#its not very much of a crisis really to be fair because i am quite secure in specific parts of it

[freyjuseggr]

teehee religious crisis time again :)

[nihiltism]

ok so while my ds is getting sand poured into it at alarming rates I'm thinking about how jrpgs in specific have a really weird desync with How Important Death Is. like some address it better than others but it very frequently happens where if you take a step back youll go "am I wild or is everybody just like, Really down with murder in this game". and consequences for said murder, especially in a characterization sense but even just actual physical consequences, don't really happen? unless it's a vehicle for conflict but like. when it is a vehicle for conflict it feels weird because why are These Guys actually taking the fact we killed somebody in broad daylight seriously and coming after us for it while all the other npcs and even the main party took it like it was another saturday evening

see I Think where the issue lies is in the fact that everything is in its own little world when you're in a battle? like. when you fight an enemy and you get leather out of it it's seen as something the enemy Drops and not. their hide. when you defeat a character in a battle it does just feel like you Defeated them. unless there's dialogue afterwards that says otherwise you don't even mentally assume you killed em you just wounded them enough to make them flee or dissolve or whatever. and it's Weird to just. have that assumption there because for a lot of games it really isn't clear if you're killing them or defeating them !!

that last point is extra important when you have the specific brand of Skittish Hero / Noble Hero Who Doesn't Kill People / Rational Hero In Way Over Their Head or whatever where you really don't think they Would kill a guy just to get them out of the way. in that case it's REALLY weird because it's hardly brought up. even if it Is brought up that that guy Sure Did Die the mc doesn't tend to actually have a reaction ??? and I don't know why this is ???? like Any written reaction would be more interesting than nothing even if the guy doesn't have a full on crisis about taking another life having them go "oh shit, The Consequences" would be nice. really anything except (oh cool we can advance the plot now).

I will also mention that Some deaths do matter plot wise but very frequently what makes them matter is how much of it is linked to an in game battle I think. if your mc just finishes a fight and comes back to the overworld and the guy's Disappeared or Dissolved or whatever it means they don't matter. if the guy's still around after the fight it means it's more significant, especially if they're still alive but wounded or Really Shaken Up. because this clears up the indistinguishable line between if a battle is lethal or not and if a character decides to deal a finishing blow now it's Way more telling of their character. even though this is basically the same thing that happened in the (killed In A Battle) scenario. just with more dialogue. I will also mention that the person who deals the finishing blow is Rarely Ever that good hearted protagonist and often they'll even go :0 at somebody else committing a murder despite them instigating and helping murder quite a few people. just. In Battle. so it's less bad. I guess.

this is leaving out the fact that in party deaths are often a Major Major Blow because like. ok that's fair. that's A Guy You Knew that's understandable. anyway I don't really know where I'm going with this I just think it's interesting how in these types of games death can swap from not mattering at all to mattering a Lot and if u don't think about it too hard u don't even question it. I'll probably be putting some examples in the tags idk

[classpect-crew]

The Bard of Time, In Brief(s)

Let’s be fair: the Bard gets a bad rap, and I’ve already expanded upon the Destroyer Classes a bit here, but today I want to dive into a specific Bard to show you just how many interpretations you can spin off of one Classpect. Remember: Sburb loves wordplay and irony when assigning Classpects, and the strongest associations of each half of your Title (outside of the established abilities of your Class and Aspect) are generally ones that inspire a particular turn of phrase. A Maid of Time who has a lot of time on her hands is, quite literally, “made of time.” Of course, Aradia already beat me to the punch with this joke, but it’s a good example of what I mean.

This speaks to me on a personal level, because after diving into what it could actually mean to be a Bard of Time, I think this might be the funniest, most self-referential Classpect I’ve ever identified with—which means it’s perfect. Naturally, since brevity is the soul of wit, I will be brief: I am a musician of no small talent with an impeccable sense of rhythm, as well as an amateur poet. Beyond that, I gave myself the middle name Taliesin after the timeless bard—Shakespeare wasn’t the first to hold that title—because I have an ego the size of Jupiter and I love the romance and drama of setting myself up with a legacy to fulfill. So, let’s take a deep dive into the Bard of Time, from both my personal perspectives and a more general analysis. To hell with brevity—on with the show!

On a surface level, the Bard of Time is “one who inspires the destruction of death, certainty, and Time itself.” However, we can expand this list ad nauseum by interpreting many different functions and associations of Time—but I’m getting ahead of myself. The two Bards we’ve seen in the comic start out with an unshakeable faith in something that shapes their personalities and worldviews. Now, this could simply be a function of the Aspects of Hope and Rage, which are represented by enduring faith and eviscerating doubt, respectively. We really only have two Bards to analyze, and their Aspects are direct opposites. Still, it’s something to consider. Bards are a Passive Class, and their interactions with their Aspect usually come in the form of inspiring the Aspect itself, or its destruction, in others. I truly believe that the word “inspire” is as crucial to understanding the Bard as “destroy,” and this also has many, many possible interpretations.

The Bard can be considered a Buff/Debuff Class, though this is a bit misleading. As we’ve seen with Gamzee in particular, the Bard can become deeply affected by the whims of their Aspect. Destroyer Classes seem to be spawned into sessions with far too much of their Aspect; unlike Rogues, their purpose is not to diffuse their Aspect to areas of low concentration, but rather to destroy it outright and make room for its opposite to reign. We see this very clearly with the Princes: Dirk was part of a session rife with romantic drama and one identity crisis after another, which would have prevented anything from getting done until he intervened. Eridan’s destruction of the Matriorb, the symbol of the session’s Hope, broke the trolls out of stagnant passivity and ultimately led to the joint creation of the new universe. Bards tend to have a more subtle effect on their sessions. Their influence ripples out in unpredictable ways that can be the catalyst for, in ironic Homestuck fashion, both the failure and success of a session.

The Bard of Time will be part of a session with far too much Time. This could indicate a lack of urgency in other players that leads to a cascade of unproductive and damaging choices, since there’s “plenty of time,” or it could mean that the Bard’s allies are far too wrapped up in the implications of fate and certainty, leaving them paralyzed by inaction or even determined to spend the session fucking around based on the assumption that they’re already Doomed. They may assume, incorrectly, that their Will has no bearing on the session, much like Aradia before her maturation arc. It’s helpful to note here that the Maid is the Active inverse of the Bard. The Maid begins as a subservient to their Aspect, and then grows to heal their relationship to it, culminating with the ability to create it for themselves. The Bard starts out heavily influenced by their Aspect’s opposite, and later inspires the destruction of the most negative relationships of their Aspect in others, and in their session at large.

In addition to correcting these broken relationships with Time, the Bard would also be well-equipped to invite the destruction of damaging patterns, which can range from unhealthy habits and addictions to karmic cycles spanning time and space. Perhaps they choose to get sober, and that choice ripples out and inspires others to do the same. (This has happened in my own life, and I’ve had at least half a dozen people reach out to tell me that speaking publicly about my sobriety encouraged them to break their addictions, too.) They may also invite the destruction of the “Doomed” label given to both individuals and broader Timelines, which could be extremely beneficial to others—but could also, in theory, lead to a Timeline cursed by everlasting stasis, like a terrifying form of limbo. Given enough power, they may even be able to invite the destruction of Death itself. I’ll leave this power’s implications, both awe-inspiring and horrifying, to you, dear reader.

“That is not dead which can eternal lie,

And with strange aeons even death may die.”

[lordoftablecloths]

vent post i guess i dont know i just wanted to write stuff down instead of just go ing to bed and crying over it you can just scroll past it

im fine im sane im noramal im so unbleiveably cringe ,, the only person i have irl- fuck, or even online for that matter- to show the dumbass things i write is my silly little dumbass younger brother who doesn;t understand what im trying to get at and i guess its not his fault, i seriously doubt he's spent unhealthy amounts of time making various short scenerios in his head about charcters he came up with and eventually trying to give them a story and write little things about them in google docs because where else am i supposed to put this and its just ,, he doesnt know wht im trying to do and i dont know how to explain it to him because the "history" i gess behind it is so fucking complicated by now that these characters arent even the same characters as they were when i originally created them, other than some physical attributes and their names and he just knows them as the random cringe shit i made up in middle school but so many years have passed by now that these stupid fuckers whose only purpose to serve is to make me stop remembering that i exist and ive gotten too attatched to them because who else was i supposed to get attatched to when i was going through an identity crisis at the time- and, quite frankly, still fucking am- and it was so much easier to pretend i dont exist and just project my flaws and insecurities and underlying subconcsious thoughts into these charactes that no one knows about except me and oh god im just created a long ass vent post on tumblr that no one's going to read and no one understands the story behind fuck fuck fuck fuck fuck whatever ill go ahead and post this unfinished thing because no one's going to get it either way ill probably delete it later if it doesnt get buried under reblogs

dont think too much about this i just got sad because my brother was giving me a bunch of criticism on an outline of a story i was working on- which is fair, i need to take criticism- but he only knows the characters in it as their semi-formed cringe versions so i chickened out half way and now i feel bad because i was really proud of this thing for the whopping span of like one day before i decided to show it to another human person instead of letting it rot away inside of me like i usually do and now i feel bad about my writing skills

im trying so hard to just take his words with a grain of salt because this kid does not have nearly as much experience with writing as i do, but i feel like im copying too many of my inspirations (DnD, generic fantasy story about defeating evil creature, silly tropes, etc,,) which sucks because that was just like the first two pages of the outline and theres nine fucking pages and like the second half of it was what i put the most effort into and i felt like the ideas were really origianl but i could make myself let him naturally get to that part of the outline because i was starting to feel really bad and wieerd and oh god he is looking at ideas i havent ever expressed to another human person even though i am very familaiar with because i came up with them and they havebeen in my head for at least a year or two by now and have been haunting me ever since so instead of skipping ahead to the parts that were really good in my opinion but would have made no sense without context i just told him to piss off i gues s

i dont know. i feel dumb. i feel stupid. ive put so much effort into this stuff and the concept that ive been wasting my time feels like too heavy of a weight to handle. god none of this porbobably nmakes any sense ,,,,,,,,, i guess this is why i feel miserable when the fanart and shitpost memes i post get a comically larger audience and attention than the art relating to my silly goofy ocs, because these stupid fucking characters are all thats keeping me going . call me cringe, but is it still cringe if the concept that maybe i too can be around people that love me and instead of having to like me in spite of my faults love me for them keeps me from fucking killing myself is it still cringe?

if a tree falls in a forest and no one's around, does its fall even make a sound? (shit piss fuck sorry i dont remember the original quote and all i can remember is tha t one line from that one musical i dont remember what it was)

if an autistic moron that cant even talk to a cashier without having a panic attack makes a universe full of fictional characters of his own cfreation then an alternate universe, then several alternate universes, then a spin off from that original universe and etc etc but its all just on google fucking docs and no where else except deleted excerpts from a dead wattpad account, did he ever even create anything at all?

its pointless. its all so fucking pointless. its a waste of time. why do i do this at all. its so fucking pointless. it makes no fucking sense. you cant just make a story with characters in it, then make a fucking fantasy au of that universe with the same characters but with different designs and wildly different personalities and then make a whole fucking complicated lore-filled story about the fantasy au version while the original universe's story is still left mostly unfinished like forget about a first draft of the text i havent even finished the first ddraft of the outline yet buckarooooooo

okay fuck you guys thats all i want to tell you im going to go pretend to myself to try to go to sleep and then cry now

[murlocks]

hello I'm your competitor in the failboy contest and please tell me about Jeremy I want to hear about your cringefail vampire guy if you're okay talking about him

HI okay yes im always okay talking about him i made a propaganda post abt him but i can probably think up more to say i always have more to say about him

first things first: i hate him. (/pos) i want to wrap him in a rug and roll him down a flight of stairs he is an absolute wet paper bag of a man and i am never not thinking about him.

hes an absolute pussy but hes also an adrenaline junkie so he purposefully provokes his murderous cannibalistic vultureguy boyfriend simply for the entertainment. hes gay and god wont let him die so he finds getting an attractive man to try and kill him quite the emotionally fulfilling activity. asher (his boyfriend) is a little bit fucked up (/pos) so he goes along with it but they both know jeremy will be completely fine its stress relief for both of them tbh

second: some backstory. fair warning for like . vampire-typical religious trauma?? i dunno tbh

he was raised in like . a classic religious town and he was very much a juvenile delinquent so ppl around town didnt really like him and it only got worse when he got turned bc of course everyone in that town was raised to think that vampires were horrible abominations that go against god or whatever stupid shit you can think of theyve probably been taught that. so he kinda internalized all that and obviously when he got turned against his will he had a horrible crisis of faith and was questioning what he did to deserve this fate. obviously if vampires are bad and hes a vampire that means hes bad and he did something to deserve getting turned into one. yeah that boys a little fucked up in the head.

he got chased out of town once he was discovered to be a vampire. after he got turned, he went back home and locked himself away for about a week trying to process it and didnt come out bc he felt like shit physically (obviously, he literally just died and got turned into a vampire, i would feel a little ill about it too) but eventually his like . one singular friend he had in town came to check on him because hed been missing for a while and he told them everything because he thought he could trust them, he told them "there was this guy who attacked me a couple nights ago and i passed out and i woke up in the middle of the street the next morning and the sun hurt and ive been so hungry ever since but none of the food ive eaten has helped and i dont know whats going on. everything hurts and i feel so sick i dont know whats wrong" and his friend is like. Oh. Oh Fuck . and they run off under the guise of finding him medicine/food/whatever but of course instead of doing what they said they would they go straight to one of the towns religious leaders and they gather up a bunch of people to either kill him or chase him out of town.

he escapes, narrowly, but now hes got nowhere to go. hes never left his little town, he has no family or friends to go to, hes basically screwed. he finds himself wandering for days on end just kinda contemplating his life (and beating himself up for getting turned in the first place, because OBVIOUSLY its gotta be his fault somehow. he mustve done something wrong for his friend to be so eager and ready to turn on him its gotta be his fault) and eventually he stumbles upon this little desert town in the middle of nowhere. theres a big old abandoned mansion on a cliff overlooking the town, and, of course, jeremy, the overdramatic (like, theater kid levels of dramatic) idiot that he is, goes, "oh! thats perfect! ill live there!"

and he lives there pretty much undisturbed for approximately 20 years. he has absolutely zero human contact because hes scared of hurting people and he subsists off animal blood from the meager livestock the townspeople own. hes not doing too hot mentally of course, hes a trainwreck with literally nothing to do but sit alone in his house and listen to his own thoughts, but he survives, at least.

until, one day, asher, (my boyfriends oc), one very curious citizen of the nearby town, accepts a dare to go explore the abandoned mansion at the top of the cliff. theres rumors spreading that its haunted, and surely he would earn some respect from his peers if he could survive a night there, right? he can prove theres nothing too dangerous there at all.

until he opens the door. and awakens a very disgruntled vampire from his midday nap.

and the rest is history.

part three: boyfriend endeavors. serious warning for violence and vampire-typical "cannibalism" and less vampire-typical Actual Fucking Cannibalism. also fair warning jeremy and ashers relationship dynamic is more than a little fucked up but theyre both aware of it and its all fully consensual because they are both more than a little fucked up

for a while, they both believe the other is a Completely Normal Guy (albeit, asher is a seemingly Normal Guy with massive fuck-off bird wings and jeremy is. well hes jeremy, but still) until one night jeremy is out and about trying to find some source of food in the town, climbing across rooftops and shit and all of a sudden he stumbles upon asher, elbows deep in a human corpse and absolutely covered in blood. he has the end of a bone sticking out of his mouth. this is completely normal Asher Behavior but jeremy is not aware of that. he loses his footing on the roof he is standing on and goes tumbling down into the street.

asher turns around to look at him and hes got this crazed look on his face and jeremy is just staring at him trying to figure out what the fuck hes supposed to say in this situation because he just fucking walked in on his one and only friend literally Eating A Person but he has no room to judge and asher looks more attractive covered in blood than he has any right to be and jeremy does not have time to unpack all that.

so, after a solid minute of staring at each other, jeremy goes "so. uh. you gonna finish that?" and asher bursts out laughing.

he explains his whole vampire situation and asher explains that he does not have any such situation hes just a bit fucked up and he enjoys eating bones. you know what, fuck it, hes a vulture guy, it makes sense. kinda. whatever. jeremy cant judge.

at this point in time, jeremy is still very much ashamed of who and what he is. he is more than aware that the animal blood he is surviving off of is not very nutritious whatsoever and if he wants any type of proper quality of life hes gonna have to feed off of an actual human person someday. hes not looking forward to it. but asher is just?? fucking sitting there?? eating literal human bones just because he feels like it????? and jeremy doesnt know how to process that. hes morally opposed to it but instinctually he knows thats what he should be doing. and from there on out asher actively endeavors to get jeremy to be less catholic guilt-y about the whole thing. he genuinely doesnt give a fuck and it gives him a headache to see jeremy being all stressed about it so he makes it his life mission to absolutely destroy that boys morals. and it works. it fucking works.

asher is such a horrible influence and he has made jeremy so much worse from an outsider standpoint but jeremys mental health is so much better with ashers involvement in his life and theyre so horrible for each other but theyre also a perfect match. they drive me insane.

ive probably missed a lot in this post and i have so much more i could say about him and asher but thats whats on my brain right now. theyre both so fucked up i hate them (/pos)

[pessimisticmusicbox]

I feel very insecure in my feminity. Ever since I've started going to "..." I've noticed that as feminine as i like to be, compared to the other girls, I look quite like a boy. They all have long hair and nice boobs with big butts and things like that. My hair used to be longer, but i started to pick it out because there was always oil and things stuck in it, which made me feel a little disgusting. Once in engineering, a kid looked straight at me for a full minute and went, "I honestly can't tell if it's a boy or a girl." It. As if i was an object. (People who use it/its pronouns are totally valid) It didn't bother me at first, but it started to later on. I dont have long hair or long flowy eyelashes.. I dont have a nice curvy body or anything that counts as "Feminine." To be fair i used to be a wannabe masc so i guess he wasnt that far off but now I like to be as elegant and girly as possible [although i never get the chance to] so i guess it just bothered me. I even got told i look like I'd be a tomboy, and when i said "i like Maxi Dresses," he went "oh," so that didn't help much. I dont know why it bothered me so much.. I want to be looked at and seen as a beautifully haunting person. Even if i can't be seen as beautiful, I wouldn't want to be seen as a tomboy. Not even just that, but all the girls in my school wear their shirts as if they have to cling on to them for dear life or something while im here in my baggy shirt and sweat pants. For as long as i can remember, I really never knew how i wanted to dress or look. That is, of course, until i figured out what an aesthetic was and had a slight identity crisis, but I'd quite like to be seen as feminine. I dont particularly want to feel or be seen as a boy.. if you dont want to be seen as one, it kinda sucks. I very rarely look back on when i used to be a wannabe masc but i do remember on how i was barely sure i wanted to be like that and I'm still not completely sure if i want to be like who i am now.[Not my art]

[immaturityofthomasastruc]

IOTA Reviews: Wishmaker

Goddamn it... 

