#its pure comedy it's just silly

[lavenoon]

havent posted Accidentally Undercover art in months and when I do it's no context spoilers for a new alt reveal drabble I'm writing

[mariocki]

Return of the Living Dead III (1993)

"What's going on, Curt, tell me what happened?"

"We had an accident."

"What kind of an accident?"

"On the bike."

"What happened?"

"You died."

"I what?"

[lunatic-fandom-space]

when I watched Metropolis (1927) i misread or misunderstood something and for a brief while I thought 'Freder' was the main characters last name and everyone was just calling him by his last name, which i didnt question because at the point in the film it seemed like everyone who was interacting with him was 'beneath him' somehow and also, since the dialogue cards also called him that i thought theres gonna be something about identity or maybe even dehumanization in a "children are defined by their parents' actions"-kinda way, but then he goes to talk to his dad and hes also calling him Freder which is weird to me of course but again, Im watching with the assumption that this is somehow gonna tie in to some theme about identity so I dont really dwell on the fact this weirdo is calling his son by last name. Then theres a dialogue card that i dont misread thats like 'something something Joh Fredersen' and Im like ohhhhhhh nvm, thats their last name and Freder is... the protagonists first name then? okay sure. But once I realize that I start thinking. okay so, i have a hard time explaning whats going on in my head when I watch movie especially without sounding stupid so bear with me here. You know how in medieval europe most people didnt really have last names the same way we do now, they either just had their occupation or their father's first name + -son at the end? Yeah, so I was thinking about the name Frederson as a corruption of Fredersson (Freder's Son) and how that could potentially play into some identity-related themes, because for some reason within the first few minutes I just got really attached to the idea of this movie having themes like that somehow. And like, i guess I wasnt entirely wrong but idk, i wouldnt really say this movie has anything to say about identity so much as I would say that it has the characters swap places a lot. Anyway, then shit goes conpletely off the rails and i forget about my precious Identity Themes for the remainder of the film

And Im telling you all of this because i watched the film a few days and I watched the musical based on it the same day as the film and just a few hours ago I listened to the 2001 german radiodrama and only now did it truly hit me that Freder's full name is.... Freder Fredersen. thats what his dad called him. Honestly that might be the worst of all his crimes against humanity

[linagram]

i was in a silly goofy mood last night so have some memes :) okay maybe not some. maybe a lot victims and side characters are also included!

[txttletale]

hey what DO you watch on youtube? seems like you'd have some neat recommendations :3

i really loathe the like super-highly edited sound effect post-mrbeast slop most of youtube is now so i mostly like stuff that's like... calm and sedate. stuff i've been watching lately in no particular order:

northernlion vods and clips. he's an OG. i especially like his react court series, i must have watched all of them like five times.

speaking of OGs i've been watching zero puncutation (now fully ramblomatic) for like ten years and if anything it's only gotten better. best game review content on the internet. been really enjoying his more recent, slightly longer and more thoughtful 'extra punctuation/semi-ramblomatic' series too.

any austin's skyrim unemployment rate videos. instant classics to me, it's just a guy going around in skyrim trying to figure out the unemployment rate in every town. it's a very dry kind of humour, he plays it admirably straight, and it's weirdly calming.

kitten arcader's foot the bill videos. in a kind of similar vein, he watches the saw movies and then produces an itemized bill for everything jigsaw needed to buy to make his traps. it's kind of like... if cinemasins was fundamentally curious instead of fundamentally incurious, it scratches a similar sort of nitpicky detail-oriented quantifying itch but without inimical to the concept of art.

shuffle up and play. it's a magic the gathering play series that has enough editing that the gamestate is actually legible but not enough editing (or at least, not enough obtrusive in-your-face editing) that its annoying. i also like that they reguilarly play non-edh formats like cube and pauper.

spice8rack. i'm pretty picky about video essays but spice8rack has very obviously actually read books and has interesting things to say about the topics it discusses (mostly magic: the gathering). sometimes it has a kind of grating Theater Kid Energy but the fact that it actually meaningfully structures essays and analysis to earn the silly long runtimes is a rare delight from a video essayist.

jenny nicholson is a long-time favourite and another permanent fixture in my rotation. she's just extremely, remarkably funny which makes her the only 'basically just summarizing a thing' youtuber i think is worth the time of day.

i watch some sketch comedy, mainly wizards with guns and aunty donna, who both consistently put out really funny stuff that's kind of ITYSL-adjacent in its barefaced absurdism and contenmpt for concepts like "stopping a joke at the logical punchline". i also really like alasdair beckett-king and binging the old clickhole backlog for short-form comedy on youtube.

wolfeyvgc is right on the edge of the level of editing i find tolerable but as a long-time fan of multiple esports he Has It, he's absolutelyt fantastic at t elling the narrative of a tournament, explaining plays clearly, and generally making competitive pokemon esports thrilling and interesting ti someone (me) who#s never played it and doesn't care about pkoemon that much

i religously watch every elliespectacular/dathings YTP, the absolute best in the game right now, top tier snetence mixing and really good at actually setting up and paying off jokes in a way it feels like a lot of ytp doesn't. verytallbart is also pretty good.

trapperdapper is a channel i recently binged, it's a really fucking funny parody of minecraft challenge content that veers slowly from obvious angles of parody into pure absurdism with tons of blink-and-you'll miss it subtle visual gags.

too much future is a great youtube series where the two guys from just king things/homestuck made this world play through every fallout game and analyze them in that context. extremely funny and also just top-tier very sharp analysis. really good

another one of the rare good video essayists is jan misali. they're really funny and will go into topics that kind of seem narrow or strange to begin with in such depth and make them so interesting that it's consistently astonishing.

oh and finally sarah z makes pretty good videos. 'the narcissist scare' is an absolutely brilliant deconstruction of one of the most annoying pop-psych phenomena of the last couple years. and remarkably well script supervised i think did anyone else watch it and think 'wow the script supervisor on this must have been, a mind geniuse'

ok i think that's all i've been watching lately. hope you like whcihever of these recs you check out :)

[jamieenthusiast]

I yap about Forever + Falling with you

Forever being the end song to murder drones- and its lyrics being what they are

gives me the impression Murder Drones was a big love story about opening up and trust hidden under mounds of comedy and violence

And I dont mean that it ACTUALLY is, its more just.. a silly little feeling I get when i listen to it

Theres something about the song thats so... cozy? So like, softly spoken. A very hummable melody from one lover to another.

also falling with you, like what the fuck

never in my life have I felt a track was so carefully crafted- and prepared, carved out for two specific characters in one specific moment.

She made the choice to sacrifice herself- for him. In her eyes it was the end and if at the end of everything she could guarantee the life of one person it was going to be the one she loves, she didnt know what would be at the other end,

The thing is, he wanted to be there for her. Even when they're knocking on deaths door, he needs to be there.

Its like trust fall exercise, except the focus isnt on 'catch me' cause they'd never let the other fall,

its about making sure they dont fall when youre not looking. It hurts both parties, to crash without warning and to see the one you love fall

I *love* that they dont speak here. She looks to the side, shifting her glances before looking at him.

An unspoken guilt ridden apology.

The response he chooses?

forgiveness,

Even if the result of her actions hurt him- her intentions were good and meant to be entirely in favor of him

And in this moment, with their current history and with a yet to be seen future, he forgives her,

Cause at the very least, they're together again. He could save her.

