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fixomnia-scribble · 6 months

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WOW.

Scientists found an amazingly well-preserved village from 3,000 years ago

Text below, in case article access dries up:

LONDON — A half-eaten bowl of porridge complete with wooden spoon, communal rubbish bins, and a decorative necklace made with amber and glass beads are just a handful of the extraordinarily well-preserved remnants of a late Bronze Age hamlet unearthed in eastern England that’s been dubbed “Britain’s Pompeii” and a “time capsule” into village life almost 3,000 years ago.

The findings from the site, excavated in 2015 to 2016, are now the subject of two reports, complete with previously unseen photos, published this week by University of Cambridge archaeologists, who said they cast light onto the “cosy domesticity” of ancient settlement life.

“It might be the best prehistoric settlement that we’ve found in Britain,” Mark Knight, the excavation director and a co-author of the reports, said in an interviewThursday. “We took the roofs off and inside was pretty much the contents,” he said. “It’s so comprehensive and so coherent.”

The reason for the rare preservation: disaster.

The settlement, thought to have originally consisted of several large roundhouses made of wood and constructed on stilts above a slow-moving river, was engulfed by a fire less than a year after being built.

During the blaze, the buildings and much of their contents collapsed into a muddy river below that “cushioned the scorched remains where they fell,” the university said of the findings. This combination of charring from the fire and waterlogging led to “exceptional preservation,” the researchers found.

“Because of the nature of the settlement, that it was burned down and its abandonment unplanned, everything was captured,” Knight added.

“As we excavated it, there was that feeling that we were picking over someone else’s tragedy,” he said of the eerie site in the swampy fenland of East Anglia. “I don’t think we could smell the fire but the amount of ash around us — it felt close.”

Researchers said they eventually unearthed four large wooden roundhouses and an entranceway structure, but the original settlement was probably “twice as big.”

The site at Must Farm dates to about 850 B.C., eight centuries before Romans came to Britain. Archaeologists have been shocked at “just how clear the picture is” of late Bronze Age life based on the level of detail uncovered, Knight said.

The findings also showed that the communities lived “a way of life that was more sophisticated than we could have imagined,” Duncan Wilson, head of Historic England, the public body responsible for preserving England’s historic environment, said in a statement.

The findings unearthed include a stack of spears, possibly for hunting or defense; a decorative necklace “with beads from as far away as Denmark and Iran”; clothes of fine flax linen; and a female adult skull rendered smooth, “perhaps a memento of a lost loved one,” the research found.

The inhabitants’ diet was also rich and varied, including boar, pike and bream, along with wheat and barley.

A pottery bowl with the finger marks of its maker in the clay was also unearthed, researchers said, still containing its final meal — “a wheat-grain porridge mixed with animal fats” — with a wooden spatula resting inside the bowl.

“It appears the occupants saved their meat juices to use as toppings for porridge,” project archaeologist Chris Wakefield said in the university’s news release. “Chemical analyses of the bowls and jars showed traces of honey along with ruminant meats such as deer, suggesting these ingredients were combined to create a form of prehistoric honey-glazed venison,” he added.

Skulls of dogs — probably kept as pets and to help with hunting — were also uncovered, and the dogs’ fossilized feces showed they fed on scraps from their owners’ meals, the research found.

The buildings, some connected by walkways, may have had up to 60 people living there all together, Knight said, along with animals.

Although no intact sets of human remains were found at the site, indicating that the inhabitants probably fled the fire safely, several sheep bones were found burned indoors. “Skeletal remains showed the lambs were three to six months old, suggesting the settlement was destroyed sometime in late summer or early autumn,” according to the university’s news release.

Ceramic and wooden vessels including tiny cups, bowls and large storage jars were also found. Some pots were even designed to nest, stacked inside one another, Knight said — evidence of an interest in aesthetics as well as practicality.

A lot of similar items were found replicated in each home, Knight added, painting the picture of completely independent homesteads for each family unit rather than distinct buildings for shared tasks — much like we live today.

Household inventories often included metal tools, loom weights, sickles for crop harvesting, axes and even handheld razors for cutting hair.