It's bad enough Astruc tastelessly axed Lukanette, but now he just had to show up to give a sarcastic eulogy at the funeral.

Let's get into the fourteenth (chronologically the eighteenth) episode of Miraculous Ladybug's fourth season: Wishmaker

Right out of the gate, we get a “Chloe bad” joke with her insulting Marinette for being poor or whatever as she hands out flyers for an upcoming career fair. Chloe doesn't have much of a role in the episode, but she will be important towards the end, trust me. We also get a funny “Marinette stares lovingly at Adrien” joke while she sees him, so it's good the writers are at least trying to get their strange habits out of their systems now instead of later.

While reading over the flyer in his room, Adrien ponders a possible career as he doesn't want to keep being a model.

(The episode came out in English first, so I'm just going to be using quotes instead of screenshots of subbed scenes for this review)

Plagg: Don't you wanna continue to model?

Adrien: I don't think so, Plagg. I'm doing it now because my father asked me to. But now I realize I don't know what I'd want to do. I've never asked myself that question.

This is a really interesting dilemma for Adrien. Unlike other episodes that just have him feel sad for entirely superfluous reasons like Ladybug turning him down or generally moping about his mom, it feels like something you can really understand. He genuinely isn't sure what he wants to do with his life because he's had everything chosen for him before. I also like the use of the English dub saying Adrien modeled because his father asked him to, as if he couldn't actually say no. I also like how Adrien is still starting to lose faith in Ladybug for giving out Miraculous to everyone, which makes even more sense after his view of her was shaken in the previous episode chronologically, “Rocketear”. I also like how Plagg suggests ideas for a career for Adrien, like the two of them opening up a cheese shop together, which shows how Plagg cares for Adrien and wants what's best for him, ultimately highlighting how healthy their relationship is. He's almost like a big brother who gives advice to Adrien, even if it isn't the most sound advice at times.

On the other hand, Marinette already knows what she wants to do with her life, but the Kwamis start to argue over what she actually means by it by saying they know what she wants to do, a painfully accurate metaphor for the writers dictating Marinette's actions no matter how inconsistent they are.

Pollen: What's a career, dear Guardian?

Marinette: Oh. Well, it's... your job! Something really important that you do and gives meaning to your life!

Roaar: Oh! So, your job is being the Guardian of the Miraculous!

Mullo: Of course not! It's being a student!

Xuppu: Not at all! It's making presents for Adrien!

Marinette:Well...

Longg: She said “something important”, like when she crafted the big doll house to hide the Miracle Box!

Wayzz: Or when she designed the alarm for this room! What a masterpiece!

Marinette: Sure, I love crafting but—

Ziggy: You guys don't get it! What gives meaning to her life is to be in love with Adrien, or Luka, that's her job!

Fluff: Luka's the one with the guitar, right?

Kaalki: Her real career is being Ladybug and carve her name in history by her glorious deeds, of course!

Of course, their bickering somehow makes Marinette realize she isn't sure what she wants to do in the future after all.

We then cut to a reality show hosted by TV personality, Alec Cataldi. He's generally an asshole to the people on the shows he hosts and takes pleasure in humiliating or just being a dick to them, making you wonder how he still gets work with that attitude. Basically, he's the Alec Baldwin of the Miraculous Ladybug universe. The current show he's hosting is one where he roasts people for their jobs, making Andre a target by pointing how counterproductive his “business” is.

Alec: Here's a perfect example: Andre, the Ice Cream Maker, the ice cream man that is never around! Let me remind you how this goes: Andre doesn't have a shop, no one knows where he is, it takes forever to find him, and he gets to pick a flavor of your ice cream! You've gotta be kidding, Andre! Give me one reason why I should bother to chase after you when I could get my choice of ice cream in any corner supermarket!

Andre: Well, people don't just come for ice cream when they find me. They come to share their love and experience of magical moments! A supermarket cannot do what I do! I am a creator of magical moments!

Alec: “Creator of magical moments?” You've gotta be kidding!

I'm pretty sure that's what a lot of people thought of Andre when they first saw “Glaciator”. The idea behind Andre is that he chooses ice cream for you representing something about yourself, so he gives Alec a scoop of lime to represent his sour exterior and chocolate cinnamon to represent the dreams he still has within. Alec flinches a little at the ice cream, presumably because of how terrible of a combination that is, and decides to go to commercial to think.

Marinette talks to Andre about what he does, and he explains he used to be an office worker, with the only highlight of his days being making ice cream for himself after work. It eventually inspired him to quit his job and start making ice cream for everyone. It's a nice backstory, and I think a lot of people watching who are struggling to think about their future can relate to this like with the earlier scene with Adrien. It's also a nice touch for the flashbacks to reveal Andre has served ice cream to some of France's most famous couples.

(Jean Coutau and Jean Marais)

(Serge Gainsbourg and Jane Birkin)

(Marion Cotillard and Guillaume Canet)

Granted, I'm wondering how old Andre is to have even met some of these people given Jean Cocteau died in 1963, but seeing how Master Fu is 186, I'm guessing the Miraculous Ladybug universe just has really good healthcare. Either that, or the people in this universe take Jay Kordich's diet very seriously.

Andre gives some ice cream to Marinette, who is soon joined by her ex-boyfriend who she never loved according to the writers. Actually, judging from her face when Luka talks about the very first guitar he made, the writers made another 180 regarding Marinette's feelings for Luka.

Of course, because the show wants to remind the audience Alec still exists, he makes fun of Luka for taking two years to perfect the delicate craftsmanship it takes to sculpt any instrument when you can just download an app on your phone. Your inner boomer is showing, writers, even if you were born after the time period for that generation. Luka retorts with some vague philosophical line he's known for that's one of the reasons why people are so mixed on him as a character

Luka: Musical instruments fill the space and space fills the instruments. No phone in the world will ever be able to do that.

Despite it being incredibly confusing, it gets to Alec, causing him to run off in tears. Luka and Marinette continue to talk, but it turns out that's Adrien decided to sit down nearby because of course he did. Though, like the last scene, it's a pretty interesting one as the three discuss what they want to do with their lives. There's also a really nice visual of a blimp with an ad Adrien was in passing by while Adrien talks about his father dictating his life, a really nice symbol. Of course, the scene is somewhat ruined by Luka suddenly deciding to be an Adrienette shipper.

Luka: You two will eventually find what's already in front of you, but you can't hear it clearly. Just let the melody flow.

He's referring to their uncertainty of their futures, but earlier on, Luka wanted to help Marinette be honest with her feelings about Adrien, and even before that, Andre was saying that Marinette and Luka didn't have to be in love to enjoy his magic ice cream. It's here when I realized this episode is subtly trying to end any chances of Lukanette still happening with so many little details. Right when the two spend time together, that's when they decided to help Adrien who showed up for no reason, preventing them from potentially coming to terms with their feelings for each other or at the very least discuss how hard it is to be friends with their history. And things only get more frustrating towards the end, where you'd swear someone decided to smother Lukanette with a pillow in its sleep.

Back to Alec, he's roasting a wig salesman (does he even have permission to film any of these people?) for his job, but as soon as the salesman puts a wig on him, Alec immediately gives us his life story.

Alec: When I was a kid, I used to have long hair, but everyone made fun of me. That's why I shaved it all off. I've been making the wrong choices my whole life. My TV shows are nothing personal. I make fun of people when they make fun of me when I was a kid. (Starts to tear up) I should've been the person I always wanted to be, trying to change the world instead of mocking it! (Falls on his knees) I've wasted my life!

I didn't paraphrase this at all. This is seriously what happened. He goes from mocking everyone he meets, to slightly doubting himself after seeing an ice cream vendor and a young musician, and then he starts having an existential crisis about his tragic backstory. It's not a bad idea, but if there was some more buildup in previous episodes, I'd understand. But this goes from confusing to straight out insulting towards the end. I'll get to that later on.

Shadowmoth notices Alec's emotions and akumatizes him into Wishmaker through his microphone.

Wishmaker has a pretty cool design. The grey skin color coupled with the mostly black outfit really highlights Alec's broken heart, and he looks pretty sinister. His powers... leave a lot to be desired.  Like the name states, Wishmaker has the power to make everyone's childhood dreams come true, like this one guy's dream is to be Santa Claus, so he transforms into Saint Nick without any hitch. Wouldn't it make more sense if Wishmaker twisted the dreams of his victims like a genie and made them miserable while they ironically lived out their fantasies by twisting around their words? Instead, all of his “victims” seem pretty happy, which doesn't really do much to make him a threat in my opinion.

So the aforementioned Santa starts dropping presents like bombs near Marinette, Adrien, and Luka, and they're separated by a giant robot. Marinette quickly transforms into Ladybug, and gets Luka to safety, though as soon as she leaves, Luka goes to check on where he told Marinette to stay for safety, and doesn't see her there. Instead, he sees his deadbeat father (transformed into a crocodile) drowning and goes to save him.

Ladybug meets up with Cat Noir (who transformed off-screen) and the two easily incapacitate the robot before engaging Wishmaker, avoiding his blasts. Apparently, they'll get their secret identities revealed if they get hit, so Ladybug goes to get Luka to help out as Viperion while Cat Noir holds off Wishmaker. Ladybug goes to get Luka, leading to the funniest joke in the episode.

She gives Luka the Snake Miraculous and he transforms into Viperion, immediately activating his Second Chance. For newcomers, Second Chance allows the user to set a point in time when activating it and if something goes wrong, they can go back to that checkpoint in up to five minutes. Ladybug also summons her Lucky Charm, a stuffed dinosaur toy.

Back with Cat Noir, as he engages Wishmaker, the Akuma starts to tempt him with the idea of living out his childhood dream, because he genuinely doesn't remember his. As Shadowmoth orders Wishmaker to use his powers on Cat Noir, Ladybug and Viperion show up, but in the chaos of the fight, Ladybug gets hit by Wishmaker, revealing her childhood dream as the “Knitting Fairy”, and exposes her identity to Viperion, who uses Second Chance to undo the timeline.

In the new timeline, Cat Noir's vulnerability gets to him, so he willingly lets himself get his by Wishmaker, not only exposing his identity as Adrien, but tragically reveals his childhood dream, to be whatever his parents wanted him to be. I feel like this works a lot better than some of the other moments where Cat Noir defied orders or screwed around on the battlefield because it's clearly framed as a moment of weakness on his part, and it was naturally built up over the course of the episode. The reveal of Adrien's childhood dream is a real gut punch too, as it shows just how much Adrien's life has been controlled by his family.

In the third timeline, Viperon deflects Wishmaker's blast meant for Cat Noir and redirects it toward a man whose childhood dream was to become a giant stuffed dinosaur. The stuffed dinosaur in question goes to give Wishmaker a hug, restraining him long enough for Ladybug to steal for Cat Noir to cataclysm (It's a microphone, how hard is it to break???) before she de-evilizes the Akuma. Ladybug uses Miraculous Ladybug to force everyone to stop living out their childhood dreams, she gives Alec a Magical Charm, and Luka decides not to tell Ladybug he knows both her and Cat Noir's secret identities. Why did Ladybug expect Luka not to know her identity when the whole reason she recruited him was to make sure nobody else found out her identity?

Now, while it isn't outright said, it's hinted at that now that Luka knows Marinette is Ladybug and Adrien is Cat Noir, judging from his dejected look after finding out the latter, he may be giving up on all attempts at the idea of getting back together with Marinette, and may or may not start shipping the Love Square now, just like how Kagami decided to ship Adrienette in “Mr. Pigeon 72”. I'm not saying the idea of Luka knowing someone's identity is bad, but it feels like this only happened specifically to stop him from having feelings for Marinette because now he knows Adrien loves her alter ego, and vice versa. Maybe it'll be touched upon in a later episode, but this was just a dick move by the writers in terms of ending all chances of Lukanette like this in order to ensure the Love Square has absolutely no competition.

So the episode ends with Marinette and Adrien deciding to focus on their futures while Alec starts a new show where he helps people live out their childhood dreams, albeit dressed like Style Queen for some reason.

Eh, he still picked a pretty cool Akuma to dress up as in my opinion. A lot of people have viewed this ending as evidence Alec is a drag queen with how he dressed up, coupled with the fact that he said something that was very similar to famous drag queen RuPaul.

Alec: And now, we're gonna love one another, starting with everyone loving themselves! Because how are you gonna love other people if you don't love yourself?

Though Astruc, being Astruc, once again decided to be vague when asked about the subject on Twitter, though at least the subtext is better than when he said he didn't make Juleka and Rose girlfriends because of censors while making it seem like a noble act.

Overall, this was a really good episode, though there were some underlying issues that really kept me from actually liking it. For the most part, it had some good drama with the main character, a rare scene where Marinette didn't stammer around Adrien, a creative (albeit flawed) Akuma with some good action, and an interesting idea with Luka knowing everything about the Love Square now.

There are just two big problems that really got to me about this episode. Let's get the obvious one out of the way, Luka. Honestly, he really didn't need to be in the episode. Sure, he gave some sound advice to Marinette and Adrien about their careers, but it felt kind of strange to see someone their age talking to them about their future when Andre, someone who actually had experience struggling to figure out what he wanted to do with his life, was pushed to the side. And like I said earlier, I think the only reason Luka found out about Marinette and Adrien's identities was to discourage him from thinking about getting back together with Marinette. After all, now that he realizes how “made for each other” they are, he can't stand in the way of the Love Square.

The problem is that in the context of the episode, we don't really see what made him see things that way. At least in “Mr. Pigeon 72”, Kagami consistently viewed Marinette's attempts to get her and Adrien back together as a subconscious desire to be with Adrien. It was dumb with how she decided to go to Team Adrienette at the end of the episode, but it was something. I'm glad the episode didn't force in too many Love Square shenanigans, but I think more should have been done to contextualize Luka's feelings towards the reveal. I get the writers wanted to make sure Lukanette had no chance of coming back, but this just feels rushed.

And then there's Alec's redemption arc. While it's not a bad idea in concept, the problem is that it flies in the fact of a recurring theme this season, that being redemption. Because, here's the funny thing: Alec blatantly said he became an asshole TV personality because of his history of bullying, and decided to retaliate as a result, but he eventually saw the error of his ways and turned over a new leaf. For long time readers of this blog, I apologize for bringing this up yet again, but what exactly makes this different from everything Astruc said about Chloe? You know, when he said that you make your formative choices when you're fourteen? Just like how Alec decided to become a reality TV host making fun of people after a troubling experience from when he was a kid?

Let's say that I agree with Astruc's views about Chloe. How is Alec different from what Astruc's said about Chloe for almost two years at this point? What makes Chloe, someone who was the victim of a troubled childhood who never got help, an irredeemable monster while Alec, someone who also had a troubled childhood and had even more time to get help while never getting any, capable of change? I thought he Alec made a formative choice when he was young and stuck with it, just like how Chloe started to fully develop at the age of fourteen. I mean, Astruc, you yourself said that Chloe's troubled childhood “was no excuse to treat people like shit”, according to you.

I'm just saying, dude, if Chloe can't be redeemed because of the stuff you yourself said, then that shouldn't apply to Alec either. When you really think about it, it's almost like Astruc either made up a bunch of excuses to not redeem Chloe, or he's a massive hypocrite for going back on his word. You can't really justify this kind of hypocrisy relating to Alec's redemption when you remember just how much of a hardass Astruc was when explaining why redemption was impossible for Chloe.

This coupled with the treatment of Luka really drags this episode from really good to blatantly insulting to certain viewers. Then again, these two choices just got to me personally. I feel like if those two things weren't there, things could have made this episode a lot better for me personally. I can see why a lot of people in the fandom still like this episode, but I'm honestly not a fan of it.

[softboywriting]

Meet The Parents | Billy Russo

Summary: You introduce Billy to your parents and it doesn’t go as well as you hope. [Billy Russo x F!Reader] [Assistant!Reader Trope] [Alternate Timeline - Castle family not mentioned/never happened] [Fluff] [Problematic Parents/Divorced] [Parents Fighting] [Language] [Flirting] [Flashback/Nightmare]

 Word Count: 3.8k 

 A/N: This is a follow up to my first fic Little Moments but can be read separately as a stand alone story. I may be doing several in a series with these two.

---

The office is quiet, and has been for the whole day. Billy has been out at a client meeting since you got in. Anvil is becoming quite popular in the private military market, having taken on three new contracts in the last two weeks. You're proud of Billy, he works hard to win over his clients and offer top of the line service. As the primary contact for all contracts and placements, you've gotten busy too. More business means more expenses, and more employees to keep track of. You don't mind, it keeps you active and engaged. There is nothing more you hate than just sitting around staring at the wall or watching cat videos for the billionth time.

"Hey sweetheart."

You glance up from your work and see Billy closing the office door behind him. He's dressed up, black and grey patterned silk shirt, expensive black suit, the tailored jacket over his arm. He looks positively delicious if you do say so. Those shirts are the best thing you ever convinced him to wear.

"Hey yourself. How'd the meeting go?"

"Shitty." He sneers and tosses his jacket on his office chair. He begins unbuttoning the sleeves of his shirt to roll them up to his elbows. "The guy brought his daughter."

