow beating heart, you are where I belong-

You stood in front of two gravestones, feeling ashamed that it took you this long to come here. “Sorry I’m late, I didn’t bring anything, didn’t feel like I deserved to,” you still knelt down to pull some grass that began growing around the two graves. No one really attended to them, they had no one, after all. In this huge city Susan’s life stopped when she lost Zack, and she no longer had anyone that might take care of the graves, no close friend, no family. She only had her memories and, ever since you brought Tara and Sam to Sacramento, she had you and Tara. “Tara would have come as well, but, I have to deal with someone, I didn’t want to put her in danger or leave her alone here,” you explained, remembering the resigned acceptance on Tara’s face when you told her what your plan was.

“Thomas… he brought up something, he said you were the only one who would choose me over anyone else,” you said, digging your hands into the pockets of your coat, it was getting a bit cold, and a strong wind blew in your face, forcing you to squint a bit. “I’ve been thinking about that. Somewhat. Would I have acted any differently last year if I knew you’d be in danger?” you didn’t have the answer. On one side you knew you cared about Susan even back then, simply because of the time you spent with her and Zack and, more importantly, because she was Zack’s mother. On the other side Tara was in danger.

“What-ifs are pointless anyway,” you spoke. It was a stupid question, a one or the other question where you’d be forced to choose. How ridiculous. Life wasn’t as simple as that. Take last year for example. At first glance it was a choice between Tara and Susan, but you did have the third option, San Francisco, where your gym at the time was. Or simply a hotel, if that didn’t work, if you knew you’d be putting Susan in danger you simply would have taken Tara somewhere else. Hell, just taking her to your apartment would have been a good way to keep her safe.

You still felt like you caused her death, even if you kept telling Tara and Sam they weren’t to blame for what happened you somehow failed to take your own advice. No wonder those two had such deep issues. “I’m sorry for dragging you into this, for not being there when you needed me,” you said as several tears slid down your cheeks. “I should have told you so many things,” you told her you loved her in a voice mail sent long after she was dead. Life had a funny way of being cruel sometimes and you would forever regret not telling Susan you loved her, she deserved to hear it every time you talked to her, every time you saw her, every time you had the chance, you should have told her those three words.

~X~

The house hasn't changed much since you turned eighteen, you saw they changed the doors, but other than that, it was exactly how you remembered it, at least from the outside. A three-story house that screamed 'we're rich!' to anyone passing by, with its over-the-top fence and decorations, and the damn marble lions looking down on whoever went through their gate.

You typed in the code, your father's birthday, disabling the locks on the first try. Of course, those two wouldn't bother to change it. You were just happy you managed to remember it. And so, you came inside the house and sat down in the living room, waiting for the parents to come back home. You looked around, the house was the same on the outside but on the inside? Brand new furniture. More expensive than comfortable, really, but you just closed your eyes and waited. If you looked at it for too long you were worried you'd start breaking things.

An hour later the doors opened, and you heard your parents laughing, joking about whatever they found funny that day. This was one of the reasons you felt so suffocated in this house, because, almost as if to convince you that you were the problem and not them, they were loving to one another. Laughing, singing praises of one another, exchanging words of affirmation, but never quite choosing to express their feelings through touches. Now that you thought about it maybe that was why you were so adamant about having Tara in your arms as often as you could, why touch was your preferred love language for her specifically. The instinctual need to be the opposite of your parents in as many ways as you could be.

"Long time no see," you enjoyed seeing them jump when they saw you, they looked like they saw a ghost, they looked afraid. Good, you wanted them to be afraid, you wanted them to have nightmares of you coming after them. "I'd say it's a pleasure to be here again, but we both know it's not."

"Y/N," your father spoke, and you saw him taking a step back. Funny how you never noticed just how little it took to startle him. He would have been less than average if he wasn't born into money, in fact, from what you read in Gale's brief research on the company it was in decline for years now, only surviving on old reputation and questionable deals. The fact that you and Zack were his children pissed you off.

"Let's be quick about this. Thomas is dead, I'm very much alive despite your efforts and I want to be left alone, so don't try to hire another hitman to kill me or my loved ones," you spoke evenly.

"Or else what?" he acted like he actually could negotiate anything here.

You stood up, and while you lost some muscle due to coma and slow recovery you could still look intimidating enough. "I die and your entire reputation is done for. I revealed everything, one wrong move and it all goes public," you saw fear in their eyes as you walked past them. For good measure, you stopped at the front door and turned to glare at them. "Six people came after me, one way or another, all six are dead and I don't mind adding a few more to that list. I'd just prefer not to dirty my hands with your blood unless I have to," you left no doubt that you would if needed. “I don’t care what your reasons are, just try to touch Tara, or anyone else I care about, just try to interfere in any way, and I will not stop until everything you ever created was gone. Your company, this house, any property you have, your reputation, and then your lives, there won’t be anything left.”

You wanted revenge for what happened to Susan, but you couldn't prove they hired Thomas.

So, this would have to do, unless they tried again. So, you left the house, slamming the doors behind you and hoping you would never have to hear or see them again.

~X~

You wouldn’t stick around Woodsboro for long, but you did drop by your former bosses to grab a bite and see how they were doing. The old couple did so much for you, renting that small apartment, giving you a job, they deserved your gratitude, but given what happened to Susan, you were cautious, afraid that being associated with you could cause them harm. Still, they were happy to see you, and you were just as happy to hear they were doing well. It was a busy day at the restaurant, and you were glad their business was doing so well, but it also meant they didn’t have time to chat, which was more than okay with you.

While you waited for your meal you went and called Tara, and she answered withing three seconds, which frankly didn’t surprise you.

“Y/N?” you could hear the worry in her voice.

“Hey, I’m fine, they won’t bother us again, they know what’s at stake for them,” you told her, easing her worries as quickly as you could.

You heard Tara sighing in relief and smiled a bit. “Thank goodness! I was losing my mind over here!”

“I’m okay, Love,” you assured her softly, your tone the complete opposite of her panicking, worry filled voice, even now that she heard you were okay.

“When are you coming back?” she asked, and you could imagine her fidgeting in your shirt with Sam trying to calm her down.

You looked around, no one was paying attention to you from what you could see. “I have the flight back in the morning, I’ll head back to Sacramento in an hour and spend the night in the hotel,” you told her, though you kept your voice low just in case. Were there reasons to be worried? Probably not, but you weren’t in top shape, you couldn’t fight that well right now.

