#its more like my avatar character than an oc but

[lalala-hyuponia]

::Hymn Reverse::

[illarian-rambling]

Hopping on this tag from @happypup-kitcat24 :)

OC Assumption Tag

Share one of your characters' name and a quote from them with zero context and let your followers (or other people who stumble upon your post) make assumptions about said character. You can post about more than one character but only one quote for each one for things to stay out of context.

1) Izjik Meautammera

“My name is Izjik Meautammera and I’m not at all wanted by the wealthy Devaris family of Unity. They won’t give you money for my safe and unconscious return. What I am is End’s avatar. It speaks to me, it controls my actions when it wishes. I have killed spirits and Chosen under its command. Immortality shatters beneath the stone of my washava. I have come here to ask for your help in our ultimate endeavor; destroying the gods and all life on this planet. You, your kid, your dog—it’ll all be dead and gone. So, who, uh, who’s with me?”

2) Sepo Kaiacynthus

“I expect you to fight to the bitter end if that’s what it takes, because you might love your husband, your son, but the people on that ship are the reason I’m here today and if your impatience costs them their lives, then believe me when I say I will turn that city down there into a fiery crater when I rip this damn island out of the sky!”

3) Twenari Undetasib/Devaris

“Something to do with gravitation runes and the density of air. It’s brilliant; they combine the magical with the mechanical and get a miracle. Gods, if I could just get a peek inside one of those fans….”

4) Djek Kagura

“Look, my point is, it’s hard to trust a bleeding heart. You figure that you’re too weak for this world, too sensitive, so you get in tight with someone who knows their shit. Someone smart enough to tangle with society and come out on top. You trust them to make decisions for you because they know better. They’re harder, more practical; they don’t balk when there’s bloody work to be done.... The first step in doing good is to let go of those people. You have to learn to listen to that bleeding heart of yours. It’s not soft, it’s not weak; it makes you who you are. A good woman. One who now has the opportunity to go out and make the world better.”

5) Astra DuClaire

“Nah, but I’ve been listenin’ in on your little chat with my friend here. I know I got you real worried ’bout how I figured out how to preserve a mind and you didn’t. And you’re right to worry, which is why I said it before, but all good messages bear repeatin’, so I’ll say it again. I am better than you.”

6) Mashal Darezsho

“I don’t care! I don’t care if you think I’m nothing more than a stepping stone on your path. I don’t care if you don’t think about me at all! But you will come out here and face me, gods damn it! And I’ll make sure I’m the last thing that ever crosses your fucking mind!”

7) Ivander Montane

“I didn’t come after the Surgeon out of the goodness of my heart. I… I didn’t come here to solve your murder or bring anyone to justice. The Surgeon can strip the magic from a sorcerer. I’ve seen the bodies with my own eyes—yours included. I came here hoping he could take the godly magic from me. ...I told you, I’m a selfish man.”

8) Elsind Cavernsight

“I forgive you, too. Just by knowing you, I can tell that your father was a good man. Not a good ruler maybe, but I can honestly say that I believe both of you did the best you could within the system you inherited. Very few nobles I’ve met were ever so, well, noble.”

8) Avymere Spearsong

“We are not retreating. The longer we take to act, the longer the people of Salis—of all of Skysheer—are held in Vermir’s grasp. Every second we waste means the death of another sorcerer whom it is my duty to protect. We push on.”

I like games like these, so ima call all the homies! Consider yourselves no pressure tagged ;)

@amandacanwrite @elsie-writes @riveriafalll @kosmic-kore @kaylinalexanderbooks

@bard-coded @carrotsinnovember @patternwelded-quill @somethingclevermahogony @whatwewrotepodcast

@the-angriest-author @mk-writes-stuff @frostedlemonwriter @vyuntspakhkite-l-darling @watermeezer

@leahnardo-da-veggie @mr-orion @televisionjester @ray-writes-n-shit @evilgabe29

@trippingpossum @tragedycoded @halfbakedspuds @ominous-feychild @cain-e-brookman

@wyked-ao3 @thecomfywriter

[atlaculture]

hi, i don't know if you answer these types of questions but i wanted to ask that is there a way i could make my oc who's ethnically (african-american, afro-bahamian and ashkenazi jewish) a bender? i first thought of her as a waterbender, but because the water tribes are based on arctic communities i don't think it works. is there any option that would work in this case?

Personally, I'm of the opinion that our OCs can be from any nation, regardless of where we draw our cultural inspirations from. With this current Avatar renaissance, the franchise is taking in even more varied sources than the original 2000s show.

@jasmine-green-t has an amazing post about how the four elements system would coincide with different African cultures and beliefs:

https://www.tumblr.com/narrativelysignificantturtleduck/744626586736869376/this-is-a-really-cool-post-and-ive-had-this

I suppose my approach to introducing new cultures into the series would depend on the nation...

Fire - One of the Fire Nation islands has a culture that's more isolated/unique compared to the Chinese/Thai culture we see on the "main" island. Example in canon: The Sun Warriors.

Earth - Similarly, the Earth Kingdom is such a large landmass that an isolated area with its own distinct culture separate from the rest of the EK makes perfect sense. Examples in canon: Kyoshi Island, Song's Village, the Si Wong Desert, etc.

Water - The Water Tribe has settlements all over the globe. The settlements end up developing cultures that are very different from the arctic traditions of the poles. Example in canon: The Foggy Swamp.

Air - The Air Nomads take inspiration from different Buddhist traditions and religious sites, rather than a specific country's practices. However, your character could be an airbender with Air Nomad ancestry, without necessarily being involved in the Air Nomad culture/practices. Example in canon: Korra Season 3.

Like what I’m doing? Tips always appreciated, never expected. ^_^

https://ko-fi.com/atlaculture

[dekarios]

tagged by @arisatominakos to do this lil poll...!!

pick your favourite ship featuring at least one oc of mine :3 i am literally only including my two primary afhiri ships because i think this is a fucking war because i have friends who rlly don't like one and adore the other and theres some clear bias shit going on so I WILL MAKE THEM FIGHT. under the read more is some info about both ships and the characters :) candor is ofc another oc of mine and gale is. mr dekarios

i will not be tagging anyone because this kind of embarrasses me.... LDKSJFSDF wait i lie i tag @aeducanthaig @roseeway i know who null will vote for actually... IF YOU WANNA DO THIS CONSIDER URSELF TAGGED PLEASE!!!!! this is such a good idea i'm just a twit

afhiri is my sweet lil bardic clown tiefling that i feel like everyone who follows me knows intimately by now SL;DFKSDF ... if you don't know much about afhiri.... afhiri is very silly and very sweet, uneducated and purposefully pretends to be much more immature and childish than they actually are because they are quite literally trying to relive their childhood that was stolen from them! they don't like responsibility or emotional conflict! they do like to sing and dance and have fun :3

candor is a solar angel who acts as a steward and avatar for lathander and is very calm and collected .. stern, sotic, quite dry and humourless.... is undergoing a self imposed exile because it feels like it failed lathander (it literally didnt). believes wholly in honour and duty and justice, is absolutely full to the brime with affection and love and shows it wholly through loyal devotion and service .