The roundhouses — one of which had almost 50 square meters (nearly 540 square feet) of floor space — had hearths and insulated straw and clay roofs. Some featured activity zones for cooking, sleeping and working akin to modern-day rooms.

The Must Farm settlement has produced the largest collection of everyday Bronze Age artifacts ever discovered in the United Kingdom, according to Historic England, which partly funded the 1.1 million pound ($1.4 million) excavation project.

The public body labeled the site a “time capsule,” including almost 200 wooden artifacts, over 150 fiber and textile items, 128 pottery vessels and more than 90 pieces of metalwork. Some items will go on display at the nearby Peterborough Museum next month.

Archaeologists never found a “smoking gun” cause for the fire, Knight said. Instead, they suspect it was either an attack from “outside forces,” which may explain why the inhabitants never returned to collect their possessions from the debris, or an accidental blaze that spread rapidly across the tightly nestled homes.

“Probably all that was left was the people and what they were wearing; everything else was left behind,” Knight said of the fire.

But the preservation has left a window for people to look back through in the future. “You could almost see and smell their world,” he said.

“The only thing that was missing was the inhabitants,” Knight added. “And yet … I think they were there — you certainly got glimpses.”

#archaeology #bronze age #UK archaeology #excavations

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euthymiya · 5 days

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[ A LITTLE DEATH — FT. KINICH ]

synopsis: sometimes, he comes back to you with a beating heart. other times, his body is cold and limp until he reemerges from the flames. you never get used to kinich falling during the pilgrimage, but you’re certainly used to the feeling of his body

word count: 4.4k words of emotional porn. ty & goodnight

before you read: female reader ; major spoilers for natlan archon quest and kinich’s character story one ; kinich falls during the night warden war and resurrects so technical character death (but not for long) ; graphic descriptions of injuries and blood from war ; mentions of gambling, alcoholism and abuse (his father’s lore) ; slight exploration of mortality ; hand jobs ; orgasm delay (kinich to himself) ; cunnilingus ; fingering ; unprotected vaginal sex ; creampie ; not proof read because i wrote this all in tumblr drafts like the psycho i am

notes: this is an unhealthy progressing obsession. this boy is not good for my health unfortunately

“Will you stop crying?” He sighs softly, thumb tracing your cheek as it catches yet another rivulet of your sorrow.

You glare up at him, lips curled into a scowl as you sniffle and counter, “how about you stop dying?”

Kinich is no stranger to dying. He and death are good friends, in fact—he visits often, and in return, it houses him kindly for however short his visit may be.

He likes traversing the Night Kingdom, likes to speak to those who have borne his name before him. Dying isn’t so bad when you get a chance to see the things he does in the realm of the Wayob.

But you don’t like to see the aftermath. Blood. Bruises. Cuts. Gashes. Sometimes mangled limbs. Every time he falls in battle, the aftermath serves as a jarring reminder that revival is miracle you can’t take for granted.

Kinich doesn’t understand it, but he tries to. He holds you when he comes back, listening to you sniffle into his chest. He’s always silent as his hand rubs along your back, always unsure of what to say.

I lost you, you’ll always whisper first.

I was always going to come back, he’ll always respond.

The Pyro Archon, you think, loves fiercely enough to rival the God of Cryo herself. The Tsaritsa, God of Love, loves clearly. It’s delicate as it leaves chills, and yet, it is reserved, rare to find after she’s hardened herself. The God of War’s love takes form in the exact opposite. It’s blazing. Warm. Unrelenting. Irrevocably bright. It’s a flame that never dies out, that never needs a ceremony or ritual to keep burning like the contending fire.

She loves all of her children—you know that because you see it on her face, too.

The brief, fleeting flash of horror every time she sees a body. The bitter pride that comes with such a noble sacrifice. She loves her people, and that’s why, when your tears hit the ground as you cry for a fallen Kinich, she gives your hand a squeeze right before she brings enters the night kingdom to bring him back.

The people of Natlan are proud of their history. So much, that they find honor in dying for the cause.

You think you’re the only exception.

You and death are not good friends. You don’t like the way it mocks you with the limp hands of the boy you love and his beat-less heart. You don’t like the way it cozies up against him, dragging him away from you with its hand clasped firmly in his.