“Okay, stay safe, please. I love you, Y/N,” Tara sent you a kiss through the phone and you smiled like a fool.

“I will, I love you too, Tara,” you replied.

“I see you and Tara are still going strong, not that I ever doubted you two,” you heard your former boss say as she brought you the food you ordered.

“Yeah!” you grinned at her.

~X~

Tara was waiting for you at the airport, she even let Sam drive your car because she knew you'd lose your mind over her driving it while you weren’t with her. She couldn't wipe the smile off her face, you called her after you left your parents' house, reassuring her you were perfectly fine and that you'd be on the first flight home. She was still worried, but she trusted you completely. You’d be fine, you knew how to take care of yourself.

Tara still couldn't quite wrap her head around the fact that your parents were involved. Her mother was definitely not a good parent, but as bad as she was, Tara doubted she would hire someone to kill her or Sam. Thomas' words came to her mind and her smile fell. Suddenly she felt vulnerable, surrounded by people she didn’t know. Everything around her felt too loud, too intense, there were too many people, and any one of them could put her and the people she loved in danger. She couldn’t live like that, she couldn’t constantly worry that she would somehow end up in the situation Thomas described. She had to move on, to the best of her abilities, and without parties and alcohol this time. The therapy was helping her, but more than that it was her desire to be as happy as she could be with you that pushed her to get even better. You’d be back home soon, and that thought helped her handle the bustling crowd a bit easier.

"What's wrong?" Sam asked her and placed an arm around her shoulders to comfort her.

Tara wanted to talk to Sam about it, but how could she? How could she say to her sister that she'd feel immeasurable guilt if she had to choose her instead of you? Prior to what happened at the bodega and especially before what happened at the theatre, she would say she'd never have to make that choice. You were strong. So, so incredibly strong, the idea of anyone actually being able to beat you felt unfathomable.

Yes, you technically were beaten when you first fought Amber and Richie, but that was because she was taken hostage and you still managed to get back on your feet and take her to safety. Stabs and bullet wounds, they couldn't stop you. A heart attack couldn't stop you. Even when you were hurt you could keep going, as you have proven time and time again.

When Tara thought of strength, she thought of you. To imagine a situation in which your life relied on her choice was almost impossible. To then add Sam being in a similar situation, and to further all that by saying Tara could only save one of you. It was beyond the realms of possibility to her.

But then you nearly died. Then it took you sixteen days to wake up and several days to even get up. You managed to lift her up off the ground right before you left New York, two days ago, and you struggled. You struggled to lift Tara up. You never struggled to do that, and Tara actually lost some weight since you nearly died. She just found it difficult to eat while you were in a coma, and she was yet to regain the weight she lost.

The image of an invisible MMA fighter was shattered and now Tara woke up, screaming and covered in cold sweat, from yet another nightmare that had you in that ambulance with doctors saying they couldn't stop your bleeding. That they were losing you. More often than not, when she would wake up like that you'd sit up and hug her right away and she could see in your eyes that you were awake long before she'd wake up. She still didn't know if you were having nightmares or if you couldn't sleep to begin with.

So, no. She couldn't say any of this to Sam. "Sorry, I was just thinking," she apologized to Sam, clamming up and refusing to talk. She still leaned to the side and returned the one-armed hug.

Tara noticed you immediately, even among the huge crowd she somehow always easily found you. And from the way you were already heading toward her, she knew it was the same way for you. She ran into your arms and despite some hesitation on her part, she didn't resist when you lifted her up, just a bit easier than when you left. "I don't think we need to worry about those two again," you muttered into her neck, once again reassuring her that everything would be fine in the future as you slowly set her back down.

"Mhm," Tara just relaxed, carefully remembering every detail of your hugs. She basked in the warmth of your touch through one of your shirts she had on. Your scent, your breath against her exposed neck, the firm grip on her waist it was all you and she loved it.

When she separated from you Sam took her opportunity and hugged you as well. "Welcome back," she said, prompting you to smile.

"It's good to be back," you said, and Tara understood you weren't talking just about coming back from Woodsboro. You were still rather thankful for waking up from a coma without any lasting effects on your health. "How's the apartment hunting going, by the way?" you asked.

"We found one, we like it, we think you'll like it as well," Sam said.

Tara, not wanting to leave your side for even a moment now that you were away from her for two days, took your hand and pulled you along.

~X~

By the end of the week, you moved into your new apartment. It had three bedrooms, once again you chose to have one bedroom for the nights someone from your group chose to stay over. It was a bit bare, without much of a personal touch, and you were sure Tara would take it upon herself to change that about it as soon as she got time for that.

You thought the new apartment would chase away the nightmares, at least until you got used to it, but it didn't. Not eve Tara right next to you managed to chase the nightmares away.

You saw them, sitting in Susan’s living room, looking healthy, alive, happy. That’s how it always started, you’d enter the house and see Susan and Zack just like that. And then, as if you were an intruder that interrupted their lives, they’d turn to you and they’d change. They’d morph from how you remembered them into twisted abominations, rotting and carved up and enraged.

And every time Zack would attack you, pushing you back and doing his signature spinning back kick, the move he taught you, the move you adopted as your own signature during your career. It would always send you hitting the wall, and making his gloves fall from it to the floor, and they’d always roll over into your view. He’d then put you in a chokehold, and even if you wanted to you just wouldn’t move.

“Why?! Why did you let my mom die Y/N?!” he would demand again and again, and you’d look up to see the disappointment in Susan’s eyes.

“You killed me, if it wasn’t for you I’d still be alive,” she’d tell you.

You didn’t beg for forgiveness, or to be let go, not anymore. You’d just wake up when his chokehold would make you pass out, covered in cold sweat and breathing heavily.

You couldn't sit up though, instinctively choosing not to wake Tara up, so at least there was that. She had her own nightmares to deal with and soon enough, perhaps twenty minutes after you woke up Tara woke up as well, screaming. So, you immediately pulled her into a hug, her inhaler at ready in case she needed it.

Tara crawled onto your lap and pressed her face against the crook of your neck. "What are you dreaming about?" she asked, almost sounding afraid. In fact, she probably was afraid to ask that questions.