"Okay? What does she have to do with anything?"

Billy raises his eyebrows in an 'are you shitting me' expression. "His daughter is a model. Not naturally talented mind you, paid for by her daddy. Clearly he thought havin' her there would sway me into acceptin' the number he offered for the contract you wrote up. Like he's doing me a favor."

You stand and walk around the desk, eyes going up and down his chest. "You didn't do anything did you?"

"What kinda man do you think I am?" Billy walks you back against your desk, pinning you in with his hands on the top behind you. He drops his head to yours and stares at you with those dark endless eyes. "You think I'd fuck around?"

"I know you won't, you're too gone for me." You run your hands up his back and he arches against you. "Did she try?"

"She tried. Even sat on my lap."

"In front of her dad?"

"Mmmhmm." Billy drops his face to your neck and mouths at your skin. "I don't mind a little show and tell but even I got boundaries. Parental peepshows are off limits."

You laugh softly and he brings one hand against your lower back up to pull you against him. "Take it easy. You know the rules. No relationship stuff while I'm on the clock."

He groans, pulling his head back to look at you. "I need to touch you though. I don't want her lingering on me."

"I know." You step out of his hold and he lets his hand drag across your back as you escape his grasp. "Just another hour okay? I've gotta wrap a few things up."

Billy pulls his tie loose and unbuttons the top of his shirt. "Why did I ever make these rules?" He sinks down in his chair and spreads his legs, lolling his head against the back. He really is such a tempting little tease. How could you resist a man like that? Truth be told it's hard.

You take a seat behind your desk and focus your eyes on the invoices on screen. "You made them because you want Anvil to remain professional and not a playground."

"Bullshit."

"Your bullshit."

Billy bites his lip and gives you that look. The one that says he isn't to be messed with, that he's gonna get what he wants no matter what. And oh it's so tempting to get up and go sit on his lap in that chair. It's always been a fantasy of yours. One you haven't gotten to full fill due to his rules. He's really only cockblocking himself.

"C'mere."

"No, Billy."

"C'mon, be bad. Break my rules."

"No! You're such a jerk!" You laugh and he chuckles playfully. "We have dinner with my parents after this anyway. I'm not breaking your rules and getting all messy before we go see my parents. You hear? Parents."

"Always such a good girl."

"You like it."

"Damn right I do." He pushes up out of his chair and crosses the office to cradle your head and press a chaste kiss to your temple. "I'm gonna go home and get ready. Anything you want me to lay out for you? I think you've got a few things at the apartment."  

"The blue dress. I picked it up from the cleaners last week with a few suits. It should be in your closet."

"The one I bought you a while back for the client dinner?"

"Yeah."

"Isn't that a little revealing for a parents dinner?"

You raise your eyebrows and he narrows his eyes.

"You're a monster." He presses his lips to your ear. "If you keep teasing me I'll have to put you in your place."

"I guess I'm a glutton for punishment."

"Oh sweetheart, you have no idea what you're askin' for." Billy kisses your cheek and steps away. "Playin' with fire will get you burned."

You smile innocently. "See you later."

"You're terrible." He goes to the door and stops, looking back once more. "But I love you."

"Love you too Billy."

"Ugh," he groans, slapping a hand over his chest. "Say it again."

"Love you?" You giggle and he acts even more dramatic, pretending to swoon against the door. "What are you doing?"

"Being you."

"Wh- you son of a bitch! Get out!" You throw your squishy stress ball at him and he cackles as he runs from the office. What a child.

_____________________

"Oh, this is your boyfriend?" Your mother asks in actual surprise. As if you weren't meant to have a man that looks like Billy Russo. Truth be told you had never dated anyone half as attractive, not to you anyways. "He's so...well dressed."

Billy takes your mom's hand and kisses it politely. "We're all well dressed here ma'am. You look lovely too."

"Thank you." She flushes and giggles.

Billy gives a warm smile and tugs you closer. His hand on your back is radiating heat, its comforting. He knows you're tense. This dinner will be a strain on your nerves and he had been warned how difficult your parents can be.

"Your father should be here soon. I told him not to be late." Mom says huffily, eyeing the doors to the restaurant. You've met up with her outside and you're currently waiting for your dad to arrive. Your parents have been split for ten years and it's been hard, but not as hard as it would have been if they had divorced when you were still a young child. Well, you like to think that anyways. They waited, held on to their shit until you were graduated and old enough to understand that some people don't remain in love.

Billy leans in and presses his lips to your ear. "Are your parents going to fight? This place is very nice, I don't want to cause a scene."

"It'll be fine. They can hold it together for a few hours. I hope. Just don't mention their personal lives. It's a sore spot for mom. Dad isn't single anymore."

"Gotcha."

"Sorry I'm late." You turn and see your dad walking towards you. "Some asshole parked his Rolls Royce just on the line and I hardly squeezed into the only spot open beside it."

Mom scoffs and rolls her eyes. She bites her tongue but you know what she would say. Some comments about his truck being too damn big and a gas guzzler.

Dad puts his hand out for Billy. "You must be the lucky guy!"

Billy takes it and smiles a beautiful, toothy, shit eating grin. "Billy Russo, the asshole who parked his Rolls Royce a bit close to the line."

The way Dad's face turns pale and then red with embarrassment makes the whole evening worthwhile up until then. "That's yours?"

"One hundred percent. Bought and paid for."

"That's a beautiful piece of machinery. Expensive."

Billy leans his head on yours. "I only go for the best."

"Well you know I-"

"Oh shut up already, let's go inside." Mom says and grabs your dad's arm. "Always babbling on about shit when we've got things to do."

"Y'know what-" the conversation fades as your parents head into the restaurant. You're glad. It is bound to be petty anyways. Always was with them. Bickering children they should be called.

"Relax." Billy says in your ear, hand traveling up and down your side. "I can win over your parents for one night."

"You could charm anyone into anything and I've seen as much. You're a silver tongued sn-"

Billy catches your jaw in a light hold and presses a kiss to your lips. Your hand slides up into his hair and he grins into the kiss. "Easy now. We've not even gotten seated yet."

"Your fault."

"Usually is."

____________________

You stare at yourself in the reflection of the bathroom mirror. Dinner wasn't going so great and you had barely made it through an appetizer and drinks.

Your parents couldn't stop arguing, Billy was trying his best to charm them but apparently they're uncharmable, and you were left to play referee for your parents against each other or them against you and Billy.

It is a whole mess and you want to just leave, just walk out say fuck everything and go to Billy's apartment and go to bed. You haven't even had a chance to tease Billy like you were planning, hell, you've barely gotten a word in that wasn't defending him or fielding your parents insults they continuously hurdled over the table at one another.

The door rattles on your left and you clear your throat. "Occupied!" You shout and it stops.

It's a single use bathroom, not a multi-stall type set up. So the person outside would just have to wait until you were done having your crisis. Maybe not so fair to them but you'll be damned if you won't let yourself have a moment.

The handle turns and you back into the sink as the door opens. To your surprise it is Billy, not some worker with a key. "What the-"

"Your parents are insufferable. How the hell did you grow up with them? I mean I was in a group home and a few of the adults weren't great but holy shit they weren't my parents."

"I'm sorry."

Billy closes the door and shakes his head, taking your hands in his. "Don't be sorry for their actions. Never apologize for anyone but yourself."

"I knew this would happen. I just thought that maybe...I don't know...maybe they'd be different. Maybe they'd be proud of me, of you, so they would get along for two fucking hours."

"Sweetheart, you're nearly thirty, you're still seeking your parents approval?"

You laugh joylessly and bite the inside of your cheek. "You don't understand. You can't understand."

Billy brings your forehead to his lips and he rubs your back. He's always so affectionate with you, careful to hold and to love you like a man who never received it himself so he wants to make sure those he loves receives it tenfold.

"I understand seeking approval, but there is nothing you need approval for. You're an adult with a good job, a place to stay, an outstanding boyfriend with his own company. I'd say you're doin' alright honey."

You let out an actual little laugh, and he does too, bumping his nose against yours. "You're so full of yourself."

"You like that?" He bumps again, eyes on yours. "I said it to get you to giggle."

"You know it's a little true."

His lips meet yours in a warm tender kiss. "Confidence is sexy."

"It is."

"I could tell your parents there's a work emergency." He slides his hands over your ass and pulls you flush against him. "A real pain in the ass employee is causin' trouble."

You smile into his lips and he smiles back. "Oh yeah?"

"Mmhmm."

He chuckles softly and cradles your head to his chest. "You can't choose how your family acts. Remember that. It's up to you to decide how you act, and if you want to deal with them."

"I know."

"Do you?" He runs a hand over your hair, tangling his fingers in the strands briefly.. "I know it's different for you, I can distance myself easier since I didn't grow up with proper parents. Maybe I'm cold, or indifferent but-"

"Stop." You dig your fingers into his side and he falls quiet. "Don't compare your childhood to mine. It's not fair. I don't want you to begin resenting me because-"

Billy gives you a look that is all warning and it silences you instantly. "I would never resent you for having parents and growing up like a normal kid should. I ended up in a shit situation and that is no one's fault but my own mother's. She is the only person I will ever resent." He softens, leaning in and kissing your nose. "Do you wanna ditch or go try to make something of this dinner?"

You swallow harshly and look at the door. Ditching would be easy, but the repercussions would be insufferable. Your mom would never stop calling about it, your dad would hold it over your head forever. It would be more of a disaster to leave than it would be to stay. No matter how valid the reason.

"We'll stay. I can try and redirect the conversation."

"That's my girl." He pats your cheek. "Proud of you."

"T-thanks."

Billy takes your hand and interlocks your fingers with his. "I'll take care of it. I can get them to shut up."

"If you can get a word in."

"I have my ways. Don't worry."

You cut him a look as you exit the bathroom and head for the table. "What are you-"

"Don't worry." He presses against your ear and guides you down to sit at the table.

Your parents are still bickering.

"Hey!" Billy says firmly with his hands on the table, not a yell, but enough to get his point across and the attention of your parents but not many others.

"Yes?" Mom asks surprisingly quietly.

Billy smiles and it's all venom, beautiful venom. You know this look, these eyes, that deadly grin. He isn't fucking around and the way he can express that so physically subtly astounds you. "The arguing is going to stop. The petty comments are going to stop. We're going to sit here and have conversations like adults, or you can leave and your daughter and I will have a nice dinner."

"Wh-" Dad starts but doesn't get any further.

"I am not goin' to repeat myself." Billy stands up straight and raises his eyebrows, daring your parents to say another word. The tension is thick, you can hardly breathe. Never did you think you'd have to witness Billy being like this with your parents of all people.

You grab a roll from the basket at the center of the table and pick at it. "How's work been, Dad?"

Dad clears his throat. "Good, busy. People always need an electrician for something. I did a school the other day, new classroom."

Billy sits beside you and lays his hand on your leg, thumb stroking your skin gently. He leans in and whispers "I told you don't worry." He turns his attention back to your parents. "So you're an electrician? Contractor?"

"Yeah, I work for Mundun Electric. Union job, pays well."

"And you?" Billy looks to your mom.

"I'm a medical receptionist. Clarke Center Hospital."

Billy smiles. "That's incredible. You're both hardworking people it seems, I see where she gets her work ethic. She's incredible, the best I've hired for Anvil."

You chew your lip and look down, flushed. "You're just being nice."

"I'm serious." He holds your hand up and kisses your knuckles. "I admire your dedication and the hard work you've put into making Anvil a success. Without you, I don't know where I'd be. Probably buried in paperwork."

"So you work for Billy? That's how you met?" Mom asks and you nod.

Dad raises his eyebrows.

"Dad, don't start."

Billy cuts a glare at your dad. "Don't start what?"

"Nothing." Dad says nonchalantly, eyes going to somewhere else in the room. "I just think inter-workplace relationships are never a good idea."

You squeeze Billy's hand and he just smiles oh so sweetly. "Dad, it's fine. Billy and I are both professionals. If things don't work out we'll make it work for the sake of the company."

"He'll fire you and you'll be looking for a job yet again." Mom pipes up, rolling her eyes. "See, things like this are why you can't hold a career."

"Mom!"

"Alright." Billy says firmly. "We're done here. Ma'am, sir, with all due respect you can both go fuck yourselves."

"Excuse me!?" Dad bellows and your mom looks flustered at the use of language. "You have no right-!"

"Actually I do." Billy stands and guides you to stand with him. "I'm going to love and care about your daughter the way she should be. You two are self absorbed monsters who should have never had a child, let alone forced the one you had to live through a loveless marriage. The fact that you cannot manage to sit here and have dinner with her and myself, which mind you has left quite a first impression, is sad and disappointing."

You grab his hand and you're shaking. You don't even know what to say. It's like Billy is telling them everything you've wanted to for your whole life.

"C'mon sweetheart." He puts his arm around you and guides you out of the restaurant. You know there are people staring but it's fine. It's over now.

"I'm s-"

"Uh uh." Billy puts his finger to your lips. "No apologies. Here." He shrugs his suit jacket off and puts it around your shoulders.

"Thanks."

"You wanna get out of here before your parents come out. Go get some burgers or something?"

You can't help the little smile that tugs at the corner of your mouth. "Pete's Diner?"

"Anywhere you like." He takes your hand and walks you toward the parking area. "Fuck this fancy bullshit anyway. I never understood the food they serve."

"Me neither. A hamburger and fries with a big ole pickle is good enough for me."

Billy opens the passenger door for you. "You're a girl after my heart y'know that?"

"I think I already have it."

He leans in and kisses your forehead. "That's for damn sure."

_____________________

Midnight you wake up crying. A nightmare, a reoccurring one as it would be. Though it is more of a twisted memory than a nightmare in actuality.

You are always around seven or eight years old, it's nighttime, you've been in bed for an hour and still not asleep. Downstairs your parents are awake, their disembodied voices float through the old floors. Their voices grow louder, shouting, screaming at each other. A glass shatters and you crawl under the bed. Footsteps come closer in the hall, heavy and slow.

The dream shifts. You're not a child but an adult. Under the bed is smaller now, the footsteps grow louder. The door opens and you scream when your foot is grabbed and you wake up crying.

"What's wrong?" Billy asks, sitting up in bed abruptly and turning on the light, hand instinctively going for the nightstand where you know a weapon is stored.

You had stayed the night, both of you decided it was best to stay together while you decompress from your tragic meet the parents dinner. Didn't matter in the end though. The nightmare still came.

"Just a bad dream. I'm going to get some water." You push back the blankets and plant your feet on the cold floor. It's a nice shock to the system, reminding you this is reality.

Billy's arm snakes around your waist. "Care to share with the class?"

"It's nothing. Just a nonsense dream about old crap."

"Your parents?"

"Yeah. Um, just a dream." You yawn and pat his hand on top of your stomach. "I need water."

"Grab me a bottle?"

"Sure."

You end up in the kitchen, looking out at the New York skyline. His place is so beautiful. It's luxurious, and you can't get used to it. You lean on the island and sip a bottle of cold water from the fridge. You don't think you belong here.

Then the dream comes creeping back in. Rationally you know that dream is never going to become a reality. Not with Billy around.

"Hey."

You look back to see Billy walking in with his sleep pants low on his hips. He scrubs a hand over his face before meeting you at the island.

"Sorry, I just got caught up in the view."

"It s'okay." His arms wrap around you and he presses his face to your neck. "I love you." He whispers softly into your skin.

"Are you alright?"

"Mmm."

You thread a hand into his hair and scratch at his scalp. It elicits a hum that's nearly a purr against your back. "Do you ever feel like you don't deserve this? Like everyday you can't comprehend that you're loved."

"I didn't think I could fall in love before I met you, yeah. I'm familiar."

"Oh."

"Wasn't expecting that?" He chuckles, flexing his fingers against your tummy.

You shake your head and he kisses along your jaw. "Billy, stop," you giggle as his short beard tickles your skin.

"No way." He starts walking you back away from the island counter and toward the bedroom. "I've got a disease and if I don't kiss you all the time I'll definitely succumb to it."

The two of you tumble onto the bed and he straddles your hips, mouthing at your neck and chest relentlessly.

"It's three in the morning. We need to go back to sleep."

Billy hums and settles on top of you, nose in your hair. "Sleep is for the weak."

"Then I'm weak." You trail a hand up his back, fingers flitting over his shoulder blade. His skin is so soft, so warm. "Thank you by the way."

"For what?"

"Being here when I had a nightmare."

"Of course." Billy pets your hair, stroking it down against the pillow. "I've suffered my share of them alone. I'm glad you were here so you weren't."

"Me too."

"Go to sleep." He kisses your cheek and rolls off to the side. His arm curls around you and pulls you close. "Love you."

"Love you too."

_____________________

*****Note: none of my works should be posted anywhere outside of my linked accounts. I do not give permission to repost with or without credit to my accounts. Please notify me of any reposted works.*****

Header image by delicate-venus

Thank you so much for reading, please reblog to support content creators. -A

[renaerys]

PPG One-Shot: Spelling Bee (Brick/Blossom)

Happy birthday to @genovah​! She is always inspiring me to come up with more PPG content, a true hero. I’m back with another entry in the ongoing Shooketh, Not Stirred high school AU Reds series for your entertainment. As always, this can be read alone, but it happens in the same universe as part 1, part 2, part 3, part 4, and part 5. This is also posted on my AO3.

Summary: Brick and Blossom hunker down in the library to study for the upcoming regional spelling bee.

***Reblogs are extremely appreciated, since this probably won’t show up in the tags due to cursing. Thank you! <3

xxx

In fairness, Brick had come to the library during his free period with the pure intention to learn. And he was certainly learning something. But somewhere between sliding into his seat opposite Blossom and watching her lips move around insouciant as if it were a strawberry slathered in ganache, his purity was torn from his weak, teenage boy fingers and there was absolutely no going back. 

“Brick, are you listening to me?” She touched his hand across the table. 

“Yup.”

“Did you need me to repeat the word?”

“Yup.”

“In-SOO-see-uhnt.” She sounded it out slowly, and hand to god, that dominating SOO went straight to his cock.