It never takes him away for too long before it gives him right back, but you don’t like sharing.

Not Kinich. Not with death.

Your broken out of your thoughts when his fingers gently press into your cheeks, squeezing them together as his hand tilts your head up from his chest to look into his eyes.

“I’m okay,” he insists bluntly, but never without that gentleness.

You’d laugh any other time. Always so straight to the point, you’d tease if it were some other day.

Instead, this time, you sniffle once more before you croak, “you don’t know what it’s like to witness.” Slowly, your hand creeps up his body, traveling over his abdomen before coming to a stop right over his heart. “This time…this time it was here.”

This pilgrimage, Kinich comes back to you with a stab through his heart. Other times, he’s returned pierced through his lungs from behind. Or perhaps with a bloodied head, split open by a blunt force.

It never gets easier. This time, however, you think it’s gotten even harder.

He’s quiet for a moment, like he’s contemplating what to say before he decides to toss the idea of words out entirely. Suddenly, his hands find your waist, flipping you to sit on his lower belly, legs straddling his hips.

Kinich isn’t always good with words. He can count on one hand the number of people he’s had in his life to love. His life has not been kind enough to him to allow keeping all fingers up at the same time.

One for his mother. Down.

One for his father. Down.

And one for you. Up.

He’s sure one day, he might be able to lift a finger for Mualani and Kachina, too. He cares a great deal about them, of course. But love is a difficult thing for him to grasp—perhaps because it’s always been something he never got in full.

Not until you.

More than most people, Kinich understands loss. You know that. He understands it too well, in fact. Sometimes, he wonders if he’d lost his father’s love long before the body was limp and lifeless to show for it. Sometimes, he wonders if his mother ever loved him enough to count as a loss at all. Maybe if she had, then she wouldn’t have walked away. Maybe she never loved him quite as much as she loved herself.

But you’re different for him. You love him more than you love anything else. More than yourself, too. He’s never been loved more than anything else. His father loved gambling, maybe even the burn of alcohol on his tongue, too. His mother loved freedom, and more than that, she loved the idea of living in the absence of fear. Neither loved him more than any of those things.

So, you’re different. You know that, too. You’re a loss he can’t comprehend. Not that he’s ever had to, of course, but his brain cannot handle the idea of being without you.

Maybe that’s why he doesn’t fully understand your pain. Maybe that’s why he wonders why knowing he’ll always come back from falling isn’t enough to soothe you.

He’s never loved someone who he knew would come back even in the face of death. It’s a luxury, he thinks sometimes—you get to love him with the luxury of a safety net. But you’re too precious to feel the weight of a real loss. He hopes he can shield you from it for as long as he can, one pilgrimage at a time.

His hands settle for your hips, squeezing once, twice, a third time before he sits up and pulls you closer, pressing a gentle kiss to your lips.

You kiss back easily. Drinking the breath straight from his mouth is best proof that he’s alive. You take it in greedily.

“I’m okay,” he repeats one more time. This time, it’s a much softer tone. Like a gentle reminder. Like a plead to understand.

His hand grabs yours, pressing it right over his heart so you can feel the erratic beating under your palm. Just from kissing you, it’s rapid enough that he almost feels he should be embarrassed. But you close your eyes and let out a shaky breath, making him watch you carefully as he takes in the relief in your face.

“You’re okay,” you nod slowly.

“I am,” he agrees.

You don’t know when it happens or who starts it first. One moment, your hand is traveling under his shirt to feel his bare skin, to have better contact with him so you can feel more proof he’s alive.

Warm skin. Flexing muscle. Damp sweat. When your hand finds his heart again, his hand cups the back of your head and pulls you into a heated kiss.

Clothes come off after that. It’s a blur. It’s not until you untie the bandana to uncover his forehead do you really take it all in.

Bare under you, Kinich is alive. The proof his body is breathing and pumping blood through his veins is right there before you—standing tall between his legs in the form of a flushed, red cock. Blood rushed there to prove his desire for you.

“Last time, it was here,” you whisper, thumb tracing a pale, faint scar over his ribcage, right where his lung is. “Did it hurt?”