"Susan and Zack, blaming me for Susan's death," you admitted and Tara just hugged you tighter.

"It wasn't your fault. It's none of our fault lunatics want to hurt us," she said, repeating your words right back at you, and you nodded. Reasonably, you knew that, but it would still take a while to have a peaceful sleep.

"What about you?" you asked as you slowly played with a few strands of Tara's hair.

"I have nightmares of you in the ambulance, only you don't wake up this time, you die, I lose you," you felt a tear landing on the skin of your neck and gently kissed the top of Tara's head.

"I'm awake, Love, I heard your voice," even when you were in a coma you were vaguely aware of Tara always being by your side, and when you were ready to wake up it was her voice and touch that sped it up.

Tara pulled away slightly. "About what Thomas said," she began, but you pressed a finger against her mouth.

"It doesn't matter. It'll never happen. The situation will never be so dire," you said firmly, you couldn’t let her get stuck in those thoughts, Tara already had enough to deal with without Thomas’ words fucking with her head. “I will never let anyone force that choice on you!" you promised, and you'd keep that promise as long as you were alive.

Tara took a deep breath to calm down. “I know it’s an unlikely scenario, but still,” she muttered. “I can’t stand the idea of choosing between you and Sam. It feels like I’d give anything up for Sam, other than you, and the same goes the other way around,” she told you, shivering due to the cold. It was December after all.

“I’d scold you if it was any different,” you told her, you didn’t want Tara to ever again go through losing Sam. That was one thing you were absolutely certain of. No matter the cost, you would keep your family whole and that included Sam. You lost Susan, you never wanted to lose anyone else you loved in such a violent way.

Tara nodded. “I know, I’m counting on you to do that,” she managed to smile a bit before kissing you softly and you gently returned the kiss. It took some time, but you were both slowly getting better and talking about your trauma instead of bottling it up.

~X~

A week later you finally settled into your new apartment, and Sam was finally fine with leaving you two alone to go on a, preferably long, date with Danny. He really came through for all of you, bringing the police and paramedics to the theatre, not to mention finding you, which probably saved your life. He mentioned he heard a loud thud and went to check, hoping it was nothing, but there you were, bleeding out next to dead Thomas. So, as far as you and Tara were concerned, he was clear to move in whenever Sam decided she wanted to take that step.

You just stepped out of the shower after a workout, which actually went really well. You finally felt confident enough to get up with Tara in your arms, to carry her whenever she wanted you to, plain and simple you were doing much better now that you were building your strength back up. Your eyes still glanced down at the scar from the rebar when you stepped in front of the mirror. It came in through your lower back and went diagonally, exiting your body just beneath your chest and it was nothing short of a miracle that nothing important was damaged and that only the scar remained. Sighing, you grabbed your clothes and put them on, a comfortable shirt that was a bit loose on you now, since you still haven’t regained all your muscles, and tracksuit pants since you wanted to just relax with Tara.

The moment you entered your and Tara's bedroom she threw her arms around you and pulled you into a kiss. She clutched the back of your shirt and ran her fingers through your hair, tugging gently as she deepened the kiss. You wrapped your arms around her and pulled her as close to you as physically possible.

"So needy," you chuckled when she pulled back for a moment.

"Like you aren't?" she challenged, looking fiercely into your eyes.

"Mhm, I definitely am," it's been too long, way too long since you could just relax and make love to one another. You leaned down, kissing her neck.

"Baby," she moaned when you nipped at the side of her neck and you immediately pulled back, looking at her wide-eyed. Tara blushed but kept looking at you. "Baby, please," she said again, acting as if she never stopped saying that word all the while gently caressing the back of your neck.

There was a reason Amber chose to persistently call Tara 'baby', specifically, you were the reason because Tara would call you like that jokingly whenever you weren't immediately giving in to her demands. She stopped when she got together with Amber and just never went back to calling you like that.

"Say it again," you demanded, lifting her up, taking a few steps to the side and pushing her against the wall.

"Baby," she moaned into your ear as you unbuttoned the top buttons of her, previously your, button-up shirt and yanked it down, and since it was way too big for her it just fell from her shoulders.

"Again, Love," every time she said it you were more and more certain she would be able to completely get over what Amber did to her, that she'd eventually fully heal.

"Baby!" she cried out, maybe even a bit too loudly as you began kissing her bare shoulders and tugging the straps of her bra down.

"You are where I belong Tara," you pulled back, pressing your forehead against hers. She quickly captured your lips, making you both get lost in the passion. When you separated to catch your breath you looked her in the eyes.

It was a demand fueled by lust and desire and need for Tara, all fueled by the love you had for her. Nonetheless, you doubted you ever demanded anything with as much conviction and seriousness. "Spend the rest of your life with me. Marry me," you'd go through all the proper proposal stuff at a more appropriate time, but you couldn't stop yourself from blurting it out.

Tara looked at you just for a moment. Taking the demand in. "Thought you'd never ask," she smiled and kissed you one more time. The pent-up needs, desires and all the emotions, you’d satisfy them all, getting lost in one another until there was nothing else left in to world but you two and your love for one another.

Story masterlist / First part / Previous part / Next part

[upon-a-starry-night]

Number Neighbors Pt.32

Natasha Romanoff x Fem! Reader

Natasha Masterlist Series Masterlist

Word Count: 2.3k

Summary:  When you catch sight of the newest trend going around you know you’re all but bound to at least try it, it was harmless anyway. What could possibly stem from something so little?

----

Nat tells you everything about what happened a month ago, including some details you were probably not authorized to know. She seems determined to get you to understand her no matter what and you’re endeared at how important it is to her that you know absolutely everything. 

You take note of the fact that you’re definitely past Avengers Tower and are now in what looks like rural New York. There are more trees and greenery around and you’re curious about where you’re going but you focus your attention on Natasha for now.

You listen to her story diligently and with as much empathy for both sides as you can. You can understand why none of the other Avengers wanted to be the government's lap dogs but you also understood that fear was a powerful thing. You subconsciously rub your healing scar at the thought.

When she finishes her explanation she seems to look at you expectantly, waiting for your response and you take a moment to formulate the right words in your head before speaking-

”You left me with no contact and I’m trying my best to understand your situation but it doesn’t stop the fact that I was still hurt by it” It’s a painful truth but if Nat could share her vulnerability with you than you could do the same.