This, of course, was fine. 

“Origin?” he asked. 

She twirled her hair around her finger and puckered her lips. “French.”

Fuck.

“I…”

Blossom mistook his increasingly horny stupor for plain old stupor and sighed. “Are you even trying? Because if I didn’t know better, I’d say you were completely fine with Darla Dimpleton going to regionals instead of one of us.”

“I am not fine with that.”

Darla Dimpleton was an unassuming, unthreatening nobody with the personality of plain oatmeal. Brick would never have even bothered to learn her name had she not committed the cardinal sin of scoring so much extra credit while everyone else was busy having lives that she stole the number one GPA right from under him. Which meant she stole it from under Blossom too. Which meant Brick was no longer a respectable silver medal to Blossom’s gold, but currently ranked third and therefor merely happy to be on the podium at all (and for the record, no one has ever been happy merely to be on the podium, just like no one has ever been happy winning Most Improved: you sucked, and now you suck a little less. Except this time, you actually suck more because Darla fucking Dimpleton decided to Quaker Oats her way to the top of this rat race that doesn’t actually matter, but it’s the principle of the thing, i.e., the only thing that matters.). 

All of this to say, Darla Dimpleton was the Worst™ and she was one hundred percent going down. 

“Are you sure? Because you’re being awfully cavalier about this. Some might even call you insouciant.”

It was a testament to Brick’s powerful fondness for winning and being seen doing it that he spelled insouciant in one Darla Dimpleton-shaped cock blocking breath.

Blossom smiled like she knew something. “Much better.”  

Yeah, she knows a lot of things.

The problem with dating, Brick was convinced, was that suddenly the mundane became extraordinary. Everyday experiences that he had previously taken for granted—flying around Townsville, enjoying a cup of coffee, thwarting his sometimes murderous demonic overlord from distributing incriminating polaroids, that sort of thing—were suddenly exciting, thrilling even. Because now he got to do those things with Blossom, and Blossom was cool in a smarmy, elitist sort of way that both softened his heart and hardened his dick all at the same time, and that was kind of A Lot to deal with at 9 a.m. on a Tuesday.

“All right, do me,” Blossom said, and Brick coughed so badly his aforementioned weak, teenage boy fingers shook to stifle himself. 

Mercy, he thought, probably. But all his blood was rushing south and it was going to take a supernatural willpower to get through these words so that one of them could beat the upstart porridge peasant to this year’s regional spelling bee. 

“You’re the boss,” he said, because it was true, and also because he liked the way she looked at him when he said it. Like he was now the ganache-coated strawberry in this overextended metaphor that he was too laden with Homeric concupiscence being in her general proximity to unpack. 

Concupiscence, there’s a ten dollar word for you, you horny genius. 

He made a mental note to brag to Blossom about this later. 

“Okay, let’s see…” Brick made a show of organizing the flashcards so that she wouldn’t see him discreetly re-situate his pants under the table. “Your word is cymotrichous.”

Blossom tapped her lips, and Brick found himself sympathizing with the Puritans in their absolute befuddlement over the libidinous effect of women having lips. Witchcraft, surely. “Could you use it in a sentence for me?”

Compelled entirely by black magic and therefor not responsible for his imminently questionable choices, Brick obliged her with: “Thinking about how I’d rather run my fingers through your cymotrichous hair for the rest of free period instead of sit here spelling words no one’s ever heard of.”

Blossom, who he was dead certain was extremely thirsty for him and had been for years long before they ever reconciled their rivalry, leaned over the desk separating them. Her hair, long and loose and indeed quite wavy today, was tempting. “Brick, are you flirting with me?”

It was a well-known fact of being a Weak-Fingered, Teenage Boy that one must never reveal such weakness, especially not in front of one’s girlfriend. On the other hand, co-opting said weakness and rebranding it as the suave truth was galaxy brain levels of flirting. And Brick, as has already been established, was a horny genius. “Yup.” He leaned in to meet her, and he twirled her hair between his fingers because they were weak for her, indeed. “How am I doing?”

Blossom, too determined to let her thirst deter her from her goal of sweet, academic retribution and bragging rights, tapped a finger to his lips. “Great. But we have so many words to spell, and only thirty minutes left to do them all. So get shuffling, stud.”

Well, he could work with that. One thing that made his relationship with Blossom work very well was their insatiable competitiveness. Whether they were whaling on each other over an empty parking lot, debating the efficacy of post-its as a note-taking device, or combining their powers to Captain Planet a cornmeal know-it-all back down the leaderboard where she belonged, they were relentless glory chasers. And the greater the challenge, the more they enjoyed the experience and each other. 

Blossom spelled her word perfectly, by the way. She stretched out the o-u-s at the end in a bewitching little whisper as she pulled away and her hair slipped through his fingers. That moment when the light changes and the temperature shifts and you’re weightless in a state of existential anticipation of something monumental about to happen, but not quite? That happened. Thirty minutes to explore the shape of that anticipation was enough time to taste it but not enough to savor it. Which, Brick supposed, was about to make this the best thirty minutes he was likely going to get all week. 

“Are you ready?” Blossom watched him from behind the card she’d drawn. She had a glint in her eyes that told him she was smiling behind that card. 

“Anytime.”

“Your word is eudaemonic.”

That fucking gorgeous ooh again.

“Define it.”

Blossom flushed as though he had just ordered her to bend over. She bit her lip (it must have been a ten Hail Mary’s kind of day when the Witch-Finder General caught a flesh and blood woman doing that with her improbably sorcerous lips) and grinned. “It means producing happiness. Based on the idea of happiness as the proper end of conduct.”

Producing happiness, which is proper, much like how Blossom came off as proper and even prim around adults, when really she was the most fun, most confident, most person he’d ever met, especially when she was spelling in that chiffon top (son of a bitch, that was a great top on her), and the only conduct he was interested in was of the happiest kind.

“Oh.” His throat clenched, and then his stomach twisted, and then his pants grew little too tight again in a full-body chain reaction that began and ended with a fierce determination not to give in first even though it would mean release because release would be meaningless without this etymological tête-à-tête. 

Don’t think about tête-à-têtes. 

Seventeenth century, noun, borrowed from the French meaning literally “head to head” (please, please stop hurting yourself like this).

“Brick?”

Brick cleared his throat. “Yup. Got it. E-u-d…”

Crisis averted, Brick picked the next card and promptly choked on his own tongue. Blossom made a show like she was concerned and are you all right? and please drink some water. Brick drank her water, which of course she had had her anatomically heretical lips on earlier, which was just fantastic for him. Tuesday fucking morning. 

Milieu was her word. 

“Milieu, hmm.” Blossom’s smile was spellbinding, which was a pun because he punned when he panicked. “Origin?”

You bitch, he thought, and be cool, and also, witchcraft.

Brick leaned back in his chair, slipped his trembling hands in his pockets, and squeezed every ounce of anything you can do I can do better into a winsome grin. “French.”

Blossom’s adult-facing façade cracked like an egg, and he got a glimpse of the raw delight she felt for this game, for the words, and for him for making it happen. For cultivating the electric milieu, if you will, currently driving them both into a state of impassioned, competitive euphoria at 9:42 a.m. in the library. 

“Right, um…” She stumbled over her words, and Brick had to restrain himself from crowing for joy and risk the rheumy-eyed librarian coming to scold them. 

By the time they got through another set of words, they were each visibly frustrated and doubly turned on by the other’s masochistic resolve not to throw in the towel. 

“Okay, ready for another round?” 

She wasn’t even trying to hide her intentions now, and that was just fine with Brick. “Of course.”

One more.

If it was another French word, he was fucking done. 

“Really?” Blossom truly had ice in her veins for the way she was able to school her face then. He couldn’t read her, and that was very bad. 

If it’s another fucking French word…

He could be over the desk and on her faster than you could say concupiscence. 

“Okay.” Blossom set down the flashcard she’d drawn and folded her hands on the table. She looked him dead in the eye licked her lips. “Succedaneum.”

The bookshelf shook but Brick’s fingers didn’t as they pinned Blossom’s over a Dewey Decimal-stamped spine and he kissed her with all the horny passion of a teenage genius who would make a note to thank the devil for giving women lips. One of his better ideas. 

xxx

“Hey, has anyone seen Blossom? I’ve sent her, like, four texts!” Bubbles shoved her phone, open to the ignored texts in question, in her sister’s face. “She was supposed to help me with Chem homework.”

Buttercup ducked. “No, and watch where you’re swinging that thing.”

“I saw her earlier,” Boomer said. “She was with Brick coming out of first period.”

“Oh, yeah.” Mike slung his arm around Boomer’s shoulders. “Don’t they both have a free period right now?”

Buttercup rolled her eyes. “What a scam. Whoever decided to give the A-students free periods while the rest of us mere mortals gotta slave away is a straight-up Supervillain.”

Boomer snapped his fingers. “Hey, I just remembered! They both decided to compete for the spot at the regional spelling bee this year. I bet that’s what they’re doing.”

“God, that’s the saddest thing I have ever heard in my life. That’s a new low even for Blossom.”

“I heard there’s a cash prize for the regional winner,” Bubbles said. “It’s like twenty thousand bucks! Remember, everyone in school signed up and we had to have that assembly to narrow it down?”

“Twenty thou— How the tits did I miss that?!”

“I mean, it was all over the school,” Mike said. “We signed up too.”

“What? And no one thought to tell me I could’ve won the lottery?”

Boomer chuckled. “Dude, come on. You wouldn’t have stood a chance in hell against Darla Dimpleton.”

“Who?”

Bubbles cast Boomer a not worth it look, and he just sighed. “So, if they’re studying for the spelling bee, do you think they’re in the library?”

At that moment, Butch came bursting down the hall a little too fast to be human. Open lockers rattled on their hinges as he passed, and a Sophomore girl’s binder went flying, scattering looseleaf papers everywhere. Buttercup looked ready to punch him in the dick for breaking the no powers in school rule. “Guys, you’re gonna shit!” 

“Calm down before you blow a load, Jesus Christ.” Buttercup yanked him back down to the floor so he wouldn’t spontaneously float. 

Sensibly, Boomer asked, “Why?”

“‘Cause Brick and Blossom are making out in the library right now!”

Mike cringed. “Oh, come on.”

“The hell they are,” Buttercup said. 

Bubbles smiled. “Good for them.”

“I’m serious! There were books everywhere, and the noise—”

“Oh look, there goes my dignity. Better catch it before it gets away. C’mon, moron.” Buttercup dragged Butch down the hall over his protests. “What were you even doing in the library? I didn’t think you knew where it was…”

“Like that could ever happen,” Mike said. “Those two wouldn’t waste a minute of study time if it means beating out the competition.”

Boomer did not look so convinced. “I don’t know. I mean, they’re officially, for real dating now,”—“Finally!” Mike interjected—“so it’s not that unbelievable.”

The bell for the next period rang. Bubbles groaned thinking of stewing for an hour of Chem. At least she shared that class with Boomer and would not have to suffer alone. They parted from Mike and walked together through the throng of students rushing to get to their next period.

“Hey, do you think…” 

“I mean…” Boomer shrugged. 

They rounded the corner and nearly ran into Blossom dashing to her next class with a rushed “Got your texts talk later bye!” before she disappeared into the crowd. 

Bubbles whirled on Boomer. “Did you see her buttons—”

“Completely uneven—”

The late bell rang and made them jump. Among the last stragglers, they both dashed a bit too fast to get to class and made it to their seats just as Mr. Micelli finished writing a problem on the board. 

Boomer winked when she caught his eye a couple desks away from hers, and it took everything she had not to laugh.

“Good for her,” Bubbles said to herself. 

“You are late,” Mr. Micelli said. 

Everyone turned to watch Brick sink into his seat, his short hair totally askew and looking healthily flushed for a Tuesday morning. 

Boomer burst out laughing and needed a whole minute to calm down. 

He’d tell her later that the detention was worth it.

xxx

Witchcraft! 👁️👄👁️✨

[renegadewangs]

Van Zieks - the Examination, part 9

Warnings: SPOILERS for The Great Ace Attorney: Chronicles. Additional warning for racist sentiments uttered by fictional characters (and screencaps to show these sentiments).

Disclaimer: (see Part 1 for the more detailed disclaimer.) - These posts are not meant to be taken as fact. Everything I’m outlining stems from my own views and experiences. If you believe that I’ve missed or misinterpreted something, please let me know so I can edit the post accordingly. -The purpose of these posts is an analysis, nothing more. Please do not come into these posts expecting me to either defend Barok van Zieks from haters, nor expecting me to encourage the hatred. - I’m using the Western release of The Great Ace Attorney Chronicles for these posts, but may refer to the original Japanese dialogue of Dai Gyakuten Saiban if needed to compare what’s said. This also means I’m using the localized names and localized romanization of the names to stay consistent. -It doesn’t matter one bit to me whether you like Barok van Zieks or dislike him. However, I will ask that everyone who comments refrains from attacking real, actual people.

Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8

How the turnabouts have turned! It's time for Twisted Karma and His Last Bow!

Episode 2-4: Twisted Karma and His Last Bow

With Van Zieks's tragic backstory (…) exposed, it's time to head on into waters we've charted before, waaay back in the very first Ace Attorney game: The Prosecutor becomes the Defendant. It all starts off with some shenanigans which appear to have very little to do with Van Zieks (the arrival of Mikotoba and Jigoku, the Red-headed League, a missing prison warder, etc.).. Ryu does still run into Van Zieks very briefly in Stronghart's office, with Susato noting that there appears to be an awful lot of tension in the air. I expect Van Zieks is questioning that decision to leave Genshin Asogi's son in his care, but even so, he's very civil towards Stronghart. Susato also notes that Van Zieks gives Ryu a cold stare as he leaves, with Ryu wondering what he's done to earn that. This may also be a result of him being besties with Kazuma, since Van Zieks had already buried the hatchet towards Ryu for the most part. When Ryu asks about the decision to leave Kazuma in Van Zieks's care, Stronghart explains it was to best keep an eye on this 'mysterious amnesiac with no identifying papers'. Well OK then. Stronghart also explains he made Kazuma wear a mask because he didn't want to “burden Van Zieks with tiresome explanations about why he had an Eastern appearance.” … I would assume the very simple explanation is that it's because he's of Eastern descent, Stronghart. Regardless, the Lord Chief Justice has high hopes for Kazuma's future and isn't at all bothered by the fact that the guy has gone missing for a little bit.

Things take a turn later when Gina Lestrade comes barging into 221B with some pretty shocking news. Inspector Gregson was murdered. Yes, THAT Inspector Gregson. The suspect has already been arrested:

It's true that to the average civilian like Gina, Van Zieks's name is pretty much synonymous to the Reaper (of the Old Bailey). Even so, to have her outright calling him by that title adds a sort of emotional distance that's really striking. Gina explains they caught him at the scene and there were several witnesses, but Ryu thinks to himself that there's no way Van Zieks would have taken Gregson's life. So naturally, we owe it to our good pal Gregson (who actually was just coming around and being nicer to Ryu) to find the truth. Time to go have a talk with Van Zieks in prison!

… Okay that's funny. Don't worry, Barok, one day we'll all look back on this and laugh. Anyway, Van Zieks says he's in the last place on earth he'd want to be, with the last person on earth he'd want to see. And this line can easily be misinterpreted as Van Zieks saying he hates Ryu more than anyone else in the world, but what he's actually saying is that Ryu is the last person he wishes would see him in this troublesome situation. Ryu says he couldn't very well not come, but Van Zieks tells him to go home since it has nothing to do with him. Susato interjects, pointing out that Gregson has helped them out on numerous occasions and so, they're indebted to him. She pleads for Van Zieks's help with the investigation and he's silent for a moment, only to say: “There's really nothing I can tell you.” Which I suppose means he doesn't think he has anything helpful to say. Ryu asks about what Van Zieks was reading when they came in and assumes it to be a case report. Van Zieks says the Yard wouldn't share case details with a suspect (keep that one in mind) and explains it's a letter from Albert. Dear Professor Harebrayne has arrived in Germany safely! Ryu notes that Van Zieks usually never minces his words, but they seem to have less bite than usual now. No wonder, really, since he's in prison for the murder of an old friend. Van Zieks asks how much they already know about the case, so the two of them go through the facts and Van Zieks says they're well-informed. He's got nothing to add, because... Well.

Oh, this is going to be another one of those cases, huh. Susato asks what Van Zieks was doing at the crime scene in the first place, but Van Zieks points out he doesn't need to answer that, as they aren't representing him. When asked who is representing him in court, he says it'd be anyone other than Ryu. That said, he doesn't actually have any representation because of his reputation as the Reaper. Sixteen people he's prosecuted have mysteriously died and now that he's actually been apprehended for a murder, that whole Reaper ordeal is sure to be thoroughly examined.

BOY, have we got news for you! When it's pointed out that Van Zieks didn't actually have anything to do with those mysterious deaths (right???), he replies that no one wants to know the true identity of that killer more than he does, but it seems things may come to a head before he can uncover the truth. Van Zieks basically tells Ryu to leave, but being the kind-hearted gentleman that he is, Ryu offers to advocate for him in court. Van Zieks asks whether Ryu trusts him, which is a pretty fair question to ask. He's built up so many racist scumbag points and has such a bad reputation in town, it would be weird for Ryu to trust him unconditionally. Luckily, Ryu has been paying attention just as much as I have; he's heard Van Zieks speak in court and seen the way he treats people (uhh, English citizens, anyway), so he doesn't believe this 'Reaper' has it in him to take a life. Unfortunately, Ryu also has to acknowledge that feelings can't be used as evidence in court. Van Zieks considers the offer gracious, but...

“Not the police, not the judiciary... And not you Nipponese.”

One more scumbag point for putting “you Nipponese” in its own category for no reason. Either way, this man has built up such high defensive walls, you could see them from three galaxies away. Trusting no one is a pretty drastic way of living. Ryu thinks to himself that there's a chasm between the two of them that's 'just too wide and too deep'.