“It did,” he nods, studying you as you don’t meet his eyes. “I don’t remember much of that, though.”

“Do you like it?” You whisper. “Is that why you do it?”

He’s silent. And then, quietly: “Sometimes.”

“Why?” You breathe, cupping his cheeks as you search his eyes for an answer.

Finally, in a rare moment, he chuckles. “Because it’s good to remember I’m alive,” he murmurs, “right before you die is when you realize you’re alive the most. Why you’re alive, too.”

“I don’t understand,” you furrow your brows in frustration. He smiles fondly, kissing your jaw as he lets out a low hum.

“I think of you,” he whispers, sucking sweetly into your skin, “and then I remember how you’re alive, too. Every time I die, you get to stay alive a little more.”

The abyss never goes away. Now, more than ever, he’s aware of that. It’s a war he has to see the winning side of, no matter the price.

There’s a loss this time that he’s unwilling to pay. Can’t bear to witness. Can’t allow to happen.

You decide you give up trying to understand—much like you do every year. Instead, you throw yourself into feeling him, pulling him into a heated, deeper kiss as your tongue glides against his. You give into the battle fast, letting him take the lead and taste you.

You’re not one for battles, not like Kinich is. You’d rather relish in peace than remember the cruelties of war.

“I love you,” you whisper against his lips. “I can’t lose you.”

“You’ve never lost me,” he argues.

“It doesn’t feel that way,” you admit quietly.

“Then let me show you I’ve always been right here.”

As if on cue, his cock twitches between your bodies, hot and throbbing as it presses against your lower belly. You reach between your bodies, wrapping around the thick girth before your thumb grazes the tip.

He shudders, stifling a groan as you slowly smear the dribbling pre cum along his length, taking gentle care to make sure you don’t hurt him.

You’ve seen Kinich hurt enough times.

“Does that feel good?” You grin slightly, watching his eyes flutter shut as you stroke him up and down, fisting around him in a tight squeeze.

“Feels great,” he breathes, “like I’m very alive.”

“Good,” you nod.

“Fuck,” he chokes when you squeeze around the tip, pace quickening as you glide your palm up and down along him faster.

Faster.

The faster he cums, the faster you’re proven he’s living once more.

But he stops you—right before he can spill into your hand, a shaky wrist comes to force yours to stop moving. You look at him questioningly, and he closes his eyes and takes labored breaths to calm himself from the slow, fading orgasm that would’ve shaken through his body.

“What are you—oh,” you gasp, when your body is flipped to lay on your back, Kinich hovering above you as he stares down at you.

You think love is the look in his eyes when he sees you like this, every time. That longing in his pupils, desperate and almost pained even though you’re right there.

Loving something is always a double edged sword. It hurts just as much as it heals—the scabs forming around your heart from his temporary departure is proof of that.

“I love you,” he whispers, kissing along your neck.

I love you isn’t something Kinich says often. You feel his love in other ways. The fresh fruit he brings you on his way back from a commission. The small kiss between your brows he always greets you with, and the delicate kiss to your mouth when he leaves. The hand on the small of your back as he guides you along places, never letting you feel his absence. The pillow he shares with you every night when you invade his space and take up his side of the bed.

You know he loves you. Being reminded is a good feeling, though. Your body shivers as you feel a familiar ache building up between your legs at his sudden confession.

“More than anything?” You ask.

“Yes,” he responds, amused.

“You better not be lying,” you warn playfully.

He chuckles—you’re slowly coming back to your usual self. Causal teasing and playful flirting. You’re all the things he’s not. Open. Vulnerable. So inexplicably bright. You smile and something in him heals. Something in him itches to do better—be better.

“When have I ever lied to you?” He challenges.

You pretend to think for a moment before caving and stretching your lips into a wide grin. The first real smile of the night. You pull him close, kissing him again. Just to kiss him. There’s no heat or desire this time around.

He kisses back sweetly. Just to kiss you.

“What did you see this time?” You whisper when you pull away. “In the Night Kingdom.”

“I don’t know,” he shrugs, tracing shapes into your hip with his thumb, “I think I was too busy thinking of you.”