candor finds afhiri during the exile and decides to protect her from herself (and her wild magic) . candor fully believes they are soulmates and when candor was created at the beginning of the universe it was created with a missing piece, and that afhiri is that piece ..... also candor is 10ft tall and afhiri is 5ft tall so like. :) they are extremely gentle and sweet together. afhiri is not a calm person at all and is quite against anything that tries to get her to be srs at any amounts cuz it frightens them. but candor is different. candor threatens everything afhiri is trying to build (running away from themselves and what they were forced to become for their family) but afhiri doesn't run from candor.... it is security, it is safety. it is ok to be their entire self around candor. candor leaves at the end of the game feeling worthy of returning to lathanders side, and promises afhiri that when she dies, it will guide her through the upper planes and they will spend eternity together

afhiri x gale is super funny to me i rewrote canon a bit with it so picture this . wyll and karlach are partners in my canon, and afhiri is acting as a sort of replacement for karlach in intimacy between the couple . gale sees this as afhiri being a third partner in the relationship and grows jealous because he likes afhiri and believes he could be better for her so the act 2 scene is him confessing his feelings and asking for her to give him a chance because he knows they'll create beautiful magic together.. and afhiri laughs in his face cuz she's just fwb with them man. god gale ur so silly. i like silly. mwah mwah anyway that's how that relationship starts. i like afhiri x gale because to me its about keeping gale young... she is fun and full of energy and life and gale has kept himself locked away for a year to wither and wilt and afhiri is a burning sun who makes him feel alive ... this relationship ends up quite toxic however, a certain event happens that causes gale to kill afhiri (and candor gets involved its a whole drama) and gale feels so much guilt and fear at the realisation of death separating them that they have limited time hes back on his god bullshit ^_^ though it's not all bad. in my canon afhiri and gale ascend together and candor and afhiri are reunited in the upper planes but its a bit different :) (candor isnt happy, but devoted itself to afhiri instead of lathander all the same) .

as u can see afhiri x candor and afhiri x gale has quite a lot of overlapping and theres some poly stuff going on here i could talk about it forever.....

[anneapocalypse]

Actually that poll brought up a lot of things I think about a lot so I'm making this its own post. There's definitely something about how much players are seen AS their characters in FFXIV that is distinctly weird to me. There's so much more blur between character and player (or at least, the persona of the player).

My FC mates mostly call me "Ari" and not "Anne", though they know I'm Anne, and it's fine, I've said I'll answer to both because it's just so much the culture of the game it feels like fighting the weather to ask anyone not to call me, the player, "Ari." Though even shortening my character's name to a nickname is, for me, a subtle way of distinguishing between the two. I know most of my FC mates only by their character names.

I've also observed that for many people, especially those who are not heavily into transformative fandom stuff like fanfiction even if they RP in game, a lot of them seem to treat their characters more as avatars than like, a true fictional character who is not them. I've witnessed a lot of people get into sticky situations with romantic relationships because the line between RP and real life was unclear or there were disagreements about it. I've seen conflicts arise because a player didn't disclose whether their gender matched their character's gender, and disagreements over whether that is deceptive, even if the relationship is purely RP.

And whatever self-inserty qualities Ariane may have, admittedly more than most characters I've played in RPGs, she's still as much a fictional character to me as any other. She's not me. She's a fiction. She's a story I'm making up.

I feel like some of this arises from the fact that, unlike on tumblr or AO3 where we can clearly see the author (or at least the author's persona) apart from their fanfiction and fan art and OCs, when you meet somebody in an MMO, they are necessarily filtered through their character and it's very difficult to separate the two without moving out of the game to get to know them on another platform. This is perhaps why I find it very difficult to make friends in the game, and find it much easier to connect with fellow players on other platforms, like tumblr.

It's a weird thing for me to navigate, personally, because it's just so different from my experiences in single-player RPG fandoms.

[shallow-life]

Let’s have a good look at a scene Lily has written. Something newish, that’s NOT the cursed pony fic or her Avatar OCs, or her totally not incestuous OCs. Or even The Sith Resurgence. Because people have already talked about those. Let’s talk about her Baldur’s Gate fan fiction titled “Hand in Hand”

As of writing this it sits at four chapters and is meant to be a novelization of the game. It’s also meant to focus on the “platonic but deeply intimate” friendship between Imoen and Lily’s player avatar Aryana Tabonive. (yes, the infamous married siblings)

The scene I am going to focus on is at the beginning of chapter 4: You’re Gorion’s Daughter.

The set up is – after a Misson for the mayor of a village. Ayrana and her companions (Imoen, Jaheria and Khalid.) have arrived at an Inn. Only to find someone has tracked them down.

For ease of reading – all Lily’s writing will be in italic and my notes about why the scene doesn’t work are in red. There will also be a TL/DR at the end.

First thing :

Here is the scene without my breakdown:

Now Let’s begin…

The two of them stepped out of the Town Hall, heads held high and spirits slightly higher. Even if Aryana’s back was still a little sore and her to-do list now longer than she was expecting. They collected their payment from the priests. Nine hundred gold pieces, and an extra four hundred for their diligent work. Then with smiles on their faces they headed right for Nashkel’s inn.

However, the moment they stepped inside, a woman at the bar got up and made a beeline straight for them. 

The problem with this set up is the framing of the scene. The woman just walking up to them and the whole thing just plays out in the doorway. 

I get that it’s part of the game. Older RPGS will often have characters run up to the player to deliver quests and such.  But this is meant to be a novelisation, which is different from a game. there needs to be more inaction and more to the set up.  Especially because this woman is going to become a threat to Aryana.  

The woman also needs a bit of a description – at least a few details so she feels like an actual character and not a blank slate.  

“Just fancy my luck seeing you stroll in here, bold as day! I expected a hunt and a chase from the description,” she said with a chuckle.

Aryana frowned. “Can I help you, ma’am?”

A grin that could only be described as manic grew on the woman’s face as she reached into her cloak and pulled out a sheet of parchment, holding its unfurled contents out for Aryana to see. “This looks like you, doesn’t it?” she asked rhetorically.  

this is a chance to improve the game dialogue. To make it sound more natural, establish character and create a sense of threat from this mysterious woman. But all we get is that she chuckles and is smiling. Speaking of -

 Why is the woman’s grin becoming manic?   Is it because she’s found Aryana? Or just lily trying to make her menacing?  A manic smile isn’t enough to make a character intimidating.  It’s a character’s actions, dialog and even their physical descriptions that make them intimidating. 

This just comes off as odd. 

Another thing, what are the other character’s doing in this moment? Just watching? You would think that seeing the wanted poster they would do something about it. Imoen could try and convince the others to get out of the inn. Jaheria could be preparing a spell or her husband could be moving to step between Aryana and the Woman.  but nope, they just stand there throughout the entire scene. Because Lily most likely wasn’t thinking about how the other characters would impact the scene. 

