#its one of those things where its kind of vague and i have a really hard time with that. also word limit it 800 which like. good. but also

[rodrickheffley]

have an assignment due tonight in 11 hours i have 4 sentences

[vaspider]

In defense of retellings & reimaginings

I'm not going to respond to the post that sparked this, because honestly, I don't really feel like getting in an argument, and because it's only vaguely even about the particular story that the other post discussed. The post in question objected to retellings of the Rape of Persephone which changed important elements of the story -- specifically, Persephone's level of agency, whether she was kidnapped, whether she ate seeds out of hunger, and so on. It is permissible, according to this thesis, to 'fill in empty spaces,' but not to change story elements, because 'those were important to the original tellers.' (These are acknowledged paraphrases, and I will launch you into the sun if you nitpick this paragraph.)

I understand why to the person writing that, that perspective is important, and why they -- especially as a self-described devotee of Persephone -- feel like they should proscribe boundaries around the myth. It's a perfectly valid perspective to use when sorting -- for example -- which things you choose to read. If you choose not to read anything which changes the elements which you feel are important, I applaud you.

However, the idea that one should only 'color in missing pieces,' especially when dealing with stories as old, multi-sourced, and fractional as ancient myths, and doing so with the argument that you shouldn't change things because those base elements were important to the people who originally crafted the stories, misses -- in my opinion -- the fundamental reason we tell stories and create myths in the first place.

Forgive me as I get super fucking nerdy about this. I've spent the last several years of my life wrestling with the concept of myths as storytelling devices, universality of myths, and why myths are even important at all as part of writing on something like a dozen books (a bunch of which aren't out yet) for a game centered around mythology. A lot of the stuff I've written has had to wrestle with exactly this concept -- that there is a Sacred Canon which cannot be disrupted, and that any disregard of [specific story elements] is an inexcusable betrayal.

Myths are stories we tell ourselves to understand who we are and what's important to us as individuals, as social groups, and as a society. The elements we utilize or change, those things we choose to include and exclude when telling and retelling a story, tell us what's important to us.

I could sit down and argue over the specific details which change over the -- at minimum -- 1700 years where Persephone/Kore/Proserpina was actively worshiped in Greek and Roman mystery cults, but I actually don't think those variations in specific are very important. What I think is important, however, is both the duration of her cults -- at minimum from 1500 BCE to 200CE -- and the concept that myths are stories we tell ourselves to understand who we are and what's important to us.

The idea that there was one, or even a small handful, of things that were most important to even a large swath of the people who 'originally' told the store of the Rape of Persephone or any other 'foundational' myth of what is broadly considered 'Western Culture,' when those myths were told and retold in active cultic worship for 1700 years... that seems kind of absurd to me on its face. Do we have the same broad cultural values as the original tellers of Beowulf, which is only (heh) between 1k-1.3k years old? How different are our marital traditions, our family traditions, and even our language? We can, at best, make broad statements, and of inclusive necessity, those statements must be broad enough as to lose incredible amounts of specificity. In order to make definitive, specific statements, we must leave out large swaths of the people to whom this story, or any like it, was important.

To move away from the specific story brought up by the poster whose words spun this off, because it really isn't about that story in particular, let's use The Matter of Britain/Arthuriana as our framing for the rest of this discussion. If you ask a random nerd on Tumblr, they'd probably cite a handful of story elements as essential -- though of course which ones they find most essential undoubtedly vary from nerd to nerd -- from the concept that Camelot Always Falls to Gawain and the Green Knight, Percival and the grail, Lancelot and Guinevere...

... but Lancelot/Guinevere and Percival are from Chrétien de Troyes in the 12th century, some ~500 years after Taliesin's first verses. Lancelot doesn't appear as a main character at all before de Troyes, and we can only potentially link him to characters from an 11th century story (Culhwch and Olwen) for which we don't have any extant manuscripts before the 15th century. Gawain's various roles in his numerous appearances are... conflicting characterizations at best.

The point here is not just that 'the things you think are essential parts of the story are not necessarily original,' or that 'there are a lot of different versions of this story over the centuries,' but also 'what you think of as essential is going to come back to that first thesis statement above.' What you find important about The Matter of Britain, and which story elements you think can be altered, filed off or filled in, will depend on what that story needs to tell you about yourself and what's important to you.

Does creating a new incarnation of Arthur in which she is a diasporic lesbian in outer space ruin a story originally about Welsh national identity and chivalric love? Does that disrespect the original stories? How about if Arthur is a 13th century Italian Jew? Does it disrespect the original stories if the author draws deliberate parallels between the seduction of Igerne and the story of David and Bathsheba?

Well. That depends on what's important to you.

Insisting that the core elements of a myth -- whichever elements you believe those to be -- must remain static essentially means 'I want this myth to stagnate and die.' Maybe it's because I am Jewish, and we constantly re-evaluate every word in Torah, over and over again, every single year, or maybe it's because I spend way, way too much time thinking about what's valuable in stories specifically because I write words about these concepts for money, but I don't find these arguments compelling at all, especially not when it comes to core, 'mainstream' mythologies. These are tools in the common toolbox, and everybody has access to them.

More important to me than the idea that these core elements of any given story must remain constant is, to paraphrase Dolly Parton, that a story knows what it is and does it on purpose. Should authors present retellings or reimaginings of the Rape of Persephone or The Matter of Britain which significantly alter historically-known story elements as 'uncovered' myths or present them as 'the real and original' story? Absolutely not. If someone handed me a book in which the new Grail was a limited edition Macklemore Taco Bell Baja Blast cup and told me this comes directly from recently-discovered 6th century writings of Taliesin, I would bonk them on the head with my hardcover The Once & Future King. Of course that's not the case, right?

But the concept of canon, historically, in these foundational myths has not been anything like our concept of canon today. Canon should function like a properly-fitted corset, in that it should support, not constrict, the breath in the story's lungs. If it does otherwise, authors should feel free to discard it in part or in whole.

Concepts of familial duty and the obligation of marriage don't necessarily resonate with modern audiences the way that the concept of self-determination, subversion of unreasonable and unjustified authority, and consent do. That is not what we, as a general society, value now. If the latter values are the values important to the author -- the story that the author needs to tell in order to express who they are individually and culturally and what values are important to them* -- then of course they should retell the story with those changed values. That is the point of myths, and always has been.

Common threads remain -- many of us move away from family support regardless of the consent involved in our relationships, and life can be terrifying when you're suddenly out of the immediate reach and support of your family -- because no matter how different some values are, essential human elements remain in every story. It's scary to be away from your mother for the first time. It's scary to live with someone new, in a new place. It's intimidating to find out that other people think you have a Purpose in life that you need to fulfill. It's hard to negotiate between the needs of your birth family and your chosen family.

None of this, to be clear, is to say that any particular person should feel that they need to read, enjoy, or appreciate any particular retelling, or that it's cool, hip and groovy to misrepresent your reworking of a myth as a 'new secret truth which has always been there.' If you're reworking a myth, be truthful about it, and if somebody told you 'hey did you know that it really -- ' and you ran with that and find out later you were wrong, well, correct the record. It's okay to not want to read or to not enjoy a retelling in which Arthur, Lancelot and Guinevere negotiate a triad and live happily ever after; it's not really okay to say 'you can't do that because you changed a story element which I feel is non-negotiable.' It's okay to say 'I don't think this works because -- ' because part of writing a story is that people are going to have opinions on it. It's kind of weird to say 'you're only allowed to color inside these lines.'

That's not true, and it never has been. Greek myths are not from a closed culture. Roman myths are not sacrosanct. There are plenty of stories which outsiders should leave the hell alone, but Greek and Roman myths are simply not on that list. There is just no world in which you can make an argument that the stories of the Greek and Roman Empires are somehow not open season to the entire English-speaking world. They are the public-est of domain.

You don't have to like what people do with it, but that doesn't make people wrong for writing it, and they certainly don't have to color within the lines you or anyone else draws. Critique how they tell the story, but they haven't committed some sort of cultural treachery by telling the stories which are important to them rather than the stories important to someone 2500 years dead.

****

*These are not the only reasons to tell a story and I am not in any way saying that an author is only permitted to retell a story to express their own values. There are as many reasons to tell a story as there are stories, and I don't really think any reason to create fiction is more or less valid than any other. I am discussing, specifically, the concept of myths as conveyors of essential cultural truths.

[mudstoneabyss]

please they need to let me interview them please my casual daydream fantasies have shifted to just thinking about if i got that opportunity somehow

I should be allowed to interview brinknor over this one I have to know just what was going through their minds to end up here

[wszczebrzyszynie]

what is the like.... overarching plot of dns? is there an antagonist/conflict?

well this is fun. DNS does not have a real antagonist, so all the conflict is very character focused; it revolves around Przemek and Mikita trying to find their place in life as people who never truly felt like people. a very coming of age/slice of life kind of thing; its main theme is loneliness and all the things that come with it. The more detailed plot synopsis is under the read more as it turned out very, very long for a story that doesnt exist outside my head. It may just be the longest oc post i ever wrote here. 2 thousand words! thats a small fanfic. i dont know if i can call that a synopsis

The entire plot takes around one year (from one autumn to the next one) and is vaguely divided by the seasons; its not exactly on par with actual season dates, but its easier to categorise them that way for simplicity.

First fall, Przemek gets hired to be a junior gardener/garden help (which in this case oftentimes means doing whatever physical work in the palace needed) into a slowly collapsing, understaffed and isolated palace of a dying family line, the quite peculiar Kowalewicz family, with the owner, Eliza, rarely staying at that place. Durning work, he accidentialy gets lost in the building and catches a glimpse of a resident no one ever mentions, who just as quickly disappears. This "ghost" encounter is what makes him interact with Ryba more (who is one of the only people his age, his coworker and someone very focused on helping Przemek fit in in general; Przemek doesnt want to talk to people there, hes nervous and doesnt really feel safe away from his family; at this moment he lives from visit to visit, only really trusting his sister with things), and, with Ryba pushing him to see this ghost more, they try to explore the palace when they get a chance. Most notable moment is when they try to offer the ghost some food (bowl of kasha and some eggs) in the evening durning the dziady-all souls day period, to help it "achieve peace in the afterlife", but Przemek is too scared to go all the way and they just... leave the food on the attic stairs he first saw his ghost at. When they try to get back to their rooms (outside of the main palace building), they hear a loud thud above them. Przemek really wants to leave at that point, but he gets dragged back by Ryba, only to see that their ghost has fallen down the stairs (presumably tripping on the food) and is now unconcious. They dont know what to do and think they killed him, before he regains consciousness. Thats how they meet. Luckily for them he is far to unwell and dizzy to recognize what made him trip

Winter (late autumn-early winter) is the beginning of Przemek and Mikas relationship and the hostility that came with it. Przemek feels stupid for assuming Mika was a ghost, and Mika is just being generally unpleasant to him (and to lesser extent, Ryba, who tries to befriend him at any cost), because hes generally awful like that and wants to be left alone. He starts leaving the attic less the more Ryba pushes, but hes still willing to accept Ryba (because Ryba reminds him of a friend he had; Mikita is defined by his past and will clutch onto it because he doesnt want to live in the present and cant even imagine a future. and because Ryba is stubborn and doesnt want to leave Mika alone after thinking they killed him on those stairs; Ryba brings him food and they eat together). While his reationship with Ryba is... alright enough, he and Przemek cant get along no matter what Ryba does to ease things out. The tension between them is slowly building up for months, before in early january they get into a big fight. It ends up getting physical (Przemek finally gets to punch Mikita, who actually fights back and threatens him with a letter opener), and in the aftermath Mikita decides he cant stay in the attic (where the fight took place) and goes into the gardens, where he gets lost once it gets dark (Mikita is able to navigate the palace and gardens while in daylight, but in the darkness he is practically completly blind. While the first part of the gardens is relatively well maintained, the further it gets from the palace the more neglected it becomes, until it blends into the local forests). Unable to find his way back home in the cold, dark winter evening, he realizes hes probably going to freeze to death, and is afraid of dying for the first time; something he thought he was ready for and thought about a lot (to no ones surprise he is suicidal). Its a very important moment for Mikitas character overall. Tired out after what feels like eternity of limbo, he gets found on accident by Mikołaj and Tamara, the church ground/cemetery children, and passes out. This entire woods scene is the moment in the story that starts Mikas journey to become a person again; its his rebirth, esentially. Przemek in the meantime is left with the fact that he cant really help but somewhat identify with the way Mikita treated Ryba (quite badly, even if he was nicer to him than to Przemek), and that he should be a better friend overall; something he never really thought about before, not because hes awful, but because he never really had friends outside of his family, about which he doesnt really want to think about - Przemek gains something new in life to care for and that is his friendship with Ryba, which is both very simple and very difficult for him, but he chooses to focus on it in an attempt to save himself. In some way, those feelings culminated durning the fight, when he punched Mika, but only after he started unpacking what it all entails. In general Przemek starts to question himself more; hes been slowly opening up to other people at the palace for the past few months, and the fight is the trigger he needed to start recognizing that things are changing for him too. The snow starts getting so heavy they cant even leave the oficyna (the building with their rooms, servants kitchen, laundry room and all those things) and are unaware Mika disappeared; Przemek is more worried about the possibility of getting fired in the middle of winter for punching Mika, but Ryba does worry about him. Mikita gets sick and is being cared for by Mikołaj and Tamaras dad; they get along pretty well (especially since Mikita is unwell and had a life altering near death experience) and after two weeks Mikołaj gets Mika back home. No one noticed he was gone

Spring (which is actually late winter/middle of spring). The main three reconcile somewhat after the events of winter; Przemek and Mikita dont like each other, but they start to accept each others presence, mostly for Rybas sake, who doesnt want to be pushy after the winter events and recognizes Mikitas isolationist nature. Mikita starts going out more; not really outside, but starts hanging out in other places in the palace, and even visits the church grounds when he has the chance. This season comes with new characters; Eliza comes back home, and with her comes her brother and his family, who normally live in Britain. Among them is the youngest family member - Dominik, a young boy, who never really saw his dads family home, or ever been to Congress Poland, considering Artur was the first one to get away from that place. Dominik is out of his depth there and doesnt really enjoy that much at first; Ryba spends his time on trying to learn more about the kid, trying to make him feel more welcome. Przmek doesnt really care for the residents and wants to keep his distance, but he also feels like he cant leave Ryba alone, and so he runs errands with Ryba while he tries to help. While he manages to get along with the boy (who is drawn to anything cool his older peers do; and Ryba is plenty cool), he starts to recognize that the issue lies in him missing his home and the other side of his family, something neither of them can really fix. Its something that resonates with Przemek and forces him to finally think about his own family life; something he has been somewhat avoiding since his first arrival. Every month, Przemek gets to come back home for two days, and with each visit it has been getting harder, mostly due to his sister, Lena. Przemek starts the story very... depressed, mostly being dragged around by others, but now hes different. Hes still relatively meek, but being able to focus on new relationships and experience the weird but unconditional support at the palace made him a calmer, bit more content person, who can make choices for himself. In Lenas eyes however, her brother is leaving them behind, not as much physically as mentally, and she starts holding a grudge against him, causing tension Przemek doesnt understand or know how to fix it. The siblings relationship is something id like to go more in depth in another post if anyone would be interested in it, as its one of my favourite relationships in the story, and a very important one