”I know. I know and I’ll spend however long you need me to making up for it. I’m sorry Y/n. You have to know that it hurt me so much to hurt you.” 

“You’re already forgiven”

”That was fast” She seems surprised and even a little amused at the quickness of your forgiveness and you shrug

“If I'm honest, I forgave you the second I saw you. I missed you, Nat. I’m just glad you’re home safe” Her eyes hold a look so full of admiration that you have to force yourself to look away. If she keeps looking at you like that you’re not sure what you’ll do.

To distract yourself, you urge her to continue her story and resist the need to pull her lips to yours. You hope she doesn’t notice the way your eyes subconsciously go to her mouth when she begins talking again but your chances are slim with a super spy.

If she notices she doesn’t say anything and you have to wonder if it’s due to the presence of someone else nearby. You can’t help but be a little frustrated- would you two ever get a moment alone together? To say what you’ve been itching to say since you found her again?

Natasha tells you about being lonely and drafting argument after argument with Clint. Waiting for the right moment to come back. 

“Honestly we thought it was going to be another half a month at least but I rushed the process.” You might be hallucinating but you’re pretty sure there’s a light blush on her cheeks. “ Even if the argument wasn’t perfect there was something important I had to come home to.”

You nod in understanding, you’re sure it’s not easy being in her position “Yeah, the world needs its heroes” 

She gives you a look that seems to say ‘That’s not exactly the reason’ but you can’t think of any other reasons for her to rush something so important to them. The risk seems to have been worth the reward for her.

Seeing that you’re not understanding, she drops the look and continues with her story “Anyway, with the government facing so much heat from the public combined with our statement they had no choice but to agree or they would be out of heroes the next time aliens came knocking on Earth’s door.”

You resist the urge to first pump the air at the news. Surely that meant she would be around often right? At the very least you could visit her as a friend, even if every part of you was madly in love with her.

Much to your surprise, the car eventually pulls into a large gray and white building in the middle of nowhere surrounded by trees. The driver drops you off at a side door before pulling off to another part of the building and you stare in awe at the huge building with the Avengers ‘A’ printed on every part.

You’re admiring the sheer amount of space around the area but before you have the chance to gawk any further Nat is guiding you inside of the building to be met with glossy cement floors and very modern interior design.

“You’ll have time to look later” You can’t help but read into her words. That meant she wanted you around for longer right? Maybe this whole thing wasn’t one-sided after all.

A robotic feminine voice from above makes you jump in shock and Nat glances at you in amusement at the action.

“Miss Romanoff, welcome back. An unregistered person is accompanying you, shall I register them in the database?” Nat is seemingly unfazed by the voice of God coming from the ceiling as she speaks freely to it.

“Hey Friday, She’s my guest, feel free to register her if you’d like. I know how Tony is” She mumbles that last part but you still hear it anyway.

“Creating guest profile… Scanning… registering Y/n Y/l/n as Natasha Romanoff’s guest” You flinch when it says your name, briefly wondering how it got that information and you turn to see Nat smirking at you.

You glare at her obvious pleasure at your confusion and try to brush off how freaky a voice from the roof talking to you is.

“Sorry I’m not used to rich billionaire tech” You huff a bit childishly and Nat just shakes her head with a chuckle, placing a hand on your back and guiding you to a set of double doors. The two of you are about to enter when you hear the sound of two familiar voices. The same voices from inside your apartment.

Noticing your obvious discomfort, Nat stops and steps in front of you, her hands finding purchase on your shoulder 

“Are you okay?” Truth be told you feel a little shaken but if Nat wasn’t weary about what was behind this door then you shouldn’t be either. Worst case scenario Nat was there to protect you from whoever those men were.

You nod your head, unable to bring yourself to speak and she takes a minute to observe you and rub your shoulder in reassurance before she opens the doors.

The doors lead to a living room space with a kitchenette attached to it and sitting at the island table are two roughly familiar faces. One of them was none other than Clint Barton aka The Hawkeye, and the other was Steve’s friend Bucky. He was still pretty new to the group so you didn’t know much about him but much to your surprise the voices from your apartment were coming from them.

When Clint's eyes land on Nat he grins from his seat and pats Bucky on the back but Bucky’s eyes immediately fall on you, his face paling as he struggles to make eye contact.

Your eyes widen as you realize not only were you being stalked but you were being stalked by a trained assassin and Avenger. What possible reason could he have been following you for this whole time?

“I told you she’d recognize you” Clint has the heart to fix you with an apologetic smile as he talks to Bucky and to your credit Nat seems equally confused.

“What’s going on here, boys?” She narrows her eyes at the two of them and Clint raises his hands in surrender, not wanting to be a victim of her wrath. 

“Well I was watching over Y/n like you asked me to but imagine my surprise when I found someone else doing the same” You take a minute to register the fact that Natasha asked Clint to keep an eye on you and you struggle behind finding it endearing and being uncomfortable.

All this time you were worried about getting kidnapped, you were actually safer than you’ve ever been in your life. At least you don’t have to worry about being stalked anymore as it seems that mystery was solved. It’s a large weight off of your shoulders. You decide to count it as another positive to add to the tally for today. 

Nothing could ruin today for you and the feeling of Nat’s hand settled comfortably on your lower back only further cements that statement.

A sigh draws your attention back to the group and you along with everyone else, stare at Bucky expectantly for an explanation.

“Listen, Steve wanted me to find a way to check up on you but when I started digging the only lead I could find was Y/n” It’s weird to hear him say your name as if it’s familiar and you wonder how many other Avengers know of your existence. “I thought if I watched her long enough she would lead me to you but I wasn’t getting anywhere so when she went out of town I might’ve..broken into her apartment to look for signs”

“-and that’s where I found him when Y/n had the unfortunate timing of coming home” Clint is the only one who seems to find humor in this situation but it’s clear from the look on Bucky’s face they had been bickering about it before you came in.

“I thought she was gone!” Apparently done with pretending you’re not in the room, Bucky turns to you with an apologetic look on his face “I’m sorry” 

You’re not quite sure what to make of this situation but there’s still one question nagging at the back of your mind

“So were you guys in the SUV’s that followed me as well?” 

Shaking his head no, his eyebrows furrowed in confusion at your statement “I prefer to tail people on foot. It’s easier to blend in” His assurance only fuels the confusion in the room and everyone’s heads whip to the door before you can even sense anyone coming. Stupid super spy senses.