As a sidenote, presenting the attorney armband doesn't lead to any interesting conversation this time, but we can also present the Red-headed League advertisement! Van Zieks surmises that if it were a Black-headed League, Ryu would join without delay, which Ryu then confirms. Van Zieks says that sadly, his hair is neither black nor red. He goes into a most curious identity crisis of sorts, where he looks quite anguished as he wonders which coloured league he should join instead. There have been several debates over his hair color, actually, from lavender to purple to grey. Regardless, Susato points out that “people are troubled by the most unexpected problems at times.” It is unexpected, since Van Zieks needs neither the money nor the company that he would get from joining any such league. It's just the principle of the matter, I suppose.

Over by the crime scene in Fresno Street, Gina gets a little razzled when she suspects Ryu is thinking of defending “that Reaper bloke”. Susato points out that if “Lord van Zieks” really is responsible for the crime, he'll be judged fairly in court. This gets Gina to calm down again, because she really wants to know the truth of what happened and much like Van Zieks, she must know that getting the truth is what Ryu does best. A bit of conversation later, Gina points out one more interesting thing; Gregson apparently held a lot of respect for 'the Reaper'. “I take my hat off to that fella,” were his exact words, apparently. Ryu is skeptical, as am I, because I've seen the way Gregson talks about Van Zieks behind his back.

Gina explains that's exactly why he respected Van Zieks. That's... a little weird and ambiguous. So either he respected Van Zieks's ability to stand tall despite all the public scorn, or he respected the fear he struck into people's hearts. There's one more option; Gina keeps talking about the Reaper instead of Van Zieks, so it's possible that Gregson was talking about the actual Reaper. This seems unlikely, though, since he didn't seem to enjoy being part of the Reaper organization.

And now that we know Van Zieks is the defendant, one might be wondering: Who is the prosecutor? Who is the antagonistic force who will try to stop Ryu from uncovering the truth? Well, we find him over in Stronghart's office. Apparently he took an express train back to London from wherever it was he's been these past few days.

YOOOOUUUU!!! Though before we can address his presence properly, we need to discuss the new case. Stronghart wastes no time asking Ryu and Susato whether they've heard “the sickening news about the Reaper's latest devilry.” Which stands out, to say the least, since Stronghart has always been a strong supporter of Van Zieks up until this point. When Susato points out that surely he doesn't believe it, Stronghart says he believes only in facts, which all point to the unavoidable accusal of Lord van Zieks. Someone sure had a quick turnaround when it comes to his number one prosecutor, geez... Stronghart points out the irony that there's no salvation for anyone prosecuted by the Reaper of the Bailey, and now the Reaper himself must stand in the dock. Just as Van Zieks had already alluded to, Stronghart now claims the public will want answers about those mysterious deaths. Ryu and Susato both point out that which had been rubbed into our faces several times already; Van Zieks denies any involvement, and also there have been several investigations into whether he had anything to do with it. Stronghart kind of brushes this off, though. Turns out, Van Zieks is being traded in for a newer model number one prosecutor: Kazuma Asogi! Which seems weird at first glance, since Kazuma is a defense attorney, but Stronghart considers that a bonus:

“A devastation combination, wouldn't you agree?”

I do agree. Granted, it seems Van Zieks had already figured out the defense's strategies too, he just never actively used them to his own advantage. It also turns out that Kazuma personally requested the prosecutor position for this trial. Susato thinks it's pretty unprecedented to grant a newcomer exchange student such a request, but Stronghart offers some petty excuse about how this way, it won't look like the judiciary are closing ranks. Kazuma, who assumes his friend will take on the defense, says he'll see how Ryu's skills have been honed after practicing law in England for so many months. (Uhh. Actually, bestie, it was only about two months of being a defense attorney and six months of disbarment.) Ryu notes that Kazuma is being hostile towards him and wonders why. On a final note, when asking Stronghart about the gun found at the crime scene, we're told that it's issued to all members of law enforcement, including prosecutors. Van Zieks claims to have lost his. That's a troubling claim indeed, because it's difficult to prove or disprove. GOSH, if only fingerprints were allowed in court.

As Ryu and Susato turn to leave, Kazuma stops them. He once again states he wants Ryu to witness this trial as the defense counsel, to “see how it ends”. Since Kazuma has a very distinct vision for how he wants it to end, I guess this means he intends to confront Ryu with Van Zieks's guilt and have his bestie see that a man like him is unworthy of his trust. Either that, or he expects Ryu to use this trial to find the truth of what really happened with the Professor ten years ago, just as he used Albert's trial to dig into that incident. Still though, this reads as pretty scummy to me, because it means he wants Ryu to lose a trial and lose some of his belief in his clients. In the trial itself, it seems to me that Kazuma desperately believes Van Zieks to be a horrible person deserving of the guilty verdict. Therefore, he in no way can hold hope that Ryu will prove him wrong (unlike what went down in case 2-3 with Albert). Anyway, Ryu says that Van Zieks would never put his fate in his hands.

“... It's not easy to see behind the facade sometimes.”

Case 2-3 already told us this, but it's nice to have it confirmed by someone who was closer to Van Zieks. Because remember, Kazuma spent three months by Van Zieks's side (and even fighting by his side), so of course he would know more about his personality than we do. Kazuma hands over a photograph of Barok when he was younger and

GOOD LORD, HE CAN SMILE. Or he could when he was younger, anyway. Kazuma states the picture was displayed in Gregson's office. What he's 'trying to say' is that if Ryu really thinks he can trust “the Reaper” (distancing choice of words again), he might find that some straight talking will change his view. I got the impression we've been straight talking Van Zieks ever since we first met him, but okay. Let's take the picture and back to the gaol we go! Van Zieks is once again reading from some paper and Ryu points out that either he's an incredibly slow reader or it's an incredibly long letter, but either way, Ryu might even be able to read English faster than him. Naturally, this was said loud enough for Van Zieks to overhear.

Scumbag point for hypocrisy, but also a scumbag point for “Nipponese”. When Ryu asks whether it's still Albert's letter he's reading, Van Zieks says he had the case report brought to him in secret. So wait, the Yard does share case details with its suspect? Hilarious. Once again, Van Zieks insists the situation has nothing to do with Ryu, up until the prosecutor's name is revealed to him. And so, the masked cardboard cutout student has become the master! Ryu notes that all the color drained from Van Zieks's face, which is pretty impressive when there's barely any color there to begin with. Ryu has the opportunity now to thrust the photograph into his face, so let's do that. He's immediately alarmed, since he assumed it to be lost and would never have expected Gregson to have it. When Ryu says that Gregson had a deep respect for him, he dismisses that as nonsense, only to correct himself. “There was a time things were like that.”

Van Zieks thanks Ryu for that nice glimpse into the past, and Ryu thinks to himself that there was a glimmer in Van Zieks's eyes- a brief twinkle. He considers that “an insight into the true nature of this man known to all as the stone-cold Reaper of the Bailey”, with “the true nature” being highlighted as orange. So this right here is undeniable; this is what the narrative is illustrating to us now. The true nature of Barok van Zieks is that of someone who was hopeful and jovial; kind-hearted, as Albert knew him. What we see now, that harsh exterior full of harsh words, is not his nature at all.

Van Zieks is more willing to talk now. He once again speaks of Klint, rehashing the same story we've heard several times already. Van Zieks claims there's not a single day where he doesn't curse the name Asogi. He considers it a cruel twist of fate that the man's son intends to crucify him in 'some kangaroo court'. Clearly, he doesn't think highly of the upcoming trial if he refers to it as a kangaroo court, but that's likely because he knows he isn't the real killer. When Ryu points out that he still doesn't understand why Stronghart apprenticed Kazuma to Van Zieks, the explanation is that “it's what he does”. Van Zieks believes that Stronghart knew Kazuma's true identity from the outset, but still provides no real explanation as to why Stronghart 'did what he did' and even assigned Kazuma as the prosecutor this time. Van Zieks goes on to contemplate the name Asogi some more and calls it 'the epitome of his bane'.

I've talked before about how utterly flawed it is that Van Zieks attributes Genshin's crime to his race and/or cultural upbringing and proceeds to tar every single Japanese person with the same brush. There's no need to go into this again; we all know it's wrong. Turns out, even Van Zieks knows it's wrong, but we'll get back to that momentarily. First, Van Zieks needs to talk about Klint even more. (good lord...) He explains that Klint van Zieks was hunting down a mass murderer and “assigned to the investigation as his partner was a certain visiting student dispatched by the Yard.” This was Genshin, of course, and I believe this is the first time it's said that he too was looking into the Professor case. So Van Zieks already mentioned in the previous case that the Japanese students had left a deep impact on him, and also that he once toasted friendship with a Japanese person, but now we have this:

“But none of us saw the true nature of the man.”

True nature is once again in orange here, but this time as a red herring. Van Zieks believes that the Professor murders were Genshin's true nature, when it isn't quite true at all. Regardless, since Van Zieks was still in university at the time the exchange students were in the country, I don't think he would've had that much contact with Genshin. I expect he encountered the man on rare occasion while Klint associated most with him. Every meeting was enough to foster this respect and friendship, though, so it's clear that young Van Zieks was easily influenced and had a very open mind towards a foreign exchange student. But then, that's what makes the next portion of the story all the more damaging.

“My esteemed brother... The people I believed in... And any semblance of right prevailing over wrong!”

As Van Zieks also already alluded to in the previous case, he found himself in a very dark place. That isn't surprising. Every positive thing Van Zieks knew in his life, from his family to his closest friends, was ripped away from him in extremely close succession. What must've been the final nail in the coffin was Genshin outright admitting to his crimes. It erased all doubt that perhaps there was some sort of misunderstanding or a frame job. Going over everything Van Zieks has said so far, it seems he didn't just blame Genshin for the tremendous loss he suffered; he blamed himself. He must believe that his trust in Genshin blinded him to this supposed 'true nature', just as it must've also blinded Klint, and that the whole tragedy could've been prevented if only he'd been more cautious. So now, in present day, he no longer trusts anyone. He outright says so.

Van Zieks goes on to talk about how he was the one who prosecuted the Professor. Since he'd only just graduated, such a thing usually wouldn't be allowed, but he “beleaguered the ascribed prosecutor until he consented.” This person was Mael Stronghart, who back then was apparently still no more than a prosecutor. A highly accomplished one, but a prosecutor nonetheless. Since Klint was the Director of Prosecutions (or Chief Prosecutor???) at the time, that means he actually ranked above Stronghart. Interesting. Regardless, since Stronghart agreed to let Van Zieks lead the prosecution and instead only acted as an advisor, Van Zieks now feels indebted to him. That certainly explains why he's usually so good about following Stronghart's orders and not asking questions.

“And, of all things, as a lawyer.”

Ahhh, this is the part where Ryu enters the chronology. Our protagonist points out that he's felt Van Zieks's animosity since the first time he faced him in the courtroom; his obvious deep loathing of Japanese people. And here comes perhaps one of the most important, yet most overlooked lines Van Zieks will ever utter in these games:

“But for so many years, that hatred had festered inside me, I could no longer control it.”

So here, Van Zieks admits to two things. First of all, he admits that he was wrong to hold such deep loathing and by extension, to give that loathing a voice. He's a man of logic, after all. To cling to something which he refers to as illogical is about as wrong as one could get. Not only that, he admits that this was an unstoppable force he should have controlled, but was too weak to do so. The hatred overpowered him and did away with common sense. He behaved stupidly and irrationally because for ten years, hatred and negativity was all he knew. But what's even more striking here is Ryu's answer, which is also often overlooked:

Ryu, bless his heart, doesn't blame Van Zieks for succumbing to this weakness. Bear in mind, he's the victim here. Van Zieks wouldn't have encountered many other Japanese people in those ten years, if at all. This means the first person he lashed out against was Ryu. Naturally, Ryu can't speak for Susato or Soseki, who received their own verbal assaults and might have different opinions on the matter. Ryu is just one man, but in our narrative, he's the main protagonist and the main target of these outbursts. Is it misleading and perhaps even problematic in the grand scheme of things to have the protagonist sympathize with such motivation? Well, that depends on many different factors. There's no easy answer for this because it's a nuanced, cultural sort of thing. Personally, I was a bit bothered by it, but not to the point that it ruined the experience for me.

Van Zieks admits that just as the Japanese were the bane of his life, Kazuma Asogi must believe Van Zieks to be the bane of his. He is, after all, the Reaper who sent his father to the gallows. Van Zieks thinks that Kazuma intends to take revenge in court and... Really, this is true.

There's a quick bit of conversation about Gregson now. Turns out, the only reason the Professor was caught at all was because Gregson forced an autopsy on Klint despite it being considered the highest taboo at the time. Van Zieks says that as a result of Gregson's powerful conviction, he could avenge his brother's death. He looks quite torn, a bit pained. He must believe he owes Gregson something for this. The conversation then moves on to Van Zieks's revolver, which he claims to have misplaced an undetermined amount of time ago. “I must have stowed it somewhere, I suppose. Or left it somewhere, perhaps.” Van Zieks clearly doesn't think highly of firearms as a weapon, since he's constantly carrying a sword around instead. Susato points out that Ryu has a talent for misplacing things in common with Van Zieks, which leads to one more scumbag outburst.

… Dude. Come on. You just admitted it was illogical. You came so far! Scumbag point for you. Still, as the conversation rounds to a close, Van Zieks utters the words “Mister... Naruhodo”, much to Ryu's surprise. This is the first time he's actually said Ryu's name! Van Zieks once again reiterates that he's lost all confidence in England's judiciary system. He doesn't trust the police, the judiciary or lawyers. Even so, there's still one thing he's willing to believe in.

“That which you see in the eyes of another across the courtroom: a simple determination to know the truth. From the very first time we clashed in the Bailey almost a year ago now... I couldn't deny it, even though I dearly wished I could. 'Here is a loathsome Japanese... who has absolute integrity as a lawyer.' There are only two other men I've known with that same look in their eyes: my brother, Klint. … And Genshin Asogi.”

This is interesting. So at first when he saw that look in Ryu's eyes, he must've been reminded of Genshin. And again, this is why he directed such hatred towards Ryu; he saw someone who wasn't alive anymore. But now he recalls that Klint also had that same gaze, and so he wants to believe that Ryu is not similar to a deceitful murderer, he's instead similar to his beloved brother. (Boy is he going to have to reevaluate how he judges people when he finds out that his beloved brother was the deceitful murderer.) Van Zieks says that when he saw the photograph, he was reminded of a time when he could laugh, free of the shackles of mistrust which plague him now. This is very relevant since Van Zieks indeed can't laugh anymore. We never see him do it. He can't even smile.

“But at times the mire into which I've sunk makes it almost impossible to breathe.”

Someone please get this man to a professional therapist. If he means that in a more literal sense and he does occasionally feel like he can't breathe, that's telltale signs of panic attacks. It could just be, of course, that he's being overdramatic and the “impossible to breathe” bit is just fanciful wordplay to go with the mire analogy. Still though, considering he's also mentioned being in a dark place and that he's willing to die so long as it serves a useful purpose, and that he drinks his wine to stave off tedium... He's clearly depressed. But then, he seems to know it. He acknowledges that the way he is now is not the way things should be, and that he needs to fight to overcome it. And so:

“... In tomorrow's trial... Will you advocate for me?”

Boom. Swallowed his pride and turned to Ryu for help because he knows it's what's best for him. He no longer trusts anyone, but he's willing to trust Ryu because once he starts opening up again and has that trust repaid, then perhaps things can gradually go back to the way things were when he was younger. Mind, he still hasn't apologized for his actions, but that doesn't change that Ryu at least is willing to extend a hand to Van Zieks. It's a little sad that Susato doesn't properly form her own opinion on this and instead just goes along with whatever Ryu says. I would've liked to know just how she feels about Van Zieks's attitude and whether or not he deserves to be helped. She doesn't object to it, at least, and since Susato usually always speaks her mind, I can only assume she genuinely agrees with Ryu's sentiments.

The next day, in the defendant's lobby, it's remarked there's a 'menacing tension' in the air and Ryu surmises out loud it's the result of the menacing appearance of the defendant. Well-deserved, that remark. Touché. Van Zieks asks him for a little more courtesy in a polite enough manner, but considering the lack of courtesy he's shown Ryu over the past 8 months, that's hypocritical. He informs Ryu that this is a closed trial without a jury, which bums me out because it means no more Summation Examination. I would've liked to see Asogi react to that. (S)Holmes comes in and has the weirdest little banter with Van Zieks that I honestly can't... really decipher. There's several things about it that really strike me as being off:

- “And I you. I see London's celebrated great detective is as active as ever.”

- “Oh, you exaggerate, my dear fellow. Compared to my paltry engagements with a few trivial cases... The Reaper's overbearing presence is a far greater deterrent to the black roots of crime in our capital. And whilst I may not agree with your methods... There is at least one point on which I would readily commend you.”

- “What an honour. And that would be...?”

- “Your eye for a good lawyer, sir. […] Behind this lawyer there is a very great mind. My own.”

Alright, so... First of all, we know (S)Holmes is super arrogant and would never refer to his past cases as “trivial” in all sincerity. Plus, it's established that he's very weird with compliments, such as referring to Gregson as “the best of those blunderers of the Yard”, so complimenting Van Zieks directly on the effect he has on crime feels off. Aside from that, (S)Holmes addresses Van Zieks as the Reaper and continues to talk about 'his methods', when it's already been established (S)Holmes doesn't believe Van Zieks has anything to do with the Reaper killings. Taking all that into account, I can only really assume that the first half of this above conversation is (S)Holmes being weirdly passive aggressive towards Van Zieks, with Van Zieks being passive aggressive in turn. It really, truly feels as if there was some sort of backstory between these two that they had to scrap at the last second. Regardless, the exchange ends with (S)Holmes warning Van Zieks that this will be “quite a trial”.

