#its like people watching but more like mind watching
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Family Knows Best
Platonic Yandere Batfam x male reader
(I couldnt really find a good gif)
The signs had been obvious. Almost too obvious. But here you were, trapped within the walls of Wayne Manor, surrounded by a family whose love for you was more intense, more consuming, than anything you had ever known. The strangest part? You didnât mind.
Maybe you should be scared. Maybe you should be fighting to leave. But, really, wasnât this what you had always wanted? A place where people actually cared about you? Where they loved you unconditional?
It all started with a simple visit.
Damian Wayne had walked into your small pet clinic one late afternoon, accompanied by a boy his age. In his hands, Damian held a tiny duckling, its fluffy yellow body trembling against his hands.
"It was alone," he had said, his voice sharp but carefully controlled. "I suspect its mother is dead. What are the chances of its survival?"
The look in his eyes told you just how deeply he cared and how scared he was for it's survival. He was young, but his concern for the creature in his hands was genuine. You reassured him that with the right care, the duckling would grow strong. You even offered him advice on raising it, though, deep down, you had wanted to keep it for yourself. Unfortunately, due to the lack of space you opted for another option. This boy, Damian Wayne, had probably enough space for the duckling, not to mention the resources he had and most importantly, the heart to care for something so small.
What you didnât realize then was that your kindness had sealed your fate.
In the weeks that followed, the Waynes began appearing in your life in a frequency that couldn't be coincidence. First, it was Jason Todd, walking into your clinic to ask for advice for a "stray" cat he "found", you later realized that the cat was already part of the family for years. Then Dick Grayson, whose excuses were flimsierâhe had seen a stray dog outside and thought he should check if you had seen it, then he lingered in your waiting room, babbling on and on about the most random things. Tim Drake came next, standing awkwardly in your doorway as he asked for information on exotic pets, his eyes scanning every inch of your tiny clinic as though analyzing everything about you.
It felt... odd. Wayne money didnât typically find its way into the rougher parts of Gotham, yet here they were, weaving themselves into your routine, your space, your life.
Then the flowers started arriving.
Every morning, a fresh bouquet sat at your doorstepârare, expensive arrangements that made it clear this wasnât some random act of kindness. No name. No note. Just a silent reminder that someone was watching. At first you thought it was an accident, but the bouquets continued to show up, it made it obvious they were meant for you.
You told yourself you should be creeped out. But no one had ever sent you flowers before. No one had ever gone out of their way to make you feel special. No one would be bothered if you took them into your flimsy apartment. No one would complain and the flowers made your apartment kinder, nicer and just lovelier to wake up to
Then, one evening, Bruce Wayne walked into your clinic.
It was different from the others. The moment he stepped inside, the air in the room shifted. He didnât rush, didnât hesitate. He moved with an easy confidence, his deep blue eyes fixed solely on you. His usual playboy smile on his lips that could melt anyone, and yet here he was, looking at you as if you were royalty.
âIâve heard a lot about you,â he said, his voice smooth, warm.
You were frozen in place. The billionaire, the man Gotham worshipped, was standing in your dingy little clinic, smiling at you like you were the most fascinating thing in the world.
That was the beginning of the end.
He returned often. Sometimes he brought gifts, small, thoughtful things that showed he had been paying attention. A book you mentioned wanting to read. A coat after he ânoticedâ the thin fabric of your usual one. Every gesture was perfectly calculated, yet felt so natural, so effortless, that you found yourself leaning into his presence without a second thought. He came by at the same time everyday and you found yourself watching the clock closely, heart speeding up whenever it was almost time for his visit.
When he invited you to dinner at Wayne Manor, it felt inevitable.
And when he suggested you stay the night after a few glasses of wine? That, too, felt natural. It was late, Gotham is dangerous, not to mention that you didn't want to bother the nice butler.
When you woke the next morning, disoriented but warm beneath the heavy silk sheets, Bruce was already there, waiting with a tray of breakfast. His smile was soft but filled with something deeper, something darker.
âIâm so glad youâre here", he said with the same sweet voice.
Something was wrong. You knew something was wrong. The prince of Gotham not only invited you to dinner, let you stay the night and now he is in the room with a tray of breakfast? It was simply to weird to be true. But he was looking at you like you were the most precious thing in the world, and for the first time in your life, you felt seen. You felt like you belonged on this place
So you stayed.
And stayed.
Days bled into weeks. You told yourself you could leave if you wanted to. That nothing was keeping you here. No one really forced you to stay. And yet... you couldnât leave, it was like i higher force told you that you were right where you belonged, where you were cared for and loved. And then there was the family, so warm, so eager to keep you close. You werenât a prisoner. Not really.
You were theirs.
Dick was the easiest to get attached to. He was light, warmth, and safety all wrapped into one human.Movie nights with him turned into deep conversations about life, love, and loss, his struggles with relationships, especially with his family since he works outside of Gotham. He would confide in you, let himself cry against your shoulder, and then whisper how much he needed you to stay, how no one had ever made him feel this way before. âYouâre the only normal one here,â he would say, his fingers tight around your wrist. âYou make everything feel right.â
Jason was differentâquiet, intense, always hovering near but never too close. He would accompany you on walks through the gardens, listening more than speaking. When you talked about books, about the things that made you happy, memoriesfrom your childhoos, he would nod along, his face unreadable but always at peace. But you noticed the way he would subtly recommend books you might like, covering it under the guise of "a friend recommended it, but i haven't had the time to read it yet, why don't you give it a try", the way he perked up when you actually listened and bought the book and said you enjoyed it. He was quiet, but you could feel itâthe way he held on to every word, the way his presence lingered long after he was gone. His action spoke of how much he looked up to you, a father-figure that he had a normal relationship with.
Tim was an enigma. He barely slept, barely ate, but he always seemed to be there. At dinner. During family time. During late-night kitchen visits where he would sit across from you, a coffee cup in hand, while you ate a bowl of cereal. He would ramble about theories, about mysteries in books he read, some "case" from a the series he watched and though you hardly understood half of it, you nodded along, letting him talk. He needed that. He needed you. A presence that didn't tell him to quiet down, didn't butt in to tell him he was a bit too paranoid.
And Damian? Damian clung to you. Always following you around, like a puppy. It started smallâsitting beside you, leaning against you, watching you with sharp green eyes. Then came the possessiveness, the way he would glare at his brothers when they got too close, the way he fell asleep in your bed without asking. Not much time had passed before he called you brother
âI will not betray the honor of being by your side,â he had murmured one night, curled up against you. It was meant to be a statement, not a question.
And then there was Bruce Wayne. The man that looked at you as if you hung the stars. He cared for you like no other, always making sure you were alright. He spent most of his free time with you and he made sure you knew that he appreciated the way you brought the family together. Family time before you would often lead to fights, regret or just utter silence, but with you here, someone so ordinary in a special way the time spent together was peacful. Even Alfred the butler always smiled at you.
At this point you couldn't leave, be it because of you or because of the family that would made sure you wouldnât.
They werenât going to let you go. You were part of their family, their brother and son, the light of the manor.
And worse?
You didnât want to leave.
Because no one had ever loved you like this before. No one had ever looked at you like you were the most important thing in the world. It was sick, it was wrong, it was obsessive.
But it was also love.
And maybe that was enough.
Being a part of this family was probably the one thing in your life that felt right.
DC has a grip on my life rn, so feel free to request something. But other than that, i hope you all have a great day :)
#male reader#x male reader#x you#dc x male reader#dc x reader#dc x you#batfamily x reader#batfamily#batfam x reader#batfam#bruce wayne x male reader#Bruce Wayne#dick grayson#dick grayson x male reader#jason todd x male reader#jason todd#tim drake#tim drake x male reader#damian wayne#damian wayne x male reader#bruce wayne x reader#Dick Grayson x reader#jason todd x reader#Tim Drake x reader#Damian Wayne x reader#yandere batfam#yandere x male reader#platonic yandere batfam#platonic yandere
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god ok also gotta say as a choreographer, whoever did the superbowl choreo was a fucking GENIUS like. it manages to be so effective without ever being flashy or complicated & like. flashy & complicated are great but to do the basics this effectively is PHENOMENAL. the repeated motifs are so striking and so strong and so CLEAR in their meaning its PAINFULLY effective - the contrast of more relaxed dancers just vibin and having a good time at the beginning & end, when its just people being themselves vs. "what america wants" - disquieting, emotionless, rigid lines of soldiers throwing salutes while kendrick & sza are singing on stage in the middle, keeping the people entertained & distracted as the goose-stepping dancers circle like sharks
and thats not to even mention the SCALE - working with such crisp colour lines in such an ENORMOUS group is staggering to even fathom like. making sure all the reds are in the right place at the right time & you dont have someone who was a blue in one section but accidentally wound up in the white group somewhere in the shuffle....... the formations are UNBELIEVABLY complex & span such an enormous space, its mind blowing to think about. over a hundred dancers. over a HUNDRED people to keep track of at all times to make sure they're getting from one place to another in the right way at the right times in the right formations. over a HUNDRED.
the dancers executed FLAWLESSLY too - taking big steps and remaining PERFECTLY in line is incredibly hard & they made it look effortless. the amount of split-second transitions to nail and vibe-shifts to hit.... oh my god. also shot to the camerapeople who were working their asses off on those transitions just as much as kendrick & the dancers were
also thinking of scale like... arena choreography and stage/film choreography are VERY different things. on a stage or in a music video etc. you have ONE front. at most on a big stage the audience might wrap slightly around the sides but generally speaking, you're choreographing for the people or camera in front of you, and they're gonna have a pretty good view of your face the whole time. arenas are MASSIVE, and there are people on ALL SIDES. you can't pick A Front, you have to be entertaining people all around you simultaneously, which means completely rethinking how things are structured. you also can't rely on detail nearly as much, because the audience is Really far away. even if there are screens, you want to make sure that there's something to look at on the stage itself, so the audience doesn't feel like they're just watching a music video. it's still a live show & you want it to feel like one
so theres a balance to strike between giving the individual artist focus & acknowledging that they literally... can't face every direction at once. even if kendrick is facing away, there are always dancers doing something that'll be visually striking at a distance for the audience to enjoy. but at the same time because there ARE cameras, it also has to work for video & HAVE those detailed up-close elements, so the footage doesn't just look like a guy bopping around with people walking past him for the whole time. the most effective example i can think of is in peekaboo - the groups of white-clothed dancers in the X is visually strong from a distance - even if you can't see exactly what's going on, it's an interesting visual, whereas up close you have the strong music video feel of kendrick popping up out of nowhere; of all these different up close groups of dancers giving their full performance directly to one front while that front is rotating from one group to another, as opposed to the multiple surrounding fronts on the main stage. it transitions from an arena show to a music video (and then back when he walks out onto the main stage with that trail of dancers so the visual is most effective from above rather than up close) SO EFFORTLESSLY and makes absolutely brilliant use of the space
this is literally jsut stream of consciousness it could definitely all be phrased better & honestly i could keep talking for a Long time like i didnt even get in depth abt the use of colour in the costuming & the way every costume is slightly unique in the up close shots but when you pan out to the stadium they become lines of clones like. god i could go on!!!! i coudl go on!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! its a masterpiece choreographically fr its elegant its communicative its mindbogglingly complex ive watched it five times now trying to absorb as much as i can
#chewing on my hands chewing on my hands chewing on my hands#i also watched a video of t-pain reacting & he said this is the kind of choreo/staging he wants at coachella so expect a trend coming#(honestly the t-pain video is worth watching its very funny he spends the whole thing basically going. ''this is so good i hate you'')#(and roasting kendrick for only knowing 3 dance moves lmao)#kendrick lamar#long post#lmao oops i went on way longer than expected#honestly dont Ever ask me about any dance video unless you want this kind of speech
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critical asset
n. def. a specific entity that is of such extraordinary importance that its incapacitation or destruction would have a very serious, debilitating effect on the ability of a nation to continue to function effectively.
who? spencer reid (s7) x analyst!reader summary: the one where you and spencer finally get closer, even if it's just because penelope's too busy. content warnings: pining spencer, r and penelope argue word count: 1.8k
Itâs painful how much Spencer likes you, wishing he could just transfer to counter-intelligence and be around you all the time, especially these days. You donât come downstairs as often anymore, not since they put away Doyle, and it makes him all the more restless. He pursed his lips, looking at the chess game he was playing out, his interest in it sapping the more aware he was of your absence.
A few weeks ago, you would have been sitting right across from him, contemplating your next move, toying with the bishop between your fingers, so focused on the game that he could stare at you as long as he liked. He liked watching your sharp eyes dart around the board, assessing threats to your victory, liked watching you chew your lip as you thought about what to do. He could notice the exact shift in your expression when you knew you were either going to win or lose.
âI see it in 4,â you said, running the tip of your tongue over your teeth, glancing up at him as his gaze shifted to the pieces, the litte furrow in his brow as he wet his lips, trying to see what you did.
âHow?â he asked. He was so sure he hadnât given you a way out⊠until he watched you arrange each move delicately and his lips pursed into a pout. âRematch?â he would ask, noticing your smug smile.
âMaybe tomorrow,â youâd say, standing up and squeezing his shoulder before youâd walk away, and heâd sigh, like heâs doing right now, sweeping the pieces into the cloth drawstring bag and folding up the wooden board to put back in his desk.
Heâd get one over you more often than not when playing chess at least. He couldnât say the same for everything else. But if anyone would say yes to a meditation sci-fi film, he knows itâs you â youâre one of the rare few people in his life who has obscure interests like his.
âMy Russian isnât that good,â you said as he waited by your cubicle for an answer, watching you turn off your desktop, drumming his fingers on the top of your transparent divider.
âI can translate anything you donât understand,â Spencer offered, able to sense that he was close to prying a âyesâ out of you.
âIâve heard your Russian,â you replied, raising a brow at him as the two of you stroll to the elevatory. âJust cause you can memorise the language doesnât make you fluent, Reid.â
âWell, how am I supposed to become fluent if I donât immerse myself in the language?â he asked, knowing exactly how to modulate his voice to melt your resistance. He sees your nose twitch and he knows heâs got you.
âFine, but youâre buying dinner,â you replied, pointing at him and he frowned at you.
âHowâs that fair if Iâve bought your ticket too?â he asked, pressing the elevator button. âPlus paying for snacks, and you know those places charge extra than normalââ
âUgh, fine, jeez,â you replied, leaning against the wall. âIâll buy dinner.â He was content with that, waiting for you to get in the elevator before following you. A thought crosses his mind, unbidden, that he had never said anything about getting dinner together, and hope flares in his chest. Maybe you wanted this to be a date as much as he did.