Kinich is only flirty when he avoids something. He’s only ever indirect when he doesn’t want you to know something. It takes form in less honest, more playful banter that he learns from you.

You sigh, rolling your eyes half-heartedly as you whisper, “don’t lie to me.”

“I did think of you,” he insists. “It’s not a lie. I always think of you.”

He decided to prove it by dropping down to busy himself between your legs, gently spreading them enough to press his nose against your clit as he breathes you in.

Sweet. You’re always sweet. You taste and smell it. You drip of honeyed, saccharine desire. When his tongue presses between your folds, he thinks he’s dipping it in gold.

“K-kinich, wait—”

“You say that every time,” he raises a smug brow. His fingers press into you, spreading you open as he inspects your fluttering walls. “But you never mean it, do you?”

Filthy, you think. He’s got an air of pure obscenity to him that you’re sure comes only when he’s tired of feeling alone. When he needs to know you’re here for good and not just for the moment.

“You play dirty,” you scowl, twitching when his tongue swirls over your clit, the smooth rumble of his chuckle vibrating against the sensitive bud. His fingers curl into you, pressing against a very delicate, very responsive spot in the back of your walls.

“Is that so?” He drawls, “you don’t exactly seem to mind it,” he murmurs.

And then his lips wrap around your clit, sucking as his tongue rolls in circles against it as you writhe. You can feel the tips of his digits bully into that same spot over and over, making your back arch as you whine.

“Fuck,” you breathe, “baby, please.”

You don’t know what you’re pleading for. He’s giving you what you want exactly how you want it—maybe that’s why you always say it, though. So you can never stop having him. Asking and asking and hoping he’ll give you everything without pausing.

He does, too. Kinich never gives half of himself into anything. For the right price, you get all of him. You pay the price in gentle kisses along his cheek and soft fingertips in his hair. In a warm lap under his cheek when he’s tired and a soft voice to remind him he’s not alone. In a worried look every time he’s scuffed and a soft smile every time your eyes meet his.

You pay the price of your love, and he compensates you with the reward of his. It’s a fair trade.

The only difference is that unlike his other deals, Kinich would still pay his love to you even if you stopped paying yours. He couldn’t stop if he tried. It’s an exception he doesn’t exactly choose to make, but doesn’t necessarily want to change, either.

Lucky for him, you don’t show any signs of pulling away.

“You’re beautiful,” he says quietly, whispering the words into your cunt like he’s speaking directly to your desire, “and mine.”

“G-gods,” you moan, hand flying to grasp at his hair and tug as his fingers quicken their pace, fucking into your heat mercilessly as his tongue rolls over your clit.

It’s hot. It always is in the Pyro Nation. But hotter is the growing desire in the pit of your belly, and the heat between your legs that only one person can ignite. The flames lick at your sanity before something erupts in your system and all you feel is a gush of pure, white hot pleasure.

“That’s it,” he praises, working you through your orgasm as you let out a soft cry of his name.

Kinich is alive. You know that because only he could make you feel this way, and he is. He’s making you feel like there’s love between your legs as he coaxes the height of pleasure from you, buried into the apex of your thighs like it’s the only place he ever wants to be. You’re reminded that instead of blood dripping from his fingertips, it’s the essence of your arousal.

You’re reminded that when you need him, he’s never not there. Never leaving you behind from this world into another.

“I love you,” you blurt out in a post-orgasm haze.

He looks up at you with a toothy grin. It’s so rare to see him smile so freely. It’s like a child’s, sometimes. Something youthful and joyful and almost innocent enough that it makes your heart ache a little more than it does feel full.

Only a little, though.

“You say that a lot when I make you cum,” he laughs smoothly, a boyish and sweet little sound. You huff with a roll of your eyes.

“You do too,” you counter. “Maybe we only love each other when we feel good.”

“I always feel good with you,” he grins.

“I can make you feel a whole lot better,” you wink, wriggling your brows in a playful, tempting offer.

He takes it. With another soft laugh, he climbs up your body to hover his face over yours, admiring the sweat clinging to your forehead like it’s proof of his good work.

“Go on then,” he whispers. “Make me feel better. I just died today, you know.”