And her look just, screams thank you to me.

Thank you for forgiving me, saving me-

for everything :) /ref

lighthearted preparation for whats to come :)

legitimately, what she says, reiterating herself "die mad bitch"

knowing theyre heading into the end of the world to prevent it?? Theyre going off to the fucking trenches together, key word this time being together

And then the horrible unexpected !

Uzi is ripped away from N, confronted with what her home has become, the universe is practically screaming at her to fix it, pushing her towards the end without mercy

But shes not doing it alone, she cant do it alone, not again, not this time

And he wouldnt let her

The universe could endlessly attempt to wield its cosmic grasp to push these two apart but itd never work, itd never end with them alone

Their love- their pure devotion to each other,

is so celestial in its own right

Not super related to my ramble but i love that in them becoming official (I will not call this a confession, N definitely confessed the previous episode)

Uzis so.. wagh.. her eyes.

That trademark look of panic or worry- I mean what would you expect from the black sheep of the colony? Being excluded on the daily, left to your own abandoned devices?? The reassurance she was requesting just, ughh.. my heart...

and the way. He fucking looks at her

Its so, soft. He knows she has not a thing to worry about. His heart is completely and utterly hers. Where most would die for their love, he lives for her.

The universe would be dammed to ever try and separate pure unbridled love like this ever again

ERM< ANYWAY that was super gay ew idk why im like. obsessed with their relatinshuio ahhajfhdgjbsjhfm someone blow me up

[yurimother]

The 2023 Yuri Guide - Anime

Your ultimate guide to the best Yuri content with over 200 curated titles from every genre and medium.

Adachi and Shimamura

• School • Slice of Life • Romance • Friends to Lovers • Slow burn

Adachi and Shimamura's days of skipping school offer a new world to explore. But as these delinquents bond, unexpected emotions begin to blossom. Now if they could just admit how they feel…

Streaming on Crunchyroll (Sub/Dub)

BIRDIE WING -Golf Girls' Story-

• Sports • Comedy • Drama

Eve is an underground golfer who supports poor street orphans with the money she makes from illegal golfing matches. But her life is about to change forever when she meets a young golfer who's just arrived from Japan...

Streaming on Crunchyroll (Sub)

The Executioner and Her Way of Life

• Action • Fantasy • Isekai • Enemies to Lovers

When Menou, an Executioner of deadly interdimensional “Lost Ones,” encounters a Lost One named Akari who can cheat death, she sets out on a mission to kill the unkillable girl — but her newly stirring feelings might get in the way of her blade.

Streaming on HIDIVE (Sub/Dub)

Flip Flappers

• Fantasy • Action • Magical Girl • Love at First Sight

Cocona’s world is turned upside down with the appearance of Papika. They set off on an adventure in “Pure Illusion.” In the pursuit of the “Shards of Mimi,” obstacles arise, and the shards enable them to transform.

Streaming on HIDIVE (Sub/Dub)

If My Favorite Pop Idol Made it to the Budokan, I Would Die

• Comedy • Music • Multiple Couples • Love at First Sight

Two years ago, super-fan Eripiyo was hypnotized by Maina Ichii and her pop group ChamJam. Now Eri dreams of seeing her favorite group make it big, to the Budokan arena! Her passionate desire consumes money and time—but no cost is too high. This is fandom!

Streaming on Crunchyroll (Sub/Dub)

Inugami-san to Nekoyama-san

• School • Slice of Life • Comedy • Multiple Couples

A mutual friend introduces Yachiyo Inugami, a dog-like girl who loves cats, and Suzu Nekoyama, a cat-like girl who loves dogs. The girls find themselves drawn in by their opposite traits and the most outlandish relationship starts to take form in this wild comedy that will have you barking (and meowing?) with laughter.

Streaming on Crunchyroll (Sub)

The Magical Revolution of the Reincarnated Princess and the Genius Young Lady

• Fantasy • Romance • Comedy • Isekai 

When noblewoman Euphyllia is unjustly stripped of her title as the kingdom’s next monarch, the buffoonish Princess Anisphia takes it upon herself to right this wrong. Despite being taken for a fool ’cause of her silly antics, Anisphia is a magic genius, and she has a plan to help Euphyllia regain her good name. But little do they know—their encounter will alter the kingdom and the entire world! Streaming on Crunchyroll (Sub)

Maria Watches Over Us

• School • Slice of Life • Senpai/Kouhai • Multiple Couples

Students at Lillian Girls’ Academy become “soeurs” to support each other during their time at school. Shy Yumi Fukuzawa never thought she’d attract a soeur like the beautiful Sachiko Ogasawara, but Sachiko has unexpectedly set her sights on Yumi!

Streaming on HIDIVE (sub)

Mobile Suit Gundam: The Witch from Mercury

• Sci-Fi • Mecha • Action • School • Drama • Marriage

A.S. (Ad Stella) 122― An era when a multitude of corporations have entered space and built a huge economic system. A lone girl from the remote planet Mercury transfers to the Asticassia School of Technology, run by the Beneritt Group which dominates the mobile suit industry. Her name is Suletta Mercury. With a scarlet light burning in her pure heart, this girl walks step by step through a new world.

Streaming on Crunchyroll (sub/dub)

Otherside Picnic

• Action • Sci-FI • Horror • Slow Burn

Moments from death, Sorawo is saved by the mysterious Toriko in the world of the Otherside. Entranced by its beauty, she discovers that this dimension is inhabited by monsters once thought imaginary. Joining with Toriko in her search for a missing friend, they set out to explore this nightmare realm and maybe make a little money. What they encounter could bring enlightenment—or drive them mad!

Streaming on Crunchyroll (Sub/Dub)

Puella Magi Madoka Magica

• Fantasy • Magical Girl • Horror • Tragedy • Fated Lovers • Multiple Couples

Madoka Kaname is an average 14-year-old girl who loves her family and friends. One fateful day, this all changes when she has a very magical encounter with a strange creature called a Kyubey. Kyubey have the power to grant one wish to chosen girls. However, in exchange, those chosen must become magical girls and use their powers to fight against witches, evil creatures born from darkness and catalysts of despair. Was this encounter by chance or fate? No matter the circumstance, this will surely change her destiny.

Movies Beginnings and Eternal retell this legendary and dark fantasy story with new and retouched animation and voice acting. The sequel film Rebellion follows Homura, unable to let her memories die, the magical girl continues to fight alone in the world that Madoka left behind, dreaming of meeting that nostalgic smiling face one more time...

TV - Streaming on Crunchyroll/Hulu (Sub) Films licensed by Aniplex of America

Revue Starlight

• School • Action • Drama • Weak Yuri

Childhood friends Karen and Hikari promised that they would one day become the next theatrical stars. Years later, the two finally have their chance during a mysterious audition, but they are not the only ones who have trained for this moment.

Streaming on HIDIVE (Sub/Dub)

Riddle Story of Devil (Akuma no Riddle)

• School • Action • Enemies to Lovers • Multiple Couples • Love at First Sight

Twelve female assassins are sent to a prestigious boarding school to compete against each other in a secret killing game. The winner will be granted anything her heart desires, but only one girl can come out on top. The mission is simple: send fellow student Haru Ichinose to an early grave. The task should be easy for heartless assassin, Toukaku Azuma – but everything changes when she finds herself strangely drawn to her naive target. Her decision to use her lethal skills to keep her new friend alive will raise the stakes of the game and push the girls closer together as the other beauties threaten to tear them apart.