Itâs dashed when he overhears your argument with Penelope when heâs supposed to be asking her to track down gas stations close to their crime scene â âWell, maybe I wouldnât be feeling left out if you werenât constantly shutting me out!â you cried. âGod, I mean, you didnât even let me know you were going to work this early, but you seemed fine calling up Kevin to carpool with.â
âItâs⊠Thatâs⊠Itâs just complicated, okay?â Penelope cried, already on the edge since theyâd lost Emily.
âYeah, a lot of things seem complicated with you lately,â you said, scoffing. âItâs kinda hard to support you when I donât know whatâs going on with you, Pen. Youâre either working or youâre with Derek or youâre with Kevinââ
âYeah, well, I could say the same about you!â Penelope shot back. âBeen on any dates with Reid lately?â she asked and his breath stuttered where he stood, out of sight, behind the slightly ajar door.
âWhat else am I supposed to do when youâre always bringing Kevin home?â you demanded. âSeriously, itâs starting to feel like heâs a third roommate lately. He certainly eats like one.â His heart sinks at your words â were you only hanging out with him because you had nowhere to go? Spencer pressed himself back against the wall. âYou know what, if heâs gonna hang around that much, you could at least get him to split the groceries,â you snapped at her, heading for the door.
âYeah, wellâŠâ Penelope struggled to come up with a retort as fast as you did â she didnât have a cruel bone in her body. Or at least, she wasnât as quick with using it. âWell, if youâre gonna spend that much time with Reid, the least you could do is throw that boy a bone,â she called after you as you stormed out, slamming the door behind you and letting out an enraged huff as you stalked down the corridor, oblivious to Spencer.
He swallowed, watching your retreating figure and letting a beat pass before contemplating whether he should go to Penelope. Maybe he should just have Morgan talk to her instead. He turned on his heel, making his way back to the briefing room instead.
Spencer stared at the clock, watching the hands tick round until you would finally leave. All this week he had been trying to convince himself that you were avoiding him, but that was just his paranoia talking. Youâd been avoiding everyone, really â him, Garcia, Morgan⊠your behaviour towards other people was almost exactly the same. Almost, but not quite. You had been colder to him specifically.
He just couldnât help thinking you were upset with him.
âYou okay?â he asked, catching up to you outside the building, a slight pant to his voice due to the short sprint he had to do to catch up to you in time. Your pace had slowed, and with your gaze to the floor, you let him fall in step beside you. Spencer tried not to pay too much attention to the distance you kept between the two of you.
He noticed everything about you. He couldnât help it. He had noticed the stiffness in your shoulders, the rigid way you carried yourself.
"Fine," you replied half-heartedly, turning your keys over in your pocket. "I just hate taking the train home."
âWhy not get an apartment thatâs closer to here?â he suggested, stuffing his hands in his own pockets, his messenger bag slung over his shoulder as he fell into step beside you. Heâd noticed you had been taking the metro a lot more than usual. He wondered if everything was okay with your roommate.
"I like living in DC," you replied, walking with him to the station. He hated driving as much as you hated the train.
He nodded, walking alongside you. He wished youâd look at him, though. He could never guess what was going on in your head â was everything okay? Had he done something wrong? You seemed colder to him these days. âWhatâs been going on with you?â he asked, his voice soft. âYouâve been a bit down lately, are you sure youâre alright?â You finally looked up at Spencer and he had to catch his breath â heâd never get used to your eyes, the sharp intelligence in them, the focus.
You sighed, looking ahead again. "Penelope's been... I dunno, things aren't great between us."
âWhyâs that?â he asked, reminded of your argument again. The two of you were always together, you were inseparable. âIs everything okay?â He was about to reach out, touch your arm, but he second-guessed himself, not wanting you to push him away. He couldnât take it if you did.
"I don't know," you confessed, your nose tinged red with the cold, still turning over the key in your pocket to keep yourself grounded. "She's working overtime, if she's not on a case, she's working on something with Derek that she won't tell me about, which is fine, I get it. If anyone understands classified projects, I do. And then she's always with Kevin and I just..." You let out a breath, like you haven't let all of it out in a while, and it fogs up a little, your eyes glassy. "You know, you see yourself as this central person in someone's life and then suddenly... all these other figures come in and you just... don't know where you fit in anymore."
The look in your eyes made him ache to comfort you and he had to look away to stop himself from being overwhelmed by what he saw there. âPeople get busy,â he said, softly. âIt doesnât mean she doesnât value your friendship, or that she doesnât want you around as much as you want to be.â His fingers twitched against his own palm as he spoke â he knew the feeling in your words all too well. He hated the idea that you were going through what he did on a daily basis.
You blinked the dampness in your eyes away, focusing on putting one foot in front of the other. "It's whatever," you murmured, tucking hair behind your ear.
Spencer looked at your profile as you walked and he had to look away again. He was starting to lose count of how many times heâd stopped himself from reaching out to you. He wanted to, he wanted to so desperately⊠but he was also terrified of rejection from you. He didnât have an endless well of confidence, and he couldnât bear it if you pushed him away. So he settled with wishing he could help you more than he currently was.
"How are you doing?" you asked, glancing at him. "With Emily and everything."
Spencer cleared his throat as he walked beside you, staring at the ground in front of him. âI think Iâm still in shock,â he said, softly. âI miss her a hell of a lot, Iâve never connected with someone so quickly.â He didnât even hesitate before he added: âExcept maybe with you.â
You huffed a little, smiling. "Nerds of a feather, right?"
He nodded, smiling. âYeah, I suppose so.â He glanced over and met your gaze, and he couldnât help the way a grin bloomed on his face, your eyes meeting his.
You smiled at him, your eyes lighting up in that way he loves â not just with amusement, but with warmth, and his chest started to ache, just a little. He could do this forever.
His heart skipped, and for a moment he could forget everything. For a moment, everything was perfect, just you and him.
#spencer reid#spencer reid x reader#spencer reid x analyst!reader#spencer reid fanfiction#spencer reid imagine#spencer reid x you#spencer reid x y/n#criminal minds#criminal minds fanfiction#my fics
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lamb who kills the one who waits when the time comes to decide, furious and betrayed at being asked to lay down their life after everything they'd done, after-
they kill him, and don't stop to see what happens to the body, carried away by their celebrating followers. They rejoice the whole day, of a final victory against evil, riling each other up to the heights of joy and mania until late in the night.
And then Lamb goes to bed and blows out the lamp and the their decision finally sinks in.
what have they done.
they wake the next day trembling from forgotten nightmares, overheating as they make their way through the day's chores, blank-faced and numb. the call to sermon is waved off in face of a headache, as they try not to think about how much of what they preach no longer is relevant.
the week passes in a haze- they unthinkingly leave offerings in the wooden chest until they rot in the summer noon; call out the rituals in Narinder's language and pretend the power isn't fainter than usual, go on a crusade to get their mind off things- except the last is the worst of it all, because the crown's eye is pale pink, pupil fat with power, instead of the crimson cat-eye that Lamb is used to, and there's no getting away from the fact on how silent it is when no one is watching behind it.
how silent it is because no one is there.
yet somehow worse still is-
"hope you feel better soon, leader!" a younger follower says, tucking a camelia into their wool. they know they've been distant lately, avoiding worries left right and centre. "praise the one! he'll make everything alright."
it's like a hammer to the chest, leaving them breathless and stunned, to realise- they never commissioned a statue of Narinder, after all these years. so stubborn in only leaving the crimson eye scratched around the cult grounds as his symbol until he found an artist worthy of Lamb sharing the image of the god of death, that-
no one else except the lamb knew what narinder looked like. they had no idea whose defeat they'd celebrated.
no one but Lamb remembers their god.
..
it gets harder after that.
Lamb isn't sure how many people have left the cult by the time the Mystic Seller's demand comes through, to save what's left of the Bishops from endless purgatory, before their violent shadows disrupted the fabric of the four realms.
They stare, speechless and disbelieving, at the outrageous ask, before it suddenly sinks in that-
The bishops.
The bishops.
They run through the lands once more with eagerness, sword slashing harder each time, ruthless and relentless in their kills. They reconquer Leshy and Heket brutally, curtly setting out the terms when they are diminished back to mortal and forced to stay in the cult. They agree, and agree to keeping their peace as well when Kallamar and Shamura join them, surrounded by a cult that's flourishing once more, waiting eagerly for a familiar stranger. Lamb tells stories around the fire about The One Who Waits, watches the smiles on their followers' faces reappear, the ones who had fled their anger and depression slowly making their way back to the flock, and the cult grows back to its full potential once more.
And then Lamb runs up the stairs when it's all ready and beautiful and welcoming, beams at the Seller as they wait for their instructions.
The Seller frowns. "Yes?"
Lamb tilts their head, rusted bell on their neck tinkling. It had broken the day after Narinder's defeat, the collar finally fluttering to the ground in tatters like a cloth of eighty years should; but Lamb had repaired and maintained and polished it until it wrapped proud around their neck once again. Their heart is beating in their chest, excitement running through their veins. They'd forgotten how it felt to be on the cusp of going to meet the One Who Waits.
"The last bishop still remains," They laugh, joy spreading through them. "I have to go get him too, yes? For the good of the universe and all."
The Mystic Seller... is silent.
"Narinder was not a Bishop," It says finally. Lamb's smile drops. "The Three-Eyed Cat had completed his ascension when he mastered the resurrection ritual. He was a God."
Lamb's heart drops to their stomach, stumbling like they've taken a hit. "What? So what? Can't I bring him back?"
The Mystic Seller tilts their head. "No."
"What do you mean no?" Lamb's nostrils flare, red crown sparking as they take a step closer. "I brought all those others back, why can't I-"
"They were the pillars of the very order of the world-"
"They were fucking MONSTERS!" Lamb shouts. "And what, death isn't?"
"It is," The Seller says, unaffected by the screaming. "But you are the Bishop of Death now. The cycle has begun again."
Lamb feels like they've taken an arrow to the chest. They stumble forward, and then to their knees. "No," they whimper. "There has- has to be some way to bring him back."
The Mystic Seller stares at them. "You were the one to kill him," They point out, and Lamb feels bile rise in their mouth as their breathing gets faster. "Why would you want him back? A thriving cult, an usurped crown, his spells in your hand-"
"Shut up," Lamb hisses.
"-you have all the power you could ever want, little sheep. Your revenge against the murder of your people."
"He wasn't the one to do it!" They shout up at the Seller, despite the hypocrisy- it had been part of their thoughts when they'd raised the axe again and again and again; the resentment of if it wasn't for you-
"No, no, no, no, no," They whimper, holding onto their biceps and shaking. "Narinder."
It is the first time they have said his name in five years. That realization is what makes the tears finally fall.
Their throat is hoarse when they finish, eyes swollen and blood pooled around them, skin already healing back to perfection where they had clawed through. The Mystic Seller stares at them and sways, silent.
"No," The Lamb finally says, and gets up, determined. Walks past the Seller, to the door behind, leading to the Gateway.
They wonder how they never realized. Or maybe they did, and were just lying to themselves that they didn't.
Lamb reaches the crater, with the rusted chains and wooden crucifixes rising out from the fog around it and comes to a halt.
Narinder is exactly where they left him.
Bones only now. Blackened by all the rituals he performed, he'd told them once; perfectly placed, like he had just fallen.
Lamb still has the ointment they made with their first cult sitting in the back of their cupboard, back when they were naive enough to think it would only take months. Ointment spelled to help grow back the fur on his rotting arms, worn to nothing by a thousand years of pulling at the chains and them tightening on him every time he moved in response.
The skull could be anyone's, now.
Two ribs are broken, where Lamb's axe went through. Straight to the heart.
Lamb exhales and shakily kneels to the ground, lowering himself to Narinder's side, careful to not dislodge a single bone out of place, and molds their body around the skeleton in a perverse mockery of a lover's embrace. Violently, abruptly, they want that, so much it burns- Narinder's arms holding the close one last time. It feels unbearable, to have- to have him lowered to meet Lamb at his level, to have him attainable instead of a towering, unreachable, terrible eldritch horror, and for him to be dead.
Oh, Lamb thinks, shaking as tears form in their eyes. Oh, I loved you. I love you.
"Darling," They choke out, tracing one cheekbone. "My baby. My one. My death. Come back, will you?"
Narinder opens his eyes and shoots them an unimpressed look. Lamb sobs, shoulders heaving, gasping as claws embed themselves in their throat- whole, complete, strong, paw soft as a cloud, faint markings on the fur Lamb never knew he had now drenched with blood.
They laugh, smiling through the tears as they push forward into the claws, flesh ripping and tearing as they push their mouth closer to Narinder's.
"I am sorry," They whisper. Narinder growls. "i love you."
"Traitor-"
"Fuck the crown," Lamb breathes back, moving to straddle Narinder to interrupt him, keeping the weight on their own knees to not damage his healing ribs. His claws are still in their throat, tangled in their stitches. "Fuck the power. Fuck the cult. Fuck religion. I only ever wanted you."
Narinder stills, looking up at them with sharp eyes. Lamb laughs around his beloved's fingers. "I only ever want you. What is life without you, Antim?"
Narinder studies them. Lamb waits, bloodied and grinning, patiently waiting, smitten to have those beautiful trifecta eyes upon them once more.
"I promised you," They whisper. "I promised to break you out of here. Let me, my one. My only one, who has waited so long."
Narinder takes a breath, tilting his chin down and then up. His claws twitch in Lamb's vocal chords, drawing them down closer to him.
Lamb whoops in joy and reaches up to toss the crown to the side, fitting their hooves to the last chain wrapped around Narinder's neck, binding him still to the Gateway, and splinters it into a thousand pieces, never to hold anyone ever again.
"Come," The Lamb whispers finally, moving back and gathering their lover up in their arms, still pressing their mouths together. "Let me take you home, Narinder. Mere jaan. Meri mrityu. My one."
Narinder sighs and buries his face in the crook of Lamb's neck as they start to walk away. "Turn back around, idiot. We cannot leave without the damned crown. And I am picking out the wedding decorations."
"Of course, my love," Lamb coos, and leans in again to kiss their greatest mistake.
#narinder#lamb#cult of the lamb#my fic#narilamb#i add in hindi cause i dont speak sanskrit but i am always on the indian narinder train okay#i will answer any questions abt this but PLEASE. PLEASE MAKE HIM INDIAN. NARINDER IS A SANSKRIT NAME AND IT WOULD BE SO COOL.#antim means end (pronounced with all soft letters)#mere jaan means my life#meri mrityu means my death#him being indian makes his speech pattern also make sense if you translate#also sorry to those waiting for freezer bride i was working on it i promise this has been in my drafts for years now lol
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idk I kind of feel like I'm an idiot bc I actually enjoyed cr 3 from the jump to the end but like the blogs who follow bc I feel they are definitely more articulate and insightful than me are like "the whole thing was meaningless and pointless! matt fumbled everything!" so maybe I'm wrong to have liked it all? I'm not really sure where I'm going with this sorry
I think one thing to keep in mind is that many (and in fact, I would argue, most!) people who are critiquing the story and construction have also generally enjoyed the campaign as a whole! Certainly I don't know anyone who stuck it out through the end who did not overall enjoy watching it, for various reasons; I know there are people who hate watch, which I think is an absurd and honestly really stupid waste of time, but from my experience they are normally making snide and vicious tweet-length posts rather than long considerations of what isn't working for them.