“I know,” you grumble only slightly, “I remember that very clearly. It was very rude of you.”

“My sincerest apologies,” he offers.

When Kinich was young, love was transactional. His father loved him with a box of sweets when a gamble of wages doubled. His mother was happy enough to afford him her gaze when there were flowers in the vase. He knew from early on not to expect any of it unless the proper price was offered.

And then he learned necessities were transactional, too. To exist is to pay a price. He watched as strangers took away his home, the remainder of his family’s belongings packed away as his mother wiped her tears. Food is not free when she is not there to tend to crops. Clothes don’t come easy when your father spends his days drinking away instead of working.

Without mora, you survive more than you live.

He hated it. Hated not having enough. Not being enough. He wasn’t enough to make his father want to be good and he wasn’t enough to make his mother want to stay. Didn’t have enough to offer for something as simple as unconditional love.

Love with you feels a lot different than what he’s grown up learning. You love him even when he’s closed off and a little cold. When his blunt words are a little too blunt and his words press hard into you with force. When he’s tired, and can’t offer you proper company, you love him, too. When he’s gone for days at a time for a commission further away, you still love him as you wait.

It’s always enough for you even when what he gives really isn’t enough at all.

He stopped trying to understand a long time ago. He’s still human—not everything can make sense with the logic of equal transaction. Sometimes, he just wants. Sometimes, he can’t give enough for what he wants. You always give it, though.

He’s stopped trying to make sense of it all for the sake of finally knowing joy. Peace. Possibly even comfort.

“Why do you love me?” He asks softly, rubbing the tip of his hard cock against your thigh. You rub along his bare back with a gentle hand, feeling the goosebumps raise along his skin under your palm.

“Because it’s easy to,” you answer.

“That’s it?”

“Isn’t life hard enough?” You shrug, “it’s nice having something simple. Loving you is easy, and that’s enough.”

“I don’t understand,” he mirrors your words from earlier. “But as long as you don’t stop, I think it’s okay.”

You want to tell him you’ll never stop loving. Every flame in Natlan will have to burn out before you stop loving Kinich. You’re confident that it’s impossible that will ever happen. But instead of words, you gently reach between your bodies to grab at his cock—it’s been hard and neglected for long enough that he lets out a soft, needy sound at the sudden touch.

You bring him to brush against your entrance, murmuring a soft, “I want you,” before he groans in response.

“Fuck,” he says shakily, “me too.”

And then, finally, he presses his tip into you, pushing past your folds and nudging into the deepest part of you.

He’s alive. You know that because you can feel him in the most rawest, purest way. Bare skin to skin. Warmth on warmth. Sweat against sweat. Body tangled into body. He’s alive and here and you can feel all of him at once.

He’s everywhere. He’s in your lungs as you kiss him and steal his breath. He’s in your heart as you feel it skip a beat for him. He’s in your soul as it burns at the very idea of him. And he’s in your cunt as he presses himself into you with a roll of his hips.

You love him when he’s alive.

You love him when he’s dead.

You love him when he’s resurrected.

You love him when he’s yours like this.

“Kinich,” you gasp, letting out a breathless moan as his tip slams into that spongy spot in your walls, “there—y-yes, like that.”

“I know,” he murmurs, grinning a little smugly enough that you feel embarrassed to already be this fallen apart. “I know exactly where.”

“Smooth talker for someone who ruined my whole day,” you huff.

“I told you I’m okay,” he grunts lowly. He kisses your throat, right over your pulse as he whispers, “I’m right here.” You whine as he rolls his hips particularly harshly to slam his cock into your most delicate spot.

“Knowing something is coming back doesn’t mean you like losing it,” you argue. “I don’t want you anywhere but here.” He gasps when your legs wrap around his waist and pull him closer as you squeeze tighter around him.

You hate seeing Kinich fall because you’re reminded it’ll happen one day for real. There’ll come a time where he won’t be resurrected. You don’t like being reminded of this simple truth.

He doesn’t understand it because he’s always too busy denying your fall. He’s too busy making sure he fights every battle to win this war so you can live beside him. So you don’t have to succumb to the cruel likes of the abyss.