Summer (late spring-late summer) is the last "proper" season. Over a month after Artur and his family come back home, another guests arrive - Beatrycze and her father, who is a close friend of Eliza, who will be staying there for a while. At that point Mikita has made a lot of progress since he first fell down the stairs and is taking part in the palaces... social life, if you can call it that, to an extent. Trycz is a peculiar guest, as she avoids talking to anyone, usually haunting the hallways and forgotten rooms of the palace, or walking by herself in the gardens. When caught, shes polite, but runs away from conversations at the first possible moment. Its Mikita who gets to actually talk to her first - and he does not like her, but this encounter makes Trycz open up a little. As a trans girl shes not very open to meeting strangers, but Mikita is... peculiar enough himself, with the rest of the palace (he doesnt go outside so he wears whatever, and he looks... queer enough to clock immidiately, i suppose. Trycz mistakes him for a girl herself at first) to make it better. While for Trycz it was a relatively nice encounter and a stepping stone in making friends at the manor, Mikita starts to get stuck in his own head. Once Ryba and Trycz become friends, and hes forced to listen about her from both the only peer hes willing to talk to, as well as the adults at the palace, he realizes just how completly envious he is of her. Convestations with Trycz and her family open up a box he has made his life goal to not think about - that he is, ultimately, still a failure, and his life will be forever defined by his childhood. In his head, Trycz is a literal better version of him, something he cant be anymore, and hes left to deal with that. He has to accept that he will never truly leave the attic - while someone like Trycz or Ryba or even Przemek can find their people, Mikitas ability to love died with his mother, and now he has nothing, he cant truly connect with anyone and he always will be a bit lonely. Summer for him is both a setback and a start; he will never be able to regain the relationship he used to have with his mother, but shes not here anymore, and he is. While his former attempts at getting better were rooted in wanting to be a bit like before, he recognizes he cant really do that. Przemek on the other hand gets to experience a... Ryba withdrawal, of sorts, as their relationship gets on the harder to understand side, and Przemek needs space to think about everything going on. He doesnt want to hang around the guests, and he still feels lost in regards of his family. Out of lack of options, he tries to talk to Mikita when they meet on accident - something they dont really do since they dont have to anymore. They actually manage to hold a conversation and share advice. Mikita tells him off for being so helpless and makes him go talk to someone more competent about his issues, but he does envy him for being able to care so much. The time of the next visit is getting near, and Przemek knows he has to do something about it, as he decided to not visit last month and feels incredibly guilty about it, ultimately finding his way back to Ryba. In the process of making sense of his family situation, he realizes he may be in love with Ryba, who pretty much knew already. He comes back home for a visit and apologizes to Lena for leaving her alone

Next autumn is an epilogue of sorts; a then vs now kind of thing. Przemek and Ryba help Mika move out of the attic into a different room in the palace

I dont think im capable of talking about my ocs in just a few words. I cut out some things (Rybas whole deal, the relationship between Lena and Przemek, Mikita durning spring) but i think thats the main meat. Its not much but its something i cherish

[catmask]

if it's not too intrusive, would you be comfortable talking about your experiences with OCD and maybe what made you seek a diagnosis?

idm it might help other people. i mean disclaimer not to use this as a diagnostic tool but if this sounds like u and u got a doc to talk to its worth bringing up

i think an important place to start and why i didnt think i had ocd is i am 1) autistic 2) a csa victim. this is pertinent because all of the things that actually lead me to get diagnosed with ocd i just kept dismissing as parts of those two other things. thinking 'surely this is all thats up there cant be anything else wrong with me' (<- thoughts of a clown)

the trouble with this is that coping skills id found for parts of both autism and csa trauma weren't working with things i later found out were related to ocd. so like, for example. frequently having intrusive thoughts about csa/sex trauma, i was told that if im experiencing a flashback the best thing i can do is try to ground myself and comfort myself. and yeah this is true, it would work if a flashback is all it was. but what it DIDNT account for is the guilt/dirty feeling id get after having them and the obsessive need to be 'clean' after.

and this trickled into hundreds of aspects of my life. 'cleaness' has always been such a vague unattainable concept unmedicated for ocd. if some things touch other things theyd become 'unclean'. if a person i felt uncomfortable around touched me or something it became 'unclean'. there were 'good' and 'bad' thoughts to have. i was constantly existing as if my presence was being monitored 24/7.

i could not fucking relax because every action i took, regardless of whether or not i was in private, i was constantly thinkin 'am i doing something wrong? am i hurting someone by doing this? am i breaking any rules?' and the 'bad thing' i was doing was like. i missed my boyfriend while he was at work. or i was going over former scenarios in which i was socially awkward in my head and wondering if i should be dead for doing that.

part of why i dismissed this as autism ofc too is yknow. being autistic i often missed social queues as a kid and was pretty brutally punished for it (physically by my parents, emotionally and socially by peers) so i was like yeah its Normal and Realsitic id have super intense fear about 'am i secretly doing something bad and dont realzie it because no one will fucking tell me until ive already done it and its too late and then i deserve all the punishment i get' but where my loved ones stepped in and were like Hey thats Not really normal. is where it waslike. other autistic people going 'brother i dont do that'

so yeah. it was like. kind of rule of elimination? the problems that wrrent getting solved by coping skills for the Other problems i Knew i had, i isolated those leftover things and my doctor was like 'this sounds like you have ocd. do you do this too' and listed out like 60 other things i didnt consider symptoms i just considered 'funny quirks' i had, like crying so hard id throw up if i couldnt get a blanket to lie perfectly flat during a picnic when i was 8 or thinking i was going to hell and my stuffed animals could feel pain so i would apologize to them iver and over while crying when they fell off the bed

you know. 'quirks'

[evilminji]

You know? I kinda wonder...

In a Self Insert type scenario, in Star Wars?

They would be MUCH more open to listening to "buddy, a storm's comin'" type warnings. Their Cannon knowledge, even if spotty, would probably echo with the Force and draw its attention to them somewhat. Because they KNOW.

KNOW what is going to happen. Not guess. Not assume. KNOW. Like the Force does. And that? Coupled with their inherent strangeness? Would make them the oddly colored duck of the flock, as it were. Not Super Important... buuuut? Easy to spot.

One of the Force's Blorbos.

Just cause, really. Cause they look funny. The Force doesn't even have a plan for um! But they turned up, ate the Force's food, and look at their wittle faaaace~☆! So it's keeping them. You know... assuming they survive.

Which?

Brings me to my point?

Since they LISTEN? The Force probably chatters like a mofo. Since a Self Insert would be anxious and constantly ASKING for wisdom. For help. A friend. Guidance of any kind. The Force would be draped around them like a particularly pleased with itself shoulder cat. A hovering backseat driver.

Because you DO keep asking, after all.

It's like muscle memory. Building strength. Not... not GREAT, in all actuality? Because Self Insert is avoiding making their OWN choices, probably out of fear? But on the OTHER hand? Both of them KNOW that there is literally a Sith Master like... less then 5 minutes away from where they live. Constantly.

And they are a Youngling.

So???

At What Point?? Does the Force? Engage "Fuck it, we take our baby and run" protocols?

Just? FULL ON "you stop midway through making your dinner, turn off the soup, pick up your kids, leave the house, and NEVER LOOK BACK". Because? Yes. The Jedi KNIGHTS and MASTERS may have vows to try and protect the people of the Republic?

BUT THE YOUNGLINGS DO NOT.

They, in fact, need to be PROTECTED.

And if the Force itself? Says "if you stay here, they WILL die."? You gotta go. Hopefully? You have enough warning to like... pack a ship. But, ya might NOT. Might just be "aaaand, everybody put down your pads! Suprise field trip to Anywhere Else! IMMEDIATELY. Single file, younglings. No running!" Like?

What would you do?

I kinda wanna see it.

Just this somber, vaguely haunted, crechling walking up to import figures like Madam Nu and Yoda going "if I tell you The Force told me we have to take the younglings, ALL OF THEM, and any history we think is worth preserving, and LEAVE... would you listen? Or would you let us die here?" With their tiny lil face and to serious expression.

Like a prophet of Doom.

And WHERE? Exactly? Are they supposed to go? Oh, simple. They are to Trust In The Force. And let it guide them. Out IN THE UNKNOWN REGIONS of wild space! Because THATS fine! Is this a joke?

No.

No the youngling is dead serious. Terrifyingly serious. Has been studying how to pilot a shop like they will have to do so THEMSELF. Asking questions that paint a concerning portrait of a child that fully intends to take their peers on this journey, with or without them.

And the Force? The Force says they MUST. That it is impossibly important they DO.

WELL THEN....

Do they... TELL anybody?

No. Not a single soul. Specifically, not a single soul In The Senate. Ah. Concerning! Guess we're? "Losing" a ship in the war? Oh dear. Such casualties. All those lives. Oh noooooo, and such and so forth. UNRELATED note! It's been FAR too long since this temple was cleaned! Unacceptable. You, random clones definitely not assigned to that ship we definitely just lost! Help us... clean!

Just?

The power of "fuck it, we took our ball and went home/left"? Should be USED more in fics. The Force TOTALLY knows where some sweet, sweet habitable planets are. You'll NEVER fuckin find them if they don't want you too! An entire temple of Jedi asking for the SAME thing? Versus a crusty lil shit?

They asked first. And nicely!

With THIS, balance is maintained. Not through FORCE. But through walking away for a bit. Allowing OTHERS to decide if this is what THEY want for themselves. Order 66 may or may not still happen? But? At most? All you would kill is the current fighting adults. Not the teachers. Not the elders. And CERTAINLY not the young.

They? Are far away. Where the Force is still clear and the light is strong. Growing up. Reflecting on what went wrong. Farming. Building a new temple with the Clones. You know, the ones who didn't have their comms. Never GOT that dreaded order. Get to live free men on a peaceful planet.

Cause historically? You send your kids AWAY from active wars zones. Places that are priority targets for your enemies. And if the Force itself is saying "move the babies"? Welp! Guess you gotta move um, don't ya? It's scary. Uncertain.

But it is an act of faith.

And I just? Wanna see Sith's plans just COMPLETELY fuckin implode? Because they could not plan for Faith. For Trust and Community and Hope. All the things they believe so trite. So worthless. The very things that would lead grown adults, POWERFUL PEOPLE, to actually? LISTEN to a mere youngling. Then follow their lead.

It would be?

Inconceivable to them.

@legitimatesatanspawn @babbling-babull @hypewinter @babbling-babull @hdgnj @starwarsblr @starwars

[theminecraftbee]

i'm still thinking about the fae zedaph prompt so much that i have. an entire au in my head now. that i am now sharing, in case others are interested.

so the setting of the au is an intentionally kind of anachronistic blend of sci-fi and fantasy, and those things often come into conflict, with a lot of magic interacting badly with technology and technology interacting badly with magic. a vaguely earth-like setting from the near future, where there are robots and space travel and cybernetics, but ALSO a vaguely earth-like setting where there are portals you can slip through that will drop you into the feywild and there are magcial creatures lurking beneath the surface. the idea is like, if an urban fantasy had the 'urban' part set in a sci-fi world.

anyway, so zedaph is an ancient fey creature. a wild fey no longer really associated with either court, but at one point having belonged to the seelie court, zedaph mainly just courts chaos. he's PROBABLY some kind of archfey, but it's worth noting that even other fey aren't fully certain what zedaph is supposed to be at this point. see, in a move that makes almost no sense to a human, zedaph has started to get bored of the games of fair folk. he finds them too... predictable! and sure, to HUMANS the fair folk can seem chaotic and without rules, but to zedaph? he wants something NEW AND EXCITING.

too bad that these days, even if he IS invited into the human realm, it is a bit dangerous to navigate for a fey such as himself. his own deep connection to nature and the natural world makes it so he has some trouble when he's in the tall metal cities of the human realm.

enter: tango.

tango is an android built for... some purpose. he's not really sure what his purpose is, or if he still has one, which is kind of distressing, because his creator either died or abandoned him before tango was turned on. he likes building zany contraptions, sure, but he also sort of wants to search for SOME kind of meaning in his life, since androids aren't really built to be purposeless and that lack of purpose is starting to wear at him. and in another setting, this is a great start to a cyberpunk story about what it means to be human, but in THIS setting, tango accidentally proves he must be developing a soul when he stumbles through a portal to the feywild by accident and fails to find his own way out.

the good news for tango is also the bad news: he's not built for a natural place like the feywild. see, his creator had made him largely out of cold iron, and that, even more than any specific technology, repels fair folk magic. so the good news is that he is largely immune to fey shenanigans! the bad news is that the feywild itself is rejecting him, putting him in immense danger.

enter: zedaph, who is FASCINATED to discover that these days the humans are making machines with souls. zedaph, eager to discover something new, makes a bargain with tango: tango guides him in the human world so zedaph doesn't die of metal poisoning, and in return, zedaph guides tango whenever he stumbles into a dangerous supernatural hotspot. look, zedaph's even making a fair deal and everything, since he can't just like, steal tango's name and force him to, on account of not even tango knowing what his true name would be! the two of them shake on it, and as such, a bargain is struck between both android and archfey.

they both find each other surreal and baffling but are ALSO each other's best friends in an equally baffling and surreal world.

impulse comes into this story later--after whatever the first few adventures tango and zedaph have are, exploring both realms together to try to find something new and exciting for zedaph and something to give tango purpose, the amount of magic tango's being exposed to finally takes its toll, and tango starts to malfunction. zedaph panics as he realizes all at once that he has a friend (thing he didn't know he even could get?) and that friend is in danger. also, uh, more importantly that deal. right. that.

naturally, he then kidnaps the first software engineer he can find. this is a proportionate response, right?

luckily the first software engineer he finds is impulse, and impulse is hardly like, normal, either. like, yes, he's a fully mundane human with only the world's most minor cybernetics, he's normal that way, the way he's not normal is that he gets kidnapped by a terrifying and awesome fey to fix a paradoxical android and goes "this is so cool. hi my name is impulse it's nice to meet you! aw, geez," and acts like everything is normal. neither tango nor zedaph are quite good enough at the idea of 'normal human' to dispute this, and a friendship is then born.

impulse serves as the fixer for a lot of their problems that neither tango nor zedaph are equipped to handle, but he's also like, he'd theoretically be the everyman if he wasn't busy going "every man gets whisked away by the plot of a philosophy major's dream every once and a while right" and going with the flow on things NO SANE PERSON SHOULD GO WITH THE FLOW WITH. he's just chilling in the world's least "just chilling" scenario.

so... there you go there's the ENTIRE TEAM ZIT AU that my brain spawned from the prompt "fey zedaph" i hope you enjoy,

[miyahchan]

Week One - October 4th - Werewolf!Choso x Reader

Synopsis: Choso has always been possessive of you, but the full moon brings out a different side of him.

Word Count: 2k

🚨 Warnings: 18+ content, public sex, creampie, rough sex, penetration, all the good stuff.

A/N: It was super hard for me to incorporate werewolf stuff into this post but I did my very best. I’m not used to writing anything about werewolves so some details may be a bit vague or cliche. 🚨

Check out the official Kinktober 2024 post HERE!

Choso couldn’t lie – he felt bad. Really bad.

            He’d known the night wouldn’t go well. The full moon hung over the city like an ornament and bathed the streets in its subtle glow, and the streets were full of strangers focused on getting where they needed to go. He looked ahead of him, watching as you kept an unwelcome distance between the two of you.

            It all started when you suggested a late-night walk downtown. Choso hadn’t been worried about the full moon – unlike his brothers, he had always been able to control his primal instincts. He was the oldest, resulting in him having more experience. It should’ve been easy.

            You had your hand in his, guiding him through the bustling streets as you pointed at random things and talked his ear off about them. A lot of the shops had already started decorating for Halloween and he watched as your eyes widened in awe at every decoration you spotted. It was truly adorable, and he nodded along as you rambled on and on, your happiness being enough to make the night special. It was the most human he’d felt in a while.

            Well, until he came along.

            You felt a tap on your shoulder, causing both you and Choso to stop and turn around. Behind the two of you stood a guy, about your age, and Choso felt his stomach tie itself into a knot when the two of you smiled at each other and sparked up a conversation. The guy didn’t bother to even introduce himself to Choso, instead focusing on you and asking you all kinds of questions, trying to pry into your life. Your boyfriend just stood there, jealousy taking over. 

            He was a friend from college, you had said. Choso knew you’d gained a lot from your college experience; you talked about it all the time and your fondness of those memories made him care about it too, although he’d never had to worry about such a thing. He’d lived a long life with only himself and his pack, so he never had the same experiences as a human like you. It was foreign to him, but he knew he didn’t like it when you were so focused on another man.