As if Aryana’s stomach could sink any lower. There on that sheet of paper was an almost impressive illustration of herself with the words ‘Wanted’ in bold red lettering.

And an exceedingly generous bounty. She almost felt flattered. As it was, she had just enough wit in her to look this stranger dead in the eye and say, “No, it doesn’t. You might need new eyes.”  

Ayrana SHOULD be worried about the wanted poster. She should have questions (who put up the posters? Why are they after her? Is she worth more alive or dead? What crimes is she being accused of? Has anyone else in town seen this?), she could be putting on a facade while thinking of ways out of the situation.  Instead, she comes across bored and untroubled.  It removes the tenson from the moment 

Tenson is something that Lily does struggle with as writer. (She struggles with a lot of things, but that’s not the point.) She either doesn’t understand how to or care to take time to craft tenson. Because Aryana isn’t worried about this woman therefore – the reader isn’t worried for Aryana’s safety. 

‘Kill her.’

“Cute,” the woman sneered. “Well you-”

Whatever Aryana was she would never know, as she quickly drew her longsword and plunged it straight into the woman’s stomach just beneath her armor.

The woman gasped, the ugly snarl wiped clean from her face in place of wide eyed shock. Their gazes locked, an eerie calm clashing with a surmounting fear. The bounty hunter tried to say something, only for pooled blood to pour from her lips instead of words. Her legs wobbled hard, unable to support her own weight. As Aryana drew her sword back, she had no choice but to collapse onto the floor.  

So, again this moment suffers from Aryana’s characterization. She should be feeling a loss of control, or a thrill from the kill – something to help the readers get into her headspace and make the moment shocking and maybe disturbing.  But Lily is more interested in describing the death in an over written style. Trusting that the description would make the moment shocking. However, the description of violence doesn’t make this shocking. Because there was no real lead up to this moment.   It just happens with a “meh” attitude from Ayrana. 

Shocking moments need a build up to hook the reader in. this fails at that from the very beginning of the scene. 

Why was the woman suddenly snarling?  What happened to cause her to snarl?

When was it said the woman was in armour? What kind of armour was it? Metal? Leather? Chain?   Character details are important.  Not only to create an image in the reader’s mind, but as to how the logistics of the scene will work.  The Armor detail might seem like nitpicking, but with how Lily descripted the scene it leads to questions like – 

Was her stomach already exposed? 

How did Ayrana know to stab in that spot?

What if the woman was wearing Armor that covered her stomach? 

 Another point – beyond the poster, the woman never made a move for a weapon or attacked. Which means Ayrana just killed someone in cold blood – in front of multiple people who don’t react.  People would react to seeing someone being stabbed. 

Also “only for pooled blood to pour from her lips instead of words” is just a terrible sentence. It could just be “blood poured from her mouth as she tried to speak” – sometimes simplicity works better to get your point across. 

The entire Inn fell dead silent.

Aryana looked down at the corpse of the would-be assassin and felt a strange feeling of elation. She felt powerful. The feeling vanished as quickly as it came and she tore her eyes away from it. “C’mon, let’s just… find a room…”

The company looked at her with muted surprise. And… something else. She couldn’t quite place it. Worry? Fear maybe? She wasn’t sure. Her entire body ached too much to try and gauge nuanced expressions. Nonetheless, they didn’t offer any argument.   

One- this is a case of telling and not showing. We as readers need to feel that moment of power and joy Aryana felt from the kill.  What about the kill made her feel powerful?  Was it the fact she had power over this woman? Why was it joyful to her? Was it because she killed her in a single stroke? Show us though her body language. maybe she smiles as she wipes the blood off her sword.  Or a giggle slips out as she looks at the body.   Give us more to this moment than simply telling us.  

Two- there is no fucking way that there would be no reaction from the other patrons in the Inn or from the Innkeeper himself. Ayrana just KILLED a woman, who made no move to attack. There should be gasps of horror, fear on their faces or screams. 

Three – There SHOULD be a reaction from her companions. Escpeally from Imoen, who knows the truth about Ayrana and should be worried that her sister just killed someone in cold blood.  Imoen is meant to be part of the focus of Lily’s story, as the secondary protagonist. She should be doing something in this moment. 

“Yeah,” Imoen nodded, her voice sounding uncomfortably small. “I guess we could all use some rest first.”

The innkeeper gave them a room without much complaint. Showing him the bounty letter made it clear she was targeted by assassins. They paid for two rooms. One for Jaheira and Khalid, one for Aryana and Imoen. They didn’t even bother trying to get two beds this time. After a quiet meal of stew and bread, they retired to their rooms.

Just because they showed the bounty doesn’t mean that the innkeeper should give them a room. In fact, it should make him want to kick her out! Cause if Ayrana is the target of assassins, then it will just bring more trouble to his Inn. And considering Aryana just stabbed someone and basically said “ it was self defence -trust me bro” The Innkeeper could assume that Aryana IS a criminal and be worried that she is going to kill him in his sleep. 

Lily doesn’t care how other characters would logically react to things. It also shows her tendency to let her main characters get away with Literal CRIMES. With no repercussions in the story.  Lily does this with her Sith OC in the Sith Resurgence. 

Also, the whole Aryana and Imoen sharing a bed is fucking creepy – especially since Lily ships them romantically and they are sisters. 

TL/DR: 

The reasons this scene doesn’t work:

the lack of tension between Ayrana and the Woman (the woman isn’t threating and doesn’t pose any legit danger) 

lack of build-up to Ayrana killing the woman

 Other characters not doing anything in the scene (including important characters)

No repercussions for the literal crime Aryana committed (without provocation) 

Characters either having no reactions or unrealistic ones to the events of the scene. 

Lily doesn’t know how to construct a scene. 

When looking for writing advice and tips – you can do MUCH better than Lily Orchard. 

[snowflake-sage]

Something to help understand/interpret my art, also lore dump (if you care):

Mae and Sage both are my sonas, Mae is my MAIN sona, she’s literally ME, and Sage represents an ASPECT of me.

Mae uses She/her pronouns and Sage uses He/him, they are both non-binary characters that represent different aspects of my gender experience. Mae represents the more physical gender experiences Ive had, and Sage represents more so what my gender is. (This is sort of hard to explain, Mae represents the experiences I’ve had in relation to my physical body that I was born with, and the experiences I’ve had in society and how society has interpreted me and my gender. She’s still accurate to my gender, but her design is more surface level and obvious. Sage on the other had, represents my gender experience at its CORE, and how I actually feel as an individual, despite my body. I feel like I am simply experiencing a feminine experience in some ways because of my body and how society sees me, but I don’t feel like who I am at my core can be put into any box, hence me being non-binary. I feel very much like I’m sort of playing a game and this is just the avatar I have, and that who I am is neither male nor female. I just happen to have more experiences in one regard because of how I was born. Sage is the aspect that cannot be boxed. He is both masculine and feminine, and also neither male or female. He’s just SAGE.) (this is also extremely personal to MY OWN gender experience so if you don’t relate to this don’t think to hard about it, this is literally how I interpret my own identity, it probably doesn’t make any sense to anyone else)

Back to Mae representing my more physical life experience, she carries a lot of my trauma and bad experiences. She represents every part of me that has ever been hurt.