Streaming on Funimation (Sub/dub)

Sakura Trick

• School • Slice of Life • Comedy • Friends to Lovers • Multiple Couples

Best friends Haruka and Yu are about to take their relationship from friendship to something more when they share a kiss! But when one kiss becomes two and three, how will their relationship change?

Streaming on HIDIVE (Sub)

Strawberry Panic

• School • Drama • Romance • Senpai/Kouhai • Multiple Couples • Love at First Sight

Nagisa has just transferred to a prestigious all-girls school that happens to share a campus with two other elite academies for young women. The new surroundings are overwhelming but Nagisa quickly adapts to life in Strawberry Hall with the help of her new friends. However, when Nagisa catches the eye of the mysterious Shizuma, the respected representative of all three schools, both their lives are forever changed. A bond beyond mere friendship develops between the two ladies amidst a chaotic school year full of heated conflicts, petty jealousies, and crossed boundaries.

Streaming on Crunchyroll/RetroCrush (Sub)

Sweet Blue Flowers

• School • Romance • Drama • Friends to Lovers

Fumi Manjoume enters Kamakura's accelerated high school - Matsuoka All-Girls High School. While waiting at the Kamakura station on the day of her entrance ceremony, she runs into an old childhood friend whom she had not seen in 10 years: Akira Okudaira. As their friendship is rekindled and they start falling back into the rhythm of friends again, it starts a delicate love story...

Streaming on Crunchyroll (Sub)

Volicia of Pluto

• Action • Indie • Sci-Fi • Mecha

In 2006, Akiko Hoshigami’s dreams of track-and-field stardom are dashed after a leg injury. She enters high school with her best friend, Ayano Umisoe, and between club activites and meeting new friends, the empty Akio begins to resember her former self. Until one day, Ayano suddenly dissapears.

Streaming on YouTube (Sub)

Yurikuma Arashi

• School • Drama • Sci-Fi • Enemies to Lovers • Multiple Couples

In a world divided between humans and hyper-intelligent, man-eating bears, Kureha attends an all-girls school and holds onto a simple wish—to spend the rest of her life with her classmate and soul mate, Sumika. But after a secret rendezvous ends in tragedy, Kureha vows to never back down on her love and put a bullet in any bear she meets.

Streaming on Funimation (Sub/Dub)

YuruYuri

• School • Slice of Life • Comedy • Multiple Couples

Four students decide to occupy the room of the defunct tea ceremony club, dubbing it the ‘Amusement Club.’ While the Student Council does its best to eliminate this club, their endless energy, happiness, and comedy will keep audiences smiling all season long!

Streaming on Crunchyroll (Sub)

Read More of the 2023 Yuri Guide

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[hey-august]

Buggys dickhead being just as red as his nose is something I unironically approve of because:

A: It’s always fun to give him something that makes him feel like a freak (derogatory), but his partner loves about him because he’s such a cute little freak (affectionate, worshipping, head over heels „I don’t have to fear to be different around you because you are different too and I love you“ in love with him). Meaning both comedy and fluff options are real high with this

B: The fucking potential you could have with the sexual teasing are you kidding me? It’s silly as fuck but also kinda…He at first doesn’t know how to feel about it because he always feels like his partner is gonna jump up and go“ YOU FOOL! TWAS AN ELABORATE RUSE ALL ALONG!“ when they do it but…. Goddamn if the way they suddenly make eating red cough drops of all things doesn’t make him harder than he thinks it could. Just putting the candy between their middle and index finger and giving it a long, overly salacious lick while making eye contact before just popping it into their mouth. They put a bag of cherry lollipops on the grocery list for the next town they dock at and he already has a Pavlovian response just reading that. „I got you those candy apples you wanted.“ „Thank you Cabaji! I was having some real… cravings …you know?“ „We know.“ „Seriously I love that hot red , sweet, sensual glaze soooo much. It’s the best. I would put it in my mouth in its entirety but it’s just soooo big-„ „HiCabajiByeCabajiIneedASecondAloneWithThemBye!“ Everyone’s so done with those two. Give that unicyclist a raise honestly.

Oh. My. GoodNESS. YUP. I am here for this. I absolutely get wanting to bestow this extra oddness onto Buggy…he’s just so fun to mess with and to love on. And I adore the whole “we’re two weirdos in love” thing. It’s both fucked up and pure. 🖤

Plus the way this would just add to the relationship?? UGH. Buggy would have tried his damnedest to keep you from seeing that extra bit of shame. No lights on during sex. In fact, let’s fuck under the blankets.

Oh, a blow job? He’s not one to turn that down, but how can he get it in your mouth without you seeing it? A blindfold? It would only work if you agreed and this is not the moment to bring that up. Things are moving too fast and you’re practically salivating. You actually are. You’re drooling and fuck- “My dick is red.”

He didn’t even get to say it before you exposed the extra hue. And the poor clown, not only is his nose and the tip of his dick a bright red, but so are his cheeks and that blush is spreading fast. But faster than that, is your mouth on him. Did he know red is your favorite color?

And sure, it definitely takes a lot of time for Buggy to accept that you do like it. Love it. Adore it. That you aren’t planning to fuck with him, but you want to worship him. To worship his entire body.

And to tease him. Definitely tease him. The poor crew, but it’s just so fun to mess with Buggy. He gets flustered far too easily.

We all know about strawberries and whipped cream, but what about strawberries and sweetened condensed milk? The creamy liquid dripping on a bright red strawberry. The way you lick the sticky substance soooo slowly while staring at Buggy. The little string that trails from the fruit to your mouth. The explosion in his pants looks exactly like that damn strawberry.

Maybe when you’re done with that little snack, you’ll be in the mood for something with a bit more body.

[tossawary]

I'm going to rewatch "Revenge of the Sith" later and I don't remember the original trilogy all that well either, but... both "The Phantom Menace" and "Attack of the Clones" seem to suffer tremendously during their final battles because the films keep cutting away from the potentially dramatically and emotionally rich sequences to... the childish physical comedy adventures of sidekick characters.

I'm not going to pretend that "Star Wars" isn't incredibly silly at times. "Return of the Jedi" has the Empire being murdered by teddy bears with sticks at one point, and I am personally incredibly fond of this sequence and the Ewoks generally for no good reason I can name. But, from what I remember, that movie was better editing-wise about letting more dramatic sequences like Luke versus Vader breathe emotionally. We had some time to settle into these fights, to feel Luke's fear and anger, to see Luke's resolve, you know?

And in "A New Hope", the climatic dogfights involve people dying and it's treated quite seriously. A lot of lives are on the line with the Death Star's destruction. The characters go into the battle knowing that some of them won't make it back. And in "The Empire Strikes Back"... as far as I vaguely remember, there's not very much silliness at all at the end of that movie, the protagonists "lose" and all of the characters are in a lot of pain. The camera stays with them to show us their agony and grief and strength.