There are also a lot of levels of critiqueâI've greatly enjoyed a lot of moments in isolation that I simultaneously felt weakened, contradicted, or even actively undermined the structure of the story as a whole, but those moments were still really fun and interesting beats. The Arch Heart's cameo comes to mind, as does, in hindsight, some of the construction of the post-Solstice split, but there are plenty of others of higher or lower impact on the story. In the finale the Raise Dead falls into this place very strongly, so I'm going to talk about it at length for a moment, since it was an absolutely stellar moment for me personally and as such I do think it serves as very illustrative of an example where I simultaneously fucking love a moment while finding it worth significant critique. I think it also touches on the critiques you're referring to, which I would summarize overall as the idea that many of the outcomes feel influenced negatively by pulled punches on the part of the DM rather than a flaw of one player or another. (Also, I want to talk about it cuz I love it. :3) This got very long but I think that to your point, it is worth examining in this amount of depth.
First, the good: it is an absolutely phenomenal culminating point of an arc that was only really concluded in summary; I have, as noted earlier this week, written at length about how Essek is never situated as a protagonist, which is functionally fine and even good. He ends up tied very strongly to Caleb's arc, and moves in the narrative in such a way after 2x97 that allows Caleb to reach a concluding note, and strengthens that narrative. So we only really hear about the outcome of Essek's choices, his inevitable leave from the Dynasty, in the summarization of the campaign 2 epilogue. This is not inherently a problem, because he is not a protagonist. But this moment does functionally create a material representation of that denouement, and in particular the tension between the outcomes of his poor choices and the betterâpotentially even good!âperson he is trying to be as a result of the Nein's influence, which does strengthen his arc in its own right.
This moment also, hilariously, bears out my argument from this post. That the resurrection should only work with this intervention, particularly while the Nein are involved, does follow through on the Nein's general positioning within Exandria. Essek's leave happening without a fight (and, frankly, with only one attempted Counterspell) both makes for a very well-paced moment and also maintains the overall sense of story that the Nein impart when they are on screen; I'm thinking again of how their Ruidus episodes feel, much like their campaign and their post-campaign one-shots, like an intrigue action thriller series, and this fits well in that framing.
So overall, it is a fantastic moment... for the Nein. The Nein are not the protagonists of this story. They exist in the world, and are such active agents that they do continue to develop and exert motion on the narrative into this campaign, and frankly, I think this would have been fine if the party given ownership of this story and campaign did not abdicate their responsibility for it with unfortunate frequency. They do not exert a strong control over their story, which is at odds with the fact that the Nein do, and are present and also involved by the nature of their ending. It completely overshadows Ashton's heroic moment, in that the culminating action beat of this sequence is Essek getting away, which kind of takes the wind out of the sails of the Hells' involvement in the gods' outcome. It doesn't negate it, certainly, but it does refocus the story from them to, for some reason, Essek. So in this sense, it occurs at the expense of the Hells.
I find that while the handwaving of using dunamantic intervention to push Raise Dead beyond its limits (if indeed the reason it didn't originally work was because Ashton's brain was essentially gone) fits fine and even well within the framework of the Nein's story, and an NPC being able to do so without a roll is fine, since NPCs are vehicles the DM uses to guide the story, this is a significant divergence from the overall mechanics of the world at large; even the Nein had to do a full ritual for the resurrection of their tiefling. Matt put those mechanics in place specifically to create narrative meaning behind resurrections, which can feel very unmotivated and like a get out of jail free card in D&D, and while it's been noted that this would've really strained the runtime beyond its existing length, prioritizing it at the cost of, for instance, more truncated end notes for the Nein and Vox would've bolstered the Hells' presence in an ending to their own story that even many of their fans felt was ultimately lacking.
Giving the resurrection full weight would've also given Ashton's sacrifice and the Hells' involvement more narrative weight; the reason the other parties are involved at all is because the Hells were truly running on fumes by that point, but any lack of involvement this created could've been alleviated by having them directly involved through pre-established ritual elements that are not contingent on them having any mechanical offerings. So this moment sits within the context of critique that I agree with: that it felt like a pulled punch that ultimately also served to decenter the Hells within their own narrative, when it could've been used with more deliberate narrative force.
At the same time, I fucking love it, and watched it four times in a row yesterday, because it is so goodâand it is, as I described, narratively and thematically coherent in one sense! And I think that is one issue of the campaign: many, many great moments are excellent and coherent in a certain framework but are weaker to varying degrees when considered as one piece of a larger whole. There are so many frameworks at play in this narrative, and not enough direct intervention to manage those as frameworks rather than as a single story, but at the same time, I think those frameworks are far more apparent if you're really looking for them, and that's much more difficult, if not impossible, when you're in the midst of them and telling the story.
I also don't think this means one cannot critique this; in fact, I would say this is more an issue of being a serialized narrative than an improvised one, which is often how critique of it has been pushed back against within the fandom. I was thinking about this as I'm currently in a course on, quite literally, how to critique comics, and we discussed this week how Marjane Satrapi said in an interview after making the film adaptation of Persepolis, which was first a serialized comic, that she ended up preferring the film, and I speculated that was because with a film, one has the ability to make a more cohesive narrative purely by virtue of the fact that with a serialized form, you cannot go back and make retroactive edits when new developments come to light. This is something that long-running comics must constantly navigate (as do many long TV shows), and in extreme circumstances such as decades-old comic franchises, ends up resulting in infinite timelines and hand-waving, which becomes so ridiculous that at this point it's a meme. In that scenario, though, it is not presented as a non-contradictory story, let alone a cohesive one.
Many of the critiques of campaign 3 are operating within the idea that this is presented as one overarching narrative. (And honestly, comics and other narratives that don't utilize that presentation are also still critiqued on that merit by people who greatly enjoy the texts they're critiquing anyway.) Within that context, I feel that the framing of the Raise Dead, as well as much of what would be my critique of the other pieces I referenced (the Arch Heart's cameo and some of the party-split sections) if I was to do the same kind of rundown of those, actively undermine this presentation by introducing and forefronting too many conflicting frameworks that are not interwoven well enough to create a single, cohesive overarching narrative.
This is a very long-winded way to illustrate my point, which is that I would really encourage reading critique not as a lack of enjoyment of the campaign, let alone a suggestion that no one should've enjoyed it (and if you did, then you're not smart enough to know better), but as a way to engage with the text(s) as presented within one framework or another. I think this is sometimes obscured in online fandom spaces, where we're not engaging in critique in as formal of a sense as one would in, say, an academic setting, where the norms generally dictate the framework one is using is explicitly stated if not fully delineated within the critique, but it is, more often than not, still implicitly present within the critique.
And as a final note, I would also really urge everyone reading others' opinions on something they enjoy to resist the urge to elide their own opinions from the conversation, even if you don't feel as articulate or as well-versed in critique. Critique is a trained skill, so it is certainly something one can pick up if they are inclined, and at the same time, someone doing it does not mean they are inherently rightâand in fact, with all argumentative writing, it is up to the reader to consider the argument and decide whether or not they agree with it. (You can decide that you disagree with me about the Raise Dead! Just because I wrote a thousand words on it does not inherently make my interpretation truth; it's just an interpretation. You get to say whether or not you think my interpretation makes sense based on the evidence presented.) Even here I'm using the framework of some critique that others have made, but I don't delineate in full myself. In doing do I'm not presuming that you agree, but I am presuming that you've read it and know what I'm referring to. Strictly speaking it's also not even saying that I take that critique as true; it's saying that I feel the conclusions drawn are applicable as a basis for my argument. If you wanted, you could even say that you feel that my argument is irrelevant to you because you don't feel those critiques are true! But you ultimately do have to be the one to decide any of that, which does involve a balance between a confidence in the formation of your own opinions on the text and an openness to entertaining others'.
#sorry this took me ages. I should be doing homework lmao rip#was I expecting to go cite class material in this? no. did I realize it was apt for my argument? yes#cr spoilers#cr meta#critical role#cr discourse#edited cuz I totally forgot a clause about essek's arc. it's under the cut so it doesn't matter but anywayyyy
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A kiss for the road
Arthur Morgan x traveling doctor!Reader
Warnings : no TB au, fluff, talks of some minor injuries, playful banter, established relationship.
This was commissioned by @yanban-san !
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The outlaw groans as he slowly rides into town, his horse taking a leisurely pace just so their rider doesnât get jostled too much. Entering a familiar town was just what Arthur needed, he knew the right places to avoid attention. His shoulder aches, the cut on his cheek stopped oozing blood a while back, no doubt youâre going to be upset with him over that.
But youâre better than trying to patch it up at camp by himself.
Arthur told himself he wouldnât fall, heâs not a good man, you deserve better than an outlaw like him, you deserve someone you could show off, someone you can go shopping with. He tsks at himself, so much for that plan. Snapping from his thoughts once his horse stopped moving, he found himself in front of a familiar little shop.
A traveling doctor, going from small town to small town to help people.
Youâre too good for him. His blue eyes linger over your open sign showing him you must still be in your little traveling cart. The cowboy canât stop the small smile from appearing on his face, knowing you arenât going to be very pleased with him getting into more trouble, especially after you told him just a week ago to take it easy.
Well, he supposes it has its upsides.
Hopping off his horse, he ties her reins to the post near your open sign before he picks up the sign and flips it to âclosedâ, and just walks right in with no knocking. He spots you on the other side of the cart back turned to the door, fiddling around with tools he doesnât quite remember the names of.
âSorry, just one moment please. Terribly sorry about that, how can I-â you pause mid sentence as your eyes lock onto your favorite cowboy, taking in the bruises over his cheeks, some hidden just beneath his shirt, he looks like a mess.
Arthur grabs his hat, taking it off and placing it over his chest.
âSorry darlinâ, it seems I got a few new wounds. Care to treat me, doc?â
Like his words snapped you from your thoughts as you rushed to him, gently grabbing his arms and moving him to take a seat. Oh Arthur knows he should feel bad about worrying, and heâd hate to admit it, but he finds himself enjoying your fretting, how you rush around grabbing things to clean and patch him up.
âOh my god, Arthur! How many times do I have to tell you to be careful? Heaven and stars above youâre lucky you havenât gotten any infections.â
He hisses under his breath, feeling you press antibacterial cleaner to his cheek. But he never takes his eyes off you, taking in your focused expression as you easily patch up his cheek.
You go to scold him more after youâre finished placing the bandage on his cheek, just for him to grab your wrist, carefully pulling you closer until your face is mere inches from his. Your cheeks burn at how close he is, but you canât help but lean into him. Your hands on his shoulders balancing yourself as your lips finally meet his chapped ones, his hands move placing one on your lower back, and the other on your hip holding you close to him.
youâre surrounded by him, his warmth, his scent, god how youâve missed him. your mind muddled even as he pulls his lips off yours, resting his forehead to yours.
âAm I forgiven, Doc?â
you blink once, twice, then several more times as you collect yourself, finally moving away from him to properly stand.
âIâŠsuppose, but that depends if you have any more injuries.â You give him a pointed look with your hands on your hips.
âNow, why would you think I got any more wounds?â He feigns ignorance, a playful grin on his face as he watches you narrow your eyes at him in a playful return.
âCause this is you we are talking about, Mr.Morgan. The second I let you leave this cart, youâll have a new injury from lord knows where.â
He raises his hands up in mock surrender before he moves around, making sure his bad shoulder was the one facing you, his back now towards you while he places his hat next to him and unbuttoning his shirt, just enough to free his shoulder to show you. You want to scold him more as you take in the new injury, looking at how bruised his flesh is around the gash.
âHow the hell did you manage that?â
Arthur tenses for a moment only to relax under your gentle touch, leaning against the warmth of your hand.
âDumbest way possible, surely.â
You chuckle at his words as you begin to ready to clean the area.
âOh, and how's that?â
âFinished a bounty, nice reward out of it too I can treat you after this. But, on the way back to camp some crazy jumped from the tree line and spooked my horse, threw me right off and wellâŠthere was a well placed rock right there.â
He canât even see your face but he can hear you biting back your laughter. Arthur rolls his eyes.
âYeah yeah laugh it up, infamous gunslinger lost a fight to a rock.â
You finally canât hold back your snickers, trying not to laugh too hard so you can see what youâre doing. Arthur grits his teeth, feeling your gloved hands brushing across the gash, listening to you hum.
âWell, luckily for you this cut isnât too bad, youâre free from needing stitches, but I need you to tak it easy, it wonât heal right if you lift too much or go on crazy missions, alright?â
âOh darlinâ you worry too much.â
âArthur, Iâm serious, you could risk infection and the area getting worse.â You get some gauze, wrapping it around his shoulder to make sure itâs secure, âYouâll need to come back everyday until itâs closed so I can monitor it, okay?â
Arthur looks back to you, his eyes meeting your worried filled ones, how did he get so lucky? What did he do to deserve another chance at love? He didnât know, but he knows heâs not going to let you slip away from him.
âSweetheart, you know Iâll always come back to you, all that worryinâ ainât good for ya.â
âI canât help it, I love you too much, I alway worry about you.â You rest your head on his good shoulder, hands clinging to his shirt as if youâre afraid heâll disappear.
âI love you too, sugar, now come âere, how much do I owe ya?â He swivels around to face you while he fixes up his shirt.
âReally? Something tells me you just like getting kisses.â You chuckle, a bashful smile crossing your lips.
Heâs such a gentleman for an outlaw, and ever the giving lover, how did you get so lucky?
âIf it helps you stop worryinâ Iâll give you as many as you need.â
Can you blame him though? His sweetheart is his doctor, a damn good one too, all patchinâ him up and fretting over him? Heâs surprised you canât hear his heart racing with what you do to him.
#arthur morgan x reader#rdr2 x reader#rdr2 arthur x reader#rdr2 fluff#red dead redemption arthur#red dead redemption Arthur x reader#not the fandom I usually write for but for you pookie anything#I fucking love Arthur#rdr2 x reader fluff#red dead 2 x reader
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happy birthday dust sans :3 âŒïžđ
"well, that's that. a grand execution, the perfect punishment for a sinner with lifetimes worth of crimes, and yet, nobody showed up, and dust didn't even try to fight back."