The door opens to reveal none other than Tony Stark sporting a guilty look on his face- well as guilty as a playboy billionaire can feel.

“That would be me.” Your eyes widen in surprise at the confession. “Really it’s shameful that neither of you noticed. I think you need more training” He makes his way to the kitchenette, opening the fridge and perusing the contents until he pulls a container of blueberries and begins snacking on them, completely unaware or just disregarding the eyes glaring at him.

“Why were you following Y/n, Stark?” Nat is the first to speak, she seems irritated at the fact that not only one, but two of her coworkers were stalking you and if you’re honest you’re a little irked that they would use you to try and get to Nat. 

He rolls his eyes, clearly exasperated that you aren’t following “Oh come on, you guys didn’t think you were the only ones who thought to check her phone records?” He shakes his head in disappointment. “Clint’s attempt at hiding your phone was commendable but I don’t need the actual phone to hack into the records” he turns to Nat once again “Your little firewall was cute though”

“You’re still on thin ice Stark”

He raises his hands in surrender and places the berries back into the fridge, talking to your group with his back turned as if he isn’t in a room full of irritated super spies and assassins. “Well imagine my surprise when I find out not only is Nat’s little ‘boytoy’ a girl, but she’s also already in my system”

“Wait wait- what do you mean?” It’s your turn to speak up and your head is spinning with all the new information you’re receiving. If you’re honest you’re still craving the nap you were robbed of earlier.

Tony seems to acknowledge you for the first time since he walked into the room, his eyes scan observantly up and down your body before he quirks a brow and you wonder if everyone feels this small in his presence “Friday runs automatic background checks on everyone who enters my elevators. Obviously”

You realize he’s talking about when you and your friend attended his part at the Tower and he gives you a tight-lipped smile when he sees you’ve caught on 

“ I was worried you were an over-obsessed fan or something but a quick little peek into your text messages told me everything I needed to know. So I had Happy tail you but Natty here was nowhere near her girlfriend. So cold of you to completely ghost her like that Nat, really?”

“Good to know everyone here respects my privacy” Nat rolls her eyes and Bucky averts his gaze from the two of you, clearly uncomfortable with the situation he got himself into. 

You can’t help but notice the fact that Nat doesn’t object to Stark calling you her girlfriend and you’re sure you must look crazy as you blush in a room full of suffocating tension. Maybe they’ll think you’re a nervous blusher.

”Yes well-” Tony gestures at himself as if to say ‘you know who you're dealing with’ “Imagine my surprise when you came back claiming you would get the government off of our asses- I thought it was because you liked us but clearly you had ulterior motives.”

Before you can question what he means, Nat huffs and turns to drag you out of the room. You’re grateful to get away from the stuffy tense environment but as you're leaving you turn back to see Tony smirking at you for some unknown reason. His eyes hold a playful but knowing mirth and you wonder if you’ll ever understand what goes on inside his head.

Pt.33

A/n: Imagine Tony Stark reading every text message you’ve ever sent. Mortifying.~ Starry

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[greentrickster]

For the Great God Airplane AU, this time I've been thinking a bit more about Airplane and Shen Jiu having another, proper meeting after Shang Qinghua's regained his divine memories. Because, while it was... nice to hear that open acceptance, that Shangdi was glad that Shen Jiu managed to become Ninth Road, that even his creator thought the fate he'd written for Shen Jiu was too harsh... the fact remains that he still wrote it. Still allowed it to happen.

(He came down from Heaven and incarnated to witness these long-destined events, and to save the world... but not early enough to save Shen Jiu.)

And that sort of thing leaves questions, especially after having had a bit over ten years to think on it (to stew on it (for, for all that they love him, his heavenly siblings openly love Airplane Shangdi best of all things, so he's never even considered speaking to them on this subject))). And the most important question is simply...

Why?

Why allow this to happen?

If you love this world and its people so much, if you wanted to save them from destruction, why let the events leading to it play out in such a way? Why try and change it as a man instead of an all-powerful god?

Why?

They're sitting in one of An Ding's gardens, near enough Shang Qinghua's leisure house to ensure privacy, but nowhere they ever encountered each other in Ninth Road's first life. Shang Qinghua had been getting a breath of fresh air before his newest Official chose this moment to pop up next to him again, as refined and skittish as a street cat still learning how to trust. And, as the one who created him, Qinghua knows exactly how close to truth that comparison is, and mentally rearranges his schedule to prioritize this discussion before doing his best to answer in a way someone who hasn't been there from the beginning will properly understand. In the end he pulls a book out of his sleeve, holding it in his hands.

"Okay, so, books have a lot of words in them, right? And when you're first writing the book, it's fairly easy to go back and check over what you've written, make changes, correct mistakes. But once- once it's published? And there are people out there reading it, buying their own copies? After that it's- I can edit my own copy as much as I want, and it'll be the most accurate version, because I'm the author, but I can't go and just... edit everyone else's copy as well, you know? Maybe if it was just one or two copies that I gave to friends, but not-not everyone's.

"And this- my story. About you and Luo Binge. 'The Grand Fate of the World,' if you want to use your heavenly siblings' term for it... Imagine that as a book. Not just one book, a whole series of books, a series that's millions of words long, and everything in this world has its own set of them. Like, look," he bends down and scoops up a handful of dust, letting it sift between his fingers to blow away in the breeze once he's upright again. "Every single particle of dust I just picked up? Had the equivalent of its own copy of that story inside it. And it's the same for every speck of dust, every drop of liquid, every sliver of bone, every breath of air, every tiny piece of anything that makes this world. And- and I couldn't go through and edit every single copy of those stories, not even as Shangdi, not without- ...not without taking the world apart into nothing again and completely remaking it.

"And by the time it all started to feel really real to me, more than just a chance to tell a story I'd wanted to write more than anything in my last life, but tell it right this time.... by the time I reached that point, it was- hundreds of years had passed, and- and the world was full of people, real, living people, and I had my Officials, and they were part of this world too, and- and they were all real and I couldn't just... erase them like they were words on a page, you're all full of stories, but you're not just words on a page, you're real people."

He says it with such quiet intensity that it's startling. Ninth Road is so used to seeing Shang Qinghua as slippery, untrustworthy, nervous, perhaps overworked, he's never seen him talk about something he's truly passionate about.