            He attempted to swallow down the feeling that was bubbling in his chest. It was raw anger, mixed with something else. That something else was a feeling he’d trained himself to ignore in situations like this. Adrenaline pumped through his veins at 100 miles per hour, and he felt his muscles flex underneath his skin involuntarily. His eyes glanced up at the moon hanging in the sky. Poor mistake.

            The last straw was you laughing at one of the guy’s jokes. The laughter that Choso usually loved to hear became a cue for him to step in. 

            His hands made contact with the guy’s chest in an instant and the guy went flying back due to Choso’s inhuman strength. His body smacked a parked car, making its alarm go off. Choso knew it was a stupid decision, and it was unlike his usual reserved self, but at the same time, it felt amazing. His euphoria was only stunted when he felt you tugging on his arm.

            “Choso, let’s go!” He heard you repeat, and only then did he come down from his high. In that moment, he realized what he’d done. Luckily, the guy was still alive, his chest still rising even though he’d passed out from the physical blow to his body. However, everyone’s eyes were on the two of you. 

            Choso followed your command, the two of you rushing through the crowd. Fuck, what did he do?

            The two of you ran until the coast seemed clear and the sounds of the city started to die down. After you were sure that no one was trailing the two of you, you let go of Choso’s hand and picked up your pace, planning to leave him behind.

            He could smell the rage radiating from you. “Honey?”

            “Don’t “honey” me.” You snapped.

            He could’ve collapsed and cried in that moment. You had never talked to him like that before. Despite his quiet exterior, he tended to get rather emotional when it came to you. It was the closest thing to human he felt when he thought about his feelings toward you. He loved his pack as well – he’d go to the ends of the Earth for them – but you and him were a different type of love that he’d never experienced before.

            “I’m so sorry. I just thought...” He started to ramble before you stopped him.

            “You thought it was a good idea to throw someone into a car for making a joke?!”

            You know, when you put it like that, Choso couldn’t help but to feel juvenile for doing such a stupid thing.

            He picked up his pace to catch up to you, only for you to throw him the harshest look he’d ever seen in his life. He was in deep shit tonight.

            The sound of police sirens echoing through the air made both of you stop in your tracks.

            A look of panic spread across your face. “Oh shit.” You grabbed his wrist and dragged him toward a back alley. “This way.” 

            Choso had no reason to fear the police, but he would indulge in your fear if it meant you’d keep touching him. His face reddened as he focused on your touch. The two of you ducked through alleys, unsure of where the police were coming from but not wanting to find out. You both only slowed down when the sirens seemed far enough away to at least catch your breath.

            You were doubled over, taking sharp breaths as Choso admired your figure from behind. Then, he snapped out of it. How could he be checking you out when he’s supposed to be begging for your forgiveness?

            “This is all your fault, you know?” You wheezed. Your tone was less angry now, even if only because you could hardly breath. 

            “I’ll make it up to you, I promise. How about a candlelit dinner? Or maybe a picnic? A walk on the beach?” Choso listed every date idea he could think of until he felt you place a hand on his shoulder.

            “Do you really get that jealous over me?” 

            He hated how the word “jealous” sounded. “I’m just… protective, over you.” Yeah, that sounded better. “I don’t want anyone taking you from me, that’s all.” He muttered almost pitifully.

            Unexpectedly, you cracked a small smile and planted a soft kiss on his lips. “No one could ever take me from you, Choso.”

            He grabs your face and kisses you again, a soft whimper escaping him. You kiss him back harder and it becomes a game of tug of war for dominance. Your tongues dance in each other’s mouths and you end up with your back against the brick wall, finally accepting defeat. His weight is pressed against you as he starts moving to your neck, where he lightly bites you. He growls as he gets lost in the salty taste of your skin and your smell. 

            “Mark me.” You moan. “I’m yours.”

            That was all he needed to let his primal instincts take over.

            You were wearing a sundress, one of Choso’s favorite outfits on you. It was pretty, but that wasn’t the only reason he liked it. His large hands felt your curves through the thin fabric. A sundress also made for easy access.

            He pulls down the top of your dress, exposing your breasts to the cool autumn air. He latches onto one, sucking on your nipple harshly. You let out a cry, running your hands through his hair and messing up his spiky ponytails. Your moans filled the alleyway. You didn’t care about being caught, not when Choso was licking and nibbling your breasts just the way you liked it. As he licks on your nipples, you feel his hand lift the bottom of your skirt and go under, starting to massage your pussy through your panties.

            You gasp at the feeling, grinding against his hand. He doesn’t tease you for long, sliding his hand under the hem of your panties and rubbing his fingers between your folds. You gaze down at your boyfriend lustfully, who is still focused on your breasts. His expression is dead serious, purely focused on your pleasure. It was intense. You’d never seen him so intentional. He rubs on your clit, getting a soft moan out of you. This only spurs him on as he rubs circles on your sensitive bud. He knew exactly how you liked it. He glances up at you, his usual dark eyes having a hint of yellow peeking through now. He soaked in your expressions, watching every reaction you had to the slightest touch. 

            Your body tenses under his touch as you cum on his fingers, and you twitch as you’re overcome with a harsh wave of pleasure.

            “You’re mine.” Choso mumbles against your chest before letting go of your nipple with a wet pop. He puts his face close to yours, looking straight into your eyes. “Say it.”

            “I’m yours!” You don’t hesitate. This spurs him on to put more pressure on your clit.

            “Say it again.”

            “I’m yours Choso!” Before you know it, another orgasm hits you and you cum on his fingers again. You’re wriggling against his body, nearly screaming as Choso keeps fondling your pussy. You ride your second wave of ecstasy, leaving his fingers dripping wet.

            At that, Choso is satisfied, and he pulls his hand away. He turns you around so your front is pressed against the brick wall, and you hear the sound of fabric rustling behind you. Before you can brace yourself, Choso is already sliding his dick inside you, way too easily since you’re already so wet for him. He lets out a low groan as he feels you clenching around him. He tried not to lose control – he really did – but you just felt too good.

            He pounds into you roughly, giving you barely any time to adjust as you brace yourself against the brick. The sound of skin slapping against skin was music to his ears as he got lost in the feeling on you. He grabbed your arms and pinned them behind your back. You were going to take all of him.

            You were breathless as he fucked you, your human body being no use against his animalistic strength. His tip smacked your cervix, creating a beautiful mix of pleasure and pain. You were coating his dick in your slickness, the wet, obscene sound punctuating just how crude this act was.

            All that Choso could think about was filling you up with his seed. He’d always loved the idea of growing his pack, particularly with you as his mate. He keeps your arms in his grasp as he bounces you back and forth on his length. His senses were heightened due to the full moon, your moans sounding even louder and your pussy smelling sweeter than ever to him. In the back of his mind, he worried about hurting you, but you didn’t seem to mind.

            Your third orgasm hits you like the brick wall you were pressed against when Choso pumps into you harder. Your legs shake beneath you, the only thing keeping you standing being Choso holding you up. You hear a rumble in his chest as he relishes in the feeling of you clasping around him, pulling him in even deeper. 

            “Mmm,” He moans. “Whose pussy is it?”

            “Yours!” You can’t explain the pleasure you feel as he goes even faster, despite you being overstimulated from already cumming three times.

            “That’s right. It’s mine.” Choso cums inside of your pussy with a shudder, his cum leaking out and dripping onto the concrete. He pulls out slowly, watching a string of both your juices combined connect the two of you. He rubs his tip between your folds, smearing his cum all over your pussy.

            When he notices how weak you are, he wraps an arm around your waist to hold you up. “So, do you forgive me?” He’s back to his normal senses now, remembering the events of the night.

            “Yes, I forgive you.” You roll your eyes, though you can’t help but to blush as you remember where the two of are. “Now, can you help me get dressed please?”

[reyislikesotired]

i'm pretty sure there are similar hc to this but the headcanon i have about mr alfred pennyworth -one that you can pry from my dead cold hands- is that he's some kind of eldritch creature that took interest in humanity a few centuries ago and decided to become part of human society.

he was intrigued and fascinated by them so he chose to live among them, as one of them. he doesn't wish to alter anything majorly; yeah he's been part of wars and whatnot, but he mainly enjoys watching and observing how humanity grows all on their own.

alfred pennyworth was not his first name, but it's the one he's come to cherish the most because of the memories that come attached.

the batclan know yet not know. they CHOOSE not to know. cause alfred is alfred.

there have been huge uncanny valley-esque moments, but it's wtv cause alfred. is. alfred.

like when the lights always flicker when alfred is immensely displeased with someone. or how alfred always seems to understand the message, no matter how vague, or even non-verbal, you are about it. or how alfred always seems fine no matter how many years have passed. or how strong and able bodied he seems to be. or how he's always there, just when you need assistance. or how he knows where everyone is at any time. or how you would think he'd be a bit forgetful in his old age, but the man remembers every tiny detail, from things like mentioning you liked art to things like what color were the socks he laid out for one of his charges. or how even the gotham rogues know to steer clear of that butler because last time one of them tried, well, they haven't spoken on the subject but arkham staff say that they have been quiet ever since, only occasionally scream for no apparent reason when left alone for too long.

alfred is alfred, any bat would say. and that's what it is, really. alfred is alfred.

extra: when you go to the museum, you can see small little depictions of him in old paintings and even writings about a creature who took to mankind and made it its mission to nurture and care those who were down on their luck and help them achieve a higher purpose. alfred was there for many others before the batclan but he will admit that the batclan is so far who he has become fondest of.

[rigginsstreet]

i beg you don't embarrass me, motherfucker

the upside of dating steve harrington was that he was hot as shit.

the downside of dating steve harrington was that he was hot as shit. and also kind of a bitch.

it's billy's fault, really. he should've known better when dating a guy nicknamed king.

the one good thing about being gay in indiana, though, is that secrecy is a requirement, which billy doesn't have a problem with. the thought of publicly displaying his affections makes his skin crawl. he's got no problem doing it with the girls he pretends to be interested in because that's all it is - pretend.

but when he really means that shit... it's a harder pill to swallow.

and none of this really bodes well with steve harrington's style of dating. billy knows from his brief overlap of being in town while harrington and wheeler were still a happy item that the guy likes to be clingy, needs constant attention and validation of his affections and he wants to put it all on display for the world to see. and billy can't give that to him.

so he goes looking for it elsewhere.

the one good thing about being gay in indiana is the secrecy, but that rule doesn't extend to billy's sister or his best friend.

heather was never supportive of billy's taste in men. warned him plenty of times that steve was a dick and a leopard doesn't change its spots. but billy had waved of all concerns by saying they weren't even in a serious relationship and that heather didn't know steve like he did. heather and steve hated each other, of course she was gonna see the worst in him.

max was supportive. at first. until dustin started coming around with stories of steve and the new girls he was picking up, gloating about him like he was some golden god of women. and max would come fuming into billy's room asking if he knew about this shit, and billy would sigh and explain to her that it was just steve keeping up appearances to throw the scent off their trail.

"oh, is that why he had his tongue down tina's throat?" max accused.

and billy would have to pretend like he wasn't embarrassed. like he was in on the joke.

the thing with billy is that he doesn't let himself fall often, because when he does it's like a ten ton boulder down the side of a steep cliff. and shame isn't a color he wears well. he's gotten enough of that for a lifetime from neil, and since he's thankfully fucked off now, billy doesn't want to face it ever again.

which is maybe why he snaps at tommy's party.

he came here with steve, but now he's currently watching him dance with some chick with ten pounds of hair and double the makeup. laughing his preppy little ass off as she gyrates her dainty little lady parts all over him.

and yeah, billy can handle a bitchy attitude and some temper tantrums. and he can even wave off vague flirtations that he only hears about secondhand.

but this shit? right in front of his face? that's where he draws a line in the sand.

so he crumples the red plastic cup in his hand, not caring that beer spills out from the top, spotting the hagans' carpet, and throws it full force at the wall beside him, causing those nearby to jump, probably wondering what the hell set him off, if there's gonna be some grand billy hargrove performance.

but no. they'll just have to make due watching his ass walk out the door.

-

billy's sitting on the steps outside his house the next day, smoking a cigarette, when the beemer pulls up.

it's half expected, half not. billy braces himself for a fight anyway.

"you ditched me last night," is what steve says once he's up the sidewalk, a few feet in front of billy. he doesn't sound mad really. maybe a little offended.

billy sucks on his cigarette. blows out the smoke, his eyes never leaving steve. "got hit by a sudden wave of nausea," he says. "didn't wanna ralph in front of the party. didn't think you'd notice."

"why wouldn't i notice? we came together. i was looking all over for you."

billy shrugs, taking another pull of his smoke. "you seemed preoccupied."

it looks like steve's playing a tape in his head of the previous night, trying to pinpoint what exactly the fuck billy's talking about until it must finally click. "man, are you talking about that thing with cindy?" he laughs. like billy's fucking joshing him. "that was nothing!"

billy finishes his smoke, flicking it into the grass before standing up. "yeah, well, it something to me." he turns to walk up the steps, leaving this conversation - and steve - behind, but he's stopped with a hand on his arm.

"aw, billy, c'mon-"

"don't!" billy spins around, hands shoving steve square in the chest. watches his face go from jovial to nervous in two seconds flat.

good. the prick should be fucking nervous.

"you think you can walk around doing whatever the fuck you want like you own this town, but guess what? you don't! and you sure as shit don't own me!"

steve watches him with wide eyes, clearly out of his depth. this isn't the meeting he came here for. billy doesn't really give a shit. "billy, i-"

"i stood up for you, motherfucker," billy seethes, shoving steve again with two pointed fingers. "you know how many times heather's tried getting me to leave your ass alone? how many times max has threatened to castrate you because you can't keep it in your fucking pants?"

"i haven't slept with anyone else!"

"i don't care!" billy bellows. he's making a fucking scene. he hopes the neighbors aren't home. "i'm prime fucking real estate, baby! back in cali i had guys lining up the fucking block to get a piece of this! you think i just give this up to anybody?" steve opens his mouth, but billy cuts him off. "don't answer that! i defended you, asshole. and you make me look like a fucking idiot."

"i didn't think you cared..." steve says after a moment of stunned silence.

and that stuns billy. but he recovers quickly. "of course i fucking care. i wouldn't be doing this-" he gestures between the two of them, "-if i didn't."

"well you don't exactly express feelings very well." it's mostly teasing, billy thinks, but still that undercurrent of signature harrington bitch. "but-" he takes a step closer. "-if you're serious about this, then i am, too." another step.

"i swear to god if i have to sit through an 'i told you so' speech from maxine or heather because of some shit you pull-"

"is this your way of saying you love me?" steve grins, all cocksure and obnoxious, closing the distance until he and billy are standing toe to toe.

"don't press your luck," billy breathes in the space between them. "i'm serious, steve. i don't do thi- this is new for me, alright? and, i don't know if you've noticed, but i don't really handle rejection well."

"yeah, no shit," steve chuckles. "i'll be on my best behavior from now on. scout's honor." he holds up the three finger scout salute in mockery, but billy thinks, hopes, there's a sincerity in his eyes that he can hold him to.

billy rolls his eyes, mainly at himself for wanting to kiss the idiot right now. he almost does, too, until he remembers where they are and prying eyes could be watching.

he settles for another shove, this time to steve's shoulder, before turning back towards the house. "c'mon," he says, nodding his head towards the door. "nobody's home. you can give me a proper apology."

billy hears footsteps behind him before he even gets his whole sentence out.

[stupidlittlespirit]

Rating: SFW (later chapters will be NSFW) Type: Long form, multi-chapter, Stanford Pines x Reader Tags: Mutual pining, no pronouns used, teasing, a special appearance from Stan, mentions of the kids, housekeeper!Reader, tw: my horrible jokes. Word count: 5,729 My other works: here on tumblr and here on Ao3! Ch.2 here

In which a simple expedition with Ford goes increasingly sideways and you learn more than enough about thermodynamics to last you a lifetime.