"heh. sounds pretty pathetic to me... but hey, maybe this was what he wanted."
"to die alone only accompanied by the ones he hated with nobody who he'd actually want to witness this?"
"maybe dying only with yourself would be less embarrassing than a public show. privacy is something you never realize you want until you lose it."
"... you were right, that does sound pathetic."
#happy birthday dust sans except he's not even in focus. in fact he is literally on his last day of birth#ANYWAYS LATE POST I KNOW BUT I MADE IT JUST IN TIME BEFORE THE 10TH ENDED IN MY TIMEZONE HEHEHE#triglycercule is officially back đđđ more murder time trio to come soon........TRUSTđđđ#killer sans#dust sans#horror sans#murder time trio#utmv#sans au#tricule art#i tried to replicate kinda a style similar to calvateyla's it'll probably look more obvious as the year progresses :3#the theme for this year's trio birthdays? death XD! ok well like yeah but i have plans ok hehehe :3 be ready for a killer and horror death!#but that's over in may and august....... for now february for dust :3#see last minute i realized i forgot that monsters dust when they die so i added that in last minute đđđđ#hmmm hmmm can i explain my own piece or no đ€đ€đ€ this is probably the most detailed thing ive drawn so far ever WOW#so there isnt really any context behind why dust is dead and the build up i just thought it would be cool#horror and killer hung him btw thats why there's 2 pulleys on the scarf and obviously why they're there... :3#dust is in the background blurred and not even in focus because like hrkl said: his death was pathetic and insignificant and lonely#dust's constant fight against the human and the internal conflict he has that causes him turmoil and outbursts seems loud and explosive#but really dust is just solemn and sad and quiet and suffering so i wanted to capture that... not a grand finale for him#as always my interpretation and take but i imagine dust initially struggled to not choke but then started seeing things the more air he los#and eventually he began listening to the insults and sobs of those he killed and gave up and allowed himself to die without even fighting#horror and killer can't see this of course because dust's hallucinations are in his own head (not like he can talk anyways LUL)#to dust his death was attended by too many of those he loved yet all telling him to give up#quite opposite to horror's idea that a solitary death is a comfortable one with no eyes to watch#killer is of course an extreme compared to dust and horror he doesn't care at all if people are there or not to witness the death#its irrelevant anyways :p he's just gonna die in the end so what matters dust's comfort if it all leads to the same outcome???#(keep in mind i've yet to do my killer analysis yet...... this is all advice and help my resident killer expert told me :3 soon though!!)#anyways!!! almost late but i made it just in time hehe!! god its been so long since i properly drew on digital its funnn!!!!#also the hanging via papyrus's scarf is a classic idea honestly B) its the best way for dust to go out imo........
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Bewitched by you? (Pt 4)
Welp guys⊠this is my last one.. I was brutally assaulted by an anon.. â
Iâm just kidding Iâll keep going despite my heart being shattered.
âââââââââââââââââ
I woke to the scent of coffee and the quiet shuffle of movement.
For a few seconds, I wasnât sure where I was. The hotel room was still cloaked in early morning dimness, the golden light of sunrise spilling through the half-drawn curtains. The bed beneath me was softer than mine at home, the sheets tangled around my legs. Then, the memory of yesterday settled into placeâthe long drive, the late-night check-in, the single bed.
And Lilia.
She stood by the window, coffee cup in hand, gazing out at the street below. Loose waves of dark hair tumbled over her shoulder, the soft light tracing the delicate lines of her face. She looked at ease hereâso much so that I had the ridiculous thought that maybe this town belonged to her, that maybe every place she walked simply bent itself around her presence.
I stretched, my muscles protesting the early morning. âWhat time is it?â
Lilia turned, her gaze sweeping over me like she had already been waiting for me to wake up. âLater than youâd think.â
I groaned, rubbing my face. âYou couldâve woken me.â
She smirked, sipping her coffee. âI could have.â
I blinked sleepily at her, trying to shake the drowsiness from my limbs. âSo⊠do we have time to grab something to eat before the reading?â
A pause.
Then, as effortlessly as if she had expected the question, Lilia said, âMy client wants to wait until tonight.â
I frowned, sitting up. âI thought you said she wanted us to come out here as soon as possible?â
âShe did.â Lilia set her cup down and grabbed her coat from the chair. âBut she changed her mind. Said itâs better to do the reading after dark.â
I hesitated. âIs that a thing?â
She shot me a knowing look. âThereâs a lot you donât know, Baby.â
I wanted to press further, but the way she spokeâsmooth, unbothered, as if nothing about this was unusualâmade me pause. It wasnât like I had any real reason to doubt her. If Lilia said the woman wanted to wait, then that was the plan.
âFine,â I muttered, rubbing my face. âWhat do we do until then?â
Lilia tossed me a set of keys. âCome on. Iâll show you around.â
The town was quiet, the kind of place where time seemed to stretch longer than it should. Cobblestone streets wound through clusters of brick buildings, their windows decorated with flower boxes and wrought-iron lanterns. Every so often, we passed a café with tiny round tables set outside, steam rising from cups as the morning crowd sipped their coffee in silence.
Lilia moved through it all with effortless familiarity, leading me down winding streets and tucked-away alleys.
âThis place is beautiful,â I admitted as we passed an old bookshop with a deep green awning.
Lilia hummed in agreement. âIt has its charm.â
There was something strange about the way she said it, like she had known this place long before today.
âHow do you know your client?â I asked, glancing over at her.
Lilia barely hesitated. âA referral.â
âFrom someone in town?â
âSomething like that.â
I frowned slightly at her vague answer but let it go. Lilia was always like thisâonly giving away what she wanted to, never more.
We walked for a while longer before she led me to a bridge overlooking the river. The water shimmered under the sunlight, its surface broken only by the occasional ripple of a passing bird. Along the railing, dozens of colorful ribbons were tied, fluttering gently in the breeze.
I ran my fingers over one. âWhat are these?â
âA tradition.â Lilia leaned against the railing, watching me with quiet amusement. âPeople write wishes on them. Tie them to the bridge, let the river decide if they come true.â
I glanced over at her. âDo you believe in that?â
She smirked. âI believe in many things.â
The day slipped by in a haze of quiet moments.
Lilia took me to a cafĂ© tucked into a hidden courtyard, where we sat outside, drinking coffee as she pointed out the small details of the townâa weathered statue in the square that no one really knew the origin of, a door painted deep blue that supposedly never faded no matter how many years passed.
At one point, we found ourselves in a small garden, tucked away behind a crumbling stone wall. The scent of lavender and jasmine clung to the air, and the sun filtered through the trees in golden patches.
I watched as Lilia ran her fingers lightly over a row of rosemary plants, a small, thoughtful smile playing at her lips. It was strange, seeing her like thisâunhurried. There was always something untouchable about her back at the shop, but here, she seemed more present. Like this was where she had meant to be all along.
âYou like it here,â I murmured, half a statement, half a question.
Liliaâs fingers stilled on the rosemary for only a second before she turned to me. âI do.â
Something about the way she said it made me feel like there was more to her answer. Maybe I should ask?
But before I could, she stepped closer, brushing a stray leaf from my sleeve. âYouâre enjoying yourself,â she noted.
I scoffed. âYou sound surprised.â
She tilted her head. âI wasnât sure youâd be able to slow down long enough to appreciate it.â
I frowned. âWhatâs that supposed to mean?â
She smirked, stepping back. âOnly that you have a habit of thinking your way through things instead of feeling them.â
I opened my mouth to argue, but the truth of it settled too quickly in my chest.
Before I could come up with a retort, Lilia glanced up at the sky. The sun had begun to dip lower, the shadows stretching longer across the cobblestones.
âWe should head back soon,â she said. âThe readingâs in a few hours.â
Right. The reading.
Somehow, Iâd almost forgotten why we were here.
I exhaled, shaking my head as I followed her back toward the main square.
Something about this town felt different nowâless like a simple stop on a trip and more like a place meant to be remembered.
And something about Lilia felt different too.
âââââââââââââââââââââââ
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what i'm thinking of right now is what if someone tried hitting on you out while out on a date with your love.
satoru would've stepped away to grab the ice cream that had you waiting in a line for what you thought would feel like forever. it was fun though, the two of you pausing your initial conversation about the days plans in favour of people watching and listening in on the very scandalous conversations of those who stood with you in line. your eyes meeting in shock or surprise every so often, doing your best to disguise your laughs and gasps with charades of idle conversation and your own scandalous conversations referencing drama that, mind you doesn't really exist in your lives at the moment.
while he was a way your getting hit on by some creep. it didn't come off that way initially, but man was this getting uncomfortable fast. can this guy not take a hint? he's asking for your number once again and your refusing once again politely at first, and more stern as the advances keep coming. your not used to people that won't listen when you speak. since when did back off mean come closer? since when did i'm not interested become im just playing coy. since when did im taken, leave me alone translate to my relationship isn't real or isn't important to me and id throw it away for someone who doesn't understand basic boundaries and uses those suffocating, nauseating colognes?
drawing closer and closer to you. face far too close to yours, breathe stank too. yuck. he's gaining confidence now,convinced the 'boyfriend' you were talking about was an excuse you'd made up. your just nervous is all. playing hard to get.
panic starts to set into your bones. he's leaning back, all cocky now.
come on doll face, this 'boyfriend' of yours doesn't have to know. quit playing so high and mighty i know you want me.
you think you might throw up. when an ice cream cone hits him right in the centre of his face. comically sliding down his face. and satoru enters the scene. sun creating a halo around his fluffy white hair, your ho is glowing. signature classes sat pretty low on his nose his skin a little flushed from the heat (hence the ice cream) he's holding two more cones in his hands, walking towards you and and the offender, mock sympathy in his voice. as he expresses apologies that to just might seem sincere if your that stupid if you tried hard enough. grabbing the cone of his face to meet his eyes.
satoru has a incredibly towering stature, and while this wasn't news to you, it's quite impressive to see its advantages in real time.
peaking down at the face behind the sweet creamy mess, satoru recoils. "ew." his tone dripping with absolute disgust. turning around to make his "bleghh" face as he presses the now ice cream less cone into the man's hair. like a sad party hat above his head an sticks on of the other two, being careful to use the flavour he knows you like least, straight back into his face. massaging it around to cover as much of the monstrosity as possible before nodding proudly for his work. a pat on the make, and he's turing on his heel towards you with that blinding smile on his face.
dramatically, satoru drapes his hands over you shoulders, and leans his weight it, a pout on his strawberry glosses lips. "babyyyyy, the sight will haunt my night mares, scary people out there" he tuts standing straight with a satirical furrow between his brows. he should have been a theatre kid with all these dramatics. though you were greatful, and relived. he makes life feel so easy. it's contagious.
he looks down at you through his sunglasses small smile playing on his lips, face no longer contorted by an expression of discomfort or disgust.
satoru hands you the last cone. after all the two he got for him have served greater purpose than satisfying his sweet tooth. strong arm loosely hangs from you shoulder as you walk off leaving behind the cheap excuse of a man now covered in creamy deliciousness far too good him. your laughing at something satoru said as he glances back to see yhe newest addition to his hit list muttering to himself as he try's to get the ice cream of his over gelled greasy hair, fake designer top and horribly ugly face. satoru thinks he should just keep it as it was. ice cream was a far more pleasant sight. he looks back down at you eating away at your cone, there's a little caught at the corner of you lips.
smirking he leans down to lick it off, taking advantage of the angle of your head above his to make his eyes wide and pretty for you the same way he would when he was licking something else. your flustered, mouth open, paused mid sentence and your eyes wider than his now. wide eyes portraying his faux innocence drop to a sultry lidded gaze leaning in to kiss away another but in the other side. your fingers going up to feel if there's anything there on instinct.
he stands up quick, back to his regular self, pinching your check acting as if nothing had just transpired. like the subtle innuendo was felt only by you. "are you blushing?? god baby your such a pervert. is that all i am to you???"
and he's back to the dramatics. rolling your eyes your shrug him of and continue. he stays, watching you, his beloved walk ahead, he feels himself let out the dreamy exhale of a lovesick fool, he'll be the first to admit that for you, he is nothing else.
a quick jog is all it takes to catch up to you. arm coming back around your shoulder he leans in like he weighs the same as the feather. burying himself close to you. you smelt sweeter than ice cream. his hair tickles your neck, and your his face.
"baby"
a hmm is all he gets in reply, to busy lapping away at your cone to pay attention to the kind sexy clown you call you boyfriend. he got your favourite flavour after all.
extravagant gestures weren't something satoru shied away from, as we have gotten to see up close today. he was loud and carefree but he was yours. and you his. walking side by side, his arm around your shoulders, head resting close to you. he can feel your pulse (his posture must've looked horribly uncomfortableto someone watching from outside the two of you). it's peaceful like this. despite the bustling crowds and busy chatter around you, you shared a feeling of peace in that moment. body held close to the one you loved, despite the heat your far from bothered by the proximity. he smells so good.
then it hits him. no sweet treat :( the gravity of the situation makes it self clear to him, but his salvation, as always, is being held delicately in your hands.
"you wouldn't mind sharing with your brave, fearless, super funny, super hot, saviour knight now would do you baby"
#this was born from my deep desperate desire for ice that i cannot have right now because i am ill đ#gojo satoru#gojo x reader#gojo x you#gojo fluff#gojo x y/n#yandere gojo#jujutsu kaisen#gojo ff#gojo drabbles#gojo saturo#i think there are other characters that would react the sameish way though the dialogue would look very different#sukuna toji and SHIU (though there would be varying levels of intensity that the ice cream is thrown at#geto and megumi as well me thinks#but again the conversation and attitude would be a whole different thing on its own#maybe we want to see those versions ??? idk lemme know#KNIGHT YOU SAY???#(foreshadowing???)#UPDATE sm made me soup. yea that's right the made it for ME i feel loved rn#update on the nanami geto sick fic! it's longer than i had originally thought or wanted it to be. think ive bitten off more than i can chew#but i'll make it work cuz losing is for losers and im obviously not one đ#so kento cries#geto is in full wife and mother mode#it'll be out soon. trust đ©#or don't trust you the the right to exercise free will#hate when men yes but especially when those stupid sickening too strong colognes make an appearance. doesn't even matter the price#they exist in cheap and expensive ones it's so HSHDLS also brush your teeth mr creep
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Hi, I enjoy reading your stories! For the request, can I please have yandere Robin x reader?
MYSTERY PLANT
Yandere!Robin x Reader
You never expected much from a simple sapling. The tiny Robin Pear tree had been left abandoned near a market stall, its leaves trembling in the wind as if pleading for someone to take it home. You had always been good at nurturing fragile things, so taking it in felt natural.