About something he truly cares about.

And it is obvious, in this instant, that Shang Qinghua, that Airplane Shangdi, truly cares about this world and its people. Cares about them more than he has words to properly express, even as a god or a writer.

"And I couldn't fix it as Shangdi," Shang Qinghua continues, oblivious to Ninth Road's musings, "I couldn't- I'm really powerful like that, but for something so big and delicate, it's either scrap the whole project and start over or get right down deep inside and try to fix things from there. And I just- what would be the point of making it all again, if I did just start over? It wouldn't be the same, and this world's kinda a hot mess in a lot of ways, but... that's part of why I like it so much! But I broke it, or set it up to get broken, so... I had to come down and fix it. But then I couldn't do it on my own, so... so I asked for help. And you answered. And Cucumber-bro answered. And... now we're here, and- and I'm sorry. I'm sorry, I didn't- I should have done it better right from the beginning, I should have- fuck, thank-you. You saved my world. You saved everyone. You saved me. I'm so glad you're the one who answered when I asked, thank-you."

It's... sincere. Too sincere for one with a face as thin as Ninth Road's, and praise too high for the part he played. "It was Shen Qingqiu who did as you say, not this Official."

Shangdi fucking scoffs at this. "Cucumber-bro may have done the legwork, but he wouldn't have been able to do a damn thing if you hadn't answered my call. And I know you, Ninth Road, I know you didn't actually believe you'd actually get anything for doing what you got asked! Nothing can get done if there's no room to do anything, and you gave it all up to make room. And I'm god and I'm right, so just- just be polite and say 'you're welcome' for once, because I'm an obnoxious little shit and I won't stop thanking until you get that you genuinely did something worth being thanked for! So there!"

...

...there's not a lot you can really say to a rebuttal like that, other than the world's stiffest, most awkward, "You're welcome," to which he gets a big smile, another equally big "Thank-you!", and some free gossip on what stupid things Shang Qinghua's martial siblings have done recently.

It's... kind of nice.

Not nice enough for Ninth Road to feel inclined to inform Airplane that there are technically two Luo Binghes running around in this world now, but still... nice.

(And it's not like he needs to tell him, he'll figure it out for himself.)

(Eventually.)

[makeste]

BnHA Chapter 407: Wait Why Are You Running Away

Previously on BnHA: Kacchan figured out how to control his quirk upgrade and was totally chill and normal about it. Definitely not terrifying at all. He actually spent the entire chapter smiling and laughing like the wholesome little boy he is. I don’t know why Kid For One is so freaked out about it. He even politely introduced himself using his childhood nickname. Clearly he just wants to be friends with you, KFO!

Today on BnHA: Horikoshi is all “sorry to keep you waiting, here’s the AFO and Yoichi flashback you ordered at long last” and proceeds to serve a nightmarish stew of HUMAN MISERY and RATS and STABBING and CARNAGE and SO MUCH MURDER and THE SINGLE MOST FUCKED-UP CASE OF CODEPENDENCY ANYONE HAS EVER WRITTEN. I was not even remotely prepared for any of this, and if anyone else claims that they were, I will call you a liar to your face. If this chapter had a mouth it would scream. Or just sob, ceaselessly and uncontrollably. I’m really glad Horikoshi is on break next week because that man needs to take a fucking nap. My god.

okay WOW

anyone else read the first two words and just immediately say to themselves, “oh okay, so it’s gonna be one of those chapters”? I mean, I guess we were due for a darker chapter after last week’s Kacchan Comedy Tour. but idk, I just wasn’t expecting “homeless sick prostitute with a drinking problem” levels of dark

AND SHE’S PREGNANT?!

what exactly is this manga rated again? doesn’t this backstory seem just a little bit raw for the impressionable kiddos??

has anyone actually checked in on Horikoshi recently? you know, just to make sure he is okay??

what a fun and wholesome manga this is

the lil baby arm covered in blood with the AFO hole on the palm. lying next to the dead mom hand. what an image to sear into our minds. I guess it’s been a while since he killed any dogs. gotta keep us on our toes somehow

also wasn’t expecting AFO and Yoichi to be twins! that puts an interesting spin on their relationship, because it’s usually a closer bond than even regular siblings. especially with all of that delightful shared trauma from a young age!!

yes, exactly

ohhhh this chapter is gonna hurt me, isn’t it. okay. ooooooookay. let’s do this

OH I’M SORRY, THERE’S MORE?!

Horikoshi my dude. you do realize that their mom dying in childbirth and the two of them just barely surviving and growing up as street orphans would have already been MORE than tragic enough, backstory-wise. you did not have to turn this into a freaking horror show with RATS TRYING TO EAT THEIR NEWBORN SELVES jesus christ

and THAT’S where you chose to put a one year timeskip?!

what the fuck am I reading here, you guys. no please tell me, I am actually desperate to understand

so the narrator is saying that some of the quirks manifested later in life, in “pubescent and pre-pubescent stages”, which is interesting because it’s the first time I can recall hearing about someone actually manifesting a quirk that late. maybe Deku’s old OFA cover story was more plausible than I realized

anyway so eventually it occurred to everyone that they should maybe freaking study this shit, idk. and eventually the researchers concluded that the superpowers came from a new gene that apparently isn’t human. and upon hearing that, society apparently lost its freaking mind. which is fascinating to me because it implies that the turning point wasn’t actually the superpowers themselves, but the realization of what it meant

like, so they were apparently fine with it when they thought it was a “mysterious disease”, but somehow it hit different when they learned it wasn’t actually a sickness at all, but instead the Next Step in Evolution. and it became an “us vs them” thing, as opposed to a “we have to cure these poor people” thing. damn

anyway so now Japan is a dystopia and we’re cutting to a big crowd of merc-looking dudes who are getting ready to attack some “meta freaks”, how lovely

but who is this figure in the shadows

I ask politely, as if it wasn’t already beyond obvious that this is AFO about to wreck some people’s shit

ohhhhh my god lmao

hopefully Katsuki and Deku can take the present day AFO out before he winds up looking like this. because this little fella is clearly demonic and idk if anyone can stop him

you all don’t understand. you need to run the fuck away right now

oh shit it’s already too late for them

it’s too late for any of us. it’s over. it’s all fucking over

((((；゜Д゜)))

AFO I am putting the manga down. I am backing away slowly with my hands in the air. I mean you no harm. please for the love of god have mercy

holy

“you see, we told you he wasn’t human” okay Scientific Research Group, you know what?? you win this round I guess

“HE WAS LITERALLY EVIL FROM BIRTH” HORIKOSHI SERIOUSLY ARE YOU OKAY??