A/N: This has been quite an undertaking to produce. I created this fic as somewhat of a universe in which base a number of my post-portal!Ford one-shots etc in, and that meant I had to lay a lot of groundwork in it. I wanted to have a setting where I didn't need to keep giving background on what the Reader's role is and how/why they feel a certain way in every fic, and to also offer a kind of timeline that could be explored through future works. Because of that, in this fic there will be vague allusions to some small events happening to set us up for the current day and if people are interested in reading more about those events in full detail then I'd really love to explore them properly with you guys.

Just as an aside - Reader will mention they don't have a father in a throwaway line. It can be taken as just a joke or as literal. Up to you.

Anyway, most of this fic is already completed and I'll be posting a new chapter every couple of days or so. You can wait to read it all in one go or enjoy it in chapters. There will be roughly 5 in total. Enjoy!

Sometimes, in life, things align so perfectly that a person can't stop themselves from considering the possibility of cosmic interference.

Deities. The universe. Some other unseen, all powerful entity of murky origin. All of their existences seem far more plausible when events in one's life fall effortlessly into place and line up to give them the exact thing they've always wanted.

Today is one of those days.

You're busy chopping onions when the planets orient themselves for you.

The broad kitchen knife in your hand knocks rhythmically against the oak board underneath it with every slice you make and the little ribbons of milk-white flesh stack neatly between blade and vegetable, but your attention is, quite irresponsibly, elsewhere.

You really ought to be keeping track of your fingers but you're far too preoccupied with gazing out of the bay window in front of you to really care all that much. The thing is huge; its frame is rimmed with rich mahogany and it has one broad, square pane sitting in the centre, beset by two more, slimmer, rectangular pieces. It drinks in the waning daylight outside and on sunnier evenings, the pretty little stained panels that skirt the tops of each one glow a rich blue, showing off the depictions of constellations inside, like someone has captured part of the night sky and trapped it within the glass for their own private amusement.

Today, the clouds block the sun and the cerulean glass is dull, but you don’t mind too much. You’re not making use of the window to admire the art, lovely as it may be. You’re far more focused on what’s taking place on the lawn, beyond the bounds of the warm interior of the house.

Out on the well-kept grass, two figures are vigorously working out. Well, one is. The other looks like he’d rather keel over and die than spend another second out there, but he’s doing his best all the same and that’s what matters, you suppose.

Steam rises from Ford’s figure as he pauses in his work to help his nephew grip a mid-sized dumbbell correctly. It curls off and around his body like smoke, rising from its sweaty source and wafting into the unseasonably cool air. His cheeks are pink, likely both from exertion and the chill in the weather, and the colour blooms all the way across his face, stretching far enough to even tickle the tips of his ears.

He looks gorgeous.

Dressed in all-black, he’s wearing a short sleeve t-shirt and sweats, paired with dirty blue trainers. Where the skin of his throat and arms should be exposed, however, they’re instead wrapped up tight in what you presume to be some kind of fancy thermal shirt. You’ve never seen him wear anything that shows off his skin, yet somehow the way it clings to the curves of his biceps and forearms is even more revealing than seeing them bare.

Granted, this isn't the first time you've spied on one of his workout sessions like this (in almost exactly the same way), but every time he shows up, it feels like you've been blessed by the Heavens.

Ford, for what it’s worth, hasn’t noticed anything untoward. Not as far as you’re aware, anyway. He’s usually too lost in whatever he’s doing to pay you much mind and if he does catch your presence in the window, you’re always quick to make yourself look busy.

Ford works out four times a week, like clockwork, on the front lawn of the house he shares with his brother. He doesn't always have his nephew with him (Dipper clearly only ever wants to do his best for his great-uncle, however exercise is hardly the kid's forte and you can't say you blame him), which means that oftentimes you get the absolute pleasure of observing a clueless Ford lift weights and stretch his quads for sixty minutes whilst you break from your other chores to prepare them all dinner.

You've been working for the Pines’ for the better part of a year now and getting hired had been a complete accident:

Upon moving to Gravity Falls eighteen months ago and landing the first job you had come across in the local paper (an underpaid, exhausting waitressing gig at the local diner) you’d run into the kids one afternoon on a rare day off.

Mabel had almost smashed your ankle to bits after she and her brother had lost control of their overstuffed trolley and once they had finished their litany of apologies, you’d taken note of the cart’s contents: primarily filled with sugar riddled snacks and items with so little nutritional value that you’d been astounded they’d been legal to sell, neither one of the kids appeared to know how they were going to lug all their so-called food home or what they were going to make for dinner.

Without much else to do, you’d volunteered to lend a hand. They had explained their task: “Grunkle Stan says his back hurts too much to waste time in the store these days and he promised that if we helped, he’d make Grunkle Ford teach us how to drive so we can do it even faster!” Mabel had enthusiastically informed you, eyes bright and metaphorical tail bushy, and despite your confusion over the concept of a ‘Grunkle’, the idea of two apparently-just-turned fourteen year olds at the wheel had been less than thrilling.

Some gentle sweet talking had convinced them to swap out some of their items for things a little more suitable and you’d carried their bags back on a short walk to the house where you’d met the infamous Stan lounging on its porch, his feet up on some empty crates.

At Mabel’s excited introduction of you and her retelling of your recipe ideas, Stan had given you a once over before he’d asked how you felt about replacing the kids as dinner gofer. As it turned out, sending two hyperactive children out to get groceries every week had apparently (shockingly) not been working out too well for the older brothers, and one offer of help had turned into several paid offers.

After only a few short weeks of assisting them, you’d been offered a full time position as housekeeper. The decision to take them up on it had been easy; waitressing barely covered the bills for your decrepit little cabin on the outskirts of town and spending hours every day walking the same five metre route to and from the kitchen six days a week was monotonous enough that you’d been considering moving on anyway.

You’d jumped at the chance.

Technically, your job here is to help with the household tasks that Stan is too lazy to do and that Ford is too busy researching or gallivanting around in the forest to take on, but more often than not, you’re stuck doing whatever little thing Stan thinks up so that he can, as he puts it: ‘enjoy his retirement, sweetheart’. The work extends to any little chore they might need help with, and when the kids head home for summer and Ford and Stan set sail for a few months again, it falls to you to keep the place standing until they return.

Hence why you’re slaving away in their roomy kitchen this evening, gazing out at Ford like you’re some kind of yearning protagonist in a classic romance novel and turning over several thoughts in your mind that you’re sure would get you fired if you revealed them in detail to anyone else. You exhale softly as you watch him show Dipper how to correctly pull off a bicep curl, his arm flexing beneath his shirt.

Behind you, at the dinner table, Stan pauses where he's rustling through his daily newspaper at a leisurely pace and his chair creaks as he shifts in it. “Keep sighing like that and you’ll fog the windows up before he’s finished.”

You start, having completely forgotten his presence, and narrowly you swerve the kitchen knife to avoid chopping off the tip of your index finger. “Jesus, Stan!” you huff. “I almost cut my hand off! They should put a bell on you.”

Stan laughs under his breath. “Oh, they’ve tried, trust me,” he mutters darkly. “Besides, that’s what you get for not paying attention.”

“I am paying attention,” you lie. “I was just…. Thinking.”

“About what?” Stan asks, in a way that suggests he already knows. He probably does.

Stan is the only other person besides yourself who’s aware of your affection for Ford.

The crush had started small, blossoming slowly over time into something more significant, and Stan had worked it out before you’d even caught it yourself.

For all his faults, the guy is as perceptive as they come and admittedly, he’s a lot of fun in his own right. He’s cantankerous and rough around the edges, and yet he’s got a heart of gold that he hides deep underneath his gaudy chains and string vests. At first, he’d been grumpy and standoffish about your presence, despite being the one to hire you in the first place, but as time has gone by and you’ve proven yourself to be competent at both the work and at giving as good you get, he’s dropped his guard and dragged you into his jokes and games.

Although he’s less than thrilled about your private sentiments towards his brother, he's charming in his own special way and he only ever uses it to rag on you when he’s feeling mean. To the best of your knowledge, he hasn’t said a word to anyone else about it. Stan is an ass, but he’s not cruel.

And while you’re not going to divulge your most intimate thoughts to him, you’ll always rise to a little back and forth with him. He seems to enjoy having a verbal sparring partner.

“How old did you say your brother was again?” You ask with feigned innocence, glancing over your shoulder at him.

“What?” Stan grunts, folding the top of his paper down enough to glower at you over it.

“I said, remind me how old your brother is again,” you repeat, turning your attention back to watching Ford lean down to stretch his hamstrings again. It looks like he’s cooling down for the day now which means he’ll be doing static stretches for the next ten minutes, and every time he does so you’re treated to a wonderful view of his ass.

“Same age as me,” Stan says, and at your silence he tacks on: “We’re twins,” like you’re an idiot.

“So….?”

“He’s sixty-two, genius.”

“Huh,” you mutter quietly. “Interesting….”

It's hard to remember when Ford is so agile and active, and for all your interest in him, you've never actually asked his age. Sixty-two is perfectly doable though, in every conceivable sense of the word…..

Stan rustles his paper again. “If you’re thinkin’ about what I think you’re thinkin’ about, and I know you are, don’t even think about it.”

You snort. He has such a way with words.

"I told you last time, stay away from him. He's...." Stan pauses, as though he intends to say something else but thinks better of it. "He's old enough to be your father."

“I don’t have a father,” you say absentmindedly.

It’s Stan’s turn to snort now. “Y’know, that makes a lot of sense, actually.”

You tear your gaze away from Ford’s routine to flip Stan the bird, sticking your tongue out for good measure before you reach for the glass mixing bowl to your right. Now that your evening matinee is ending, you really ought to get a move on with dinner.

“Anyway, I didn’t hire you to gawp at my brother like he’s a piece of meat on the discount shelf,” Stan grouches. “You’re s’posed to be cooking.”

“I'm not gawping, I just happen to be facing the same way that he's doing all his stuff in,” you say defensively, before adding in a muttered: “Besides, he definitely wouldn’t be on the discount shelf.”

“Uh huh,” Stan says, clearly not believing a word.

Rather than defend your actions, you focus on your work: Tonight's dinner is wild mushroom pie. You've only made it once before but it's nice and filling, and you're supposed to be helping everyone eat better. Bad diets run in the family apparently (although where Ford is concerned, he just as often skips meals altogether some days) and so far, they've all been amenable to trying something new. The kids had been reluctant to test out vegetables at first but after a few valiant efforts to make them as palatable as possible they'd come round.

A lot of the work is already done; a pot of stock is simmering away on the hob, the onions from earlier are ready to be tossed into the slowly-warming frying pan and a red, ceramic pie dish is neatly lined with pastry and ready to go whenever you need it. For now, the next task is to prepare the star ingredient: Wild mushrooms.

You’ll be the first to admit, quite happily, that you're not the most outdoorsy of people and you're going to cheat a little bit on the ‘wild’ requirements. You'd picked up a packet of the things last weekend at the supermarket with the intention of doing one thing or another with them, and it does say on the label that they're wild, so you'll let yourself off on that one. Although, knowing Gravity Falls you're really hoping that ‘wild’ isn't a play on words and they turn out to be some kind of feral man-eating fungi. You're not in the mood to be hunted down by a hungry creature today.

Leaving your pots and pans to simmer, you check in the pantry for the little box only to come up empty handed. There's no sign of it anywhere in there, not even when you rummage around right at the back, and you call out to Stan in confusion: “Have you seen the mushrooms I brought back last week?”

“The ones in the brown container?” Stan asks.

“Yeah….”

“Mabel fed ‘em to Waddles last night,” he says, and when you stick your head around the pantry door to stare at him in disbelief, he shrugs without looking up. “What was I supposed to do, tell her no?”

You know what he means; She’s upstairs right now giving the damn pig a manicure makeover with your old (and apparently animal safe) nail polishes because you hadn’t had it in you to deny her them when she’d been upset about her own limited supplies.

It’s extraordinarily hard to refuse Mabel anything and you can appreciate the difficulty, but still.

“Stan, I told you what I was planning to cook tonight!” You groan, kicking the pantry door shut. “How am I supposed to make a mushroom pie with no mushrooms?”

You can’t exactly nip to the store today either. Every single shop in town is shut. The news this morning had warned of a major storm blowing in and informed everyone that they best stay at home lest they keep an inflatable raft in their back pocket, and no one sells those outdated things anymore. Too many accidental indoor deployments, apparently.

According to Ford, this place is susceptible to irrational weather spells and the increasingly aggressive changes in pressure and temperature that have spawned with global warming have only made them more volatile. Last summer there had been a spate of hailstorms that had puked up football-sized pieces of ice and smashed the windscreen of your car to pieces. You’re still sore about that one….

“What am I supposed to do?” You lament, sparing a miserable glance at the half-done recipe on the stove.

From behind you, a deep voice makes you jump: “Is something wrong?”

You almost leap out of your skin, swivelling on the spot to find the source hovering in the doorway of the kitchen.

Both brothers have the ability to be supernaturally quiet when they want to be. While Stan uses his subtlety less often, Ford skulks around like a well practised alley cat a lot of the time and he frequently scares the shit out of you. He must have finished his routine and crept back inside unannounced.

He gives you an apologetic smile, holding one hand up to ease your fear. “Apologies,” he laughs under his breath. “I didn’t mean to frighten you.”

Ford is still dressed in his workout clothes, his thick, wavy hair roguishly dishevelled and slightly damp at the temples, and he looks just as lovely up close as he had done from the window. Perhaps even lovelier.

You swallow thickly, your brain short circuiting at the sight of him. “Uh, yes?” You say, though it's more of a question than an answer.

Ford looks at you expectantly, evidently waiting for you to expand on your problem, and Stan smirks at your lack of grace.

You shake your head minutely, desperately pulling yourself together and hoping he'll assume your speechless state is just because he's made you jump and not because your heart is climbing up your throat.

“I'm making pie,” you say, jerking your thumb over at the pots. “And someone,” You pause to fix Stan with an annoyed look and he rolls his eyes. “Let Mabel feed them all to Waddles, and…. I don’t have a back up plan.”

You feel a little stupid admitting it aloud.

Ford hums thoughtfully, heavy brows creasing together as he leans against the doorframe.

“That's quite the conundrum….” He says, frowning at the flagstone tiles under your feet.

His dark eyes flicker back and forth quickly, and you can tell he's trying to think up a solution.

After a long pause, he snaps his fingers and speaks up again: “You know, I did stumble across a nice little patch of mushrooms not far from here about a month ago. We could take a walk up there and grab some, if you'd like?”

“In the forest?” You ask, brows raised.

“Where else?” Ford grins, and you feel your stomach fill with butterflies. “They're edible, of course, I've tested them myself.”

“Are you telling me you ate random mushrooms you found on the ground, Doctor Pines?” You ask, mildly appalled. “They could have killed you.”

Ford waves a hand dismissively. “Unlikely. My travels have given me something of an iron stomach. It takes more than a Death Cap to put me down these days.”

At the mention of ‘travels’, you perk up a bit.

Ford's history is more than a little murky to you. In the time you’ve been working for the family, you’ve only heard second-hand snippets or passing mentions of his alleged escapades. The kids have let slip to you several times about his adventures and, despite initially assuming they'd been making things up for fun, the stories had eventually begun to seem a little too consistent to simply be make-believe.

One evening, when the kids had been safely tucked up in bed and Ford had been locked away in his study, you’d brought the subject up to Stan over a nightcap on the porch.

Stan had sighed, lit a cigar, and sworn you to secrecy before giving you a rough outline of his brother’s complex background: his outstandingly impressive academic history, their less-than-ideal family rift and some kind of accident that had sent Ford careening into, quite literally, another dimension. Stan hadn’t gone into excessive detail, and you hadn’t pushed despite desperately wanting to, but by his own admission he had felt that if you were to be working around them then you’d be better off at least having some idea of their strange history.