Days passed, then weeks. The tree flourished under your care, its thin branches stretching toward the sun, leaves unfurling in vibrant green. Then, one evening, beneath a moonlit sky, something impossible happened.
A petal drifted down from the tree's blossoms, shimmering as it landed in your palm. A sweet voice whispered through the room.
"Youâve taken such good care of me⊠Now, let me return the favor."
The branches trembled, then split apart with a shudder. A gust of wind filled the room, carrying a floral scent that made your head spin. And then, from the heart of the tree, she emerged.
She was breathtaking. Ethereal liliac-silver hair cascaded down her waist, curling slightly at the ends, a halo-like ornament resting atop her head. Pale wings, resembling those of a celestial songbird. Her teal eyes, brimming with warmth, met yours, her lips curving into a soft, knowing smile.
"Robin." The name left your lips instinctively, as if you'd always known her.
Her smile widened. "Yes, and you, Y/n⊠you are mine."
From the moment she arrived, Robin has been following you around. She hummed melodies as she watched you sleep, brushed her fingers through your hair when she thought you wouldnât notice.
"I bloomed for you" she whispered one evening, her arms wrapping around you in an embrace "You wouldnât abandon me, would you?"
At first, you werenât sure how to adjust. But she made it easy. Despite her otherworldly presence, she was warm, affectionate, and endlessly kindâto everyone.
In the marketplace, she became a sensation overnight. With a gentle smile and a soothing presence, she helped merchants arrange their goods, guided lost children back to their parents, and sang in the town square, her voice drawing in crowds like a spell.
"Miss Robin, your voice is truly a gift!" one elderly woman praised.
"A gift meant to be shared" Robin replied, bowing gracefully.
And share she did. Her singing eased tensions, made quarrels dissolve into laughter, and even though she didnât say it outrightâinfluenced dreams. She once mentioned it casually, over breakfast, as if it wasnât an insanely terrifying ability.
"I see glimpses of their dreams sometimes" she admitted, twirling a spoon in her tea. "A little adjustment here, a comforting presence there⊠it helps people wake up happier."
You nearly choked. "Waitâyouâre controlling dreams?!"
Robin giggled, tilting her head. "Control? No, no, of course not. That sounds so⊠forceful. I simply guide."
"You have nightmares sometimes, donât you?" she asked, voice softer. "I could make them go away."
You hesitated. The idea of her wandering into your mind while you slept should have been unsettling. But⊠when she smiled at you like that, when her voice curled around your ears like a lullaby, it became harder and harder to think of anything other than her.
The incident happened at the market.
A local vendor, a kind, older man who sold fresh fruit, was being harassed by a group of thugs. They knocked over crates, laughing as apples and pears rolled across the dirt.
"Pay up, old man. Donât think we forgot your debt."
Robin was too far away, speaking with a group of women who had begged for one more song. So you did what any decent person would do.
You stepped in.
"Hey! Leave him alone!"
The leader sneered. "Oh? And what are you gonna do about it?"
You werenât exactly intimidating, but you held your ground. "Just walk away."
For a second, it seemed like they might. Then, one of them used a knife aimed towards you. You felt blood on your arm. The fruit vendor shouted in alarm.
But thenâ
A melody cut through the chaos.
"Oh dear," Robinâs voice floated through the air, lilting and amused. "It seems Iâve come at the perfect time."
The thugs froze. Their eyes glazed over as the sound of her song wrapped around them like vines, twisting through their minds, rooting itself deep into their thoughts.
You watched in stunned silence as their expressions slackened. The one who had cut you dropped his knife, eyes unfocused, lips trembling like he was on the verge of tears.
Robin stepped between you and them.
"Now," she purred, tilting her head, "I could tell you to leave, but where would the fun be in that?"
The melody shifted.
The men shuddered.
Without another word, they turned and ran.
"WhatâŠ?" You blinked at their retreating figures, confused. "How did youâ?"
"Are you alright?" Robin cut in as she turned to you. Her gaze flickered to your injured arm, tears are about to fall from her eyes.
"That was reckless of you..." she murmured, stepping closer.
You gave a sheepish laugh, wincing as you pressed a hand to your wound. "I just⊠I couldnât stand by and do nothing."
"Youâre too kind for your own good."
Her other hand cupped your face, thumb brushing your cheek in a slow motion.
"You should leave these things to me," she whispered. "Iâll always keep you safe."
You smiled at her, relieved. "Thanks, Robin. I donât know what you did, but⊠Iâm glad you were here."
"Of course. Iâll always be here."
By the time you returned home, the sun had already dipped beneath the horizon, painting the sky in dusky purples and oranges. The weight of the day clung to your limbs, but somehow, having Robin beside you made everything feel lighter.
"Youâre still bleeding, you know" she murmured, glancing at your arm as you stepped inside.
"Iâll clean it up in a bit" you reassured her.
Robin frowned, but didnât push further. Instead, she turned toward the bathroom, stretching her arms above her head. "Then, if youâll excuse me, Iâd like to freshen up."
You chuckled, watching as she disappeared behind the door.
The sound of water filled the quiet house as Robin bathed. You took the time to bandage your wound, then unpacked the things you had bought earlierâsome vegetables, spices, and a small box of decorative hairpins. You had grabbed them on a whim, thinking theyâd suit her.
By the time she emerged, steam curling from behind her, Robin looked more ethereal than ever. A towel was draped around her shoulders, her damp silver-blue hair cascading down in loose strands.
"Come here" you gestured, patting the seat in front of you.
Robin raised a brow but complied, sitting cross-legged on the floor. "What are you up to?"
"Your hair. Itâs still wet." You reached for a cloth, gently running it through her locks, soaking up the moisture.
At first, she said nothing, only closed her eyes, letting you take care of her. The room was silent except for the soft sound of the towel brushing against her hair. You moved with careful fingers, untangling knots, smoothing out each strand.
"Youâre so gentle" she murmured.
You huffed a laugh. "Is that surprising?"
"No. Just⊠nice."
When her hair was dry, you reached for the brush and slowly ran it through the silken strands, watching the way the light caught in them.
"You have really pretty hair, Robin."
Robinâs eyes fluttered open, tilting her head slightly to glance at you. "You think so?"
"Mhm." You set the brush down, reaching for the box of hairpins. "I, uh⊠got you these earlier. Thought theyâd look nice on you."
Robin blinked in surprise as you opened the box, revealing delicate pins shaped like tiny birds and flowers. For a moment, she simply stared at them, then she let out a soft laughter.
"Youâre too sweet, Y/n" she hummed, tilting her head. "Go on, then. Decorate me as you please."
You rolled your eyes at her playful tone but got to work. Carefully, you gathered sections of her hair, twisting them into an elegant half-up style, securing them with the pins. When you were done, you sat back, admiring your work.
"Beautiful."
Robin turned to you, smiling. "Why, thank you."
After taking care of her hair, you moved to the kitchen, determined to cook something nice for her. Robin sat nearby, watching with quiet amusement as you chopped ingredients and stirred the pot.
"You donât have to do all this for me, you know" she mused, resting her chin on her palm.
"I want to," you replied simply. "Youâre always helping others. Let me take care of you for once."
Dinner was warm, filling, and cozy. You ate together, sharing small stories and laughter between bites. But the real fun came afterward.
Robin had been humming absentmindedly, some melody she had sung in the market earlier, when you decidedâfor some reasonâthat you wanted to return the favor.
"I should sing for you too" you declared.
Robin perked up immediately, teal eyes glinting with amusement. "Oh? Please, go on. Iâd love to hear it."
You hesitated. Bad idea.
But it was too late. Robin was already watching, waiting, anticipation clear on her face.
So, you took a deep breath and started singing.
Andâit was bad.
Off-key. Wobbly. Nowhere near the enchanting, ethereal quality of Robinâs voice. But you kept going, determined.
For a moment, there was silence.
Then Robin burst into laughter.
"Oh, Y/n.." she gasped between giggles, clutching her stomach. "That was⊠truly something."
"Hey!" You huffed, throwing a napkin at her.
She caught it easily. "Donât pout, donât pout. It was adorable."
Despite her teasing, Robinâs laughter was light, happy. And as embarrassing as it was, you couldnât help but feel warmth spread through your chest at the sound.
As the night stretched on, the two of you stayed like thatâtalking, laughing, simply existing in each otherâs presence.
Morning came. You stretched with a yawn, blinking sleepily as the scent of fresh flowers filled the air. Robin had already woken before youâunsurprising, given her boundless energy.
"Good morning, Y/n" her voice drifted in softly from the other room.
You followed the sound, finding her standing by the small greenhouse extension you had builtâjust a tiny, sunlit space where you kept the plants youâd been tending for years.
Robin looked ethereal, dressed in soft pastels, her hair still pinned up the way you had styled it the night before. A teacup rested in her delicate hands as she gazed at the plants.
"You take such good care of them"
You chuckled, stepping beside her. "Of course. Iâve had them for a while. Some of these I even grew from seedlings."
Robinâs teal eyes flickered toward you, a small smile gracing her lips. "I see⊠so they are very dear to you."
"Well, yeah." You knelt down, checking the soil of a small potted rosemary plant. "Itâs rewarding, watching them grow. But I guess youâd understand that better than anyone."
Robin hummed, sipping her tea. "Yes⊠though, unlike them, I can love you back."
You blinked, glancing up at her.
Robin smiled, serene and elegant as always, tilting her head slightly. "Plants do not think. They do not feel. They merely exist, waiting for your touch, your care. But meâŠ"
"I can cherish you properly."
You laughed lightly, shaking your head. "Theyâre just plants, Robin. I donât love them like I love people."
Robin exhaled, her smile deepening as she reached out and plucked a small petal from one of the flowers. She twirled it between her fingers, watching it spin before it fluttered to the floor.
"Good" she whispered, almost to herself.
The rest of the day passed in quiet, domestic bliss. Robin helped you prepare lunch, her hands moving with practiced grace as she plated the dishes with an elegance that made even simple meals look like fine dining. She never ate much, but she always insisted on tasting anything you made.
"If youâve prepared it, then it must be worth savoring" she would say, a teasing smile playing on her lips.
Afterward, you found yourself lying on the couch, exhausted from the morningâs errands. Robin sat beside you, fingers combing gently through your hair.
"You should rest more" she murmured, her voice a delicate melody. "Itâs no wonder you sleep so deeply."
"Mhm⊠guess Iâm just used to staying busy" you mumbled, eyes fluttering shut.
"Then allow me to lull you."
The familiar hum of her voice. It wrapped around you like silk, smooth and sweet, threading through your consciousness, urging you into the embrace of sleep. You barely resisted. Robin continued stroking your hair, her touch light, careful.
"Thatâs right," she whispered, almost inaudible. "Just stay close to me. Only me."
You didnât hear it. You had already slipped into dreams.
That evening, as you stepped back into the greenhouse to water the plants, something felt⊠off.
A few of the smaller plants were gone.
Not withered. Not rotting. Simply⊠missing, as if they had never been there at all. The soil remained undisturbed, no signs of pests or animals. The pots that once held their stems sat empty, eerily clean.
"Robin?" you called.
She stepped in behind you, her hands folded neatly in front of her. "Yes?"
You gestured toward the empty pots. "Did you move some of the plants?"
Robin tilted her head, eyes wide with soft curiosity.
"Oh? Were they important?"
"Itâs fine. Maybe I forgot I repotted them or something."
Robin smiled, reaching up to adjust one of the hairpins you had given her.
"Yes," she murmured, "perhaps thatâs it."
The moment passed. The warmth returned.
And yet, as you continued through the night, laughing with her, cooking for her, letting her tease you over your terrible singingâŠ
The missing plants lingered in the back of your mind.
Like something unseen, waiting in the dark.
That night, you saw her in your dream, you assumed it was simply coincidence.
You stood in a vast garden bathed in moonlight, flowers blooming in unfamiliar yet impossibly beautiful shapes. The air was thick with a gentle fragrance. Somewhere in the distance, the faint hum of a melody drifted through the stillness.
She stood under a tree heavy with pale blossoms, her hair cascading down while the same hairpins you had gifted her glinting faintly in the glow.
"Oh," she smiled softly, folding her hands in front of her. "Youâre here."
Her voice was as delicate as the night breeze, carrying a warmth that made your chest feel light.
"Robin?" you asked, blinking. "Why are you�"
"It seems your mind has called for me."
"I donât rememberâ"
"It does not matter. We are here now, and that is enough, is it not?"
Something about the way she said it made you nod, despite the lingering confusion.
She reached out then, brushing her fingers along your wrist. "You are tired. Let me grant you peace, my dear."
And before you could say anything else, the world melted into warmth.
You awoke to sunlight streaming through the curtains, heart pounding faintly in your chest. The dream had been so vivid. You could still feel the cool night air, the scent of flowers, the softness of Robinâs voice lingering at the edge of your senses.
"Good morning"
Robin was there, standing by the open window, bathed in morning light. She turned to you with a soft smile, as if she had been waiting for you to wake.
"You seemed to sleep quite deeply," she mused, approaching with measured grace. "I do hope you found rest."
You sat up, rubbing the back of your neck. "Yeah⊠I had a strange dream."
Robin tilted her head slightly, curiosity flickering in her teal eyes. "Oh? Do tell."
You hesitated. The memory of the dream was still fresh, yet the more you thought about it, the more distant it seemedâlike mist slipping through your fingers.
"It was just⊠a garden," you muttered. "And you were there."
"How lovely," she murmured. "Perhaps your heart simply longs for me, even in sleep."
She said it so lightly, so effortlessly, that you almost didnât catch the weight of her words.
You laughed, brushing it off. "You make it sound so dramatic."
Robin chuckled, shaking her head. "I merely speak the truth."
"Regardless," she continued, "I am pleased. You should always rest knowing I am near."
The day passed with a familiar rhythm. Robin accompanied you to the market again, her presence as radiant as ever. She spoke with people kindly, helped an elderly woman carry her wares, and even hummed a tune that made a crying child calm almost instantly.
You watched as stall owners greeted her with warmth, their expressions softening the moment she smiled. It was as if she brought ease wherever she wentâlike a breeze that smoothed out the rough edges of the world.
But when you glanced at her, you noticed the way her gaze lingered on you.
Not just fond. Something darker.
"Is something the matter?"
You shook your head. "No. Just⊠watching."
Robinâs lips curled slightly.
"Then please," she murmured, "watch only me."
#yandere x reader#yandere#hsr x reader#honkai star rail#hsr x you#yandere honkai star rail#yandere hsr x reader#robin x reader#robin hsr#robin honkai star rail#heliosmysplant
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MIA
Price x Ghost but Ghost is kidnapped on a botched missionâŠ
Who am I kidding itâs basically a poly141 again because I have no self control.