HE WAS BORN AN ARROGANT BABY is literally the most terrifying sentence I have ever read

what the entire fuck

it’s a gorgeous sunny mid-November afternoon outside my window. but no matter how hard it tries, the light cannot reach this place

what kind of moron would throw a can of soda at him. officially the stupidest person we have ever seen in this manga

OH MY GOD OF COURSE IT’S HIM LMAO

(ETA: how come baby Yoichi has clothes that fit him perfectly but baby AFO is just stomping around wearing a tablecloth.)

BABY YOICHI. OH MY GOD. HOW THE HELL DID YOU GROW UP TO BE SANE AND KIND AND GOOD. THAT’S MY QUESTION THAT I NEED ANSWERED RIGHT NOW. YOU ARE LITERALLY A MIRACLE. YOU ARE AN IMPOSSIBILITY, DO YOU KNOW THAT

small and weak, but also so, so cute. all of the cuteness genes went straight to him. no wonder AFO was jealous

(ETA: just want to press pause for a second to speculate about what type of twins AFO and Yoichi are, since it has some relevance to the story, and especially to the OFA/AFO quirk lore. so! at first glance the two of them would appear to be fraternal twins, just based on the fact that they have very different appearances, and also the fact that Yoichi doesn’t have the AFO quirk – no holes in his hands, etc. identical twins are born from the same fertilized egg, so in theory they would both have the same sequence of DNA, which means Yoichi would have had the same quirk as AFO. but that doesn’t appear to be the case. so all of that points to them being fraternal, not identical.

on the other hand, there is one piece of evidence in this chapter that does support them being identical twins, and that’s the fact that per the narration, AFO absorbed most of the nutrients from their mother. a few minutes of google fu informed me that this condition is relatively rare, and only happens in cases where two twins share a placenta, which typically is only the case for identical twins. HOWEVER, for what it’s worth, there have also been rare instances where two fraternal twin placentas fuse together and become a single placenta. AND this apparently also increases the chances of one of the twins gaining more of the nutrients and causing the other twin to have a lower birth weight.

so based on the evidence here, my conclusion is that the two of them are most likely fraternal twins with a case of placental fusion. besides, you can’t tell me that stealing his baby brother’s placenta while the two of them are literally still in the womb doesn’t sound like exactly the type of BS that fetus!AFO would pull, lol.)

HEY!?!

okay?!?!?! well to be fair he did throw that soda at him

oh my god this is so fucked up. in like the best and worst way possible

I genuinely couldn’t ask for a better AFO backstory. it’s so incredibly twisted, and you actually do feel sorry for him. or at least I do. but it’s also beyond clear that this kid was FUCKED UP BEYOND ALL REASON right from the get go. zero goodness in him. literally doesn’t see other people as people. sees them as possessions only. things to rule over. not other thinking, feeling human beings. and that includes his own little brother

but. even if it’s not actually what I would call love, there’s still... attachment, there. it’s the closest he can get to actually caring about someone. guh. just, somehow they have both managed to humanize him, and at the same time made him less human than ever. this manga, man. this fucking manga, though

lmao and here we go. Captain Hero

you know, all those times that I made fun of AFO for not knowing how to read, I never suspected that the twist in his backstory would be that he LITERALLY DIDN’T KNOW HOW TO READ dfksjdlfkjslkdf

but seriously though. because Yoichi appears to be self-taught, and I can’t see AFO having the patience for that, and CLEARLY no one else was around to teach him, sooooo...

oh my goodness it’s actually getting wholesome up in here

what a good fucking boy. poor AFO. fuck me, I can’t help it. it’s not your fault you’re the world’s greatest monster you poor bastard

now we’re cutting to THREE YEARS LATER. okay

is he going to declare war on the glowing baby

typical teenager concerned about nothing but likes and view counts. AFO you would be so much happier if you stopped worrying about all of that and just focused on your own growth

oh, lol. well that was quick

(ETA: r.i.p. Damien.)

“this guy had more instagram followers than me. so I killed him” honey. sweetie pie. you need therapy

omfg

all this time I was wondering who AFO’s middle school lit teacher was who had failed so spectacularly at teaching him reading comprehension. and it was YOICHI ALL ALONG. omg

“and, presumably, that’s how it always was and always will be.” dude. can you imagine listening to AFO’s oral book report on A Tale of Two Cities. “ahem. it was the Best of Times. the end” buddy noooooooo

it was at that moment when Yoichi knew, etc. etc.

oh my GOD I scrolled down to the next panel right after this one and I just IMMEDIATELY DIED LAUGHING

“WAS IT SOMETHING I SAID” ffffffffffffffff I fucking can’t omfg

NOW THIS HUSSY IS STEALING HIS BROTHER AWAY FROM HIM NOOOOOOO

HE’S HIS!!! WHAT ARE YOU DOING!!! THAT’S NOT ALLOWED!!!

oh my god the hands. so wait, is this just the standard symbolic BnHA handholding, or are there More Levels To This. when exactly did Yoichi pass OFA on to Kudou. like is that why the sudden close-up and all that? omg

WHAT!!!!

OH THAT’S THE END, HUH? THAT’S THE END RIGHT THERE, AND THAT’S JUST HOW IT IS. I SEE. OKAY THEN. EXCUSE ME WHILE I PUT MY LAPTOP DOWN AND GO INTO THE NEXT ROOM AND SCREAM INTO A PILLOW

oh my god. and break next week too. this is what you guys have been dealing with this entire time huh. I understand your feelings now. godfuckingdammit lmao

[povofjustme]

The Queen of Death

(3/?)

Fandom- House of the Dragon

Your baby sister is dead. By child brith, poor Leana body just couldn’t take it anymore.

You didn’t know what to do. Your mind went blank, Miguel looked over your shoulder to read the letter in your hand.