Gina Lestrade shows up with Yujin Mikotoba (….. when did they meet???), saying they intend to watch the trial, and I am very impressed with how (S)Holmes manages to disappear from the scene and not say a word when his old partner arrives. Anyway, Gina looks Ryu square in the eye and asks him why he agreed to take Van Zieks on. Everyone's saying it was him who killed Gregson. Considering everyone was saying it was her who killed Pop Windibank six months ago, you'd think she might want to tone down her attitude, but she's clearly in mourning and lashing out. See? People who are hurting can say insensitive things. Ryu insists he doesn't believe it to be true, but Gina demands to know that if it wasn't him, then who?

“An' if it turns out it was 'im wot killed the boss... Then God 'elp 'im!”

It's interesting to remember that during The Unspeakable Story, Gina wasn't afraid of Van Zieks for his Reaper reputation. She didn't believe in the curse and didn't think she would end up like the other defendants. Now, she absolutely no longer gives a damn whether Van Zieks is the mysterious Reaper or not. She only thinks he might be a murderer who took away her mentor and that's what has her judge him so fiercely. Van Zieks remarks on her fiery eyes and tells her that the culprit does indeed deserve every inch of her loathing. “At least that may be some solace to the deceased.” So here, in a roundabout way, it rather looks as if Van Zieks is sympathizing with Gina's anger. At the very least, he's condoning it, just not towards himself.

Entering the courtroom, it becomes clear very fast just how serious this trial will become. Just as was alluded to before, the judge confirms that the 'Reaper of the Old Bailey' has been undermining Her Majesty's justice system and therefore, the people will demand answers on this matter. Ryu thinks to himself the trial will be a lot more far-reaching than just Gregson's murder. Sure enough, Kazuma is at the prosecutor's bench and ready to get that vengeance Van Zieks referred to in jail. Shockingly, the first witness he summons is actually Van Zieks himself. The judge is surprised, but Kazuma explains that as a prosecutor, Van Zieks believes in the oath of office he's taken; he'll be compelled to tell the truth. Because contrary to what happened in Memoirs of the Clouded Kokoro, Van Zieks is against perjury! (I WILL NEVER GET OVER WHAT HAPPENED WITH SHAMSPEARE!) Sure enough, he takes the stand and Kazuma says the court would like to hear him explain some things away.

He really is just brutally honest, isn't he? Both in his courtroom methods and in how he shows his emotions. He doesn't sugarcoat, he doesn't beat around the bush, he definitely doesn't lie... At most, he may withhold some information. Unfortunately, his testimony is mostly useless. The judge remarks that he didn't want to imagine this day would come, but ever since Van Zieks became known as the Reaper, he's been dreading it. The judge, our neutral ground, seems to be convinced that Van Zieks may have actually done the deed. That's not good. Kazuma acts all smug, saying that Van Zieks indeed hasn't explained anything away and that his testimony barely qualifies as an excuse. Van Zieks notes that his 'mute apprentice' has a way with words. Meanwhile, Ryu thinks to himself that Kazuma isn't behaving like himself, which is a sentiment they'll keep repeating throughout the case. … I gotta be honest here, I didn't notice all that much of a difference between this Kazuma and the one from the very first case of the game. I mean, come on, he sliced a man's hair off and cursed his descendants just for insulting Ryu. He's slightly more arrogant here, maybe, but since he was only the assistant there and is a leading counsel here, it makes sense for him to be more proactive and confident in his methods. Then again, I'm not a Kazuma expert; maybe there's something I'm missing.

In his testimony, Van Zieks revealed that he was investigating Gregson, but when pressed on it he won't admit the exact reason for it. He only says he'd identified a distinct possibility Gregson was involved in a case he was investigating. When asked how he even knew where Gregson would be, he openly admits to having stolen into his office and consulted his diary. (“Dear Diary, today I dropped my fish 'n chips on the way to Fresno Street-”) When told that illegally entering Gregson's office would warrant serious consequences, Van Zieks says he was aware of that risk.

The rest of the testimony is pressed without further hitches, though what did strike me as interesting is that at one point, Ryu suggests the gunshot might've originated from outside the room, but Van Zieks immediately says it's out of the question. He shoots the possibility down with evidence only he could have experienced (the bang sounded inside the room and he could smell gunpowder), and in doing so, only implicates himself further. Detrimentally honest, this one. Not only that, but he picked the gun up.

NO KIDDING that was carelessness. Is he related to Miles Edgeworth after all? Kazuma talks about how three street peddlers overheard the bang and burst through the door with some force. Van Zieks states they almost gave him a heart attack in the process (omg) and Ryu thinks to himself: “(But you're supposed to be the Reaper...)” C'mon Ryu, haven't you seen enough of this man by now to know he gets jarred easily?

When the testimony rounds to a close, things get interesting. Kazuma uses his defense attorney skills, as promised. He uses evidence from the Court Record to point out contradictions in Van Zieks's testimony, thereby 'proving he's lying'. Hey, what happened to Van Zieks believing in the oath of office and being compelled to tell the truth? Did Kazuma call Van Zieks to the stand just to expose him as a liar? He wins the judge over quite easily by illustrating these contradictions and casting doubt on Van Zieks's integrity. Tragic, because as Van Zieks says:

Van Zieks steps down from the stand and disappears for the remainder of the trial day. He doesn't even show up during intermission in the defendant's lobby. Characters do still talk about him, though!

I mean... He ain't lyin'. At one point, Kazuma utters the words “the defence is fated to lose. And the prosecution to win,” which once again confirms that Kazuma basically asked Ryu to take part in an 'unwinnable' trial. Which, y'know, is technically fine. Losing a trial isn't the end of the world, especially when the defendant (in Kazuma's eyes) is actually guilty. Still though, personally asking Ryu to take on Van Zieks just so he can watch the man be exposed as a killer is kind of... Kazuma, sir, are you also unable to control your hatred and having it lash out in illogical ways? Is that a parallel with Van Zieks I spy?

The rest of the trial isn't directly related to Van Zieks. It's just a whole bunch of roundabout arguing with street peddlers, red-headed scammers and the revelation that one of those peddlers is actually Daley Vigil, the missing former prison warder. Despite knowing of the dangers, Kazuma asks Ryu to help him forcefully break some of the man's black psyche-locks (c'mon, we all know that's what's impeding his memories) and they send the man to the hospital as a result. Welp. Unveiling the truth is becoming increasingly dangerous in this game and that's really upping the stakes for us.

Into the next investigation day we go! Ryu surmises that it's clear now “Van Zieks definitely didn't do it.” Even so, there are some unanswered questions about the man. What was he even doing at the crime scene and what's with that investigation into Gregson he didn't want to talk about in court? Heading on over to the Chief Justice's office, we overhear him pressuring Kazuma into 'continuing the trial as instructed'. Once he takes note of Ryu and the others, he tells them that he wanted Van Zieks's trial concluded that day and blames 'Asogi's unwelcome inquiries' for it taking longer than necessary. Stronghart's becoming increasingly ominous, here... I don't know for certain why he doesn't just go the extra mile to have Van Zieks proven innocent so he can keep using his Reaper tool to intimidate the masses. I suppose it's because with Gregson dead, he's lost his most important strategist in the killings and the tool of the Reaper's curse can't be used as easily anymore. Assassins probably come a dime a dozen, so Shinn can be replaced, but Gregson... Not so much. Ryu asks Stronghart whether Kazuma truly believes Van Zieks to be the Reaper, but Stronghart says he wouldn't know. He once again talks about the history of the Reaper with its very long run of coincidental deaths and tells us nothing new or interesting.

To prison we go, to visit Van Zieks himself! He's reading a book now, but we're never told what it is. He tries to ignore the visitors, but just as always, eventually comes up to the bars to talk.

YOU FREAKIN- I CAN'T- WHY- How many more times must we teach you this lesson, old man?!!! Thankfully, even Ryu is fed up at this point.

Finally. He spoke up. I've seen a lot of people criticize the fact that Ryu never properly confronts Van Zieks with the damage he's been doing, and on the one hand I would agree. Calling people out on their bullshit is a very useful step in having them notice their mistakes. However, I'd be remiss if I didn't point out that is also a very Western view. It's very easy for us to think that Ryu should stand up for himself and call Van Zieks a prejudiced little tosser who needs to think before he speaks, but that simply isn't part of his character. There may be several reasons to explain why he doesn't confront Van Zieks more firmly, but I'd like to focus on just two. The first is that Ryu is an exchange student who came to England as a 'guest' and is facing not just one racist. Not even five or ten. Everywhere he goes, he's surrounded by people just like Van Zieks. We've seen it in the judge, we've seen it in the jurors, we've seen it in Gregson and in witnesses... Ryu is a minority in a very literal sense, since there's only one other Japanese person (two if we count Soseki) we know of in this entire city. There's a very natural, very understandable defense mechanism which may kick in when surrounded by potentially dangerous individuals, and that is to withdraw; to be as quiet as possible and to attract as little trouble as possible, since 'they outnumber you'. Bonus points for the extreme difference in social standing between Ryu and Van Zieks.

There's one other thing which adds to the above. Ryu was written to be your everyday Japanese person, and their view on confrontation is quite different from our own. I remembered this from a job interview I once had with a Japanese company and looked into it again to refresh my memory: Japanese people are non-confrontational. It's very important for them to maintain a sort of harmony during conversation and therefore, they'll rarely utter negative sentiments, such as criticism, in a way that will cause embarrassment to the person they're addressing. Instead, they employ something often referred to as indirect communication. “The pattern of Japanese indirect communication uses far less words to convey intent in a more subtle manner. Indirect communication uses expression, posture, and tone of voice of the speaker to draw meaning from the actual conversation.” This is very deeply ingrained into the Japanese culture and, if the sources I reviewed are correct, it goes all the way back to the feudal days. Mind, this attitude isn't even limited to Japan. I've been told there's several other countries who adopt that very same attitude and if you cause someone else to lose face, it can have some very severe repercussions for you. Kazuma is a bit more outspoken than Ryu, for example when they face Jezail, but this makes sense also, since Asogi was written to be more progressive. It seems to me that Ryu has been using indirect communication quite often already and, since Van Zieks is woefully unequipped to read this type of communication, Ryu has now finally resorted to something more direct. It's still not a sharp call-out, but rather, the above line reads to me as something in-between direct and indirect communication. And it works.

HELL FROZE OVER! We've done it, lads! Or, as Iris puts it:

So even the rest of the cast is acknowledging this is a big deal and we've made tremendous progress. Could someone else have confronted Van Zieks in a more direct, more Western way before this point? Sure. But would he have listened? The judge has already snarked at him several times during trials and it's always been brushed off as nothing. The only person he might've listened to would've been Albert, but what is the narrative significance of having a side character confront Van Zieks? There isn't one. This was a very impactful moment where Ryu himself resorted to a more Western tactic to get his point across and Van Zieks, in turn, finally uttered an apology. So now we get to have an earnest conversation with the man at last. Van Zieks says he was impressed; not by Ryu but by Kazuma. On first glance, this seems like a mean thing to say, but... Van Zieks is already intimately familiar with Ryu's performance in the courtroom. Why would he still be impressed by that? Kazuma, however, he's never seen in action before. Van Zieks thinks it's all rather “sardonic”.

It's called a cruel irony, Barok. A common tool in storytelling. He himself considers it “retribution for having played the part of the Reaper all these years”. So once again it's discussed how the Reaper minimizes the amount of crime in the capital and since that's a goal Van Zieks is committed to, he never said anything to disprove the rumors. Ryu insists that someone else is profiting off Van Zieks's silence on the matter and is basically using him as a scapegoat. As it turns out, Van Zieks wasn't quite as passive about the matter as he's led us to believe.

Hm. Alright, so he thinks it's good the Reaper's curse is reducing crime in London, but clearly he wants the Reaper organization brought to justice. In a way, he's profiting off these 'accidental deaths' since the fear that comes from them aligns with his goal of crime reduction, but he doesn't actively condone the Reaper murders and wants them halted. Since there's so much accurate information about the accused used in the killings, Van Zieks surmised a while ago that someone from Scotland Yard must've been involved in the killings. It's taken him “many years” to identify the central figure in the organization: Tobias Gregson. Naturally, everyone is shocked. We knew Gregson! And sure, he wasn't exactly a kind person, but he certainly didn't appear to be a killer. He was very rough around the edges, but from what we'd been led to believe, he had a good heart. … A decent heart. Mediocre, one might say. Ryu asks whether the reason Van Zieks was investigating Gregson was to expose him as the Reaper, but Van Zieks repeats the notion that the Reaper is not a single person. He doesn't have a doubt, though, that Gregson was a key member of the organization who did all of the planning. Believe it or not, Gregson was the brains behind the killings; the tactician who investigated and plotted, then left the dirty work to an assassin by the name of Asa Shinn. (LOCALIZATION WHY)

So now that we have this information, we can come to a very interesting conclusion. Both Gregson and Shinn are dead now, so by Van Zieks's reasoning, the Reaper is dead. You'd think this is good, but it does in fact make it very difficult to find the truth. Rather, Van Zieks believes that the truth died with Gregson (he hinted as much twice already) and while the seasoned Ace Attorney player knows it won't be impossible to expose a dead person as a killer, it'd be a hectic ordeal. The seasoned Great Ace Attorney player will know the Reaper hierarchy extends just a bit higher and the two who died are only pawns, but... Y'know. Approaching this from a first-time-player point of view, you'll know things will get troublesome.

There's another topic of conversation where Van Zieks once again addresses how sharp Kazuma is in court. He didn't miss a thing.

OUCH. So when Ryu first arrived, Van Zieks saw Genshin whenever he looked at him, not only due to his roots but due to 'the look in his eyes when searching for the truth'. Now, he sees Genshin in Kazuma, which surely makes a lot more sense. Van Zieks goes on to say that it's true some of the aristocracy from 10 years ago were problematic and abusing their power. “In a way, Asogi was carving out a canker from society that we British couldn't deal with ourselves.” So here, he sounds almost complimentary of the Professor's actions- specifically Asogi's actions. As if it would've all been well and good, were it not for the Professor's final victim. “But that's precisely why it makes no sense. Klint van Zieks was a noble and upstanding man. He wasn't corrupt.”

Remember way back in The Unspeakable Story when I surmised that Van Zieks boiled Genshin's actions down to his race in order to avoid the belief that there might've been a reason his brother was killed? We see it here again. Van Zieks is in doubt. He may say vocally that “it makes no sense”, but that line in itself is already telling. The fact that he acknowledges it and draws it into question implies to us that he's skeptical of the story. Deep down, he knows something is amiss. He knows there's some sort of explanation he's missing, but if he were to dig too deeply into it, he'd have to acknowledge that perhaps his brother was corrupt. And this still isn't all of it. There's one more thing Van Zieks has to discuss before we can round this conversation to a close. Ten years ago, shortly after Klint died, Genshin saved his life.

There's that phrasing again. “True nature”. It's not in orange this time, but it's there all the same. Van Zieks is convinced that Genshin is the one who had a hidden true nature. In this story, we learn that 'the scum of London' had already targeted him several times even before he became known as the Reaper, simply because of who he was and who his brother was. JEESH. Harsh. So on the night in question, a couple of thugs also tried to kill him (allegedly) but Genshin stepped in to protect him. Genshin became lightly wounded as a result. This is the part where I would have expected them to explain Van Zieks's scars, but he never mentions being wounded himself, so we can't be sure this is when it happened. Curious. This was the perfect opportunity and they let it slide. So anyway, two days after that incident, Genshin was arrested.

Some more telling lines here. Van Zieks thinks he'd never recount the story to anyone; not because there's no need to tell it. It's because it must be difficult to talk about. On its own, that might be a farfetched conclusion I wouldn't make, but Ryu confirms it with his follow-up line: “Thank you... for confiding in me.” We can take this line to mean exactly what it says; Van Zieks confided something painful. He let down some more walls. Growth!

So with all this out of the way, there's a whole load more investigation to do before this case is over. Most of it has to do with Genshin's will, a mysterious trunk belonging to Gregson, the missing time of death on the autopsy report... Nothing too relevant to Van Zieks's character. However, if we go into the prosecutor's office and examine things while Kazuma is there, we do get some fun tidbits about how Van Zieks wouldn't trust anyone else to touch his things and would rearrange it all himself whenever needed. From the sound of it, Van Zieks is very meticulous and a loner, which aligns with what we know about him. Some more conversation later, we reach the topic of the Reaper with Kazuma. He agrees that Gregson was definitely involved in the Reaper organization, but there's one thing that's more important. “Who's been giving orders to the Inspector?” In my eyes, it's a bit of a stretch to assume with certainty anyone was giving orders; Gregson might've just taken up the vigilante justice by himself and found some way to pay Shinn enough money to get in on it. Kazuma insists, though, that Van Zieks is 'the real Reaper'. We as the audience already know that's nonsense, we know Kazuma is wrong. Or perhaps we might think that if somehow Van Zieks pulled the wool over our eyes and Kazuma is correct, that'd be one heck of a wild twist. Kazuma gives no real reason why he believes this, he only goes on to say that ten years ago, it was Van Zieks who 'decided his father must be a mass murderer'. Shockingly, Susato is the one to jump in here and outright say to Kazuma that he's wrong; that Van Zieks only saw that 'justice was done as the law dictates' and he wasn't to blame for Genshin's execution. Kazuma insists that people condemn people and the law is just a tool they use for it. So I suppose that's exactly what he's doing right now. He's condemning Van Zieks, just as Van Zieks once condemned Genshin. We're cycling! And my main question now is this: If Stronghart had been the prosecutor in the Professor's trial instead, would Kazuma be just as vengeful towards him? Because remember, it's people who condemn people. This implies that anyone who had taken on the job of prosecutor at that time is the one who 'decided that Genshin must've been a murderer' and would need to take responsibility in Kazuma's eyes. Kazuma's beef isn't with Van Zieks personally, it's with the prosecutor who used that tool of the law and also evidence.

HAHAHAAA! HAH! If you align this screenshot next to the “Klint van Zieks was a noble and upstanding man” line, you get a wonderful parallel. These two prosecutors are both dead wrong about their beloved family, and they're about to find out in the worst way possible.

One murder mystery spread out over two episodes? You bet! Stay tuned for the last case, The Resolve of Ryunosuke Naruhodo!