But in "The Phantom Menace", the film keeps cutting away from Qui-Gon and Obi-Wan versus Maul in favor of Jar-Jar Binks tripping over droids. Jar-Jar Binks fighting to defend his homeworld against an invading army, as his people die around him, is treated as an utter joke. Pure comedic relief with no substance at an utterly inappropriate time. They are undercutting the "war" in "Star Wars" that was a big part of its tone. The film doesn't bother to treat anyone like they or their lives matter in that sequence. And Anakin is in a ship he's struggling to pilot against an entire army, but we never get any real sense of him being afraid of dying in space or being at risk, as he almost accidentally saves the day. Padmé is just... fighting down hallways and it's kind of boring, both action-wise and emotionally. I spent most of the time wishing that the camera would just cut back to Maul again because that fight had actual, like, substance.

And in "Attack of the Clones", the film keeps wasting time cutting back to Threepio with his head accidentally stuck on a battle droid's body, when it's not even clear why he and Artoo are even there beyond just jamming them in as iconic figures from the original trilogy. They shouldn't be there!!! This is blatant shoehorning!!! This is valuable screentime that the Battle of Geonosis could use to focus on the Jedi who are being killed, on the separatists who are being invaded, or on the clones who have just entered the war. Mace Windu or Obi-Wan Kenobi reacting emotionally to the nameless Jedi being cut down around them would have been nice. The confrontations with Dooku could have dug deeper into the emotional and physical pain of his betrayal.

Mace Windu's fight with Jango could have been longer, instead, seeing as the hardest emotional beat we actually get in this film confronting the death of this battle is probably Boba picking up Jango's helmet. A kid has lost his dad!!! We could have seen any of the clones reacting to this, maybe? We could have seen Mace Windu telling Obi-Wan about Jango's death and then Obi-Wan belatedly realizing that they don't know what happened to Jango's child in the chaos. "The Clone Wars" television show ended up doing so much heavy lifting emotionally for this trilogy, because these movies are way too busy with unnecessary Jar-Jar Binks and Threepio physical comedy in all the wrong places.

"Revenge of the Sith" as far as I remember is at least too busy finally focusing on everything going to hell and the tragedy to fit in a jarring sidekick comedy sequence during any final battle. Can you even imagine? Anakin is murdering younglings and the movie keeps cutting back to Threepio and Jar-Jar tripping over droids and shrieking trying to escape Coruscant? I don't remember the movie that well. If there actually is a sidekick physical comedy sequence through the end of the fights in "Revenge of the Sith" that I have blocked from my memory, then I am going to scream into a pillow.

[tobiasdrake]

Do you have any thoughts on Akane Tendo?

There was a time, deep in the stranglehold of toxic masculinity, when I had many thoughts on Akane Tendo. Few of which I agree with anymore.

Like. As a kid, I used to accuse her of being a mean, abusive misandrist. This came out of two places.

First, Americans took Ranma 1/2 a lot more seriously than its author did. The series is over-the-top wacky and intensely violent at the drop of a hat because it's a silly comedy series about over-the-top caricatures of people being wacky at each other. None of these people are meant to be aspirational role models. The world of Ranma 1/2 exists purely in the realm of complete absurdity.

When Akane slams a table down on Ranma's head for saying that his boobs are bigger than hers, it's meant to be taken with the same level of severity as when Bugs Bunny cracks a giant hammer over the back of Daffy Duck's head. It's happening because sudden violent outbursts are funny, and this is a slapstick comedy.

As to the misandry thing, that's just plain old failure to sympathize with women. Akane's life situation is that some boy at her school basically claimed ownership of her and declared, on her behalf, that she will date any boy who can defeat her in a fight.

So now every single boy in her school, respecting the word of that other boy and never even so much as asking Akane's opinion on the matter, comes out every morning to try and beat her up. So that they can win the prize of Akane as their Woman Trophy, something that she never even agreed to or had any input in to begin with.

You know what?

I would fucking hate men too.

I've grown up a lot since I first met Akane Tendo. It will be very interesting to see her with new eyes.

[cybertron-smash-or-pass]

I mean yeah voice actors voices are hot but also like in appearance

Corey Burton is a cutie

You know what, that's valid

You must go on a vision quest to see what the MCU is blind to (and by that I mean go find one (1) weird indie movie youve never heard of and watch the whole thing). Then you will be cleaned of your corporate media sins (/lh)

Oh good, I get to talk about this dumbass show (beloved)

RiD 01 as a whole is a SILLY fuckin show. Like they took the sillygoofy nature of g1 and went "bet," then cranked it 10 times higher. G1 still had its somber moments. Character work. Genuinely threatening and downright cruel villains. RiD 01 has occasional complex characters, but 90% of the time, this show is a fairly low-stakes comedy that's going full camp.

The autobots are dysfunctional and just straight up weird. Three of them are brothers, and it's not a trio anyone would EVER expect. Prowl is a fucking narc. Brawn is here but he's named X-Brawn bc I guess he had to get that Xtreme rebrand for the 2000s. He's also closer to Ironhide than anything, complete with the Texas accent. Their other brother is named Sideburn, he's the bumblebee equivalent as the Designated Kid Appeal Character, but he's also, and I shit you not, a sex pest about red sports cars. Not just bots with sports car alts. Any red sports car. He will drop everything to go chase a sexy red car and he catcalls it the whole time. The TFA constructicons have NOTHING on this guy. He gets so aggressively horny on main his narc-ass cop brother has to arrest him for it.

Optimus is here, and he's got his own family trouble. He has a brother too, and it's fucking Ultra Magnus. Magnus hates his guts because OP got chosen as Autobot leader and he didn't. At one point they find a cache of blank protoforms, Megatron gets to it first, and has one of them scan both himself and Optimus when he comes online, which results in Scourge, my lameass emo boyfriend i was defending through the whole Scourge War. He's literally just, like, Their Kid and he fucking hates his autobot dad so he lives with Megatron instead to try and make him proud of how Evil and Competent he is.

Megatron has like. Too many altmodes. Just too many. One of them sort of kind of counts as a sports car, that is partially red, Sideburn gets horny about it. Finding out it was Megatron did not stop him for asking for a date. Canon bisexual before IDW, even in the English dub.

The main villains serving Megatron are the predacons and they're about as threatening as team rocket and roughly half as competent. One of them is a squirrel voiced by Steve Blum. The second in command is SkyByte and he's so fucking bad at being evil. He writes poetry (which Optimus roasts the shit out of). He takes online personality quizzes and then gets legitimately upset if he doesn't get the results he wants. This was the plot of an entire episode. He has a crush on Megatron and fantasizes about doing a good job for him. He doesn't like scourge because he thinks he's Meg's new favorite. He does circus tricks on command. He has a soft spot for kids and he was so nice to them while actively trying to be evil that he ended up with a fanbase in-universe that followed him around and encouraged him to be a good guy. He is the EPITOME of a skrunkly little loser boyfailure AND he's a shark. What more could you ask for.

This is not even a quarter of the insane shit that happens in this show. It has NO chill, ever. If you want to see pure, unbridled chaos from robots that are usually at least a little more serious and intense, I literally cannot rec it enough. A lot of hot robots too, tbh. The things id do to Midnight Express...

Beeussy

[tyrantisterror]

You Don't Remember Muncher

Sony, as a film-making company, has reeked of desperation for at least a decade at this point. They have IPs that they know SHOULD be making them more money but they just. Can't. Get them to. And sometimes this results in them taking some big creative swings, to be completely fair - I love the Spider-Verse movies, and you don't get movies that expensive and conceptually heavy with a studio executive who's playing it safe. And I think the fact that they keep taking these big swings even when some of them end up duds like Sausage Party is commendable.