Sage represents a part of me that is less in the earthly experience. If you know what a “higher self” is, that’s basically what Sage is in relation to Mae. He is an aspect of me, and therefore an aspect of Mae, they’re part of the same character. He acts as a sort of “guardian angel” who loves Mae more than anything and he would literally go any length for her. Representative of the innate love that I feel like everyone has for themself until society fucks us over and makes us hate ourselves.

Sage and Mae are NOT romantic towards each other (any art drawn of that is non-canon, sometimes I’m bored) , they are more like a queer-platonic relationship. I wouldn’t say they’re “just friends” because their lore and story and relationship is pretty complex and doesn’t fit that box for me.

Sage is an angel in canon, that takes a physical form which is the form I always draw, I’m working on drawing his true form for lore but I’m still designing it.

Sage is an angel of healing, which is why he’s so tender and gentle towards Mae and in general such a honey.

Sage is an angel of healing, and represents the higher self, but he also represents the shadow self (if you don’t know what that is, google is your friend). He carries the pain and trauma from Mae indirectly. This is why he has a darker color palette, since he represents Mae’s shadow (I actually am contemplating a few other alternate palettes for him , a crème color palette as well a blue one, as I work through the lore I’ll decide when those apply). He is NOT a dark angel or an evil angel. His character is multifaceted and complex, and his color palette just represents what I just explained. There are evil angels in my oc lore universe but their color palette doesn’t represent that bc I think that concept is overused, also I like being ironic. Sage having a darker palette is again, linked to his relation to Mae and the trauma he carries from her.

Even though Sage is small and sweet looking he is literally insanely powerful, like CRAZY strong

Sage being the shadow self, and also being so close and loving to Mae represents that our shadow self is not a part of us that is bad and needs to be pushed away, but actually a part of us that is just hurt and desperately needs love and healing.

I draw a lot of art of Mae and Sage embracing, either lovingly or during times of turmoil. I draw a lot of art of Mae being physically or mentally hurt and being comforted or embraced by Sage, Sage having different reactions situationally. A lot of the time, Mae is representing the physical effects of trauma, and Sage is the inner self mourning/crying/ suffering the trauma. Sort of like how you feel terrible for your child self for being mistreated, or how you feel bad for yourself because of the experiences you’ve had. It’s like a depiction of self pity, but also in a way, self love. It’s like holding yourself and crying for how the world has hurt you, and wishing better for yourself.

It’s symbolism✋

[queenofthepirates83]

♡What I will write for♡

Character x reader

OC(your’s too if you want<3)x character

Fluff

Angst

Smut

NSFW

SFW

One-shots

Longer stories(ex. Chapters)

Three or foursome

Female and male(I’ll try my hardest☻) reader

Kinks(basically anything besides what’s specified in what I won’t write for)

Baby stuff

Specified traits in a request(ex. Chubby! Goth!)

♡What I won’t write for♡

Underage smut(with the exception of mentioned stuff(ex. You and Toby had history back when he was normal or something and you two did sleep together) 🤷‍♀️)

Underage character x adult reader

Character x character(I specialize in reader stuff lmao)

Other fluid things(other than spit, blood, cum, ect.), anal, animal stuff, age stuff, daddy/mommy, intense BDSM(I’ll still do it), necrophilia, and a few other nasty ones but other than that I do everything(including blood, knife, somnophilia so dw)

Trans stuff, idk how to write for things like that and I wouldn’t wanna get anything wrong(I support you<3!!)

I won’t write for anything besides straight, lesbian, gay, pan, and bi because I understand them more better than others and I just don’t wanna offend people!! Sorry!

CNC, or nonconsensual stuff, mentions of reader not consenting or saying no while hysterically crying, ect.

♡What fandoms I write for and who I write for♡

Creepypasta

Movie slashers

Marvel

Star Wars

Mha

Freakish

Obey Me!

My metal family

The Walten files

AOT

Identity V

Sally Face

The Outsiders

Detroit Become Human

Resident evil

Devil May Cry

Silent Hill

Avatar(as in Pandora)

The Last of Us

One Piece

Days gone

Twisted Wonderland(limited characters I’m so sorry 😭)

It’s not a lot but ya know 🤷‍♀️

Send requests!!

BTW ALL OF MY STORIES CAN BE READ AS G/N UNLESS ITS SPECIFIED OTHERWISE!!

Inbox is always open for requests!

Send requests of Eyeless Jack and Vergil 😔🙏 I’ve been reading for that recently

[xenomorphee3]

A New Mission: Ash to Fire is Complete!

New pinned post! 📌

Wow everyone... it's done. It's really done! 395,000+ words in ~4.5 months. I am SO pleased to be able to mark this story complete. Extra special shout-outs to @quaritchsgirl/@bluekernal and @kings-evil for their incredible art which accompanies and breathes life into the story. (Going to put up a separate post soon collating all ANMAF art)

Story summary:

Miles Quaritch failed his first mission to capture Jake Sully, the leader of the Na’vi insurgency. Now, the RDA and Bridgehead Command have a new mission for him and his surviving recoms, Wainfleet and Mansk—a mission to gather intel and make an alliance with the newly contacted Ash People, a Na'vi clan endemic to a volcanic archipelago. What’s at first just orders will slowly come to change the young Colonel’s life and his relationship with Pandora, his son, and the RDA forever.

Story Links:

AO3 (recommended)

Wattpad

Sequel Info-- A New Mission: Happiness is Simple

This longfic, a true labor of love for Avatar, is essentially an Avatar 3, or post-Way of Water story primarily through recombinant Miles Quaritch's eyes that sees him continuing his parallels with Jake Sully, and with heat and flare! Recoms Wainfleet and Mansk are heavily supporting and developed as well.

It's a slow-build that really expands to a film-sized scope as it goes on capturing many different characters' point of views. It features Miles' existential crisis and also movie era flashbacks. I've done my best to be logical and reasonable with the in-movies set canon and sequel foreshadowing.

I really have tried to write it in the spirit of Avatar and James Cameron (if that's even possible haha) and it includes solid and plausible world-building and lore pertaining to the Ash People and even some for the RDA, is well-researched (regarding things like military jargon, weapons, geology, etc.), and has enjoyable original characters. I think you'll really love the main Ash Na'vi OC. My regular readers sure do :)

Also, if smut is not your thing, there's only a few instances in the entire story and it is kindly written with content warnings to be 100% skippable! I look at the included smut as no less than comparable to what Jake and Neytiri are doing behind the scenes and no more hot and heavy than the Kyle Reese and Sarah Connor love scene in James Cameron's Terminator haha.

