#its not 2 am but whatever

[unknownhyperial]

The day I start taking man juice (testosterone) is the day it's over for all of you /silly

[hinamie]

10 years later

[rapidhighway]

the thing that caused me so much grief last night but now i feel better about it fdnghgdfggd

[heartorbit]

happy halloween! 🎃🐈‍⬛👻🐇

[rink3]

turn back now. save yourself.

[og reddit post]

[puppyeared]

good morning sifloop nation

[mossy-aro]

ultimately i think my insistence on aro positivity honestly is as much a political stance as a personal one.

when i say aro positivity is crucial and that i dislike doomer-ist posts that express sentiments like 'I hate being aro so much I wish I was dead instead’ it's not because I don’t think there can and should be a space for negativity and acknowledging self-hate, or the many ways being aromantic can really suck sometimes. i find that to be very important!

that being said. there is smth here about how self-hate posts are sometimes just arophobia that we inflict on ourselves. and when we put that out into the ether it (intentionally or not) can become arophobia that we inflict on other members of the community. i think there absolutely needs to be a place for negativity and the expression of anger and frustration and self loathing even - these are all good things to talk about because these are things that we experience. that being said, it can also be genuinely upsetting and triggering to people to have what is essentially arophobia shown to them and then have that be validated by other aspec people. your personal thoughts can affect your wider community on a level you may not anticipate. and i understand it i truly do! it took me so long to be able to recover from accepting being aroace - it threw my entire world off kilter and made me question everything about my place in the world.

but my insistence on aro joy and positivity is because ultimately i do believe that building is at the core essence of it all. that ultimately discussions and the purpose of community should be about construction, not destruction. and this is both a personal and a political stance. talking about how much you hate yourself and cultivating online discussions/spaces where negativity about aspec identity is the main and only theme is destructive - if that’s where we let the conversation end. these thoughts can and should be used as a vehicle to look for a path forward!

joy and positivity create a space where the focus can become on forging a path forward, on construction, on community building instead of tearing ourselves and others down with negative thoughts. it’s not productive or healthy when it stops at a place of negativity - it becomes actively destructive to the essence of community.

and i do think that this is especially poignant considering the fact that being any kind of queer, but especially aromantic (and/or asexual) means forging a path for yourself and making your own happiness where there is no obvious way forward. our communities exist mostly online (right now, anyway), there is little recognition of our existence in the real world, the effects of amatonormativity are both pervasive and actively dehumanising, and there are legal, economic and social structures in place actively making our lives more difficult. yes that all sucks! it’s good to acknowledge that. we need to in order to change it. but more importantly, that’s not the end. we are still here and our happiness, our future is for us to determine. even if we can’t change the laws or society, loving yourself and understanding aromanticism as a political identity (as well as personal), as a radical worldview, and as a protest against amatonormativity is essential for both community and personal well being. the personal is political.

tldr. i guess my point is that as a community, we should focus on building, improving, and nurturing ourselves and each other (construction) as opposed to destruction. we should recognise aromanticism and asexuality as political identities as well as personal ones and rely on community and self-love in the absence of anything else as a form of protest and political power. destruction (the recognition of everything that is wrong) is essential as a starting point - but where do we go from there? we rebuild.

[bloominglegumes]

i lied in my last post i have more rung. i'm thinking about old doctors and being cared about when you're not needed and more robot hugs

[fruityumbrella]

one piece is set in a nautical world with presumably nautical idioms and exclamations to match, right, like swearing by the sea rather than on a god etc. to wit, there's five seas (the four blues + the grand line) so we can assume when you're feeling particularly dramatic, you might refer to all those vast oceans to get your hyperbolic point across.

keeping that in mind, lets live in a stupidly romantic corny ass world for a moment ok? take my hand.

"I swear on all six seas, if you don't shut the fuck up right now—"

"What?" Sanji looks at him like he's stupid. Nothing new, really.

"Ha, even you're going deaf having to listen to your own annoying ass whining all the time, Cook. I was—"

"No, you—"

"Don't interrupt me! Oi!" he yelps as a wooden spoon bounces harmlessly off his shoulder. He's not impressed that Sanji manages to catch it before it hits the counter.

"You said six seas," Sanji states.

Zoro stares back in lieu of an answer.

"Huh, maybe this has something to do with why you're always lost. There's only five seas, dummy."

And ah, now he gets what the idiot cook is on about. He's surprised and a little disappointed, honestly. You'd think the guy would be a little more aware about his own fucking dream, but whatever. He's got that annoying smile, smug and cocky like he's oh so much better than Zoro.

"Would you like me to count them out for you? I know it's a big number, it's probably confusing for a simple creature like you."