But I do think one of their big problems is this inability to understand that 1. films are a form of art and 2. what art is. They're good enough to understand that artists know what art is, which is more than a lot of studio leadership can say, and those big creative swings they take come from trusting artists to do their art thing. And even their misfires tend to have laudable stuff - Sausage Party may be an SNL gag that someone decided to stuff full of the most dated racism and bigoted jokes imaginable to get up to movie feature runtime, but the animation in it is oddly beautiful, even when depicting things that are repulsive. Like a protestant on the way to Dracula's castle, the heads at Sony seem to treat their artists with respect despite not understanding why they gave them a rosary and other primitive superstitious charms to protect them from vampires.

But when they have to make choices themselves, hoo boy, those poor bastards. They don't know what they're doing.

So Ghostbusters is one of those valuable IPs Sony is desperate to monetize, right? They just know they can have a huge hit on their hands with Ghostbusters. It was popular in the 80's, and things that were popular in the 80's are HUGE now! Look at that Stranger Things, baby!

Now, the heads at Sony may not be able to understand art, but they try. They are at the very least good at picking apart a piece of art and sussing out what ingredients made it, like Claire Saffitz trying to recreate an oreo. For their 2016 reboot, they correctly deduced that the original Ghostbusters was 1. a comedy 2. starring at least two actors from SNL and using their star power for promotion and 3. was liked by nerds because the heroes are out-of-shape nerds rather than chiseled Rambo/Arnie types. Also it has ghosts in it, probably.

Now, the problem is, the SNL actor-led comedy was taken out into a dark alley and slowly beaten to death by Adam Sandler and his cadre of goblin men starting somewhere around the time Little Nicky was made. It gave way to the era of cringe comedies like The Hangover and Judd Apatow bromances, which were led less by SNL stars and more by actors and actresses who'd gotten their start on NBC thursday night sitcoms - a minor difference, perhaps, but notable I think. And, like, even then, by 2016, that era was also pretty much over. The cringe comedy was a dying genre. Comedy itself, at least pure comedies, was kind of losing its place in film, being supplanted by action movies with more quips than they used to have. We were three years deep into THE WHEDONING.

But being three years behind the curve has never been a problem Sony worried about. I mean, historically it should be, but they never do. So Sony tried to assemble the best Ghostbusters they could make from the ingredients they could suss out, using the closest equivalents they could make. Grab some of the actresses from Bridesmaids, and an SNL star or two if you can. Kristen Wiig and Melissa McCarthy have a pretty good banter going on ala Bill Murray and Dan Akroyd, really put them front and center. Oh, and we sussed out another ingredient! The original Ghostbusters had Sigourney Weaver as a love interest, and she was the star of Alien, which our Sony genre determining bot claims is an action movie, so let's get a hot action star as a love interest. Chris Hemsworth! Oh, we can make him be a silly goober like we did with John Hamm in Bridesmaids! People love handsome guys being silly goobers! (in this, Sony is correct)

The result was... fine, I think, if missing a few crucial ingredients. You know the ghosts in Ghostbusters? First syllable of the title? Most of the ones in the 2016 movie are just, you know, transparent humans, maybe a bit bluer than normal, making maniacal faces. Whereas in the original:

Well, they got some fucked up freaks in the original.

A lot of fans didn't like the 2016 movie, some for stupid sexism reasons, some for "I don't see why you need to remake Ghostbusters at all really" reasons, and some for, like, just personal taste reasons. It did not provide the big box office hit Sony wanted. Their first attempt to recreate the oreo was a failure.

So they go back to the drawing board, listening to the loudest, angriest criticism and looking to what's working outside of their influence for answers. Fans thought the 2016 movie was too different, not reverent towards the original as the perfect golden calf of Bill Murray comedies that it is. So this new reboot would be oozing with reverence. Fans didn't like the cast of ladies, so, yes, got it, scrap the lady-led ghostbusters.

Star Wars Fans loved that J.J. Abrams Star Wars reboot, The Force Awakens, for being a sequel rather than a full reboot, but also for just telling the same story they already love but slightly different. And nerds in general still fucking love that Stranger Things show - they even had an episode where the Stranger Things kids wore ghostbusters costumes! Hey, there's a million dollar idea, Stranger Things kids... as ghostbusters...

Now, the one thing they can't take from The Force Awakens is copying the tone of their original movie, because they tried copying the irreverent tone of the original Ghostbusters and fans did not like it. They need to be reverent to the original, because that's what The Force Awakens, even if showing reverence at all is antithetical to the tone of the original movie itself (which it is, because Ghostbusters is an irreverent Bill Murray comedy, like that's its whole schtick). But if they can drape this new-found reverence in 80's nostalgia, maybe, just maybe, nostalgic fans will be too dumb to notice.

And hey, they love that Stranger Things, which is a big homage to The Goonies and E.T. and Steven Spielberg-esque stories about pubescent kids going on perilous adventures where they face bad guys and learn life lessons in the process, reverent but dated in the same time period as Ghostbusters. And what an idea... Stranger Things kids... as ghostbusters...

This was admittedly a lot of preamble to get to the actual topic: Muncher. See, in that Force Awakens style, they needed to not only bring old characters from Ghostbusters back, but also make new characters who are really just the old characters but slightly different. For example, The Force Awakens brings us BB-8, who's basically just R2-D2, but visually different enough to feel new, and maybe a little cuter. Instead of moving on treads, he moves on this big ball, which is more complicated from a puppetry aspect and thus looks a lot more impressive and just a bit more "modern" while still basically being R2-D2 again.

Such was the genesis of Muncher.

Slimer (originally called Onionhead by the production staff and John Belushi's Ghost by Bill Murray) wasn't intended to be the franchise mascot, in part because Ghostbusters was never meant to be a franchise. He was a one off ghost who's iconic design and role as the first ghost to be busted made him a fan favorite, and eventually became, like, the ghostbusters' dog in the cartoon series. We love that for him, but the fact remains that Slimer's success was accidental.

Muncher, by contrast, was an attempt to recreate Slimer. But different! He's a gross gluttonous monster, because that's what Slimer is, but there's a lot less focus on wet goo when he eats and more solid chunks. See, it's different? And you know what's popular now thanks to, like, a cracked article or something? Tardigrades! They're these cool little microscopic things that everyone's making into monster designs now, they're even on a Star Trek! Why, if we made Slimer 2 - err, that is, Muncher have some tardigrade elements, he'd look weird and, like, modern - but not too modern! Like Slimer, but different!

Before Ghostbusters: Afterlife came out, there was a LOT of Muncher merchandise. A lot. Which makes sense, Slimer had so much goddamn merch in the heyday of the original Ghostbusters. There was fucking Slimer toothpaste. Toothpaste! From Slimer's teats!

It looked identical to Slimer bubblegum.

But, for whatever reason, Muncher did not connect like Slimer did, and so Sony did a last minute trend-chasing pivot and tried to focus on the new hotness: cute baby versions of characters who were old and not cute in the original movie.

I don't know if this scene was planned to be in the movie before The Mandalorian was a big success, or if it was a hasty addition to it, but it doesn't matter, because what does matter is the late marketing shift to focus on these little fuckers, and giving them lots of toys. They're already in the marketing for the sequel, where Muncher is nowhere to be found.