Who is this story for? I believe if at least any three of the following five things pertain to you, you'll really like my story! 💙🧡

1. Like Quaritch and find him compelling, attractive, or both and want to see his story arc continue in a grounded way with a love interest component (parallels with Jake!) 2. Wanted to see more from the recoms. 3. Can't wait until Avatar 3! 4. Enjoy the world of Avatar and all of its main characters (Jake, Neytiri, Spider, Kiri, etc. are all deeply respected in my story!) 5. Like long, very visually descriptive stories

Check it out if you get a chance! And feel free to drop me a line or comment letting me know if you enjoy it! 🥰 Such goes a long way for us writers.

Also... I am working on a sequel 😅

[real-fire-emblem-takes]

oh yeah for Birds of Prey are all the community units going to be recruited via paralogue or is it just gonna be this guy? also, free reign for you to go nuts on the world and continent you be building for this, i like people elaborate on their bullshit(and i mean bullshit in the most affectionate way btw) (also yeah it the Naesala Lord Anon again, i will eventually get back to talking about my au, we'll just have to see if it's about ocs or me going fucking insane next time i send something to your inbox)

Yeah all the community units are going to be recruitable only through paralogues.

World building and story stuff below

The continent is currently unnamed. The story will primarily revolve around 2 countries, Hendeyrn and Royumec (both may be renamed).

Aelix(might be renamed), the lord, is the princess of Hendeyrn. Hendeyrn gets invaded by The Flock, a supposed resistance group that aims to give power back to the people. The Flock kills Aelix's Father and older brother, Thades(name might be changed)*, leaving only her and her little sister, Lucille. Aelix goes on a quest of revenge to destroy the Flock, leaving Lucille to act as queen at the young age of 16. girl should be gossiping with her friends </3.

Over time, Aelix notices that Hendeyrn's citizens are mostly not having the best time and takes mental note of this. Several characters notice that a few of The Flock's forces are Automatons, which are primarily produced in Royumec. Klara, a merchant and playable dark mage, confirms that these models are made from parts her company has supplied directly to the Royumec Military. The Flock is figured out to be the Royumec Military in disguise trying to invade Hendeyrn for precious metals and gemstones.

Soon, there is a route split and Aelix has to decide between continuing the quest for revenge or Joining the conquest. "Wait what about the citizens you mentioned earlier!" Things only get slightly better. ":(" Yeah. If only there was a route that acknowledged the flaws of both kingdoms and actually prioritised the people to make life better for everyone.

Oh wait there is! Aelix has the option to start a revolution that focuses on the citizens in ng+! this is not a golden route tho as the most units leave in this one and have to be killed. also the game is much harder and money becomes more limited. Probably also more chapters. have fun!

The Avatar only has minor relevance to the story. Still has supports with other characters and can also romance a few. Cool Parent Energy.

*you don't find this out unless you're on the revolution route but there is one paralogue that won't have community made units. That paralogue has Thades and the guy that revived** him.

**its so much more complicated than that.

[theuniversitychallengereview]

The Fame Game

For the past week or so, I have been obsessed with Chappell Roan’s album The Rise and Fall of a Midwest Princess. It is full of incredibly catchy hooks and playful lyrics and is very addictive. I also listened to Brat by Charli XCX and it paled in comparison, just in case you thought I was playing to the crowd with my admittedly late-to-the-party hot take on Roan.

The past week has also seen a swathe of articles about how Roan resents the fame she has acquired as a result of this banger album. She describes this fame as having the “vibe of an abusive ex-husband”, and talks about how people act like they have a right to her time and fail to respect her boundaries with creepy behaviour.

Backlash to the backlash

This complaining opened her up to criticism, as she is someone who has courted fame and is now seemingly rejecting those who are responsible for her being famous (and by extension, rich) in the first place.

But that’s not really fair, is it? Regardless of who you are you should be able to have some boundaries. Football players are sometimes slagged off for ‘not being able to take’ the abuse which gets hurled at them from the stands, but its not normal for someone to go to work and get yelled at by strangers.

Social media unfairly gets the blame for a lot of things these days, but on this one I think the finger is correctly pointed. People as mildly famous as YouTubers with a few thousand subscribers are subjected to online abuse (albeit on a smaller scale than Roan and Premier League footballers). This abuse is sent partly because the abuser doesn’t view the abused as an actual person. They are merely an Internet persona, not a thinking, feeling person who may read those posts.

Sign up for The University Challenge Review

Parasocialites

When this view translates to the real world, as can happen in instances where people are super-famous, you get things like a fan grabbing and kissing Roan in a bar. These are not people, they are avatars through which the viewer is free to do anything they please. Characters in a video game.

One of the lower-level examples of this are some of the tweets you read about University Challenge contestants. Most tweets on the hashtag are lovely, encouraging and celebratory, about the enjoyment of the show. But every week there are a few which single out contestants (more often than not the non-male contestants) for abuse or creepiness.

The podcaster Blindboy (whose recent episode prompted me to give Chappell Roan a proper listen) gets around the problem of fame by wearing a bag on his head for any public appearance so that people don’t recognise him without it. But this isn’t a solution for most people.

It would be better if people remembered that fame doesn’t reduce the wearer to a caricatured cardboard cutout, free to be moved around as they please for whatever purpose they see fit.

So with that in mind, let’s get onto the episode which featured eight very real human people from the Universities of Reading and Exeter.

Reading were making their first appearance since a run to the final in 2022. Their captain that year, Michael Hutchinson, was on Only Connect last week with Fatima Sheriff, a member of the Imperial team who beat Reading (the third member of the OC team was Michael Kohn, who had reached the UC semis with Imperial the year before).

From rivals in the #UniversityChallenge final to teammates on Only Connect

Hutchinson 🤝 Sheriff (plus 2021 UC semi finalist Michael Kohn!) pic.twitter.com/hfqfi81fot

— Joe (@TheUCReview) September 16, 2024

If you want to watch the episode before reading the review you can do so at this link.

Here’s your first starter for ten.

To be fair to them they manage two out of three bonuses (and the third one on the Great Glen was pretty tough), but they answer them in the way you would answer a question about Norway, if that makes sense.

The second starter also goes to Mouelhi, as does the third, and the fourth, and the… no, that was where the run ended. But still, four starters in a row to kick things off is pretty incredible. It is not the all-time record, as confirmed by statman Jack McB, but it doesn’t happen very often.

Also, for the record, Mr Mouelhi’s getting of the first four correctly answered starters of the game isn’t a record; I know of at least one occasion where this has been bettered (the first six in a QF many years ago). #UniversityChallenge

— Jack McB. (@jack_jmmcb) September 23, 2024

This streak gives Exeter a lead of 95 points before Finkelstein finally gets Reading off the mark. He takes a second consecutive starter, and I’m already thinking about what I’m going to write if he takes four-in-a-row like Mouelhi, but Moorcroft hits back for Exeter to put a halt to these musings. Four-in-a-row-in-a-row might have been the opening sentence.