Zoro crosses his arms in clear warning, something the cook, as always, blatantly ignores. He's leaning on the counter that's between them now, eyes sparkling with glee. Idiot. Zoro's thoughts do not have a fond tone to them. Thoughts don't have tones at all, thank you very much.

Sanji lifts a hand and proceeds to count off on his fingers with the precision of a drill sergeant.

"I'm sure you at least know our ocean, the East Blue. There's also the West Blue, North Blue, South Blue, and of course the Grand Line," he wiggles all his fingers as he puts his thumb up for the last one like he's emulating fireworks.

Zoro snorts indelicately. "And?"

Sanji frowns with a tilt of his head.

"And?"

Zoro holds up his index finger.

"And," he says, stifling his amusement as Sanji goes cross eyed trying to follow said finger as it arcs towards him, "your All Blue. Dummy."

He punctuates the last word by poking Sanji in the forehead, snickering when he sputters and swats the digit away in a huff. Then Zoro's words finally sink in, and he straightens up almost too fast. It's not endearing at all.

"Wait," he says quietly, "you count it?"

Zoro doesn't like how Sanji's looking at him with an open expression he's not usually allowed. He looks earnest and sincere. Zoro feels suddenly out of his depth.

"Don't you?" he deflects uncomfortably.

"Well yeah, but that's different. You're—" he shrugs half heartedly and looks away. Zoro can't tell if the end of that sentence was going to disparage him or the cook. Odds are likely split down the middle. Sanji keeps looking at him, and he feels pinned. The bright look is gone, replaced by something more reserved but perhaps...searching? Considering, at the least. It's making him increasingly self conscious. He needs to get out of here.

"Okay. I'm gonna steal some alcohol now," he says shortly, striding to the cabinet and swiping a bottle before Sanji blinks out of his stupor.

[archivebottles]

some splat doodles in between doing a bigger project for an irl thing

[IMG ID: Three images of various Splatoon characters. Image 1 features Shiver and Frye in alternative detailed outfits reminiscent of their in-game outfits. Shiver is holding her fan and Frye is grabbing her own arm.

Image 2 is a few various drawings of Frye. Top left is her as the 'sitting cutely' reaction image. Top right is tiny Frye dressed as a 'portly little sailor boy' with a lollipop. Bottom left is a tiny Frye doing a peace sign and bottom right is Frye when she sits down in her splatfest performance doing the finger gun pose.

Image 3 is a page full of Marinas plus one Pearl. Left is a fullbody of Marina in coveralls and a tanktop with gloves and a wrench in her pocket. Upper right is a drawing of Marina welding on the ground and kicking her legs. Below that is Pearl and Marina doing the tongue out hands on head anime pose with the label on Marina saying 'built a pipe bomb.' Pearl's label says 'funded it.' /END ID]

[buwheal]

Hello, Spamton!

How's life? Also, do you have any opinions on the Addisons? (Pink, blue, orange, and yellow)

If so, what do you think of them?

[thatqueerbat]

aabria. your mind.

i don't know how long a gap there is between episodes. but how long did she have to create a player has died mechanic?? how long did she have to rewrite this island to make sure it could bring evan back to life????? how did she have fulfilling answers to everyone's questions when they're all so different and broad and needed meaningful answers?????

and How On Earth Did She Already Have Jammers Sock On Hand ??????

[hinamie]

long way home

[bitchthefuck1]

It's kind of funny that Kendall and Shiv are both equally delusional about their ability to charm people for business and somehow think they can do it even though they choke almost every single time, whereas it's like the one thing Roman is consistently good at despite being the "least legitimate" option.

I think part of this comes down to the fact that Shiv and Kendall both have very clear ideas of the versions of themselves they're trying to be and the images they're trying to project, and they're trying so hard to be seen that way that they end up coming off as a little desperate and off-putting. Meanwhile Roman "knows" that there's something wrong with him and he's worthless, so he doesn't get sucked into the trap of trying to force people to see his idea of himself and instead molds himself into whatever he thinks the other person wants from him because that's the only way he can compensate for "being him," which works very well in the short term but also means he's the least capable of maintaining any relationship for very long because he has no sense of self.

[dandelion-roots]

[Image description: a digital drawing of sklonda and pok gukgak from fantasy high, two goblins with shoulder length straight hair and short curly hair, respectively. they're touching foreheads and embracing, both of sklonda's hands in pok's hair, while one of pok's hands is moving sklonda's bangs off her foreheads and the other is clutching at her waist. we only see sklonda's face and the look of silent grief on it. in the background on pok's half is a stylized dragon's mouth with teeth digging into his shoulder, and on sklonda's side are sheets of paper. over the background on the left is text that reads, it's okay, and then on the right side in brackets it says, (it'll be ok). End image description]

[applestruda]

The last life