“I will get ships ready. Sofia well get the children ready. My parent will know about this as soon as I walk out them door. I want you to sit and breathe, and I promise you that you will get to say goodbye. You’re not alone.” Miguel

That’s all the reinsurance you need. You can’t over due yourself, you had to fly out to driftmark, 8 moons with child.

When the sunrise, everything was ready. king Alejandro and Queen Mariana had your youngest children Juan and Isabella on the ships with them, ready to show their support

Jośe as your heir, wanted to join you on vermthor

Just looking at your oldest twin and your didn’t realize how much Jośe and Juan looks exactly like Leanor and Leana.

Your twins looks like your first twins… it broke your heart that leana would have never get to meet them

Ever since the children could talk, they learned about the aunt and uncle. You would tell them story about your time in your homeland

And what little adventure along the way. They knew all about them.

Even though leanor did hurt you in a way you could never explain, but he is still your little brother

The flight had your mind everywhere

You remember the storm that you had to go through to get to death island. But you never regret that night.

Jośe asked more questions about his aunt leana, the more you looked at him, the more you see leana and leanor

The Mortenson only show themselves if they wanted to be seen. And after many years, the mortenson wanted to show where they stand

All Rheanys could hear is scream, it was coming from the east side of the island

More than several ships 10times bigger than velayon ships coming out of grey fog , a flag of a skull. She never seen anything like it

but she saw the orange eyes in the sky

She saw you, she sees her baby

“Corley, tell me am not going mad!” Rheanys

You landed on the sand in front of the shit docs. You took a moment to look at your scenery

Your first home

“momma, I believe labella would love it here!” Jośe

“I think so too sweet boy” you

It took you a while to get down, You felt a hand behind you and you look to see it is Miguel. You took his hand to get off of vermithor.

Jośe stood next to you. Juan and Isabella rushed to be by their mother side.

You look out to the dock to see your mortensen family boarding off the ship

Then you meet their eyes, 7 ft always lays your parents. 7 long years

“Mother, Father” you

That was the only thing you could say before you was crush my the most heart warming hug

“Oh my dear girl, never that I would see you again” Corly

“Oh look at you, your glowing- and growing, you must be 7 or 8 moo-oh, who might the little ones be” Rheanys

jośe and Juan bow their heads and Isabella curtsy

Jośe stepped forward and said

“I am jośe, this is my twin brother Juan. Are little sister Isabella. It is nice to greet you grandsires” Jośe

Rheanys couldn’t hold it in any longer, drop to the ground to hug her grandchildren

“Come, let get that family inside. I will have a dinner sent for the night-“ corly

You and your family got there a day before you sister funerals, which gave you time to spend time with your family

That night, your father hosted a dinner with your in laws and children. You talk about how you and vermithor escaped and landed on death island. How you meet your husband, and trained you to be the best of the best.

Even your Uncle vaemond came to see you

The children was excited to talk about there new sibling, and even more excited when they get to meet there cousins Baela & Rhaena

Even your farther in law even told them the story on how you lead the Mortensen to victory from your last war. You was 5 moons along with Isabella

“Isn’t that dangerous?” Vaemond

“I assure your my lord, its in morns culture its is natural thing for a woman to fight and war pregnant” queen Mariana

Your mother told you that after 3 years of not finding you, she got the king to annulment your marriage to Harwin Strong

Rheanys and Colry never showed that they were disappointment that you left. They knew didn’t know how you would react when the reason had 2 more children with your now ex husband

The never forgave Harwin for what he done. The house velaryon looks down upon the house strong ever since.

Rheanys holds resented to Leanor, Rheanyra and Viserys

She stop coming to see her son in king landing, even if they come to driftmark.

Not a glance there way

She would send gifts to leana children and then she would think about you.

Even when she got word of viserys getting sick, she turned the other way.

“What about my daughter,and when she was hurt. He doesn’t deserve my support” Rheanys

Corly couldn’t hold a grudge, he had to teach lucery to be the next lord of the tide

You was his heir, you are his heir and now that your back things might change.

After dinner, your mother wanted to put the children to bed herself.

She missed 6 to 5 years of there life, she was gonna start on the memory soon as she could

Miguel had to talk to your father. You never knew what they talked about but Miguel came back with a smile.

You had dressed your children in velaryon attire like you had.

Your children are truly beautiful - True Velaryon and Mortensen

You were standing on the rocks behind parents. Everyone now has seen with their own eyes that you are alive. Your children wanted to stand down with there grandparents

Juan was holding on to Rheanys hands

Isabella was being held in Corly chests.

And Jośe front and center. standing next to your uncle Vaemonds

Your hand on your large 8 moon belly, your husband and in-laws to your left and your Mortensen grands to your right. They all had Mortensen attire but in black.

The Grands heads one rule from king Alejandro

“When she moves, you move.” Alejandro

The hardest part wasn’t listening to your uncle was giving out the last goodbye speech for your baby sister, no, its was the heat version glances that Rheanyra was throwing your way.

Rheanyra was in shock to see your face, her old friend from long ago

But you never that you would see that brown hair boy, now he’s all grown up. And looks exactly like Harwin and not just him.

She had 2 more children after you had left, your ex husband children. You thought seeing them after 7 years would put you back in the state of mind that you left with.

But you knew in your heart you made the right choice all those years ago.

You’re not the court laughing stock anymore, you have 3 soon to be 4 legitimate children that had your hair and eyes but look exactly like their father. You are to be the next ruler, AND you people excepts you as there next Queen. You have a husband’s who kiss the ground you walk on.

You have everything she didn’t, your are completely

For the rest of the night, you and your children stayed inside. You wanted them close by.

And once again, you made the right choice

The Princes and lady’s are trying to kill each other

You and Miguel had your kids stay in the room with Sofia and Antonio.

“Baela! Rhaena!” You

You didn’t see there father know where and you glued them to your side. You did care about the others. You just wanted to make sure the girls were safe.

But everything was to much, when everything got quiet you felt the sharp pain in you lower stomach

Miguel move the girls to your parents

“What has happened, my love” Miguel

You moved your foot to look at the ground

“What is it y/n” Rheanys

Your mother worrying voice had got everyone attention

Your baby is coming……..

(AM SORRY IT TOOK SO LONG and SORRY ITS BAD)

Tagged- @dramioneforevertilltheend @classicsimpforaaronwarner @ayamenimthiriel @hikaerys @poucinetteofgod @ellaprime7 @g-cf2020