CW: Kidnapping, violence, use of weapons, description of injuries, torture, possessiveness, death.
---
Price would do this for anyone on 141. Sacrifice his entire military career for any of them.
Kyle.
Johnny.
Simon.
Theyâre his fuckinâ family, his reason to wake up in the morning. His reason to keep fighting the good fight. Right now he feels like heâs failed them all, most of all Simon.
He remembers Shepard's brief; a new terrorist organisation sweeping through Europe. Put a stop to them before they can attack again.
They had a location, they had solid intel, they had a name. It was almost routine, painfully so, infiltrate, capture or kill.
Textbook.
It was a shock to them all when the tunnel blew, when Ghost got left behind.
Price couldnât tell what was worse, Johnnyâs screams or the thought of leaving Ghost behind. Not Ghost, Simon. His family, his partner.
He let him down, left him behind to be captured by the enemy. He had to make that choice as a Captain, for the well being of his team.
The shouting at Soap and Gaz to run felt like a fever dream, he needed to get them out the tunnel before the rest of the charges went off.
He left Simon behind. MIA.
Thatâs what they classified it as. When they were going through the debrief. Shepherd stood there with Laswell by his side refusing-point blank-to let them go back for him.
âWe do not have the resources for a full blow rescue mission captain.â Shepard snapped over the table.
âAre you going to stop me?â Price asked snapping back at him. He felt Kyleâs hand land on his shoulder, Johnnyâs raw tear stained eyes digging into him.
âYou have orders to follow Captain. Anything else will be classed as treason.â
âGeneral.â Laswell called trying to calm him down.
John didnât care, he had already made his mind up. They were getting Simon back, no matter what it takes.
He tried to stop them. Told Johnny and Kyle to their faces that if they followed him they would be ending their careers too. He was more then happy to do this alone, he was ready to do this alone.
âThis is not your responsibility.â John said watching their expressions, they looked between each other before turning back to him.
âWe do this together.â Kyle said.
âNo one fights alone.â Johnny said.
It was easy to grab gear and a car. Almost too easy. No one stopped them, no one questioned them. If they did it wouldnât have mattered, they would have to catch them first.
âI canât believe Shepard wanted to leave him.â Soap says a few minutes into the journey.
âWe never leave anyone behind.â Gaz snaps looking over at Price from the driver seat. John smiles at him then goes back to looking out the window.
âSure this is where heâll be?â Soap asks from the back seat.
âIf Laswellâs intel is good itâs the best shot we have.â Price said.
The rain was hammering down by the time they made it to to the building. The whole place was an abandoned office block or something. Price didnât care, Simon was in there thatâs what mattered, thatâs all that mattered.
The car comes to a stop the engine is turned off. Price jumps out, he picks his weapon up, feeling the cold metal on hands. He looks up at the dark building, he can feel his heart thump in his chest as he steady's his breathing trying to ground himself.
He feels a hand on his shoulder. âWeâve got your back Captain.â He swallows the nerves.
âLets move.â He orders.
âŠ
Its dark. Dark and cold.
Thatâs all he feels, cold air making him shiver. They stripped him of his clothes first. Hands wrapping round his throat, skin meeting skin. Punches to the stomach and face.
He tried to fight but the explosion was close, it hit him hard knocking him off his feet. He barely had time to orient himself before people attacked him.
He heard John last. He heard the order to fall back.
He heard the order to leave him.
That was the last thing he heard before he woke in a new place.
Itâs dark, he's strapped to a chair in a room with open windows. He can hear the wind, the rain.
Itâs cold, the chill causing goosebumps to rise on his half naked body.
They took everything but his boxers and jeans. Theyâve already tried to get info from him, the flashes of pain across his chest. Never deep enough to kill him, just enough to hurt him.
Heâs stronger then they think, stronger then theyâre prepared for.
John left him behind but he will never betray them.
Not his family, the people he loves. The people he spent the last few years letting himself get close to.
John.
Johnny.
Kyle.
His family. His partners.
No doubt his captors be back soon for another round. Another attempt to get him to talk. This could go on for days, weeks. He has to assume the worst, that no one is coming for him.
He has to keep it together, he canât let them break him. Heâs stronger then this, he's been through worse. Heâll keep it together till the bitter end.
He chuckles, he can hear shots. His mind is already playing tricks on him. For a second he lets himself believe its rescue, he lets himself have a moment of weakness. A pained groan leaves his throat as he tries to pick his head up. His eyes are swollen from the beating heâs taken. His chest caked in a thick layer of dried blood and sweat.
Thereâs a bang, so loud his head snaps to the side, a faint light floods into the room. His ears are ringing as he hears orders being shouted.
The voice sounds so familiar, his heartbeat picks up as someone comes over to him. Hands find his face for a second pulling his head straight.
âWeâre here, youâre okay.â
âJohn?â He asks, his voice catching in his throat. A mask is pulled over his face, it feels familiar, warm, safe. He feels the restraints round his hands vanish.
âItâs okay, weâre here Simon.â It is John talking to him. He feels Johns forehead pressed against his. âWe got you, youâre safe, weâre here now.â
Hands grip his shoulders.
âGet him out of here.â John says standing up. Simon almost wants to reach out for him.
âWhere are you going?â Thatâs Johnny. His voice is usually so relaxed, he sounds serious, his words harsh cutting through the air.
âGet him out of here!â John snaps.
ââCause sir,â another set of arms hooks under his armpits. He looks over at John pressing another mag into his weapon. His arms are pulled over shoulders as heâs dragged over to the other side of the room.
âJohn.â He tries to call but it comes out so quiet.
âStay with us Lt.â Johnny says, pulling him against him so Gaz can call the lift. Heâs dragged inside, Gaz coming to look at him, his hands running over his chest.
âWeâre getting you out of here. Youâre going to be okay.â
He lets out a breath closing his eyes as the door to the lift closes.
âŠ
John is on a warpath. Itâs been years since heâs been this angry, this focused. His he squeezes the barrel of his weapon firing off shots at anyone he sees. The image of Simon, blooded and bruised tied in a chair, so exposed, so vulnerable. It made him feel sick.
There are only enemies in this building, a building that needs to be rid of the despicable people who hurt Simon. His lieutenant, they have no idea what theyâre messing with.
How dare they.
He lets the smell of blood and gunpowder fill his nose with every room he clears. He expected more, more resistance, more people to take his anger out on.
Christian, that was the name they were given. He was running the whole operation, thatâs his target. The person who would have ordered terror attacks, planted the bombs in the tunnel, ordered Simonâs torture.
How dare he.
John makes it to the next floor he spies someone with his back to the door. He takes his knife off his hip sneaking up to the man and pressing the knife to his throat, wrapping his arm round his body holding him in place.
âWhereâs Christian?â He growls in his ear.
âN-next floor.â The man sobs. John slits his throat letting his body fall to the floor. He doesnât bother cleaning the knife putting it back in the holster. He continues clearing the floor. One body, two, three, fourâŠ
The walk up to the next floor feels surreal. He changes the mag in his weapon clicking it in place before walking into what used to be an open plan office. The place is surprisingly empty, still he canât help checking every cubical, every corner. He makes it across to the only other room in the building. There is light coming through the bottom of the door.
He takes in a deep breath moving his finger to the trigger and kicks the door open.
The man behind the desk stands up, his arms raised in the air. He reaches for his weapon, Price fires off the shot hitting him in the shoulder causing him to collapse to the ground. He walks round the desk watching him writhe on the floor.
Price kicks him, his hand tries to grab Priceâs foot. Price pulls it away then slams his foot down on his wounded shoulder.
âChristian?â Price asks.
âFuck you!â The man shouts back. Price lets out a breath and shoots in him in the head. His body goes limp, he removes his foot and turns back to the office door.
Itâs done.
Now all that matters is Simon. All that matters is Simon.
---
#call of duty#cod#fanfic#simon ghost riley#john price#john soap mactavish#ghost cod#kyle gaz garrick#taskforce 141#task force 141#tf 141#cod 141#soap mactavish#ghost simon riley#captian john price#john price x simon riley#captain johnathan price#poly 141#kyle garrick#simon riley#john price cod
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DO ME, BABY. | C. KENT âŠ
Red K!Clark is easily riled up.
18+ mdni!
red k!clark kent x fem!reader
warnings: dom!clark, brat!reader, clark is kinda mean (but not really), p in v, unprotected sex (always wrap it up), cream pie.
requests for v-day event are still open!!
cupidâs candy hearts masterlist
âââââ â â
êšïž â
â âââââ
CLARK LOVED taking you on dates to show you off, he loved the claim he had over you. Men physically cowered away from you in his presence and it stroked his ego like no other. The shiny class ring on his right hand was the sole contributor to the way he was acting, though, you didnât mind it much.
You loved Clark and the way you guys had sex without it, but it added a new element you never realized was missing. He was rougher, manhandled you in a way that you deep down had craved for a long time. Yet you had no idea anything was even different, you assumed he was just feeling more confident and left it at that.
Today was Valentine's Day and Clark wanted to take you to a party a friend of his was hosting to celebrate the holiday, you were quite social so you were looking forward to the outing. As the night approached, you finished off the last touches on your look for the night. Clark lingered near your vanity, a distasteful look on his face. The dress you wore had a deep-cut V-neck, he could already imagine all the guys that would be drooling over you.
âWhatâs up with you?â you questioned, your brows furrowing. Clark huffed and straightened himself out, walking towards the bathroom connected to your bedroom.
âNothing,â you heard him mumble under his breath, his reply made you roll your eyes. You stood to face him once you were completely ready. You studied his face for a while trying to decipher what was different about him, something had changed but nothing was visibly different.
âWhatever,â you sighed, walking to grab your shoes from their place in their closet. Clark was behind you in a millisecond, snaking his hands around your waist.
âDon't, âwhateverâ me,â Clark said in a snippy tone, gripping your hip tight enough to where youâll definitely have a bruise in its place tomorrow.
âWhatâs gotten into you?â you huffed, trying to walk away from him when his arms snapped you back into place immediately.
âMore like what hasn't gotten into you, yet.â Clark smirked, grabbing the fabric of your dress to ride the hem up your thighs.
âClark,â you warned, âwe're gonna be late,â
âOr, we could just not go at all,â Clark whispered into the shell of your ear. You shook him off and grabbed your purse, heading out towards Clarkâs car.
Clark rolled his eyes and followed behind you, scooping his keys up off of your dresser. As you made it outside, he unlocked the car and pulled your door open for you, shutting it once you climbed inside. He got into his side and started the car, his silence was deafening.
The car rolled to a stop in front of a loud house party, the music was audible from outside, and drunk people stumbled across the lawn. Clark huffed before getting out of the car to open your door for you. You stepped out and made your way inside, pushing through the sweaty sea of bodies.
You found your way to the kitchen and poured yourself a drink, glancing around to take in the people around you. Clark lingered by your side, watching you intently.
As you sat at the kitchen island sipping your drink, a boy approached you with a sheepish smile.
âHey, youâre Y/N, right?â He asked, looking from you to Clark.
âYeah, nice to meet you. And you are?â You smiled, reaching out to shake his hand.
âJack,â the boy introduced, shaking your hand. His touch lingered after the handshake and you pulled your hand away like you had just touched hot steel, gazing back to look at Clark. The sight that greeted you nearly made you pale, he was fuming.
Clark fixed his grip around your upper arm, dragging you back out the way the two of you had come just a few minutes prior. You fought a bit and the look Clark gave you made you stop immediately, running chills down your spine.
When you got to the car, Clark all but threw you in, slamming the door behind you. He moved to his side with speed and cranked up the car, peeling out of the driveway quickly. Clark parked a block away from the party on a side street and shut the car off.
âGet in the back,â he demanded firmly, getting into the back once you got back there.
His hands found the zipper of your dress and pulled it down as soon as he was next to you, grabbing the bottom hem of your dress and lifting it above your head. You were completely bare under the dress, you sort of figured youâd end up in this situation at some point.
âGod, youâre such a whore,â Clark scoffed, squeezing your perky nipples between his thumb and pointer finger. A small gasp left your lips as your back arched into him, begging for his touch.
âSo needy for me already,â his voice dripped with lust and cockiness, moving his hands behind you to grip your ass. You crawled into his denim-clad lap, rubbing your clit against his erection through the fabric. Clarkâs strong hands found a place on each of your hips, halting your movements.
âPatience,â Clark said with a devilish smirk, unbuckling his belt and unbuttoning his jeans. Your greedy hands moved to help him slide them down, but he slapped them away and tsked at you.
âNot so fast, you help when I say you can help,â his words ran shivers down your spine, you didn't know where this new hard side of him was coming from, but you didn't mind it in the slightest.
Clark flipped you onto your back to lie across the street, his solid form hovering above you. The boy shimmied out of his jeans and boxers, letting his cock spring free against your leaking cunt. The way your legs spread further for him out of habit made his jaw go slack for a minute, immediately recovering before you noticed.
His fat tip parted your folds with ease as he slid it up and down your slit, slapping it against your sensitive clit a few times. Clark then slid his cock into you with ease, your wetness providing all the lube he needed to start thrusting in and out of you.
Clarkâs fast thrusts rocked the small car back and forth, you were grateful he chose a discreet parking spot or everyone would know what was going on in the backseat of the car. Clarkâs speed was unusually fast, he loved to take his time with you. But right now, he was fucking you for his pleasure, not yours.
That didn't mean you weren't still screaming his name as his cock bruised your cervix, your body was coursing full of pleasure. You felt like you were full of electricity, your nerves tingling with white-hot pleasure. You were in pure ecstasy, your hands fumbling to your clit to push you over the edge into your first orgasm.
It tore through you with vigor, your muscles spasming beneath the large man. Clark smiled while watching you come apart, he slowed his hips a little to let you recover. That orgasm had taken practically everything out of you, your shuddering breaths wracking through your body.
âNot done with you yet,â Clark mumbled, flipping you onto your stomach and pulling you up onto your hands and knees. His calloused palm met your soft ass cheek roughly, leaving bright red marks in its wake. You cried out in both pain and pleasure, the smacks hurt so good. Clark repeated this a few times, soothing the skin over with his palm after his last strike to the swollen flesh.
Before you could recover from the smacks, Clarkâs cock was filling you to the brim again. His rough hands kneaded your ass while pounding into you, the slap of his hips irritated the red skin of your ass more but he could care less.
Your moans spilled out of you before you could even begin to attempt to contain them, his fat cock was pressing into your g-spot over and over again. The pleasure bubbled throughout you and your abused pussy clenched around him, the sudden constriction caused Clark to moan from behind you.
âIâm gonna cum inside you, okay?â Clark half asked, half stated. You nodded and pushed your hips back into him, chasing your own orgasm that was so close on your horizon.