We Gonna Rock Down

The music starter on Electric Avenue goes to Exeter’s Rock, and they clean up with a hat-trick of bonuses on British synth and new-wave. Reading look like they are building some momentum, but Moorcroft stops them again with condensation, winning Exeter a bonus set on Euclid’s elements, a book about maths which describes a cylinder as:

“a figure created by carrying a rectangular parallelogram around and restoring it to its original position, while keeping one side of the parallelogram about the right angle fixed”

Which I can’t wrap my head around at all. Does wrapping my head around an idea also create a cylinder somehow? I don’t know.

Finkelstein grabs another starter, and Reading close back to within 40 points, but this would be the end of their resistance as Exeter ended the show with a 100–0 run.

Reading 100–240 Exeter

A close-ish match, before Exeter ran away with it in the last five minutes. They posted a decent score, and could make the quarter-finals so long as they avoid one of the big hitters like Bristol and Imperial in the second round.

Thanks for reading, and I’ll see you next week for Birkbeck vs Darwin.

[polutek]

Alr so its talk about your ocs hour

That's Aleksander or Alex or Lex or Sasha

My favorite animator. They use all pronouns and love being called a good boy!!

More and old version under the cut

So that's how they used to look like, they were a shy trans boy and it was basically his whole personality ah yeah, i sucked at writing characters back than .

Now hes POLISH OFC HE IS

Hes still animator, now also nonbinary amab using all pronouns cus they just dont care how people percive them!! They are a bit cringy but THEY ARE FREE

They still bark at people and are still cuddly but it just makes more sense now.

They are not not designed for Tma but i think i might make a version where they are an avatar

OH AND THEIR NAME USED TO BE SHIZUKANA SUTEPPU CUS HE WAS MADE FOR DANGANRONPA ROLEPLAY AND I HAD A STRANGE THING TO JUST PUT WORDS IN GOOGLE TRANSLATOR TO TRANSLATE THEM TO JAPANESE HAHA

[garmgeyr]

Introduction & Interaction Notes

// Hello hello, Ree here with a second muse o/ I couldn't resist joining the HSR boom, but more importantly, I wanted to get elbow-deep in Penacony's history and worldbuilding. I've been in love with this planet and its cast since 2.0, but Penacony's founding figures are by and large my favorites.

To kick things off, as GH was first a Genshin RPC, I thought that it might be helpful to write some sort of brief (lmao) overview for interacting with Gallagher with Teyvat muses and muns who haven't played HSR in mind. This character is a little (a lot) complicated as of 2.2, but I have both a spoiler and spoiler-free summary. All of this is also written up on this blog's notes page.

Spoiler Free (if you haven’t played HSR’s story through 2.2)

You can find Gallagher just about anywhere in Penacony's dreamscape. He has the uncanny tendency to show up at just the right moment. However, all threads with him will need to take place in the dreamscape and/or within the Asdana system for story reasons. Fortunately, Penacony’s dreamscapes are massive. There’s plenty to do.

The impression he gives off is that of a tired, middle-aged man, but he’s generally friendly toward visitors. Inexplicably, characters will believe him to be reliable from the moment they meet him, and - unconsciously or not - will trust him as one of Penacony’s security officers. He’s also a drinksmith, which he clearly enjoys more.

I base my characterization mostly on his JP VA’s performance, who slurs his words more to sell the image of a drunk old man. Gallagher himself says that he’s been called a number of names, “drunk” included, so this trait is free game for any character to comment on. He also tends to lean more crass and blunt than the ENG loc.

There’s little else you need to know about him prior to an interaction. Let him make you a drink and spin you a few stories.

Spoiler Version (if you’re caught up with HSR as of 2.2 and/or just don’t care about spoilers)

FITTING GALLAGHER INTO GH

Gallagher is implied to disappear at the end of 2.2 because of the concept that a lie that’s been discovered as a lie can’t exist anymore, assuming that something must be perceived to be true in order to exist in the first place. While the loading screen explicitly says that “Gallagher” breathed his last, he talks in the story as if this isn’t necessarily certain and that it’s beyond his control, so I’m taking this as an excuse to give him an ambiguous period between his last scene in 2.2 and his actual end. He knows that his end is coming, but it hasn’t happened yet. (conversely, he could still exist in the minds of those who never discovered the truth, but “died” in the mind of the player/the Trailblazer, but that theory overly-complicates things so we’re leaving it at this).

Gallagher is a work of fiction, created by a History Fictionologist. As such, he doesn’t technically exist outside of the dreamscape. To get around this and allow him more freedom within GH, different “versions” of Gallagher will be created for different planets and nations in Teyvat. * I'm aware that Penacony itself is unique and the Fictionologist likely can't create different avatars outside of its dreamscape, but this is a compromise between consistency with the game's lore and allowing a recognizable canon character to leave Penacony for GH's purposes. His character stories point to a base personality that seems consistent with that of the Fictionologist’s, so these different versions will more or less have the same personality no matter where they are (I’m not interested in creating OCs, and this goes against GH’s rules anyway). They will also all be some sort of bartender or (retired) security officer. The difference between these versions and the original Gallagher is that they’ll 1) have different names and 2) have different false backstories to suit the environment.

As an Emanator of Enigmata, the fictionologist is capable of influencing an individual’s impression at a memory level, so all versions of Gallagher will appear to the locals like he’s been there all his life. For example, if he were to show up in Mondstadt one day, Mondstadt characters will believe that he’s more or less an unremarkable local, and may even think that they’ve had some meaningful interaction with him before even if this is technically the first time they’ve met. For this reason, I - as the mun - give explicit permission for my partners to use any non-italicized prose in my posts as information that their muse already knows. This would ordinarily go against metagaming etiquette, but this is an experiment I’d like to try.

Even though Gallagher himself is a kaleidoscope of traits gathered from 52 different Family members in Penacony, for the sake of this group, every version of him will retain a similar appearance. But more often than not, you can just imagine him as a “generic older brown-haired, brown-eyed NPC” from the region that the thread is taking place in.

To note, all of the above is specific ONLY to threads taking place outside of Penacony. For some special characters, like the Trailblazer, past memory may allow them to recognize and therefore see Gallagher with his canon appearance.

FOR TEYVAT SPECIFICALLY

History Fictionologists are said to travel the cosmos, altering the history of civilizations in order to change their trajectory into the future. Since Teyvat is hinted to be trapped in some sort of samsara, this gives the fictionologist behind Gallagher an easy reason to want to come check the place out. However, I’m leaving the plotting and scheme designs to the hoyo writers. There will be no underlying plan mentioned here.

NOTES ON WRITING

I’m approaching writing Gallagher as writing the fictionologist acting as Gallagher. Gallagher is a dreamscape avatar, and this can be equated to an online persona. Physically, they are not the same person, but they don’t exist independently of one another. In other words, Gallagher isn’t like the memetic entities in the dreamscape who can develop independent of their creators.