[bleachhaven]

Could you make a scenario for Shunsui where he and his s/o are having a date, maybe under the trees, and it ends in some smut, please?

Under the tree with Kyoraku Shunsui (smut & fluff)

When you came home in the evening after a day of hard work at your own Squad, Shunsui was nowhere to be found. This wasn’t exactly unusualsince he became the Sotaichou. Unlike before, Nanao didn’t even have to force him to work. He took his responsibility quite seriously. Well, as seriously as Shunsui could.

It was fair to say, it had been quite some time since you two managed to spend some quality time together without being interrupted with some kind of crisis. You knew it would eventually settle down, so you didn’t bother him about any of it. He already had so much on his plate. You were just glad he got home at some point in the night at least on most nights to cuddle you in his sleep.

Which is why, what was on the bed took you completely by surprise.

Your pink yukata that Shunsui loved to see on you was laid out with a simple note. “Meet me under the tree at sundown.”

He didn’t have to specify which tree. You knew exactly which one. Back in the day, when he used to hide from Nanao, he’d find you reading under the big willow and settle down for a midafternoon nap, resting his head on your lap. Often, Nanao would find him quite easily. After all, he was a creature of habit when it came to you. Looking into your pleading eyes, Nanao would leave you two alone for a few more moments.

So with a smile on your face, you took a nice warm shower, lathering shampoo that smelled of vanilla which Shun always said made him want to eat you right up. The whole thing had you giddy with anticipation. It almost felt like you were getting ready for your very first date, even though you’d been together for what would seem like a lifetime now.

When you reached the tree, he was staring out to the horizon at the sky taking on beautiful hues of oranges and pinks. He sensed your reiatsu easily and turned to look at you. “_____-chan,” he said offering a smile.

He made quite the picture. Tall and handsome, with his pink haori billowing against the wind. You were so taken by him that it took you a minute to notice the lavish picnic laid out underneath the tree.

“What’s all this?” you asked, a smile taking over your whole face. It made his day to see you smile like that.

“Now, now, petal. Can’t a man watch a pretty sunset with his prettier ______-chan?” he asked sidling up to you and giving you a quick kiss upon the lips.

You shook your head at his words but you still couldn’t stop smiling. “A man can,” you admitted. “But can the Sotaichou afford to play hooky like this?”

He grinned, making him look like a carefree boy rather than a captain over a millennia old. “After all I must stay true to myself,” he teased. “There’s nothing I wouldn’t sacrifice to be with you.”

You couldn’t help but laugh because now you knew exactly what happened. “So you sacrificed Nanao-chan to all the paperwork?”

“Believe it or not, she actually insisted.” He took your hand in his and led you to sit down. He took up most of the space in the blanket. After all, he was quite a big man. But it also meant you had something sturdy to lean on always. And that’s exactly what you did. “I’ve been so busy with everything that’s been happening that I fear I’ve been neglecting you.”

“You know I understand, Shun,” you reassured him, teasingly feeding him a grape. “I know I am always on your mind even if you’re drowning in responsibilities.” Rather than take the whole grape in his mouth, he bit into it, getting the juices everywhere. His tongue swept out to lick your fingers clean.

“You have no idea just how much I think of you,” he said, the mischievous glint in his eyes letting you know exactly what kind of thoughts distracted him.

Both of you settled in to enjoy the little feast that was laid out, feeding each other a variety of cheeses and fruits, and indulging in a healthy dose of sake that had you feeling quite relaxed. The sun set over the horizon, basking you both in golden hue.

“I think you forgot the chocolate for desert,” you informed him when your thorough search revealed so.

He took the sake out of your hand and placed it carefully away on the other side of the blanket. “Well, petal,” he said leaning over you in such a way that he had you flat on your back far too easily. “I had a whole different kind of dessert in mind.”

“Shunsui!” you gasped. “Anyone can see us and walk in!”

“I wouldn’t be too worried about that,” he insisted.

He was probably right. Who in their right minds would interrupt the Sotaichou for anything? The new job definitely had its unique perks. Then his lips descended on you making sure you had no mind to worry about anything at all.

This was no peck in greeting, or a quick kiss goodbye. When Shunsui got serious, he kissed you like he truly meant it. Like you truly were his favorite dessert and he meant to devour you. And tonight, he seemed ravenous.

His lips nibbled at you. His tongue explored your mouth in a mimic of things he wanted to do to you. His hands smoothed over your yukata to hold you by the hips, angling you to be in just the position he wanted you to be.

You weren’t one to stay still yourself. Your hands moved to his chest, the roughness of the smattering of hair tickling your hands on their way to wind around his neck. Your fingers held on to the hair at his nape and pulled a bit, making him moan into your mouth.

You’d think it would be a quickie at least the first time around. It’s been quite a while since you had time to do this. It was already driving you crazy, making you raise your hips to get any sort of friction you could.

But Shunsui was agonizingly slow. He always was. He didn’t like to rush in anything, and that definitely applied to his lovemaking. He loved taking his time with you, exploring your body and enticing all your senses as if it was still the first time.

“You smell good enough to eat,” he murmured as he always does, putting a lazy smile on your face. Then he moved his lips to your neck and proceeded to do just that.

Quicker than you could comprehend, he had your yukata open and out of the way, baring you to him. Nibbles and open mouthed kisses had your nipples pebbling in attention, which he appreciated with a hum. Then he drifted downward.

“Shunsuiiiiiii,” you moaned.

He looked up, his eyes peering up at you from his position in between your legs. “I meant what I said, Petal. Good enough to eat.” And he proceeded to show you exactly what he meant.

The man was definitely skilled at using his mouth to make you forget your own goddamn name. He had you coming on his tongue in no time at all.

While you tried to catch your breath, he licked his lips, and grinned at you. “Delicious.”

And you couldn’t take it anymore. With a small growl, you reached up and pushed down his haori. “I need you, Shun. Now!” you said, the last word ending almost in a whine, leaving no doubt as to exactly what you wanted.

Shunsui wasted no time in complying at all. He entered you so slowly, making you feel every single inch of him. It had you both moaning. With age old practice, your bodies knew just what pace to take. He thrust in and out, driving you both insane with need, chasing for completion.

You reached up to him, needing to feel closer to him. With one of his hands gently cupping your face, and the other bracing himself near your head to make sure the full weight of his body didn’t crush you, he kept moving in you. The position had him deeper than ever, and every thrust in and out had him deliciously rubbing his chest all over yours, heightening the sensations to an unimaginable level.

It was erotic and romantic at the same time.

He picked up the pace, knowing just how close you were from the way you moaned.

When you both came apart, reaching the peak, it felt like you were so close you might as well have been a part of each other.

He slowly moved over to lie beside you, and pulled his pink haori over you both to protect you from the chill of the night.

“I really missed you, petal,” he said softly as he tucked a strand of hair behind your ear. As if your entire hair hadn’t come undone thanks to him having his way with you. Then he planted a kiss upon your forehead, and your nose, and finally upon your lips.

“You’re such an old sap, Sotaicho,” you teased him.

His arms wrapped around you, bringing you closer to him and his heat enveloped you. “I am your old sap,” he murmured gently as you both drifted off, sated and happy.

- - -

My ask box is now open!

Send in your requests please. I will take my time with it, but I will eventually get to them.

And check out more of my work through the Masterlist here!

[angelssdecay]

Why Zhongli isn’t just a blockhead (though sometimes he is) – another essay by yours truly

Disclaimer beforehand: I am partly Asian, but I am not Chinese and as such don’t have a complete grasp on the richness of Chinese lore and history although I do try to keep on educating myself about it. If you see I made any mistakes, missed out on something very important or accidentally said something I shouldn’t have please don’t hesitate to point it out for me, I’d really appreciate it. This analysis was mostly for myself and because I wanted to set a few things right about some things I’ve seen and encountered about his character in the fandom, that is all. 

This analysis ended up to be quite long (over 1.3k words oops) despite me keeping some points out of it on purpose to make it more compact, but I hope you’ll enjoy my thoughts nonetheless!

-          Zhongli is not, and has never been, simply a brute without a brain despite his undeniable trail of destruction left in the wake of the Archon war – everything he’s done, as immoral as it may seem to humans, has been done with the image of a more peaceful future in mind and the wish to create a better world for those inhabiting it. 

-          And let’s not forget that he is extremely cunning and always waging decisions carefully considering he has planned out such a grand scheme from faking his death to implementing Childe in this game of his, and using everyone in Liyue for his grand, final test 

- though he did not do so without a thinking about the weight such a final decision would hold, but instead hought long and hard about it through observations of Liyue’s people and how they would fare without his divine intervention from now on.

-          Zhongli is without a doubt not a 110% good character, he is indeed manipulative, irrational and inconsiderate of individual human lives to a certain degree and I won’t say that his objectives erase the way of his methods, after all everyone knows that the path to hell is paved by good intentions-

-          but it’s simply impossible to define any character in Genshin in such black and white/ good and bad ways because each and every of his decisions is very nuanced - he is not only selfish, Zhongli is also incredibly selfless at the same time because all that he did was for the people of Liyue, he gains literally nothing from all this apart from his rest from his immortal duties, and he is not heartless either because despite making just yet seemingly cold decisions it also has to be said that such hard decisions cannot be made and set in stone when one let’s themselves swayed by emotions

-          To come to another point: After living so far off from the mortal world for so long – because watching over humans isn’t the same as wandering amongst and living with them – it is no surprise he is quite detached from them, his heart despite his love for Liyue having petrified little by little and he knows it.

-          Yes, Zhongli definitely knows he can’t escape eventual erosion, petrifying little by little, that he will wear away as a river wears away a mountain - but still he lives on to uphold the memory of those that have faded to dust, had sacrificed their very lives to help pave the way for a peaceful and prosperous Liyue and also to carry the weight of sins he has committed in the war – he thinks and he cares so, so much and to conclude this:

-          I literally cannot stress enough how he carries so much responsibility, so much history on his shoulders – he is living history – even more now that he’s the only one left to carry on the hopes and dreams who have long passed and that this is an incredibly lonely task. It’s just heart-breaking to think about what he’s carrying with him day by day.

-          And to come to one of the most important people from his long life and who helped to shape him into who he is now: Guizhong.

-          She was one of the people who taught him that his heart is capable of more than just living for his duty, that he doesn’t only have to live as the God of Martial Arts – they were not just ‘brawns and brain’ – they were a team that complemented and completed each other

-          and Guizhong (and consequently her death as well) pushed him to embracer the other sides of his personality as well. It doesn’t matter whether people see their relationship as platonic or romantic, because the impact she has left on him is the same – as someone who believed in his gentler, more caring side

-          Zhongli is also incredibly thoughtful and perceptive, seen in the way he talks - a very refined and elegant way with every word laced by the wisdom he has accumulated without it being overbearing or coming across as absolute with no room for doubts - about various important characters in Liyue right now – accurately pinpointing their strengths and weakness and how valuable they are to making the land he has protected for so long continue to prosper

-          for example when he talks about the Yuheng and that despite, no, because of her abrasive attitude towards his deeds as a good she is a gem amongst humans and one of the many people he places their trust in to take care of Liyue’s future in his stead. Or Yanfei, the young half-Adepti who despite never having entered a contract with him, or rather doesn’t even know of his true identity upholds order and contracts within Liyue which he praises and values

-          It shows how deeply he cares about this land and its people, believing in their strength to overcome everything even without him – which is one of his most defining traits – seen in the way he has guided humanity all these years and in the way the people of Liyue have faith in him, a faith that isn’t blind or caused by fear like with Decarabian, but true respect for all he has done for the people of this land.

-          to say he’s a blockhead who doesn’t think nor care about humans is completely wrong because his entire rule for the past millennia was centered around protecting mankind – yes, it has to be said that his methods and morals are outside normal human values but it has to be kept in mind that he is an immortal god and gods neither feel nor live like humans, they understand and perceive the world differently than humans

-          gods stand outside out world and that makes it harder for them to truly connect with the way humans live - and it is only after stepping down from his throne that he actually has the chance now to try and experience the life of mortals for himself, to see and live it for himself and not as the distant overseer that Rex Lapis was.

-          and while he may feel sadness over not being needed anymore, giving up his godhood is the freedom he chose for himself, it’s something he deserves after watching over mankind for so long and trying to keep balance between the world or mortals and supernatural being

-          being free, being allowed to be selfish and think of himself outside of being a god is something he’d never done before being so incredibly bound to duty, contracts and traditions as he is; but by now he truly believes that this is the age of men as the end of the age of gods is coming to its end and it’s a beautiful thing to see him grow beyond the boundaries he had set for himself the past thousands of years

-          though in all fairness, sometimes our beloved Ex-Archon can indeed be a little of a blockhead considering he dumped the entire world of Teyvat into a financial crisis by stopping the production of one of the most important catalysts for everyday life – something that may not unfold its consequences immediately of course

-          – and even forgot to lay aside a private fund of mora but that’s because he isn’t accustomed to normal human life at all, he is still learning and more than willing to expand his horizon despite the vast knowledge he’s already accumulated over years of his life – and in the end that’s what makes him such a brilliantly lovable man, am I right?

[xenteaart]

You’re a Cat, Hargreeves

Pairing: Five Hargreeves x Reader

Request 1: Hello, so Five has been through a LOT in just two weeks, so can I request something where the reader and him have a bit of intimacy but are not together yet. Then something happens that is just the last drop to him and he shows up to the reader with red and glossy eyes and collapses in her arms? She just holds him (because boy, he needs it) and after a while he manages to talk about things letting his feelings for her slip in the process. Then she can just calm him down and make him feel loved.

Request 2: Could I request a fanfic where Five has a terrible day at the Commission or in the Apocalypse and at bedtime the Reader comforts him, and he suddenly becomes the little spoon for the first time? Idk I think it would be cute to see him shy and secretly liking

!!! Note: Since these two requests have a common theme of Five being stressed as fuck and having a breakdown I’ve decided to combine them. Personally I imagine this scenario in my Commission AU, HOWEVER, I intentionally didn’t make it very specific in terms of the circumstances so you can headcanon whatever u like <3 also sorry its not the exact scenario from your requests but i hope you don’t mind me taking some creative liberty.

also both Five and Reader are in their 20s here coz otherwise i’m very uncomfortable

massive thanks to @wonders-of-the-multiverse​ for helping me out with wording the physicality of certain things <33333

GIF: @maxiemayfield​

You’ve seen Five in many different states.

You’ve seen him anxious and spiraling, you’ve seen him furious and borderline insane; depressed and distant, lost and confused. At this point, you genuinely thought you’d seen it all but, apparently, you were wrong.

“I am just so tired.” Five whispered almost inaudibly with a sigh so desperate that it made your stomach turn.

“Hey, what’s wrong?” you asked, your voice small as you weren’t quite sure how to act yet.

He glanced at you, and you couldn’t help but notice his eyes glistening with salty wetness that was about to spill out and smear his frustration all over his cheeks.

You always loved Five’s eyes - his huge, almost puppy dog eyes that made you absolutely lose yourself in their depth. Whenever you looked into them, you saw wisdom, maturity, exhaustion and patience, dedication and passion, all at the same time. There was a whole other universe behind his blue orbs, and you admired it endlessly. Looking into his eyes right now, however, was nowhere near as exciting and pleasant. Instead, it felt like some strange and violent ache was gripping you at the very heart and squeezing it without mercy, and you winced at the sensation as worry and concern were uncontrollably blossoming inside your ribcage.

Five didn’t grant you with an answer, too busy trying to hold back his tears and clenching his teeth proudly as if there was any point at all.

You got up on your feet and approached Five slowly, careful not to freak him out as you were giving him the time to get used to your presence in his personal space. Normally, he wouldn’t mind yet you couldn’t tell if the same rules applied to scenarios like the one taking place.

“I’m here, yeah? It’s okay, you’re okay,” you kept repeating like a mantra as you pulled Five into your embrace.

He buried his face in the crook of your neck and you instantly felt your skin getting damp. In just a few seconds Five’s entire body relaxed into yours and he wrapped his arms around you tightly, finally letting go and allowing himself to have a proper cry. He hadn’t had one in years, and, by all means, he was entitled to this breakdown.

Most of the time, Five was the one protecting you - looking out for you and leading the both of you out of dangerous and potentially lethal situations. Not that it was a completely one-sided dynamic but it was true that you tended to rely on him quite a lot in times of crisis. Five was good in crisis, exceptional actually. He made decisions quickly and didn’t hesitate to do absolutely anything it took to achieve his goals, which, unfortunately, meant that he was often forced to make choices where humanity and ethics were no longer a top priority.

Despite all that, Five always seemed in control, and even when he wasn’t, you knew he’d get it back eventually. You had placed your trust in him at all times, and only now were you starting to realize that it must have felt like a huge weight of responsibility on his shoulders. Granted, he was objectively smarter and more capable due to his superpowers but he was still human.

Hearing Five’s hopeless and feverish sobbing was unnerving, and you could only imagine what was going on in his cluttered and clearly overloaded mind as he was bawling his eyes out with such raw and genuine fury. From the lack of a better idea you simply waited for Five to cry himself out, patiently holding him in your arms and whispering words of reassurance into the air, not so much out of hope he’d hear them and listen but more as a means of letting him feel you were still there.

“I’m so fucking tired,” Five finally uttered but his words rather quickly got drowned in his weeping. You still got the message, though.

“You deserve to rest, Five,” you replied, feeling your legs start to shake from the weight of Five’s entire body leaning on your form. As much as you wanted to stay like this for as long as he needed, you couldn’t exactly go against your evident physical disadvantage. Five was a heavy gentleman, after all.

“Hey, let’s move to the bed, yeah?” it was more of a statement than a question, so you stepped towards the bed suggestively, expecting him to follow you. To your relief, he didn’t resist and followed your lead right away, seemingly too exhausted to even think, let alone disobey.

Five’s body was limp from the absence of energy, all of which had presumably gone into crying, and he could barely manage to walk on his own, so you grabbed at his shoulders to steady him.

It felt like his physical self was now merely a vehicle with no pilot to steer it, and his mind was long lost someplace else.