And strange it is.

You yourself have only lived in Gravity Falls for the better part of eighteen months and becoming accustomed to the weirdness of this place has been unusually easy. Residents take the bizarre in such casual stride that you’re more likely to stick out should you make a fuss about it all and after a while, seeing the odd oddity around had quickly become the norm.

At Stan’s vague reveal of his brother’s disappearance and, as everyone else calls them, his travels, the notion had been surprisingly easy to fathom in the context of such an already weird place. Utterly incredible, yet somehow very in line with this town.

Ford has never brought it up to you himself beyond a rare, fleeting mention, but you’re aware that he’s apparently spent significant time in places that other people might only dream of.

You’re sure he knows of your vague awareness but you know better than to poke around in other people’s sore wounds without permission.

Stan had warned that neither he nor his brother were predisposed to telling everyone and anyone about his time away and you can’t really blame them. From what you know (and can imagine), it can’t have been all fun and games.

“I think he’s got, like, PTSD or somethin’,” Stan had said that night, sounding genuinely heartbroken about it. “So don’t go sniffing around him, alright? He’s…. It’s difficult. Everyone’s been through a lot. Maybe we’ll tell you about it properly one day.”

You understand, of course. Whatever has gone on in their lives is clearly significant and you’re still an outsider. A year is no time at all in the grand scheme of things and they’re a tightly-knit, protective family. They’ve no reason to fill you in on their traumatic family history just because you help around the house and you’ve no right to know it, but you’re willing to earn their trust and if the stories come with it, then so be it.

Although slow to start, things have been going well so far and you’re closer than ever with them, so every titbit Ford drops has you on tenterhooks immediately.

“Besides,” Ford says, still on the subject of his thrilling mushroom discoveries, “their lack of toxicity isn’t even the most exciting part!” He adjusts his glasses and you can tell he's gearing up into scientist-mode.

Behind you, Stan sighs, long-suffering.

“I thought they tasted significantly more intense than a regular mushroom, so once I’d confirmed that they were safe for general human consumption, I asked Dipper to try them. He reported them to be, in his words, 'beefy'. Now, Umami is the most commonly associated flavour with regard to mushrooms because of naturally occurring glutamate, but monosodium glutamate, which would deepen the flavour even more and fall in line with mine and Dipper's taste tests, isn't, and I doubt the gnomes are out there spraying crops with MSG. They haven't the tools for that, I've checked. Anyway, I asked Mabel to try them and she said they tasted, quote, ‘like chocolate stirred by puppies and angels’,”

Here, Ford pauses to laugh fondly before he goes on:

“Which is most certainly not a common flavour of mushroom. So my hypothesis is that they change taste based on whoever touches them and I've been meaning to test them again, seeing as we ate the first batch before I could record the findings properly. We'd be killing two birds with one stone, really.”

You have to fight back a smile. The way he lights up when he talks about his stupid fucking mushrooms is beyond cute and you always enjoy watching him get passionate about his projects, especially when he veers off course on silly tangents that he deems relevant.

But Ford has never asked you to accompany him before which makes this event all the more alluring. It's a privilege to be invited along and as much as you want to jump at the chance, you do have one worry:

“What about the storm?”

At the table, Stan pushes his chair back with a screech and stands up. “Exactly. TV said it's gonna be a bad one and I'm not paying for another newspaper ad if you kill our housekeeper just because you wanna show off again.”

Ford sputters. “I'm not showing off, Stanley! This is about science!”

It should be worrying that his main concern is his pride over your potential death-by-negligence, but the way the top of his ears turn red at his brother's accusation overrules your concern. He's disgustingly adorable when he gets embarrassed.

Dipper chooses that exact moment to trot past his great uncle's side and into the kitchen, giving you a bright, exhausted smile. He’s shed his workout gear for a t-shirt and a fresh pair of sweats, and his hair is slightly damp. “Dinner smells good,” he yawns. “I'm starving. I got ten whole reps in today, right, Grunkle Ford?” He looks especially proud about it.

Ford shucks off his ire to give his nephew a warm smile. “That you did, my boy. Up two compared to last week, by my calculations. You're going to be giving me a run for my money before the summer is over.”

Dipper rubs the back of his neck, bashful, but the way he's beaming betrays his excitement. “I wouldn't go that far….”

“Nice work, dude,” you grin, offering a hand out for a high five.

He takes the bait and slaps your palm with his before fetching himself a soda. “So, how long ‘til dinner?”

You wince inwardly. He'll be hungry enough to eat a horse by now and you can't let him subsist on snacks after all the exercise he's done today. It won't help him build the muscle you know he so desperately wants if all he eats are chips, dips and sodas.

“You better stock up on snacks tonight, kid,” Stan chuckles as he reaches for his own bag of chips that he already has open the table top. “Somebody forgot to get ingredients.”

You shoot Stan a venomous look and at Dipper's disappointed little ‘wait, what?’, you turn back to Ford. Storm be damned, the idea of letting down a child makes you feel worse than getting stuck in a downpour ever could, and you know you'll regret it but what other choice do you have? You've done stupider things for less.

“You're sure the patch isn't far from here?” You ask Ford, giving in with a sigh. “And we'll beat the storm?”

Ford beams at your change of heart, and that, combined with the knowledge of a well-fed charge, instantly makes your agreement worth it. His moods vary like the wind sometimes and you’re always eager to see him happy because you know that it means he’ll spend more time talking to you.

“We'll be in and out in under an hour, you have my word,” he assures you. “I know that place like the back of my hand.”

You sigh again. “Fine. I'll go with you to get the mushrooms.”

Dipper slips back out of the kitchen. Usually, you're sure he'd inquire about your task and ask to come along, but it seems he really is thoroughly exhausted from his gym session and he takes an early leave. Poor kid.

Ford nods, pleased. “Give me a moment to shower and change. I'll put together some supplies and then we can leave.”

“Sure,” you smile. “And thank you, Doctor Pines. I appreciate the help.”

Ford grins, giving you a nod, and then he’s following his nephew out of the kitchen, sweeping down the hallway to sort out his things.

You make use of the spare time to tidy up a little and lower the gas on the stock as low as it will go, then take the pan off the heat. If Ford means what he says about getting in and out quickly, you might have a chance at saving the rest of the prep and it would be a shame to have to start everything over again.

You clean up your workstation and make sure everything is safely put aside before taking a seat at the table to wait.

It's then that you realise Stan is watching you closely. He’s smirking, and it always makes you a little nervous when he wears that mischievous look.

“What?” You ask him hesitantly.

“You can just call him Ford, y’know,” Stan says, slumping back in his chair and looking amused. “Pretty sure he wouldn’t mind….”

You roll your eyes, shrugging one shoulder. “Not this again. I told you before, he's never asked me to call him anything else. I did the same for you when I first started, didn't I?”

“Yeah, and I told you to stop because you made me sound like my old man,” Stan gripes through a mouthful of potato chips.

“Exactly, and that's your prerogative,” you say, a little defensively.

You're telling the truth; Ford hasn’t ever asked you to call him something less formal, even if you might like to try the taste of something more intimate on your tongue. “Ford has earned his title, I’m not going to take it away from him.”

Stan snorts. “Oh, I bet he loves that.”

“What?”

“You, stroking his ego and running around after him like a lost puppy,” Stan says, amused.

“First of all, I run around for everyone in this house like a lost puppy, it's literally my job,” you say, rolling your eyes. “Secondly, I’m not stroking his ego. The guy’s smart and he’s got an armful for doctorates. I’m just…. Acknowledging that.”

“Uh huh,” Stan says, sceptical.

“What now?” You huff.

“Nothing.”

“Stan,” you say sternly. “Don’t play coy, it doesn’t suit you.”

“Oh come on,” he says, trying and failing to keep the smirk off of his face. “Could you be any more obvious? You're worse than Dipper was when he came back after all that time, hanging off his every word and getting all googly-eyed over him like the sun shines out of his ass.”

“I don’t-“

“‘Yes Doctor Pines, no Doctor Pines’,” Stan simpers, putting on a poor imitation of your voice. “Take me out to the woods and experiment on me, Doctor Pines!’”

You can feel your face heat up. “You're such an asshole sometimes, you know that? And he isn’t experimenting on me, he asked me to help hi-”

“Show me your magic mushroo -“

Someone clears their throat in the kitchen doorway and both you and Stan whip your heads around to follow the source of the noise. Much to your horror, Ford is waiting for you, clad in jeans and a trademark red turtleneck along with a pair of filthy hiking boots. There's a sizable backpack slung over one of his broad shoulders and he doesn’t look very amused at his brother's antics.

“Are you done?” He asks, levelling Stan with a searing look.

Stan opens his mouth, still grinning, and Ford cuts him off instantly. “Actually forget that, I know you’re not,” he says. “You never are.”

Then he turns his attention to you.

You’re trying very hard not to melt into a humiliated puddle on the floor and under his gaze you feel yourself slip just a little further down into your seat.

His gaze softens somewhat, almost sympathetic, and he gestures vaguely towards the front door down the hall. “If you're not too busy being harassed, I'm ready to set off,” he says.

You really rather wish the ground would open up and swallow you whole right now, but alas, you do need those stupid mushrooms…..

“Sure,” you say faintly, scrambling up from your seat.

Ford heads off towards the foyer and you try to compose yourself with a deep breath before you follow him, glancing back to stick your tongue out at Stan again.

Stanley laughs at your awkwardness and as you hurriedly trot towards the hall, he pretends to fan himself dramatically.

“Three bags full, Doctor Pines,” Stan grins, and then you're shutting the kitchen door on him before you put your job on the line with the insult you're lining up in your head.

Stan thinks he's endlessly funny when it comes to winding you up over Ford and if you show how much he gets under your skin with it, he'll only get worse. You think he might be doing it in the hopes of putting you off his brother, but he’ll need to try a lot harder than that.

Instead of encouraging him, you follow in Ford's footsteps down the short, oak panelled hallway until you reach the front door.

Ford has already donned his reliable tan trench coat, patiently waiting for you to pull your own jacket and boots on. So much of the town is woven between the forest that you practically live in hiking shoes these days and it doesn't take you long to be readily dressed and warm.

Once you’re sorted, Ford swings the heavy oak front door open. A well-timed gust of cool wind blusters in as he does so, ruffling your clothes and hair, and instantly you realise the weather is much more intimidating when face to face with it.

It's incredibly dull out here. In the short time that Ford and Dipper have ended their routine and you've packed your things up, the sky has gotten impossibly darker. The winds must have herded more clouds overhead than you’d realised and the light has faded so much that you'd be forgiven for assuming it to be almost night time. When you check your watch, however, it still reads barely 6PM.

Ford must catch the concern on your face because he picks up on your worry straight away. “It's just overcast,” he reassures you. “I’ve seen plenty of storms like this in the time I’ve lived here. We'll have enough time to make it there and back before it gets too dark, and I brought torches as a precaution.”

That makes you feel a little better, at least. You know he’s an experienced outdoorsman and he’d probably be able to find his way around here blindfolded and hogtied. If you have to go out in risky weather with anyone, Ford is your best bet.

With the stride of a uniquely confident man, Ford steps out into the evening with a sharp breath inward and a contented sigh, taking in the awaiting scent of petrichor. He holds the door open for you with one hand and gestures for you to follow with the other, offering you a rakish grin.

“Shall we?”

And when he smiles at you like that, what choice do you have?

A/N: Yay! You made it to the end!

So firstly, I'm so sorry it's taken me so long to post another work! These take a bit of time for me to write because I tend to write the entire work in one go from start to finish before I begin posting and I've also been unwell/busy, so it took a backseat for a bit but here we are!

Secondly, as I posted at the start, this is going to be a small series and will start as a decently sized multi-chapter fic. There will be smut and I already have most of it written. Your patience will be rewarded!

Please consider supporting me on ao3 also :)

[year2000electronics]

Your fiddleford monster au design makes me have so many questions in a good way. Gnawing on the bars on my enclosure kind of way. Does the curse seemingly not affect him in his one year stay helping Ford, and so he does that all himself? Does The Curse, as vague as it is, count that; and drive people to modify themselves and draw away from humanity? Like its not just this magical effect that happens but an active thing in the back of your mind to turn away from what you were born as and embrace something else? Ogh. I'm suddenly a lot more invested in this au

VERY INTERESTING QUESTIONS TO BE CERTAIN so fiddleford is a bit of a unique case where his "monster" theming is tied directly to his decline yes!

full answer under the cut it got long

in my mind, monster falls' curse is tied directly to gravity falls' natural law of weirdness magnetism/"the barrier" keeping bill in. once youve stayed there long enough for the curse to even BEGIN, it becomes harder to leave the town. you just feel drawn to it, and a dull ache in your soul if you leave. so obviously, when ford gets turned into a mothman, he does fully accept that because hes always felt more cryptid than man. but when the time comes for him to ask fiddleford for help, he lays out that "hey, youd be doing me a BIG favour if you came to help with the portal, but this town curses you if you stay for too long so itll only be a few weeks, i promise"

fidds agrees, because hey, whats a few weeks with an old friend? besides, he'll have his wife and son as an anchor to go back to. but the more he thinks about it, the more he likes staying with ford, the more he's reminded of those old times, and the more the curse starts influencing those kinds of thoughts to get louder and louder (but its not ALL the curse you know. still some autonomy in the situation) and so he keeps postponing his return date, almost "tempting fate" about the curse, because he doesn't really feel any different! his friend sprouted wings and antennae! he'd know by now, so he won't check! and ford shrugs and is like "well, alright, it's your choice, we can surely get a little closer to the point of no return"

and yknow, fiddleford denying that the curse could possibly be affecting him is almost like him in canon struggling to reconcile with his two "lives"- his home life and his life with ford. he wants to have his cake and eat it too, because he's just too timid to ever say no.

anyways, one day he wakes up and realizing he's heard the sound of technology near him for a while, and looks around, and realizes it's following him from room to room-

the beeping IS him. it's definitely been a year, he's already been cursed. it's just that he's a robot that looks near-human, just near-human enough that he could turn a blind eye to it and pretend like it never happened and that everything was fine. which i think kinda suits how ford loves the supernatural to a very personal degree, meanwhile fidds got roped into the town by pure happenstance

but. yknow, being a robot that looks human means youre still a robot. and it's a lot harder to erase things from a robot's "brain" without causing some major problems. haven't you ever been programming something or filling out an html code, and then you accidentally delete one thing you thought was inconsequential and all of a sudden youre staring at just a wall of code that's busted because whatever you removed, you DEFINITELY SHOULD NOT HAVE removed?

parts of fiddleford just go kaput and start breaking because he's purposely taking out large chunks of code from his own brain that end up being collateral from the memory gun. because, yknow, the memory gun is imprecise! it was designed for human brains! cos thats what fidds was for years! so it's like if you tried to repair a computer by ripping out the motherboard with pliers

thats my take on it anyways. Ya

[dilly-dahlia]

The Guard at the Window

pairing: fem!reader x Laurance

content: tangled au, variation of Stockholm syndrome, emotional abuse, kind of slow burn for this being a one shot, they actually don't get together, the world of MCD but not canon compliant, not-so-meet-cute, enemies to lovers (?), vague allusions to a difficult past concerning the mother, use of y/n

summary: Being locked in a tower your whole life can put a damper on your mood. But when your knight in shining armor comes to rescue you, do you really want to go with him?

word count: 5.4k (i'm sorry everyone i got carried away)

masterlist

It was not a pleasant thing to be locked up in your tower.

Yes, you enjoyed the solitude it provided. You had read numerous history books about the horrible things people did beyond the walls, and your mother had told you in great detail the terrible things that had happened to her before she was blessed with you. She wanted to protect you from the troubles she had endured at your age, and you were content with that.