Clark shot his warm load deep into you with one last thrust, filling you to the brim with his cum. The sensation sent your second orgasm crashing over you, wracking your body with trembles as you sprayed your orgasm all over the seat beneath you.
âHoly shit, Clark,â you panted, your chest heaving with your breaths. Clark just laughed and began redressing.
âBet Jake couldn't fuck you like that,â the dark-haired boy scoffed.
âJack,â you corrected.
âWhat?â Clark asked through clenched teeth, his face starting to turn a shade of red.
âHis name was Jack,â you giggled, teasing him. Clark got out silently still half-dressed and started the car with you still in the back. You slid your dress over your head and sighed.
God were you in for it when you got home.
âââââ â â
êšïž â
â âââââ
#clark kent#clark kent x fem!reader#clark kent x reader#clark kent smut#clark kent smallville#smallville#smut#18+ mdni#nay nay writes clark kent !#nay nayâs valentineâs day event !
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guess whoâs back on tumblr after trying to unalive themselves đ i donât really wanna talk about my absence and go into the depths of the reasoning why, so iâll just talk about why this account was made - which was for hamzah and slushy noobz. i want to have my own little thinkpiece on the match as well as my place in the slushy community moving forward
i want to say the match and the production is the reason why i love them soo much. they have such an ability of creating cinema with their videos, hence why one of my favourite video from them is the camping video (i tend to watch this video more for comfort rather than for humour though) â and thereâs an immense amount of payoff as a viewer watching their content, you can see all the layered inside iokes (i.e having aldo, and nettspendâs producers) and internet jokes culminate in something so carefully crafted (like the way chaseâs commentary was genuinely good??). and then the obvious reasons as to why i liked it, hamzah looked so damn good, and he knows it too (i also find martin attractive too, iâd just prefer not to talk about it too much in respect to his relationship). thereâs something so beautifully boyish about their content that i canât find something else (as much as i love them and before anyone says it, no - the dancing gamers cannot replace hamzah and martin and thatâs okay!)
however this video kind of cemented why i donât think iâll continue regularly engaging with their content. this video kind of felt like a bittersweet ending to one of my favourite eras in my life (watching them). and before i proceed, ik the reddit fans are gonna be annoying - on a side note of the reddit fans i feel like the reddit community is so pedantic over small stuff and because of the few, genuine bad eggs in the community, they over correct and just get so bitter and mad about everything (i.e them being so cruel to fanfic writers) and call everyone chronically online whilst they use the same old â*insert trending braintrot joke* đâ. i feel so aged out in a fandom even though iâm 18 - i canât imagine how the slushies who are actually around hamzah and martinâs age feel when their fandom is so reminiscent and full of the same 14 year olds that iâm convinced are the reincarnations of the 2021 14 year old dsmp fans. definitely more sane, iâll give them that. but community aside, at least reddit community, i want to talk about something another one of my mutuals mentioned recently in their own post and itâs how money hungry they seem. two things can exist at once, letâs get that straight - hamzah and martin donât get a lot of sponsorships but also being upset that so much of this well awaited come back was heavy promotion for the patreon which, mind you, had a decent amount of members subscribed (i do commend hamzah for encouraging people to unsubscribe over the break!) and also they get money off of ad revenue. i just personally find it egregious that their hoodies, the out of character ones, which are at least unique designs unlike them literally reselling temu shirts like the âfind xâ shirts, are the same price, in my currency, to the essentials fear of god hoodies.
for any south africans here, it was around like R900 for a hoodie! which is gross im sorry :)
there are also other reasons im distanced from them, and its their associations with chase and claire - i made a, now deleted, post about this before but chase has this annoying tendency i notice in white âqueerâ (i think heâs queer lmao) men where they speak in blaccents, which was heavily highlighted to me when he was a commentator and he was able to speak in a ânormalâ white accent, and claire made weird ass comments about black women. as well as having fucking idubzz (who im not sure why was even invited when like sm people are like âwho even is he??â) who literally had to make an apology about the fact he created a racist culture with his platform, years after the damage was done. i also have other smaller issues with them that would definitely actually get me cancelled (not even over on the reddit but here). but idfk, what are yalls thoughts?
#hamzahthefantastic#slushynoobz#slushy noobz#hamzah#hamzah x reader#hamzah the fantastic#hamzahthefantasticxreader#hamzah imagines#hamzahthefanastic x reader#replies
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My Love Mine All Mine | Stanley Pines
â
Caryn Pines gives her son the only thing that truly belongs to him. love that will live in the people he loved and in the people they will love after him.
for Stanley Pines, whose soul was too big for his own body, so he gave the extra away. who had nothing and so he gave everything
i highly recommend listening to this song when reading <3 its by Mitski
before anything else, before words, before thought, there is love. and love is red, love is screaming, love is Stanley Pines coming into this world.
and his world begins with a cry. Stanley is loud as he will ever be, his tiny body shaking with a ferocity.
she holds both of her sons to her chest, skin to skin, two tiny bodies curling into her warmth, and she knows. these are mine.
and she loves them both like the ocean loves the shore.
Caryn feels two new hearts against her. she presses Stan close, feeling the tremble of his breath. he is too small to know what he needs, but she does.
Caryn knows that everything she does will leave a mark. she wonât leave them money, she wonât leave them houses, but she will leave love. a love so vast, so infinite, it will fill spaces long after she is gone, after the years pass.
âyou are mine. all mine, my love. i will teach you how to love, because thatâs the only thing that will ever belong to you.â
Ford is quiet in her other arm, calmer, softer, less of a storm, more a ripple in the ocean. but his twin is a storm and he will carry that storm with him always. it will be his curse and his blessing and Caryn will teach him how to contain it. she hopes it plants something deep inside him that will take root, that will never leave him, even when she does.
âStanley,â she breathes, pressing a kiss to the forehead of the loud one. she shifts, pressing another kiss to the quiet one. âStanford.â
Stanley never stops crying unless Caryn holds him. and Ford never cries at all. unless Stanley is taken away, so Caryn carries them both at once because her arms are strong and her heart is stronger. Ford rests in the crook of her arm, Stanley clings to her like a little stubborn monkey.
she sings to them before they understand words, sings because love is the only language they will ever need.
âmoon, tell me if i could, send up my heart to you? so when i die, which i must do, could it shine down here with you?â
Stanley kicks his feet in time with the melody. Ford watches her mouth move, curious.
Caryn takes Stanley to the ocean, cradles him against her chest as the tide curls around her ankles. the waves roar, and he giggles, his small hands grasping at the sea spray.
âsee, sweetheart?â she smiles, bouncing him gently. âthis is yours. the whole ocean.â
Stanley realises, this is home. this is the ocean. and he will love it, because Caryn loves it and Caryn is his, so it belongs to him too.
Stan buries his face in her neck, grinning against her skin. Ford is on the shore, his tiny fingers curling into the sand, fascinated by the way it shifts beneath him.
her boys. her whole world.
itâs strange, the way children grow. they exist between moments, one minute they are so tiny, and the next, they are already eight.
and Stanley, with all his fire, all his want to hold the world in his hands, is too much. too much for this small house, too much for his small body. so he reaches.
when it rains, Stanley runs outside, arms wide open like he could hold the whole sky, mouth open to catch the drops. Caryn doesnât mind, she never minds. she takes his hand and twirls him in circles until they are both dizzy, rain-soaked, laughing.
Ford stands under the porch, watching, waiting. he is quieter still, more thoughtful. he is different. he watches moths with wide eyes, reaches for mushrooms with eager hands
Ford loves the quiet things, the soft things, the dark, the mysterious. Stanley doesnât understand it. how could he understand the silence when he was born from a cry?
Stanley finds the moths disgusting, he sticks out his tongue when it flutters too close. but Caryn only laughs, cupping one in her gentle hands, watching the delicate way it moves. âhe sees the world different than you,â she tells Stanley. âand thatâs beautiful.â
Stan pouts. but later, she catches him watching Ford watching the moths. he wants to understand.
that is the thing about love, she thinks. you donât have to understand someone to love them. and she is proud of them both. they balance each other
but Stanley does understand love, because his mom has given it to him in every moment, in every touch. she is raising him on it, feeding it to him like milk.
but he doesnât know yet that one day, when he is older and the world becomes too rough for him, love will be the only thing he has left. it will be the thing that pulls him through.
Stanley is joy. Ford is quiet. and Caryn is the bridge, the hands that hold both at once. she knows that love is different for each of them. she loves them in the way they need to be loved.
one more thing about love: it does not stop the world from moving forward and it's not enough to keep Stan and Ford from growing up.
the house is too quiet without Stanleyâs voice filling the halls. he leaves with his motherâs love carved into him, so when she'll be gone, it'll feel like he is bleeding.
but when Caryn dies, she lives in him. Stanley wonders if he could send his heart up to her. he wonders if she knew if he still carried her love in his hands because no one else in the world could ever take it from him.
and that love, the one she taught him, it moves through him like a pulse, and Stanley doesnât know how to let it go. but he does not need to. it will never leave him, even when everything else does
years pass, and his mother's love is still in him.
itâs many years later when he meets a boy without a father. a kid with a too-big heart. the same hunger for a love that doesnât ask for anything. so Stan does what he was taught, he holds Soos close, he becomes what Caryn was for him.
Stanley does not think about it when he ruffles his hair, when he buys him lunch without being asked, when he shows him how to fix things.
he pours that love into the boy, as best he can, knowing full well it isnât enough. but love, as his mother said, it is all he has to give. it is the thing that will stay, even after he is gone.
years pass, and when Mason and Mabel are born, Stanley stands at the edge of the hospital room, hands shaking.
Mabel is first, she arrives screaming, loud, red. Stanley strokes her tiny cheek with his thumb, only now realising how he looked when he came into this world. so this was me, he thinks. Caryn always mentioned it. now he knows. because now Mabel exists and she is warmth, she is loud, she is life, she is the echo of his own baby wail. too much love in too small a body.
Stan does not expect to cry, but he does.
because when Mason is placed in his arms, there is a birthmark on his forehead. a constellation written into his skin. Stan doesn't know if he's crying or laughing because the universe must be playing a joke on him.
six fingers, the big dipper, twins.
itâs too much like Ford, too much like the thing he lost
Stan's heart is too full, too raw, too open. and when he holds both kids, so small, so pure, he understands. he understands what it means to love something so much that it hurts. because this is what he does and he will do it for as long as he can: he loves. he loves the children, he loves the world in pieces, he loves the moment heâs in, because that is all he can do.
Stanley swallows hard and pulls Mason close, because he misses hugging his brother. he presses his forehead against the baby's and laughs. âkid, you got some big shoes to fill.â
Mabel gurgles in his other arm, as if reminding him sheâs here too. Stan grins. "don't worry, sweetheart. i won't forget you."
he never does. because they are his now.
when theyâre little, Stan carries them both at once, just like his mother did. he rocks them in his arms, sings to them like his mother sang to him and Ford.
so when i die, which i must do, could you shine it down here for her?
the years pass, and Stanley is there.
he carries Mabel on his shoulders, spins her in the rain, lets her paint his nails and knuckles with glittery nail polish.
Mabel reminds him of himself. she is messy, untamed, wild with love. Mason reminds him of someone he cannot say out loud, but that is okay.
Mason. . . Mason with his notebooks and his questions and his hunger for the strange. Stanley listens. always. because he remembers Fordâs voice, too. remembers what it was like to have so much inside you and no one to tell it to.
nothing in the world belongs to him. not really. not his home, not his name, not even his own history.
except his love.
Stan looks in the mirror and sees his motherâs hands, sees the way she used to hold his face, thumb brushing his cheek.
âi did good, ma,â he says, not expecting an answer. the moon is outside, glowing with a light it doesnât own.
and Stanley knows. love is the only thing that never left him. his, all his. it lives in the ocean. in the rain. in the wings of a moth. in the laughter of a child.
it lives in the hands of a boy who learned how to fix things. in the laughter of a girl who runs into storms. in the eyes of a boy who sees magic in what others ignore.
when he dies, his love will not.
it will live in Soosâ hands, when he holds his own child for the first time
it will live in Mabelâs loud laugh, when she spins her brotherâs kids in the rain
it will live in Mason's voice, telling stories to people who will listen
love is the only thing that does not end.
his love, his, all his.
#gravity falls#gravity falls stanley#stan pines#stanley pines#young stan pines#gravity falls fanfiction#grunkle stan#ford pines#mabel pines#dipper pines#soos ramirez#a tale of two stans#gravity falls fanfic#mullet stan
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27 Asks! Thank you! :}} đ
@peaspods
I might not be understanding, but I'm imagining this as people opening up commissions so people can give them money and they can turn around and donate that money to me..
I fear that this would create the opportunity to scam people.. "I'm taking commissions on behalf of Factual Fantasy! They're very sick so please commission me!" only for them to run away with the money they make..
I've been thinking a lot about setting up some kind of commission/donation thing because I'm starting to kind'a need the money.. but idk, I'm just kind'a run down and need some time to keep thinking about it. Thank you very much though <:)))
@zecromgen5
Thank you very much! :) And I've been hanging in there.. there hasn't been much improvement to my health or my mental state. The fact that in April it will officially been over a year since my health started to decline, and the fact that I'm going to spend my birthday at home collapsed on the couch has made me feel very sad <:( But I'm doing my best to work on it.. I'm hoping this new advice from my doctor helps me feel better <:)
And something good HAS happened actually, I got my tablet/FireAlpaca to work again! :))
XDD SJKFJSH AWW! THANK YOU SO MUCH!! :DDD
I've only seen a bit of it from Markiplier. So far I'm 50/50. Somethings I like and others I don't care for đ
@neo-metalscottic
Thank you so much! :D 'm glad you've liked my recent artwork!! :}}}}
Also for Homes eyes, that was just meant to represent its oppressive presence and the fact that its watching them in that moment.. đïžđïž
And I don't have any plans for any of the neighbors or Wally to figure out the house is alive. My AU is more like "a day in the life of" thing. Having someone discover Home is alive would move the plot forward. Which I don't feel like doing <XDD
Now communication... Home understands the concept, but he has no way of communicating other than creaking the floorboards and slamming doors..
I've heard about the well. That could work for Cliffjumper and Breakdown maybe.. and the twins perhaps.? But wouldn't they have to have Tailgates body in order to revive him? Hmmm.. idk actually,,
I've watched the bayverse movies, most of Prime and a few other things here and there. I didn't mind the bayverse movies that much, but I can see why a lot of people don't like them <XD
I just imaging trying to consume more than one Transformers media would be a lot to take on.. and I also don't like the animation styles of most other transformers shows đ
(That's actually how I decided to watch Prime. I took a look at all the shows and went "this one looks ugly, this one looks ugly,, this one looks REALLY ugly.. Oh, this one doesn't look half bad. TFP it is then!")