Because you don't remember Muncher, do you?

Muncher didn't connect. They took a swing with Muncher and they fucking whiffed. They made a shitload of Muncher toys and all those little blue fuckers ended up clearanced to Hell. Muncher is a failure, a loser.

You don't remember Muncher.

And you never will.

[mdhwrites]

I saw a post a while ago lambasting Amphibia for having its characters 'do the most horrendous shit imaginable' for the sake of comedic plots and get off far too easily for it. In their view, Amphibia took slapstick comedy way 'too far' sometimes. I thought this was quite hyperbolic; the protagonists made serious mistakes, but rarely anything I'd call unforgivable, especially since they'd almost always show a level of remorse. But it did make me think about the way immoral acts are portrayed in comedic shows, and how we, as viewers, can tolerate and forgive things we probably wouldn't in real life because of the way these acts are presented to us.

I mean, think about Hop-Pop using mind control on Anne, Sprig and Polly in Children of the Spore. If anything like that happened to you in real life, chances are you wouldn't react to someone violating your body and mind by shrugging your shoulders and going 'well, guess we pushed you pretty far.' You'd probably beat the shit out of HP and never talk to him again. But that episode is kinda self-aware about the awfulness of it all (which I love). Polly flat-out says the old frog crossed all kinds of ethical and moral lines XD

Going back to the whole 'too far' accusation, though, I'm pretty sure we're smart enough to understand the difference between a silly frog show and real-life crimes. I don't think there needs to be super realistic consequences to everything (as the post I mentioned was suggesting) when your focus is on writing a slice-of-life fantastical comedy. I guess the only real argument you could make is 'but it's teaching kids to forgive absolutely atrocious, unforgivable things!' And...maybe? But I'm pretty sure any kid with their head screwed on straight understands not to replicate or forgive immoral behaviour too easily.

I guess what I'm trying to ask is, do you think characters doing awful things for the sake of comedy or plot can go too far, in that they can unintentionally make characters far too heinous to sympathize with, or do you think complaints like those of the post I mentioned above are a result of taking something far too seriously? Is there even such a thing as 'too far' when it comes to slapstick comedy?

So let's talk about intent, tone and framing because these things REALLY matter to a story. It's actually part of the problem with fandoms wanting everything to be realistic, darker, etc. because they're really asking for one thing: For them to all be the same. To not be what they are because, you know, the fact that these are comedy cartoons for kids MATTERS.

But first let's actually shift gears AWAY from cartoons for a second to talk about things being genuinely irredeemable for comedy. MANY people are really against prank style reality tv because it preys so completely on human suffering. Because these people are doing terrible things to just normal people. I personally don't like the premise... But I like Impractical Jokers. That show frames it DEMONSTRABLY more about terrible things happening to these four friends, by these four friends, and usually the worst they do to others is leave them a little confused or a bit uncomfortable. One of the big elements to changing this is that all the challenges are effectively dares. Someone either commits to the bit or if it becomes too much, they dip out but they are ALLOWED to dip out, minus the final jokes which are always pretty much purely at the Joker's expense.

Are these four people bad people? No. But part of why we also know that is because it's television and they're doing it to entertain as part of being comedians. Bizarrely enough, a lot of modern cartoon fandoms seem to want to act like fiction IS reality. It's where you get people going "Oh, you're being so cruel to a 14 year old, nuerodivergent girl!" and me going "I'm being critical of a character in a narrative. Can you please stop telling me, an actual human being in the real world, to kill myself because of a fictional character?"

Because shock of all shocks, PEOPLE CAN TELL REALITY FROM FICTION! In fact, even kids can! The fucking video game industry had to go through this hell HARD to prove that killing people in a video game is not the same as having psychopathic tendencies in the real world. Do you know how many kids play CoD? And those kids are fine. At least most of them.

So with all of that preamble out of the way: When can a morality focused show fuck up?

It's actually incredibly rarely in the terrible things the characters do because the show USUALLY addresses these elements as part of the moral of the day.

For the example given of Hop Pop's mind control, it is shown as... Eerie to put it mildly. Even from go, Hop Pop only enjoys it so long as he doesn't have to interact with it. It is never framed as a positive besides a bit selfishness. However, Hop Pop is a good enough person to show genuine remorse and try to fix this. He puts in a lot of effort, is admonished as the lesson of the day is learned to not try to control people and to potentially compromise and then it MOVES. ON. Because they live in a fantasy world where anyone could die at any second. A day of none thoughts is not actually that big of a deal, especially since it wasn't done out of malice or even really on purpose. It's a part of the fun of the setting and of the fantasy genre as a whole that you can just do these weird concepts like this and move on because magic happens sometimes. You might grumble for a day or two but hey, at least it was your neighbor and not the king, am I right!? Hail King Andrias.

A big part of this though, and why so many morality driven shows can have characters do terrible things without imparting the wrong lessons, is because it's addressed. Pretty much explicitly. It is framed as wrong, addressed as wrong and then fixed because it was WRONG. Even if it gives momentary gain, that gain is almost always also included in being wrong.

It's actually a formula that Amphibia purposefully breaks for an episode, carrying it over from directly the one before, because there genuinely was one crime committed that hadn't been addressed and by the time it was, that sin had grown to a point where it was too reasonable to have a character still be mad to ignore it: The music box. Hop Pop hiding it is actually an AWFUL thing to do because it dooms Anne, it means her parents will never get closure, dooms the rest of Anne's friends, etc. etc. Hop Pop has to be okay with Anne never quite being fully happy because of always wanting to go home while also living with this false hope that he implanted into her. A trust he has not earned because of the lie.

So even after they theoretically have their morality episode about the box, Amphibia takes this time for such a PERSONAL attack on Anne to stick with her for another episode during The First Temple. It actually acknowledges that you don't get over everything immediately. That sometimes you need space. I don't even like that episode but the break in formula is actually meant to make the message more powerful, and does so successfully, especially because the crime was different. It wasn't of indifference or something quickly fixed. It was of long term AGONY and a complete breach in trust that would make one question what relationship they can have with another person. There's pretty much zero other crimes in the show like that besides Sasha/Marcy's betrayals, which aren't treated as easy fixes, and Andrias' betrayal is the heel turn that makes him the primary antagonist. These crimes, these personal, genuinely awful things to do to other people that could be replicated, unlike so much of the fantasy violence, are usually seen as something you do have to work on. It's a great, nuanced take on being a morality one off show while also being able to elevate some issues to being dealt with more seriously and consistently.

Also, quick note from someone on my Discord: They NEED to do bad things in order to teach! They are meant to be the bad example so when their actions lead to things going wrong, you understand not to copy that behavior. This is honestly storytelling 101 for most... Plots. Not just morals but plots. If the characters do NOTHING, nothing happens and nothing will be learned.

You want a show that will teach kids bad lessons and then reinforce there are no consequences for those? WELCOME TO THE OWL HOUSE! Specifically: The show that tells you to lie and keep secrets because your fear justifies keeping them!

I know that sounds shitty but like... Luz is the main character. For half of the show, she is portrayed as the second most moral character in the show behind Willow. She admonishes stealing, cheating, etc. as her contrast with Eda. Then after Yesterday's Lie... She literally can't stop lying and never faces consequences for it.