But you had read other stories. The fictional ones your mother brought you as a reward for taking such wonderful care of your tower while she was away were filled with magic. You were transported to another world when you opened the crisp pages, and you could devour those stories in hours.

Those were the stories that told you about love and its different forms. You had read about brave heroines creating everlasting bonds with the people they led or the animals they befriended. You read about relationships of unconditional trust in terrifying situations, and you had read about families that found each other in their darkest times.

But your favorites, as cliche as it may be, were the ones where two people fell in love.

You loved reading about the feelings that developed and the stolen kisses and the romantic outings. They always had you smiling uncontrollably and kicking your feet when you daydreamed about experiencing the same thing later.

You longed to know what it felt like to fall in love the same way the characters in your stories did. You yearned to feel that same flap of butterfly wings in your stomach and have your knees weak at the small action of a kiss. You found yourself fantasizing about it more often than you liked to admit, imagining how it would go.

Perhaps your mother would find a suitor for you. She would bring him up into your tower when she visited and introduce the two of you. She would tell you that he was a lord of high standing and nobility and he would sweep you off your feet.

Or maybe he would find himself at the base of your tower, where the two of you would raise your voices just to communicate with each other. He would catch you when you jumped out to join him and create a life together.

Or, since your birthday was coming up, it might be possible to ask your mother to take you out. You were no longer a little girl or a teenager and you could defend yourself. Surely she would see no problem and allow you to accompany her on her next trip. You would travel to a village that sold the finest silks and paints and meet him on the street corner.

Your mother had other plans.

"Leave the tower?" She didn't even look at you as she cleaned the apples in her basket, rubbing them with a rag until they reflected the candlelight. "And how would we get back up?"

You softly exhaled through your nose, beginning to run your fingers through your hair and ignoring the subtle throbbing in your head. "We can use the same way you used when you originally brought me here."

Your mother scoffed, turning her head to look at you. Her gaze followed your hands for a moment before you got the hint to stop. She didn't like when you played with your hair. She always said it would cause stress and make you lose it.

"Darling," she began, her voice honeyed, "the way I used to get you up here is now so overgrown it's hardly usable anymore. Besides, I don't even remember where the door is."

When she turned her attention back to the apples and began cutting them up, you rolled your eyes. You opened your mouth to say something, but your mother kept talking, drowning the thoughts you were going to voice.

"It's a dangerous world out there, darling. You wouldn't like it. This meadow around the tower is the only safe haven I've found to protect you, and I refuse to put your safety in jeopardy just because you want to see beyond the walls."

This time, you didn't hide your discontent. You groaned and came up behind your mother, wrapping your arms around her body and resting your chin on her shoulder. She was a bit taller than you, so it was uncomfortable and you had to stand on your tiptoes.

"Please, mother. It's for my birthday."

"Yes, yes, darling. Your twenty-fourth, if I recall correctly." It was your twenty-third. "Quite a large number to celebrate. Oh, my baby's getting old."

She hummed as she reached up and pinched your cheek, her focus hardly faltering as she continued to cut up the fruit in her basket. The action left remnants of the sugared juice on your cheek, and you pulled away to wipe it off with the back of your hand.

"Mother, I'm not a little girl anymore. I can protect myself now."

"My answer is no, Y/n," she snapped. She turned her head once again to face you, and her gaze was so burning it made you feel like the small child you had just claimed you weren't. "Why do you want to go outside anyway? Aren't you happy with the luxuries I bring you every year?"

You didn't answer. Of course you were grateful for the gifts she brought you, you just wanted more. You wanted to experience what everyone else did.

"Y/n," your mother said after you had been quiet for a moment too long. "You're a young lady. You have the capability to respond when someone asks you a question."

You only nodded. Your mother let out an exasperated breath at the lack of an answer.

"See? You can barely answer a simple question. What makes you think you'll be able to survive out there?" She vaguely motioned to the open window before she walked past you, attempting to put an end to the conversation by stepping up the stairs that led to her private bedroom.

But you weren't going to let it stop there. You quickly caught up to her and grabbed her wrist with a gentle hold before she reached the curtain to the room, making her stop in her tracks and turn to you.

"It would just be one day, Mother. I'll stay by you the whole time, I-"

"I said no." Her tone was stern, and when she pulled her hand from your grasp it felt as though an arrow had gone through your heart. "I'm not changing my mind. Now, by the time I come out to make dinner, you attitude will be gone, is that understood?"

"But-"

She raised her brows. Her stare was piercing, searching your eyes for every secret you had.

You pressed your lips together for a moment before nodding.

Your mother didn't say anything else, only pulling the dark curtains to her room back enough for her to walk in. You waited until the thick fabric to stop swaying to lift your hand and push against the curtain, seeing if she would let you in.

Your hand met a barrier. Clearly she didn't want you with her at the moment. You weren't allowed in her room unless she had given you explicit permission.

You sighed, going down the stairs and sitting on your own bed. The wisteria flowers you had placed around the columns had started wilting. Maybe, if she wouldn't let you outside, your mother could at least get you new blooms.

—

Attitude. What attitude was she talking about?

You had laid down in your bed, twisting some of the wisteria leaves from your bed together to form a flower crown while you waited until your mother came back down. When she did, your "attitude" had disappeared, but neither of you spoke. Not even when the two of you sat at the table and ate the potato soup she had made.

Neither of you spoke again until the next morning. You wouldn't have at all if your mother hadn't told you she was leaving again. This time, the trip would be longer and you'd be alone.

You had only nodded in response. You waited by the window, watching as your mother gathered what she would need from the pantries and drawers before tossing your hair out the window. You groaned when she took hold of it, closing your hands around the strands near your scalp in an attempt to lessen the pull.

When she finally gave your hair one last tug, you nearly stumbled. You righted yourself before you fell, though, and stood at the window until your mother disappeared behind the veil of leaves that kept you hidden.

She was gone now, leaving you with absolutely nothing to do for hours on end.

Yes, you enjoyed the solitude your tower provided, but sometimes you wished there was someone to keep you company.

—

You heard the harsh grinding of stone against iron while you were seated at the table, mending a pair of slippers that had recently torn along the seams. The sound made you pause. You waited a moment to make sure you weren't going crazy.

When you heard it again, you immediately dropped the material in your hands and lunged for the cupboard. You grabbed a knife and darted across the room, throwing open the door to your wardrobe and pushing your blouses and skirts aside to hide among them. You spent longer than you wanted trying to stuff your hair in the spaces beside you, and you're sure a small amount of it got stuck beneath the doors. You left it open just a crack so you could see out of it.

He grunted as he lifted himself onto the windowsill, muttering a curse when he kicked his leg over the edge and stumbled into the room without grace. He stood up and looked around, his gaze faltering when he caught sight of the wardrobe. He started at it for a moment—a long moment where you thought he would stride right up to you and open the door, but he didn't.

When he turned his head away, you looked at him. His disheveled hair was light brown, parted down the middle. He was wearing gray pants and a blue overcoat. A leather bag wrapped tightly around his body, and a scabbard was secured around his waist, his hand never leaving the hilt of his sword.

The only thought that crossed your mind was that you would have to be sneaky to gain any kind of advantage over him, and when he took tentative steps past the wardrobe, further into the tower, you slowly pushed open the door and stepped out.

Your footsteps were quiet. You approached him slowly, making sure you didn't make any sound. You held the knife in front of you, both hands on the hilt, and aimed it at him.

Go fast and just get it over with, you told yourself, but something was making you hesitate. This was wrong. This was wrong, but he was trespassing. If something happened to you because you couldn't protect yourself . . . Dear, your mother would be enraged. She would never let you leave.

This was your one chance to prove you could protect yourself.

You stepped closer. Closer and closer until you were in such close proximity that you felt the need to hold your breath.

Just as you reached the point where you could jab out your arm and stab him, you paused. You tried to keep your breaths light and unheard, but your heart was pounding. You could feel it fighting against your rib cage, burning to jump out of your chest.

Your hesitance made you the victim. In one swift move, the man in front of you drew his sword and lunged back. In the same movement, he had successfully disarmed you, your kitchen knife now thrown across the room.

You froze, your hands lifted by your side in what you think is meant to be a defensive pose. Or the beginnings of running away. You aren't sure, since you couldn't think clearly because of the sword pointed at you.

The man looked you up and down, raising his eyebrows when he noticed your bare feet and the bandages wrapped around your fingertips (the result of accidentally stabbing yourself with a needle one too many times). His stance relaxed, but he kept his sword aimed at you.

"Who are you?" he asked. His voice was smooth, and if the circumstances were different you might have swooned from the sound alone.

You were silent, opening and closing your mouth like a fish as you fought to articulate the words you wanted to say. You must have looked like an idiot, wearing an untucked blouse and skirt that had clearly seen better days.

"I- Who are you?" you asked instead. Your voice was quieter than you would have liked. You tried clearing your throat discreetly before saying it louder, but it came out as a cough instead.

You decided not to repeat your question. You didn't want to embarrass yourself more than you already had.

The man was quiet. His gaze traveled over you again, this time lingering on the copious amounts of hair that trailed behind you. His eyes followed it for a moment before snapping back to your face.

He sheathed his sword and stood straighter, though that did nothing to quell your fears of being sliced to pieces.

"My name is Laurance Zvahl." He bowed, which surprised you. You knew that bowing was the typical show of gratitude or courtesy for someone of high standing, but you were just a girl in a tower. "I'm second in command of the guard in Phoenix Drop."

Your brows furrowed as he straightened. Phoenix Drop? It was a town your mother had visited years ago. The only thing she said when she returned from her stay was, "It was nothing special. Just a small, underdeveloped town run by a pacifist."

But . . . Phoenix Drop was so far. What was their second in command doing here?

"May I ask what your name is?" he asked when you had been silent for too long. He crossed your arms, and you figured he must not have pinned you as a threat if he was being this nonchalant about everything.

Which, you weren't a threat, but his comfort in your home unnerved you.

"Y/n," you replied.

Laurance smiled kindly. "A beautiful name for a beautiful woman."

Your eyes slightly widened. You can't say for sure if you blushed, but you knew from the way his smile widened that you weren't doing a very good job of hiding how flustered the single compliment made you.

You cleared your throat again. "Why are you here?"

"Ah." Laurance glanced around as he spoke. "Well, a few guards and I were accompanying our Lord on a trip. Unfortunately, we got separated in the forest and I ended up here. I assumed this tower was vacant since there was so much overgrowth outside, but"—he motions to you—"it clearly wasn't."

You nodded. People got lost in the forest surrounding your tower all the time, but none had ever entered the small circle of rocks that surrounded you. They had tried, but a barrier your mother had set up around it prevented them from getting father.

So how did he get in?

You knew that sometimes your mother's magic faltered, especially if she was far away, but she had redone the spells surrounding you just last week. They should have been stronger, if anything.

Laurance, taking note of your silence, continued talking. "I saw the tip over the rocks and assumed it was hollow. I suppose my guess was rewarded, since I now get to spend a few moments with someone as pretty as you."

He smiled again, and you found yourself relaxing ever so slightly. He hadn't moved to draw his sword again or make any physical advances on you, and you found your mind easing in your presence.

Your mother had always warned you of people like him—of people that seemed easy to trust and talk to. They were the most deceptive. They were the ones that would shatter your entire being with one lie.

You put her warnings in the back of your mind. It couldn't have been possible for someone with such sincere eyes to be a cheat, right?

"There's magicks around this tower," you said. You tried keeping your voice flat. "You shouldn't have been able to see anything, let alone get in."

Laurance's brows furrowed. "Really? Well, it must not be very strong. I didn't pick up on any traces of magic when I came in."

You huffed, any earlier ease you had felt now gone. "There is a barrier surrounding this tower and the rocks around it. My mother is the best witch in Ru'aun. Her magic essence comes from a line of witches so potent and known that armies have fallen at the feeling of it. Her magic doesn't falter for deities, much less a non-magicks user like you."

Your mother had told you stories about your ancestors. She often spoke about how they fought by Lady Irene's side and protected her from Shad the Destroyer. You knew your mother had powerful magicks. She had shown you the extent of her abilities herself.

Laurance's eyebrows raised again. He showed a lot of facial expressions, you noticed.

"Right. Well, I'm here, so maybe your mother's magic just ran out." He shrugged, the charming smile that painted his lips widening.

"Magic doesn't just run out-"

"Then it wore off, or something. Listen, I don't know a lot about magic or witches or . . . anything else like that." Laurance shrugged. You huffed, crossing your arms.

Incompetent little b-

"So, you just stay up here?" Laurance's stare was on your hair again, following the long locks until he reached the pile of hidden strands still in your wardrobe. He walked up to you and you stiffened, but he walked past you to trail your hair instead.

"Obviously," you snapped, as if it were common knowledge that you did. Your mother's words rang in your head. "There would be no way back up if I left."

Laurance hummed. You started running your hands through your hair as he approached the wardrobe, opening the door wider and allowing the pile of hair inside to slide out. "You got a lot of hair," he stated.

You tugged your hair closer to your body, though the action did nothing to move it further from Laurance. "How else is my mother supposed to get up here?"

Laurance lifted his head to face you, his brows raised. "Your mother climbs your hair to get up here?" You nodded. "That doesn't . . . It doesn't hurt?"

"Well, yeah. But I've gotten used to it. It doesn't hurt now as much as it did when I was little."

"People climbing your hair is a regular occurrence?"

You let out an exasperated breath. Who was this guy in thinking he could ask so many questions. "My mother's the only one."

"And you've never left this tower?"

You shook your head.

Laurance let out a low whistle.

You pressed your lips together. You knew he was judging not only your mother, but your lifestyle. Sure, it might not have been the most accepted method of protection, but up until today it had worked. You had been content to be alone in your tower your entire life. You had to be. Who was he to think he could just climb the walls and criticize the way you lived?

Laurance was looking out the window he had come in from. You opened your mouth to snap back, but Laurance started talking before you could.

"Ever consider leaving?"

His question caught you off guard. You started at him gobsmacked for a moment—as if he had just admitted a heinous secret to you—before your mind cleared enough for you to formulate an answer.

"I-I do. Yes." You paused, choosing your words. "But I'm content up here."

Laurance's lips curved into another charming smile. It practically lit up the room, and you found yourself easing once again at the sight of it.

"So you do? Do you even get fresh air up here? Have you ever felt the sun on your skin?"

You huffed. "Of course I have. That window allows me to receive what nature provides."

"But you've never really experienced any of it, have you? You've never laid out in the sun or ran in a field or-or talked to someone that isn't your mother, have you?"

You crossed your arms and looked away. "I'm talking to you right now, aren't I?"

Laurance exhaled. "That's not what I mean. I mean you don't have any friends, or acquaintances, or anyone to talk to at all. You don't get lonely up here?"

You rolled his words over in your head but didn't say anything. You refused to admit he was right. You did get lonely, and you did want to leave your tower even if it was for one day. But your mother wouldn't allow it.

Laurance's expression softened as he realized how sheltered you actually were. He looked around the tower again, taking in the hand painted details and the homemade candles and the stacks of books against the walls. He couldn't imagine living like this—stuck in an inescapable tower with nothing to do for days, years on end. No socialization, no friends, not even an animal of some kind for you to interact with.

"Alright, so clearly your mom's got a little something going on in her head." The words had you snapping your head in his direction as Laurance pointed his finger and moved it in a small circle. Your nose scrunched and you uncrossed your arms, moving to hit him, shove him, something, while you said a few choice words, but Laurance stuck his hand out and held onto your shoulder, keeping you an arm's length away. "But this is genuinely insane." He vaguely motioned to the room. "No one keeps their kid locked in a place like this. Not if they truly love them."

You huffed again, trying to push yourself forward to smack him, but his grip on your shoulder only tightened. It was clear he wasn't going to let you move.

"You don't know what you're talking about!" you yelled. "You don't know what my mother's been through or what she's trying to protect me from."

"Do you even know what she's protecting you from? Because the defenses you claim are surrounding this tower sound like battle tactics. Nothing poses that much of a threat to a place like this."