Neither of you can seem to grasp the other’s mortality very well. So you try to forget in the feeling of being lost in each other’s bodies. Where proof of life blooms in every inch of skin. Every labored breath and drop of sweat, every flex of muscle and rapid thrum of a heart.

You’re alive, and so is Kinich.

He’s not alone, and neither are you.

No one has had to bear a loss, and that’s all that matters. For now, at least.

“You feel so good,” he says hoarsely, letting out a soft, low whine when your walls flutter around him at the praise. “C-can’t…can’t live without you.”

“Don’t say that,” you sob, reaching your limit, “enough talk about living. I’m tired of it.”

“Okay,” he breathes, “then just cum again for me. I want to feel you do it around me this time.”

Your second orgasm makes you forget Kinich is alive. You’re too busy feeling the rush of life yourself. Your body burns with pleasure through every nerve, the familiar snap of pressure between your legs that has your entire form spasming under Kinich.

“’M c-cumming,” you sob, wrapping your arms around his neck and pulling him in for a sloppy kiss, muffling your sounds into his mouth as he swallows them whole.

“For me,” he hums.

“F-for you. Always for you.”

And then he cums too. Hard. For the last time, you’re hit with the evidence that he’s here with you and not somewhere else. Somewhere unreachable. Somewhere in a world apart from you.

He’s spilling warm, sticky cum into your walls with shaky arms holding him up above you, desperate rolls of his hips as he lets out choked sounds.

Skin slaps against skin and a combination of your arousals leaves a mess smeared between your legs, spilling down your inner thighs.

“Fuck—ngh. I’m…I’m…” he trails off.

He’s never been good with words like you. So instead, he buries his head into your neck and presses his nose into your skin, letting you cradle the back to his head so he knows you’re there.

“I know,” you pant, letting him fuck himself into you and ride out the high of his orgasm.

I know you need me. I need you too.

When he slumps over your body, you can feel his heart beat against yours. Rapid. Erratic. Harsh. Pounding. All of it is proof you’re both painfully mortal as you are alive.

“I love you,” you both whisper at the same time, utterly spent.

“You’re alive,” you breathe out a sigh of relief as your eyes close tiredly.

He hums, lifting his head to press a soft peck to your lips before he slumps into your neck against. “And so are you,” he murmurs in exhaustion.

You both fall asleep together with another year behind you.

Writing an emotional Kinich is actually really hard I’m not sure I even got it right bc we haven’t seen nearly enough of him but 😭 I hope this was not ooc enough that it was slightly believable. IDK I had a hard time deciding how he’d be in an emotionally charged moment of intimacy

#writing tag #kinich x reader #kinich x you #kinich smut #genshin x reader #genshin x you #genshin smut #genshin impact x reader #genshin impact x you #genshin impact smut

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english-history-trip · 1 year

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Ever see a depiction of St. George and the Dragon? It's pretty fair to say if you've seen one, you've seen them all: Georgie on a horse stabbing a flailing dragon creature, princess piously kneeling in the background, vague landscape alluding to the homeland of the artist's patron.

The most varied part is the dragons. No one had a real definition for the thing, it seemed. For your pleasure and entertainment, I have ranked some medieval depictions based on how impressive George's feat seems once you see the dragon.

Paolo Uccello, 1456

This is a terrifying beast. The hell is that. Uccello was one of the first experimenters with perspective, so the thing also looks surreal, like it's taking place on Mars, or a Windows 95 screensaver. I would not want to fight that, I would not want to be tied to that. (Sometimes the princess is tied to the dragon for some reason.) 10/10

Horse thoughts: Maybe if I look at the ground it will be gone when I look up

Unknown artist, c. 1505

This is a rare change of form for the dragon; it's the only one I've seen actually flying (or at least falling with style). It doesn't look particularly deterred by the spear through its throat, either. Also, George looks appropriately nervous. On the other hand, it hasn't got teeth, it seems to be fuzzy rather than having scaly armor, and George is bolstered by his army of Henry VII and his children, most of whom definitely didn't actually die in infancy. Still, wouldn't want to fight it, wouldn't want my pet sheep near it. (Sometimes the princess has a pet sheep for some reason.) 9/10