As you sat Five down, you caressed his cheek with your thumb, wiping away the trails of his tears whilst also trying to gently break him out of the prison of his troubled and restless brain. To your disappointment, it failed to spark any sort of response.

Right in this moment, he looked almost defenseless. Sure, he wasn’t an incapable baby all of a sudden but he was relying on you, reversing your roles and putting all of his worries and pain on your shoulders, basically asking you to carry them for him because he simply couldn’t anymore.

“Fives. Fives? Look at me, please?” you called, trying to shift his attention to something on the outside because you knew it was the looking inside that pushed him to crumble.

“Focus on my voice, alright?” you tried to keep your tone as steady and stern as you possibly could because right now you were his only bridge back to reality.

You pressed your palms against Five’s shoulders and slowly climbed onto his lap, resting your weight atop of him completely and hoping the pressure of it would manage to snap him out of his almost delirious daze.

As your hand reached for Five’s, you placed it on your chest right where your heart was beating and said:

“Can you feel it? It means I’m alive, Fives. I’m a human and a consciousness just like you. And I'm never leaving your side, no matter the circumstances. You’re never going to be alone, I promise you.”

You took Five by his chin with your other hand and softly guided his gaze upwards to meet your own, noticing his red glossy eyes finally regaining some clarity. The very peak of Five’s episode had already passed, and, as he was coming down from it, he encircled your waist with his arm and let his head sink to your shoulder with his eyes closed shut.

Still sitting straddled across his lap, you brushed your fingers through his soft silky hair and began to massage his scalp in a calming manner, trying to release some of the tension and lull him further into peacefulness. As your fingers moved a little lower, you knew you’d hit the sweet spot because Five literally purred into your skin as soon as he felt your nails gently scratch at the nape of his neck.

“How many times did I say you’re a cat, Hargreeves,” you rolled your eyes at his reaction and couldn’t resist a wide smile as you buried your nose in his hair. Five hummed quietly, and it was the only response you were going to get from him, which, to be fair, was already a big improvement so you couldn't really complain.

“How about we get you into some comfier clothes, wash your face and then you can tell me all about what’s been on your mind, hm?” you proposed confidently, still holding Five close and practically enveloping him in your warmth.

Your every movement was saturated with such understanding and care that not for a split second did Five feel like his vulnerability was making him weak or unworthy. It was quite the opposite, and with each passing moment he was beginning to feel like you were only making him stronger.

He nodded at your suggestion approvingly but didn’t move an inch, and you took it as a hint that he needed a few more minutes of sitting in silence; the bridge of his nose pressed to your collarbone as he was still finding his way back into the present.

You didn’t mind at all.

[teatimeatwinterpalace]

I have two questions about Louis IV of Hesse I hope you might have answers to... 1. Did he have a close friendship to Fritz of Prussia? Despite politics? 2. Was he really as... well, stupid as many tend to believe about him? Or so called ”handsome, but not very intelligent”.

Hey! First I just want to say that we have few materials in English on Louis, Fritz (& Alice tbh) but here is my two cents.

Concerning Louis and Fritz, I would say they did have a close friendship. They fought on opposite sides during the Austro-Prussian war but that didn't seem to have dampened their friendship. Tbh every relationship has its ups and downs. Fritz didn't approve the marriage between Louis of Battenberg and his niece Victoria. But overall I think they remained close. Louis was in the adjacent room when Fritz had his tracheotomy in January 1888. And when Fritz died, Louis stood by Vicky's side. In one of his letters to his sister-in-law he wrote: 'When I can do anything to propagate Fritz's views I will do so'. After Louis' death in 1892, Vicky wrote to her mother: 'only Louis to whom I could talk, & who understood & who could share many of my feelings & fears'.

& look at these dorks...

Regarding his “lack of intelligence", I think this belief comes from a letter written by Alice in October 1876 :  

'I longed for a real companion, for apart from that life had nothing to offer me in Darmstadt. I could have been quite happy and contented living in a cottage, if I had been able to share my intellectual interests, and intellectual aspirations with a husband whose strong, protective love would have guided me around the rocks... So naturally I am bitterly disappointed with myself when I look back, and see that in spite of great ambitions, goo intentions, and real effort, my hopes have nevertheless been completely shipwrecked...' ouch, however she continues saying: 'I love you too so very much, my darling husband, that is why it is so sad to feel that our life is nevertheless so incomplete - and sometimes so difficult.'

Scholars then assumed that the clever Alice was trapped in an unfulfilled marriage with a dim husband (Jerrold M. Packard is particularly hard on Louis). I think it is reductive.

Let's add some context: the Franco-Prussian deeply marked Alice, she had gone through a spiritual crisis. In 1873, their youngest son, Frittie, died when he fell from an open window in Alice's bedroom. I can't even fathom the guilt and anguish that Alice must have felt. They both responded differently to grief, Alice wrote to Louis: 'The wound... is not yet healed... I sometimes need to talk about it... But I don't do it with you - I know it hurts you.'

I see a woman with great depths who had gone through many trials and who had been married for fourteen years. Fourteen years... Marriage brings its fair share of challenges. When she wrote this letter, she clearly felt discontent and melancholic. She yearned for a sort of intimate intellectual companionship that perhaps Louis was unable to give her. However, it would be wrong to say that because of this, Louis was as dry as dust. And the fact that she was even able to share these thoughts and feelings with Louis says a lot about him.

+++ the last quote of Vicky above, shows that she held him in high esteem. Coming from Vicky, it means a lot. She was clever as hell and she despised medriocrity. She wrote this after his death so there is a kind of pathos in her words. But Louis was very much aware of what was happening in Berlin with Bismarck and his clique!

[cookinguptales]

arciam said: I really mean no offense, and I've definitely made the mistake of taking comedy shows way too seriously in the past, but if people really look at WWDITS (of all things) as "YES, this is the show that is finally going to adress my terrible religious upbringing and be real cathartic and healing about it" then they're truly setting themselves up for failure in a major way.

--------

Gonna be real with you, if you feel the need to preface your reply to someone with that much “I mean no offense BUT”, you might want to reconsider hitting send. Because whatever you’re saying is probably going to annoy the shit out of them.

That said, I’m gonna choose to respond to this in a constructive way.

To start with... just about every show about vampires has a cadre of fans who watch it specifically for that reason. I’m not going to write you a whole academic paper here (partially because people have already written hundreds of thousands of words on this exact subject) but yes, queer people and those who have distanced themselves from mainstream religion often see themselves in horror and monstrous characters. Vampires are a particular focal point for these groups, partially because vampires do set themselves in direct opposition to Christianity -- something that’s been displayed many times in this show. I’d go so far as to argue that it’s one big reason Guillermo has fixated on vampires. I think he’s built up vampires in his head as “these creatures are everything I am not but everything I want myself to be” and the way they run counter to his religious upbringing is part of that. I’d offer up my evidence, but being real, I don’t really think you care.

The fact of the matter here is that we have a comedy show that has repeatedly brought up religion, particularly Catholicism and New Religious Movements, as something that can be very harmful to vulnerable people. (Like children or vampires going through a midlife crisis.) It has used this even in episodes that are designed to further character development and, yeah, invoke feelings in the audience. I don’t think it’s shocking that people then expect those ideas to carry through to the rest of the writing, especially as the show has started to take its characters and their emotional problems more seriously.

Honestly, I think it’s depressing that there are people in fandom who see people actually emotionally and intellectually engaging with media as a bad thing. I don’t see the point in going up to fans and telling them that you think they’re getting too invested or that they’re dumb for expecting more out of a show they love. I do not expect a show like WWDITS to be therapy for me -- that’s what I pay my therapist for. But it’s also fair for fans to discuss missed opportunities and anger towards the writers when they say things in interviews that are rooted in homophobia. Obviously queer and ex-religious fans are going to feel this more keenly, especially when the show has loudly and explicitly positioned itself as a welcoming environment for people who are queer and/or questioning religion.

I don’t think you’re actually here to discuss these topics; I think you’re here to leave a really condescending reply in someone’s inbox. Your motivations are your own, I suppose. But it’s not a bad thing that other people are considering these ideas, nor is it silly for fans to feel upset right now.

I have expected from WWDITS exactly what it’s given me. But yeah, I do expect quite a bit more from its IRL writers.

[viridiave]

NARUMITSU <ATTEMPTING TO READ THE SUBTEXT PLATONICALLY>

*Wrote all this some time last month so I might be off- really really off- also full disclosure I too am a Narumitsu shipper- this is just me giving myself a bad time doing the impossible and having fun XD

-I am going to fail sooner or later. Looking at you, Bridge to the Turnabout.

FIRST GAME >Turnabout Samurai -Yep. We're jumping right in with 'unnecessary feelings'. I'm going to be put on a stake for this. -This is going to become the main argument with any and all homoerotic subtext present in the first game- that it was unintentional. They didn't actively start making it gay until the second game, and even before then the producer for the games had to warn the development team not to try and insert these themes for fear of getting it wrong and lose the fanbase they'd accidentally caught the eye of. I can still create arguments for why this specific, hilariously meme-able line could be read romantically of course- but as far as the game development team at the time was concerned this interaction was never meant to be read as romantic. -Unease and uncertainty are... very valid feelings for Edgeworth to feel at this very moment and as much as I'd like to joke that he was feeling uncertain about his sexuality after seeing his childhood friend as an adult, this line was really just likely meant to lead up to the conclusion of Turnabout Goodbyes and Edgeworth's character arc for this game. His perfect win streak had just been shattered in a case prior. In this case, he was meant to persecute the lead actor of his favorite show- and in some ways his helping the defense can be taken as his biases getting the better of him. His sense of justice and his entire worldview is about to be overhauled, and I can see how he would regard this budding doubt in himself as an unnecessary (heh) distraction from what he believes is his true purpose in life.

>Turnabout Goodbyes -Edgeworth wanting to keep him away from DL-6 has its own section mostly because of how stubborn he becomes when it comes to Phoenix's insistence in particular. It's clear that this stubbornness is a front, I will concede with that- but there are merits to his initial reluctance in accepting Phoenix's defense. It's evident that Phoenix himself has grown over the course of the game so far, but in both of the times that he faced off against Edgeworth in court, his victories were... a tad bit contrived. For instance in Turnabout Sisters, Phoenix really only wins because Mia was being channeled and blackmailed White as he was about to leave the stand. Turnabout Samurai is a little better- but had him rely on quite a lot of coincidences (proven later to be substantiated) that surfaced during the trial. This is nothing to say of the deeper reason Edgeworth has over dissuading Phoenix from taking his case ("You in particular I cannot ask to do this.")- where I can make an argument for his pride and/or concern over Phoenix's career as an attorney. The stakes are relatively high here as well- if Phoenix fails, Edgeworth is incarcerated, Manfred von Karma goes free, DL-6 goes cold once again with no hope of getting re-opened, and everything that Phoenix has been working towards as an attorney would have been in vain. DL-6 is a case that has ruined many lives- it'd make sense if Edgeworth himself felt as though it would be a waste of time and effort to take this case because of how convinced he was of murdering his own father prior to Gourd Lake. He'd grown up for the past 15 years with a nightmare and a death sentence over his head- I wouldn't be surprised if he simply gave up and accepted that he was going to die at the hands of his prosecuting mentor. Even if he were acquitted for the murder of Robert Hammond, his perceived involvement in DL-6 would have thrown a wrench in his freedom- any lesser attorney would have given up on that. And this is unloaded BEFORE Phoenix tells him about the true reason as to why he became an attorney. -Phoenix's insistence to defend Edgeworth in this case can easily just be read as platonic- his complete, unfettered faith in Edgeworth's innocence is heavily influenced by that class trial, for better or for worse. While I'm perfectly happy to imagine that Phoenix's attachment to his idealized version of Edgeworth grew into something deeper sometime in the fifteen years that he hasn't seen him, I do believe that Phoenix in particular really is just that much of a sentimental person. This is to say nothing of his nature as a defense attorney- and what little time he's managed to spend with Mia has taught him that unbridled trust in his client is what gets him through the day, and he's putting it to practice here. Edgeworth was what he has been working towards the moment he decided he would practice law- as Phoenix at this point in time still believes that he could do no wrong despite seeing what Edgeworth is truly like in court. -Cutting into the meat of Phoenix and Edgeworth's shared past, I made a point earlier to say that Phoenix's perception of Edgeworth as a person is idealized. Every memory that Phoenix has had of Edgeworth prior to the events of the first game were from their childhood- and they had 4-8 months (plus one year if we're generous with the retconning some of the official art gave us) MAX to develop a friendship so strong that Phoenix makes major life decisions just to meet with this man. The fact that this time spent together was ENOUGH for Phoenix in the first place is... really hard to skirt around. To quote Dan from GameGrumps "this is something that you would only do for someone you're trying to marry" and if one of them was a woman I guarantee this ship would be canon already. But then again- since this is Phoenix Wright in particular somehow I can believe that he really is just that sentimental- and that isn't always a bad thing. He'd managed to save Edgeworth twice with this conviction after all. When Phoenix sees Edgeworth, he doesn't see a demon prosecutor, he sees his childhood friend who aimed to become a shining example of justice following in his father's footsteps. They address how shaky his foundations for becoming an attorney were in the Phoenix Wright Files once actually- going through a mini-existential crisis because he'd become an attorney with the main goal of saving Edgeworth from what he'd become, and now that he's accomplished that he's just kind of... lost. Edgeworth himself manages to pull him out of this, though. -man that hurts my case a lot actually but to be fair I was banking on failing -I just didn't expect it to happen so early even with the first game -in fact ESPECIALLY with the first game -though I cannot for the life of me wonder how I can come up with a heterosexual explanation for why the buildup towards Edgeworth telling Phoenix and Maya about his nightmares reads so much like a stunted love confession. I'm serious- just read any high school shojo manga ever. You'll find that it hits a lot of the same beats.

>Rise From The Ashes -It's in this case that we observe some of the consequences that the intial upheaval of Edgeworth's worldview in Turnabout Goodbyes causes him; distrust in the enforcement of the law. Not exactly the time for him to be dabbling in another, meme-able brand of unnecessary feelings. Several things like the Prosecutor's Office's relationship with the Police Department starts to waver with the murder of Bruce Goodman, and this becomes the final nail in the coffin for Edgeworth's worldviews and values as a prosecutor. His and Phoenix's teamwork in this trial becomes prevalent- the story behind the King of Prosecutors award represents this best despite it's currently incomplete state. The backstory behind this award paints an ideal of justice in the courtroom wherein the truth comes out as a result of the efforts of contradictory forces. A broken halberd that can cut through any shield (the prosecution) and a broken, unbreakable shield (the defense). Read as representation the text becomes something of a metaphor for the ideal justice that manifests itself in the best parts of Edgeworth and Phoenix respectively- the duality of their opposing professions rather than something that is limited to their relationship. -The same argument that I've used for Phoenix's unwavering belief in Edgeworth's innocence in Turnabout Goodbyes can be used for this case as well. -Though Edgeworth still goes M.I.A for a year after this case, it does grant his disappearance a bit more context as to why exactly it is that he left- and I'll be taking a tiny liberty with this and apply the interpretation that the Miles Edgeworth Files grants us, and that he left in order to better himself and grow as a person, a prosecutor, and as a friend to Phoenix Wright. It's... difficult for me to want to read this as anything but romantically-charged because the narrative beats are NOT lost on me (the dialogue makes this especially hard. send help.)- there's a possibility that Edgeworth at this point in time realizes the value in having a better, more functional dynamic with the one defense attorney who he considers a true equal in court. This dynamic will allow for less chances to encounter missteps and errors in any verdicts handed down in court, and if Edgeworth is to pursue his ideal of justice- Phoenix Wright is undoubtedly essential to this endeavor. The aftermath of Rise From The Ashes is indicative of this newfound goal of his- the symbolism behind the old King of Prosecutors award and the two halves of the evidence list certainly helps this case. -<"It seems all you do is worry about me." -Miles Edgeworth, Rise From The Ashes> For good fucking reason Edgeworth. You were accused of murder and have implicated yourself on the stand for DL-6 just a few months ago- and if the Investigations games are anything to go by, you're more of a danger magnet than PHOENIX is. I had to say it. The first Investigations game takes place over the course of 2-3 days and the sheer amount of shit that Edgeworth had to deal with in between that interval truly makes me wonder how Phoenix Wright ended up with the title of danger magnet. And THIS time- Edgeworth's car becomes a crime scene because his corrupt superiors needed a convenient way of transporting a corpse. There's VERY good reasons to worry about the livelihood of Miles Edgeworth. -Okay I... can't believe I forgot about the chessboard. Here's the kicker- the one we see from his office isn't even the only one he owns. I... legitimately cannot give you ANY purely heterosexual, platonic explanation for why Miles Edgeworth has THREE (THREE. I CANNOT OVERSTATE THIS. HE HAS T H R E E OF THESE FUCKING THINGS. GOOD GOD. HE CAN'T BE ANY MORE EXTRA.)(there exists a similar, portable set in the Investigations games- and he has a new set by the time of Dual Destinies) sets of custom-made chessboards with personalized, highly-specific red and blue designs made purely to depict his rivalry with Phoenix Wright. I fold. I give up. I forgot about the chessboards I wAS NOT EXPECTING TO FAIL THIS E A R LY- -You know what the real kicker is with Rise From the Ashes? The main argument that I have introduced back in Turnabout Samurai does not apply here. Rise From the Ashes was made as a DS-exclusive case and did not exist in the original GameBoy version of the Trilogy. Which means if there is homoerotic tension written in for this case (and there happens to be a lot. the chessboard is proof enough.), then we can safely assume that the writers at this point were well-aware. So yeah- maybe don't feel TOO bad about the unnecessary feelings line- because ever since then the writers have been playing off of that and it SHOWS. -Is there really a point to this I'm just- everything is stacked against me tryna interpret this platonically -Like I know I make a point to say that a romantic relationship isn't the end-all of all relationships because this franchise LOVES pushing the Found Family dynamic and I'm an absolute sucker for that -good god by the time Dual Destinies rolls around I'll probably just give up and happily say they're happily married -that's literally what they act like don't even pretend