“People like you do,” you bit back. “My mother’s always warning me about you. The handsome, charming ones that can obviously get girls to smile with every word they say. She says people like you will turn their backs on those they claim to love without a second thought.”

Laurance exhaled. “Okay, so your mother met one bad person that broke her trust and ruined her life. That’s no reason to lock your daughter up forever. Not everyone is like that.”

“Well the good ones are so sparse and hard to find that there isn’t even a point in trying.”

“How would you even know that? You-” Laurance groaned, cutting himself off and taking a moment to gather his thoughts. “Listen, this is insane.” Laurance threw his arms out, motioning to the tower. “No one locks people up like this to protect them. You can’t tell me you seriously want to stay up here for the rest of your life, can you?”

You rolled your eyes and crossed your arms again. “Obviously I don’t, but my mother knows best. If she says that staying up here will keep me safe and away from the people she seems unworthy, then I will stay up here.”

Laurance blew out a breath. He ran a hand through his hair and began pacing for a moment.

“Alright, listen. I know this is crazy, but you clearly don’t. And I now know that you don’t want to stay here forever. So how about this—I get you out of here. You can experience the world for just a little bit, see how people interact, see how life is supposed to be, and then you can decide if your mother truly knows what’s best for you.”

You pursed your lips. His offer was enticing. You had just spoken to your mother about this and refused you. You knew you shouldn’t go with him. Laurance was a stranger you just met. He could be a serial killer for all you knew.

But there was something in his eyes. His gorgeous blue eyes that resembled celestite held something akin to worry. He wanted you to leave, and you realized it wasn’t so he could fulfill whatever sick fantasy he might have had.

He was kind, you could tell that much. He couldn’t seem to handle the thought of anyone stuck in the same situation as you, and he wanted to help you. He needed to help you get out of this tower, even if it was only for a couple days.

You huffed. “How do you propose both of us get out of here?”

Despite himself, a faint smile graced Laurance’s features. “We could get out the way I came in.”

Laurance reached into his bag and pulled out four arrows. You found it odd, since he had no bow on him. He must have found them somewhere.

You looked down at the arrows, your gaze flicking between them and Laurance’s eyes.

“I’m not using those,” you plainly stated.

“Then use your hair. I’m sure you can double it up or something and slide down it. I’ll catch you when you reach the bottom.”

You rolled your eyes, biting your lip to hide a smile.

Nothing else was said. You watched as Laurance sauntered back to the window and kicked his legs over the edge. You stayed standing in your spot, wondering if you should really do this.

Your mother would be gone for weeks. You could afford to spend some time out. But what if something happened to you? You could be kidnapped or killed or worse.

When the top of Laurance’s head disappeared, you took that as your sign to stay behind. If he was out of sight then the whole thing was out of mind. You would never have to tell your mother about this, and maybe one day she would take you out herself.

You were just about to turn and continue mending your slipper’s when you heard his voice.

“You comin’?” he called out. You paused again. Against your better judgment, you walked to the window and peered over the edge.

Laurance wasn’t that far down the tower. He was looking down at where he placed his feet so he didn’t slip.

You looked past him, to the grassy field of flowers below him. You watched a rabbit scurry across your line of vision before it disappeared into a hole beneath a tree before taking a deep breath.

Okay, so maybe out of sight out of mind wasn’t going to work for you. That was alright. It would be just fine if you left with this man you just met, right?

Oh Divines.

You took another deep breath before tossing your hair out the window and winding it around the hook. How does this work? Do you just grab it and then scale down the tower? Do you slide down the hair? What if you got stuck?

You reached out and grabbed ahold on your hair. You tugged on it experimentally, knowing it would hurt your head more than usual since you wouldn’t be able to tug it back toward your scalp.

You slowly inhaled and exhaled again before doing the same as Laurance and kicking your feet over the windowsill.

One deep breath at a time, you gathered the courage to let yourself fall ever so slightly, yelping when you moved farther down than you intended. Your heart jumped to your throat, and it took you another moment to gather yourself and continue.

Laurance had already made it to the bottom. He now stared up at you, poised to move if your slipped and fell. He would catch you, you trusted that much.

It didn’t quell your nerves. It took another minute of deep breaths and closing your eyes before you readjusted yourself and your foot met the warm stone of your tower. You slowly moved down, grunting with the effort of quite literally holding yourself up by the head.

Laurance’s voice talked you through it as you reached closer and closer to the bottom. Your arms felt as though they would give out and your head was pounding. You thought you had good footing on the tower, but the stone was loose. It crumbled beneath your foot as you loosened your hold on your hair to move down and you went tumbling with it.

You let out a scream as you fell, though it was short lived. Laurance was beneath you in an instant, catching you in a mess of bundled fabric and tangled hair. The placement of his hands wasn’t the most appropriate, with one hand just a hair away from groping your chest and the other holding a firm grip on your hip, but you couldn’t find it in yourself to chastise him as you took a second to gather yourself again.

You gently pushed him away when your mind cleared. He set you onto your feet without complaint and waited until your breathing evened out to say anything.

When you finally looked up at him, he smiled.

“Look behind you,” he said. You did so, craning your neck up to see the window of your tower left wide open. It was much taller than you expected, and you had to turn your whole body and take a few steps back to take it all in. “You’re free. For a couple days at least.”

You didn’t let thoughts of how your mother would punish you if she found out plague you. Nor did you let yourself think about the impossible task of getting back up into the tower. You refused to fathom every terrible thing that could happen to you because you were free, albeit for a short period of time.

Your face broke into a wide smile. You tore your gaze from your tower and looked around. You had only ever seen the meadow from an aerial view. You never would have thought that it looked so beautiful seeing everything from where you stood now.

You let out a breath of disbelief, laughing as you knelt in the grass and ran your hands through the soft blades.

How did you live your entire life without this?

You didn’t comment at the sound of Laurance’s footsteps behind you. You just relished in the sound his boots made against the gravel and dirt, an odd sound to love but one you never think you’ll tire of hearing.

You look up at him, bright smile and all.

“What?” you asked, noticing his expression. It seemed content. There was the faintest of smiles on his lips and his eyes were sparkling like the water in the creek across the field.

Laurance shook his head. “Nothing. Just glad I could help.”

If it was possible, your smile would have widened. You pushed yourself back to your feet, rubbing your scalp to loosen the tension as you looked around again.

“So where are we going?” you asked.

“Well, I need to find my lord and the other guards I accompanied,” Laurance said. You turned to him, still running your hands through your hair. “You’re free to join me, if you’d like, or we can go our separate ways. The choice is yours, beautiful.”

That time, you allowed yourself to soften your smile as you gazed at him. “I think I will.”

Looking at him now, with the sun shining against his hair and reflecting off his eyes like they were the rarest crystals, you thought he was handsome. Unbearably so. The corners of his eyes turned up and his face looked as though it would fit in your hands perfectly. His nose had a prominent bump on the bridge that he might have been conscious of at one point, but it now suited him.

You shook yourself of those thoughts, but as you trailed behind him, following him out of the solitude you had known your whole life, you couldn’t help but think that this was the start of your love story.

was this accurate to his character? maybe. i’m not sure since i’m still getting back into the fandom but I hope y’all enjoyed 💙

will this have a part 2? maybe. if y’all want one then let me know. either way i’m probably gonna write a part two but for now it will remain a one shot

[centrally-unplanned]

Saw this really cool post of a 1982 "SF" (Science fiction but in Japan that included things like anime, manga, tokusatsu, etc at the time) magazine that did a survey of active fan groups/circles at the time - ~woo, precious data! Lets see what we got:

Love to see a good gender breakdown - as is often the case in these things, while it is of course majority men the number of women participating is very strong. You do notice the age imbalance there - many women in their teens and college-aged, but it drops off quickly. I suspect that this is primarily because this survey is right in the middle of the first wave of the "pop SF boom", where more approachable works like Gundam and new manga subgenres were rapidly growing the community. So the older cadre was more heavily men, while the new group is more balanced. However, this is the early 1980's - it might just be that when a woman graduates college she was expected to marry and "settle down" still, inhibiting participation in these kinds of groups. I think it is primarily the former, Japan had pretty rapidly changed in the 1970's and female creative types were commonplace by then, but I won't pretend the latter players no role.

The writing on this page just contextualizes the piece, not much to report, though it does note that "3 people replied 'other' for gender...as a joke!" Sure, jan!

Anyway, on to page 2, what is our poll question of the day...

ロリコンについてどう思いますか? What do you think about lolicon?

....*siiiiiighs* guys I didn't, I didn't look at the second page before typing this up! I just wanted to report the gender data! This just happens to me, I swear -_-

But I can't back out now I guess:

It actually splits the question by gender - men are asked "are you a lolicon" while women are asked "what do you think of guys who are lolicon" - sexists, way to erase the female lolicon. Not actually joking there, it is a quite a thing due to its overlap with rape and dubcon fetishes - but I won't pretend I have expertise on the prevalence of that in 1982 Japan's SF community, even if it you see it today. Anyway, most men are not lolicons (the tallest line), though others fall on a spectrum from interested to "graduated", certainly a choice of words one could make.

Funnily a good dozen say they are called that by others, but not themselves - I believe that is related to the vague line between loli & shoujo aesthetics at the time. Which is important to emphasize, as I always do on this topic - sometimes the word lolicon just means "youthful" or "cute", sometimes it means like high schoolers, and sometimes it means real-deal underage stuff, and you won't know without context.

Meanwhile two women label lolicon men as "cute!", good for those two living their truth, while others are broadly tolerant but have Opinions. Which is fun, because the rest of the page is people sharing said opinions, sorted into "good" or "bad"! Some choice ones:

★ It's a symptom of modern civilization’s sick parts, but also an inevitable phenomenon. It’s better than having a rabbit or cat complex. Don’t lay hands on young girls. Lolicon must remain platonic. (♂/19/)

You see this theme a bit, "symptom of modernity", the new sexual fetishes are a product of a changing world. Certainly up for debate, but also very "in vogue" for the 80's & 90's to worry about that sort of declinist narrative. Then again, guy is a catgirl and bunnygirl hater, not sure we should listen to their shit taste.

On the flip side you get the "natural way of things" types, of which this is my favourite:

★ There’s nothing abnormal about having a dream involving an uncontrollable urge towards pre-teens. Even Romeo and Juliet would have made Romeo a lolicon given Juliet’s age (14), but people don’t think of it that way. Only at that age can girls love and respect men without ulterior motives. (♂/19/)

That last line, you are telling me so much about you with that one!! You can see how this is discourse, right? Like if one side says you are a "symptom of modernity" you ofc respond with "this is how all guys are" and with callbacks to traditional culture.

The "bad" side has a lot of ruthless condemnation, with more than one call for the lolicons to simply die or labelling them worthless scum. The magazine's writers do try to keep the tone breezy but I do think this topic being actually contentious in the community pokes through here. Though this serious one really did undercut herself a bit at the end:

★ I can understand why one person of the same gender might feel admiration or affection for a child or young girl, but for a man to only be able to love much younger women? That’s a mental illness! If they aren’t willing to fix themselves, they might as well die. They’re enemies of women. It's not going to turn out like Nabokov's Lolita. (♀/20s/)

I mean they did also kill jesus Humbert Humbert in Lolita. that was a pretty significant thing that happened. like i understand where you’re coming from here but they very much did kill the Lolita guy.

There is an editorial at the end, and it echoes something one of the comments also states; that the lolicon boom was seen as coming from "hard" SF fans, the people who did the really nerdy stuff. There is a word they use actually which is neat: 根暗/Nekura, meaning someone with a "gloomy root". It began seeing use as a slang for hyper-serious, boorish people in the late 1970's and became a fad to use in precisely 1982 - here is a live record of that! They associate "hard SF" fans with these sort of gloomy types who can't take a joke or appreciate hanging out with the buds at a bar, that kind of thing. From there, and here I am reading between the lines, these fans like a sort of "idealistically sterile" world, and lolicon as a preference (in comparison to Real Adult Women) flows naturally.

I mention this because astute readers might be going "oh, like otaku?" and that word was only just buzzing around at this time - it is typically dated to 1983. The editorial writers note that these nekura-types are nowadays proud of that fact, wearing it like an identity:

A: I’m not really sure why, I don’t fully understand the inner workings of the SF world, but it’s like, out there, hardcore SF fans are considered gloomy. Maybe that’s why there’s this connection to lolicon? B: But surprisingly, everyone’s actually pretty cheerful. In today’s world, the 'dark and gloomy tribe' is trendy. It’s like they’re enjoying calling themselves gloomy, almost as a fashion statement.

So yeah, I can totally see proto-otaku discourse going on at the edges here.

There is a third page but it continues in a similar vein. A bunch of mentions of Hideo Azuma, who I am growing increasingly convinced was more of a lodestone for the lolicon boom than is currently appreciated - he is the ur-reference everyone makes. More discussion of girls in sailor uniforms as a gateway drug, yeah yeah, "is fine as long as its fiction", of course of course, one of the magazine editors remarking he wants "a wife for practical uses but a daughter as a pet" yeah okay we can call it we're done here, no more survey data anyway.

Not the topic I expected to find, but still this is really valuable "primary source data" - you can't trust the literary class fully on these things, having first hand quotes from community members on otaku culture in the era is always valuable.

Sorry if you got tricked into reading this - in my defense I did too!

[inkdemonapologist]

[BatIM Cthulhu AU] A couple of doodles from session two, which UNSETTLED SAMMY A LOT ACTUALLY...

There have been small changes, throughout New York -- doors opening on the wrong side of the street, houses ending up just a block away from where you remembered them -- but the only people who can even tell seem to be those who remember Carcosa. Joey, Sammy, Henry, Jack, Peter, and Norman all experienced the strange shifting realm when a Mardi Gras party attempted to bring dread Carcosa to New Orleans, but Susie wasn't there. She can't see the changes we see, and the entire rest of the city agrees with her. That door was always there? The car was always that colour. That's where I remember the address being before, and there's no record it was ever different.

She trusts what the boys are reporting must be true, that maybe there are changes she can't see or remember, and both she and Sammy are terrified. These are only little things, but as more and more of the city slips into the world of the King in Yellow, what else might be rewritten...?

Anyway EVERYONE'S HAVING A GREAT TIME. If you're here for Out Of Context Quotes from our session, I have some of those too, here, under the cut!!

[Sammy is played by me, Joey is played by Boo (inkyvendingmachine), Henry is played by Maf (inkcryptid), Jack is played by Mochi (whatyouwantedmetosee) and Thren (haunted-hijinxer) is our GM!]

[Jack] I love how detective Pete is for a guy who is NOT a detective. [Sammy] He just got assigned that by Joey Drew and now it's true. [Joey] Exactly! That's how it works.

[Sammy] The idea of JDS having its own employed detective is really funny to me. "Why do you need that? You're an animation studio." "Well, you know, things come up,"

[GM] Everybody went home I believe, except Joey went to the Studio, which is like home,

[Sammy] Do we have any plan, other than just go in to work, [Jack] I though you were gonna say "other than go insane"...

[Joey] If Prophet's not the one going for the ink, then why is Sammy going for it?! Do they have a SECOND prophet situation??? [Jack] PROPHET...... TWO!!! [Henry] Prophet 2: Electric Boogaloo [Sammy] *tiredly* We don't need any more Prophets..... We don't need any more Sammys..... we have enough.....

[Jack] You just need to sip some ink and tell them it's the wrong number. Like, you've got the wrong guy. [Henry] New stone, who dis?

[Sammy] It was the false king who called through the ink, not our Lord! [Joey] Interesting... [Joey] Joey's going to ask Bendy if he can... feel this? Is he getting calls? *dad voice* Is someone calling you? Don't put your number on the internet!

[GM] Bendy says he wasn't made to be a receiver the same way Sammy was. [Jack] So technically, it's "New Sam, who dis"!