The closest actually comes in Falls and Follies where Amity at least forces a promise out of Luz to be more open with her. This actually though doesn't fix the problem, it just makes it WAY WORSE because one of the main targets of these lies, that kids can easily replicate, especially because Luz is almost always lying about things that might upset others which is the most common thing kids will lie about, is Amity. So now we have both lying and breaking promises. You know, two of the most basic morals any kids show should impart on the audience!

In Reaching Out though, Amity gets a little mad but then it's excused because of her dad! In Thanks to Them, no one gives a shit that Luz has been keeping secrets and lying for months. Camila makes sure Luz DOESN'T tell her friends the truth either about her plans. You know, Luz's MOM who should want her daughter to be an honest person. The show then constantly keeps cutting Luz off from telling anyone anything because it literally can't without revealing how bullshit what she's doing is until by the end of the show... Luz hasn't been punished in any way and the lies just... Drift away.

Completely unaddressed.

This causes a problem because while the lies theoretically hurt Luz... They hurt less than losing her friends. Hurt less than disappointing a parent. Hurt less than making her look bad. And this is the main character. The one kids are supposed to connect with the most. The one who usually most explicitly defines the morality of a show. And she is never punished or stopped from all. Of. Her. Lies.

(As a note: This is also how you get a lot of guys taking the wrong lessons from anime perverts. Sure, this guy gets smacked but he never loses his friends. Never faces real consequences. In return... He gets way more ass than the main character does, doesn't he? *gags violently*)

THAT is how you impart bad morals. It's not surprising to me that the fandom for TOH hides behind excuses so much for their show because their literal main character was justified, in fiction, to have all of the terrible things she did, all the choices she didn't have to make or the people she discarded, because she ALWAYS had an excuse. And so long as you have an excuse, by what TOH says, you can get away with fucking anything.

And mind you, that last part is NOT Luz specific. Have a bad uncle? Don't worry Hunter, the fact that you literally hunt, oppress and potentially kill wild witches can be entirely forgotten and ignored. Have a mean mommy? Don't worry Amity, we literally never have to properly address the literal years of bullying you did to another character or even how attempting to kill Luz was wrong. Collector? COME ON! You just had bad friends/family so now you just need good ones and we can forget all about you oppressing people for fucking months!

This isn't addressing these problems. These are excuses. And excuses can seem REALLY appealing to people. After all, how many hide awful acts or statements behind: "Come on, it was just a joke." Shields are useful for trying to avoid criticism after all. If you never acknowledge you were in the wrong, you don't have to feel bad for having done something mean, let alone terrible.

Just to bring it back to Amphibia: Sasha tries to do this. She believes she knows best so she feels justified in all she does because it will make everyone the happiest, at least in her own eyes. Then in Turning Point, she realizes the folly of her ways, addresses that she was a terrible person and plants her foot down FIRM. No more acting the part of protector while actually being a tyrant. She will risk her very life in order to right these wrongs. And we see it also in Commander Anne where she is taking the change seriously. These are two half episodes, a single episode in full, that lets us know that her actions were inexcusable and that they were wrong and now she is allowed to be a part of the good guys now that she has made sure the audience knows that they can look to her as an example.

One full episode to ADDRESS the fact that what Sasha did was wrong and to not excuse it but to learn from it.

That's why all these terrible things protagonists do in shows is fine. They learn from it. They genuinely regret their actions. They show the audience why they shouldn't have done it. It's never okay to the show that they did. Not that it can't be forgiven, because people should be allowed the chance to grow, but that it still wasn't okay.

For a kid's show, that is pitch perfect. It's why moral of the day storytelling exists and I can't really think of any huge errors in this department on Amphibia's side. It's pretty damn good at smacking someone over the head when they act like a jackass. At bare minimum, there are WAY worse examples out there.

======+++++======

This is absolutely one of those criticisms that has me look at the person making it and go "Just admit you don't like cartoons. Or children's media in general probably." Admittedly, there's actually plenty of adult stuff just as childish, no one stays mad in Family Guy, so it's probably just "You don't like cartoons." It's the sort of bad faith criticism that just reveals you as not having actually wanted the product but whatever you thought the product should be.

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.

[angellic-critique]

Honestly my biggest fear is to end up writing my characters the same way vivzie does, I feel like she doesn't even try on certain characters(female characters and literally any other that isn't her "uwu baby boi must be protected at all costs" characters like stolas, angel dust). Like imagine completely missing the point of your own character/srs

to everyone pre-release worries and anxieties just as much as I have-- Please take this time to read or explore different interests of books or authors of subjects and genres you like ! In the era of internet where the golden age of information is rusting into brainrot, the less time online anymore the better. I've been taking javascript/python tutorials for myself attempting to make a dating simulator for literal years at this point and its bounced around to the point of where I branched off to develop my own murder mystery 2-d sidescroller !

I wish for this to be a farewell letter to the crushed hopes and dreams I had for the original hazbin pilot and crew has moved on to other things whereas viv attempted to spitefully keep a story she clearly doesn't have any passion over- it is very evident over her lack of care for her own characters purely for the monetary gains of attempting and sadly wriggling her way into industry the way she did is so abhorrent to the world of genuine art and animation I grew up with.

Has Vivzie ever read a Felix the Cat comic strip or Dilbert even Hägar The Horrible? Does she even know about the history and strive of depth that animation has been at for hundreds of years? Does she even like comics, clearly not if she doesn't even have the patience to write her own and horribly rush whichever story she's interested in that day. I've never seen a careless writer be this selfishly unashamed to write literal garbage and surface level 'intrigue' of design and then falling flat face first at EVERY step. Hope she becomes as unbearable of a director as John K. is because honestly even though I'm cringing making that comparison, it's pretty fair in my book considering the outright ABUSE she has always trying to talk or hoard artists into her 'pet project' I recommend above anything else to watch Dan Stamanolous' 'Moral Orel' if you want an actually funny dark comedy or Christy Karacas' fast paced dark horror comic-come-to-life Superjail! for good animattion that doesn't belittle its audience... *[Trigger Warnings for Adult Swim-esque outdated 2007 humor and light transphobia, read for your own triggers if you dont want to though, please!]

The fact that Stollitz is written so flimsily like a wattpad fanficiton of tropes rolled into one is astounding to me, I used to like the dynamic pre-season 2 as I've mentioned on here and @tired-hellowl so I really don't want to get a headache going into how I USED to like it-Realizing the problematic consent issues all of STOLASS is, I physically cannot watch another Helluva or Hazbin promo anymore without rolling my eyes into the back of my head.

To the anons and people who used to also enjoy vivs work, there are other artists and there are other stories to tell. If you wish to be inspired from Dante's Inferno/Hell or WESTERN CHRISTIAN BASED RELIGION keep in mind what source material you're doing because I don't even think vivzie has picked up the bible once in her life.... And I say this as a drifter in the world who believes in reincarnation I don't really vibe with the athiest stereotypes however, I don't believe in most religion but more power to people that do get hope and love from their teachings and cultures.