This is, as a result, something of a writing experiment for me. Most of the content in my thread posts will be objective. All details can be known and observed by all characters involved (in other words, no inner monologue or ramblings about Gallagher’s emotions/past that the other character can’t also access). However, I do intend to include occasional snippets from the fictionologist (in interactions where my partner doesn’t mind spoilers), written in italics. These parts cannot be referenced by other muses unless explicitly mentioned by Gallagher himself, in dialogue.

This concept may evolve and change if ever new information is released in canon.

[your-old-sins-tournament]

12 YEAR OLD OCS; SIDE A

Twila [@polygonstars]

So, I made Twila as a kid when I first started getting into spritework on the original Pokéfarm forums (PF1, for those familiar with the sites), as a basic recolor of Espeon with Umbreon's palette, and because I was a big Orre fan she just sort of. Stuck around? She at one time had a whole plot revolving around Shadow Pokémon and all, but these days she's just sort of drifted off and become her own standalone Pokémon fancharacter. I still have her and draw her occasionally, including having used a PMD-based portrait piece of her has my avatar here and there, and she remains my oldest OC to this day.

She's gone through her fair share of revamps, one to add in Umbreon's markings to give her a bit more going on design-wise, and one swapping her palette to Umbreon's shiny colors for character reasons - She was always intended to be an Eevee who evolved as the sun set, taking on the general shape of an Espeon but with the coloration of an Umbreon, who ended up being shunned and cast out for it, and I eventually opted to make her a shiny one to really highlight the contrast of her life as this ~special rare precious shiny Eevee~ with where she ended up. I don't really remember much of its original iteration any more, but what little exists of the actual plot of her story these days has formed around themes of the process of finding a place and people that accept her as she is now, rather than the ones who simply saw her as a sort of trophy in her youth, and recovering from the trauma of her rejection and exile and the ways it's impacted her as a person, which, if I were to properly flesh it out again, would likely tie into Shadow Pokémon and the process of purification being not unlike that of recovering from trauma in general.

Anyway, all that said, Twila! My oldest surviving OC. I think she deserves a prize just for the fact that she's still around and relatively intact, at least on a conceptual level.

Kayama [@iinsomniia]

- she's a cat girl

- bisexual icon

- she makes a living stealing shit

- she was created to be a stone cold stoic type who slowly gets worn down by being shown genuine love and compassion

- dual wields daggers

[nostalgiachan]

Wa-hey, two 100 OC Challenge posts tonight (because I totally forgot I was missing entries 61-64 lol). And rather than wait until I caught up on all the old uncolored images, I decided I'd just do all pics going forward in color.

Anyway, we've reached the sixteen (!!!) characters of the RPG I wanted to make in college, Silmerein. I never made the game, but the story stayed near and dear to my heart, so I decided I'd give the characters a little mock-up dialogue box. Since the game heavily (albeit accidentally) cribbed from Grandia II, I decided to lean into that with these redesigns. As always, new images up top, old below, and detailed character info (and essentially the story of the game) below the cut.

#65: Talin Stockman Idea: The Hero Story: Silmerein

#66: Lima Rayel Idea: The Healer Waifu Story: Silmerein

#67: Abarashil Faed Idea: The Slutty Elf Thief Intended to Make Gamer Bros Uncomfortable Story: Silmerein

#68: Amestris the Phoenix Idea: The Desert Queen Story: Silmerein

I wrote up a summary of the intended story of this RPG a few years ago for a friend, so I'll reprint that here and cover just up to the end of Amestris's story: I birthed a whole concept for an RPG based around a single idea: what if your kawaii waifu healer was actually the villain?

Story starts a few centuries after the invasion of the avatar of a SUPREME EVIL GOD from a foreign land. Most of the continent the majority of the game takes place on is ravaged, but a lone woman blessed with divine power manages to beat back the demon hordes, fight the avatar for a week straight, and then strike him down with a MIGHTY BLOW, forever encasing the two of them in stone.

A religion forms around the woman, Silmerein, a holy city is built around the monument, civilization rebuilds. Not everybody's down with the religion, of course, but it becomes one of the major institutions of the continent.

Shortly before our story starts, the continent gets hit with a variety of plagues.

To most, they don't seem related - people in the heartland slowly losing function in their arms, the desert people going blind, various other maladies. On top of this, there's been an uptick in mysterious monsters being spotted in the wilderness.

Our starter hero, one Talin Stockman is one such plague victim. But his is a little different from the other victims in his hometown. As it turns out, his entire left arm has become monstrously deformed, and occasionally has a nasty habit of trying to strangle him in his sleep.

But he keeps it under wraps and works diligently at his family's general store, until it's visited by a young cleric of Silmerein, Lima Rayel.

Sometime that night, the village - and more specifically, Talin - is attacked by one of the mysterious monsters, and Lima comes to his rescue. She has a theory as to what's going on: she believes that the plagues are actually being caused by the essence of the avatar of Rodimir (aforementioned evil foreign god) escaping its prison and leaking out into the world. She thinks that it may be searching for hosts to concentrate and gestate within in order to return to power. And Talin happens to be one of those hosts, what with his monster-attracting arm. So, she tells him her plan: travel to the plague-affected lands, find the hosts, and bring them to Silmerein so they can be purified at the monument.

So she and Talin set off to ADVENTURE. Their first target actually winds up coming to them: the elf thief Abarashil Faed. The wood elves mostly avoided contracting any plague, and that was because Faed hadn't been anywhere near their city in a few years, having already been exiled for murder (we'll get to that later).

So like the pieces of Valmar [from Grandia II], each host tended to have a specific part that was affected, and in Faed's case, it was his tongue. So he'd be prone to fits of uncontrollable chattering in languages he couldn't understand, which is very not helpful when you're trying to ambush people and steal their shit. Also, in actual combat, each host would get a super mode where they turned into a massive monster related to what part of their body was infected. I think Talin turned into a giant wolf, but Faed definitely turned into a snake. It functioned kind of like Milennia's rage mode.

Anyway, I think most of Faed's plot was he steals our party's wagon (because Talin's a merchant so he planned on selling shit between towns) and accidentally kidnaps Lima, they find out he's infected, you get your first boss fight against his corrupted snake mode, and then he joins the party because he'd really like to not do the uncontrollable talking thing anymore.

Next, your team headed to the desert city of Esteed, which is currently super locked down against foreigners, doubly so against people from Silmerein.

Shortly before the plague hit the city, their queen, Melpomene the Raven, went on a mission to Silmerein and never returned. Esteed never had a good relationship with Silmerein to begin with because they already had their own chief religion before the end times happened, and they really didn't appreciate missionaries constantly trying to convert them. But now they thought the Silmereinians were the cause of the plague.

Somehow, you get inside, though, just in time to see the inaugural parade for the new queen, Amestris the Phoenix. Lima's got a sense for hosts, and she's convinced Amestris is the next one, so they try to figure out a way to talk to her and tell her what's up, but no dice. They were lucky enough just to get into the city to begin with.