@acreaturecalledkyfa
I've watched Markipliers first video on it. So far I'm not sure how I feel about those two đ
The way I immediately opened YouTube and went looking for it XDD
@fandomcenteral (Link in ask)
Thank you so much! :DD This will come in handy!
@mason-gaylord
Aw! Thank you so much!! đ„°đ„°
@im-nice-but-i-dont-like-you
Jangles would be a helicopter probably, Gerald would be a tank, Cici would be a Miata and Bibi would be a slightly raised up Miata XDD
Aw, I'm honored that you miss them <:}} Though I don't know if I'll draw them anytime soon.. I'm really not into inserted OCs anymore <:(
I'm waiting on Markiplier to release more videos on it <XD
@fadlingartisanfreakwinner
I like to imagine that Pokémon can learn dozens of moves. But 4 is the limit for official Pokémon battles. So any wild Pokémon in my comics can use/learn as many as they want :0
And yeah, they had that chat eventually. I just never got around to drawing it đ
@wolfie-777
Nah nah its just iced tea XDDD
@whereismycupofcoffee
:DDD Thank you so much!! :}}}}
AAAA THANKYOU SO MCUHH!! :DDDD
@nuggybee
Yeahh,, Sky has its ups and downs. I'm currently in one of its downs. It seems like I'm let down by everything they're releasing đ
@smithanonsworld
I feel like I've never seen a rabbit that color... its so cute đđđđ
@heaventhehedgi3
That sounds like me! Though I don't draw Octonauts anymore đ
I'll keep it in mind! :0
đ„čđ„čđ„čAw... that's so sweet! Thank you so much!! đđđ
@captain-skyler1987
You made an account just to follow me? :DD Aw that's so sweet! :) Thank you!
Also I'm sorry to hear you got the flu :(( I hope you're better by now!
I also have not played Dandy's world đ
@stargirldrawsx3
The first thing that came to mind was very anxious all the time đ
@network-warrior-01
Ah, that was an April fools post. <XD There is no drawing
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AT A LOSS
TAGS: WIFE!READER [Originally just mentioned once in dialogue but otherwise just spouse is used when describing said relationship between characters], Husband!Caracalla x Reader x Unrequited!Geta, Mentions of sex, Brief mentions of slavery [gladiators in the Colosseum], Brief mentions of animal cruelty [animals participating in the Colosseum], Historical inaccuracies, I'm not sure what else.
FIRST NOTE: I think I wanted to try accentuating the care he wants to give reader and therefore ends up treating those around him as what he sees them as- disposable and like shit. Geta is a TERRIBLE man so I guess I just wanted him to be pining for someone he knows is out of reach. I was gonna make it a series to like Caracalla x partner reader x unrequited Geta. if this is the first chapter, ngl idk where to trail off from there. i kind of write while im smoking just to fuck around so maybe i could write at least five-ish chapters if i think of a good enough plot. WHAT DO YOU PEOPLE THINK?? who knows i could even do the same with Caracalla, it could make sense cause he literally kills his brother in the movie
SECOND NOTE: pov ur me, high off like five tokes and u watch Gladiator 2 the day it comes out on Paramount+. BOOM, obsessed, love it, don't even care about the historical inaccuracies. For some reason, as someone as not all there like Caracalla is, having that deep relationship with his brother, once he notices that lil interest Geta has, or even just the doubts of others finally becoming to a point where my guy has to LOCK IN to keep his partner w him. not cause they don't love them, I think it would be cause he loves THEM too much. I'm talking bristling at the notion whenever he thinks of them together. JUST UNSPOKEN TENSION. do u guys enjoy that?
THIRD NOTE: unfortunately, i have more to talk about but no one to say it to so ur my audience. yelling into the mic i ask, do you guys think I should write porn of Caracalla and reader FUCKING?? idk if it would even include Geta- IT COULD, WHATEVER YOU GUYS WANT. I sort of just wanted to explore writing intimacy as an actual action instead described as thoughts. leave ur thoughts on what u guys think on that too bc im literally so curious.
PLEASE DON'T COPY MY WORK, I BET YOU
Summer in your lungs, and alcohol swimming in your stomach; Caracalla wonders if he's seen beauty such as yours. Never alone in the hours of the night, the lovers he takes soon notice how harder he is to satisfy, to sedate into a warm puddle wrapped in expensive sheets- instead becoming unflinching to the pleasures that usually melt his tortured mind.
Intense with his emotions, he swears this affection was there from first glance. Taken sight of you at in your hazy glory; the clothes accentuating the shade of your skin, the warmth of your eyes, it only takes months before you two wed.
From there, days are blissful. Misery always follows, but he finds with your company at his side, falling into the episodes of madness are rarer and rarer.
Perhaps it's the sweetness of your soul mending what his lacks, or having the closeness of your body distances the pestering thoughts appearing out of thin air. No matter what is it, with his claws dug into your being- he refuses to let go.
Dimmed by what other's consider insanity, it's difficult not to see Caracalla's growing lucidness. Coming face to face with it, Geta realizes any foes and enemies of Rome has never been as close as his brother has to the inner workings of his mind.
Divided by grace, the affection for you has been its limit. As the eldest, Caracalla bears the pitying glances from other's in the palace; to have the responsibilities laid on Geta is blasphemy, but who else can handle its weight when his mind is in two?
Who else to lessen its everlasting ache if not you? For that reason, such as many others, is why he cannot risk this becoming what he has grown familiar with- sharing with his brother.
Holding the same curiosity he did in the faint moments of childhood, his Adam's Apple bobs faintly- and when you look to follow its movements before returning your gaze to him: a faint shiver is felt and repressed in that same breath. "Caracalla?"
Asking in a murmur, he knows what you're referring to. Living with you these past handful of months, he can recall the number of times you've cut each conversation he's thought out into nothing more than small talk. In one worded questions, he cannot help but admire the relaxed sight of you.
So much so, he allows you to each time. Tossing the unspoken plans of connection for small talk, he nods. A hint of a smile is seen, and alone from that, you beam back at him.
Genuine like the sun, to continue seeing it, it makes it easy for him to keep spew out half thought words in hopes something he says would land. "He will arrive shortly, do not worry.", it ends with your name, echoing from his mouth, and although the God's have given him the same glory they themselves hold at their fingertips; nothing has sounded as holy.
Bounded by faith, the prayers he spills are ingrained in the folds of his brain, but once consumed in these times of power, he wonders if he should dare step closer to the soul he swears should beat for him.
"... Geta?", Unknowing for how much time has past, the beaming smile you once held is melted into a small frown. Quietly urging him to the present like he's seen you do with his brother, there's a warmth blooming in the hallow part of his chest.
Cherishing the brief concern, it only seems to remind him what Caracalla has naturally and what he takes the scraps of.
Still leaned back into the expensive marble, the wall itself is a pale enough color to forget about, instead focusing on the features he, too, fantasizes of in passing moments alone.
"Where did you go?", Too familiar with speaking to the other emperor, the question is thoughtless when spoken, yet its weight is felt nonetheless. "Nowhere. Just here.. Are you enjoying yourself?", Taking a pause, he eventually speaks again. It's done when walking to the the throne nearing Caracalla's; the one you sit in.
"Quite the spectacle.", Your eyes peer down at the sight below; bloodshed in the Colosseum's sand doesn't make your stomach twist like it once did, however when watching captured men swing weapons- and seeing another one fall, you look to him again.
Sitting at his own throne, you find his eyes already on you; a quirk upturning on his lips to show the pleased buzz your words give him. Gladiators from conquered lands, their purpose in Rome is to win their survival and amuse any passing visitors. Yet in the past year or so, since your arrival, he's found a deeper sense of pride at their display.
Growing passed the Senator's praise, passed continuing his parents past teachings, he has found serenity in the amazement you hold so clearly.
Seeing your wonder at the captured animals; their stature towering over the sand's flat ground, using its strength to trample over any competitors- he finds himself chasing the occasional bursts of attention he manages to keep with in your magenta sunlight.
Never promising loyalty to anyone; he chases it when you're unable to give it, the mess of concubines and courtesans who he cannot remember the names nor the faces of, only remembering their similarities to you- their purpose has been asked for more as of late, and neglected all the same soon after.
No matter if it was seeing a person with hair similar to yours, a familiar sounding voice, even just dressed in clothing resembling your own; they were sought out after in hopes of finding you in them.
He finds it only lasts briefly.
Of course sex is endless, at the call of his voice and at the stop of a groan; services are there to satisfy whatever craving he has. But after each round of breathlessness, he finds that hunger for what is missing growing into something insatiable.
Hours spent, feeling their bodies, picturing what your own must look like underneath the white moonlight casting into his bedchambers. Each thrust is heavy with yearning he cannot mend, moaning for warmth he cannot have; he damns Caracalla in those times for finding you first before he did.
Perhaps then would you be his spouse. To bed you the same way his brother does would be true nirvana, to hear those same whimpers he knows you're able to make, to feel you shiver and tighten around him the same way those people do; it's what he longs for.
He's certain then he'd be more than just rough, chasing whatever high is made in a blurry of orgasms- it becomes difficult to differentiate who is with him and who is imagined; not when his eyes are shut and your image is all he sees in its darkness. Tenderness is taught, and if his brother was able to learn to extend that same to you; there is no doubt he'd do the same.
"Are you enjoying it?", Turning your focus back onto Geta, his answer is a hum. The sound is husky from passing thoughts, and strain for what should be hidden; he takes a moment to gather his words.
"I always favor your company, the spectacle is merely entertainment.", Repeating what you said only minutes ago, the unexpressed emotions behind it is registered in your mind- and although brushed off originally, that denial you have becomes harder to not believe Geta's feelings becoming more noticeable in the time spent at his brother's side.
"The ambience of cheering Roman's, animals in pain, and dying men; no wonder we have such lively conversations in these times.", Another quality of yours he finds endearing is your dryness. The harshness soaked into your veins from being raised by your family has not changed you the way it has him he notices; viewing the cruelties of Rome in whatever light you could shed, he once again almost smiles, a quirk of his lips turning upwards showing.
"Complaining to the emperor for the privileges he's given you? What an ungrateful wife you are.", Breaking out into a smile, what is said is anything but malicious. Leaving Caracalla unmentioned; unsaid, his mind is soothed from its ache, mending itself when remembering it's just you and him- hidden away.
Alone in a place where he can pretend you two are more than in-laws, there's a warm stirring at the sound of your laughter. Filled with humor you express so freely, it reminds him of conversations with your father throughout the years; his stories of your youth.
Defiant in ways he wishes he'd seen, and mischievous in ways he knows you still are; the only changes is now you're not tangible. Yet, lost in affections like he never got to be as a boy, he doesn't mind who he's face to face with now. Not in the slightest.
"Forgive my insolence, emperor; I plead for it.", Clearly you speak to Caracalla too much because the shiver trailing up his spine goes directly into that heated feeling in his abdomen. Aware you're unknowing to the effect you have, it only worsens at the hint of playfulness heard.
"Oh, you're forgiven. The God's have extended their mercy onto you today, but be wry, they could change their mind.", Unwilling to give into the arousal brewing, the tension he's created in his body, he replies with a smile- one that lingers too long.
Mischief isn't needed to be noticed in the palace, not with the two emperor's having their souls intertwining themselves with your own- no longer being unheard by those around you, that streak remains. It brings an amusement greater than bloodshed to Geta, and even more so to Caracalla. Smoothness of your words he swears is coated with the sweetest of wines; it disarms what would be seen as scrutiny as nothing more than a jest.
With humor being forgotten in such trying times; outside of what the Colosseum offers, and outside of the different celebrations of another conquered land- Geta finds your spirit is lightening to what is constantly dampening in his.
Shouts of Roman's are heard, like you predicted, and another man falls. However, with neither of you truly paying attention to the sight; their deaths were not offered the same graciousness you're given so carelessly, so frivolously: and when one of the last remaining takes their bow to surrender- only then do you look away.
To see your eyes of amusement grow into something unreadable, his own smile dims into a frown.
Standing from the throne, his hands rest on the Bisellium's railing, he grips onto it tightly when seeing below. Blood stains the sand as always; the deceased laid out over it in the afternoon heat, and the two lone man kneel. Meters away from one another, your eyes flicker between them, and soon Geta speaks up again.
Mercy is yelled in the air, and when he asks you, his voice is quieter than intended, "Shall we show mercy?"
Sparking what was lost, you nod, and another smile is seen, "Mercy."
Prayers do not solve what is inevitable, he finds, not when the God's blood soars through his body. The threat of rebellion, and the stings of betrayal, that mask that hides it all becomes wavering whenever he's with you; wishing to you like he did as a child to the God's for power, to worship you in ways he only should deities- it almost feels blasphemous.
Even more so now, when you don't understand the importance behind what he says; the grace he offers, the laughs he lets slip out- it is only the beginning of what he could promise you.
FOURTH NOTE: Now that you've made it this far, I wanna like drift away from what I was writing on my old account. it was just small paragraphs, but writing on a laptop just HITS DIFFERNT- literal hours spent doing this shit. I don't rlly wanna take requests bc i feel like my time is just too hectic for that, BUT I WOULD LOVE to hear your guys thoughts!! Okay, small series on these characters- Quinn Mossbacher, Simon Kalivoda, Ethan Russell, DIMITRI KRAVIOFF, DANIEL MARKOWITZ, JASON HOCHBERG, and finally our beloved; Caracalla. bad part is I haven't most of the movies they're in, so i don't want it to be inaccurate.
FIFTH NOTE: currently i'm writing a Johnny Storm fic series inspired by the new Fantastic Four trailer (writing the third chapter of what could be a five or even eight part series if I get to understand that franchise better), an Eddie Muson fic mainly just to fuck around and post that old one I never got a chance to. also an Adrian Chase fic i found on my laptop, another one for Koby from the one piece live action (I was inspired when the show first came out), and joe goldberg
FINAL NOTE: I've wanted to get into watching Yellowjackets. LOVE THE SHOW. Another thing I wanted to ask bc when I write for women characters, i like to write them as WLW. SO would you guys like it if i also wrote for Iris (Companion), SISTER BARNES (Heretic), Jinx (Arcane), Lucy Maclean (Fallout), Rhiannon Lewis (Sweetpea)?? one day if i sell out and get a membership to Prime or those silly addons; I WILL.
#caracalla x reader#emperor caracalla x reader#geta x reader#emperor geta x reader#emperor geta fanfic#emperor caracalla fic#i hate tagging shit bc i never know what to put i just dont wanna ruin peoples scrolling w like fanfiction HA#PLS LET THIS FIND THE RIGHT PEPOPLE
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