[Joey] Okay, Joey's going to note this all down in his... Notebook Of Nonsense That Plagues Them,

[GM] I'm choosing to believe that whenever Norman called in, he gave some sort of outlandish excuse, and whoever answered the phone didn't... write it down... [Sammy] Like the heckin', grian excuses-- [Joey] "I'm cutting my grass, with scissors" [Jack] Yeah!! He's cutting his grass! With scissors! In winter!!! [Sammy] And then Sammy's like "Do we know why he called out?" and the receptionist is just like "No We Have NO Idea" [Jack] With the most tired sigh. Second only to Grant.

[GM] Fun fact, Norman would answer the phone. [Sammy] Norman actually was just like, "ohhhhhhh i know THIS is some supernatural bullshit happening, I'm gonna stay home"

[Joey] Joey's going to ask Estelle if he looked like-- and give a vague description of Avedon. [GM] .............................. [GM] She is SO impressed that you knew this. [Joey] *delighted cackling*

[Jack] I love how cute Joey is about this kid. Just like... the cool Bendy Uncle! He's not related at all, but, [Joey] I feel like this is kind of how Joey just gets around kids? Maybe Joey does really want kids, just, y'know, doesn't know how to do it when gay? [Sammy] Obviously that won't happen, so-- [Joey] Yeah, [Sammy] --so then you START AN ANIMATION STUDIO, that's the only other option! [GM] Yeah, then all kids are your kids!

[GM] Alright, you've made many phone calls. [Joey] Yeah, [GM] And you only rudely hung up on one of them!

[Sammy] Sammy can surely track that down; he's used to digging up musicians. [Jack] Jack's there to assist with the Talking to People in a way that makes them want to cooperate with you, and not run in fear!

[GM, speaking for Peter] *lists all of the information Peter's dug up* And that's about what he managed to get, today! [Joey] And nothing weird has been happening... to him? [GM] WELL, OKAY. ABOUT THAT,

[Peter] Could you describe again, the strange person who was at the party? What was that guy like? [Joey] *thinking very hard* Which... strange person...? I mean... Denis was there?

[Norman] Try not to fall in a swamp this time. [Joey] I'll let you know if I find one! [Sammy] There's fewer of those in New York, so, I think we're good. [Jack] I mean, you never know,, [Sammy] ...yeah, that's true..... [Joey] HEY, Joey will let him know if he finds one!!! [Sammy] If LAKE PONCHARTRAIN opens up in the MIDDLE OF NEW YORK CITY, that will certainly be something to let all of our friends know!

[GM] Make a social-type checks to have a word with them beforehand! [Sammy] I don't know, if I should do that,,, [GM] SAMMY can make an Appearance check! [Sammy] *laughing* LETS SEE IF IM HANDSOME ENOUGH to get let in!

[GM] Everybody's like "You guys!" You're greeted with nostalgia, and eagerness! and people are trying to small talk you, I'm guessing Sammy's not going for that. [Sammy] I mean, you can try to small talk.... AT him... [Sammy] He doesn't... y'know... it's like playing a game of catch where you throw the ball to somebody, and they just hold the ball. [Sammy] Like.... okay! [GM] I did the thing! [Sammy] Cool, catch successful. [Jack] No give, only throw!

[Sammy] Look, I was trying to drink ink this morning, so I feel like this is a step up.

[Sammy] Sammy will enjoy it! We should do this more often! [Sammy] "We should do this more often" says man who will always be too busy to do this more often,

[GM] They're impressed that, at a job where there was a gunshot right in front of the stage, the thing you want to ask about is where they sourced their music. [Sammy] I LOVE that Sammy's reputation is such that this makes perfect sense to them.

[GM] His name is Alan Leroy. [Sammy] Okay, Leroy works, because then I'll remember it, because of Leroy Jenkins. [GM] This is what's been going through my head the entire time, too...

[GM] They say he's a crazy-talented musician who blew into town a year or two ago? He's really nice and easy to get along with, and when he really gets going he can make sounds come out of his instrument like you've never heard! [Sammy] These... are all.. compliments that would be really impressive except that they can all be interpreted in really concerning ways.......

[GM] If Jack wants to look harder, he can.......... [Jack] I'm doing it, Jack can make little a bad decision! He hasn't made any yet this season!! [Jack] *rolls* That's an extreme success. How much sanity do I lose!!

[Henry] We're ghost hunters. The, the pale guy is a ghost, we're goin' after him. Ghost hunters. [Henry] ...This is why you don't let Henry lead the conversation!!

[Jack] It's occurring to me that we don't know if this guy is alive??? [Joey] YUP! This is a good time to find out! [Henry] Fun! [GM] When have you EVER gone up to somebody's house and found them dead inside? [Jack] Jack hasn't yet... [Henry] The very first scenario! [Sammy] Yeah it was a pretty bad situation as I recall, we were briefly accused of being involved! [Jack] Maybe you guys. Jack's different, though.

[Joey] We wanted to make sure he was doing alright. .....does that need a Fast Talk roll? [GM] Yeah, I was about to say-- [Joey] *rolls* *STARTS CACKLING* [GM] What did you do, do you roll a three again? [Joey] I DID ROLL A THREE! :D THAT'S EXACTLY WHAT I ROLLED! [GM] I thought it was the Three Laugh!

[Henry] Henry is tired. Henry rolled a 93. [GM] Well he's out late, you know, he's a family man! He has normal hours, he hasn't been staying up late, living at the studio for the last few years! [Henry] He's regretting not accepting Joey's offer to just go home. [Joey] *muttering* See, Joey knows best!

[GM] Okay, so you guys notice, right off, that the car isn't there. [Sammy] UM. HM. [Jack] Which car did we take again? [Joey] The Mercedes... [Jack] *relieved* Okay good. [Jack] .... I MEAN, NOT GOOD, BUT...

[Joey] No, no I think it's OUR car... it's just... more yellow now... [Jack] I don't like that that means it's getting yellower... [Joey] ...........................So when do we take the sanity hit? [GM] Yeah, that would be now!

[GM] The woman says she's looking forward to when he has his own ship, and they can sail away together! [Henry] [Henry] ...I'm married,...

[Joey] Joey has his face pressed to the window-- no, he probably has the window down, it doesn't matter how cold it is -- and... CAN the window go down? Hold on. [Joey] *sounds of typing* "Car... door... window... down... history... when."

[Henry] Okay, these dice are BANNED. I rolled a 90! [Jack] What if you subtly replace the dice...? [Sammy] With slighty yellower dice!

[Joey] OKAY! There ARE rolling windows, so Joey does have the window rolled down, and he's intensely watching the colour of the car. [Joey] AND ALSO, he's STILL sitting in the middle seat, he's just going to lean over someone to do this. [Sammy] Ah. It's probably me.

[Jack] No, no, Pete and Jack can get kidnapped later and take some massive sanity damage together. ✨Cute date ideas!✨

[Joey] Joey's going to inform Norman that they're going to come over, they need additional eyes on something, [GM] Well, he's good at keeping eyes on things! [Joey] So they'll be over soon. [Sammy] I like how Norman gets a heads up, but with Peter we just show up at his apartment. [Joey] Exactly! [Jack] That's because Joey's kissed Pete. When Joey and Norman kiss then that's -- not good for Sammy, probably. [GM] At least Pete and Sammy are neutral. Non-reactive. [Sammy] Norman and Sammy are "it's complicated" on Facebook.

[Sammy] Okay, we gotta go get Linda, so Susie's not alone, [Jack] We're just playing "how many NPCs can we force Thren to play at once!" How many can we shove in the back of this car.

[Jack] Jack's gonna get home and find out his cats are different colours, [Sammy] Oh NO, [Jack] Comes back and Beans is a tortie now. [Sammy] Or Beans is just an orange cat, [Jack] Oh no! Her braincells! [GM] She needs those! She has all of them!!

[Joey] Depending on who's the affected party, Susie or them, it is actually useful to have a second, like, [Sammy] Someone to compare with? Yeah. [Henry] We don't know WHO the control group is, but ONE of us is the control group!

[Joey] As trusted as Norman is, he isn't one of Joey's... white-knuckle-clutched-keepsakes of a person,

[Sammy] *sarcastic* Okay, everyone ready to go to sleep? That's not a scary prospect right now, right? That's something that we're all really confident about doing? Cool, that's great. [Henry] Yeah, yeah, that's definitely not gonna, it's gonna go great...! [GM] Nobody's even cut their hand on a slick stone! It's fine! [Henry] NO ONE BETTER CUT THEIR HAND ON A SLICK STONE! We got enough problems!! [Joey] (Looking at you, Prophet!)

[Henry] Is Joey,,, sharing this plan with anyone? [Joey] ouo Has anyone asked him?

[Joey] Let's send Henry then! [Henry] Alright. Send Henry to Carcosa! [Sammy] *exasperated* yeah that's fine.... [Joey] It's not FULLY sending him there! It's just making a connection. [Joey] A little bridge! [Sammy] Uggghhhh... Sammy doesn't think we need any bridges to Carcosa. [Sammy] We've got enough Carcosa. [Sammy] Put some back.

[Sammy] This is what happens When You Give a Joey a Dream Spell.

[Sammy] We can't actually guarantee that New York isn't going to sink. That's not out of the question. [Jack] Is the Joey Drew specialty NOT "promising things that aren't necessarily things you can promise??"

[Henry] Actually, before Henry leaves he's going to give Joey a hug. [Joey] He doesn't get to leave. [Henry] Oh. [Joey] But Joey will take the hug!

[Henry] You know this man gives good hugs. You're getting a good Henry hug. [Jack] Gonna crunch all of Joey's terrible, very bad bones. [Henry] He's gonnna try not to crunch all of Joey's terrible bones! [Henry] But, I dunno. [Henry] Roll for damage.

[GM] The lurker knows this is serious, but he's also excited, because he has heard what a slumber party is from Henry's kids.

[GM] Now it is Friday, the 28th of December. [Sammy] Okay. Cool. Let's all make an effort to not ring in the New Year in Carcosa. That's MY New Year's Resolution: Don't Be In Carcosa.

[wisteriagoesvroom]

📚 10 f1 fics i've loved lately 🏎️

been thinking a lot about how to organise fic recs into some sort of sensible post, 'cus there are so many (great!) pairings and (delicious!) driver combinations, not to mention so many varying styles of fic and SUPER TALENTED WRITERS!!111!!

just gonna list a bunch in no particular order, with accompanying pics, so you can get a sense of the vibes.

'cus what is f1 rpf but all about the ✨ vibes?! 🏁

p.s. people are in this community making amazing stuff for freeee!! if you liked these please leave a kudos or a comment, it makes a writer's day 🫡 

let's gooooo--

objects in the mirror by linearity (@drivestraight) charles/max. 87k words (series), rated t then e

listen. LISTEN! charles to rbr is one of the best premises ever and i will read it in like a thousand iterations. but this fic. this fic series in particular cleared my skin, made me want to cut my hair into a bob out of sheer emotion. i would be remiss not to start with this one because its impact on my f1 rpf trajectory should be studied by science. you know when a story just jumps off the page and it's so real that it becomes your canon. a kind of meteoric inevitability. plus, i almost never cry at fics. but by the time the third act of this one hit, i just went -- damn, am i rly about to tear up at a f1 rpf fanfiction rn? (yes.)

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sawtooth by nottonyharrison (@nottonyharrison) charles/max. 40k words, rated e

max as a f1 engineer? for CARLOS at FERRARI? sign me the fuckkk up. first off, awesome premise. there's always going to be something so heartwrenching about "what ifs", especially in any universe where max isn't a racer. despite the change of circumstances, just... the sheer poetry of two characters who just inexplicably find their way to each other in any universe... 🤧 also this story nails racing scenes in a way that's so visceral, i feel like a fly on the damn halo with them. and, aside from the gourmet lestappen, carlos's whole thing in this fic is joyous! spicy! he's so unapologetic and vaguely annoying! hilarious! + the swimming pool scene lives rent-free in my head.

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salt skin by peachbellini (@strawberry-daiquiris) oscar/lando. 12k words, rated e

this fic is magic. literally and figuratively. (MERMAID LANDO???? MERMAID LANDO.) the kind of story that makes you gasp and melt a little bit. and made me want to throw my phone at the writer, 'cause it's really that good. the yearning, the metaphor for all that's monstrous, a boy who is lost (and the boy who he finds, is equally so). this is just beautifully written and a little quirky and so well executed. i think i put it in my bookmarks as "what if lando was a mermaid and it was filmed by a24" or something. pearl of a story.

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hockey!! shrimp colors :) by leafmeal0ne (@ocontraire) oscar/lando. 13k words, rated t

leaf meal one. i have only known you a week but if anything were to happen to you i would wreck everyone in the room including myself. in all seriousness, anything that leaf writes is brilliant. they're one of these writers who could do a throwaway line on the label of a ketchup bottle and i will probably scream about it. the precision, the way they switch up sentence structures, the freaking darcy-level regency yearning transposed onto a contemporary sports setting. i'd rec all of leaf's sports AUs and i'll probably talk about more in a future fic rec post. BUT. the hockeyyy one my GOD. the barely restrained violence, their mutual desire, the theme of finding your place... *wails uncontrollably*

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you almost unearthly thing by anonymous max/daniel, 3.7k words, rated g

max is a governess(govern..lad?) and daniel is the mystery man at the manor. this was a response to a request i made in the kinkmeme! (if you haven't read those fics go check 'em out, there are so many great ones, and not necessarily all rated e). this is a criminally underrated little story that has my favourite repressed feelings + people dancing around each other + gothic vibes + "what the hell is wrong with y'all in this tale" combo that i really adore. it's really well written and captures the atmosphere so well.

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the so-called narrative by antimonyandthyme (@antimonyandthyme) oscar/carlos, 10k words, rated e

i'm once again asking why there are only 7 carlos/oscar works in the tag. I'M ONCE AGAIN ASKING-- *is sedated*. *jolts awake* okay but for real this is a great story. hot, fake-friendship-to-situationship which so happens is one of my favourite places to be. also hello miscommunication/they're so weird about it/they both want each other but can't express themselves for shit/insane racer boys energy.

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and silver, and samarium by pink_mink (@on-softs) george/toto, 5.2k words, rated e

i profess i am not usually the biggest fan of A/B/O (altho!! this fandom has made me go BUT ACTUALLY HM at least a few times). and this fic freaking nails it, along with the twisted power dynamics between TPs and drivers, as seen through the lens of omegaverse. this story rattles around my head like a stubborn ghoul just from the style and prose and sheer audacity alone. george kneeling at toto's knees while he's working..... ohhhhhhhhh i was this close to calling my lawyers.

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algorithm by anney (@badboy-george) charles/max, 16k words, rated e

i LOVE, LOOOOVE a sci fi concept alright. love that shit, will inhale it like moon dust with zero regrets. and what a fantastic one this one is!! the premise is that the FIA can now statistically show the compatibility of drivers on the grid and it's very pacific rim-y drift compatible, mixed with the surreal vibes of eternal sunshine or HER or some such. it should be outrageous, but it really works. that's the beauty of a great fic right there.

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trajectory of trojan asteroids by redpaint (@redpaint) nico/lewis, 3.3k words, rated g

also one of the fics i first read when i hopped on board the f1 rpf train. the pain and poignancy just gets worse the more i learn about brocedes. you know when you're like "there's no way this was reallll" and then you're like "fuck, it was so real". then you get a fic like this that just encapsulates all that rage and loss and grief and upset, set against the starry vista of endless space. *clutches tablecloth* god.

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p.s please bear in mind that these recs are entirely subjective! i enjoy loads of f1 stories but these are the ones that have especially stuck with me for some inexplicable reason.

p.p.s if your fic is on here and you want it taken off for whatever reason, i'm happy to, no questions asked 💛

BYE for now / until part 2. (i also love talking to ppl about fics so pls feel free to send an ask or hit me up in DMs or whatever.)

xoxo, -- wizz