So instead, Faed breaks into her palace at night, tries to talk to her in her room, has a one-on-one fight, and just manages to convince her to listen. She says, "fine, I'll listen, but you have to do something for me first. Our city's been under constant siege by these horrible monsters. You ensure my people are safe, I'll go with you."

So your trio heads into the desert and fights some critters. You go back to the palace with proof, Amestris is like "Alright, cool, we'll head out tomorrow," and then fate decides that's the perfect time for Amestris's definitely infected eye to summon another horde.

So now everyone's convinced that this was an orchestrated attack, your squad gets tossed in the dungeon, and Amestris prepares drastic measures once the fighting stops. The next day, she's going to enact an ancient ritual to summon the gods and end this bullshit once and for all, and said ritual involves her burning to death on a massive funeral pyre while the city prays in unison.

So Lima's like "Okay, no, we gotta stop that, we don't know what'll happen if she dies with the host part still in her." You get out of the dungeon, fight your way to the city's coliseum and Lima manages to stop Amestris before she burns, but Amestris's eye goes out of control, like Talin's arm and Faed's tongue did, and she turns into a giant fucked-up phoenix and you fight her atop the pyre. You kick her ass, take her back to the palace, and tell her what's up.

So she's like, "Alright, well, that didn't work and I guess you guys really do know what's going on, so I kinda have no choice but to go. Maybe I can figure out what happened to my sister."

And the story continues in the next batch of character art!

[berriistupid]

Mun 18+ | She/They | Roleplay Blog | OC friendly | Ship Friendly | Dark Content | NSFW Roleplays | MDNI!

About Admin!

Hello! My name is Candy Hearts. I am 25 years old, with about 19 years of roleplay experience. I am a semi lit, lit andLazy lit(due to working a lot) , but I try to match my roleplay partner's reaction, as I will post an example on what I do so you guys can see what I type. ( ´~｀)

So I will remind everyone I am German/American and had moved from Germany to America when I was about 5 years old. So my Grammer and Spelling isn't super. Because learning American language takes a long time to get that language 100%! ╥﹏╥

Now I do roleplay! I will list all of the characters I can play from each anime which will be a big list, haha. I've been into anime for almost 20 years! ꉂ(ˊᗜˋ*)♡

I am very open to do, cc x cc, Oc x cc, and oc x oc, I am up for doubles! Just dm me and we can talk! <3

Roleplay Rules

Don't use any emojis unless you are talking to me outside of roleplay or it's like a text in the rp

Please no one liners (it honestly hard to go off by one liners)

Please don't control my character, because its not fun when someone does that

I WILL NOT ACCEPT ANY GROSS KINKS LIKE FECES AND SCAT! Other than that I welcome any and all kinks!

Animes | Muses I roleplay :

Helluva Boss/Hazbin : Bitzo, Stolas, Fizzarolli, Alastor, Alastoria(Female Alastor), Charlie, Angel Dust, Sir Pentious

Food wars : Megumi, Takumi, Isami, Isshiki, Shun, Akira, Alice, Nao, Mea, Tsukasa, Kikuchi

Jujutsu Kaisen : Gojo, Toge, Megumi(Possibly?), Miwa, Itadori(FYI my sukuna is not the best), Choso, Yuta

Demon Slayer : Mitsuri, Tanjiro, Inosuke, Akaze, Daki, Enmu, Giyu

Naruto : Kakashi, Naruto, Shikamaru, Kiba, Tobi, Gaara, Haku, Hinata, Asuma, Anko, Ketetsu,

Tokyo Revengers : Takamichi, Mikey, Nahoya, Souya, Naoto, Sanzu, Chifuyu, Kazutora, Sendo

Buddy Daddies : Kazuki and Kyrotaru

Genshin : Kinich(I main this guy), Lyney, Razor, Albedo, Furina, Al-Haitham, Venti, collei, Gorou, Layla, Ganyu, Hu Tao, Ga-Ming, Cyno, Itto, Navia, Tighnari, Kirara, Mika, Thoma, Haizou, Charlotte, Kazuha, Childe, Xianyun, Alrecchino, Nahida, Sethos, Ningguang,

Honkai: Star Rail : Rappa, Hanya, Misha, Dan Heng(both regular and his 5* form), Feixiao, FireFly, Fu Xuan, Gepard, Himeko, HuoHuo, Jiaoque, King Yuan, Kafka, Lingshu, Luocha, Robin, Sunday, Ruan Mei, Sparkle, Silver Wolf, Topaz, stelle/Caelus, Yanqing, Arlan, Asta, Guinaifen, Gallagher, Xueyi

Danganronpa : Junko, Kokichi, Nanami, Sonia, Mikan, Nagito, Ibuki, Shuichi, Hajime, Kazuichi, Rantaro,

That Time I Got Reincarnated As a Slime : Rimuru, Milim, Shuna, Shion,

Pokemon : (Ask what gen and I can probably do them! )

P. S there are many animes I like, I can even show them here!

DanDaDan, Jujutsu Kaisen, Demon Slayer, Tokyo Revengers, Black Clover, Buddy Daddies, Fire Force, Genshin Impact, My Hero, Yarichin Bitch Club, Naruto, Haikyuu, Kuroko No Basket, Devil is a part Timer, Classroom of the elite, Food wars, That time I got reincarnated as a Slime, Rising of the Shield Hero, Danganronpa, Death Parade, Free! , Tokyo Ghoul, Assassination Classroom, Avatar: Last Airbender, Durarara!!, Fruits Basket, Re;Zero, Fairy Tail, Spy x Family, Attack On Titan, Yu-gi-oh, Blue Exorcist, Seraph Of the End, Angels of Death, Stray dogs, Servamp, Wolf's Rain, many more to list.

My rp style example :

Astraea looked over to Hanma as she was in her bedroom, hearing the door open made her jolt because she isn't quite used to seeing Hanma, she had knitting kit out as she was making a blanket out of boredom, she gulps as she nodded softly, her pink hair was in downward piggy tails as she says softly

"Y-Yeah, I can do that. J-Just um- " She blushed softly as she was never used to dressing up and showing off her body like the way he likes it, she puts down her kit a bit

Second Example :

Rimauru blinked as he moves as he transform back into his human for as he smiles, he walks over to the Fairy Queen, he then bows softly to her and smiles "Hello~ I'm Rimauru Tempest! You must be Elvira. Pleasure to finally meet you. " he said softly as he smiles happily, knowing he can he a bit intimidating, he tried his best to have the softest vibe he can have.

"I hope you're travels weren't am issue, I know City of Tempest can be very rough since we're the furthest of all the nations here. " he said as he walks and moves showing her a place to sit, he looks at her as he can easily tell she was nervous but he didn't bring it up because she was being strong for her kingdom

I think that is it, DM if you want to roleplay! <3 will be happy to meet you soon~ Womp Womp~!