She entirely missed the mark for several years, nearly a decade. Viv has had time and time again chance and opportunity to give a chance of storytelling with demons and what does she do? Adult Cartoon that has the demons scream 'FUCK SHIT DAMNIT DAMNIT LOOK IM SO HORNY AND SILLY AND WACKY WOAHH THE SCREEN IS CONSTANTLY MOVING YOU CAN NEVER HAVE A SECOND TO BREATH IN ANY AMOUNT OF WORLBUILDING OR SETTING BECAUSE FUCK. YOU.'--

I have said this time and time again- there is no substance or worth about Helluva Bosses or Hazbins writing, even without the show not being released because Amazon seems ashamed about it, I know it'll be a shitshow.

Honestly at this point I agree with the redesign community, take any character you used to like and rewrite them until it's unrecognizable from the original source material, let those fuckers in space fight alien pirates or hell take them out of the heaven and hell trope and just flip it on it's head entirely out of earth or wherever you want to set your story! I'm personally redesigning angel to be a slight aid to my addiction help via rewriting him into my murder mystery heheh while keeping the sexual abuse and recovery in mind because woah that shit happened to me too man !!!

I wish the best to any future writers, animators, programmers, lovers of animation or art, you can do what you put your mind and hands to! Spread more positivity and love then hate in this world please guys, this'll be the last time I pop in I promise I'm trying to get a better job and hopefully get accepted in a community college that i've been on the fence over trying to do more online coding ! The sky is the limit!<3

[myheartissetinmotion]

you know what I want?

I want a production of into the woods featuring the dropout cast.

I want all of that gloriously chaotic, wickedly smart energy that I know they could bring to it

I want to see the way this show can *hit* with the help of the audience’s preconceived notions. a big part of ITW is taking public knowledge of these old stories and shattering expectations; a lot of droupout’s success comes from its audience’s adoration of these people and their relationships, at least what’s shown on camera-everyone has an idea of what each cast member is like, and to see them play characters somewhat like or unlike their personas or the characters they usually play and then take them through the journey of the show would just. be. incredible

I want the pure warmth that would come from Brennan and Izzy’s rendition of “it takes two”

I want Jess Ross’ delivery of “THERE’S A DEAD GIANT IN MY BACKYARD”

I want to see Grant and Ify’s “agony” break the internet

I want to see Katie’s well-known and beloved “quirky girl” vibes contribute to the pain of Rapunzel’s breakdown (or to see the chaos of her Little Red, can’t decide)

I want Sam Reich as the narrator/mysterious man, and I want to see the half-joking edits people would make, putting audio of his and Brennan’s duet over clips of the most diabolical episodes

I want to see that beautiful dropout-trademarked mix of comedy and depth in the context of this striking piece of musical theatre, with the core message of “careful the tale you tell, that is the spell”. because we’ve always watched these people do their silly little prompts and play their silly little games and laugh together and then all of a sudden they’ll hit on something real and break all our hearts, because the stories we tell *matter*, and that is something I’ve seen shine through both pieces of media that I would just so love to see come together

(disclaimer, I’m speaking as someone who’s so far only seen game changer, half of make some noise, and a bunch of clips of other shows-I’m working my way through all the content and I’m sure that once I finally watch D20 my mind will explode with even more of these thoughts)

[lily-alphonse]

what if... shane and mr. qi

Bro what 😭 I know absolutely nothing about Mr. Qi. BUT I have like 2 or 3 more asks with him in it so it looks like Im gonna have to build a characterization for him real quick lol. I love him though. Love a weird little cryptid man and the fanart is so good.

What interest would he have in Shane I wonder? Maybe it's an AU where Shane is the one to take over the farm and everything so he's secretly special. OR... Mr. Qi just enjoys watching a dumpsterfire. There's no TLC in Stardew Valley so what better reality TV content than to watch the town drunk? Maybe even make things a little worse for him sometimes just for funsies.

You know how in the Sims, if you have an unlucky Sim they can cheat death because Grim either pities or is amused by their shenanigans? That's the dynamic I think. Shane is so unlucky that Qi finds him endearing over time.

Qi would start to leave notes for him, trying to send him on adventures or test him. Shane would have none of it, crumbling the weird notes and suspecting someone was playing some kind of prank on him. Qi gets annoyed about it. Enough to even reveal himself, but he picks (what may or may not be) the best time because Shane is so drunk he doesn't even care.

Mr. Qi almost blends into the darkness by the dock, except his cape shimmers with moonlight and catches Shane's eye. He approaches him when he's discovered.

"Shane," he says in greeting.

It makes Shane wonder if he knows him. Then he wonders if he should be worried about this random shady character approaching him. But he also looks kinda silly, a wide hat and sunglasses obscuring his face, and the most obvious answer is that he’s finally snapped.

Shane narrows his eyes at him, trying to decide what to name this odd figment of his imagination. "Mr..." he starts, and Mr. Qi is almost ready to be impressed until Shane settles on "Hat."

Qi isn't sure whether to laugh or disappear in a rage.

A sort of scoff comes out instead and he sits next to him on the dock. 

"Where did you come from?" Shane asks.

"I come from everywhere." 

"Figures," Shane mumbles into his beer can. He downs another drink. "You're not gonna be some kind of like... conscious that talks in riddles or something are you?"

It feels appropriate, almost making them equals, for Shane to see him as an imaginary friend. It makes up for the way Qi had started to see him as a pet. 

"Not a conscious, though I might speak in riddles occasionally."

“Dammit. Tracks I guess. Can never make sense of any of the shit up here,” he mumbles, gesturing to his head.

Qi had been planning to ask him about the notes, maybe even scare him a little. But here he was being handed the golden opportunity to see into Shane’s mind, and that was even better.

Actually, being an unknown, an enigma, had always been the goal. Short of that,he was forced to keep a carefully curated reputation of mystery, which was not at all the same. Meeting in this way turned out to be a blessing.

“Why do you think you’ve summoned me here?”

“I'm drunk.”

“I can see that.”

“I dunno, I'm pathetically lonely," he says with an exasperated sigh, "Obviously.”

Qi feels a twinge of something unnameable at that, though it's still pretty amusing. He likes the blunt way Shane speaks, especially when he puts himself down, its pure dark-comedy gold. It feels different when directed at him personally though. Like some long-dormant human urge within him makes his heart ache to match Shane’s.

“Are you?” he asks simply.

"D'you have eyes under there?" Shane slurs, looking at him more closely.

"Would you have made me without eyes?"

"Good point. The fuck are we talking about? Who are you?"

"Mr. Hat, apparently."

"Right."

Anyway, they continue to meet like this, with Mr. Qi as his supposed imaginary friend, and Mr. Qi begins to genuinely enjoy the connection they have because no one has ever treated him like this. Everyone he meets is intimidated by him, afraid of him, or looking to screw him over. And beyond that, when he was younger and more human, it was always people wanting to know him. Always so many questions.

His goal was always to be unknown.

He gets that with Shane, under the pretext that he does not exist. It’s freeing, and paradoxically allows him to open up. Any perceived oddity about him only gets turned into a reflection on the darkness in Shane’s mind. In this way, Shane might know him in a deeper sense than anyone else has in a long time. Plus, Qi doesn’t laugh this much with anyone else.  

Shane wants to be unknown too, in his own way. But he starts to hate himself a little less, after these late night talks to ‘himself’. Weirdly he starts drinking less and the hallucination stays. 

I think there would be quite a dramatic falling out when he finds out the truth, but in a way, Shane would also be relieved that this was a real person he could potentially be with.

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