Horse thoughts: I am so glad I wore my mightiest feather helmet for this

Raphael, 1505

We are coming to Dragons With Problems. This guy looks about comparable in size to George, and does have wings, but doesn't seem to be using these things to his advantage (and has he only got one wing?) And how does he deal with the neck? He does have a comically small head, but holding it up with such a twisty neck seems complicated at best. But most egregiously, he is doing the shitty superheroine pose where he is somehow simultaneously showcasing his chest and his butt, with its unnecessarily defined butthole (more on this later) (regrettably). 8/10 bc it's Raphael

Horse thoughts: AM I THE BESTEST BOI? AM I DOING SUCH A GOOD JOB? WE R DRAGON SLAYING BUDDIEZ

The Beauchamp Hours, c. 1401

We had a spirited debate about this one at work. Again, the dragon has gotten smaller, and this one hasn't got even one wing. He's basically a crocodile. So the debate became: would you want to fight a crocodile if you had a horse and a pointy stick? Would the horse trample the animal, who can't get on its hind legs, or freak out and throw its rider? Would the pointy stick be enough to pierce the croc's thick hide? In this case, George seems to be controlling his horse and putting his pointy stick in the dragon's weak spot, so we can be impressed by his skill and strategy. However, his hat is dumb. 7/10

Horse thoughts: Dehhhh

Book of Hours, c. 1480

Here we have the same kind of croco-dragon, but George's focus on his strategy has gone out the window. He's flailing around, not even looking at his target, he's about to lose his pointy stick, he hasn't got a hand on the reins, and his sword seems to only be poking the invisible dragon over his shoulder. All he's got going for him is that his hat is slightly less dumb. 6/10

Horse thoughts: Yay, new friend! Come play with me, new fr- what is happening

Final dragons put behind this Read More for your safety:

Rogier van der Weyden, c. 1432

I'm thinking this guy is at least semi-aquatic. Webbed feet, wings that seem more like fins, bipedal but top-heavy, jaws that seem more for scooping than biting. Maybe she's crawled up here from the nearby body of water to lay her eggs, and this is all a big misunderstanding. Moreover, George's dagged sleeves seem entirely impractical for the situation. 5/10

Horse thoughts: i got my hed stuk in a jar and now it is this way forever

Unknown artist, c. 15th century

I hate this. I hate everything about it. Why has it got human eyes and teeth. Why is its nose melting. Why has it got a dick on its face and balls under its chin. The fin/wings are back but they look even more useless. Also, George is shifty as hell, schlumped over in his saddle with his bowler hat thing over his eyes. The baby dragon at the bottom eating some hapless would-be rescuer is kind of metal. 4/10 at least the thing is gonna die

Horse thoughts: I Have Smoked So Much Crack

Book of Hours, c. 1450

Remember what I said about the buttholes? First, sorry. Second, yeah, we're back to that. I'll admit this one is less about the danger from the dragon itself than the very specific choices the artist has made. They didn't need to do that. It's a lizard. They don't even have. And it's like they had an orifice budget and they skipped an exit wound for the spear to focus. Elsewhere. It's so detailed. And George had an even dumber hat. 2/10 take it away

Horse thoughts: I Have Smoked So Much Weed

Book of Hours, c. 1415

This is just bullying. There isn't even a princess. That is clearly an infant. Look at that smug look on George's face as he swings his sword that's bigger than the whole little guy. This is the equivalent of when DJT Jr. hunted those sleeping endangered sheep. 1/10

Horse thoughts: ....yikes

And this is the previous one, but now the baby dragon is cute. He's chubby. He's got toe beans. He's Puff the Magic Dragon. His eyes have already gone white, implying that George is just kicking its corpse around for funsies. What's the difference between the dragon and the lamb in the background? That the dragon is dead, like our innocence. This George is truly deserving of the dumbest hat of all. 0/10 plus one more butthole for the road

Horse thoughts: Perhaps it is we who are the buttholes.

#art history #nonsense #hot takes #I am doing a St. George painting and have been wading through reference material #manuscript #fuck me I didn't notice van der Weyden managed to sneak a butthole in his too #the definitive list #when knighthood was in flower #dragons georg

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